Kevin Appel
- Born in Los Angeles, CA
- Lives and works in Los Angeles, CA
- 1995
- MFA, University of California, Los Angeles, CA
- 1990
- BFA, Parsons School of Design, New York, NY
Selected Exhibitions
- 2012
- “Paintings”, Susanne Vielmetter Los Angeles Projects, Culver City, CA
- 2009
- “Drawings”, Acme, Los Angeles, CA
- 2008
- The Suburban, Chicago, IL
- 2007
- Marianne Boesky Gallery, New York, NY
- 2006
- Wilkinson Gallery, London, England
- 2004
- Angles Gallery, Santa Monica, CA
- Marianne Boesky Gallery, New York, NY
- 2003
- Descripcion sin lugar: Una seleccion de obras de Kevin Appel, Museo Rufino Tamayo, Mexico City
- 2002
- Angles Gallery, Santa Monica, CA
- 2001
- Marianne Boesky Gallery, New York, NY
- 1999
- Museum of Contemporary Art, Los Angeles, CA
- Angles Gallery, Santa Monica, CA
- 1998
- Angles Gallery, Santa Monica, CA
Group Exhibitions
- 2013
- “Painting Two: The Thick of It,” Two Rooms, Auckland, NZ
- 2011
- “LANY”, Peter Blum Gallery, New York, NY
- “Beta Space: Kevin Appel and Ruben Ochoa”, San Jose Museum of Art, San Jose, CA
- “Goldmine”, Contemporary Works from the Collection of Sirje and Michael Gold, University Art Museum, California State University, Long Beach, CA
- 2010
- “Small Paintings”, Two Rooms Gallery, Auckland, New Zealand
- “Haute”, Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA
- “FAX”, Burnaby Art Gallery, British Columbia, Canada
- “FAX”, Torrance Art Museum, Torrance, CA
- 2008
- “Works on Paper”, Two Rooms Gallery, Auckland, New Zealand
- 2007
- “Counterparts: Contemporary Painters and Their Influences”, Contemporary Art Center of Virginia
- “The Last Show”, Cambridge Heath Road, Wilkinson Gallery, London, England
- “Summer Stock”, Angles Gallery, Santa Monica, CA
- 2006
- “L.A.NOW”, Galerie Fiat, Paris, France
- 2005
- “New Works on Paper”, Angles Gallery, Santa Monica, CA
- California Modern, Orange County Museum of Art, Newport, CA
- 2004
- “Artitecture”, Rena Bransten Gallery, San Francisco, CA
- “From House to Home: Picturing Domesticity”, MOCA Pacific Design Center, Los Angeles, CA
- “Seeing Other People”, Marianne Boesky Gallery, New York City, New York, NY
- 2003
- “Variance”, Angles Gallery, Santa Monica, CA
- 2002
- “Drawing Now: Eight Propositions”, Museum of Modern Art, New York, NY
- “Trespassing: House X Artists”, Bellevue Art Museum, Bellevue, Washington
- “New Economy Painting”, ACME, Los Angeles, CA
- 2001
- “New to the Modern: Recent Acquisitions”, Museum of Modern Art, New York, NY
- “It’s a Wild Party and We’re Having a Great Time”, Paul Morris Gallery, New York, NY
- “furor scribendi”, Works on paper, Angles Gallery, Santa Monica, CA
- “Works on Paper”, Kerlin Gallery, Dublin, Ireland
- “010101: Art in Technological Times”, San Francisco Museum of Modern Art, San Francisco, CA
- “Against Design”, Museum of Contemporary Art, San Diego, CA
- “Painting at the Edge of the World”, Walker Art Center, Minneapolis, MN
- “Next Wave Prints”, Ellas Fine Art, Allston, MA
- 2000
- “Do you hear what I hear?”, Paul Morris Gallery, New York, NY
- “Painting Show”, Angles Gallery, Santa Monica, CA
- Kerlin Gallery, Dublin, Ireland
- “Drawings Spaces”, Rhona Hoffman Gallery, Chicago, IL
- “2 x 2”, Architectural Collaborations, San Francisco, CA
- “Shifting Ground; Transformed Views of the American Landscape”, Henry Art Gallery, University of Washington, Seattle, WA
- “Against Design”, Institute of Contemporary Art, Philadelphia, PA
- “Architecture and Memory”, CRG, New York, NY
- 1999
- “Farve Volumen / Color Volume”, Kunsthallen Brandts Klæ defabrik, DK-Odense, Denmark
- “Down to Earth”, Marianne Boesky Gallery, New York, New York
- “DRIVE-BY: New Art from L.A.”, South London Gallery, London, England
- “The Perfect Life: Artifice in L.A. 1999”, Duke University Museum of Art, Durham, NC
