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Hannah Van Bart paints portraits and landscapes that suggest a particular mood or emotional landscape in lieu of representing real people or places. When painting, she relies on her painterly dexterity to create compositions with an aim to portray a particular light and psychological space. Throughout Van Bart’s works, there is an element of familiarity, the portraits and landscape are classically informed yet veer away from the stereotypical context of such painting traditions. Van Bart paints her subjects without a preconceived notion of what they will reveal, instead she is more interested in exploring paint and mark making as a process to explore expressions of longing and loss. Self-described as “imaginary portraits,” her paintings hinge on the landscape of imagination to conjure a sense of discovery and exploration. Ultimately, for Van Bart, the process of painting is about experimenting with subtle shifts in light, tone, and color to exude a felt experience.

Hannah Van Bart was born in 1963 and studied at Gerrit Rietveld Academie in Amsterdam and Rijksakademie van beeldende kunsten in Amsterdam.

She has had solo exhibitions at Marianne Boesky Gallery, New York, NY; Galerie Bob van Orsouw, Zurich, Switzerland; Galerie Tanya Rumpff, Haarlem, The Netherlands; Gemeentemuseum Den Haag, the Hague, The Netherlands; Cobra Museum of Modern Art, Amstelveen, The Netherlands, among others. She has been included in numerous group exhibitions at Centraal Museum, Utrecht, Netherlands;  Chazen Museum of Art, Madison, Wisconsin; Rubell Family Collection, Miami, FL;  Het Noordbrabants Museum, Den Bosch The ABN AMRO Art Foundation, Hertogenbosch, The Netherlands; Stedelijk Museum, Amsterdam, The Netherlands; Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands,; 11th Lyon Biennale, Musee d’art contemporain de Lyon, Lyon, France; Singer Laren, Van Cobra tot Dumas, Laren, The Netherlands, among others.

Her works are in the collections of Centraal Museum, Utrecht, The Netherlands; Chazen Museum of Art, Madison, WI; Gemeentemuseum, The Hague, The Netherlands; Hood Museum of Art, Dartmouth College, Hanover, NH; Rhode Island School of Design Museum, Providence, RI; Teylers Museum, Haarlem, NY.

This image depicts an artwork by Hannah van Bart titled "Spoon." This artwork was created in 2024 and measures 8 ⁷⁄₈" x 17 ¹⁄₂" x 1" [HxWxD] (22.58 x 44.45 x 2.54 cm). Its medium is Oil on canvas.
Hannah van Bart
“Spoon,” 2024
Hannah van Bart “Untitled,” 2023
Hannah van Bart
“Untitled,” 2023
Hannah van Bart “Untitled,” 2022
Hannah van Bart
“Untitled,” 2022
Hannah van Bart “Untitled,” 2022
Hannah van Bart
“Untitled,” 2022
Hannah van Bart “Untitled,” 2021
Hannah van Bart
“Untitled,” 2021
This image depicts an artwork by Hannah van Bart titled "Untitled." This artwork was created in 2021 and measures 35 ¹⁄₂" x 27 ³⁄₄" x 1" [HxWxD] (90.17 x 70.49 x 2.54 cm). Its medium is Oil on linen.
Hannah van Bart
“Untitled,” 2021
Hannah van Bart “Untitled,” 2021
Hannah van Bart
“Untitled,” 2021
Hannah van Bart “Untitled,” 2021
Hannah van Bart
“Untitled,” 2021
Hannah van Bart “Untitled,” 2016
Hannah van Bart
“Untitled,” 2016
1963
Born in Oud-Zuilen, Maarssen, The Netherlands
Lives and works in Amsterdam, The Netherlands
1983-1988
Gerrit Rietveld Academie, Amsterdam, The Netherlands
1988-1990
Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands

Selected Solo and Two Person Exhibitions

2024
"Inner Homeland," Marianne Boesky Gallery, New York, NY
2023
"Hannah van Bart," Centraal Museum Utrecht and Landhuis Oud Amelisweerd, Bunnik, Netherlands
2022
"New Paintings," Vielmetter Los Angeles, Los Angeles, CA
2019
"Hannah van Bart: Places and Beings," Marianne Boesky Gallery, New York, NY
2017
"Hannah van Bart: The Smudge Waves Back," Marianne Boesky Gallery, New York, NY [catalogue]
2014
"Hannah van Bart," Marianne Boesky Gallery, New York, NY
2011
"Hannah van Bart," Marianne Boesky Gallery, New York, NY
2008
"Theater of the Mind," Galerie Bob van Orsouw, Zürich, Switzerland
2007
"Hannah van Bart," Marianne Boesky Gallery, New York, NY
2004
"Hannah van Bart," Marianne Boesky Gallery, New York, NY
2002
Solo, Galerie Tanya Rumpff, Haarlem, The Netherlands
"Schijngestalten/Illuminations," Gemeentemuseum Den Haag, The Hague, The Netherlands
2000
"Dmaged Figures," Galerie de Prakijk, Amsterdam, The Netherlands
1998
"De ziel gaat te paard, Philip Morris Kunstprijs," Cobra Museum of Modern Art, Amstelveen, The Netherlands
1997
Solo, Galerie Tanya Rumpff, Haarlem, The Netherlands
1996
Solo, De Nederlandsche Bank, Amsterdam, The Netherlands

