Ruben Ochoa
“If I Had A Hashtag for Every Time Someone Tried To Hold Me Down,” 2020
Ruben Ochoa
“If I Had A Hashtag for Every Time Someone Tried To Hold Me Down,” 2020
79 x 216" [HxW] (200.66 x 548.64 cm)
Edition 1 of 5, 2 AP
Inventory #OCH367.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“If I Had A Hashtag for Every Time Someone Tried To Hold Me Down,” 2020
79 x 216" [HxW] (200.66 x 548.64 cm)
Edition 1 of 5, 2 AP
Inventory #OCH367.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Ruben Ochoa
...and the earth was without form and void, 2013
Ruben Ochoa
...and the earth was without form and void, 2013
Acrylic on raw linen
72" H x 108" W x 2" D (182.88 cm H x 274.32 cm W x 5.08 cm D) unframed
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
...and the earth was without form and void, 2013
Acrylic on raw linen
72" H x 108" W x 2" D (182.88 cm H x 274.32 cm W x 5.08 cm D) unframed
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Ruben Ochoa
Kissed in the 90011, 2007
Ruben Ochoa
Kissed in the 90011, 2007
C-print, wenge frame
43" x 53 1/8" x 3 1/4"
Kissed in the 90011, 2007
C-print, wenge frame
43" x 53 1/8" x 3 1/4"
Ruben Ochoa
“A bit of detritus,” 2011
Ruben Ochoa
“A bit of detritus,” 2011
Concrete, metal and dirt
80" H x 32" W x 32" D (203.2 cm H x 81.28 cm W x 81.28 cm D)
Inventory #OCH260
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“A bit of detritus,” 2011
Concrete, metal and dirt
80" H x 32" W x 32" D (203.2 cm H x 81.28 cm W x 81.28 cm D)
Inventory #OCH260
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Ruben Ochoa
Flock in Space, 2013
Ruben Ochoa
Flock in Space, 2013
Ruben Ochoa, Nasher XChange commission, at the Trinity River Audubon Center. Photo by Allison V. Smith for the Nasher Sculpture Center.
Flock in Space, 2013
Ruben Ochoa, Nasher XChange commission, at the Trinity River Audubon Center. Photo by Allison V. Smith for the Nasher Sculpture Center.
Ruben Ochoa
Grounded, 2010
Ruben Ochoa
Grounded, 2010
Concrete, rebar and dirt
7' x 9' x 3'
Grounded, 2010
Concrete, rebar and dirt
7' x 9' x 3'
Ruben Ochoa
Installation View, 2007
Ruben Ochoa
Installation View, 2007
Installation View, 2007
Ruben Ochoa
The hardest part was removing the walls/ If I had a rebar for every time someone tried to mold me..., 2007
Ruben Ochoa
The hardest part was removing the walls/ If I had a rebar for every time someone tried to mold me..., 2007
Rebar, annealed wire ties, dobbie blocks
9'4" x 16'6" x 18'6", detail
The hardest part was removing the walls/ If I had a rebar for every time someone tried to mold me..., 2007
Rebar, annealed wire ties, dobbie blocks
9'4" x 16'6" x 18'6", detail
Ruben Ochoa
Exposed in the 90293, 2007
Ruben Ochoa
Exposed in the 90293, 2007
C-print, wenge frame
43" x 53 1/8" x 3 1/4"
Exposed in the 90293, 2007
C-print, wenge frame
43" x 53 1/8" x 3 1/4"
Ruben Ochoa
“L.A. Riots in the Age of Minecraft, (re)building block no. 007,” 2013
Ruben Ochoa
“L.A. Riots in the Age of Minecraft, (re)building block no. 007,” 2013
Galvanized post, dirt, rubber and plastic
39 x 14.5 x 12" [HxWxD] (99.06 x 36.83 x 30.48 cm)
Inventory #OCH272
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“L.A. Riots in the Age of Minecraft, (re)building block no. 007,” 2013
Galvanized post, dirt, rubber and plastic
39 x 14.5 x 12" [HxWxD] (99.06 x 36.83 x 30.48 cm)
Inventory #OCH272
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Ruben Ochoa
“Post Collusion,” 2018
Ruben Ochoa
“Post Collusion,” 2018
Duct tape, packaging tape, dust, collage, and dirt on paper
19.25 x 14.5" [HxW] (48.89 x 36.83 cm) paper size; 24.25 x 18.25 x 1.5" [HxWxD] (61.59 x 46.35 x 3.81 cm) framed
