Nicole Eisenman
Nicole Eisenman
“Edie with Fleurs,” 2021
Nicole Eisenman
“Edie with Fleurs,” 2021
Oil on canvas
30" x 24" [HxW] (76.2 x 60.96 cm)
Inventory #EIS629
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated and titled verso
“Edie with Fleurs,” 2021
Oil on canvas
30" x 24" [HxW] (76.2 x 60.96 cm)
Inventory #EIS629
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated and titled verso
Nicole Eisenman
“Swell,” 2022
Nicole Eisenman
“Swell,” 2022
Oil on canvas
44" x 58" [HxW] (111.76 x 147.32 cm)
Inventory #EIS628
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated, titled and annotated verso
“Swell,” 2022
Oil on canvas
44" x 58" [HxW] (111.76 x 147.32 cm)
Inventory #EIS628
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated, titled and annotated verso
Nicole Eisenman
“Man at the Center of Men,” 2019
Nicole Eisenman
“Man at the Center of Men,” 2019
Bronze
97" x 8' 4" x 64" [HxWxD] (246.38 x 254 x 162.56 cm) approximately
Edition 2 of 4, 2 AP
Inventory #EIS549.02
Courtesy the artist; Vielmetter Los Angeles; and Anton Kern Gallery, New York
Photo credit: Brian Fitzsimmons
“Man at the Center of Men,” 2019
Bronze
97" x 8' 4" x 64" [HxWxD] (246.38 x 254 x 162.56 cm) approximately
Edition 2 of 4, 2 AP
Inventory #EIS549.02
Courtesy the artist; Vielmetter Los Angeles; and Anton Kern Gallery, New York
Photo credit: Brian Fitzsimmons
Nicole Eisenman
“Sketch For a Fountain,” 2017
Nicole Eisenman
“Sketch For a Fountain,” 2017
Bronze
Edition 4 of 4, 2 AP
Inventory #EIS489.04
Courtesy of the artist, Anton Kern Gallery, and Vielmetter Los Angeles
Photo credit: Kevin Todora
Collection of Nasher Sculpture Center; Dallas, USA
“Sketch For a Fountain,” 2017
Bronze
Edition 4 of 4, 2 AP
Inventory #EIS489.04
Courtesy of the artist, Anton Kern Gallery, and Vielmetter Los Angeles
Photo credit: Kevin Todora
Collection of Nasher Sculpture Center; Dallas, USA
Nicole Eisenman
“Perpetual Motion Machine,” 2019
Nicole Eisenman
“Perpetual Motion Machine,” 2019
Bronze
8' 7 ⁵⁄₃₂" x 10' 5 ³⁄₁₆" x 65 ¹¹⁄₃₂" [HxWxD] (262 x 318 x 165.98 cm)
Edition 1 of 3, 2 AP
Inventory #EIS546.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Colin Doyle
“Perpetual Motion Machine,” 2019
Bronze
8' 7 ⁵⁄₃₂" x 10' 5 ³⁄₁₆" x 65 ¹¹⁄₃₂" [HxWxD] (262 x 318 x 165.98 cm)
Edition 1 of 3, 2 AP
Inventory #EIS546.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Colin Doyle
Nicole Eisenman
“Flag Pole + Eagle in a Box,” 2018
Nicole Eisenman
“Flag Pole + Eagle in a Box,” 2018
Fiberglass, plaster, epoxy putty, urethane foam, paint, cotton rope, chain, Nylon 12 plastic, cardboard, graphite, charcoal, polystyrene foam, gold leaf, nautical cleat, and pulley
41 x 331 x 32" [HxWxD] (104.14 x 840.74 x 81.28 cm) overall dimensions; 13 x 21 x 8" [HxWxD] (33.02 x 53.34 x 20.32 cm) baby eagle
Inventory #EIS554
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Flag Pole + Eagle in a Box,” 2018
Fiberglass, plaster, epoxy putty, urethane foam, paint, cotton rope, chain, Nylon 12 plastic, cardboard, graphite, charcoal, polystyrene foam, gold leaf, nautical cleat, and pulley
41 x 331 x 32" [HxWxD] (104.14 x 840.74 x 81.28 cm) overall dimensions; 13 x 21 x 8" [HxWxD] (33.02 x 53.34 x 20.32 cm) baby eagle
Inventory #EIS554
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Morning Affirmations,” 2018
Nicole Eisenman
“Morning Affirmations,” 2018
Oil on linen
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS537
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
“Morning Affirmations,” 2018
Oil on linen
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS537
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
Nicole Eisenman
“Huddle,” 2018
Nicole Eisenman
“Huddle,” 2018
Oil on canvas
127.25 x 105" [HxW] (323.22 x 266.7 cm)
Inventory #EIS534
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
“Huddle,” 2018
Oil on canvas
127.25 x 105" [HxW] (323.22 x 266.7 cm)
Inventory #EIS534
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
Nicole Eisenman
“Dark Light,” 2017
Nicole Eisenman
“Dark Light,” 2017
Oil on canvas
10' 7 ¹⁄₄" x 8' 9" x 1 ³⁄₄" [HxWxD] (323.22 x 266.7 x 4.45 cm)
Inventory #EIS468
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Dark Light,” 2017
Oil on canvas
10' 7 ¹⁄₄" x 8' 9" x 1 ³⁄₄" [HxWxD] (323.22 x 266.7 x 4.45 cm)
Inventory #EIS468
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Selfie,” 2014
Nicole Eisenman
“Selfie,” 2014
Oil on canvas
53" x 44" [HxW] (134.62 x 111.76 cm)
Inventory #EIS393
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
On reverse
“Selfie,” 2014
Oil on canvas
53" x 44" [HxW] (134.62 x 111.76 cm)
Inventory #EIS393
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
On reverse
Nicole Eisenman
“Breakup,” 2011
Nicole Eisenman
“Breakup,” 2011
Oil, mixed media on canvas
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS195
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Breakup,” 2011
Oil, mixed media on canvas
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS195
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Guy Artist,” 2011
Nicole Eisenman
“Guy Artist,” 2011
Oil and collage on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS188
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Guy Artist,” 2011
Oil and collage on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS188
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Guy Capitalist,” 2011
Nicole Eisenman
“Guy Capitalist,” 2011
Oil, mixed media on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS189
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Guy Capitalist,” 2011
Oil, mixed media on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS189
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Beer Garden with Big Hand,” 2012/2017
Nicole Eisenman
“Beer Garden with Big Hand,” 2012/2017
Watercolor, drawing over etching
48 ¹⁄₂" x 55 ¹⁄₂" x 2" [HxWxD] (123.19 x 140.97 x 5.08 cm) framed
Inventory #EIS480
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Beer Garden with Big Hand,” 2012/2017
Watercolor, drawing over etching
48 ¹⁄₂" x 55 ¹⁄₂" x 2" [HxWxD] (123.19 x 140.97 x 5.08 cm) framed
Inventory #EIS480
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
Nicole Eisenman
“The Thinker,” 2012
Nicole Eisenman
“The Thinker,” 2012
Two-color lithograph (from stone) with four-color photolithograph
29 ³⁄₄" x 37 ¹⁄₂" x 1 ¹⁄₂" [HxWxD] (75.56 x 95.25 x 3.81 cm) Framed; 25" x 33" [HxW] (63.5 x 83.82 cm)
Edition of 25, AP 8 of 8
Inventory #EIS253.08AP
Courtesy of the artist and Vielmetter Los Angeles; Published by Jungle Press Editions, New York
Photo credit: Jeff McLane
“The Thinker,” 2012
Two-color lithograph (from stone) with four-color photolithograph
29 ³⁄₄" x 37 ¹⁄₂" x 1 ¹⁄₂" [HxWxD] (75.56 x 95.25 x 3.81 cm) Framed; 25" x 33" [HxW] (63.5 x 83.82 cm)
Edition of 25, AP 8 of 8
Inventory #EIS253.08AP
Courtesy of the artist and Vielmetter Los Angeles; Published by Jungle Press Editions, New York
Photo credit: Jeff McLane
Nicole Eisenman
“Untitled,” 2012
Nicole Eisenman
“Untitled,” 2012
Woodcut print on paper
32 ¹⁄₂" x 24 ³⁄₄" [HxW] (82.55 x 62.86 cm) framed
Inventory #EIS302.02TP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Photo credit: Jeff McLane
Signed on front
“Untitled,” 2012
Woodcut print on paper
32 ¹⁄₂" x 24 ³⁄₄" [HxW] (82.55 x 62.86 cm) framed
Inventory #EIS302.02TP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Photo credit: Jeff McLane
Signed on front
