Combining collage with mixed media, Deborah Roberts’s figurative works depict the complexity of Black subjecthood, redefine beauty, and critique ideals and stereotypes. Exploring themes of race, identity and gender politics, Roberts is renowned for creating semi-autobiographical portraits of African American girls and boys, primarily through her distinctive use of collage. Roberts imbues her figures with agency, thus providing them with unique and unfixed identities pointing toward their complex inner and outer lives. Roberts’s work mixes found imagery with hand-painted or drawn elements to create hybrid figures that skirt the boundaries of the real, and challenge notions of authority in image making. With collage, Roberts seeks to create a more expansive and inclusive view of the Black culture experience.
Deborah Roberts was born in 1962 and is based in Austin, Texas. Her work has been included in numerous exhibitions including Multiplicity: Blackness in Contemporary American Collage, Frist Art Museum, Nashville, Tennessee; Brooklyn Museum, New York; Harvey B. Gantt Center for African American Arts + Culture, Charlotte, North Carolina (2024); Deborah Roberts: I’m, The Contemporary, Austin, TX; Deborah Roberts: If They Come, Stephen Friedman Gallery, London, UK; Deborah Roberts: The Evolution of Mimi, Spelman Museum, Atlanta, GA; Doro Olowu: Seeing Chicago, Museum of Contemporary Art, Chicago, IL; The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington D.C.; Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection, Pérez Art Museum, Miami, Florida; Plumb Line: Charles White and the Contemporary, Californian African American Museum (CAAM), Los Angeles; Still I Rise, MASS MoCA, North Adams, Massachusetts; Go Figure, Pizzuti Collection, Columbus, OH; Reclamation! Pan- African from the Beth Rudin DeWoody Collection, Taubman Museum of Art, Roanoke, VA; Legacy of the Cool: A Tribute to Barkley L. Hendricks, Mass Art, Boston MA; and Fictions, Studio Museum of Harlem, New York; among others.
Her work is included in several public collections including, Block Museum of Art, Evanston, IL; Brooklyn Museum, Brooklyn, NY; The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; Los Angeles County Museum of Art, Los Angeles; Pérez Art Museum Miami (PAMM), Miami, FL; Pizzuti Collection, Columbus, OH; The Studio Museum in Harlem, NY; Whitney Museum of American Art, New York.
![This image depicts an artwork by Deborah Roberts titled "Taking a stand." This artwork was created in 2024 and measures 40" x 26 ³⁄₄" [HxW] (101.6 x 67.95 cm). Its medium is 11 layer screen print with digital UV and 24 karat gold leaf on Somerset Velvet Bright White 500 gsm paper.](https://vielmetter.com/wp-content/uploads/2025/01/Deborah-Roberts_ROB542.22_1737059436-732x1024.jpg)
Taking a stand, 2024Inquire
“Taking a stand,” 2024
11 layer screen print with digital UV and 24 karat gold leaf on Somerset Velvet Bright White 500 gsm paper
40" x 26 ³⁄₄" [HxW] (101.6 x 67.95 cm)
Edition 22 of 35, 10 AP
Inventory #ROB542.22
Signed, titled and numbered recto
Courtesy of the artist and Vielmetter Los Angeles. © Deborah Roberts.
Photo credit: Olympia Shannon
![This image depicts an artwork by Deborah Roberts titled "Betty." This artwork was created in 2022 and measures 60" x 82" [HxW] (152.4 x 208.28 cm)66 ¹⁄₄" x 87 ³⁄₄" x 2 ¹⁄₂" [HxWxD] (168.27 x 222.88 x 6.35 cm) framed. Its medium is Mixed media collage on paper.](https://vielmetter.com/wp-content/uploads/2024/06/Deborah-Roberts_ROB538_1717885997-1024x770.jpg)
“Betty,” 2022
“Betty,” 2022
Mixed media collage on paper
60" x 82" [HxW] (152.4 x 208.28 cm)
66 ¹⁄₄" x 87 ³⁄₄" x 2 ¹⁄₂" [HxWxD] (168.27 x 222.88 x 6.35 cm) framed
Inventory #ROB538
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