Inventory #OCH366
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Post Collusion,” 2018
Duct tape, packaging tape, dust, collage, and dirt on paper
19.25 x 14.5" [HxW] (48.89 x 36.83 cm) paper size; 24.25 x 18.25 x 1.5" [HxWxD] (61.59 x 46.35 x 3.81 cm) framed
Inventory #OCH366
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Ruben Ochoa
“Drunken drunken lights, lights,” 2017
Ruben Ochoa
“Drunken drunken lights, lights,” 2017
Nails, rust, arcylic and Rust-o-leum on paper
Each: 24 x 18 inches / Installed: 48 1/2 x 55 inches
Inventory #OCH357
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Drunken drunken lights, lights,” 2017
Nails, rust, arcylic and Rust-o-leum on paper
Each: 24 x 18 inches / Installed: 48 1/2 x 55 inches
Inventory #OCH357
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Ruben Ochoa
“Untitled,” 2017
Ruben Ochoa
“Untitled,” 2017
Intaglio with rust and graphite on paper
25 x 16.5 x 1.5" [HxWxD] (63.5 x 41.91 x 3.81 cm)
Inventory #OCH353
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Signed and dated in ink on recto
“Untitled,” 2017
Intaglio with rust and graphite on paper
25 x 16.5 x 1.5" [HxWxD] (63.5 x 41.91 x 3.81 cm)
Inventory #OCH353
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Signed and dated in ink on recto
Ruben Ochoa
“Ebb and Flow,” 2017
Ruben Ochoa
“Ebb and Flow,” 2017
Pallets, tie wire and rebar
120 x 186 x 170" [HxWxD] (304.8 x 472.44 x 431.8 cm)
Inventory #OCH342
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Joshua White
“Ebb and Flow,” 2017
Pallets, tie wire and rebar
120 x 186 x 170" [HxWxD] (304.8 x 472.44 x 431.8 cm)
Inventory #OCH342
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Joshua White
Ruben Ochoa
“One day it's fine and next it's black,” 2017
Ruben Ochoa
“One day it's fine and next it's black,” 2017
Steel
75 x 25 x 24" [HxWxD] (190.5 x 63.5 x 60.96 cm) TBC
Inventory #OCH345
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Joshua White
“One day it's fine and next it's black,” 2017
Steel
75 x 25 x 24" [HxWxD] (190.5 x 63.5 x 60.96 cm) TBC
Inventory #OCH345
Courtesy the artist and Vielmetter Los Angeles
Photo credit: Joshua White
Ruben Ochoa
“The stuff is everywhere,” 2015 - 2016
Ruben Ochoa
“The stuff is everywhere,” 2015 - 2016
Rust on panel
36" H x 24" W (91.44 cm H x 60.96 cm W)
Inventory #OCH330
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The stuff is everywhere,” 2015 - 2016
Rust on panel
36" H x 24" W (91.44 cm H x 60.96 cm W)
Inventory #OCH330
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Ruben Ochoa
Lean Back, 2007
Ruben Ochoa
Lean Back, 2007
Cast concrete
Lean Back, 2007
Cast concrete
Ruben Ochoa
What if walls created spaces?, 2007
Ruben Ochoa
What if walls created spaces?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
What if walls created spaces?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
Ruben Ochoa
What if walls made things greener on the other side?, 2007
Ruben Ochoa
What if walls made things greener on the other side?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
What if walls made things greener on the other side?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
Ruben Ochoa
What if walls vanished from the freeway, would it make a sound?, 2007
Ruben Ochoa
What if walls vanished from the freeway, would it make a sound?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
What if walls vanished from the freeway, would it make a sound?, 2007
Lenticular print mounted on Diebond, Edition of 3 + 2 AP
48" x 96" (4 panels, each 48" x 24")
1974
Born in Oceanside, CA
Lives and works in Los Angeles
