Louise Fishman created abstract paintings imbued with feminist, gay, and Jewish iconography. She was active in the feminist movement of the late 1960s and early 70s. During this time, she temporarily abandoned painting for sculptural and material investigations that pursued a more distinctly feminine art. Fishman’s return to painting was anticipated by her seminal 1973 Angry Women series, which represented important figures in the feminist movement. Her subsequent embrace of gestural abstraction unapologetically confronted the male-dominated history of artistic discourse. At a time when postmodernism claimed painting to be “dead,” Fishman’s decisive re-appropriation of Abstract Expressionism repositioned it for a different era and gender. In addition to her support for feminism, Fishman also advocated for gay and lesbian rights.
Fishman’s work celebrates process. In monumental, energetic surfaces of densely layered color and texture, her paintings exemplify a driven exploration of materials and mark-making. Using scrapers and trowels, along with more traditional paintbrushes, Fishman constructed loosely-gridded compositions by adding, scraping away and re-applying paint, sometimes working and reworking canvases over a long period of time. Remarkable not only for their technical mastery, her abstractions are also emotionally evocative
Born in Philadelphia in 1939, Louise Fishman lived and worked in New York City for over five decades before her death in 2021. Widely exhibited for the past 50 years, Louise Fishman’s work is represented in many collections, including: the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; the National Museum of Women in the Arts, Washington, D.C.; the High Museum of Art, Atlanta, Georgia; and the Jewish Museum, New York, among others. Awards include three National Endowment for the Arts grants, a New York Foundation for the Arts Fellowship, and a Guggenheim Fellowship, among others. She has also participated in several artists’ residencies, most recently at the Emily Harvey Foundation in Venice, Italy.
- 1956-1957
- 1958
- 1963
- 1965
Selected Exhibitions
- 2023
- 2022
- 2021-2022
- 2021
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- 1989
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Group Exhibitions
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- 1963
Awards, Grants and Fellowships
- 1963
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- 1993
- 2002
Bibliography
- 2023
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- 1979
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- 1970
Exhibition Catalogues and Publications
- 2023
- 2022
- 2021
Public Collections