- “Local Color”, The Harris Art Gallery, The University of La Verne, CA
- “1999 Biennial”, Orange County Museum of Art, Newport Beach, CA
- “New Paintings from L.A.”, Galerie Peter Kilchmann, Zurich, Switzerland
- 1998
- “proof.positive.”, Otis College of Art and Design, Los Angeles, CA
- “Abstract Painting Once Removed”, Contemporary Arts Museum, Houston, TX
- “Architecture and Inside”, Paul Morris Gallery, New York, NY
- “Painting From Another Planet”, Deitch Projects, New York, NY
- “Paintings Interested in the Ideas of Architecture and Design”, Post, Los Angeles, CA
- 1997
- “Inhabited Spaces: Artists Depictions”, Long Beach Museum of Art, Long Beach, CA
- “In Touch With…”, Galerie + Edition Renate Schrö der, Köln, Germany
- Kevin Appel, Francis Cape, Jorge Pardo, Janice Guy, New York, NY
- “Quartzose: 20 Los Angeles Artists”, Galleri Tommy Lund, Odense, Denmark
- “Beau Geste”, Angles Gallery, Santa Monica, CA
- “Ten Los Angeles Artists”, Stephen Wirtz Gallery, San Francisco, CA
- “Bastards of Modernity”, Angles Gallery, Santa Monica, CA
- 1996
- “Interiors”, Los Angeles Contemporary Exhibitions, Los Angeles, CA
Bibliography
- 2013
- Fitzpatrick, Kyle, “Kevin Appel’s Screen (Double Desert Inverted)”, Los Angeles I’m Yours, January 7
- 2012
- Fox, Emily Ellis, "Reviews in Brief: Kevin Appel", Modern Painters, November, p. 66
- Pagel, David, "Review: Kevin Appel’s ‘Paintings’ Pack Punch at Susanne Vielmetter", Los Angeles Times, July 26
- 2011
- Myers, Terry R, Ed. "Painting, Documents of Contemporary Art", MIT Press/Whitechapel Gallery
- Scoats, Christopher, Miles, Christopher and George Melrod, "Goldmine", University Art Museum, California State University Long Beach
- 2009
- Rattemeyer, Christian, “The Judith Rothschild Foundation Contemporary Drawings Collection, Catalogue Raisonné”, The Museum of Modern Art, New York
- Miles, Christopher, “Kevin Appel at ACME”, September 24
- Myers, Holly, “Kevin Appel at ACME”, September 18
- 2008
- Glasner, Barnara, Smith, Petra and Ursula Schondeling (Eds), “Patterns 2. Design, Art, and Architecture”, Birkhauser Press
- Thornton, Johanna, "Building Art," Home New Zealand, August
- McNamara, TJ, "Many Layers to Blatant and Edgy Works", New Zealand Herald, August
- Hurrell, John, "Wallpapering the Treetops," eyeContact, July 9
- Morton, Frances, "The Art house", Metro, July
- Shad, Ed, "No Room, Christopher Grimes Gallery", ArtSlant, July
- Colpitt, Fances, "Dumb Painting", Art Lies, Issue 47
- Berardini, Andrew, "ten by ten: Kevin Appel", Uber
- 2007
- Asher, R, "Kevin Appel." artUS, January/February, Issue 16
- Knight, Christopher, "45 Painters Under 45", Los Angeles Times, December 2
- Ryan, Dinah and Ryan, Paul, "Couterparts, Virginia Beach", Art Papers, November/December
- Dijulio, Betsy, "Inspiration Elucidation", Portfolio Weekly, July 31
- Annas, Teresa, "Review of ‘Counterparts’ at Virginia Beach Art Center", Virginian Pilot, July 26
- 2006
- Sandy, Brooke, “Drawing as Expression: Techniques and Concepts”, Pearson Education, Inc./Pearson Prentice Hall, Upper Saddle River, New Jersey (textbook)
- Michael, Duncan, "Opening Salvos in L.A." Art in America, No. 10, November: 81 (illustrated)
- Suzanne, Muchnic, "The Art Explosion," Los Angeles Times, October 1: E31
- Sarah, Kent, "Kevin Appel," Time Out London, September
- 2005
- Tumlir, Jan, "Kevin Appel: Angles Gallery," Artforum, VOl. XLIII, No. 5, January: 188 (illustrated)
- 2004
- Ostrander, Tobias, "Painting renovations," Descripcion sin lugar: Una seleccion de obras de Kevin Appel Mexico City: Museo Tamayo arte contemporaneo (catalogue)
- Vellodi, Kamini, "Drawing Now — Eight Propositions." contemporary, Issue 61: 59
- "Artists Explore Ideas of Domesticity at MOCA," www.pacificdesigncenter.com (illustrated)
- Hirsch, Faye, "Full-Throttle Abstract." Art in America, Vol. 92, No. 6, June-July: 170, 193