Selected Group Exhibitions

2024
"Self-Portraits," GRIMM, New York, New York
2023
"Discover the Modern," Kunstmuseum The Hague, The Hague, The Netherlands
"Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
"The Message of the Forest," Barbara Seiler Galerie, Zürich, Switzerland
"Unrequited love," Nathalie Karg Gallery, New York, NY
"Gifted Eye," Teylers Museum, Haarlem, The Netherlands
2021
"Towards a More Beautiful Oblivion," Fredericks & Freiser, New York, NY
2020-2021
"Collector’s Item," Centraal Museum, Utrecht, The Netherlands
"Recent Acquisitions from the Chazen Museum of Art Permanent Collection," Chazen Museum of Art, Madison, WI
2020
"On Paper," Yoshii Gallery, New York, NY
"Sit Still: Self Portraits in the Age of Distraction," Anna Zorina Gallery, New York, NY
"Xenia: Crossroads in Portrait Painting," Marianne Boesky Gallery, New York, NY
2019
"Jeanne Oosting Prijs," De Vishal, Haarlem, The Netherlands
2015
"No Man’s Land: Women Artists from the Rubell Family Collection," Rubell Family Collection, Miami, FL
Family Collection," Rubell Family Collection, Miami, FL
"Face to Face," Galerie Bob Van Orsouw, Zürich, Switzerland
2013
"Van Cobra tot Dumas. Collectie De Heus- Zomer," Singer Laren, Laren, The Netherlands
2012
"Group Show 2012," Yoshii Gallery, New York, NY
2011
"11th Lyon Biennale: A Terrible Beauty Is Born," T.A.S.E Factory, France
2010
"On Paper, works from the Collection," Gemeentemuseum Den Haag, The Hague, The Netherlands
"Faces," Monica de Cardenas, Milan, Italy
"The Pencil Show," Foxy Production, New York, NY
2009
"Works on Paper," Faggionato Fine Art, London, UK
"The Female Gaze: Women Look at Women," Cheim and Read, New York, NY
"XXth Century," Gemeentemuseum Den Haag, The Hague, The Netherlands
2005
"Through the Looking Glass," Galerie Bob van Orsouw, Zürich, Switzerland
2004
"Seeing Other People," Marianne Boesky Gallery, New York, NY
"Paperi," Emily Tsingou Gallery, London, UK
2002
"Philip Morris Kunstprijs," Cobra Museum of Modern Art, Amstelveen, The Netherlands
"Per Saldo," Het Noordbrabants Museum, Den Bosch The ABN AMRO Art Foundation, Hertogenbosch, The Netherlands
2001
"Moesorgsky “Pictures at an exhibition project”," Concertgebouw, Amsterdam, The Netherlands
"Dutch Glory," Stedelijk Museum, Kabinet Overholland, Amsterdam, The Netherlands
1999
"Abraham," Galerie De Praktijk, Amsterdam, The Netherlands
"Sense of Drawing," Galerie Nouvelles Images, The Hague, The Netherlands
"Armando verzamelti," De Vishal, Haarlem, The Netherlands
1997
Group Show, W 139, Amsterdam, The Netherlands
1996
"Meer lagen diep," Galerie METIS, Amsterdam, The Netherlands
1995
"Graceland," Stedelijk Museum Bureau, Amsterdam, The Netherlands
"Meaning of drawing," Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands
1994
"Koninklijke Subsidie voor Vrije Schilderkunst," Koninklijk Palies, Amsterdam, The Netherlands [catalogue]