Nicole Eisenman
“Untitled (Girl With a Tear),” 2012
Nicole Eisenman
“Untitled (Girl With a Tear),” 2012
Woodcut print on paper
32.75" H x 24.75" W (83.19cm H x 62.87cm W) framed
Unnumbered AP
Inventory #EIS301.01AP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Signed on front
“Untitled (Girl With a Tear),” 2012
Woodcut print on paper
32.75" H x 24.75" W (83.19cm H x 62.87cm W) framed
Unnumbered AP
Inventory #EIS301.01AP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Signed on front
Nicole Eisenman
“The Drawing Class,” 2011
Nicole Eisenman
“The Drawing Class,” 2011
Oil and charcoal on canvas
65" x 82" [HxW] (165.1 x 208.28 cm)
Inventory #EIS193
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“The Drawing Class,” 2011
Oil and charcoal on canvas
65" x 82" [HxW] (165.1 x 208.28 cm)
Inventory #EIS193
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Guy Reading the Stranger,” 2011
Nicole Eisenman
“Guy Reading the Stranger,” 2011
Oil on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS190
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Guy Reading the Stranger,” 2011
Oil on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS190
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Sloppy Bar Room Kiss,” 2011
Nicole Eisenman
“Sloppy Bar Room Kiss,” 2011
Oil on canvas
39" x 48" [HxW] (99.06 x 121.92 cm)
Inventory #EIS191
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Sloppy Bar Room Kiss,” 2011
Oil on canvas
39" x 48" [HxW] (99.06 x 121.92 cm)
Inventory #EIS191
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
“Portrait of Celeste,” 2007
Nicole Eisenman
“Portrait of Celeste,” 2007
Oil on canvas
48" x 39" [HxW] (121.92 x 99.06 cm)
Inventory #EIS104
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Portrait of Celeste,” 2007
Oil on canvas
48" x 39" [HxW] (121.92 x 99.06 cm)
Inventory #EIS104
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Nicole Eisenman
Beasley Street, 2007
Nicole Eisenman
Beasley Street, 2007
Oil on canvas
65" x 82"
Beasley Street, 2007
Oil on canvas
65" x 82"
Nicole Eisenman
Hamlet, 2007
Nicole Eisenman
Hamlet, 2007
Oil on canvas
82" x 65" (208.28 x 165.1 cm)
Hamlet, 2007
Oil on canvas
82" x 65" (208.28 x 165.1 cm)
Nicole Eisenman
Untitled (Portrait of a Man Wolfie), 2007
Nicole Eisenman
Untitled (Portrait of a Man Wolfie), 2007
Oil on board
48" x 39" (121.9 x 99.1 cm)
Untitled (Portrait of a Man Wolfie), 2007
Oil on board
48" x 39" (121.9 x 99.1 cm)
Nicole Eisenman
Beer Garden, 2007
Nicole Eisenman
Beer Garden, 2007
Oil on canvas
65" x 82" (165.1 x 208.28 cm)
Beer Garden, 2007
Oil on canvas
65" x 82" (165.1 x 208.28 cm)
1965
Born in Verdun, France
Lives and works in New York
1987
BFA, Rhode Island School of Design, Providence, RI
2023
"Nicole Eisenman: What Happened," Whitechapel Gallery, London, UK (forthcoming)
"Nicole Eisenman. What Happened," Museum Brandhorst, Munich, Germany
"Nicole Eisenman: Prince," Print Center New York, New York, NY
2022
"Köpfe, Küsse, Kämpfe; Nicole Eisenman und die Modernen," Kunstmuseum Den Haag, Hague, Netherlands
"Köpfe, Küsse, Kämpfe; Nicole Eisenman und die Modernen," Foundation Vincent Van Gogh Arles, Arles, France
"Köpfe, Küsse, Kämpfe; Nicole Eisenman und die Modernen," Aargauer Kunsthaus, Aarau, Switzerland
2021
"Köpfe, Küsse, Kämpfe; Nicole Eisenman und die Modernen," Kunsthalle Bielefeld, Bielefeld, Germany (travelling exhibition)
"Nicole Eisenman: Prince," University Museum of Contemporary Art, University of Massachusetts Amherst, Amherst MA
"Maquette and Paper Pulp Works," Anton Kern Gallery, New York, NY
"Giant Without a Body," Astrup Fearnley Museet, Oslo, Norway
2020
"Nicole Eisenman and Keith Boadwee," Flag Art Foundation, New York, NY
"Where I Was, It Shall Be," Hauser & With Somerset, Bruton, UK
"Nicole Eisenman: Sturm und Drang," The Contemporary Austin, Austin, TX
"Incelesbian," Anton Kern, New York, NY
2018
"Baden Baden Baden," Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
"Dark Light," Susanne Vielmetter Los Angeles Projects, Culver City, CA
"A Valentine's Day Show," Anton Kern Gallery, New York, NY
2017
Corbett vs. Dempsey, Chicago, IL
"Faces: Painted Reliefs," Anton Kern Gallery, New York, NY
"Dark Light," Secession, Vienna, Austria
Skulptur Projekte Münster, Münster, Germany
2016
Hydra Workshop, Hydra, Greece
"Al-ugh-ories," New Museum, New York, NY
"Magnificent Delusion," Anton Kern Gallery, New York, NY
2015
"Masterpieces & Curiosities: Nicole Eisenman's Seder," The Jewish Museum, New York, NY
"The Kiss," Galerie Barbara Weiss, Berlin, Germany
2014
"Dear Nemesis, Nicole Eisenman 1993 - 2013," Contemporary Art Museum St. Louis, MO, curated by Kelly Schindler; traveled to the Institute of Contemporary Art (ICA) Philadelphia, PA; Museum of Contemporary Art San Diego (MCASD), San Diego, CA
2013
"Nicole Eisenman / MATRIX 248," University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
2012
"Woodcuts, Etchings, Lithographs and Monotypes," Leo Koenig Gallery, New York, NY
"Tis but a scratch A scratch?! Your arms off! No, it isnt," Studio Voltaire, London, UK
2011
"New Paintings", Susanne Vielmetter Los Angeles Projects, Culver City, CA
"READYKEULOUS; The Hurtful Healer: The Correspondence," Invisible-Exports, New York, NY
2009
"Nicole Eisenman," Tang Museum, Skidmore College, Saratoga Springs, NY
"Nicole Eisenman," Leo Koenig Inc., New York, NY
2008
"Coping," Barbara Weiss Gallery, Berlin, Germany
2007
"A Show Born of Fear," Susanne Vielmetter Los Angeles Projects
"Nicole Eisenman," Kunsthalle Zurich, Switzerland; Le Plateau, Frac Ile de France, Paris, France
2006
"Progress: Real and Imagined," Leo Koenig Inc., New York, NY
2005
"A Show Called Nowhere," Barbara Weiss Gallery, Berlin, Germany
"Chunga en el callejon del Cuajo," Museo de Arte Carillo Gil, Mexico City, Mexico (with Jessica Rodriguez)
2004
"Nicole Eisenman: ALL FOR THE GOO(D)," Van Horn, Dusseldorf, Germany
"Elizaville," Leo Koenig Inc., New York, NY
2003
"Nicole Eisenman: Selected Works 1993-2003", The Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY, curated by Andrea Inselmann
2002
Shoshana Wayne Gallery, Santa Monica, CA
2000
Jack Tilton Gallery, New York, NY
Noga Gallery, Tel Aviv, Israel
1999
Entwistle Gallery, London, UK
1998
"Behavior, Rice University Art Gallery, Houston, TX
Shoshana Wayne Gallery, Santa Monica, CA
1996
Jack Tilton Gallery, New York
Galerie Cokkie Snoei, Rotterdam, Netherlands (with Jason Fox)
1995
Centraal Museum Utrecht, Utrecht, Netherlands
Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA
1994
"Nicole Eisenman," Jack Tilton Gallery, New York, NY
1993
Shoshana Wayne Gallery, Santa Monica, CA
Trial Balloon, New York, NY
1992
Shoshana Wayne Gallery, Santa Monica, CA
2023
"Ridykes’ Cavern of Fine Inverted Wines and Deviant Videos," Nottingham Contemporary, Nottingham, UK (forthcoming)
"Exercises in Imagination," National Academy of Design, New York, NY
"Together in Time: Selections from the Hammer Contemporary Collection," Hammer Museum, Los Angeles, CA
2022
"Boil, Toil & Trouble," Curated by Zoe Lukov, West Palm Beach, FL
"A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9," David Zwirner and Performance Space New York, New York, NY
"Women Painting Women," The Modern, Fort Worth, TX
"This is Not America's Flag," The Broad Museum, Los Angeles, CA
"Vero Collects: Hidden Treasures Revealed," Vero Beach Museum of Art, Vero Beach, FL
2021
"Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40," SMART Museum, Chicago, IL
"Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," CCS Bard College Galleries, Bard College, NY
"20 Years," Vielmetter Los Angeles, Los Angeles, CA
2020
"20 Years," Vielmetter Los Angeles, Los Angeles, CA
"Future Future," Hair and Nails Gallery, Minneapolis, MN
"Radical Figures: Painting in the New Millennium," Whitechapel, London, UK
2019 – 2020
"The Foundation of the Museum: MOCA's Collection," Museum of Contemporary Art, Los Angeles, CA
"Mask: In Present-Day Art," Aargauer Kunsthaus, Aarau, Switzerland
2019
"Show Me As I Want To Be Seen," The Contemporary Jewish Museum, San Francisco CA
"Forever Young," Brandhorst Museum, Munich, Germany
"A Woman Looking at Men Looking at Women," Zernez, Switzerland
"7 Painters," Greene Naftali Gallery, New York NY
"Nicole Eisenman: Nineteen Nineties," Tilton Gallery, New York, NY
"What Beauty Is, I Know Not," König Galerie, Berlin, Germany
"May You Live In Interesting Times," 58th Venice Biennale, Venice, Italy
"Wars," David Nolan Gallery, New York, NY
"Pulled in Brooklyn," International Print Center, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY
"Fire," Company Gallery, New York, NY
"Palimpsest," Lismore Castle, Lismore, Ireland
"Drawn Together Again," FLAG Art Foundation, New York, NY
Studio Voltaire Benefit Exhibition, London, UK
2018 – 2019
"Noise! Frans Hals, Otherwise," Frans Hals Museum, Haarlem, Netherlands
2018
"The Trick Brain," Aishti Foundation, Beirut, Lebanon
"This Woman's Work," Des Moines Art Center, Des Moines, IA
"TEN," Artist Curated Projects, Los Angeles, CA
"Sculpture Garden," Art Lot, Brooklyn, NY
"tears then holes," Rachel Uffner Gallery, New York, NY
"Intimacy," curated by Stephen Truax, Yossi Milo Gallery, New York
"Go Figure," Pizzuti Collection, Columbus, OH
"In Tribute to Jack Tilton: A Selection from 35 Years," Jack Tilton Gallery, New York
"Scenes from the Collection," Jewish Museum, New York, NY
"Cast of Characters," Bureau of General Services—Queer Division and The LGBT Community Center, New York, NY
"2018 Ceremonial Exhibition: Work by New Members and Recipients of Awards," American Academy of Arts and Letters, New York, NY
2017
"The Everywhere Studio," Institute of Contemporary Art, Miami, FL
"The American Dream. American Realism 1945-2016," Kunsthalle Emden, Germany
"Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA
"Für Barbara," curated by Leo Koenig, Hall Art Foundation | Schloss Derneburg Museum, Derneburg, Germany
"The White Heat," Marc Straus Gallery, New York, NY
"Women Painting," Miami Dade College Kendall Gallery, Miami, FL
"Hope and Hazard: A Comedy of Eros," curated by Eric Fischl Hall Art Collection, Reading, VT
"Zeitgeist," Musée d’art moderne et contemporain (MAMCO), Geneva, Switzerland
"Uncanny Likeness," Simon Lee Gallery, New York, NY
"Piss and Vinegar: Two Generations of Provocateurs," New York Academy of Art, New York, NY
"Idols and Impossible Structures: New Prints 2017/Winter," International Print Center, New York, NY
"Looking Back / The 11th White Columns Annual - Selected by Anne Doran," White Columns, New York, NY
"Engender," Kohn Gallery, Los Angeles, CA
"The Trick Brain," curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon
"James HD Brown; Life and Work in Mexico," USC Fischer Museum, Los Angeles, CA
"Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA
"I Plan to Stay a Believer," Andrew Kreps Gallery, New York, NY
"Talking Pictures: Camera-Phone Conversations Between Artists," Metropolitan Museum of Art, New York, NY
"Soil Erosion," curated by Shannon Ebner, Altman Siegel, San Francisco, CA
2016
"Selections from the Permanent Collection," Museum of Contemporary Art, Los Angeles, CA
"Le Grand Balcon," La Biennale de Montréal, curated by Philippe Pirotte, Montréal, Canada
"These Strangers," SMAK, Ghent, Belgium
"Intimisms," James Cohan, New York, NY
2015
"Fetching Blemish," Invisible-Exports, New York, NY
"A Painting Show," Sadie Coles Gallery, London, UK
"All back in the skull together," Maccarone, New York, NY
"America is Hard to See," Whitney Museum of American Art, New York, NY
"Painting 2.0: Expression in the Information Age," Museum Brandhorst, Munich, Germany
"The Great Mother: Women, Maternity, and Power in Art and Visual Cutlure, 1900 – 2015," curated by Massimiliano Gioni, Palazzo Reale, Milan, Italy
"No Joke," Tanya Leighton Gallery, Berlin, Germany
2014
"The Forever Now: Contemporary Painting in an Atemporal World," curated by Laura Hoptman, Museum of Modern Art, New York, NY
Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia, curated by Kaspar Knig
"Hidden and Revealed," Angles Gallery, Los Angeles, CA
"New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin
"Every day in every way Im freely opening my senses to the beauty in myself and opening up to all the beauty around me and in all the people I will encounter," Martos Gallery, New York, NY
2013
"2013 Carnegie International," Carnegie Museum of Art, Pittsburgh, PA
"Outside the Lines," Contemporary Arts Museum Houston, TX
"NYC 1993: Experimental Jet Set, Trash and No Star," New Museum, New York, NY
"Body Language," Saatchi Gallery, London, UK
"Catch as Catch Can," Locks Gallery, Philadelphia, PA
"Nightfall," MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary
2012
The Whitney Biennial, Whitney Museum of American Art, New York, NY
"B-Out," Andrew Edlin Gallery, New York, NY, curated by Scott Hug
2011
"A Painting Show," Harris Lieberman, New York, NY
"Prospect II," curated by Dan Cameron, New Orleans, LA
"The Air We Breathe," SFMoMA, San Francisco, CA
"Invitational Exhibition of Visual Arts," American Academy of Arts and Letters, New York, NY
"Leidy Celeste Nicole," Museum 52, New York, NY
2008
"Painting, Smoking, Eating," Villa Merkel, Esslingen, Germany
2007
"Horizon," EFA Gallery, New York, curated by David Humphrey
2006
"The Eighth Square: Gender, Life and Desire in Art Since 1960," Museum Ludwig, Cologne
"Through the Looking Glass," Galerie Bob van Orsouw, Zrich, Switzerland
"This is not a Love Song," Susanne Vielmetter Los Angeles Projects
2005
"Post Everything," The Rotunda Gallery, New York, NY
"360 degrees art," Museum Kunst Palast, Dusseldorf, Germany, curated by Stefan von Wiese
Ludwig Museum, Cologne, Germany
Jack Tilton Gallery, New York
"Self-Preservation Society, Leo Koenig Inc., New York
Roger Bijkomen Gallery, Stockholm, Sweden
"A La Pared/On the Wall," Museo de Arte Carrilo Gil, Mexico City, Mexico
"Silent Stories," Galerie Martin Janda, Vienna, Austria
"Slices of Life," Austrian Cultural Forum, New York, NY
2004
K21 Kunstsammlung Nordrhein-Westfalen, Dsseldorf
"Central Station: The Harold Falckenberg Collection," La Maison Rouge, Foundation Antoine de Albert, Paris, France
"Dreamland Artists Club," Creative Time, New York, NY
"USA Today," Galleri S.E., Bergen, Norway
"The Coney Island Project," Creative Time, New York, NY
"100 Artists See God," curated by John Baldesarri and Meg Cranston, The Jewish Museum, San Francisco, CA
"As Time Goes By," Gordian Weber Kunsthandel, Cologne, Germany
Roger Bjorkholmen Gallery, Stockholm, Sweden
2003
"As Time Goes By," Leo Koenig Inc., New York, NY
"DC: Lilly van der Stokker," Ludwig Museum, Cologne
"On the Wall: Wallpaper and Tableau," Sammlung Speck; K21 Kunstsammlung, Nordrhein-Westfalen, Dsseldorf
Sammlung Speck, Kunstmuseum Graz, Austria