2003
MFA, University of California, Irvine
1997
BFA, Otis College of Art and Design, Los Angeles
1996
Parsons School of Art and Design, New York
2020
"Ruben Ochoa," Vielmetter Los Angeles, Los Angeles, CA
2017
"Sampled and Surveyed," Art + Practice, Los Angeles, CA
2016
"Tripping the Light Fantastick," Susanne Vielmetter Los Angeles Projects, Culver City, CA
"Ruben Ochoa: watching, waiting, commiserating," Museum of Contemporary Art San Diego, San Diego, CA
2014
"MATRIX 169: Ruben Ochoa, 'Cloudless Day,'" The Wadsworth Atheneum Museum of Art, Hartford, CT
2013
"Dislocated Masses," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011
"Cores and Cutouts", Locust Projects, Miami, FL
2010
Susanne Vielmetter Los Angeles Projects, Culver City, CA
Museum of Contemporary Art San Diego, CA
2009
Charles H. Scott Gallery at Emily Carr University, Vancouver, British Columbia, Canada
"Crooked Under the Weight," Site Santa Fe, Santa Fe, NM
Collapsed, Peter Blum, Soho, New York, NY
three the hard way, Peter Blum Gallery, Chelsea, New York, NY
2008
Fall of the Wall [paper], Susanne Vielmetter Berlin Projects, Berlin, Germany
2007
A Recurring Amalgamation, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
Clastic Rupture, Hallwalls Contemporary Arts Center, Buffalo, NY
2006
Extracted, LA><ART, Los Angeles, CA
Freeway wall next to a, Lizabeth Oliveria Gallery, Los Angeles, CA
2005
Borrowed Ladders, ESL Ι Esthetics as a Second Language, Los Angeles, CA
2004
Greyscale, Voz Alta Projects, San Diego, CA
2018
"Forty and Nine," 49 South Van Ness Forum Sculpture Public Art Project, San Francisco, CA
2013
"Duet: Ruben Ochoa and B.J. Vogt", Duet St. Louis, MO, curated by Daniel McGrath
2011
Beta-Space: Kevin Appel and Ruben Ochoa, San Jose Museum of Art, San Jose, CA
2009
ArtBasel Miami, two person presentation with Tam Van Tran, Susanne Vielmetter Los Angeles Projects Booth
2007
Swap, collaboration with Mark Bradford, LACMA: On-Site, Charles White Elementary Gallery, Los Angeles, CA
2006
Storage, collaboration with Marco Rios, 4-F Gallery, Los Angeles, CA
Embryonic Loop, collaboration with Marco Rios, LA><ART, Los Angeles, CA
2005
Caltransposed with Peter Tavera, Gallery 727, Los Angeles, CA
2004
Rigor Motors, collaboration with Marco Rios, Laguna Art Museum, Laguna, CA, CA
Projects by Ruben Ochoa and Michael Queenland, The Project, Los Angeles (curated by Lauri Firstenberg)
2023
"Outside: In," Cummer Museum of Art & Gardens, Jacksonville, FL
"The Land of Milk and Honey / La tierra queue mana leche y miel," Organized by the MexiCali Biennial, The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, Riverside, CA
2022
"Lonesome Crowd West: Works from MOCA's Collection," The Geffen Contemporary, Los Angeles, CA
2021
"Church for Sale," The Haubrok Collection and the National Gallery Collection, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
"20 Years," Vielmetter Los Angeles, Los Angeles, CA
COLA Fellowship Exhibition, Los Angeles Municipal Art Gallery (LAMAG), Los Angeles CA
"Church for Sale," Hamburger Bahnhof, Berlin, Germany
2020
"South East North West: New Works from the Collection," San Jose Museum of Art, San Jose, CA
"20 Years," Vielmetter Los Angeles, Los Angeles, CA
"To Tame a Wild Tongue: Art After Chicanismo," Museum of Contemporary Art San Diego, San Diego, CA
2019 – 2020
" Bound to the Earth: Art, Materiality, and the Natural World," Museum of Contemporary Art San Diego, San Diego, CA
"Open Space," BACKSPACE, Los Angeles, CA
"The Sorcerer’s Burden," The Contemporary Austin, Texas
2019
"Sculpture," Vielmetter Los Angeles, Los Angeles, CA
