Tam Van Tran’s abstract paintings, works on paper, ceramic sculptures, and mixed-media collages explore the language of painting and the natural world and the intersections of these with his Vietnamese heritage. His brightly colored and intricately textured works link his heritage with Western cultural traditions. Most recently, he is exploring the evocative possibilities of ceramic sculptures—masks, vessels, and glazed bricks—that reference the natural processes of environmental transformation and decay, migration and migratory patterns, and spiritual concepts—from meditation to Buddhism non-duality.
Van Tran works with organic materials like spirulina, chlorophyll, food, wood, and more traditional art materials such as linen and acrylic canvases. His free-standing ceramic sculptures are hand-built from many overlapping circular slabs of clay, textured and glazed in a matte white, their subtly aquatic forms suggesting plate armor or scales, the formal references oscillating between science fiction and ancient civilizations. Smaller works are more intimate and reference altars and other material manifestations of devotion.
At a moment where immigration and migration are daily topics of conversation and conflict, Van Tran’s quiet sculptures acknowledge these experiences and place deep value on those who migrate, whether by choice or necessity.
Tam Van Tran was born in 1966 in Kon Tum, Vietnam, and lives and works in Los Angeles. He graduated from the Pratt Institute in New York and studied Animation at the Graduate School of Film and Animation at the University of California Los Angeles. He received the Joan Mitchell Foundation Grant for Painting and the Pollock Krasner Fellowship in 2001.
His work has been featured in solo museum exhibitions at the Blaffer Art Museum at the University of Houston, TX; and the Knoxville Museum of Art, Knoxville,TN. His work has been included in group exhibitions including Carbon, Fellows of Contemporary Art, Los Angeles; Drawing: The Beginning of Everything, Albright-Knox Art Gallery, Buffalo, NY; Pattern: Follow the Rules, Eli and Edythe Broad Art Museum, Lansing, MI; east EX east, Brand New Gallery, Milan, Italy; the 2004 Whitney Biennial, Whitney Museum of American Art, New York; Paul Clay, Salon 94, New York; Museum of Fine Art Houston, Houston, TX; the Institute of Contemporary Art Boston, MA; the San Francisco Art Institute, San Francisco, CA; International Paper, UCLA Hammer Museum, Los Angeles; and in the Drawing Biennial at the Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC.
His work is in the collections of the Museum of Modern Art, New York; The Whitney Museum of American Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the ICA Boston, Boston, MA; the Cleveland Museum of Art, Cleveland, OH; the Museum of Fine Arts, Houston, TX; among others.
- 1996
- 1990
Selected Solo and Two Person Exhibitions
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- 2017
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Selected Group Exhibitions
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Bibliography
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Awards, Grants and Fellowships
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Public Collections