Monique Van Genderen creates luscious, colorful abstract paintings on canvas as well as directly on the wall in large-scale painting installations. The history of abstraction and how it relates to contemporary graphic design and computer-generated images also inspires her. Van Genderen describes herself as a non-objective abstractionist, meaning she creates her own painterly language that is concerned with surface, finish, and continued interventions within the subject of painting. Her works often suggest an abstracted landscape due to the breadth of field, biomorphic forms, and interplay of colors and shapes. Van Genderen creates self-consciously aesthetic abstraction, painting large faux brushstrokes and exaggerated drips. The lyrical brushstrokes become symbols of abstract painting, referencing yet again the language of abstraction.
Van Genderen examines the objecthood of paintings by creating installations of paintings that reside in and respond to their architectural environments. She responds to the architecture in a collaborative way, leading to a seamlessly organic relationship between the walls, the floor, and the canvases. Her paintings, often occupying the wall from the edge of the floor to the edge of the ceiling, are vertical compositions that emphasize the horizontality of the floor and simultaneously her interest in relating her work to the space in which it occupies.
Monique van Genderen received her MFA from the California Institute of the Arts, Valencia, CA. She has had solo exhibitions at Hammer Projects, UCLA Hammer Museum, Los Angeles, CA; Kunstverein Heilbronn, Heilbronn, Germany; Wexner Center for the Arts, Columbus, Ohio; Pennsylvania Academy of the Fine Arts, Philadelphia; D’Amelio Gallery, New York, NY; Michael Janssen Gallery, Berlin; and Chinati Foundation, Marfa, TX. Her work has also been included in group exhibitions at Kunstmuseum St. Gallen, Switzerland; Japanese American National Museum, Los Angeles; New Museum, New York; Art Unlimited at Art Basel 37; and in the 48th Corcoran Biennial in Washington, D.C.
- 1991
- 1987
Selected Solo Exhibitions
- 2024-2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
- 2011
- 2009
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
Selected Group Exhibitions
- 2024
- 2023
- 2021-2022
- 2020
- 2019
- 2018
- 2015
- 2014
- 2013
- 2012
- 2011
- 2010
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
- 2001
- 1997
- 1993
Bibliography
- 2023
- 2022
- 2020
- 2018
- 2017
- 2015
- 2014
- 2013
- 2012
- 2011
- 2010
- 2009
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
- 2001
- 1996
Group Exhibition Catalogues and Books
- 2017
Awards, Grants and Fellowships
- 2019
Public Projects
- 2020
Public Collections