![Nicole Eisenman “Swell,” 2022](https://vielmetter.com/wp-content/uploads/2023/09/eis628_hires-1679599885-1024x777.jpg)
Nicole Eisenman
“Swell,” 2022
“Swell,” 2022
Nicole Eisenman
“Swell,” 2022
Oil on canvas
44" x 58" [HxW] (111.76 x 147.32 cm)
Inventory #EIS628
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated, titled and annotated verso
“Swell,” 2022
Oil on canvas
44" x 58" [HxW] (111.76 x 147.32 cm)
Inventory #EIS628
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Brica Wilcox
Signed, dated, titled and annotated verso
![This image depicts an artwork by Nicole Eisenman titled "Empty City (with Man in Need)." This artwork was created in 2020 and measures 30" x 24" x 1" [HxWxD] (76.2 x 60.96 x 2.54 cm). Its medium is Oil on linen.](https://vielmetter.com/wp-content/uploads/2024/06/Nicole-Eisenman_EIS600_1718920394-683x1024.jpg)
Nicole Eisenman
“Empty City (with Man in Need),” 2020
“Empty City (with Man in Need),” 2020
Nicole Eisenman
“Empty City (with Man in Need),” 2020
Oil on linen
30" x 24" x 1" [HxWxD] (76.2 x 60.96 x 2.54 cm)
Inventory #EIS600
Signed and dated on back
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Empty City (with Man in Need),” 2020
Oil on linen
30" x 24" x 1" [HxWxD] (76.2 x 60.96 x 2.54 cm)
Inventory #EIS600
Signed and dated on back
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
![Nicole Eisenman “Man at the Center of Men,” 2019](https://vielmetter.com/wp-content/uploads/2023/09/eis549.02_hires-1024x683.jpg)
Nicole Eisenman
“Man at the Center of Men,” 2019
“Man at the Center of Men,” 2019
Nicole Eisenman
“Man at the Center of Men,” 2019
Bronze
97" x 8' 4" x 64" [HxWxD] (246.38 x 254 x 162.56 cm) approximately
Edition 2 of 4, 2 AP
Inventory #EIS549.02
Courtesy the artist; Vielmetter Los Angeles; and Anton Kern Gallery, New York
Photo credit: Brian Fitzsimmons
“Man at the Center of Men,” 2019
Bronze
97" x 8' 4" x 64" [HxWxD] (246.38 x 254 x 162.56 cm) approximately
Edition 2 of 4, 2 AP
Inventory #EIS549.02
Courtesy the artist; Vielmetter Los Angeles; and Anton Kern Gallery, New York
Photo credit: Brian Fitzsimmons
![Nicole Eisenman “Sketch For a Fountain,” 2017](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_2019_sketchforafountain_install01_hires-1024x683.jpg)
Nicole Eisenman
“Sketch For a Fountain,” 2017
“Sketch For a Fountain,” 2017
Nicole Eisenman
“Sketch For a Fountain,” 2017
Bronze
Edition 4 of 4, 2 AP
Inventory #EIS489.04
Courtesy of the artist, Anton Kern Gallery, and Vielmetter Los Angeles
Photo credit: Kevin Todora
Collection of Nasher Sculpture Center; Dallas, USA
“Sketch For a Fountain,” 2017
Bronze
Edition 4 of 4, 2 AP
Inventory #EIS489.04
Courtesy of the artist, Anton Kern Gallery, and Vielmetter Los Angeles
Photo credit: Kevin Todora
Collection of Nasher Sculpture Center; Dallas, USA
![Nicole Eisenman “Perpetual Motion Machine,” 2019](https://vielmetter.com/wp-content/uploads/2023/09/eis546.01_hires-1024x853.jpg)
Nicole Eisenman
“Perpetual Motion Machine,” 2019
“Perpetual Motion Machine,” 2019
Nicole Eisenman
“Perpetual Motion Machine,” 2019
Bronze
8' 7 ⁵⁄₃₂" x 10' 5 ³⁄₁₆" x 65 ¹¹⁄₃₂" [HxWxD] (262 x 318 x 165.98 cm)
Edition 1 of 3, 2 AP
Inventory #EIS546.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Colin Doyle
“Perpetual Motion Machine,” 2019
Bronze
8' 7 ⁵⁄₃₂" x 10' 5 ³⁄₁₆" x 65 ¹¹⁄₃₂" [HxWxD] (262 x 318 x 165.98 cm)
Edition 1 of 3, 2 AP
Inventory #EIS546.01
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Colin Doyle
![Nicole Eisenman “Flag Pole + Eagle in a Box,” 2018](https://vielmetter.com/wp-content/uploads/2023/09/eis554_hires-1024x798.jpg)
Nicole Eisenman
“Flag Pole + Eagle in a Box,” 2018
“Flag Pole + Eagle in a Box,” 2018
Nicole Eisenman
“Flag Pole + Eagle in a Box,” 2018
Fiberglass, plaster, epoxy putty, urethane foam, paint, cotton rope, chain, Nylon 12 plastic, cardboard, graphite, charcoal, polystyrene foam, gold leaf, nautical cleat, and pulley
41 x 331 x 32" [HxWxD] (104.14 x 840.74 x 81.28 cm) overall dimensions; 13 x 21 x 8" [HxWxD] (33.02 x 53.34 x 20.32 cm) baby eagle
Inventory #EIS554
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Flag Pole + Eagle in a Box,” 2018
Fiberglass, plaster, epoxy putty, urethane foam, paint, cotton rope, chain, Nylon 12 plastic, cardboard, graphite, charcoal, polystyrene foam, gold leaf, nautical cleat, and pulley
41 x 331 x 32" [HxWxD] (104.14 x 840.74 x 81.28 cm) overall dimensions; 13 x 21 x 8" [HxWxD] (33.02 x 53.34 x 20.32 cm) baby eagle
Inventory #EIS554
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Morning Affirmations,” 2018](https://vielmetter.com/wp-content/uploads/2023/09/eis537_hires-821x1024.jpg)
Nicole Eisenman
“Morning Affirmations,” 2018
“Morning Affirmations,” 2018
Nicole Eisenman
“Morning Affirmations,” 2018
Oil on linen
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS537
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
“Morning Affirmations,” 2018
Oil on linen
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS537
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
![Nicole Eisenman “Huddle,” 2018](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_534_huddle_hires-1554941076-862x1024.jpg)
Nicole Eisenman
“Huddle,” 2018
“Huddle,” 2018
Nicole Eisenman
“Huddle,” 2018
Oil on canvas
127.25 x 105" [HxW] (323.22 x 266.7 cm)
Inventory #EIS534
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
“Huddle,” 2018
Oil on canvas
127.25 x 105" [HxW] (323.22 x 266.7 cm)
Inventory #EIS534
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Matt Grubb
![Nicole Eisenman “Dark Light,” 2017](https://vielmetter.com/wp-content/uploads/2023/09/eis468_hires-854x1024.jpg)
Nicole Eisenman
“Dark Light,” 2017
“Dark Light,” 2017
Nicole Eisenman
“Dark Light,” 2017
Oil on canvas
10' 7 ¹⁄₄" x 8' 9" x 1 ³⁄₄" [HxWxD] (323.22 x 266.7 x 4.45 cm)
Inventory #EIS468
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Dark Light,” 2017
Oil on canvas
10' 7 ¹⁄₄" x 8' 9" x 1 ³⁄₄" [HxWxD] (323.22 x 266.7 x 4.45 cm)
Inventory #EIS468
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Selfie,” 2014](https://vielmetter.com/wp-content/uploads/2023/09/eis393_hires-848x1024.jpg)
Nicole Eisenman
“Selfie,” 2014
“Selfie,” 2014
Nicole Eisenman
“Selfie,” 2014
Oil on canvas
53" x 44" [HxW] (134.62 x 111.76 cm)
Inventory #EIS393
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
On reverse
“Selfie,” 2014
Oil on canvas
53" x 44" [HxW] (134.62 x 111.76 cm)
Inventory #EIS393
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
On reverse