- Pagel, David, "Not just divided but violently ripped apart." Los Angeles Times, 19 November: E35
- 2003
- Vega, Abraham Diaz, "Descripcion sin lugar: una critica a las formas pictorias," Uno Mas Uno, 14 August: 22C (illustrated)
- "En Mexico Kevin Appel, una de las voces mas criticas y progresivas del arte," Sintesis, 13 August: 1C (illustrated)
- "Una seleccion de obras de Kevin Appel," La Tinta Suelta, 13 August: 4 (illustrated)
- Ostrander, Tobias, "Painting renovations," Descripcion sin lugar: Una seleccion de obras de Kevin Appel. Mexico City: Museo Tamayo Arte Contemporaneo (illustrated)
- Tumlir, Jan, "Trespassing: Houses x Artists," Frieze, Summer: 120
- Roug, Louise, "Home as art, and vice versa," Los Angeles Times, May 15
- Gilmartin, Wendy, "Home Improvement: Artist Explores final frontier," LA Weekly, April 18-24
- Lord, M.G. "A City Where Locals Are Welcome," The New York Times, April 23
- Frank, Peter, "Art pick of the Week," LA Weekly, April 1
- "TRESPASSING: Houses x Artists," CNN: Design 360, interview by Nina Teggarty, March
- Gleason, Mat, "art angelenos," Modern Painters, Spring: 70-75 (illustrated)
- Donahue, Marlena, "TRESPASSING: Houses x Artists," ArtScene, February
- Yablonsky, Linda, "Drawing Now: Eight Propositions," Art News, January: 119
- Albiani, Rebecca, "Trespassing: Houses x Artists," Artweek, January
- 2002
- Bhatnager, Priya, Ed. "Focus Painting Part II", Flash Art, November-December
- Olsen, Sherri, "Houses x Artists Challenges Conventional Architectural Wisdom with Idealized Schemes", Architectural Record, November
- Halle, Howard, "Papering the House", Time Out New York, November 7-14
- Smith, Roberta, "Retreat From the Wild Shores of Abstraction", The New York Times, October 18
- Stoetz, David, "Wow House: L.A. Artists Create Semipausible Dwelling", Seattle Weekly, October 2
- "Trespassing: Houses x Artists", Architectural Record, October: 120
- Hinshaw, Mak, "Art and/or Architecture’, Architecture, October
- Pastier, John, "BAM Show Takes on Conventions of Space", The Seattle Times, September 22
- Beers, Carole, "The Home As Art", South County Journal, September 1
- "Drawing Now: Eight Propositions", Journal of the Print World, Fall
- "Drawing Now: Eight Propositions", Interview, Acoustiguide Corporation
- Frank, Peter, "Homegrown: Trespassing: Houses x Artists (Part 2)" Angeleno Magazine, July – August: 137
- Young, Paul, "Art House", Angeleno, May/June 2002: 198-199 (illustrated)
- Ollman, Leah, "Scribes of Precision and Obsession", Los Angeles Times, 11 January, 2002: F29, F30
- 2001
- Johnson, Ken, "Kevin Appel", The New York Times, 26 October: E33
- Gioni, Massimiliano, "Spotlight: Painting at the Edge of the World", Flash Art, Volume XXXIV, No. 218, May/June: 147
- Grabner, Michelle, "Painting at the Edge of the World", Frieze, Issue 60, June/July/August: 116 – 117
- Helfand, Glen, "Art in the Age of Digital Reproduction", Architecture, May: 98-99 (illustrated)
- ZOO 08, March, Purple House Ltd., London (illustrated)
- Ross, David A., "et al. 01.01.01: Art in Technological Times", San Francisco Museum of Modern Art, San Francisco, California (catalogue)
- "Painting at the Edge of the World", Walker Art Center, Minneapolis, Minnesota (exhibition catalogue)
- 2000
- Daly, Catherine, "Kevin Appel and Carter Potter", Sunday Times, Dublin, Ireland, April 16
- Hartigan, Marianne, "From Memphis to ‘Alice in Wonderland’", Sunday Tribune, Dublin, Ireland, April 16
- "Cool Colorists", dside magazine, Issue 54, April
- Plagens, Peter, "Critical Moment: Against Design", Newsweek, 21 February: 58
- Plagens, Peter, "Against Design”, Newsweek Web Exclusive, February 2
- Colpitt, Frances, "Kevin Appel at Angles", Art in America, Volume 88, No. 2, February: 137
- Sozanski, Edward J, "Along the Fuzzy Boundary Between Design and Art", Philadelphia Inquirer, 13 February: A11