"Centennial: 100 years of Otis College Alumni," Otis College of Art and Design, Los Angeles, CA
"Common Bonds: Artists and Architects on Community," Art, Design & Architecture Museum, UC Santa Barbara, Santa Barbara, CA
2018
"Maker Faire San Diego," San Diego Art Institute, San Diego, CA
2017
"Vantage," Finishing Concepts, Los Angeles, CA
"Down These Mean Streets: Community and Place in Urban Photography," Smithsonian American Art Museum, Washington, DC
"Mi Tierra: Contemporary Artists Explore Space," Denver Art Museum, Denver, CO
2016
"Artworks for Change," Online Exhibition
2015
"Apparitions: Frottages and Rubbings from 1860 to Now," Hammer Museum, Los Angeles, CA; travelled to the Menil Collection, Houston, TX
2013
Nasher XCHANGE: 10+ Celebration, Nasher Sculpture Center, Dallas, TX, curated by Jeremy Strick
"Reverberations," Huntington Beach Art Center, Huntington Beach, CA
"Hook, Line and Sinker: Contemporary Drawings from the Collection of Debra and Dennis Scholl", Nevada Museum of Art, Reno, NV
2012
Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
"no desaster: sammlung haubrok bei falckenberg," Phoenix-Hallen, Harburg, Germany
The Very Large Array: San Diego/Tijuana Artists in the MCA Collection, Museum of Contemporary Art San Diego Downtown, Jacobs Building, San Diego, CA
"my.LA," haubrok foundation, Berlin, Germany
2011
Greater LA, curated by Benjamin Godsill, Eleaonor Cayre and Joel Mesler, New York, NY
The Future Generation Art Prize @ Venice Collateral Event of the 54th International Art Exhibition La Biennale di Venezia, Palazzo Papadopoli, Venice , Italy
2010
Summer Group Show, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
The Artists Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA
Future Generation Art Prize, PinchukArtCenter, Kiev, Ukraine
Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Between Here and There: Modern and Contemporary Art from the Permanent Collection, Miami Art Museum, Miami, Florida
Invisible City, Instituto Cervantes, Madrid, Spain (Curated by Kris Kuramitsu and Christopher Miles) traveling to: Instituto Cervantes, New Delhi, India; Instituto Cervantes, Berlin, Germany; Instituto Cervantes, Tokyo, Japan
2009
Counter Intelligence, Luckman Gallery at California State University, Los Angeles, CA
Collecting History: Highlighting Recent Acquisitions, MOCA, Los Angeles, CA
Collectors XXIV, Museum of Contemporary Art San Diego, San Diego, CA
Dibujar es Pensar Proyecto Magenta, Monterrey, Nuevo Len, Mexico
2008
"it's about sculpture," haubrok foundation, Berlin, Germany
From and About Place: Art from Los Angeles, The Center for Contemporary Arts, Tel Aviv, Israel, Curated by Alma Ruiz (catalogue)
In the Round: The 90th Anniversary of OTIS College of Art & Design, Andrew Shire Gallery, Los Angeles, CA
Puerto Vallarta Arte Contemporneo 08, Puerto Vallarta, Mexico (organized by Pilar Perez)
WHITNEY BIENNIAL 2008, Whitney Museum of American Art, New York, NY
Phantom Sightings, Los Angeles County Museum of Art, Los Angeles (curated by Rita Gonzalez,Howard Fox and Chon Noriega) travelling to: Tamayo Art Museum, Mexico City, Mexico; Mexico Contemporary Art Museum, Houston, TX; Museum Alamdea, San Antonio, TX; El Museo del Barrio / Americas Society, New York, NY; Museo de Arte de Zapopan, Guadalajara, Mexico
2007
Multifaceted Lens, Minnesota Center for Photography, Minneapolis, MN
Performance Z-A, 25th Anniversary for the Storefront for Art and Architecture, New York, NY
Viva Mexico! Zachęta National Gallery of Art, Warsaw, Poland, curated by Magda Kardasz, traveling to BWA Wrocław Contemporary Art Gallery, Wrocław, Poland.
