Liz Glynn

The Archaeology of Another Possible Future

October 8, 2017January 13, 2019

MASS MoCA

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Liz Glynn: The Archaeology of Another Possible Future

Installation view of Liz Glynn: The Archaeology of Another Possible Future, 2017

Installation view of Liz Glynn: The Archaeology of Another Possible Future, 2017

Liz Glynn
"We’re Getting Crushed, 2017, and American Progress (after John Gast)," 2017

Liz Glynn
"We’re Getting Crushed, 2017, and American Progress (after John Gast)," 2017

Liz Glynn
"Moore's Law," 2017
Exponential array of stainless steel forklift pallets in stacks of 1, 2, 4, 8, 16, and 32
Courtesy of the artist and Paula Cooper Gallery, New York, photo: Steven Probert

Liz Glynn
"Moore's Law," 2017
Exponential array of stainless steel forklift pallets in stacks of 1, 2, 4, 8, 16, and 32
Courtesy of the artist and Paula Cooper Gallery, New York, photo: Steven Probert

Liz Glynn
Installation view of Liz Glynn: The Archaeology of Another Possible Future, 2017
Courtesy of the artist and Paula Cooper Gallery, New York

Liz Glynn
Installation view of Liz Glynn: The Archaeology of Another Possible Future, 2017
Courtesy of the artist and Paula Cooper Gallery, New York

Liz Glynn
"Post-industrial Vacationland (After Aldous Huxley)," 2017
Reclaimed cast-iron columns, selections from the “Neverwork“ series (modified stainless steel gurneys and aqua-resin) and the “Desert Future” series (cast stainless steel tumbleweeds), and tanning lamps, dimensions variable

Liz Glynn
"Post-industrial Vacationland (After Aldous Huxley)," 2017
Reclaimed cast-iron columns, selections from the “Neverwork“ series (modified stainless steel gurneys and aqua-resin) and the “Desert Future” series (cast stainless steel tumbleweeds), and tanning lamps, dimensions variable