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Elizabeth Neel

Routes and Pressures

April 7May 12, 2012

This image illustrates a link to the exhibition titled Elizabeth Neel: Routes and Pressures

Images

Elizabeth Neel, Installation Image

Elizabeth Neel: Routes and Pressures
Installation view

Elizabeth Neel, Step to Earth, 2012, Oil and spray paint on canvas, 76" H x 96" W (193.04 cm H x 243.84 cm W)

Elizabeth Neel
"Step to Earth", 2012

Elizabeth Neel, Routes and Pressures, 2012, Oil and spray paint on canvas, 76" H x 96" W (193.04 cm H x 243.84 cm W)

Elizabeth Neel
Routes and Pressures, 2012

Elizabeth Neel, Physical Plant, 2012, Oil and spray paint on canvas, 46" H x 58" W (116.84 cm H x 147.32 cm W)

Elizabeth Neel
"Physical Plant," 2012

Elizabeth Neel, Interlude and Marriage, 2012, Oil and spray paint on canvas, 76" H x 96" W (193.04 cm H x 243.84 cm W)

Elizabeth Neel
"Interlude and Marriage," 2012

Elizabeth Neel, Tour and Tourist, 2012, Acrylic (and paper collage) on paper, 24" x 19"

Elizabeth Neel
Tour and Tourist, 2012

Elizabeth Neel, Some Slight Injury, 2012, Acrylic (and paper collage) on paper, 24" x 19"

Elizabeth Neel
"Some Slight Injury," 2012

Elizabeth Neel, Ballasting to Near Vertical, 2012, Acrylic (and paper collage) on paper, 24" x 19"

Elizabeth Neel
Ballasting to Near Vertical, 2012

Elizabeth Neel, What the Words Were About, 2012, self hardening clay, wax, paper, bone, electrical tape, found image printed on A4 paper, spray paint, plywood, acrylic interior paint

Elizabeth Neel
"What the Words Were About," 2012

Elizabeth Neel, All Else Was Belly, 2012, Steel conduit, deer skin, found image printed on A4 paper, utility wheels, plywood, acrylic interior paint

Elizabeth Neel
"All Else Was Belly," 2012

Press Release

Susanne Vielmetter Los Angeles Projects is pleased to present our first solo exhibition of new work by Elizabeth Neel.
Neels paintings on canvas and paper and her sculptural assemblages participate in a triangle of influences. Intersections between organic and inorganic architecture, the tensions between calculation and accident, and the constant energy of becoming through memory, action and recapitulation characterize Neels two and the three-dimensional works. Shifting relationships between architecture and the body, between hard and soft surfaces and materials, her work conflates both experiential and imaginative attempts to grasp at reality.
In her paintings, she traces and punctuates pathways emphasizing the activity of mark making as a temporal record and as a method of creating narrative potential. A paint smear left by a hand gesture, a circle reflecting a missing penny, a square registering a once present piece of paper, a line as evidence of provisionally affixed masking tape each of these inscriptions hints at the empirical within the transformative space of abstraction.
Neels sculptures incorporate found objects, flat images and handmade elements to complicate notions of perspective and proximity. She manipulates intimacies between things and representations of things in three-dimensional space, bringing back additional readings to painting, underlining architecture as a method of framing events and images.
Elizabeth Neel graduated from Columbia University with an MFA in 2007. Her work has been featured in solo exhibitions at Pilar Corrias, London, UK; Sikkema Jenkins & Co, New York, NY; Monica De Cardenas, Milan, IT; Deitch Projects, New York, NY; and at The Sculpture Center, Long Island City, NY. Recent group exhibitions include the Prague Biennial 5, Prague, Czech Republic; Modern Talking at the Cluj Museum, Cluj, Romania; A Painting Show at Harris Lieberman, New York, NY; Going Where the Weather Suits My Clothes at Mothers Tank Station, Dublin, Ireland; Living with Art at The Neuberger Museum, Purchase College, Purchase, NY; and Abstract America at the Saatchi Gallery, London, UK among others.

Artists