![This image depicts an artwork by Deborah Roberts titled "Who Says." This artwork was created in 2022 and measures 60" x 42" [HxW] (152.4 x 106.68 cm)67 ¹⁄₂" x 49" x 2 ¹⁄₄" [HxWxD] (171.45 x 124.46 x 5.71 cm) framed. Its medium is Mixed media collage on paper.](https://vielmetter.com/wp-content/uploads/2024/06/Deborah-Roberts_ROB497_1717885984-753x1024.jpg)
“Betty,” 2022
“Betty,” 2022
Mixed media collage on paper
60" x 42" [HxW] (152.4 x 106.68 cm)
67 ¹⁄₂" x 49" x 2 ¹⁄₄" [HxWxD] (171.45 x 124.46 x 5.71 cm) framed
Inventory #ROB497
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
![This image depicts an artwork by Deborah Roberts titled "Big Bad Wolf." This artwork was created in 2023 and measures 70" x 70" [HxW] (177.8 x 177.8 cm)72" x 72" x 2 ¹⁄₂" [HxWxD] (182.88 x 182.88 x 6.35 cm) framed. Its medium is Mixed cedia collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/05/Deborah-Roberts_ROB537_1715798758-748x1024.jpg)
"Big Bad Wolf," 2023
"Big Bad Wolf," 2023
Mixed cedia collage on canvas
70" x 70" [HxW] (177.8 x 177.8 cm)
72" x 72" x 2 ¹⁄₂" [HxWxD] (182.88 x 182.88 x 6.35 cm) framed
Inventory #ROB537
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
![This image depicts an artwork by Deborah Roberts titled "Spell bound." This artwork was created in 2021 and measures 72" x 60" [HxW] (182.88 x 152.4 cm); 73 ¹⁄₂" x 61 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (186.69 x 156.21 x 5.71 cm) framed. Its medium is Mixed media collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB452_1724368642-683x1024.jpg)
“Spell bound,” 2021
“Spell bound,” 2021
Mixed media collage on canvas
72" x 60" [HxW] (182.88 x 152.4 cm); 73 ¹⁄₂" x 61 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (186.69 x 156.21 x 5.71 cm) framed
Inventory #ROB452
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
![This image depicts an artwork by Deborah Roberts titled "Notorious Act: resting." This artwork was created in 2021 and measures 65" x 45" [HxW] (165.1 x 114.3 cm); 66 ¹⁄₂" x 46 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (168.91 x 118.11 x 5.71 cm) framed. Its medium is Mixed media collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB455_1724368626-683x1024.jpg)
“Notorious Act: resting,” 2021
“Notorious Act: resting,” 2021
Mixed media collage on canvas
65" x 45" [HxW] (165.1 x 114.3 cm); 66 ¹⁄₂" x 46 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (168.91 x 118.11 x 5.71 cm) framed
Inventory #ROB455
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
![This image depicts an artwork by Deborah Roberts titled "Pool boys." This artwork was created in 2019 and measures 65" x 45" [HxW] (165.1 x 114.3 cm); 66 ¹⁄₂" x 46 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (168.91 x 118.11 x 5.71 cm) framed. Its medium is Mixed media collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB453_1724368639-709x1024.jpg)
“Pool boys,” 2019
“Pool boys,” 2019
Mixed media collage on canvas
65" x 45" [HxW] (165.1 x 114.3 cm); 66 ¹⁄₂" x 46 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (168.91 x 118.11 x 5.71 cm) framed
Inventory #ROB453
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
![This image depicts an artwork by Deborah Roberts titled "The Inconvenient citizen." This artwork was created in 2021 and measures 52" x 38" [HxW] (132.08 x 96.52 cm); 56 ³⁄₄" x 42 ³⁄₄" x 1 ³⁄₄" [HxWxD] (144.14 x 108.58 x 4.44 cm) framed. Its medium is Mixed media collage on paper.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB460_1724368632-724x1024.jpg)
“The Inconvenient citizen,” 2021
“The Inconvenient citizen,” 2021
Mixed media collage on paper
52" x 38" [HxW] (132.08 x 96.52 cm); 56 ³⁄₄" x 42 ³⁄₄" x 1 ³⁄₄" [HxWxD] (144.14 x 108.58 x 4.44 cm) framed
Inventory #ROB460
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane

“Let's not give up,” 2020
“Let's not give up,” 2020
Mixed media collage on canvas
65" x 45" [HxW] (165.1 x 114.3 cm); 66 ¹⁄₂" x 46 ¹⁄₂" x 2 ¹⁄₄" [HxWxD] (168.91 x 118.11 x 5.71 cm) framed
Inventory #ROB458
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane

“False start,” 2020
“False start,” 2020
Mixed media collage on paper