"Off the Wall," The Fabric Workshop and Museum, Philadelphia, PA
"The Feminine Persuasion," Kinsey Institute, Bloomington, IN
"Comic Release!," Carnegie Mellon University, Pittsburgh, PA
"Turn On, Drop Out," China Art Objects, Los Angeles, CA
"The Lunatics Have Taken Over the Asylum," Works on Paper, Inc., Los Angeles, CA
"The Paper Sculpture Show," The Sculpture Center, Queens, NY (In Collaboration with ICI)
"There's Always Tomorrow," Galeria Maribini, Bologna, Italy
"Retrospectacle: 25 years of collecting Modern and Contemporary Art," Denver Museum of Art, Denver
2002
"Family," The Aldrich Museum of Contemporary Art, Ridgefield, CT
"El Bello Genero Convulsiones y Permanencias Actuales," Comunidad de Madrid, Consejeria de las Artes, Madrid, Spain
"The Empire Strikes Back," curated by Jason Fox and Cannon Hudson, Avenue B Gallery, New York
"Super Natural Playground," Marella Fine Arts, Milan, Italy
2001
"Fast Food For Thought: Cartoon in Art," ArtScan Gallery & Rudolph Projects, Houston, TX
"Threads of Vision: Toward a New Feminine Poetics," Cleveland Center of Contemporary Art, Cleveland, OH
"Waterworks," curated by Kim Levin, Nordiska Akvarellmuseet, Skarhamn, Sweden
"Driving Women," Castle Gallery, New Rochelle, NY
"Self Made Men," curated by Alexi Worth, DC Moore Gallery, New York, NY
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY
"Pop & Post-Pop (On Paper)," Texas Gallery, Houston, TX
2000
"Uncomfortable Beauty," Jack Tilton/Anna Kustera Gallery, New York, NY
"H2O," Works on Paper, Inc., Los Angeles, CA
"Blurring Lines in Contemporary Drawing," John Michael Kohler Arts Center, Sheboygan, WI
"People," Andrea Rosen Gallery Booth, Basel Art Fair, Basel, Switzerland
"Picturing the Modern Amazon," New Museum of Contemporary Art, New York, NY
"The Figure: Another Side of Modernism," Snug Harbor, Newhouse Center for Contemporary Art, Staten Island, New York, NY
"1/2: Going Forward Looking Back," Seattle Art Museum, Seattle, WA
"The Likeness of Being," DC Moore Gallery, New York, NY
"Prophecies," Swiss Institute, New York, NY
"Zona F," Espai d'art contemporani de Castell, Castell, Spain
"Deja Vu: Reworking the Past," Katonah Museum of Art, Katonah, NY
"Here Kitty, Kitty," Nexus Contemporary Art Center, Atlanta, GA
1999
"The American Century: Art & Culture 1900-2000 Part II," 1950-2000, Whitney Museum of American Art, NY
"Warehouse," Exit Art, New York, NY
"I am a Virgin," The Waiting Room at the School of Art and Design, University of Wolverhampton, UK
"54 x 54 x 54," Museum of Contemporary Art, London
"Two DoorsTrue Value," Mai 36 Galerie, Zurich, Switzerland
1998
"Cant We All Just Get Along," Deven Golden, New York, NY
"Codex USA," Entwistle Gallery, London, UK
"Deal and Reality," Rupertinum, Salzburg, Austria
"From The Corner of the Eye," Stedelijk Museum, Amsterdam
"some WOMEN/PRETTY girls," University Galleries, Florida Atlantic University, Boca Raton, FL
"Animal Tales: Contemporary Bestiary and Animal Painting," Whitney Museum at Champion, Stamford, CT
"The Wolfsonian Mural Project," Miami (organized by The Drawing Center, New York)
1997
"HEART, MIND, BODY, SOUL: American Art in the 1990s, Selections from the Permanent Collection," Whitney Museum of American Art, New York, NY
"New WorkDrawings Today," San Fransisco Museum of Art, San Francisco, CA
"Drawn & Quartered," Karen McCready Fine Art, New York, NY
"Woven in Oaxaca," A/D Gallery, New York, NY
"Womens Work, SECCA," Southeastern Center for Contemporary Art, Winston-Salem, NC
"Just What Do You Think Youre Doing Dave," Williamsburg Art & Historical Center, Brooklyn, NY
"Form and Function of Drawing Today," Frankfurter Kunstverein, Frankfurt, Germany
"Fracturing the Gaze," Lawing Gallery, Houston, TX
"The Gaze," Momenta Art, New York, NY
"Dissolution: Made in the U.S.A.," Laurent Delaye Gallery, London, UK
Galerie Rdiger Schttle, Munich, Germany
"The Road Show," Bronwyn Keenan Gallery, New York, NY
"Vraiment: Fminisme et lart," curated by Laura Cottingham, Le Magasin, Grenoble, France
"Sex / Industry," curated by John Yau, Stefan Stux Gallery, New York, NY
"20 x 152," Anna Kustera Gallery, New York, NY
"The Name of the Place," curated by Laurie Simmons, Casey Kaplan, New York, NY
1996
"Identity Crisis: Selections from the Whitney Museum of American Art," Alexandros Soutzos Museum, Athens, Greece; traveled to: Museu dArt Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany
"a/drift," curated by Joshua Dector, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY
"Be Specific," curated by Michael Duncan, Rosamund Felsen Gallery, Santa Monica, CA
"Gender, fucked," curated by Catherine Lord, Center for Contemporary Art, Seattle, WA
"The Comic Depiction of Sex in American Art: Nicole Eisenman, Erika Rothenberg, Jimmy Shaw, Benjamin Weissman, Sue Williams," Galerie in Haus 19, Munich, Germany
"Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History," Armand Hammer Museum of Art and Cultural Center, UCLA, Los Angeles
"Defining the Nineties: Consensus-Making In New York, Miami and Los Angeles," curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL
"Real Fake," Neuberger Museum, SUNY at Purchase, Purchase, NY
"Screen," curated by Joshua Decter, Friedrich Petzel Gallery, New York, NY
"Playtime," Whitney Museum of American Art, Stamford, CT
1995
"A Glimpse of the Norton Collection as Revealed by Kim Dingle," Santa Monica Museum of Art, Santa Monica, CA
"Art on Paper," Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
"Pervert," The University of California at Irvine, Irvine, CA
"Picassoid," Whitney Museum of American Art, New York
"Inside Out: Psychological Self Portraits, Aldrich Museum of Contemporary Art, Ridgefield, CT
"Way Cool," Exit Art, New York, NY
"Odschon Malerei (Painting)," Gallery Mittelstrasse 18, Potsdam, Germany
"Komix," Brooke Alexander Editions, New York, NY
Whitney Biennial, The Whitney Museum of American Art, New York, NY
"Toys Art Us," Castle Gallery, College of New Rochelle, New York, NY
"Seduction and Betrayal," curated by Shoshana Blank and Bonnie Clearwater, Galerie Krinzinger, Vienna, Austria
New Museum Benefit Show, The New Museum of Contemporary Art, New York
1994
"Watt, Witte de With," Rotterdam, The Netherlands; Kunstverein Munich, Munich, Germany
Kunsthaus Vienna, Vienna, Austria
Sonnabend Gallery, New York, NY
White Columns, New York, NY
Denver Art Museum, Denver, CO
"The Seventh Wave," Museum of Contemporary Art, Los Angeles, CA
"Sex," Adam Baumgold Fine Arts, New York, NY
"Bad Girls," The Center for Contemporary Art, Glasgow, Scotland
"Return of the Cadavre Exquis," The Drawing Center, New York, NY
"Bad Girls," curated by Marcia Tanner, Wright Art Gallery, University of California, Los Angeles, CA
"Arrested Childhood," curated by Bonnie Clearwater, The Center for Contemporary Art, Miami, FL
"Wenn die Kinder sind im Dunkeln," curated by Birgit Jrgenssen, Wiener Secession, Vienna, Austria
"Bad Girls," The Ikon Gallery, Birmingham, UK
1993
"Bad Girls," Institute of Contemporary Arts, London, UK
"bODD," Basel Art Fair, Basel, Switzerland
"The Seventh Wave," curated by Stephen Foster, John Hansard Gallery, University of Southampton, UK
"Urban Analysis," curated by Maynard Munroe, Barbara Braathen Gallery, New York, NY
"Eau de Cologne 8393," Monica Spurth Galerie, Cologne, Germany
"Coming to Power," David Zwirner Gallery, New York, NY
"1920," Exit Art/The First World, New York, NY
