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Featuring works by Etel Adnan, CAConrad, Moyra Davey, Demian DinéYazhi’, Shannon Ebner, John Giorno, Otis Houston Jr., Jibade-Khalil Huffman, Félix González-Torres, The Song Cave, and Cecilia Vicuña.
Installation image credit: Jeff McLane
Opening reception: Saturday, November 19, 4 – 6 PM
From Mark McKnight
To the viewer:
In her collected lectures, Madness, Rack, and Honey, poet Mary Ruefle suggests that we might think of a life as one long sentence, separated by an infinite number of semicolons. She asks us to be grateful for the unsung punctuation’s conjunctive power: “it allows us to keep connecting speech that for all apparent purposes are unrelated.” Going further, she adds: “you might say a poem is a semicolon… keeping together that whose nature is to fly apart.” Ruefle in mind, we might also think of the poet themselves (or for our purposes: the poetically minded artist and/or: the collected works on view) on such terms – connective tissue between seemingly unrelated experiences that give life substance. Apropos of my elusive subject, I offer no official thesis or instruction – only enthusiasm for these artists and gratitude for the gift that is poetry in its myriad forms.
<br>; is an exhibition that includes artists who work with, towards, and through poems, poets or “the poetic.” I selected this diverse array of makers because of their relationship to poetry either in spirit, or in the literal sense, and because I desired to see their work in constellation under poetry’s umbrella. It is a celebration of these artists, their work, and their significance to me as an individual, while also as an attempt to complicate the rigid semantic distinctions placed upon arranged language or objects as either “poems” or “artworks.”
This exhibition is an invitation to think poetically, or as the great Hannah Arendt suggests: “without a banister.”
Respectfully yours,
Mark McKnight
October 19, 2022
Image: Cecilia Vicuña: What is poetry to you?, 1980 (video still)
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
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“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“The Song Cave Selected Catalog,” 2013-2022
Books of Poetry by various authors
Inventory #TSC1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Dial-A-Poem,” 1968
Inventory #GIO1000
Courtesy of the John Giorno Archives, John Giorno Foundation, New York, NY
Photo credit: Jeff McLane
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“Dial-A-Poem,” 1968
Inventory #GIO1000
Courtesy of the John Giorno Archives, John Giorno Foundation, New York, NY
Photo credit: Jeff McLane
“Dial-A-Poem,” 1968
Inventory #GIO1000
Courtesy of the John Giorno Archives, John Giorno Foundation, New York, NY
Photo credit: Jeff McLane
“"Untitled" (Orpheus, Twice),” 1991
Two mirrors
Inventory #TOR1000
Courtesy of the artist
Photo credit: Jeff McLane
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“"Untitled" (Orpheus, Twice),” 1991
Two mirrors
Inventory #TOR1000
Courtesy of the artist
Photo credit: Jeff McLane
“"Untitled" (Orpheus, Twice),” 1991
Two mirrors
Inventory #TOR1000
Courtesy of the artist
Photo credit: Jeff McLane
“"Untitled" (Orpheus, Twice),” 1991
Two mirrors
Inventory #TOR1000
Courtesy of the artist
Photo credit: Jeff McLane
“"Untitled" (Orpheus, Twice),” 1991
Two mirrors
Inventory #TOR1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
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“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“My Country ('tis of thy people you're) Dying,” 2020
Fiber Art
132" x 36" x 12" [HxWxD] (335.28 x 91.44 x 30.48 cm)
Inventory #DEM1000
Courtesy of the artist
Photo credit: Jeff McLane
“Primer,” 2013
Epson print
72" x 38" [HxW] (182.88 x 96.52 cm); 72 ³⁄₄" x 38 ³⁄₄" x 2" [HxWxD] (184.78 x 98.42 x 5.08 cm) Framed
Edition 3 of 5
Inventory #EBN1002.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
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“Primer,” 2013
Epson print
72" x 38" [HxW] (182.88 x 96.52 cm); 72 ³⁄₄" x 38 ³⁄₄" x 2" [HxWxD] (184.78 x 98.42 x 5.08 cm) Framed
Edition 3 of 5
Inventory #EBN1002.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
“Primer,” 2013
Epson print
72" x 38" [HxW] (182.88 x 96.52 cm); 72 ³⁄₄" x 38 ³⁄₄" x 2" [HxWxD] (184.78 x 98.42 x 5.08 cm) Framed
Edition 3 of 5
Inventory #EBN1002.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
“SNOW DRIFT'R,” 2022
Archival pigment print mounted on aluminum
21 ³⁄₄" x 14 ³⁄₄" x 1 ⁵⁄₈" [HxWxD] (55.25 x 37.47 x 4.11 cm)
Edition of 5 plus 2 artist's proofs (#2/5)
Inventory #EBN1001.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
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“SNOW DRIFT'R,” 2022
Archival pigment print mounted on aluminum
21 ³⁄₄" x 14 ³⁄₄" x 1 ⁵⁄₈" [HxWxD] (55.25 x 37.47 x 4.11 cm)
Edition of 5 plus 2 artist's proofs (#2/5)
Inventory #EBN1001.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
“SNOW DRIFT'R,” 2022