![This image depicts an artwork by Nicole Eisenman titled "The Tea Party." This artwork was created in 2012-2017 and measures 40 x 35" [HxW] (101.6 x 88.9 cm) paper size; 52 x 45.5 x 2" [HxWxD] (132.08 x 115.57 x 5.08 cm) framed. Its medium is Ink on gessoed paper.](https://vielmetter.com/wp-content/uploads/2024/06/Nicole-Eisenman_EIS528_1718920447-889x1024.jpg)
Nicole Eisenman
“The Tea Party,” 2012-2017
“The Tea Party,” 2012-2017
Nicole Eisenman
“The Tea Party,” 2012-2017
Ink on gessoed paper
40 x 35" [HxW] (101.6 x 88.9 cm) paper size; 52 x 45.5 x 2" [HxWxD] (132.08 x 115.57 x 5.08 cm) framed
Inventory #EIS528
Signed and dated on reverse
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“The Tea Party,” 2012-2017
Ink on gessoed paper
40 x 35" [HxW] (101.6 x 88.9 cm) paper size; 52 x 45.5 x 2" [HxWxD] (132.08 x 115.57 x 5.08 cm) framed
Inventory #EIS528
Signed and dated on reverse
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Breakup,” 2011](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_195_breakup_hires-748x1024.jpg)
Nicole Eisenman
“Breakup,” 2011
“Breakup,” 2011
Nicole Eisenman
“Breakup,” 2011
Oil, mixed media on canvas
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS195
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Breakup,” 2011
Oil, mixed media on canvas
56" x 43" [HxW] (142.24 x 109.22 cm)
Inventory #EIS195
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Guy Artist,” 2011](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_188_guyartist_hires-698x1024.jpg)
Nicole Eisenman
“Guy Artist,” 2011
“Guy Artist,” 2011
Nicole Eisenman
“Guy Artist,” 2011
Oil and collage on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS188
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Guy Artist,” 2011
Oil and collage on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS188
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Guy Capitalist,” 2011](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_189_guycapitalist_hires-804x1024.jpg)
Nicole Eisenman
“Guy Capitalist,” 2011
“Guy Capitalist,” 2011
Nicole Eisenman
“Guy Capitalist,” 2011
Oil, mixed media on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS189
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Guy Capitalist,” 2011
Oil, mixed media on canvas
76" x 60" [HxW] (193.04 x 152.4 cm)
Inventory #EIS189
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Beer Garden with Big Hand,” 2012/2017](https://vielmetter.com/wp-content/uploads/2023/09/eis480_hires-1024x755.jpg)
Nicole Eisenman
“Beer Garden with Big Hand,” 2012/2017
“Beer Garden with Big Hand,” 2012/2017
Nicole Eisenman
“Beer Garden with Big Hand,” 2012/2017
Watercolor, drawing over etching
48 ¹⁄₂" x 55 ¹⁄₂" x 2" [HxWxD] (123.19 x 140.97 x 5.08 cm) framed
Inventory #EIS480
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Beer Garden with Big Hand,” 2012/2017
Watercolor, drawing over etching
48 ¹⁄₂" x 55 ¹⁄₂" x 2" [HxWxD] (123.19 x 140.97 x 5.08 cm) framed
Inventory #EIS480
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
![Nicole Eisenman “Untitled,” 2012](https://vielmetter.com/wp-content/uploads/2023/09/eis302.02tp_hires-756x1024.jpg)
Nicole Eisenman
“Untitled,” 2012
“Untitled,” 2012
Nicole Eisenman
“Untitled,” 2012
Woodcut print on paper
32 ¹⁄₂" x 24 ³⁄₄" [HxW] (82.55 x 62.86 cm) framed
Inventory #EIS302.02TP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Photo credit: Jeff McLane
Signed on front
“Untitled,” 2012
Woodcut print on paper
32 ¹⁄₂" x 24 ³⁄₄" [HxW] (82.55 x 62.86 cm) framed
Inventory #EIS302.02TP
Courtesy of the artist and Vielmetter Los Angeles; Printed by 10 Grand Press, Co-published with Nicole Eisenman
Photo credit: Jeff McLane
Signed on front
![Nicole Eisenman “The Drawing Class,” 2011](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_193_thedrawingclass_hires-1024x822.jpg)
Nicole Eisenman
“The Drawing Class,” 2011
“The Drawing Class,” 2011
Nicole Eisenman
“The Drawing Class,” 2011
Oil and charcoal on canvas
65" x 82" [HxW] (165.1 x 208.28 cm)
Inventory #EIS193
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“The Drawing Class,” 2011
Oil and charcoal on canvas
65" x 82" [HxW] (165.1 x 208.28 cm)
Inventory #EIS193
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Sloppy Bar Room Kiss,” 2011](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_191_sloppybarroomkiss_hires-1024x820.jpg)
Nicole Eisenman
“Sloppy Bar Room Kiss,” 2011
“Sloppy Bar Room Kiss,” 2011
Nicole Eisenman
“Sloppy Bar Room Kiss,” 2011
Oil on canvas
39" x 48" [HxW] (99.06 x 121.92 cm)
Inventory #EIS191
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Sloppy Bar Room Kiss,” 2011
Oil on canvas
39" x 48" [HxW] (99.06 x 121.92 cm)
Inventory #EIS191
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman “Portrait of Celeste,” 2007](https://vielmetter.com/wp-content/uploads/2023/09/eisenman_104_portraitofceleste_hires-828x1024.jpg)
Nicole Eisenman
“Portrait of Celeste,” 2007
“Portrait of Celeste,” 2007
Nicole Eisenman
“Portrait of Celeste,” 2007
Oil on canvas
48" x 39" [HxW] (121.92 x 99.06 cm)
Inventory #EIS104
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Portrait of Celeste,” 2007
Oil on canvas
48" x 39" [HxW] (121.92 x 99.06 cm)
Inventory #EIS104
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Nicole Eisenman, Beasley Street, 2007, Oil on canvas, 65" x 82"](https://vielmetter.com/wp-content/uploads/2023/09/Nicole_Eisenman_1228910689_2.jpg)
Nicole Eisenman
"Beasley Street," 2007
"Beasley Street," 2007
Nicole Eisenman
"Beasley Street," 2007
Oil on canvas
65" x 82"
"Beasley Street," 2007
Oil on canvas
65" x 82"
![Nicole Eisenman, Hamlet, 2007, Oil on canvas, 82" x 65" (208.28 x 165.1 cm)](https://vielmetter.com/wp-content/uploads/2023/09/Nicole_Eisenman_1222431655_0.jpg)
Nicole Eisenman
"Hamlet," 2007
"Hamlet," 2007
Nicole Eisenman
"Hamlet," 2007
Oil on canvas
82" x 65" (208.28 x 165.1 cm)
"Hamlet," 2007
Oil on canvas
82" x 65" (208.28 x 165.1 cm)
![Nicole Eisenman, Untitled (Portrait of a Man Wolfie), 2007, Oil on board, 48" x 39" (121.9 x 99.1 cm)](https://vielmetter.com/wp-content/uploads/2023/09/Nicole_Eisenman_1222431777_0.jpg)
Nicole Eisenman
"Untitled (Portrait of a Man Wolfie)," 2007
"Untitled (Portrait of a Man Wolfie)," 2007
Nicole Eisenman
"Untitled (Portrait of a Man Wolfie)," 2007
Oil on board
48" x 39" (121.9 x 99.1 cm)
"Untitled (Portrait of a Man Wolfie)," 2007
Oil on board
48" x 39" (121.9 x 99.1 cm)
- 1965
- Born in Verdun, France
- Lives and works in New York, NY
- 1987
- BFA, Rhode Island School of Design, Providence, RI
Selected Solo and Two Person Exhibitions
- 2024
- "with, and, of, on Sculpture," Hauser & Wirth, Paris, France (forthcoming)
- 2023-2024
- "Nicole Eisenman. What Happened," Museum Brandhorst, Munich, Germany. Traveling to: Whitechapel Gallery, London, UK (2023); MCA Chicago, Chicago, IL (2024).