44 x 32" [HxW] (111.76 x 81.28 cm) paper size; 49.75 x 34.75 x 2" [HxWxD] (126.36 x 88.26 x 5.08 cm) framed
Inventory #ROB417
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff Mclane
![This image depicts an artwork by Deborah Roberts titled "What if?." This artwork was created in 2021 and measures 84" x 96" x 48" [HxWxD] (213.36 x 243.84 x 121.92 cm). Its medium is panel, acrylic, felt, ink, mirror, linen, form lining, metal rods, metal rings, metal feet, bench.](https://vielmetter.com/wp-content/uploads/2024/05/Deborah-Roberts_ROB464_1715798905-1024x819.jpg)
"What if?," 2021
"What if?," 2021
panel, acrylic, felt, ink, mirror, linen, form lining, metal rods, metal rings, metal feet, bench
84" x 96" x 48" [HxWxD] (213.36 x 243.84 x 121.92 cm)
Inventory #ROB464
Courtesy of the artist and Vielmetter Los Angeles
![This image depicts an artwork by Deborah Roberts titled "What if?." This artwork was created in 2021 and measures 84" x 96" x 48" [HxWxD] (213.36 x 243.84 x 121.92 cm). Its medium is panel, acrylic, felt, ink, mirror, linen, form lining, metal rods, metal rings, metal feet, bench.](https://vielmetter.com/wp-content/uploads/2024/05/Deborah-Roberts_ROB464_1715798903-1024x683.jpg)
"What if?," 2021
“What if?,” 2021
panel, acrylic, felt, ink, mirror, linen, form lining, metal rods, metal rings, metal feet, bench
84" x 96" x 48" [HxWxD] (213.36 x 243.84 x 121.92 cm)
Inventory #ROB464
Courtesy of the artist and Vielmetter Los Angeles

“La'Condrea is a noun La'Condrea is a noun,” 2020
“La'Condrea is a noun La'Condrea is a noun,” 2020
Serigraph on paper
30" x 22" [HxW] (76.2 x 55.88 cm)
Inventory #ROB435
Courtesy of the artist and Vielmetter Los Angeles

“I See You (RR),” 2019
“I See You (RR),” 2019
Serigraph on paper
4 sheets, 17 x 11" [HxW] (43.18 x 27.94 cm) paper size each
Inventory #ROB441
Courtesy of the artist and Vielmetter Los Angeles

“Between them,” 2019
“Between them,” 2019
Mixed media collage on paper
67 x 86 x 1.75" [HxWxD] (170.18 x 218.44 x 4.44 cm) framed
Inventory #ROB131
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Dawn Blackman

“Portraits: When they look back (No. 4),” 2020
“Portraits: When they look back (No. 4),” 2020
Mixed media collage on canvas
45" x 35" [HxW] (114.3 x 88.9 cm)
Inventory #ROB433
Courtesy of the artist and Vielmetter Los Angeles

“Our destinies are bound,” 2018
“Our destinies are bound,” 2018
Mixed media collage on panel
58 x 38" [HxW] (147.32 x 96.52 cm) panel size; 59.25 x 39.25 x 2.25" [HxWxD] (150.49 x 99.69 x 5.71 cm) framed
Inventory #ROB114
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![This image depicts an artwork by Deborah Roberts titled "I do solemnly swear (Nessun Dorma Series)." This artwork was created in 2018 and measures 65" x 45" [HxW] (165.1 x 114.3 cm) canvas size; 66 ¹⁄₄" x 46 ¹⁄₄" x 2 ¹⁄₄" [HxWxD] (168.27 x 117.47 x 5.71 cm) framed. Its medium is Mixed media collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB111_1724368512-738x1024.jpg)
“I do solemnly swear (Nessun Dorma Series),” 2018
“I do solemnly swear (Nessun Dorma Series),” 2018
Mixed media collage on canvas
65" x 45" [HxW] (165.1 x 114.3 cm) canvas size; 66 ¹⁄₄" x 46 ¹⁄₄" x 2 ¹⁄₄" [HxWxD] (168.27 x 117.47 x 5.71 cm) framed
Inventory #ROB111
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![This image depicts an artwork by Deborah Roberts titled "From feet to wings (Nessun Dorma Series)." This artwork was created in 2018 and measures 65" x 45" [HxW] (165.1 x 114.3 cm) canvas size; 66 ¹⁄₄" x 46 ¹⁄₄" x 2 ³⁄₈" [HxWxD] (168.27 x 117.47 x 6.01 cm) framed. Its medium is Mixed media collage on canvas.](https://vielmetter.com/wp-content/uploads/2024/08/Deborah-Roberts_ROB113_1724368538-738x1024.jpg)
“From feet to wings (Nessun Dorma Series),” 2018
“From feet to wings (Nessun Dorma Series),” 2018
Mixed media collage on canvas
65" x 45" [HxW] (165.1 x 114.3 cm) canvas size; 66 ¹⁄₄" x 46 ¹⁄₄" x 2 ³⁄₈" [HxWxD] (168.27 x 117.47 x 6.01 cm) framed