Elizabeth Koury Gallery, New York, NY
1992
303 Gallery, New York, NY
"Fever," Exit Art/The First World, New York, NY
"Wall Drawings," The Drawing Center, New York, NY
"Part Fantasy," Trial Balloon, New York, NY
"The Lesbian Museum: 10,000 Years of Penis Envy," Franklin Furnace, New York, NY
"Imagining Indians," curated by Fred Wilson, Longwood Arts Gallery, Bronx, New York, NY
1990
"Figuring Eros," Newhouse Center for Contemporary Art, Snug Harbor Cultural enter, Staten Island, NY
2019 – 2020
"Raid the Icebox with Nicole Eisenman: Tonight we are going out and we are all getting hammered," RISD Museum, Providence, RI
2012
Bush Shelter Project: Nicole Eisenman Intentions, Locust Projects, Miami, Florida
2006
Ridykeulous, curated by Nicole Eisenman and A. L. Steiner, Participant Inc, New York
2002
Scenery, White Oak Dance Project
2000
Jennifer Monson, set design for dance program at The Kitchen, New York
1998
The Choice, co-curated group exhibition at Exit Art, New York
1995
Summer of Bad Plays, Writer and Actor
Magazine cover project for Art magazine, March
1994
Centerfold project for Frieze magazine, November/December
2012
"Nicole Eisenman: Figure Drawing Atelier with Commentary by Margie Weinstein, Manager of Education Initiatives", 2012 Whitney Biennial, Whitney Museum, New York, NY
Bard College, NY
Columbia University, New York
Colgate University, NY
Harvard University, Architecture Department, MA
Hunter College, New York
Mount Royal College of Art, MD
Provincetown Workshop, MA
Rhode Island School of Design, RI
School of Visual Arts, New York
SUNY New Platz, NY
SUNY Binghamton, NY
University of Tennessee, TN
University of Kentucky, KT
Vassar College, NY
Yale University, CT
Princeton University, NJ
Queens College, NY
Present Bard College, Annandale-on-Hudson, NY
2001 – 2002
Mount Royal College of Art, Baltimore, MD
2000 – 2001
School of Visual Arts, New York, NY
2023
G'Sell, Eileen. "Depravity and Delights in Nicole Eisenman’s Prints," Hyperallergic, April 16
Frenzel, Sebastian. "Painter Nicole Eisenman, Just Do It," Monopol Magazine, March 23
Edquist, Grace. "The Layered Intimacies of Nicole Eisenman’s Prints," Vogue, February 21
2022
Soboleva, Ksenia. "Nicole Eisenman: Untitled (Show)," The Brooklyn Rail, July
Wood, Eve. "Nicole Eisenman and the Moderns: Head, Kisses, Battles," Riot Material, June 22
Ammann, Katharina, Bice Curiger, Daniel Koep, and Christina Végh. " Nicole Eisenman and the Modernists. Köpfe, Küsse, Kämpfe : Cat. Kunsthalle Bielefeld/Aargauer Kunsthaus/Fondation Vincent Van Gogh Arles/Kunstmuseum Den Haag," (catalogue), Snoeck Verlagsgesellschaft mbH, Cologne, Germany
Zheng, Elaine YJ. "Frieze Los Angeles: Exhibitions to See," Ocula, February 2
Heiser, Joerg. "Above is only the starry sky," Republik, January 28
Roelstraete, Dieter. "This Figuring: Some Remarks on Today's Painting Craze," Mousse Magazine, January
2021
DiQuinzio, A., Hejinian, L., and Butler, J. (2021). New time: Art & Feminisms in the 21st Century. Pg 154-155. University of California, Berkeley Art Museum and Pacific Film Archive.
Loos, Ted. "Genius at Work: 29 MacArthur Fellows Show Their Art in Chicago," The New York Times, July 13
Staff, Culturemap. "Dallas' Nasher Sculpture Center mixes up its collection for new exhibition," Culture Map San Antonio, June 7
Sullivan, Emma. "Stooping To Conquer: The Utopian Vision Of Nicole Eisenman," The Quietus, May 29
Fitzpatrick, Jameson. "Weekend Friends," The New York Times, April 12
Harris, Gareth. "Six artists—including Nicole Eisenman and Ibrahim Mahama—shortlisted for Trafalgar Square's Fourth Plinth public art commission," The Art Newspaper, March 9
Simmons, William J. "Queer Formalism: The Return," Floating Opera Press, Berlin, Germany
Parker, Ian. "Every Nicole Eisenman Picture Tells a Story," The New Yorker, February 22
Herriman, Kat. "In New York, Group Art Shows Provide Temporary Shelter From Urbanite Isolation," Cultured, February 23
Soboleva, Ksenia M. "The Delightfully Debased Art of Nicole Eisenman and Keith Boadwee," Hyperallergic, January 19
2020
de Brugerolle, Marie. "Post-Performance Painting: The Bad, the Worse, the Better… Style as a Weapon," Mousse 73, Fall
Yerebakan, Osman Can. "How Star Painter Nicole Eisenman Leveraged a New Solo Show to Pay It Forward, Putting the Spotlight on Her Naughty Friend Keith Boadwee Instead," ArtNet News, December 9
Smee, Sebastian. "Join the Crowd," Washington Post, August 19
Hamer, Katy Diamond. "Nicole Eisenman: Walking Together," Sculpture, July 16
Reid, Hilary. "Bananademic, Bananad to the Rescue," Vulture, April 23
Kotecha, Shiv. "For Nicole Eisenman, Historical Memory is a Blunt Instrument," Frieze, April 28
Tuchman, Phyllis. "Nicole Eisenman: Sturm und Drang," The Brooklyn Rail, April
Purcell, Barbara. "Figuratively Speaking: Nicole Eisenman’s ‘Sturm und Drang’ at The Contemporary Austin," Sightlines, March 6
Coyne, Susan. "Overheard and Observed at the LA Art Fairs," Hyperallergic, February 16
Khan, Tabish. "Painting Isn't Dead And There's Proof In A Political Exhibition At Whitechapel Gallery," Londonist, February 6
McNamara, Ryan. "Previews: Nicole Eisenman," Artforum, January
2019
"The Most Important Artworks of the 2010s," ArtNews, November 28
Cowan, Katy. "Radical Figures: A new show looks at the renewed interest in Neo-Expressionism," Creative Boom, November 25
Valentine, Victoria L. "2019 Whitney Biennial: The Museum as a Site of Protest," Culture Type, September 22
"To Feel the Resistance, Look Closer," New York Times, August 23
Dean, Aria. "On Progress, or the speed at which a square wheel turns," X-TRA, August 18
Kinsella, Eileen. "With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All," artnet, July 25
Saltz, Jerry. "A True Protest Biennial," Vulture, July 22
Kushwaha, Brooke. "Queer Artist Nicole Eisenman Installs a Public Artwork in Boston's 401 Park," L'Officiel, July 22
Sutton, Benjamin. "Four artists demanded their works be removed from the Whitney Biennial." Artsy, July 19
Small, Zachary. "Seven Artists Withdraw Their Work From 2019 Whitney Biennial," Hyperallergic, July 19
Greenberger, Alex. "Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’" ArtNews, July 19
Stapley-Brown, Victoria. "Four artists withdraw their work from the Whitney Biennial," The Art Newspaper, July 19
Moynihan, Colin. "Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas," New York Times, July 19
"A Letter From Artists in the Whitney Biennial," Artforum, July 19
Kinsella, Eileen. "Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders," artnet, July 19
Higgie, Jennifer. "58th Venice Biennale Review: Brilliance and Bluster," Frieze, May 9
Davis, Ben. "Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition," artnet, May 9
Russeth, Andrew. "Touring the Venice Biennale, Part 2: The Giardini," ArtNews, May 8
Freeman, Ciaran and Brandon Sanchez. "What does America look like in 2019? The Whitney Biennial asks and answers." America: The Jesuit Review, June 14
Dondero, Lillian. "What to Expect at this Year's Politically-Charged Whitney Biennial," Elle Decor, June 14
Forsythe, Dana. "7 Public Art Installations To Check Out In Boston This Summer," wbur, June 7
Dawson, Aimee. "‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home," Art Newspaper, June 7
Scott, Chad. "Nicole Eisenman Installation Puts Exclamation Point On Fenway Development," Forbes, June 6