Bibliography

2024
Baratta, Franchesca. "Hannah Van Bart | Inner Homeland At Marianne Boesky Gallery," FLAUNT, October 11
2023
van Binsbergen, Sarah. "There is almost no distinction, the woman and the space around her are both painted equally excitingly," de Volkskrant, April 13 (Link)
2020
Sayej, Nadja. "5 New York Galleries Showcase Women Artists In Online Exhibitions," Forbes, April 9 (Link)
2019
Kamensky, Anna. “A visit to Marianne Boesky Gallery to discover Hannah van Bart,” ArtDealer Street, October 4
“Hannah van Bart: ‘Places and Beings’,” artspeak, September 12
Cascone, Sarah. “Editors’ Picks: 21 Things Not to Miss in New York’s Art World This Week,” Artnet News, September 9
Dijksterhuis, Edo. “Schilderkunst, Dubbele oeuvreprijs voor figuratief werk,” Het Parool, June 22
2017
Creahan, D. “Hannah van Bart: ‘The Smudge Waves Back’ at Marianne Boesky Gallery,” Art Observed, February 2
Kerr, Merrily. “Hannah van Bart at Marianne Boesky Gallery,” New York Art Tours, January 25
Ho, Yin. “Critic’s Picks: Hannah van Bart,” Artforum, January 5
Cascone, Sarah. “Editors’ Picks: 8 Things to Do in New York This Week,” Artnet News, January 3
2016
“‘The Smudge Waves Back’ by Hannah van Bart at Marianne Boesky Gallery,” Blouin Artinfo, December 26
2014
Indrisek, Scott. “5 Must-See Gallery Shows in New York: Darren Bader, Hannah van Bart, and More,” Blouin Artinfo, May 29 (online)
Kerr, Merrily. “Hannah van Bart,” Time Out New York, June 2 (online)
Kinsella, Eileen. “New York Gallery Beat: 6 Critics Review 16 Shows,” Artnet News, May 21 (online)
“Hannah van Bart at Marianne Boesky Gallery, New York,” Mousse Magazine, May 28
“Hannah van Bart – The story behind an artwork, in the artist’s own words,” Modern Painters, May: Issue 53
2011
"Duponchelle, Valerie. ”La XIe Biennale de Lyon en 10 coups de coeur,” Le Figaro, September 19
Heinrich, Will. “Paper Goes Gun Crazy: Sarah Frost at PPOW; Hannah van Bart at Marianne Boesky,” The New York Observer, April 26 (online)
“Spring’s the Time to Art: Here’s a peek at the hottest art shows across the globe,” Aishti, April: Issue A214
2007
Harvey, Michael. “Hannah van Bart,” Art in America, September: Issue 168
Orden, Abraham. “The Minute,” Artnet, May 7 (online)
“Hannah van Bart,” The New Yorker, April 30, Issue 20
2005
Robertson, Jessica. “Art Reviews,” Velvetpark, Winter
2002
Bem, Marel. “In hun vreemde eigenheid benijdens waardig,” De Voldkskrant
Linden, Riet van der. “Een tuintje groeien in je buik,” Opzij
Smallenburg, Sandra. “Van Bart tekent haar gedachten na,” NRC Handelsblad
Velde, Paola van de. “Kunst met huid en haar,” De Telegraaf
2000
Ankerman, Karel. “Green ontkomen aan.Schilderijen Hannah van Bart scheppen eigen wereld,” Het Financieele Dagblad
1999
Jager, Hans den Hartog. “Vrijheid en een eigen atelier,” NRC Handelsblad
Koplos, Janet. “Hannah van Bart at the Cobramuseum,” Art in America
1998
Dik, Iris. “Hannah van Bart heeft geen uitleg nodig’,” Vrij Nederland, March 14
Dik, Iris. “Kijken in Lijnen’,” Kunstschrift, nr. 3, May – June
Prins, Wouter. “Hannah van Bart,” Atelierbezoek, Origine, nr. 5
1997
Bierens, Cornel. “Niet versieren, niet pantseren,” Metropolis M, nr. 3

Catalogues and Publications

2023
Bart, Hannah Van, et al. Hannah van Bart. Jap Sam Books, in Collaboration with Centraal Museum Utrecht, 2023
2017
Biswas, Allie. Hannah van Bart: The Smudge Waves Back. New York: Marianne Boesky Gallery, 2017
2015
Hudson, Suzanne. Painting Now. London: Thames & Hudson, 2015
2011
11th Lyon Biennale: A Terrible Beauty is Born. France: Presses Du Reel, 2011 (exhibition catalogue)
2002
Schijngestalten/Illuminations. The Hague: Gemeentemuseum Den Haag, 2002
1998
Die ziel gaat te paard/The Soul Travels On Horseback. Amsterdam: Philip Morris Finest
Selection Foundation/Waanders Uitgevers, 1998
1995
Wolf, Deborah. Een Collecite/A Collection. Amsterdam: ABN AMRO Bank N.V., 1995
1994
Koninklijke Subsidie voor Vrije Schilderkunst. Amsterdam: Amsterdam Royal Palace Foundation, 1994 (exhibition catalogue)

Awards & Honors

2019
Jeanne Oosting Prijs, Jeanne Oosting Stichting, Amsterdam, The Netherlands
1998
Philip Morris Kunstprijs
1994
Royal Award for Fine Art Painting/Koninklijke Subsidie voor Vrije Schilderkunst

Public and Private Collections

Centraal Museum, Utreccht, The Netherlands
Chazen Museum of Art, Madison, WI Gemeentemuseum, The Hague, The Netherlands
Hood Museum of Art, Dartmouth College, Hanover, NH
Rhode Island School of Design Museum, Providence, RI
Teylers Museum, Haarlem, NY