Latitude, Artcore, Los Angeles (organized by Pilar Tompkins)
Range, d.e.n Gallery, Los Angeles (curated by Kristi Lippire)
2006
Mexicali Biennial, La Casa de la Tia Tina, Mexicali, Mexico
The Newsstand Project, newsstands throughout Los Angeles (organized by Dan Bayles)
Agent Once, Acuna-Hansen, Los Angeles (organized by Jason Keller)
25 Bold Moves: Emerging Artists Exhibit, House of Campari, Los Angeles, CA
An Image Bank for Everyday Revolutionary Life, REDCAT Gallery, Los Angeles, CA
Otis: Nine Decades of Los Angeles Art Municipal Art Gallery, Los Angeles, CA
2005
Happenstance, Harris-Lieberman Gallery, New York (curated by Lauri Firstenberg)
Drive by and relax, UPSPACE, Los Angeles (curated by Chris Sicat)
Borderless Dreams, Oceanside Museum of Art, Oceanside, CA
Drive Time, Wignall Museum, Rancho Cucamonga, CA
Empire.Style, ART2102, Boyle Heights, CA (curated by Peter Zellner)
passerby, Vox Populi, Philadelphia, PA (curated by Cassandra Cobelentz)
2004
FREEWAVES_Inter-State: Video on a Go, REDCAT Theater, Los Angeles, CA
2004 California Biennial, Arist-in-residence, Orange County Museum of Art, Newport Beach, CA
Land of the Free: Americana, City of Brea Gallery, Brea, CA (curated by Tyler Stallings)
2003
Picarte! Photography Beyond Representation, Heard Museum, Phoeniz, AZ
Recess, Cirrus Gallery, Los Angeles (curated by Brienne Arrington and Dan Bayles)
Happy Beautiful Desirable, Track 16, Santa Monica, CA
2002
Better Look Twice, Pasadena City College Art Gallery, Pasadena, CA
Whacked, Los Angeles (curated by John Souza)
2006 – 2007
Fwy Wall Extraction, 10 fwy eastbound below Soto St and Marengo Blvd intersection, Los Angeles (produced by Creative Capital Foundation)
2006
Disrup, LA><ART Billboard Project, La Cienega Blvd between Venice and Washington, Los Angeles
aint that revolutionary, LA><ART Billboard Project, corner of Santa Monica Blvd and Highland Ave, Hollywood, CA (in conjunction with the exhibition An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles)
2001 – 2005
CLASS: C, mobile artist space featuring over 75 artists, curators, and collaborators throughout Southern California
2021
COLA Fellowship Grant, Los Angeles, CA
2013
California Community Foundation, Getty Fellow, Mid-Career Artist
2010
Future Generation Art Prize Nomination, Victor Pinchuk Foundation
2008
John Simon Guggenheim Memorial Foundation Fellowship
Center for Cultural Innovation (CCI) Investing in Artist Grant
2006
Rockefeller Fellowship: New Media
2005
International Studio and Curatorial Program Residency (ISCP-NYC), August-November 2007
Creative Capital Foundation: Visual Arts Grant
2004
Nimoy Foundation, California Biennial, Orange County Museum of Art: Artist-in-Residence
California Community Foundation: Emerging Artist Fellowship
The Durfee Foundation: Artists Resource for Completion Grant
2002
University of California Institutional Research Award (UCIRA)
2018
Associate Professor of Practice, USC Roski School of Art and Design
2023
Allen, David. "MexiCali Biennial art show migrates to The Cheech in Riverside," The Press-Enterprise, March 9
Stromberg, Matt. "Tamales, Celebs, and Hungry Collectors at Frieze LA," Hyperallergic, Febraury 17
Durón, Maximilíano. "The Best Booths at Frieze LA 2023, From Poignant Reflections on History to an Art Gallery in a Van," ARTnews, February 16
Escárcega, Patricia. "Ruben Ochoa Puts Hidden Labour Under The Spotlight," Frieze, February 15
Finkel, Jori. "A Vehicle for Social Justice, Bound for the Frieze Art Fair," The New York Times, February 13
Frieze Los Angeles. "Frieze Projects Los Angeles 2023" Frieze, February 3
Ludel, Wallace. "Frieze Los Angeles bringing a skyscraper, a truck- based gallery and more to Santa Monica Airport," The Art Newspaper, February 2
2022
"Church for Sale Works from the Haubrok Collection and the Nationalgalerie Collection," Exhibition Catalogue, Nationalgalerie, Staatliche Museen zu Berlin
2021
Miranda, Carolina. "Newsletter: How artist Nari Ward uses castoffs to create charged worlds at Deitch gallery," LA Times, July 3
Almino, Elisa Wouk. "A Tribute to Los Angeles’s Street Vendors," Hyperallergic, April 28
Keh, Pei-Ru. "Snapchat and LACMA celebrate diversity in LA," Wallpaper, April 23.