- 2023
- "Nicole Eisenman: Prince," Print Center New York, New York, NY
- 2021-2022
- "Köpfe, Küsse, Kämpfe; Nicole Eisenman und die Modernen," Kunsthalle Bielefeld, Bielefeld, Germany. Traveling to: Aargauer Kunsthaus, Aarau, Switzerland (2021); Foundation Vincent Van Gogh Arles, Arles, France (2021); Kunstmuseum Den Haag, Hague, Netherlands (2022). (Link)
- 2021
- "Nicole Eisenman: Prince," University Museum of Contemporary Art, University of Massachusetts Amherst, Amherst MA (Link)
- "Maquette and Paper Pulp Works," Anton Kern Gallery, New York, NY (Link)
- "Giant Without a Body," Astrup Fearnley Museet, Oslo, Norway
- 2020
- "Nicole Eisenman and Keith Boadwee," Flag Art Foundation, New York, NY
- "Where I Was, It Shall Be," Hauser & With Somerset, Bruton, UK
- "Nicole Eisenman: Sturm und Drang," The Contemporary Austin, Austin, TX
- "Incelesbian," Anton Kern, New York, NY
- 2018
- "Baden Baden Baden," Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany (Link)
- "Dark Light," Susanne Vielmetter Los Angeles Projects, Culver City, CA
- "A Valentine's Day Show," Anton Kern Gallery, New York, NY (Link)
- 2017
- Corbett vs. Dempsey, Chicago, IL
- “Faces: Painted Reliefs,” Anton Kern Gallery, New York, NY
- "Dark Light," Secession, Vienna, Austria (Link)
- Skulptur Projekte Münster, Münster, Germany
- 2016
- Hydra Workshop, Hydra, Greece
- "Al-ugh-ories," New Museum, New York, NY (Link)
- “Magnificent Delusion,” Anton Kern Gallery, New York, NY
- 2015
- "Masterpieces & Curiosities: Nicole Eisenman's Seder," The Jewish Museum, New York, NY
- "The Kiss," Galerie Barbara Weiss, Berlin, Germany
- 2014
- "Dear Nemesis, Nicole Eisenman 1993 - 2013," Contemporary Art Museum St. Louis, MO, curated by Kelly Schindler; traveling to the Institute of Contemporary Art (ICA) Philadelphia, PA; Museum of Contemporary Art San Diego (MCASD), San Diego, CA
- 2013
- "Nicole Eisenman / MATRIX 248," University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
- 2012
- "Woodcuts, Etchings, Lithographs and Monotypes," Leo Koenig Gallery, New York, NY
- "Tis but a scratch A scratch?! Your arms off! No, it isnt," Studio Voltaire, London, UK (Link)
- 2011
- "New Paintings", Susanne Vielmetter Los Angeles Projects, Culver City, CA
- "READYKEULOUS; The Hurtful Healer: The Correspondence," Invisible-Exports, New York, NY
- 2009
- "Nicole Eisenman," Tang Museum, Skidmore College, Saratoga Springs, NY
- "Nicole Eisenman," Leo Koenig Inc., New York, NY
- 2008
- "Coping," Barbara Weiss Gallery, Berlin, Germany
- 2007
- "A Show Born of Fear," Susanne Vielmetter Los Angeles Projects
- "Nicole Eisenman," Kunsthalle Zurich, Switzerland; Le Plateau, Frac Ile de France, Paris, France
- 2006
- "Progress: Real and Imagined," Leo Koenig Inc., New York, NY
- 2005
- "A Show Called Nowhere," Barbara Weiss Gallery, Berlin, Germany
- "Chunga en el callejon del Cuajo," Museo de Arte Carillo Gil, Mexico City, Mexico (with Jessica Rodriguez)
- 2004
- "Nicole Eisenman: ALL FOR THE GOO(D)," Van Horn, Dusseldorf, Germany
- "Elizaville," Leo Koenig Inc., New York, NY
- 2003
- “Nicole Eisenman: Selected Works 1993-2003”, The Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY, curated by Andrea Inselmann
- 2002
- Shoshana Wayne Gallery, Santa Monica, CA
- 2000
- Jack Tilton Gallery, New York, NY
- Noga Gallery, Tel Aviv, Israel
- 1999
- Entwistle Gallery, London, UK
- 1998
- "Behavior, Rice University Art Gallery, Houston, TX
- Shoshana Wayne Gallery, Santa Monica, CA
- 1996
- Jack Tilton Gallery, New York
- Galerie Cokkie Snoei, Rotterdam, Netherlands (with Jason Fox)
- 1995
- Centraal Museum Utrecht, Utrecht, Netherlands
- Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA
- 1994
- "Nicole Eisenman," Jack Tilton Gallery, New York, NY
- 1993
- Shoshana Wayne Gallery, Santa Monica, CA
- Trial Balloon, New York, NY
- 1992
- Shoshana Wayne Gallery, Santa Monica, CA
Selected Group Exhibitions
- 2024
- "The Anxious Eye: German Expressionism and Its Legacy," The National Gallery of Art, Washington DC (forthcoming)
- 2023
- "Dix And The Present," Deichtorhallen, Hamburg, Germany
- "Ridykes’ Cavern of Fine Inverted Wines and Deviant Videos," Nottingham Contemporary, Nottingham, UK
- "Lily van der Stokker, Nicole Eisenman: Flowers for Frat Guys," Leo Koenig Inc, New York, NY
- "Groove: Artists and Intaglio Prints, 1500 to Now," Hammer Museum, Los Angeles, CA
- "Dreaming of Home," Leslie-Lohman Museum of Art, New York, NY
- "Ugly Painting," Nahmad Contemporary, New York, NY
- "50 Paintings," Milwaukee Art Museum, Milwaukee, WI
- "Before Tomorrow," Astrup Fearnley Museet, Oslo, Norway
- "Full and Pure: Body, Materiality, Gender," Green Family Art Foundation, Dallas, TX
- "GRUPPENAUSSTELLUNG," Hauser & Wirth Somerset, Bruton, UK
- "Exercises in Imagination," National Academy of Design, New York, NY
- "RIDICULOUSLY YOURS! Art, Awkwardness and Enthusiasm," HALLE FÜR KUNST Steiermark, Graz, Austria
- "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
- "Together in Time: Selections from the Hammer Contemporary Collection," Hammer Museum, Los Angeles, CA
- 2022
- "Boil, Toil & Trouble," Curated by Zoe Lukov, West Palm Beach, FL
- "A Maze Zanine, Amaze Zaning, A-Mezzaning, Meza-9," David Zwirner and Performance Space New York, New York, NY
- "Women Painting Women," The Modern, Fort Worth, TX
- "This is Not America's Flag," The Broad Museum, Los Angeles, CA
- "Vero Collects: Hidden Treasures Revealed," Vero Beach Museum of Art, Vero Beach, FL (Link)
- 2021
- "Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40," SMART Museum, Chicago, IL
- "Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," CCS Bard College Galleries, Bard College, NY (Link)
- "20 Years," Vielmetter Los Angeles, Los Angeles, CA
- 2020
- "20 Years," Vielmetter Los Angeles, Los Angeles, CA
- "Future Future," Hair and Nails Gallery, Minneapolis, MN
- "Radical Figures: Painting in the New Millennium," Whitechapel, London, UK
- 2019-2020
- "The Foundation of the Museum: MOCA's Collection," Museum of Contemporary Art, Los Angeles, CA (Link)
- "Mask: In Present-Day Art," Aargauer Kunsthaus, Aarau, Switzerland
- 2019
- "Show Me As I Want To Be Seen," The Contemporary Jewish Museum, San Francisco CA
- "Forever Young," Brandhorst Museum, Munich, Germany
- "A Woman Looking at Men Looking at Women," Zernez, Switzerland
- "7 Painters," Greene Naftali Gallery, New York NY (Link)
- "Nicole Eisenman: Nineteen Nineties," Tilton Gallery, New York, NY (Link)
- "What Beauty Is, I Know Not," König Galerie, Berlin, Germany
- "May You Live In Interesting Times," 58th Venice Biennale, Venice, Italy
- "Wars," David Nolan Gallery, New York, NY
- "Pulled in Brooklyn," International Print Center, New York, NY
- Whitney Biennial, Whitney Museum of American Art, New York, NY
- "Fire," Company Gallery, New York, NY
- "Palimpsest," Lismore Castle, Lismore, Ireland
- "Drawn Together Again," FLAG Art Foundation, New York, NY
- Studio Voltaire Benefit Exhibition, London, UK
- 2018-2019
- "Noise! Frans Hals, Otherwise," Frans Hals Museum, Haarlem, Netherlands
- 2018
- "The Trick Brain," Aishti Foundation, Beirut, Lebanon (Link)
- "This Woman's Work," Des Moines Art Center, Des Moines, IA (Link)
- "TEN," Artist Curated Projects, Los Angeles, CA
- "Sculpture Garden," Art Lot, Brooklyn, NY
- “tears then holes,” Rachel Uffner Gallery, New York, NY
- “Intimacy,” curated by Stephen Truax, Yossi Milo Gallery, New York
- “Go Figure,” Pizzuti Collection, Columbus, OH
- “In Tribute to Jack Tilton: A Selection from 35 Years,” Jack Tilton Gallery, New York
- “Scenes from the Collection,” Jewish Museum, New York, NY
- “Cast of Characters,” Bureau of General Services—Queer Division and The LGBT Community Center, New York, NY
- “2018 Ceremonial Exhibition: Work by New Members and Recipients of Awards,” American Academy of Arts and Letters, New York, NY
- 2017
- “The Everywhere Studio,” Institute of Contemporary Art, Miami, FL
- “The American Dream. American Realism 1945-2016,” Kunsthalle Emden, Germany
- “Marching to the Beat,” Jessica Silverman Gallery, San Francisco, CA
- “Für Barbara,” curated by Leo Koenig, Hall Art Foundation | Schloss Derneburg Museum, Derneburg, Germany
- “The White Heat,” Marc Straus Gallery, New York, NY
- “Women Painting,” Miami Dade College Kendall Gallery, Miami, FL
- “Hope and Hazard: A Comedy of Eros,” curated by Eric Fischl Hall Art Collection, Reading, VT
- “Zeitgeist,” Musée d’art moderne et contemporain (MAMCO), Geneva, Switzerland
- “Uncanny Likeness,” Simon Lee Gallery, New York, NY
- “Piss and Vinegar: Two Generations of Provocateurs,” New York Academy of Art, New York, NY
- “Idols and Impossible Structures: New Prints 2017/Winter,” International Print Center, New York, NY
- “Looking Back / The 11th White Columns Annual - Selected by Anne Doran,” White Columns, New York, NY
- “Engender,” Kohn Gallery, Los Angeles, CA
- “The Trick Brain,” curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon
- "James HD Brown; Life and Work in Mexico,” USC Fischer Museum, Los Angeles, CA
- "Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA
- “I Plan to Stay a Believer,” Andrew Kreps Gallery, New York, NY
- “Talking Pictures: Camera-Phone Conversations Between Artists,” Metropolitan Museum of Art, New York, NY
- “Soil Erosion,” curated by Shannon Ebner, Altman Siegel, San Francisco, CA
- 2016
- “Selections from the Permanent Collection,” Museum of Contemporary Art, Los Angeles, CA
- “Le Grand Balcon,” La Biennale de Montréal, curated by Philippe Pirotte, Montréal, Canada
- “These Strangers,” SMAK, Ghent, Belgium
- “Intimisms,” James Cohan, New York, NY
- 2015
- "Fetching Blemish," Invisible-Exports, New York, NY
- "A Painting Show," Sadie Coles Gallery, London, UK
- "All back in the skull together," Maccarone, New York, NY
- "America is Hard to See," Whitney Museum of American Art, New York, NY
- "Painting 2.0: Expression in the Information Age," Museum Brandhorst, Munich, Germany
- “The Great Mother: Women, Maternity, and Power in Art and Visual Cutlure, 1900 – 2015,” curated by Massimiliano Gioni, Palazzo Reale, Milan, Italy
- "No Joke," Tanya Leighton Gallery, Berlin, Germany
- 2014
- "The Forever Now: Contemporary Painting in an Atemporal World," curated by Laura Hoptman, Museum of Modern Art, New York, NY
- Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia, curated by Kaspar Knig
- "Hidden and Revealed," Angles Gallery, Los Angeles, CA
- "New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin
- "Every day in every way Im freely opening my senses to the beauty in myself and opening up to all the beauty around me and in all the people I will encounter," Martos Gallery, New York, NY
- 2013
- "2013 Carnegie International," Carnegie Museum of Art, Pittsburgh, PA
- "Outside the Lines," Contemporary Arts Museum Houston, TX
- "NYC 1993: Experimental Jet Set, Trash and No Star," New Museum, New York, NY
- "Body Language," Saatchi Gallery, London, UK
- "Catch as Catch Can," Locks Gallery, Philadelphia, PA
- "Nightfall," MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary
- 2012
- The Whitney Biennial, Whitney Museum of American Art, New York, NY
- "B-Out," Andrew Edlin Gallery, New York, NY, curated by Scott Hug
- 2011
- "A Painting Show," Harris Lieberman, New York, NY
- "Prospect II," curated by Dan Cameron, New Orleans, LA
- "The Air We Breathe," SFMoMA, San Francisco, CA
- "Invitational Exhibition of Visual Arts," American Academy of Arts and Letters, New York, NY
- "Leidy Celeste Nicole," Museum 52, New York, NY
- 2008
- "Painting, Smoking, Eating," Villa Merkel, Esslingen, Germany
- 2007
- "Horizon," EFA Gallery, New York, curated by David Humphrey
- 2006
- "The Eighth Square: Gender, Life and Desire in Art Since 1960," Museum Ludwig, Cologne
- "Through the Looking Glass," Galerie Bob van Orsouw, Zrich, Switzerland
- "This is not a Love Song," Susanne Vielmetter Los Angeles Projects
- 2005
- "Post Everything," The Rotunda Gallery, New York, NY
- "360 degrees art," Museum Kunst Palast, Dusseldorf, Germany, curated by Stefan von Wiese
- Ludwig Museum, Cologne, Germany
- Jack Tilton Gallery, New York
- "Self-Preservation Society, Leo Koenig Inc., New York
- Roger Bijkomen Gallery, Stockholm, Sweden
- "A La Pared/On the Wall," Museo de Arte Carrilo Gil, Mexico City, Mexico
- "Silent Stories," Galerie Martin Janda, Vienna, Austria
- "Slices of Life," Austrian Cultural Forum, New York, NY
- 2004
- K21 Kunstsammlung Nordrhein-Westfalen, Dsseldorf
- "Central Station: The Harold Falckenberg Collection," La Maison Rouge, Foundation Antoine de Albert, Paris, France
- "Dreamland Artists Club," Creative Time, New York, NY
- "USA Today," Galleri S.E., Bergen, Norway
- "The Coney Island Project," Creative Time, New York, NY
- "100 Artists See God," curated by John Baldesarri and Meg Cranston, The Jewish Museum, San Francisco, CA
- "As Time Goes By," Gordian Weber Kunsthandel, Cologne, Germany
- Roger Bjorkholmen Gallery, Stockholm, Sweden
- 2003
- "As Time Goes By," Leo Koenig Inc., New York, NY
- "DC: Lilly van der Stokker," Ludwig Museum, Cologne
- "On the Wall: Wallpaper and Tableau," Sammlung Speck; K21 Kunstsammlung, Nordrhein-Westfalen, Dsseldorf
- Sammlung Speck, Kunstmuseum Graz, Austria
- "Off the Wall," The Fabric Workshop and Museum, Philadelphia, PA
- "The Feminine Persuasion," Kinsey Institute, Bloomington, IN
- "Comic Release!," Carnegie Mellon University, Pittsburgh, PA
- "Turn On, Drop Out," China Art Objects, Los Angeles, CA
- "The Lunatics Have Taken Over the Asylum," Works on Paper, Inc., Los Angeles, CA
- "The Paper Sculpture Show," The Sculpture Center, Queens, NY (In Collaboration with ICI)
- "There's Always Tomorrow," Galeria Maribini, Bologna, Italy
- "Retrospectacle: 25 years of collecting Modern and Contemporary Art," Denver Museum of Art, Denver
- 2002
- "Family," The Aldrich Museum of Contemporary Art, Ridgefield, CT
- "El Bello Genero Convulsiones y Permanencias Actuales," Comunidad de Madrid, Consejeria de las Artes, Madrid, Spain
- "The Empire Strikes Back," curated by Jason Fox and Cannon Hudson, Avenue B Gallery, New York
- "Super Natural Playground," Marella Fine Arts, Milan, Italy
- 2001
- "Fast Food For Thought: Cartoon in Art," ArtScan Gallery & Rudolph Projects, Houston, TX
- "Threads of Vision: Toward a New Feminine Poetics," Cleveland Center of Contemporary Art, Cleveland, OH
- "Waterworks," curated by Kim Levin, Nordiska Akvarellmuseet, Skarhamn, Sweden
- "Driving Women," Castle Gallery, New Rochelle, NY
- "Self Made Men," curated by Alexi Worth, DC Moore Gallery, New York, NY
- American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, NY
- "Pop & Post-Pop (On Paper)," Texas Gallery, Houston, TX
- 2000
- "Uncomfortable Beauty," Jack Tilton/Anna Kustera Gallery, New York, NY
- "H2O," Works on Paper, Inc., Los Angeles, CA
- "Blurring Lines in Contemporary Drawing," John Michael Kohler Arts Center, Sheboygan, WI
- "People," Andrea Rosen Gallery Booth, Basel Art Fair, Basel, Switzerland
- "Picturing the Modern Amazon," New Museum of Contemporary Art, New York, NY
- "The Figure: Another Side of Modernism," Snug Harbor, Newhouse Center for Contemporary Art, Staten Island, New York, NY
- "1/2: Going Forward Looking Back," Seattle Art Museum, Seattle, WA
- "The Likeness of Being," DC Moore Gallery, New York, NY
- "Prophecies," Swiss Institute, New York, NY
- "Zona F," Espai d'art contemporani de Castell, Castell, Spain
- "Deja Vu: Reworking the Past," Katonah Museum of Art, Katonah, NY
- "Here Kitty, Kitty," Nexus Contemporary Art Center, Atlanta, GA
- 1999
- "The American Century: Art & Culture 1900-2000 Part II," 1950-2000, Whitney Museum of American Art, NY
- "Warehouse," Exit Art, New York, NY
- "I am a Virgin," The Waiting Room at the School of Art and Design, University of Wolverhampton, UK
- "54 x 54 x 54," Museum of Contemporary Art, London
- "Two DoorsTrue Value," Mai 36 Galerie, Zurich, Switzerland
- 1998
- "Cant We All Just Get Along," Deven Golden, New York, NY
- "Codex USA," Entwistle Gallery, London, UK
- "Deal and Reality," Rupertinum, Salzburg, Austria
- "From The Corner of the Eye," Stedelijk Museum, Amsterdam
- "some WOMEN/PRETTY girls," University Galleries, Florida Atlantic University, Boca Raton, FL
- "Animal Tales: Contemporary Bestiary and Animal Painting," Whitney Museum at Champion, Stamford, CT
- "The Wolfsonian Mural Project," Miami (organized by The Drawing Center, New York)
- 1997
- "HEART, MIND, BODY, SOUL: American Art in the 1990s, Selections from the Permanent Collection," Whitney Museum of American Art, New York, NY
- "New WorkDrawings Today," San Fransisco Museum of Art, San Francisco, CA
- "Drawn & Quartered," Karen McCready Fine Art, New York, NY
- "Woven in Oaxaca," A/D Gallery, New York, NY
- "Womens Work, SECCA," Southeastern Center for Contemporary Art, Winston-Salem, NC
- "Just What Do You Think Youre Doing Dave," Williamsburg Art & Historical Center, Brooklyn, NY
- "Form and Function of Drawing Today," Frankfurter Kunstverein, Frankfurt, Germany
- "Fracturing the Gaze," Lawing Gallery, Houston, TX
- "The Gaze," Momenta Art, New York, NY
- "Dissolution: Made in the U.S.A.," Laurent Delaye Gallery, London, UK
- Galerie Rdiger Schttle, Munich, Germany
- "The Road Show," Bronwyn Keenan Gallery, New York, NY
- "Vraiment: Fminisme et lart," curated by Laura Cottingham, Le Magasin, Grenoble, France
- "Sex / Industry," curated by John Yau, Stefan Stux Gallery, New York, NY
- "20 x 152," Anna Kustera Gallery, New York, NY
- "The Name of the Place," curated by Laurie Simmons, Casey Kaplan, New York, NY
- 1996
- "Identity Crisis: Selections from the Whitney Museum of American Art," Alexandros Soutzos Museum, Athens, Greece; traveled to: Museu dArt Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany
- "a/drift," curated by Joshua Dector, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY
- "Be Specific," curated by Michael Duncan, Rosamund Felsen Gallery, Santa Monica, CA
- "Gender, fucked," curated by Catherine Lord, Center for Contemporary Art, Seattle, WA
- "The Comic Depiction of Sex in American Art: Nicole Eisenman, Erika Rothenberg, Jimmy Shaw, Benjamin Weissman, Sue Williams," Galerie in Haus 19, Munich, Germany
- "Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History," Armand Hammer Museum of Art and Cultural Center, UCLA, Los Angeles
- "Defining the Nineties: Consensus-Making In New York, Miami and Los Angeles," curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL
- "Real Fake," Neuberger Museum, SUNY at Purchase, Purchase, NY
- "Screen," curated by Joshua Decter, Friedrich Petzel Gallery, New York, NY
- "Playtime," Whitney Museum of American Art, Stamford, CT
- 1995
- "A Glimpse of the Norton Collection as Revealed by Kim Dingle," Santa Monica Museum of Art, Santa Monica, CA
- "Art on Paper," Weatherspoon Art Museum, University of North Carolina, Greensboro, NC
- "Pervert," The University of California at Irvine, Irvine, CA
- "Picassoid," Whitney Museum of American Art, New York
- "Inside Out: Psychological Self Portraits, Aldrich Museum of Contemporary Art, Ridgefield, CT
- "Way Cool," Exit Art, New York, NY
- "Odschon Malerei (Painting)," Gallery Mittelstrasse 18, Potsdam, Germany
- "Komix," Brooke Alexander Editions, New York, NY
- Whitney Biennial, The Whitney Museum of American Art, New York, NY
- "Toys Art Us," Castle Gallery, College of New Rochelle, New York, NY
- "Seduction and Betrayal," curated by Shoshana Blank and Bonnie Clearwater, Galerie Krinzinger, Vienna, Austria
- New Museum Benefit Show, The New Museum of Contemporary Art, New York
- 1994
- "Watt, Witte de With," Rotterdam, The Netherlands; Kunstverein Munich, Munich, Germany
- Kunsthaus Vienna, Vienna, Austria
- Sonnabend Gallery, New York, NY
- White Columns, New York, NY
- Denver Art Museum, Denver, CO
- "The Seventh Wave," Museum of Contemporary Art, Los Angeles, CA
- "Sex," Adam Baumgold Fine Arts, New York, NY
- "Bad Girls," The Center for Contemporary Art, Glasgow, Scotland
- "Return of the Cadavre Exquis," The Drawing Center, New York, NY
- "Bad Girls," curated by Marcia Tanner, Wright Art Gallery, University of California, Los Angeles, CA
- "Arrested Childhood," curated by Bonnie Clearwater, The Center for Contemporary Art, Miami, FL
- "Wenn die Kinder sind im Dunkeln," curated by Birgit Jrgenssen, Wiener Secession, Vienna, Austria
- "Bad Girls," The Ikon Gallery, Birmingham, UK
- 1993
- "Bad Girls," Institute of Contemporary Arts, London, UK
- "bODD," Basel Art Fair, Basel, Switzerland
- "The Seventh Wave," curated by Stephen Foster, John Hansard Gallery, University of Southampton, UK
- "Urban Analysis," curated by Maynard Munroe, Barbara Braathen Gallery, New York, NY
- "Eau de Cologne 8393," Monica Spurth Galerie, Cologne, Germany
- "Coming to Power," David Zwirner Gallery, New York, NY
- "1920," Exit Art/The First World, New York, NY
- Elizabeth Koury Gallery, New York, NY
- 1992
- 303 Gallery, New York, NY
- "Fever," Exit Art/The First World, New York, NY
- "Wall Drawings," The Drawing Center, New York, NY
- "Part Fantasy," Trial Balloon, New York, NY
- "The Lesbian Museum: 10,000 Years of Penis Envy," Franklin Furnace, New York, NY
- "Imagining Indians," curated by Fred Wilson, Longwood Arts Gallery, Bronx, New York, NY
- 1990
- "Figuring Eros," Newhouse Center for Contemporary Art, Snug Harbor Cultural enter, Staten Island, NY
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- 2020
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- 2019
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- 2018
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- Felsenthal, Julia, "A Landmark Exhibition Returns for Its 3rd Iteration, Spread Across 5 Venues," Vogue (web), June 27 (Link)
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- Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)
- Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)
- Tonguette, Peter, "Abstract exhibit at Pizzuti Collection celebrates human form," The Columbus Dispatch (web), May 27 (Link)
- Varadi, Keith J., "Nicole Eisenman at Susanne Vielmetter Los Angeles Projects," carla (web), April 18 (Link)
- Gerwin, Daniel, "Nicole Eisenman’s Portraits of Angry White Men," Hyperallergic (web), April 12 (Link)
- Waters, Sydney, "Dark Light is a Masterpiece of Political Relevance," Art and Cake, April 9 (web) (Link)
- Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)
- Lasarow, Bill, “Nicole Eisenman at Susanne Vielmetter LA Projects,” ArtScene, April
- Goldman, Edward, “Listening to Artists,” KCRW Art Talk, March 20 (Link)
- Hickley, Catherine, “Beer and bread rolls for a vandilised sculpture in Münster,” The Art Newspaper (web), March 14 (Link)
- Petrovich, Dushko, "The New Face of Portrait Painting," The New York Times Style Magazine, February 12 (Link)
- Hafner, Hans-Jürgen, translated by Nicholas Grindell, "Nicole Eisenman at Secession, Vienna," frieze, January/February
- Farago, Jason, "A Museum's Fresh Take on the Whole Meggilah," New York Times, January 26 (Link)
- Nayeri, Farah, "The Art on Her Walls Echoes Her Mission: Backing Bold Works by Women," New York Times, January 26 (Link)
- 2017
- Annemiek Rens, Katharian Henkel, Antje-Britt Mählmann. "The American Dream, Amerikaans Realisme 1945-2017," WBOOKS, Zwoll, The Netherlands
- Truax, Stephen, “Why Young Queer Artists Are Trading Anguish for Joy,” Artsy (web), November 7 (Link)
- Hicklev, Catherine, “Locals fight to retain Eisenman fountain following Sculpture Projects Münster,” The Art Newspaper (web), October 10 (Link)
- Hoffmann, Jens, "Skulptur Projekte Münster," frieze, September 11 (Link)
- Kinsella, Eileen, “See the Photo Highlights of Skulptur Projekte Münster, the World’s Most Important Public Art Show, artnet News (web), June 9 (Link)
- Trouillot, Terence, The New Face of Painting? Nicole Eisenman Reinvents Portraiture in Her New Show at Anton Kern,” artnet News (web), June 6 (Link)
- Hoffmann, Jens, “Reviews: Biennale de Montréal,” Artforum, February (Link)
- 2016
- Karch, Swangje, “Nicole Eisenman,” Blau, April
- Coates, Jennifer, “The Goo of Paint: How every mark matters,” Modern Painters, May
- Myles, Eileen, “Nicole Eisenman’s Green World,” frieze, May (Link)
- Solway, Diane, “Nicole Eisenman Has Both Style and Substance,” W Magazine, May
- Solomon, Deborah, “A Conversation with Nicole Eisenman and Grace Dunham,” The New York Times, May 7
- Allen, Emma, “The Rain in Spain: The MacArthur-winning artist Nicole Eisenman learns to talk like Eliza Doolittle,” The New Yorker, May 9
- Schjeldahl, Peter, “Seriously Funny: A Nicole Eisenman Retrospective,” The New Yorker, May 16
- Thackara, Tess, “Nicole Eisenman’s Paintings Will Make You Laugh, Even When it Hurts,” Artsy (web), May 6
- Indrisek, Scott, “Normal is Boring: Nicole Eisenman at the New Museum,” Blouin Artinfo (web), May 4
- Spellings, Sarah, “This Artist Sees Right Through Your Relationship Shams,” The Cut (web), May 11
- Smith, Roberta, “Nicole Eisenman, Fluidly Merging Past, Present and Future,” The New York Times, June 2
- Yau, John, “A Truly Great Artist,” Hyperallergic (web), June 5
- Greenberger, Alex, “Historical Friction: Nicole Eisenman at the New Museum and Anton Kern, New York,” ArtNews (web), June 9
- Herriman, Kat, “The Wicked Comedy of Nicole Eisenman’s Allegorical Paintings,” The Creators Project (web), June 24
- “Now Showing: Nicole Eisenman,” Elephant Magazine, Summer
- Schwabsky, Barry, “Nicole Eisenman’s Path to Genius,” The Nation (web), July 14
- Istomina, Tatiana, “Nicole Eisenman: New York, at New Museum and Anton Kern,” Art in America (web), September 1
- Korczynski, Jacob, “‘Le Gran Balcon/The Grand Balcony,” La Biennale de Montréal,” art agenda (web), October 26
- Ridykeulous (Nicole Eisenman + A.L. Steiner), “An Open Letter To Our Future Selves, by the Art Duo Ridykeulous,” W Magazine (web), November 1
- Lewis, Jacqueline, “Nicole Eisenman Hides Nothing,” Cultured Magazine, Winter
- 2015
- Esplund, Lance, Reshuffling, Not Reinventing, The Wall Street Journal, January 27
- Tuchman, Phyllis, The Forever Now: Contemporary Painting in an Atemporal World, The Brooklyn Rail, March 5
- Rodney, Seph, Can I Get A Witness: The Persistence of Narrative Painting, Artillery, March
- Maine, Stephen, The Forever Now, Artillery, March
- Wise, Lloyd, The Forever Now: Contemporary Painting in an Atemporal World, Artforum, March
- DSouza, Aruna, Nicole Eisenman is an Artist with a lot on her Seder Plate: Subverting Passover Traditions at Jewish Museum, Forward, April 1
- Johnson, Ken, All Back in the Skull Together, New York Times, April 9
- Miranda, Carolina, The Whitney Museum Announces Inaugural Show, and the Internet Parses, Los Angeles Time, April 16
- Merjian, Ara H., The Forever Now: Contemporary Painting in an Atemporal World, frieze, April
- Frank, Priscilla, Art Exhibition Champions Blemishes, Pimples, Scars and Other Glorious Flaws, Huffington Post, January 11
- 20 Artists Who Make New York, Elephant, Spring
- Chute, James, Taking a stand for Nicole Eisenman, The San Diego Union-Tribune (web), July 15
- Eisenman, Nicole, Art in America (cover), September
- Durbin, Andrew, Painting Ghosts, Out (web), September 16
- 2015 MacArthur Fellows Include Nicole Eisenman, LaToya Ruby Frazier, Artforum (web), September 29
- Jeppesen, Travis, Critics Picks: Nicole Eisenman at Galerie Barbara Weiss, Artforum (web), October 9
- Mullins, Charlott, Picture People: The New State of the Art, Thames & Hudson (catalogue)
- Tourjee, Diana, The Human Painter Making Art Worthy of Aliens, Broadly (web), November 17
- Stange, Raimar, Nicole Eisenman: Galerie Barbara Weiss, frieze d/e, December - February
- Vartanian, Hrag, Artists Nicole Eisenman and LaToya Ruby Frazier Among 2015 MacArthur Genius Grant Winners, Hyperallergic (web), September 29
- Pogrebin, Robin, MacArthur Genius Grant Winners for 2015 are Announced, New York Times (web), September 29
- Smith, Roberta, Nicole Eisenman Savors Her MacArthur Moment, New York Times, September 29
- Saltz, Jerry, Nicole Eisenman is a Massively Deserving Genius, Vulture (web), September 30
- 2014
- Hine, Thomas, Art: Eisenman at ICA: Great, getting better, Philly.com, October 19
- Cotter, Holland, In Museums, Masters Old and New, The New York Times, September 3
- Smolik, Noemi, Manifesta 10, Frieze, September
- Indrisek, Scott, At MoMA, 17 Painters of Our Forever Now, ArtInfo, December 9
- Saltz, Jerry, Forever Now is MoMAs Market Moment, Vulture, December 12
- Zhong, Fan, Nicole Eisenman: Brushes with Greatness, W Magazine, December 11
- Fitzpatrick, Corrine, Best of 2014: Corrine Fitzpatrick, Artforum.com, December 11
- Farago, Jason, The Forever Now Review: Calling time on the Avant Garde, The Guardian, December 12
- Vartanian, Hrag, et al., Best of 2014: Our Top 10 Exhibitions Across the United States, Hyperallergic, December 26
- Johnson, Paddy, The Ten Best Exhibitions of 2014, Art F City, December 31
- Sheets, Hilarie M., Nicole Eisenman at Institute of Contemporary Art, ArtNews, December 31
- Latimer, Quinn, Highlights from 2014 Quinn Latimer, Frieze Blog, December 23
- Smith, Roberta, End-of-Year Must-See, New York Times, December 27
- Dijksterhuis, Edo, Diversity rules at 45th edition of the art markets Olympics, ArtSlant, June 19
- Spence, Rachel, The Hermitages NIkhail Piotrovsky on hosting Manifesta, Financial Times, June 6
- Knudsen, Stephen, Nicole Eisenman: The Relevance of 21st-Century Expressionism, Art Pulse, June 1
- Cristello, Stephanie, Open Letter to an Enemy: Nicole Eisenman (1993 2013), The Seen, May 19
- Russeth, Andrew, 2014 Gwangju Biennale Releases Full 105-artist list, Gallerist NY, June 13
- Russeth, Andrew, "Heres Manifesta 10′s Artist List," GalleristNY, March 25 (Link)
- Russeth, Andrew,"Morning Links: Betye Saar Edition," Gallerist NY, April 11 (Link)
- Bryan-Wilson, Julia; Castle, Terry; Perta, Litia; Schindler, Kelley; "Dear Nemesis, Nicole Eisenman 1993 - 2013," exhibition catalogue, Contemporary Art Museum St. Louis, published by Buchhandlung Walther Knig, Cologne, Germany
- Gass, William, Review Readykeulous by Ridykeulous: This is What Liberation Feels Like, Art Papers, March/April
- Thomas, Mary, Appreciation for the 2013 Carnegie International 2013, Pittsburgh Post-Gazette, March 4
- Russell, Stefene, "The Arts: 'Dear Nemesis: Nicole Eisenman, 1993-2013' at Contemporary Art Museum-St. Louis," St. Louis Magazine, March (Link)
- Suico, Angela, The Carnegies Evening of Drawing With Nicole Eisenman, Pittsburgh City Paper, Feburary 28
- Thomas, Mary, Carnegie Museum of Art acquires additional works by International artists, Pittsburgh Post-Gazette, February 25
- Russeth, Andrew, Carnegie Acquires Work From 2013 International by Guyton, Stark, Eisenman, Olowska, More, Gallerist NY, February 18
- Griesbach, Sarah Hermes, "Reflection: Nicole Eisenman's Broad Range On View At CAM," St. Louis Public Radio, February 13 (Link)
- Miller, Sarah Bryan, "Artist Nicole Eisenman isn't afraid to make viewers uncomfortable," St. Louis Post-Dispatch, February 8
- Gay, Malcolm, "Dear Nemesis: Figurative painting is alive and well in CAM's survey of Nicole Eisenman's mid career work," Riverfront Times, January 30 (Link)
- Griffin, Jonathan, Review: 2013 Carnegie International, art agenda, January 7 (Link)
- ____. Show of Shows Ten Museum Exhibitions Not to Miss in 2014: No. 1, Nicole Eisenman at Contemporary Art Museum St. Louis, Modern Painters, January
- Knudsen, Robert, "Top Ten Contemporary Art Exhibits in 2013," The Huffington Post, January 2
- 2013
- Fiduccia, Joanna, A Desperate Age Review: 2013 Carnegie International, Spike Art Quarterly, Winter
- Shaw, Kurt, "Sculptures at Carnegie Museum bend historical allusions," Pittsburgh Tribune-Review, December 28
- Hopf, Judith, "Best of 2013: Nicole Eisenman at Studio Voltaire, London," Artforum, December
- Raczka, Robert, Nicole Eisenmans good bad painting and witty sculpture are a highlight at the Carnegie International, Pittsburgh City Paper, November 6
- Schjeldahl, Peter, "Play Time: The Carnegie International," The New Yorker, October 21 (Link)
- Smith, Roberta, Global Extravaganza, but on a Human Scale, The New York Times, October 11
- Goodden, Sky, Welding a New Medium, Nicole Eisenman Wins the Carnegie Prize, Artinfo, October 9
- Foumberg, Jason, Playful Politics at the 2013 Carnegie International, Art in America, October 9
- Russeth, Andrew, "A Playground in Pittsburgh: The 2013 Carnegie International Is a Quiet Triumph," GalleristNY, October 8
- Thomas, Mary, "Artist Nicole Eisenman wins Carnegie Prize for ingenious installation at Carnegie International," Pittsburgh Post-Gazette, October 8
- Russeth, Andrew, "Carnegie Prize for Nicole Eisenman, Fine Prize for Zanele Muholi," GalleristNY, October 7
- Thomas, Mary, "Carnegie International awards prizes to two exhibiting artists," Pittsburgh Post-Gazette, October 7
- Karlovitz, Bob, "Pair of works at Carnegie International bring home prizes," Pittsburgh Tribune-Review, October 7
- Kukielski, Tina, Nicole Eisenman, 2013 Carnegie International Catalogue, October
- Thomas, Mary, Three Curators give the Carnegie International a different look, Pittsburgh Post-Gazette, September 29
- Tanner, Marcia, Appropriation redux: Nicole Eisenman in Berkeley, Berkleyside, July 8
- "Nicole Eisenman wins 2013 Carnegie Prize," Artforum.com, October 7
- Simmons, William J., Nicole Eisenman: MATRIX 248 at BAM/PFA in Berkeley, SFAQ, July
- McGarry, Kevin, "Sketch Troupe: Nicole Eisenman," V Magazine, June
- DiQuinzio, Apsara, Nicole Eisenman, MATRIX 248 Brochure, Berkeley Art Museum, June
- Sillman, Amy, "Preview: Nicole Eisenman," Artforum, May
- Wood, Sura, Outside of the Box, The Bay Area Reporter, May 16
- Smith, Roberta, 40 Nations, 1,000 Artists and One Island, New York Times, May 10
- Akel, Joseph, "10 Picks: New York Frieze 2013," Interview Magazine, May 10
- Higgie, Jennifer, Nicole Eisenman: In Your Head, Frieze, May (Link)
- Chun, Kimberly, 'Nicole Eisenman / Matrix 248': Tea Party time, San Francisco Chronicle, May 22
- Meade, Fionn, "Catch as Catch Can," Locks Gallery, Philadelphia, PA
- Hirsch, Faye, Nicole Eisenmans Year of Printing Prolifically, Art In Print, January - February
- Gygax, Raphael, Looking Back, Looking Forward: Part 5, Frieze Blog, January 1
- 2012
- Molesworth, Helen, Best of 2012: Helen Molesworths Top 10, ArtForum, December
- Torres, Jesus Manuel Rojas, "Locust Projects Third Annual Bus Shelter Project, Examiner.com, November 21
- Nicole Eisenman, Parkett 91, pp. 102-149
- Bors, Chris, "Whitney Biennial 2012", Artvoices Magazine, June/July, pp. 86-87
- Beer, Jonathan, Nicole Eisenman Woodcuts, Etchings, Lithographs and Monotypes, Leo Koenig Gallery, art-rated, July 4
- Molarsky, Mona, Drawing on Talent: A Profile of Work of Artist Nicole Eisenman, New York Press, August 9
- Schultz, Charles, Nicole Eisenman: Woodcuts, Ethings, Lithographs, and Monotypes at Leo Koenig, Art in Print, July/August
- Wyma, Chloe 25 Questions for Witty Expressionist and Biennial Star Nicole Eisenman, Boulin Artinfo, June 19
- Hirsch, Faye, Nicole Eisenmans Prints and People, Art In America, June 15
- Nicole Eisenman: the story behind the artwork, in the artists own words, Modern Painters, July/August
- 50 Next Most Collectible Artists, Art + Auction, June
- Schjeldahl, Peter, Not Like The Other Ones: A surprising Whitney Biennial, The New Yorker, March 12
- Douglas, Sarah, If You Dont Do This Fair, Youre Stupid: With Sales and High Spirits, the Armory Show Gets Off to a Rollicking Start, Gallerist NY, March 7
- Smith, Roberta, A Survey of a Different Color, New York Times, March 2
- 2011
- Pagel, David, Nicole Eisenman at Susanne Vielmetter Los Angeles Projects," Los Angeles Times, May 5
- Simonson, Lily, Looking at Los Angeles, Nicole Eisenman and Wynne Greenwood, Art:21 blog, May 26
- Shaw, Michael, Nicole Eisenman, Art Scene, May
- Eisenman, Nicole, Artists on Ab-Ex, Artforum, Summer
- Chang, Ian, Nicole Eisenman, Susanne Vielmetter Los Angeles Projects, Frieze, September
- Wolf, Kate, Nicole Eisenmans Human Touch, Artslant, May 16
- 2010
- Smith, Roberta, Post-Minimal to the Max, New York Times, February 14
- Berry, Ian, Nicole Eisenman: The Way We Werent, catalogue, The Tang Teaching Museum and Art Gallery
- White, Brian Evans, Nicole Eisenman, Art US, Issue 28
- 2008
- Werneburg, Brigitte, "Kunstrundgang, TAZ Berlin, September 17
- Mania, Astrid, "Verfuhrerisch direkt, Artnet Magazine, September 10
- Sholis, Brian, "Nicole Eisenman, Artforum, September
- "Art in General, NewCOMPANYline: Advertisement, Performance, Style and Authenticity by K8 Hardy, PS1 Contemporary Art Center, March 14
- Myers, Holly, "Nicole Eisenman A Show Born of Fear at Susanne Vielmetter, ArtReview, January
- 2007
- Myers, Holly, "Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter, LA Weekly, December 27
- Brooks, Amra, "Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter, LA Weekly, December 27
- Lester, Paul, "We Remember Miami, ArtNet, December
- Tibbits, Ashley, "Nicole Eisenman: A Show Born of Fear at Susanne Vielmetter Los Angeles Projects, Flavorpill, November 27
- Gray, Emma, "Top 10 Shows in Los Angeles This Month: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter, The Saatchi Gallery Blog, November
- Sholis, Brian, "Scene & Herd: Boy Wonder, Artforum.com, October 30
- Brooks, Amra, "Must See Art: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter Los Angeles Projects, LA Weekly, October 25
- Schindler, Anna, "In der Kunsthalle Zrich: das bad girl Nicole Eisenman, Kunstzeitung, May
- 2006
- Hirsch, Faye, "Tides and Tidings, Art in America, October
- Smith, Roberta, "Nicole Eisenman: Progress: Real & Imagined, New York Times, June 10
- Hontoria, Javier, "Trazons de un arte urgente, El Cultural, February 9-15
- 2005
- Parker, Erik, "The Artists Artists, Artforum, December
- Davis, Tim, "Top Ten, Artforum, May
- 2004
- Burton, Johanna, "Nicole Eisenman, Artforum, Summer
- Von Lilien, Titus, "Bomben auf Barbieland, Quest, May-June
- The New Yorker, April 5
- Chasin, Noah, "Nicole Eisenman: Elizaville, Time Out New York, April 1-8
- Bsing, Nicole and Klass, Heiko, "Vor Erffnung ausverkauft, Die Welt, March 27
- The New York Sun, March 25
- Reed, John, "Critics Picks, Artforum, March
- Hirsch, Jaye, "Nicole Eisenman at the Herbert F. Johnson Museum of Art, Art in America, February
- 2003
- Sillman, Amy, "Top Ten, Artforum
- Greenfield, Beth, "fired up, Out, July
- "ARTtalk: canvas, ARTnews, May
- "America, il doce domain, La Republica, March
- 2002
- Myers, Holly, "Emotions of childhood linger in paint, New York Times, December 27
- Stark, Rachael, "Nicole Eisenman: Portrait of the Artist as Collaborator, NY Arts, July/August
- Aizpuru, Margarita, "El Bello Gnero, Comunidad de Madrid, June
- 2001
- Levin, Kim, "Self-made men: male self portraits, The Village Voice, May 1
- Harris, Susan, "Nicole Eisenman at Jack Tilton, Art in America, January
- 2000
- Clifford, Katie, "Nicole Eisenman: Jack Tilton, ARTnews, November
- Naves, Mario, "All About Bambis Sex Life, The New York Observer, October 16
- "Nicole Eisenman, The New Yorker, October 9
- Baer, Josh, "Slow and Steady, New York Magazine, October 9
- Johnson, Ken, "Art in Review: Nicole Eisenman, The New York Times, October 6
- Levin, "Voice Choice: Nicole Eisenman, The Village Voice, September 19
- Dimling Cochran, Rebecca, "Fantastic Worlds, Art Papers Magazine, July/August
- Anton, Saul, "Prophecies, Time Out NY, March 9-16
- Kennedy, Gideon C., "Enter the Doghouse, Atlanta Press, February 11-17
- Fox, Catherine, "Exploring Our Best Pals, AJC, February 4
- Korotkin, Joyce B., "The Likeness of Being, The New York Art World, February
- Silverstein, Joel, Review, February
- Goddard, Donald, "Art Review: Nicole Eisenman, newyorkartworld.com
- Cembalest, Robin, "The Woman in the Mirror, Elle, January
Selected Projects
- 2019-2020
- "Raid the Icebox with Nicole Eisenman: Tonight we are going out and we are all getting hammered," RISD Museum, Providence, RI
- 2012
- Bush Shelter Project: Nicole Eisenman Intentions, Locust Projects, Miami, Florida
- 2006
- Ridykeulous, curated by Nicole Eisenman and A. L. Steiner, Participant Inc, New York
- 2002
- Scenery, White Oak Dance Project
- 2000
- Jennifer Monson, set design for dance program at The Kitchen, New York
- 1998
- The Choice, co-curated group exhibition at Exit Art, New York
- 1995
- Summer of Bad Plays, Writer and Actor
- Magazine cover project for Art magazine, March
- 1994
- Centerfold project for Frieze magazine, November/December
Film/TV/Radio
- 2012
- "Nicole Eisenman: Figure Drawing Atelier with Commentary by Margie Weinstein, Manager of Education Initiatives", 2012 Whitney Biennial, Whitney Museum, New York, NY
Guest Lectures
- Bard College, NY
- Columbia University, New York
- Colgate University, NY
- Harvard University, Architecture Department, MA
- Hunter College, New York
- Mount Royal College of Art, MD
- Provincetown Workshop, MA
- Rhode Island School of Design, RI
- School of Visual Arts, New York
- SUNY New Platz, NY
- SUNY Binghamton, NY
- University of Tennessee, TN
- University of Kentucky, KT
- Vassar College, NY
- Yale University, CT
- Princeton University, NJ
- Queens College, NY
Teaching Experience
- Present Bard College, Annandale-on-Hudson, NY
- 2001-2002
- Mount Royal College of Art, Baltimore, MD
- 2000-2001
- School of Visual Arts, New York, NY
Awards, Grants and Fellowships
- 2020
- Suzanne Deal Booth / FLAG Art Foundation Prize
- 2015
- MacArthur Foundation Fellowship
- 2013
- Carnegie Prize, 2013 Carnegie International, Pittsburgh, PA
- 2002
- Cabinet Magazine paper sculpture project
- Acadia Summer Arts Program, ME
- 1996
- John Simon Guggenheim Grant
- 1995
- The Joan Mitchell Foundation Grant
- The Lois Tiffany Grant
- Penny McCall Foundation Grant
Public Collections
- American Academy of Arts and Letters, New York, NY
- Denver Art Museum, Denver, CO
- Hammer Museum, Los Angeles, CA
- Herbert F. Johnson Museum of Art, Ithica, NY
- Ludwig Museum, Cologne, Germany
- Museum of Modern Art, New York, NY
- Nasher Sculpture Center, Dallas, TX
- Rose Art Museum, Brandeis University, Waltham, MA
- San Francisco Museum of Modern Art, San Francisco, CA
- Walker Art Center, Minneapolis, MN
- Whitney Museum of American Art, New York, NY