Inventory #ROB113
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![This image depicts an artwork by Deborah Roberts titled "trumpet of consciousness." This artwork was created in 2019 and measures 48" x 17" x 29" [HxWxD] (121.92 x 43.18 x 73.66 cm). Its medium is Steel, mixed media.](https://vielmetter.com/wp-content/uploads/2024/05/Deborah-Roberts_ROB108_1715799025-683x1024.jpg)
“trumpet of consciousness,” 2019
“trumpet of consciousness,” 2019
Steel, mixed media
48" x 17" x 29" [HxWxD] (121.92 x 43.18 x 73.66 cm)
Inventory #ROB108
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane

“trumpet of consciousness,” 2019
“trumpet of consciousness,” 2019
Steel, mixed media
48 x 17 x 26" [HxWxD] (121.92 x 43.18 x 66.04 cm)
Inventory #ROB110
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
- 1962
- Born in Austin, TX
- Lives and works in Austin, TX
- MFA, Syracuse University Research Fellow, Syracuse, NY
- San Francisco Art Institute, San Francisco, CA
- Pont Aven School of Contemporary Art, (Summer Session) Pont Aven, France
- University of North Texas, Denton, TX
Selected Solo and Two Person Exhibitions
- 2023
- "come walk in my shoes," SITE Santa Fe, Santa Fe, NM
- 2022
- "Deborah Roberts: I have something to tell you," Stephen Friedman Gallery, London, UK
- "Deborah Roberts: I'm," Cummer Museum of Art & Gardens, Jacksonville, FL
- "Deborah Roberts: I'm," Art + Practice, in collaboration with the California African American Museum, Los Angeles, CA
- 2021-2022
- "A look inside," Bluecoat, Liverpool, England
- 2021
- "O' Say Can't You See," Vielmetter Los Angeles, Los Angeles, CA
- "Deborah Roberts: I'm," The Contemporary Austin, Austin, TX
- 2019
- "Deborah Roberts: If They Come," Stephen Friedman Gallery, London, UK
- "Native Sons: Many Thousands Gone," Vielmetter Los Angeles, Los Angeles, CA
- 2018
- "Fragile but Fixable," Luis De Jesus Los Angeles, Los Angeles, CA
- "Uninterrupted," Jenkins Johnson Gallery, San Francisco, CA
- "Deborah Roberts: The Evolution of Mimi," Spelman Museum, Atlanta, GA
- 2017
- "Ingenue," Fort Gansevoort Gallery, New York, NY
- "Nobody’s Darling: New Works by Deborah Roberts," Christian-Green Gallery, Austin, TX
- 2016
- "Coil, Coarse, Twist, Re-twist," Art Palace, Houston, TX
- 2014
- "One and Many," Art Palace, Houston, TX
- "Domestic Disturbance," Diverse Art Gallery, Austin, TX
- "Consensual Marks," SDCC, Dallas, TX
- 2013
- "When We Just Existed," Community Folk Art Center, Syracuse, NY
- 2011
- "Resistance Begins at Home: Rethinking Otherness," Dallas, TX
- 2008
- "Forks and Spoons," South Dallas Culture Center, Dallas, TX
- 2006
- "Bearing Witness," Stone Metal Press, San Antonio, TX
- "Reconstructing, Rethinking, Reacting," O’Kane Gallery, Houston, TX
- 2004
- Chicago Culture Center (South Shore) Chicago, Ill
- Center for African & African American Studies, Austin, TX
Selected Group Exhibitions
- 2025
- "Silver Linings: Celebrating the Spelman Art Collection," Spelman College Museum of Modern Art, Atlanta, GA (forthcoming)
- 2024-2025
- "The Time Is Always Now: Artists Reframe the Black Figure," Philadelphia Museum of Art, Philadelphia, PA (Link)
- 2024
- "When You See Me: Visibility in Contemporary Art/History," Dallas Museum of Art, Dallas, TX
- 2023
- "The Speed of Grace," Simões de Assis, São Paulo, Brazil
- 2023-2024
- "Multiplicity: Blackness in Contemporary American Collage ," Frist Art Museum, Nashville, TN; Traveling to Museum of Fine Arts, Houston, Houston, TX (2024); The Phillips Collection, Washington D.C. (2024)
- 2023
- "Creative Sources," Brooklyn Museum, Brooklyn, NY
- "Deborah Roberts and Niki de Saint Phalle: The Conversation Continues," Two Person Exhibition, Galerie Mitterand, Paris, France
- "Deborah Roberts and Niki de Saint Phalle: The Conversation Continues," Galerie Mitterand, Paris, France
- 2022-2023
- "Put It This Way: (Re)Visions Of The Hirshhorn Collection," Hishhorn Museum, Washington D.C.