- "Against Design", Institute of Contemporary Art, Philadelphia, Pennsylvania (exhibition catalogue)
- 1999
- Walsh, Anne, "House X Artists", X-Tra, Volume 3, Number 1: 19 – 20
- “Farve Volumen / Color Volume”, Kunsthallen Brandts Klæ defabrik, DK-Odense, Denmark (exhibition catalogue)
- Farquharson, Alex, "Drive By: New Art from Los Angeles", Frieze 48, September/October : 112-113
- Chung, Karen, "Appel Core", Wallpaper, July/August: 58
- Dobrzynski, Judith H, "In Olympics of Art World, Anything for an Edge”, The New York Times, 17 June: B1-4
- Pagel, David, “Home Vision”, Los Angeles Times, 4 June: F17
- Darwent, Charles, "Vacant and Proud of It", The Independent, 9 May: 6
- "Drive-by: New Art from LA", South London Gallery, Frieze, Issue 46, May 1(Illustrated)
- Rawsthorn, Alice, "LA Story", Vogue, April: 79-82
- Fulcher, Dawn, "Drive-by-New Art from LA", Contemporary Visual Arts, Issue 22
- “The Perfect Life: Artifice in LA 1999”, Duke University, Duke University Museum of Art, Durham, North Carolina (exhibition catalogue)
- Greenberg, Blue, "Artifice Makes Arty Reality in Duke Exhibit", Durham Herald-Sun, 16 April: 4
- Gora, Susannah, "L.A. in DUMA", Recess, 16 April: 4
- Kauffman, Susan, "Student Curators Bring Home to Duke a Perfect Image of L.A.”, News and Observer, April 13
- Bartolucci, Noah, "Student-Curated Show Takes a Critical Look at LA Myths", Duke Dialogue, April 9
- Curtis, Cathy, "Formal Boundaries Take Some Life From ‘Biennial’", Los Angeles Times, Calendar Section, 2 March: F12
- Curtis, Cathy, "Method, Madness", Los Angeles Times, Orange County Edition, 24 February: F1-5
- Walsh, Daniella, "Art made for the pure joy of it", Orange County Register, 14 February: 28
- Dubin, Zan, "What It’s All About", Los Angeles Times, Orange County Calendar, 6 February: F2-22
- Ben Yehuda, Eron, "Young At Art", Newport Beach/Costa Mesa Daily Pilot, Datebook, 5 February: 2
- "Best Bets Orange County", Los Angeles Times, Calendar Weekend, 4 February: 4R
- 1998
- Dewan, Shaila, "What’s So Great About Painting", Houston Press, 29 October – 4 November: 59-60
- Johnson, Patricia C., "Abstract Artists Redraw Boundaries of Painting", Houston Chronicle, 7 October: 1D-3D
- Friis-Hansen, Dana, “Abstract Painting Once Removed”, Contemporary Arts Museum, Houston, Texas (exhibition catalogue)
- Relyea, Lane, "Virtually Formal", Artforum XXXVII, No. 1, September: 126-173
- Pagel, David, "Visual Stimulation in L.A.: Paintings From Another Planet", Flash Art, XXXI, 201, Summer Issue: 116-220
- Darling, Michael, "Kevin Appel", Frieze 41, June/July/August: 88
- Cotter, Holland, "Painting From Another Planet: New Paintings From Los Angeles", The New York Times, 24 July: E35
- Joyce, Julie, "Kevin Appel," Art Issues 53: 40
- Pagel, David, "Fresh Outlook", Los Angeles Times, Calendar Section,13 February: F23
- 1997
- DiMichele, David, "Bastards of Modernity at Angles Gallery," Artweek, April 28.4: 22-23
- Tanner, Marcia, "Ten Los Angeles Artists at Stephen Wirtz Gallery", Artweek, April 28.4: 22
- Hainley, Bruce, "Bastards of Modernity, Angles Gallery", Artforum, March: 98-99
- Kandel, Susan, "Art Reviews: Modernist Montage", Los Angeles Times, 7 February: F16-F30
Public Collections
- Museum of Modern Art, New York
- Los Angeles County Museum of Art, California
- Museum of Contemporary Art, Los Angeles, California
- Portland Art Museum, Oregon
- The New York Public Library
- Walker Art Center, Minneapolis, Minnesota
- Rhode Island School of Design
- Misumi Corporation, Tokyo, Japan
- Fogg Museum, Harvard University
- The Logan Collection, Vail, Colorado
- Saatchi Collection, London
Awards, Grants and Fellowships
- 2011
- California Community Foundation Fellowship for Visual Artists
- Citibank Private Bank Emerging Artist Award, Museum of Contemporary Art, Los Angeles, California