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Dasha Shishkin

where there is a wand, there is a way

October 25December 20, 2014

This image illustrates a link to the exhibition titled Dasha Shishkin: where there is a wand, there is a way

Images

Dasha Shishkin, Dasha Shishkin, Susanne Vielmetter Los Angeles Projects, Installation View, Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View

Dasha Shishkin, Dasha Shishkin, Susanne Vielmetter Los Angeles Projects, Installation View, Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View

Dasha Shishkin, Dasha Shishkin, Susanne Vielmetter Los Angeles Projects, Installation View, Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View

Dasha Shishkin, Dasha Shishkin, Installation View, Susanne Vielmetter Los Angeles Projects, Photo credit:  Robert Wedemeyer

where there is a wand, there is a way
Installation View

Dasha Shishkin, PETE IS A PRINCE OF A MAN, 2013, Pastel and acrylic on mylar, 23 parts, 30" H x 42" W (76.2 cm H x 106.68 cm W) each, 120" H x 252" W (304.8 cm H x 640.08 cm W) overall, Photo credit: Robert Wedemeyer

Dasha Shishkin
PETE IS A PRINCE OF A MAN, 2013

Dasha Shishkin, God did not create man beardless, only cats and dogs, 2014, Acrylic, pastel on BoPET, 90" H x 126" W (228.6 cm H x 320.04 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
God did not create man beardless, only cats and dogs, 2014

Dasha Shishkin, Sami Kratzt Sich, 2014, Pastel and acrylic on mylar, 90" H x 126" W (228.6 cm H x 320.04 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
Sami Kratzt Sich, 2014

Dasha Shishkin, saucy tricks for sticky sorts, 2014, 77" H x 72" W (195.58 cm H x 182.88 cm W) unframed, 81.50" H x 76" W (207.01 cm H x 193.04 cm W) framed, Photo credit: Robert Wedemeyer

Dasha Shishkin
saucy tricks for sticky sorts, 2014

Dasha Shishkin, analyte detection via protein nano spores , 2014, 72" H x 137.50" W (182.88 cm H x 349.25 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
analyte detection via protein nano spores , 2014

Dasha Shishkin, sin in the mouth, 2014, Acrylic, pastel on BoPET, 42" H x 30" W (106.68 cm H x 76.2 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
sin in the mouth, 2014

Dasha Shishkin, he's smart but his birds are sloppy, 2014, Ink, gouache on board, 8" H x 10" W (20.32 cm H x 25.4 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
he's smart but his birds are sloppy, 2014

Dasha Shishkin, as tired as a meatball, 2014, Ink, gouache on board, 10" H x 8" W (25.4 cm H x 20.32 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
as tired as a meatball, 2014

Dasha Shishkin, capitalism is hell, people are hell.  nature is ugly, not to speak of chicago., 2014, Graphite, gouache on board, 10" H x 8" W (25.4 cm H x 20.32 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
capitalism is hell, people are hell. nature is ugly, not to speak of chicago., 2014

Dasha Shishkin, bar the door, marian, 2014, Ink, gouache on board, 10" H x 8" W (25.4 cm H x 20.32 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
bar the door, marian, 2014

Dasha Shishkin, for the busy and for vexed, 2014, Ink, gouache on board, 12" H x 18" W (30.48 cm H x 45.72 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
for the busy and for vexed, 2014

Dasha Shishkin

Dasha Shishkin

Dasha Shishkin, if you are a boy who has come in from skating or a turkey who is not feeling well, you get a shot of brandy, 2007, 24" H x 58.50" W (60.96 cm H x 148.59 cm W) unframed, 29.25" H x 63.75" W (74.3 cm H x 161.93 cm W) framed, Photo credit: Robert Wedemeyer

Dasha Shishkin
if you are a boy who has come in from skating or a turkey who is not feeling well, you get a shot of brandy, 2007

Dasha Shishkin, constant vigilance, 2014, Ink, gouache on board, 10" H x 8" W (25.4 cm H x 20.32 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
constant vigilance, 2014

Dasha Shishkin, cats are hilarious and i am dying, i am dying, i am dying, 2014, Ink, gouache on board, 8" H x 10" W (20.32 cm H x 25.4 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
cats are hilarious and i am dying, i am dying, i am dying, 2014

Dasha Shishkin, oppressed at last, 2014, Graphite, gouache on board, 11" H x 14" W (27.94 cm H x 35.56 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
oppressed at last, 2014

Dasha Shishkin, sassy and divine, 2014, Graphite, gouache on board, 8" H x 10" W (20.32 cm H x 25.4 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
sassy and divine, 2014

Dasha Shishkin, WOW, BOB, WOW, 2013, Pastel and acrylic on mylar, 60" H x 84" W (152.4 cm H x 213.36 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
WOW, BOB, WOW, 2013

Dasha Shishkin, not where or whom with, 2014, Acrylic, pastel on BoPET, 78" H x 72" W (198.12 cm H x 182.88 cm W), Photo credit: Robert Wedemeyer

Dasha Shishkin
not where or whom with, 2014

Press Release

Susanne Vielmetter Los Angeles Projects is pleased to announce our second solo exhibition of drawings by Dasha Shishkin. In Shishkin’s works on Mylar, canvas, paper, and wooden panels she creates a fantastical world populated by a strange set of characters. They are engaged in intertwined narratives, imaginings, and deliberate activities that offer the viewer a glimpse into a strange yet purposeful reality.

The figures in Shishkin’s drawings, all ostensibly female, are costumed, extra-limbed and extra-faced, expressive, urban and bucolic all at once. Shishkin’s bold palette and use of polka dots and other patterns blurs the boundaries between individual bodies, the air, and surrounding objects in her drawings. In other works, Shishkin’s approach is spare. In “fire beats roses, again”, two women, rendered in green oil pastel on paper, are locked in an anxious stare. The drawing suggests that both bodies are nude, but the figure on the left is marked with a series of growths suggestive of eyes or nipples. Meanwhile, drawings like “saucy tricks for sticky sorts”, which depicts a belching volcano under a blood-red sun whilst animal-woman hybrid figures negotiate the foreground of this strange landscape, are resplendent with color and pattern. In other drawings pattern is used to represent the air filling in the space around the figures. Ultimately, however, the lines that make up the drawings are their driving force. The fluidity and mastery with which Shishkin imbues her drawings breathes an acidic humor into her figures and their surreal world a world that is delightful and cruel all at once.

Born in Moscow, Russia, Dasha Shishkin currently lives and works in New York, NY. She received her MFA from Columbia University, New York, NY (2006) and her BFA from the New School for Social Research, New York, NY (2001). In 2013 Shishkin had a major solo exhibition, erry icket, at the Museum of Contemporary Art, Santa Barbara. Other recent solo exhibitions include I Surrender, Dear at the Contemporary Arts Center, Cincinnati, OH; SAMMY at Galleria Gio Marconi, Milan, Italy; BB5, Grieffelkunst, Hamburg, Germany; and Desparecido, Zach Feuer Gallery, New York, NY. Shishkins group exhibitions include Imaginary Portraits of Prince Igor, at Gallery Met, New York, NY; Gaiety is the Most Outstanding Feature of the Soviet Union: Art from Russia, Saatchi Gallery, London, UK; Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University Art Gallery, Rochester, MI; and Embrace, Denver Art Museum, Denver, CO. Dasha Shishkin is represented by Susanne Vielmetter Los Angeles Projects, Culver City, CA and Gio Marconi Gallery, Milan, Italy.

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