Lavaughan Jenkins is a painter, printmaker, and sculpture who investigates the palpable qualities of paint through exuberant impasto, an ingenious sense of color, and abstracted figuration. He thoroughly revels in the materiality of paint—he creates diverse mark-making by adding, scraping, and repeating luxuriant quantities of paint with a variety of tools including his hands, brushes, palette knives, Q-tips, and syringes—working and reworking the surfaces. Forms and figures emerge, and frequently spill over the edge of the canvas, pushing into the viewer’s world. Jenkins references a vocabulary from across art history, including Francisco Goya and Philip Guston’s use of paint to convey emotion, depth, and symbol.
Jenkins often centers images of Black women as icons of resilience and beauty. These women are complemented by backgrounds of patterned ivory or other gridded color arrangements. Referencing specific people in Jenkins’s life, the women–dressed in colorful attire–are accompanied by Jenkins’s talismanic figures of protection which sit in the lower corners of the canvas. These “watchers,” as he refers to them, surface and protect the memories that each canvas suggests. Most recently, Jenkins has been inspired by specific texts by James Baldwin and Nikita Gill in his Love Portal series. Like his female figure paintings, the Love Portals act as a record of moments and reminders of lost loves and past relationships. The varying color spectrums and radiating vortexes within each work are carefully calibrated in resonance with each of the painting’s specific memories, which the titles then allude to.
Lavaughan Jenkins was born in 1976 in Pensacola, Florida, and lives and works in Boston. He received a BFA from the Massachusetts College of Art and Design in 2005. In 2019, Jenkins was awarded the James and Audrey Foster Prize by the Institute of Contemporary Art / Boston. In 2016, he was named Emerging Artist of the year at Kingston Gallery in Boston, MA, Jenkins is a recipient of the 2015 Blanche E. Colman Award and in 2002 received the Rob Moore Grant in Painting. He has exhibited his work most recently at venues such as Abigail Ogilvy Gallery (Boston), The Painting Center (NY), Suffolk University Gallery (Boston), and Oasis Gallery (Beijing). His work is in the permanent collection of the Museum of Fine Arts, Boston, and the Institute of Contemporary Art, Boston.
Selected Solo and Two Person Exhibitions
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2017
- 2016
- 2003
Selected Group Exhibitions
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- 2023
- 2021
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- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
- 2006
- 2005
- 2003
- 2002
Residencies, Scholarships, & Prizes
- 2023
- 2022
- 2019
- 2015
- 2002
Bibliography
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- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
Public Collections