Budick, Ariella. "Whitney Biennial: an anthology of young America," Financial Times, June 4
Huang, Banyi, "Whitney Biennial 2019: Between Resistance and Complicity," Ocula, May 31
Kelly, Brian. "Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum," Hyperallergic, May 22
Singer, Dan. "These laid-back Nasher sculptures will keep on lounging poolside for good," Dallas News, May 23
Flores, Micah. "See the Nasher’s Whimsical New Fountain Installation," D Magazine, May 22
"Biennial delivers, despite birth pains," The Villager, May 22
Schjeldahl, Peter. "The Whitney Biennial in an Age of Anxiety," New Yorker, May 20
"Nasher Sculpture Center Acquires Nicole Eisenman's Sketch for a Fountain," Artforum, May 20
Moffitt, Evan. "The 2019 Whitney Biennial Is Unafraid to Be Beautiful," Frieze, May 20
Hoffman, Barbara. "Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight," New York Post, May 17
Smee, Sebastian. "The Whitney Biennial presents the best new artists in the country — and lots of fluff," Washington Post, May 18
Ferrarini, Paolo. "Venice Art Biennale 2019: Bold + Bright," Cool Hunting, May 17
Bradley, Paige K., "As the World Turns," Artforum, May 16
Solomon, Deborah. "Review: The Whitney Biennial Cops Out," WNYC, May 17
Plagens, Peter. "Whitney Biennial Review: Still Protesting, but to What End?," Wall Street Journal, May 16
Cotter, Holland. "The Whitney Biennial: Young Art Cross-Stitched With Politics," New York Times, May 16
Small, Zachary. "The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial," Hyperallergic, May 15
Solway, Diane. "The Whitney Biennial 2019's Standout Artists Look Backwards, Forwards, All Around Us," W, May 15
Russeth, Andrew. "Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now," ArtNews, May 13
Small, Zachary. "Initial Thoughts and Highlights from the 2019 Whitney Biennial," Hyperallergic, May 13
Sutton, Benjamin. "A Nicole Eisenman fountain will splash down in Boston." Artsy, April 9
Russeth, Andrew. "Nicole Eisenman Fountain Will Grace Boston," ArtNews, April 9
Buck, Louisa. "Lismore Castle serves up a rich palimpsest of themes for new show," Art Newspaper, April 5
2018
Alma, Rahel. "By All Means, Judge a Book By Its Cover," Garage (blog), December 24
Brown, Kate. "Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany," artnet, November 8
Freeman, Nate. "What Sold at FIAC," Artsy, October 22
Small, Zachary, "Looking at Queer Constellations of Intimacy," Hyperallergic (web), August 20
Hickley, Catherine, "Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price," The Art Newspaper (web), August 15
Faires, Robert, "Nicole Eisenman Receives Booth/FLAG Art Prize," The Austin Chronicle (web), August 6
Friel, Katie, "Austin art museum bestows one of the world's most ambitious prizes on New York artist," Culture Map Austin (web), August 3
"Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize," ArtForum (web), August 3
Barnes, Michael, "Austin museum picks winner of $800,000 art prize," My Statesman (web), August 2
van Ryzin, Jeanne Claire "Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize," Sight Lines Magazine (web), August 2
Smith, Roberta, "Painting: An (Incomplete) Survey of the State of the Art," New York Times (web), August 2
Felsenthal, Julia, "A Landmark Exhibition Returns for Its 3rd Iteration, Spread Across 5 Venues," Vogue (web), June 27
"Anonymous was... artist Susan Unterberg," The Art Newspaper (web), July 23
Pogrebin, Robin, "She Gave Millions to Artists Without Credit. Until Now.," New York Times (web), July 20
Nechamkin, Sarah, "Woman Who Anonymously Gave Millions to Female Artists Reveals Herself," The Cut (web), July 20
Logan, Elizabeth, "This Photographer Has Anonymously Donated Millions To Female Artists For Decades," W Magazine (web), July 21
Sussman, Anna Louie, "What Sold at Art Basel," Artsy (web), June 17
Da Silva, José, "All the president’s men (and one first lady) at Art Basel," The Art Newspaper (web), June 15
Tonguette, Peter, "Abstract exhibit at Pizzuti Collection celebrates human form," The Columbus Dispatch (web), May 27
Varadi, Keith J., "Nicole Eisenman at Susanne Vielmetter Los Angeles Projects," carla (web), April 18
Gerwin, Daniel, "Nicole Eisenman’s Portraits of Angry White Men," Hyperallergic (web), April 12
Waters, Sydney, "Dark Light is a Masterpiece of Political Relevance," Art and Cake, April 9 (web)
Mizota, Sharon, "In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment," Los Angeles Times (web), April 2
Lasarow, Bill, "Nicole Eisenman at Susanne Vielmetter LA Projects," ArtScene, April
Goldman, Edward, "Listening to Artists," KCRW Art Talk, March 20
Hickley, Catherine, "Beer and bread rolls for a vandilised sculpture in Münster," The Art Newspaper (web), March 14
Petrovich, Dushko, "The New Face of Portrait Painting," The New York Times Style Magazine, February 12
Hafner, Hans-Jürgen, translated by Nicholas Grindell, "Nicole Eisenman at Secession, Vienna," frieze, January/February
Farago, Jason, "A Museum's Fresh Take on the Whole Meggilah," New York Times, January 26
Nayeri, Farah, "The Art on Her Walls Echoes Her Mission: Backing Bold Works by Women," New York Times, January 26
2017
Annemiek Rens, Katharian Henkel, Antje-Britt Mählmann. "The American Dream, Amerikaans Realisme 1945-2017," WBOOKS, Zwoll, The Netherlands
Truax, Stephen, "Why Young Queer Artists Are Trading Anguish for Joy," Artsy (web), November 7
Hicklev, Catherine, "Locals fight to retain Eisenman fountain following Sculpture Projects Münster," The Art Newspaper (web), October 10
Hoffmann, Jens, "Skulptur Projekte Münster," frieze, September 11
Kinsella, Eileen, "See the Photo Highlights of Skulptur Projekte Münster, the World’s Most Important Public Art Show, artnet News (web), June 9
Trouillot, Terence, The New Face of Painting? Nicole Eisenman Reinvents Portraiture in Her New Show at Anton Kern," artnet News (web), June 6
Hoffmann, Jens, "Reviews: Biennale de Montréal," Artforum, February
2016
Karch, Swangje, "Nicole Eisenman," Blau, April
Coates, Jennifer, "The Goo of Paint: How every mark matters," Modern Painters, May
Myles, Eileen, "Nicole Eisenman’s Green World," frieze, May
Solway, Diane, "Nicole Eisenman Has Both Style and Substance," W Magazine, May
Solomon, Deborah, "A Conversation with Nicole Eisenman and Grace Dunham," The New York Times, May 7
Allen, Emma, "The Rain in Spain: The MacArthur-winning artist Nicole Eisenman learns to talk like Eliza Doolittle," The New Yorker, May 9
Schjeldahl, Peter, "Seriously Funny: A Nicole Eisenman Retrospective," The New Yorker, May 16
Thackara, Tess, "Nicole Eisenman’s Paintings Will Make You Laugh, Even When it Hurts," Artsy (web), May 6
Indrisek, Scott, "Normal is Boring: Nicole Eisenman at the New Museum," Blouin Artinfo (web), May 4
Spellings, Sarah, "This Artist Sees Right Through Your Relationship Shams," The Cut (web), May 11
Smith, Roberta, "Nicole Eisenman, Fluidly Merging Past, Present and Future," The New York Times, June 2
Yau, John, "A Truly Great Artist," Hyperallergic (web), June 5
Greenberger, Alex, "Historical Friction: Nicole Eisenman at the New Museum and Anton Kern, New York," ArtNews (web), June 9
Herriman, Kat, "The Wicked Comedy of Nicole Eisenman’s Allegorical Paintings," The Creators Project (web), June 24
"Now Showing: Nicole Eisenman," Elephant Magazine, Summer
Schwabsky, Barry, "Nicole Eisenman’s Path to Genius," The Nation (web), July 14