- "True Believers: Benny Andrews & Deborah Roberts," McNay Museum of Art, San Antonio, TX
- "To Begin Again: Artists and Childhood," Institute of Contemporary Art, Boston, MA
- 2022
- "51 @ 51," Rennie Museum, Vancouver, Canada
- "Women Painting Women," The Modern, Fort Worth, TX
- "From Near and Far: Collage and Figuration in the Contemporary Age," Co curated by Deborah Roberts, Stephen Friedman Gallery, London UK
- "Rituals of Resilience," Minneapolis Institute of Art, Minneapolis, MN
- 2021-2022
- "Assembly: New Acquisitions by Contemporary Black Artists," Blanton Museum of Art, Austin, TX
- 2021
- Institute of Contemporary Art, Boston, MA
- "The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse," Virginia Museum of Fine Arts (VMFA), Richmond, Virginia
- "The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time," Brooklyn Museum, Brooklyn, NY (Link)
- 2020
- "Drawing 2020," Gladstone Gallery, New York, NY (Link)
- "The Outwin 2019: American Portraiture Today," National Portrait Gallery, Washington, DC; Mildred Lane Kemper Art Museum, Washington University, Saint Louis, Missouri; touring to Alaska State Museum, Juneau, Alaska
- "20 Years," Vielmetter Los Angeles, Los Angeles, CA
- "100 Drawings from Now," The Drawing Center, New York, NY
- "25 Years," Stephen Friedman Gallery, London, England
- "Artists for New York," Hauser & Wirth, New York, NY
- "True Likeness," Van Every/ Smith Galleries, Davidson College, Davidson, NC
- "Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection," Pérez Art Museum, Miami, Florida
- "Doro Olowu: Seeing Chicago," Museum of Contemporary Art, Chicago, IL
- "LA stories," Brenau University Art Gallery, Gainesville, GA
- 2019-2020
- "Re/Devaluing Colorism: Intersections of Skin Color and Currency at Southwest School of Art," Texas
- "Pop Stars! Popular Culture and Contemporary Art," 21c Lexington, Kentucky
- "The Outwin 2019: American Portraiture Today," National Portrait Gallery, Washington D.C. (touring exhibition)
- 2019
- "Melissa Cody, Bethany Collins, and Deborah Roberts: Heritage," Rebecca Camacho Gallery, San Francisco, CA
- "Charles White and the Legacy of the Figure: Celebrating the Gordon Gift," Art Galleries at Black Studies, University of Texas at Austin, Austin, TX
- "Cut and Paste: 400 Years of Collage," Scottish National Gallery of Modern Art, Edinburgh, Scotland, UK
- "Get Up, Stand Up Now - Generations Of Black Creative Pioneers," Somerset House, London, UK
- "Seeing Now," 21c Museum Hotel Oklahoma City, Oklahoma City, OK
- "Plumb Line: Charles White and the Contemporary," Californian African American Museum (CAAM), Los Angeles, CA
- "Still I Rise," MASS MoCA, North Adams, Massachusetts, USA
- 2018
- "Sidelined," Galerie Lelong, New York, NY
- "In the Eye of the Beholder," Tarble Art Center, Eastern Illinois University, Charleston, IL
- "Go Figure," Pizzuti Collection, Columbus, OH
- "Reclamation! Pan- African from the Beth Rudin DeWoody Collection," Taubman Museum of Art, Roanoke, VA
- "Talisman In The Age Of Difference," Stephen Friedman Gallery, London, UK
- "Soul Recordings," Luis De Jesus Los Angeles, Los Angeles, CA
- "Legacy of the Cool: A Tribute to Barkley L. Hendricks," Mass Art, Boston MA
- "Constructing Identity in America (1766-2017)," Montclair Art Museum, New Jersey
- 2017
- "Fictions," Studio Museum of Harlem, New York, NY
- "Your Body is Your Battleground," Volta Art Fair, New York, NY
- "March Madness," Fort Gansevoort, New York, NY
- 2016
- "I know why the caged bird sings," Carver Museum, Austin, TX
- 2015
- "Gently Fried," MACC, Austin, TX
- "The House on Mango Street," National Mexican American Museum, Chicago, Ill
- 2014
- "The Way Out- MFA," Rogue Space, New York, NY
- 2013
- "Gender Is A Kind of Doing," MCCLA Galleries, San Francisco CA
- 2011
- The Drawing Center, Viewing Program, New York
- "Mirame: 21st century portraits for Latino/a America," Sacramento, CA
- 2009
- "Women of Color," Joyce Gordon Gallery, Oakland, CA
- "Her Stories," Park School, Baltimore. MD
- 2007
- "Taking Possession," University of Arkansas at Little Rock
- "Counter Intuitive," Chicago State University, Chicago, Ill
- 2006
- "Uncle Tom to Peeping Tom," University of Milwaukee UGA, Milwaukee, WI
- "Boundless, Perceptions from Within," DAC, Austin, TX
- 2005
- Museum of Science and Industry Juried Exhibition. Chicago, Ill
