Hayv Kahraman’s multifaceted work—painting, performance, and sculpture— primarily deals with the body politics of migrant consciousness. Her paintings take on themes of memory, violence, and involuntary migration as she processes her childhood in the war-torn country of Iraq and her adolescence in Sweden as a refugee. While Kahraman’s work is intertwined with the histories of the Iran-Iraq and Gulf Wars, it is also invested in the idea of feminine collectivity, identity, belonging, and diasporic cultural memory.
Kahraman is known for creating exquisite figurative paintings on large linen panels that depict women with iridescent pale skin and inky black hair, often appearing distorted, fragmented, nude, or draped in attire decorated with Islamic geometric patterns. The disfigurement and fragmentation of the figures parallels the struggles of forced displacement. The violence of these images signifies the trauma refugees experience and their sense of detachment from the homelands they have left behind. For Kahraman, the figure she paints represents herself as a colonized woman. Through the body of this woman and the repetitive nature of her work, Kahraman grapples with a history of displacement, loss, memory, and trauma. In more recent work, Kahraman investigates ideas around immunology, military threats to our bodies, and the kinds of language used to describe our bodies, and the relationship of these to the issues around immigration and political discourse.
Hayv Kahraman was born in 1981 in Baghdad, Iraq, and currently lives and works in Los Angeles. Her work is represented by Jack Shainman Gallery, New York; Susanne Vielmetter Los Angeles Projects; and Third Line Gallery, Dubai.
Recent solo exhibitions include Look Me in the Eyes, Institute of Contemporary Art San Francisco, CA (2024); Gut Feelings: Part II, The Third Line, Dubai, UAE (2023);Gut Feelings, Mosaic Rooms, London, UK (2022); The Touch of Otherness, SCAD Museum of Art, Georgia (2022); The touch of Otherness, Vielmetter Los Angeles (2021); Not Quite Human: Second Iteration, Pilar Corrias Gallery, London, (2020); Hayv Kahraman: Superfluous Bodies, Honolulu Museum of Art, Hawaii, (2019); To the Land of the Waqwaq, Shangri La Museum of Islamic Art, Hawaii, (2019); Silence is Gold, Susanne Vielmetter Los Angeles Projects, Los Angeles (2018); Acts of Reparation, Contemporary Art Museum, St Louis (2017); Hayv Kahraman, The Joslyn Art Museum, Omaha, NE (2016); Audible Inaudible, The Third Line, Dubai, UAE (2016); How Iraqi are You?, Jack Shainman, New York (2015).
Selected group exhibitions include; Women Defining Women In Contemporary Art Of The Middle East And Beyond, Los Angeles County Museum of Art, Los Angeles, (2023); Perpetual Inventory, Volume 1: An Exercise in Looking, The Third Line, Dubai, UAE (2022); In the Heart of Another Country: The Diasporic Imagination, The Sharjah Art Foundation, UAE; Deichtorhallen, Hamburg, Germany (2022); Reflections contemporary art of the Middle East and North Africa, The British Museum, London (2021); There Is Fiction In The Space Between, The Third Line, Dubai, UAE (2020); 100 Masterpieces of Modern and Contemporary Arab Art, The Barjeel Collection, Institut du Monde Arabe, Paris, France (2017); Thessaloniki Biennial 5, Thessaloniki, Greece (2015); Neighbors: Contemporary Narratives from Turkey and Beyond, The Istanbul Museum of Modern Art, Istanbul, Turkey (2014); CONTEMPORARY: Architecture, Culture and Identity, Louisiana Museum of Modern, Humlebaek, Denmark (2013); Jameel Prize Tour, San Antonio Museum of Art (2013) and The Victoria & Albert Museum, London (2011); Jameel Prize Tour, Museum of Fine Art, Houston (2012); Disquieting Muses, Contemporary Art Center of Thessaloniki, State Museum of Contemporary Art, Greece (2011); Of Women’s Modesty and Anger, Villa Empain Center for the Arts, Brussels (2011).
Her work is featured in various international collections including The Sharjah Art Foundation, Sharjah, UAE; San Diego Museum of Art, CA; Birmingham Museum of Art, AL; The Rubell Family Collection, Miami; The Saatchi Gallery, London, UK; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection, Columbus, Ohio; North Carolina; Museum of Art, Raleigh, North Carolina; among others.
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Selected Solo and Two Person Exhibitions
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Selected Group Exhibitions
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Bibliography
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Group Exhibition Catalogues and Books
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Awards, Grants and Fellowships
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Public Collections