Istomina, Tatiana, "Nicole Eisenman: New York, at New Museum and Anton Kern," Art in America (web), September 1
Korczynski, Jacob, "‘Le Gran Balcon/The Grand Balcony," La Biennale de Montréal," art agenda (web), October 26
Ridykeulous (Nicole Eisenman + A.L. Steiner), "An Open Letter To Our Future Selves, by the Art Duo Ridykeulous," W Magazine (web), November 1
Lewis, Jacqueline, "Nicole Eisenman Hides Nothing," Cultured Magazine, Winter
2015
Esplund, Lance, Reshuffling, Not Reinventing, The Wall Street Journal, January 27
Tuchman, Phyllis, The Forever Now: Contemporary Painting in an Atemporal World, The Brooklyn Rail, March 5
Rodney, Seph, Can I Get A Witness: The Persistence of Narrative Painting, Artillery, March
Maine, Stephen, The Forever Now, Artillery, March
Wise, Lloyd, The Forever Now: Contemporary Painting in an Atemporal World, Artforum, March
DSouza, Aruna, Nicole Eisenman is an Artist with a lot on her Seder Plate: Subverting Passover Traditions at Jewish Museum, Forward, April 1
Johnson, Ken, All Back in the Skull Together, New York Times, April 9
Miranda, Carolina, The Whitney Museum Announces Inaugural Show, and the Internet Parses, Los Angeles Time, April 16
Merjian, Ara H., The Forever Now: Contemporary Painting in an Atemporal World, frieze, April
Frank, Priscilla, Art Exhibition Champions Blemishes, Pimples, Scars and Other Glorious Flaws, Huffington Post, January 11
20 Artists Who Make New York, Elephant, Spring
Chute, James, Taking a stand for Nicole Eisenman, The San Diego Union-Tribune (web), July 15
Eisenman, Nicole, Art in America (cover), September
Durbin, Andrew, Painting Ghosts, Out (web), September 16
2015 MacArthur Fellows Include Nicole Eisenman, LaToya Ruby Frazier, Artforum (web), September 29
Jeppesen, Travis, Critics Picks: Nicole Eisenman at Galerie Barbara Weiss, Artforum (web), October 9
Mullins, Charlott, Picture People: The New State of the Art, Thames & Hudson (catalogue)
Tourjee, Diana, The Human Painter Making Art Worthy of Aliens, Broadly (web), November 17
Stange, Raimar, Nicole Eisenman: Galerie Barbara Weiss, frieze d/e, December - February
Vartanian, Hrag, Artists Nicole Eisenman and LaToya Ruby Frazier Among 2015 MacArthur Genius Grant Winners, Hyperallergic (web), September 29
Pogrebin, Robin, MacArthur Genius Grant Winners for 2015 are Announced, New York Times (web), September 29
Smith, Roberta, Nicole Eisenman Savors Her MacArthur Moment, New York Times, September 29
Saltz, Jerry, Nicole Eisenman is a Massively Deserving Genius, Vulture (web), September 30
2014
Hine, Thomas, Art: Eisenman at ICA: Great, getting better, Philly.com, October 19
Cotter, Holland, In Museums, Masters Old and New, The New York Times, September 3
Smolik, Noemi, Manifesta 10, Frieze, September
Indrisek, Scott, At MoMA, 17 Painters of Our Forever Now, ArtInfo, December 9
Saltz, Jerry, Forever Now is MoMAs Market Moment, Vulture, December 12
Zhong, Fan, Nicole Eisenman: Brushes with Greatness, W Magazine, December 11
Fitzpatrick, Corrine, Best of 2014: Corrine Fitzpatrick, Artforum.com, December 11
Farago, Jason, The Forever Now Review: Calling time on the Avant Garde, The Guardian, December 12
Vartanian, Hrag, et al., Best of 2014: Our Top 10 Exhibitions Across the United States, Hyperallergic, December 26
Johnson, Paddy, The Ten Best Exhibitions of 2014, Art F City, December 31
Sheets, Hilarie M., Nicole Eisenman at Institute of Contemporary Art, ArtNews, December 31
Latimer, Quinn, Highlights from 2014 Quinn Latimer, Frieze Blog, December 23
Smith, Roberta, End-of-Year Must-See, New York Times, December 27
Dijksterhuis, Edo, Diversity rules at 45th edition of the art markets Olympics, ArtSlant, June 19
Spence, Rachel, The Hermitages NIkhail Piotrovsky on hosting Manifesta, Financial Times, June 6
Knudsen, Stephen, Nicole Eisenman: The Relevance of 21st-Century Expressionism, Art Pulse, June 1
Cristello, Stephanie, Open Letter to an Enemy: Nicole Eisenman (1993 2013), The Seen, May 19
Russeth, Andrew, 2014 Gwangju Biennale Releases Full 105-artist list, Gallerist NY, June 13
Russeth, Andrew, "Heres Manifesta 10′s Artist List," GalleristNY, March 25
Russeth, Andrew,"Morning Links: Betye Saar Edition," Gallerist NY, April 11
Bryan-Wilson, Julia; Castle, Terry; Perta, Litia; Schindler, Kelley; "Dear Nemesis, Nicole Eisenman 1993 - 2013," exhibition catalogue, Contemporary Art Museum St. Louis, published by Buchhandlung Walther Knig, Cologne, Germany
Gass, William, Review Readykeulous by Ridykeulous: This is What Liberation Feels Like, Art Papers, March/April
Thomas, Mary, Appreciation for the 2013 Carnegie International 2013, Pittsburgh Post-Gazette, March 4
Russell, Stefene, "The Arts: 'Dear Nemesis: Nicole Eisenman, 1993-2013' at Contemporary Art Museum-St. Louis," St. Louis Magazine, March
Suico, Angela, The Carnegies Evening of Drawing With Nicole Eisenman, Pittsburgh City Paper, Feburary 28
Thomas, Mary, Carnegie Museum of Art acquires additional works by International artists, Pittsburgh Post-Gazette, February 25
Russeth, Andrew, Carnegie Acquires Work From 2013 International by Guyton, Stark, Eisenman, Olowska, More, Gallerist NY, February 18
Griesbach, Sarah Hermes, "Reflection: Nicole Eisenman's Broad Range On View At CAM," St. Louis Public Radio, February 13
Miller, Sarah Bryan, "Artist Nicole Eisenman isn't afraid to make viewers uncomfortable," St. Louis Post-Dispatch, February 8
Gay, Malcolm, "Dear Nemesis: Figurative painting is alive and well in CAM's survey of Nicole Eisenman's mid career work," Riverfront Times, January 30
Griffin, Jonathan, Review: 2013 Carnegie International, art agenda, January 7
____. Show of Shows Ten Museum Exhibitions Not to Miss in 2014: No. 1, Nicole Eisenman at Contemporary Art Museum St. Louis, Modern Painters, January
Knudsen, Robert, "Top Ten Contemporary Art Exhibits in 2013," The Huffington Post, January 2
2013
Fiduccia, Joanna, A Desperate Age Review: 2013 Carnegie International, Spike Art Quarterly, Winter
Shaw, Kurt, "Sculptures at Carnegie Museum bend historical allusions," Pittsburgh Tribune-Review, December 28
Hopf, Judith, "Best of 2013: Nicole Eisenman at Studio Voltaire, London," Artforum, December
Raczka, Robert, Nicole Eisenmans good bad painting and witty sculpture are a highlight at the Carnegie International, Pittsburgh City Paper, November 6
Schjeldahl, Peter, "Play Time: The Carnegie International," The New Yorker, October 21
Smith, Roberta, Global Extravaganza, but on a Human Scale, The New York Times, October 11
Goodden, Sky, Welding a New Medium, Nicole Eisenman Wins the Carnegie Prize, Artinfo, October 9
Foumberg, Jason, Playful Politics at the 2013 Carnegie International, Art in America, October 9
Russeth, Andrew, "A Playground in Pittsburgh: The 2013 Carnegie International Is a Quiet Triumph," GalleristNY, October 8
Thomas, Mary, "Artist Nicole Eisenman wins Carnegie Prize for ingenious installation at Carnegie International," Pittsburgh Post-Gazette, October 8
Russeth, Andrew, "Carnegie Prize for Nicole Eisenman, Fine Prize for Zanele Muholi," GalleristNY, October 7
Thomas, Mary, "Carnegie International awards prizes to two exhibiting artists," Pittsburgh Post-Gazette, October 7
Karlovitz, Bob, "Pair of works at Carnegie International bring home prizes," Pittsburgh Tribune-Review, October 7
Kukielski, Tina, Nicole Eisenman, 2013 Carnegie International Catalogue, October