Robarts, Stu. "Snapchat's Five Los Angeles AR Monuments: What Are They & How To View Them," ScreenRant, April 16
Azzarello, Nina. "LACMA + snapchat bring artist-designed augmented reality monuments to L.A. (and your home)," Designbloom, April 13
Vankin, Deborah. "Fruit carts flying over MacArthur Park: How you can see LACMA’s first AR monuments," Los Angeles Times, April 13
2020
Vankin, Deborah. "LACMA turns to Snapchat again, this time for a virtual monuments project," Los Angeles Times, December 8
2019
Fernandez, Javier. "Beauty at the Border: A collection of Art in Architecture pieces at the San Ysidro Land Port of Entry," GSA, August 5
Delson, Susan. "Playful Riffs on Fact and Fiction," Wall Street Journal, July 26
2018
Shimi Roth, Minhae. "Locust Projects Turns 20: Remembering Its Most Memorable Exhibits," Miami New Times, December 4
Safari, Ida, "Ruben Ochoa at Art + Practice," Artillery, January 2
2017
Shang, Danielle, "Collectors of Color on the Importance of Supporting Under-Recognized Artists," Hyperallergic (web), November 28
Zellen, Jody, "Ruben Ochoa at Art + Practice," Art and Cake (web), October 7
Goldberg, Vicki, "Mean Streets, Kind Cameras," New York Times, July 28
Jacobson, Louis, "At the Smithsonian’s American Art Museum, a Fresh Look at Urban Photography," Washington City Paper (web), July 21
2016
Miranda, Carolina, "Last chance to see Ruben Ochoa’s latest twist on his urban landscape obsession: Giving rust new life," Los Angeles Times (web), April 13
Wilcox, Larry, "Ruben Ochoa at Susanne Vielmetter Los Angeles Projects," ArtReview, Summer
Buscemi, Lauren, "Report: San Diego," art ltd., August
Peterson, Karla, "Test Drive: Night at the museum," The San Diego Union-Tribune (web), November 19
2015
Knight, Christopher, Review: Apparitions at the Hammer explores low-tech art in a high-tech world, Los Angeles Times, February 13
2014
Hickson, Patricia, "Nothing But Blue Skies," brochure for "Ruben Ochoa: Matrix 169, 'Cloudless Day,'" published by Wadsworth Atheneum Museum of Art, Hartford, CT
"Best Bets: June 2014," Hartford Magazine, June
Smith, Anna M., "Nasher XChange: Ruben Ochoa," exhibition catalog to "Nasher XChange", published by The Nasher Sculpture Center, Dallas, TX
2013
Ruben Ochoa: Flock in Space, Trinity River Audubon Center, Exhibition Pamphlet for Nasher XCHANGE: 10 Years, 10 Artists, 10 Sites, Dallas: Nasher Sculpture Center, October
Nasher Sculpture Center Celebrates 10th Anniversary, CBS Dallas-Forth Worth, October 18
Herren, Michael, "7 LA Artists to Watch," LA Confidential, October
100 Best Fall Shows, Modern Painters, September
Nasher Sculpture Center launches ambitious project to turn all of North Texas into an outdoor museum, Dallas Voice, August 23
Bentley, Alex, Nasher Sculpture Center unveils plans for first Nasher Xchange sculpture at Trinity River Audubon Center, Culture Map Dallas, June 14
2012
Einspruch, Franklin, Ruben Ochoa, Art in America, March 8
2010
Boehm, Mike, New art prize nets winner $100,000 from billionare collector Victor Pinchuk, The Los Angeles Times, December 10
Burge, Russell, Critics Pick: Ruben Ochoa, artforum.com, May
Pincus, Robert L., Echoes of Duchamp at the MCASD, San Diego Union Tribune, April 11
Johnson, Ken, Art Review: Phantom Sightings, The New York Times,