- Woman Made Gallery, Juried Exhibition, Chicago, Ill
- "Subjective Visions," UTSA, San Antonio, TX
- "Figure It Out," Art Palace Austin, TX
- 2004
- Susan Woodson Gallery, Chicago, Ill
- "Unmasked: A Collective Statement on Beauty," Butridge Gallery Austin, TX
- 2003
- "Bird," Juried Exhibition, Concordia University, Austin, TX
- "Our Heritage–Creating New Legacies," Juried Exhibition, Butridge Gallery, Austin, TX
- Austin Bergstrom International Airport Juried Exhibition, Austin, TX
- 2002
- Center for African American Studies, University of Texas, Austin, TX
Awards, Grants and Fellowships
- 2019
- Outwin Boochever Portrait Competition Finalist
- 2018
- Anonymous Was a Woman, NY
- 2017
- Artist of the Year, Austin, TX
- 2016
- Pollock Krasner Foundation, Grantee
- 2014
- SU MFA Exhibition “Best in Show”
- 2012-2014
- Creative Opportunity Grant, Syracuse University
- 2010
- San Francisco African American Legacy Scholarship
- 2008
- Artist of the Year, Austin, TX
- 1991
- President Point of Light Recipient, President George H. Bush
Residencies, Scholarships, & Prizes
- 2019
- Robert Rauschenberg Foundation Residency, Captiva, FL
- 2018
- Fountainhead Residency, Miami, FL
- 2014
- Ginsberg-Klaus Award Fellowship, Los Angeles, CA
- 2011-2014
- Syracuse University Graduate Research Fellow
- 2006
- Coronado Studios Austin, TX
- Stone Metal Press, San Antonio, TX
- 2005
- Ox –Bow Art Residency, MI
Group Exhibition Catalogues and Books
- 2023
- Gilman, Claire and Roger Malbert. "Drawing in the Present Tense," Thames & Hudson, New York, NY, pg 185-187, 2023.
- 2020
- Ringle, Hallie. “Deborah Roberts and Questions of Power,” Collecting Black Studies. University of Texas Press, Austin, TX.
- 25 Years, Exhibition catalogue, edited by Gerrie van Noord and Jonathan Horrocks, published by Stephen Friedman Gallery, London, England
- 2019
- Elliot, Patrick, Dr. Freya Gowrley, and Yuval Etgar. "Cut and Paste 400 Years of Collage," Edinburgh: National Galleries of Scotland.
- Get Up, Stand Up Now: Generations of Black Creative Pioneers, Somerset House, London, England, p. 127
- Rose King, Daniella. "If they come," London: Stephen Friedman Gallery, London, England
- Barnwell Brownlee, Andrea. "Deborah Roberts: The Evolution of Mimi," Atlanta: Spelman College Museum of Fine Art, Atlanta, GA
- 2018
- Washington, Terence. “Deborah Roberts: At the Edge of White Spaces,” Fictions. New York: The Studio Museum in Harlem, NY
Bibliography
- 2024
- Valentine, Victoria L. "On View: "When You See Me: Visibility in Contemporary Art/History' At Dallas Museum of Art Showcases Recent Acquisitions by Artists of Color, Women, and Queer Artists," Culture Type, August 13
- Artnet News. "A New Show of Collage by African-American Artists Finds Multiplicity in Black Identity," Artnet News, July 4
- 2023
- Renkl, Margaret. "Piecing Together a Black Identity, and a Whole Black World," The New York Times, December 11 (Link)
- Valentine, Victoria L. "On View: Deborah Roberts is Presenting Mixed-Media Collages that Consider Black Boyhood at SITE Santa Fe in New Mexico," CultureType, October 16 (Link)
- Tribune Staff. "Multiplicity: Blackness in Contemporary American Collage September 15–December 31, 2023," Tennessee Tribune, September 19 (Link)
- SITE Santa Fe. "SITE Santa Fe Presents Deborah Roberts: Come walk in my shoes," Hyperallergic, August 18 (Link)
- Hessel, Katy. "‘Black kids deserve to grow old’: collage legend Deborah Roberts on unjust America," The Guardian, February 6 (Link)
- 2022
- Szaroleta, Tom. "Multimedia show at Cummer Museum puts spotlight on Black children," The Florida Times-Union, September 25 (Link)
- Scott, Chadd. "‘Deborah Roberts: I’m’ Opens At Cummer Museum of Art And Gardens In Jacksonville For Final Stop Of National Tour," Forbes, September 18 (Link)
- Grant, Colin. "‘The story enraged me’ – US artist Deborah Roberts on her Child Q collage," The Guardian, June 7 (Link)
- Knight, Christopher. "Review: Five pandemic-postponed art shows worth seeing right now," The Los Angeles Times, May 12 (Link)
- Wilbekin, Emil. "This Is Deborah Roberts' America," ESSENCE, April 29 (Link)
- Harren, Natilee. "Reviews: Houston, The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Contemporary Arts Museum," Artfourm, pg 162, February
- White, Aude. "New York Magazine Special Issue: Ten Years After Trayvon Martin," New York Magazine, January 31 (Link)
- Rathe, Adam. "How And Just Like That... Made Lisa Todd Wexley's Apartment a Shrine to Modern Black Art Charlotte York Goldenblatt, meet Mickalene Thomas," Town and Country, January 6 (Link)
- 2021
- Robinson, Shantay, "Deborah Roberts’ Investment in Time Pays Off," Black Art In America, September 30 (Link)
- Ghassemitari, Shawn. "Deborah Roberts Collages the Strength and Plight of Young Black Children," HypeArt, 27 September
- Valentine, Victoria L., "Best of September: 13 New Museum Exhibitions Feature Artists Ulysses Jenkins, Adam Pendleton, Deborah Roberts, Naudline Pierre, Arthur Jafa, Lorna Simpson & More," Culture Type, Sept 21 (Link)
- Valentine, Victoria L., "5 New Art Gallery Exhibitions to See Now Feature Deborah Roberts, Carla Jay Harris, Jarrell Gibbs, LaKela Brown, and Brittney Leeanne Williams," CultureType, September 10 (Link)
- Bachetepe, Hilal. "Deborah Roberts’ “I’m” Debuts at the Museum of Contemporary Art This Weekend," 303 Magazine, September 8 (Link)
- Gipson, Amarie. "The Museum Now, Part II: Deborah Roberts: Contemporary Austin," Artfourm, September
- In Collaboration with Jo Malone London, Frieze Magazine. "Dr. V. Joy Simmons’ Los Angeles is ‘a place of possibility’," Frieze, July 23 (Link)
- Hernandez, Jasmin. "Magic, Joy and Celebration: New Art Examines the Eminence of Blackness," Sotheby's, May 19 (Link)
- Little, Colony. "Deborah Roberts’s Intricate and Thoughtful Depictions of Black Childhood," Hyperallergic, May 3 (Link)
- Bennett, Joshua. "I Will Not Be Taught How To Behave," Art in America, May/June (Link)
- Ragbir, Lise. "Deborah Roberts Shines a Light on the Mistreatment of Black Girls," Frieze, March 19
- Artnet News. “26 Art-World Women Celebrate the Women Who Inspire Them, From Feminist Art Critic Linda Nochlin to Arte Povera Legend Marisa Merz,” Artnet, March 8 (Link)
- Friel, Katie. "Dazzling San Antonio art museum adds landmark Texas artist to collection," Culture Map, February 26
- Jarrett, Renae. "Where the Black girls are: A review of Deborah Roberts’ ‘I’m’," Sight Lines, February 27
- Purcell, Barbara. "Deborah Roberts: I'm," The Brooklyn Rail, February 19
- Faires, Robert. "Deborah Roberts: I'm" at the Contemporary Austin," The Austin Chronicle, February 19
- Barnes, Michael. "Austin artist Deborah Roberts' Contemporary show 'I'm' concerns the art of being seen," Austin 360, February 9
- Lloyd-Smith, Harriet. "The powerful collages of artist Deborah Roberts," Wallpaper, January 25
- Florsheim, Lane. "Artist Deborah Roberts—a Favorite of Beyoncé and Barack Obama—Gets Her Due," Wall Street Journal, January 23
- Marius, Marley. "In Deborah Roberts’s Art, an Interrogation of What Society Imposes on Black Children," Vogue Magazine, January 21
- Brand, Heather. "With Fans Like Barack Obama and Beyoncé, Deborah Roberts Opens a New Exhibition in Her Hometown of Austin," Texas Highways, January 21
- Oyeniyi, Doyin. "Deborah Roberts Has Exhibited Art Worldwide. She Hasn’t Had a Solo Museum Show in Her Hometown—Until Now," Texas Monthly, January 14
- 2020
- Crable, Devorah. "Deborah Roberts, The Worst Of Times Are The Best Of Times," Pigment Magazine (print), Fall/Winter
- Valentine, Victoria. "‘Deborah Roberts: The Evolution of Mimi’ Exhibition Catalog Wins Publication Award," Culture Type, December 15
- Roberts, Deborah. "Remembering Juneteenth," Hyperallergic, June 21
- Pogrebin, Robin. "With Her First Solo Museum Show Delayed, an Artist Stands Fast," The New York Times, April 12 (Link)
- Cohen, Alina. "Why Some Artists Turn Away Would-Be Buyers," Artsy, March 27 (Link)
- Jones, Lauren. "6 must-see art exhibitions coming soon to Austin museums," CultureMap Austin, February 6 (Link)
- 2019
- Fullerton, Elizabeth. "Deborah Roberts Renders the Complexity of Black Childhood in Collage," Art in America, October 7 (Link)
- Valentine, Victoria L. "Black Female Artists Are Headlining Exhibitions Throughout London," The Culture Type, July 21 (Link)
- Lee, Erin. “10 art exhibitions to see in July,” Royal Academy of Arts Magazine, July 1
- Hutton, Belle and Daisy Woodward. “A List of Great Things to Do This July,” AnOther, July 1
- Epps, Philomena. "Deborah Roberts at Stephen Friedman," Artforum, July 1 (Link)
