Working in abstraction, Elizabeth Neel creates large-scale paintings that incorporate various techniques and abstract gestures as a method to interpret psychological experience. Decomposition, preservation, and re-composition are central themes in Neel’s work. She applies paint with a formal immediacy that suggests both the humor and distress of experience in flux. Neel’s negotiation between marks as representations of themselves and as descriptive tools challenges the act of looking and the process of cognition.
Neel’s paintings on raw canvas often employ rich colors like greens, purples, and ochre colors to evoke the natural world. Splatters of magenta might convene with hard-edged ochre triangular shapes, evoking the specific emotional qualities of particular modes of paint application. Her dexterous mark-making builds up compositions that translate a choreography of movements into specific forms. Vertical swaths of paint anchor swirls, splatters, and smears only to seep onto the bottom of the canvas. Neel’s drips, pours, sweeping brushstrokes, and monoprinting techniques utilize a language, specific to paint, that conjures a poetic lyricism beyond her canvas.
Elizabeth Neel was born in 1975 in Stowe, Vermont, and lives and works in New York. She graduated from Columbia University with an MFA in 2007 and received a BA from Brown University in 1997.
Recent solo exhibitions include Elizabeth Neel: Nightjars and Allies, Pilar Corrias, London, UK; Tangled on the Serpent Chair, Mary Boone, New York, NY; Claw Hammer, Vielmetter Los Angeles; Vulture and Chicks, Pilar Corrias, London, UK; Lobster with Shell Game, Vielmetter Los Angeles; The People, the Park, the Ornament, Pilar Corrias, London, UK; 3 and 4 before 2 and 5, Sikkema Jenkins & Co., New York, NY; Routes and Pressures, Vielmetter Los Angeles; Sphinx Ditch, Pilar Corrias Gallery, London, UK; Leopard Complex, Sikkema Jenkins & Co., NY; Stick Season, The Sculpture Center, New York, NY.
Recent group exhibitions include Structures of Feeling, Galerie Maria Bernheim, Zurich, Switzerland; Paintings, Mary Boone, New York, NY; Surface Work, Victoria Miro, London, UK; August and Everything After, Plymouth Rock, Zurich, Switzerland; Speaking Through Paint, Lori Bookstein Fine Art, New York, NY; Modern Talking, curated by Nicola Trezzi, Cluj Museum, Romania; Four Rooms, Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland; Painting Overall, Prague Biennial 5, Prague, Czech Republic; Going Where the Weather Suits My Clothes, A Fall of Light of Fabric, Mothers Tank Station, Dublin, Ireland; Living with Art: Collecting Contemporary in Metro New York, The Neuberger Museum, Purchase College, Purchase, NY; Abstract America, Saatchi Gallery, London, UK.
Her works are in the following public collections: Albright-Knox, Buffalo, New York; Hammer Museum, Los Angeles, CA; Herbert F Johnson Museum, Cornell University, Ithaca, NY; Museum of Fine Arts, Boston, MA.
- 1975
- 2007
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- 1997
Selected Solo and Two Person Exhibitions
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Selected Group Exhibitions
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Bibliography
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Public Collections