Archival pigment print mounted on aluminum
21 ³⁄₄" x 14 ³⁄₄" x 1 ⁵⁄₈" [HxWxD] (55.25 x 37.47 x 4.11 cm)
Edition of 5 plus 2 artist's proofs (#2/5)
Inventory #EBN1001.01
Courtesy of the artist and ALTMAN SIEGEL
Photo credit: Brica Wilcox
“Memories of Why I Stopped Being a Man,” 2021
Inkjet Print on Chiffon
84" x 58" [HxW] (213.36 x 147.32 cm)
Inventory #CON1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
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“Memories of Why I Stopped Being a Man,” 2021
Inkjet Print on Chiffon
84" x 58" [HxW] (213.36 x 147.32 cm)
Inventory #CON1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Memories of Why I Stopped Being a Man,” 2021
Inkjet Print on Chiffon
84" x 58" [HxW] (213.36 x 147.32 cm)
Inventory #CON1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Memories of Why I Stopped Being a Man,” 2021
Inkjet Print on Chiffon
84" x 58" [HxW] (213.36 x 147.32 cm)
Inventory #CON1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Memories of Why I Stopped Being a Man,” 2021
Inkjet Print on Chiffon
84" x 58" [HxW] (213.36 x 147.32 cm)
Inventory #CON1000
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Jeff McLane
“Everybody got to pay some dues,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1007
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“Everybody got to pay some dues,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1007
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“Do Not take My Picture,” 2022
Spray paint on towel
26" x 47" [HxW] (66.04 x 119.38 cm)
Inventory #HOU1006
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“Do Not take My Picture,” 2022
Spray paint on towel
26" x 47" [HxW] (66.04 x 119.38 cm)
Inventory #HOU1006
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“WE CAN Do It.,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1010
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“WE CAN Do It.,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1010
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“I Want To Live in A house built Without hands,” 2022
Spray paint on towel
25" x 43" [HxW] (63.5 x 109.22 cm)
Inventory #HOU1004
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“I Want To Live in A house built Without hands,” 2022
Spray paint on towel
25" x 43" [HxW] (63.5 x 109.22 cm)
Inventory #HOU1004
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“AMERICA IS ONE BIG PRISON,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1005
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“AMERICA IS ONE BIG PRISON,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1005
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“HELP,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1012
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“HELP,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1012
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“THE COLOR OF LAW,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1009
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“THE COLOR OF LAW,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1009
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“Art of the LiE,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1011
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“Art of the LiE,” 2022
Spray paint on towel
24" x 47" [HxW] (60.96 x 119.38 cm)
Inventory #HOU1011
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“Great ability is Not Required So much as Little usefullness,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1008
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
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“Great ability is Not Required So much as Little usefullness,” 2022
Spray paint on towel
24" x 52 ¹⁄₂" [HxW] (60.96 x 133.35 cm)
Inventory #HOU1008
Courtesy of the artist and Gordon Robichaux, New York
Photo credit: Gregory Carideo
“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
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“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
“What is Poetry to you?,” 1980
color, sound, 16 mm film on video, Spanish with English subtitles
TRT: 00:23:20
Inventory #VIC1000
Courtesy of the artist
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
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“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“i confess,” 2019
HDV, sound
TRT: 00:54:46
Edition 2 of 5, 2 AP
Inventory #DAV1000.02
Courtesy of the artist and Galerie Buchholz
“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles
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“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles
“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles
“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles
“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles
“Zero,” 2020
Single channel video, color, sound
TRT: 1:12:25
Edition 1 of 3, 1 AP
Inventory #JH1000.01
Courtesy of the artist, Anat Egbi and Vielmetter Los Angeles