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Dan Levenson

SKZ Painting Storage

September 5October 10, 2015

This image illustrates a link to the exhibition titled Dan Levenson: SKZ Painting Storage

Images

Dan Levenson, "SKZ Painting Storage," Installation View, Photo cred: Robert Wedemeyer

SKZ Painting Storage
Installation View

Dan Levenson, Installation View, "SKZ Painting Storage," 2015, Photo cred: Robert Wedemeyer

SKZ Painting Storage
Installation View

Dan Levenson, Installation View, "SKZ Painting Storage," 2015, Photo cred: Robert Wedemeyer

SKZ Painting Storage
Installation View

Dan Levenson, Alois Irminger, 2015, Oil on linen, 66.50" H x 94" W, Photo cred: Robert Wedemeyer

Dan Levenson
Alois Irminger, 2015

Dan Levenson, Orsola Sommer, 2015, Oil on linen, 66.50" H x 94" W, Photo cred: Robert Wedemeyer

Dan Levenson
Orsola Sommer, 2015

Dan Levenson, Patty Bebi, 2015, Oil on linen, 66.25" H x 47" W x 1.50" D, Photo cred: Robert Wedemeyer

Dan Levenson
Patty Bebi, 2015

Dan Levenson, Florina Neukom, 2015, Oil on linen, 66.25" H x 47" W x 1.50" D, Photo cred: Robert Wedemeyer

Dan Levenson
Florina Neukom, 2015

Dan Levenson, Ottavia Hirzel, 2015, Oil on linen, 66.25" H x 47" W x 1.50" D, Photo cred: Robert Wedemeyer

Dan Levenson
Ottavia Hirzel, 2015

Dan Levenson, Etienne Reutlinger, 2015, Oil on linen, 66.25" H x 47" W x 1.50" D, Photo cred: Robert Wedemeyer

Dan Levenson
Etienne Reutlinger, 2015

Press Release

Susanne Vielmetter Los Angeles Projects is pleased to announce our first solo exhibition with Dan Levenson: “SKZ Painting Storage.” Levenson has created a fictional and immersive narrative about a community of Swiss artists at the now-defunct State Art Academy, Zrich (SKZ). In Gallery 3, a set of paintings represents the results of a single composition exercise assigned to one class of students. The paintings appear to have suffered from time and neglect; their surfaces are cracked and discolored. In Gallery 4 an installation of storage racks, student lockers, paint-splattered studio floors and modular art school furniture collapses the imagined space of the art school with the real space of the gallery. The sculptural furniture serves a practical function in Levenson’s studio so that the accretions of his process create the impression of many years of use.

Traces of the lost culture of the art school abound, particularly in Levenson’s use of standardized international paper sizes, which dictate the scale and composition of every painting and object he produces. Each painting fits inside a storage box recovered from the ruins of the art school. The boxes fit together with classroom furniture: a desk, flat files, work tables, and drawing horses.

Levenson’s project balances humor, critique, and a fascination with the philosophy of twentieth century institutions such as the Bauhaus. At the center of the project are paintings that represent the foundation exercises completed by the forgotten art students of the academy. Each painting is signed on the back by an otherwise anonymous Swiss art student. The names never repeat and nothing else is known about the students’ individual biographies. These assignments are remnants of a generic modernist past when art education prioritized formal and technical concerns over subjective expression. The resulting work contrasts the rigor of the ideas that underlie its construction with the reality of organic deterioration.

Dan Levenson received an MFA from the Royal College of Art, London in 1997. His work has been exhibited at White Columns, New York, NY; LAXART, Los Angeles, CA; Vox Populi, Philadelphia, PA; PARTICIPANT INC, New York, NY; EFA Gallery, New York, NY; Peloton, Sydney, Australia; and OfficeOps, Brooklyn, NY.

Artists