Myers, Holly, Ruben Ochoa: In a construction zone, Los Angeles Times, March 7
2009
Adlmann, Jan Ernst, Santa Fe, Art In America, December
Momin, Shamim, Ruben Ochoa essay in Vitamin 3-D: New Perspectives in Sculptures and Installation, Phaidon Press
Art & Space: Ruben Ochoa, BOB International Magazine of Space Design, Issue #062, Fall
Davis, Kathryn M., Santa Fe, Art Ltd., July
Cotter, Holland, Ruben Ochoa: Collapsed, the New York Times, July 17
Fairfield, Douglas, Art In Review, Santa Fe New Mexican Pasatiempo, July 10
Fischer, Zane, Pssst! Hey, Mom: SITE has an art exhibition that mothers (and others) will love, Santa Fe Reporter, July 8
Tobin, Richard, Critical Reflections: Ruben Ochoa/ Crooked Under the Weight, THE Magazine, July 2009
Weideman, Paul, Four Off the Floor, the New Mexican Pasatiempo, June 26
Exhibitions: Ruben Ochoa, SITE magazine, Summer
Dault, Julia, Critics Pick: New York, Ruben Ochoa at Peter Blum, Artforum, May
Galleries-Downtown: Ruben Ochoa, The New Yorker, April 13
Saltz, Jerry, This Road Goes Somewhere, New York Magazine, April 6
Von Taube, Annika, Los Angeles, Sleek Magazine, Winter
2008
Place, Vanessa, Phantom Sightings: Art after the Chicano Movement, X-Tra Magazine, Vol. 11, No. 2, Winter
Chang, Richard, A Broader Biennial, Orange County Register, October 26
Chang, Richard, California Biennial reaches beyond the Golden State, The Arts Blog, ocregister.com, October 24
Young, Paul, The Radar Art, Angeleno, October
Ruiz, Alma, Interview with Ruben Ochoa, From and About Place: Art from Los Angeles, The Center for Contemporary Art, Tel Aviv, September - November
Kotz, Liz, Phantom Sightings: Art After the Chicano Movement, Modern Painters, September
Guha, Rohin, Ruben Ochoa @ LAMCA, Blackbook.com, August 7
Dambrot, Shana, Report: New York City, The Ghost of Jason Rhoades, Art Ltd, July
Ezrha Jean, LAs Cultural art (r)evolution, Artillery, July/August
Danto, Arthur C., Unlovable, The Nation, May 26
Bryan-Wilson, Julia, Review: Phantom Sightings: Art After the Chicano Movement, Art Forum, Summer
Johnson, Reed, Puerto Vallartas Not Just for Tourists, its for Artists too, Los Angeles Times, June 4
Guggenheim Fellows of 2008, Art In America, June/July
Canning, Susan, Whitney Biennial: New York, Art Papers, May
Machida, Nico, Interview with Ruben Ochoa, ArtSlant, May 19
Dabkowski, Colin, New at the Knox, The Buffalo News, May 11
Vikram, Anuradha, The LA Annual, Artillery, May/June
Gleason, Mat, Beyond Expectations: How Phantom Sightings Defeats Clich, ArtScene, May 1
Miles, Christopher, LACMA East: Phantom Sightings Chronicles the Rise of Post-Chicanoism, LA Weekly, April 30
Chang, R, O.C. Museum of Art hires guest curator for biennial, The Arts Blog, ocregister.com, February 11
Lacavo, Richard, The Simple Life, Time, March 13
Cohn, Marilyn, The Big Apple: Whitney Biennial, For Your Art, March 13
Schuker, Lauren A.E., The Fine Art of Less, The Wall Street Journal, March 7
Dalton, Trinie, 2008 Biennial Exhibition Catalogue, The Whitney Museum of American Art, March
Dockary, Sean and Hugo Hopping. Social Studies: An Art and Social Engagement, X-TRA Contemporary
Art Quarterly, Volume 10, Number 3, Spring
MJ, Susanne Vielmetter Berlin Projects, Transparenz durch Trugbilder, Taz.de, January 16
Gonzalez, Rita, Howard N. Fox, and Chan A. Noriega, Phantom Sightings: Art After the Chicano Movement LACMA Publications, March