Thomas, Mary, Three Curators give the Carnegie International a different look, Pittsburgh Post-Gazette, September 29
Tanner, Marcia, Appropriation redux: Nicole Eisenman in Berkeley, Berkleyside, July 8
"Nicole Eisenman wins 2013 Carnegie Prize," Artforum.com, October 7
Simmons, William J., Nicole Eisenman: MATRIX 248 at BAM/PFA in Berkeley, SFAQ, July
McGarry, Kevin, "Sketch Troupe: Nicole Eisenman," V Magazine, June
DiQuinzio, Apsara, Nicole Eisenman, MATRIX 248 Brochure, Berkeley Art Museum, June
Sillman, Amy, "Preview: Nicole Eisenman," Artforum, May
Wood, Sura, Outside of the Box, The Bay Area Reporter, May 16
Smith, Roberta, 40 Nations, 1,000 Artists and One Island, New York Times, May 10
Akel, Joseph, "10 Picks: New York Frieze 2013," Interview Magazine, May 10
Higgie, Jennifer, Nicole Eisenman: In Your Head, Frieze, May
Chun, Kimberly, 'Nicole Eisenman / Matrix 248': Tea Party time, San Francisco Chronicle, May 22
Meade, Fionn, "Catch as Catch Can," Locks Gallery, Philadelphia, PA
Hirsch, Faye, Nicole Eisenmans Year of Printing Prolifically, Art In Print, January - February
Gygax, Raphael, Looking Back, Looking Forward: Part 5, Frieze Blog, January 1
2012
Molesworth, Helen, Best of 2012: Helen Molesworths Top 10, ArtForum, December
Torres, Jesus Manuel Rojas, "Locust Projects Third Annual Bus Shelter Project, Examiner.com, November 21
Nicole Eisenman, Parkett 91, pp. 102-149
Bors, Chris, "Whitney Biennial 2012", Artvoices Magazine, June/July, pp. 86-87
Beer, Jonathan, Nicole Eisenman Woodcuts, Etchings, Lithographs and Monotypes, Leo Koenig Gallery, art-rated, July 4
Molarsky, Mona, Drawing on Talent: A Profile of Work of Artist Nicole Eisenman, New York Press, August 9
Schultz, Charles, Nicole Eisenman: Woodcuts, Ethings, Lithographs, and Monotypes at Leo Koenig, Art in Print, July/August
Wyma, Chloe 25 Questions for Witty Expressionist and Biennial Star Nicole Eisenman, Boulin Artinfo, June 19
Hirsch, Faye, Nicole Eisenmans Prints and People, Art In America, June 15
Nicole Eisenman: the story behind the artwork, in the artists own words, Modern Painters, July/August
50 Next Most Collectible Artists, Art + Auction, June
Schjeldahl, Peter, Not Like The Other Ones: A surprising Whitney Biennial, The New Yorker, March 12
Douglas, Sarah, If You Dont Do This Fair, Youre Stupid: With Sales and High Spirits, the Armory Show Gets Off to a Rollicking Start, Gallerist NY, March 7
Smith, Roberta, A Survey of a Different Color, New York Times, March 2
2011
Pagel, David, Nicole Eisenman at Susanne Vielmetter Los Angeles Projects," Los Angeles Times, May 5
Simonson, Lily, Looking at Los Angeles, Nicole Eisenman and Wynne Greenwood, Art:21 blog, May 26
Shaw, Michael, Nicole Eisenman, Art Scene, May
Eisenman, Nicole, Artists on Ab-Ex, Artforum, Summer
Chang, Ian, Nicole Eisenman, Susanne Vielmetter Los Angeles Projects, Frieze, September
Wolf, Kate, Nicole Eisenmans Human Touch, Artslant, May 16
2010
Smith, Roberta, Post-Minimal to the Max, New York Times, February 14
Berry, Ian, Nicole Eisenman: The Way We Werent, catalogue, The Tang Teaching Museum and Art Gallery
White, Brian Evans, Nicole Eisenman, Art US, Issue 28
2008
Werneburg, Brigitte, "Kunstrundgang, TAZ Berlin, September 17
Mania, Astrid, "Verfuhrerisch direkt, Artnet Magazine, September 10
Sholis, Brian, "Nicole Eisenman, Artforum, September
"Art in General, NewCOMPANYline: Advertisement, Performance, Style and Authenticity by K8 Hardy, PS1 Contemporary Art Center, March 14
Myers, Holly, "Nicole Eisenman A Show Born of Fear at Susanne Vielmetter, ArtReview, January
2007
Myers, Holly, "Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter, LA Weekly, December 27
Brooks, Amra, "Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter, LA Weekly, December 27
Lester, Paul, "We Remember Miami, ArtNet, December
Tibbits, Ashley, "Nicole Eisenman: A Show Born of Fear at Susanne Vielmetter Los Angeles Projects, Flavorpill, November 27
Gray, Emma, "Top 10 Shows in Los Angeles This Month: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter, The Saatchi Gallery Blog, November
Sholis, Brian, "Scene & Herd: Boy Wonder, Artforum.com, October 30
Brooks, Amra, "Must See Art: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter Los Angeles Projects, LA Weekly, October 25
Schindler, Anna, "In der Kunsthalle Zrich: das bad girl Nicole Eisenman, Kunstzeitung, May
2006
Hirsch, Faye, "Tides and Tidings, Art in America, October
Smith, Roberta, "Nicole Eisenman: Progress: Real & Imagined, New York Times, June 10
Hontoria, Javier, "Trazons de un arte urgente, El Cultural, February 9-15
2005
Parker, Erik, "The Artists Artists, Artforum, December
Davis, Tim, "Top Ten, Artforum, May
2004
Burton, Johanna, "Nicole Eisenman, Artforum, Summer
Von Lilien, Titus, "Bomben auf Barbieland, Quest, May-June
The New Yorker, April 5
Chasin, Noah, "Nicole Eisenman: Elizaville, Time Out New York, April 1-8
Bsing, Nicole and Klass, Heiko, "Vor Erffnung ausverkauft, Die Welt, March 27
The New York Sun, March 25
Reed, John, "Critics Picks, Artforum, March
Hirsch, Jaye, "Nicole Eisenman at the Herbert F. Johnson Museum of Art, Art in America, February
2003
Sillman, Amy, "Top Ten, Artforum
Greenfield, Beth, "fired up, Out, July
"ARTtalk: canvas, ARTnews, May
"America, il doce domain, La Republica, March
2002
Myers, Holly, "Emotions of childhood linger in paint, New York Times, December 27
Stark, Rachael, "Nicole Eisenman: Portrait of the Artist as Collaborator, NY Arts, July/August
Aizpuru, Margarita, "El Bello Gnero, Comunidad de Madrid, June
2001
Levin, Kim, "Self-made men: male self portraits, The Village Voice, May 1
Harris, Susan, "Nicole Eisenman at Jack Tilton, Art in America, January
2000
Clifford, Katie, "Nicole Eisenman: Jack Tilton, ARTnews, November
Naves, Mario, "All About Bambis Sex Life, The New York Observer, October 16
"Nicole Eisenman, The New Yorker, October 9
Baer, Josh, "Slow and Steady, New York Magazine, October 9
Johnson, Ken, "Art in Review: Nicole Eisenman, The New York Times, October 6
Levin, "Voice Choice: Nicole Eisenman, The Village Voice, September 19
Dimling Cochran, Rebecca, "Fantastic Worlds, Art Papers Magazine, July/August
Anton, Saul, "Prophecies, Time Out NY, March 9-16
Kennedy, Gideon C., "Enter the Doghouse, Atlanta Press, February 11-17
Fox, Catherine, "Exploring Our Best Pals, AJC, February 4
Korotkin, Joyce B., "The Likeness of Being, The New York Art World, February
Silverstein, Joel, Review, February
Goddard, Donald, "Art Review: Nicole Eisenman, newyorkartworld.com
Cembalest, Robin, "The Woman in the Mirror, Elle, January
2020
Suzanne Deal Booth / FLAG Art Foundation Prize
2015
MacArthur Foundation Fellowship
2013
Carnegie Prize, 2013 Carnegie International, Pittsburgh, PA
2002
Cabinet Magazine paper sculpture project
Acadia Summer Arts Program, ME
1996
John Simon Guggenheim Grant
1995
The Joan Mitchell Foundation Grant
The Lois Tiffany Grant
Penny McCall Foundation Grant
American Academy of Arts and Letters, New York, NY
Denver Art Museum, Denver, CO
Hammer Museum, Los Angeles, CA
Herbert F. Johnson Museum of Art, Ithica, NY
Ludwig Museum, Cologne, Germany
Museum of Modern Art, New York, NY
Nasher Sculpture Center, Dallas, TX
Rose Art Museum, Brandeis University, Waltham, MA
San Francisco Museum of Modern Art, San Francisco, CA
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY