Mickalene Thomas’s practice deals primarily with the politics of representation, particularly of African American women through paintings, photography, videos, and installations. Her work centers images of black women as primary subjects, melding together an interest in representations of femininity in Western art history and popular culture. Her resulting works are complex, provocative, and empowering images that insist on the presence of black female sexuality.
Thomas is most widely recognized for her embellished portraits using acrylic, rhinestones, and enamel. In her collage-like compositions, which are heavily saturated with contrasting colors and patterns, Thomas’s works contemplate notions of beauty and self-identity. Some of her works refer back to iconic art historical images, like the Odalisque, through the pose and gesture of the black women depicted. The subject stares back at the viewer assertively, confronting their gaze and insisting on their presence. Other works insert images of black women into the canon through mimicking the pose and compositions of what have historically been the standard archetype of white female nudes.
Thomas’s works are also imbued with a nostalgic sensibility, referencing the interiors of her childhood, photographs of her mother, or images of the Black Power movement. She often creates installations that recreate domestic interior spaces populated with heavily patterned furniture, wallpaper, and rugs along with the artist’s own photographs, bringing to life the spaces the sitters of her portraits occupy.
Mickalene Thomas was born in 1971, in Camden, New Jersey, and lives and works in Brooklyn, New York. She received a BFA from the Pratt Institute, Brooklyn, NY, in 2000 and an MFA from Yale University School of Art, New Haven, CT, in 2002. The Studio Museum hosted a residency in 2003.
Thomas has had numerous international solo exhibitions, with the newest opening at The Broad in spring 2024 and co-organized with the Hayward Gallery in London, in partnership with the Barnes Foundation. Other solo exhibitions of her work have been organized at The Dayton Art Institute, OH; Henry Art Gallery, Seattle, WA; Pomona College Museum of Art, Claremont, CA; Georgia Museum of Art, Athens, GA; Newcomb Art Museum, Tulane University, New Orleans, LA; Spelman College Museum of Fine Art, Atlanta, GA; Museum of Contemporary Art, Los Angeles; Aspen Art Museum, CO; Aperture Foundation, New York; George Eastman Museum, Rochester, NY; Brooklyn Museum, New York; Santa Monica Museum of Art; Institute of Contemporary Art, Boston; Hara Museum of Contemporary Art, Tokyo; and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain.
Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL; Constructing Identity: Petrucci Family Foundation Collection of African-American Art, Portland Art Museum, ME; The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris; SHE: International Women Artists, Long Museum, Shanghai; No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC; 30 Americans, Corcoran Gallery of Art, Washington, DC, which has traveled extensively around the United States; and Americans Now, National Portrait Gallery, Washington, DC.
Thomas’s work is in numerous international public and private collections, including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; MoMA PS1, New York; Brooklyn Museum, New York; Studio Museum in Harlem, New York; Yale University Art Collection, New Haven, CT; and Hara Museum of Contemporary Art, Tokyo.
Thomas has been awarded multiple prizes and grants, including an honorary doctorate in fine arts from the New York Academy; the USA Francie Bishop Good & David Horvitz Fellow; Anonymous Was A Woman Award; Brooklyn Museum Asher B. Durand Award; and the Timehri Award for Leadership in the Arts.
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Selected Solo and Two Person Exhibitions
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Selected Group Exhibitions
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Performances
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Film/TV/Radio
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Curating
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Awards, Grants and Fellowships
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Guest Lectures
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Residencies
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Catalogues
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Bibliography
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Screening
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Public Collections