2007
Viva Mexico, (Exhibition Catalogue), Zacheta National Gallery of Art, Warszawa
Paterson, Carrie, Ruben Ochoa: A Recurring Amalgamation, Art Circles, Issue #5, Fall
Vogel, Carol, Whitney Biennial Stretches to Armory, New York Times, November 16
Artists Announced for 2008 Whitney Biennial, Artforum.com, November 16
Campagnola, Sonia, Live from Los Angeles, Flash Art, November/December
Gray, Emma, L.A. Confidential, artnet, October 12
Continuing and Recommended: Ruben Ochoas A Recurring Amalgamation at Susanne Vielmetter Los Angeles Projects, Art Scene, October
Mizota, Sharon, Ruben Ochoa: A Recurring Amalgamation at Susanne Vielmetter Los Angeles Projects, Artforum.com, September 22
Gray, Emma, Emma Grays Top 10 Shows in Los Angeles this Month, Daily Magazine, Saatchi Online, September
Myers, Holly, When nature and urban life conflict, Los Angeles Times, September 14
Becker, Jack; Slade, George, Multifaceted Lens: Photography and Public Art, Public Art Review, Spring/Summer
Freeman, Tommy, The Trans-Aestheticization of Daily Life at the Sweeney Art Gallery, Artweek, May
Allsop, Laura; Alizarin Harvey, Polly; Lawley, Alanna, Consumed, ArtReview, June, p. 42
Szupinska, Joanna, Ruben Ochoa, Artillery, Volume 1, No. 4, March
2006
Westerbeck, Colin, Photo Synthesis: Fwy Wall Extraction, West Magazine, Los Angeles Times, December 24
Kim, Clara, Ruben Ochoa: Extracted, Contemporary, Issue 88, p.73
West, Kevin, The Van Man, WWDscoop, September, p. 60
Myers, Holly, Freeways connect and divide, Los Angeles Times, September 15, p. E22
Gray, Emma, L.A. Confidential, Artnet, October 13
Satorius, Katherine, Ruben Ochoa at LA><ART, Artweek, November, p. 17
Campagnola, Sonia, Focus Los Angeles: A Survey of Contemporary Los Angeles Art, Flash Art, January/February, page 73
Finkel, Jori, Recipe for Revolution: Take 11,000 Photos, New York Times, January 29, section 2-32
Isenberg, Barbara, Otis College of Art and Design: The First 88 Years, Otis: Nine Decades of Art (catalogue), p. 14
Pollack, Barbara, Happenstance, Time Out New York, Issue 536, January
2005
Gonzalez, Rita, Strangeways Here We Come, Recent Pasts: Art in Southern California from the 90s to Now, published by jrp ringier
Cotter, Holland, Happenstance, New York Times, December 30, p. B37
Willis, Holly, State of the Art: A Field Guide from Acken to Zittel, LA Weekly, October 28, p. 52
Tumlir, Jan, California Biennial, Artforum, February, p. 168
2004
Pincus, Robert L., Turning in to the O.C.: Biennial belly laughs, The San Diego Union-Tribune, November 7
Knight, Christopher, Biennial arrives, and so does a museum, Los Angeles Times, October 13, p. E1, E7
Armstrong, Elizabeth and Hofman, Irene, The Big Sweep: Paradox in Paradise, California Biennial (catalogue), Orange County Museum of Art, Newport Beach, CA, p. 12-21, 92-95
Cavallo Collins, Gina, Through the Lens Violently, Phoenix New Times, January 15
2002
Contreras, V. Wade, CLASS C: Ruben Ochoa Rolls Over Artistic Barriers, September
Albright Knox Art Gallery, Buffalo, NY
Hammer Museum, UCLA, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art San Diego, San Diego, CA
Perez Art Museum, Miami, Florida
Sweeney Art Gallery, University of California, Riverside, CA
Whitney Museum of American Art, New York, NY