- Jansen, Charlotte. "The Artist Disrupting Perceptions of Black Youths," Elephant, June 25 (Link)
- Barrie, Lita. "Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons," Riot Material, June 5 (Link)
- Grant, Colin. “Get Up Stand Up Now: Black British art’s response to the Windrush scandal,” The Guardian, June 2
- Brady, Anna and Margaret Carrigan. “Private view: must - see gallery shows opening this June,” The Art Newspaper, May 31
- Valentine, Victoria L. "Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space," CultureType, April 23 (Link)
- Marcoci, Roxana. "Young Heroines: Deborah Roberts," Mousse Magazine, Spring (Link)
- 2018
- Roberts, Deborah. "The Lives They Lived: Linda Brown," The New York Times Magazine, December 30 (Link)
- Sheets, Hilarie M. "A Collector Who Grew Up With Art Now Fosters Its Makers," The New York Times, December 26 (Link)
- Greenberger, Alex. "Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners," ArtNews, December 11 (Link)
- Valentine, Victoria L. "Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them," The Culture Type, December 6 (Link)
- Williams, Margaret. "People of the Year: Deborah Roberts," Tribeza Artists Curated, November 29 (Link)
- Onyewuwnyi, Ikechukwu Casmir. "Deborah Roberts at Luis de Jesus," Carla, Issue 13, August. (Link)
- Dambrot, Shana Nys. "Deborah Roberts at Luis de Jesus," Art and Cake, June 10 (Link)
- Luke, Ben. "Artist Deborah Roberts on Yinka Shonibare exhibition and why 'black is not a colour any more," Evening Standard, June 6. (Link)
- Mizota, Sharon. "Roberts' powerful statement of black female identity," LA Times, May 29 (Link)
- Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)
- Amirkhani, Jordan. "Art Review: 'The Evolution of Mimi' at Spelman Museum," BURNAWAY, April 25. (Link)
- Cochran, Rebecca. "Deborah Roberts: The Evolution of Mimi," Art Papers, March 17.
- Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)
- Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.
- Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)
- Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)
- Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)
- Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)
- 2017
- Twersky, Carolyn. “New Studio Museum Show,” ARTNEWS, August 23. (Link)
- Marino, Rebecca. “Q+A with Deborah Roberts,” Conflict of Interest, July 17 (Link)
- Scott, Andrea K. “March Madness in the Meatpacking District,” The New Yorker, April 10 (Link)
- Anspon, Catherine D. “Austin Gets Its Own Art Fair,” Papercity Magazine, March 30 (Link)
- Kamm, Rebecca. “You Can’t Deny Us: The Artists Showcasing the Power if Female Athletes,” Broadly, March 28 (Link)
- Evans, Dayna. “What Does It Mean to Be a Woman in Sports?,” The Cut, March 20. (Link)
- 2016
- Knudson, Rainey. “Naming and Shaming: Deborah Roberts at Art Palace”, Glasstire, November 21 (Link)
- Ryzin, Jeanne Claire van. “Contemporary art exhibit probes African-American identity," Statesmen, September 19 (Link)
- 2014
- Huete, Betsy. “Deborah Roberts: One and Many,” Glasstire, November 29 (Link)
- Ward, Jeff M. “Deborah Roberts: Reconstructing, Reacting and Rethinking at O’Kane Gallery,” Fluent Collaborative, issue 79, November 17 (Link)
Public Collections
- 21c Museum Hotels, Louisville, KY
- Albright Knox Art Gallery, Buffalo, NY
- American Patrons of the National Library and Galleries of Scotland, Brooklyn, NY
- Blanton Museum of Art, Austin, TX
- Block Museum of Art, Evanston, IL
- Brooklyn Museum, Brooklyn, NY
- Chazen Museum of Art, Wisconsin
- The Contemporary Austin, Austin, Texas
- Dallas Museum of Art, Dallas, TX
- The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY
- ICA Boston, Boston, MA
- Let Freedom Ring Vol. 2, Lafayette and Flatbush Avenues, New York (digital billboard)
- Los Angeles County Museum of Art, Los Angeles, CA
- Museum of Fine Arts (MFA), Boston
- Minneapolis Institute of Art, Minneapolis, MN
- Montclair Art Museum, Montclair, NJ
- National Portrait Gallery, Smithsonian, Washington, DC
- Orlando Museum of Art, Orlando, FL
- Pérez Art Museum Miami (PAMM), Miami, FL
- Pizzuti Collection, Columbus, OH
- Ruby City, San Antonio, TX
- Scottish National Galleries, Edinburgh, UK
- The Studio Museum in Harlem, NY
- Virginia Museum of Fine Arts, Richmond, VA
- Whitney Museum of American Art, New York, NY