Garden Conversations — Liz Glynn
Garden Conversations — Liz Glynn
Garden Conversations — Liz Glynn
Garden Conversations — Ariel Pittman + Liz Glynn
Thursday, July 2 on Instagram Live at 12:00 noon (PST)
Please join us for a live conversation with Ariel Pittman and Liz Glynn talking about her studio practice in the current situation.
“Garden Conversations” is a series of live conversations with artists of the gallery to give insight into the artist’s creative processes, to talk about how the current lockdown is affecting us all and to explore ideas that might help us get through this difficult moment in time. We miss being in the gallery and talking to our visitors, so these conversations will hopefully open a window to connect with our audience while the gallery is closed.
https://www.instagram.com/vielmetter/live/
RANSOM ROOM: (Stage I: Golden Maize and Golden Panels, after the image of a mythic palace in Cuzco), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
RANSOM ROOM: (Stage I: Golden Maize and Golden Panels, after the image of a mythic palace in Cuzco), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
RANSOM ROOM:(Stage II: Accumulation), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
RANSOM ROOM:(Stage II: Accumulation), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
RANSOM ROOM:(Stage III: Meltdown), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
RANSOM ROOM:(Stage III: Meltdown), 2014
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
SculptureCenter, Installation view
17 x 22 x 10 feet
Photo: Jason Mandella
Open House, 2017
Public Art Fund, Installation view
Open House, 2017
Public Art Fund, Installation view
Photo: James Ewing
Public Art Fund, Installation view
Photo: James Ewing
Open House, 2017
Public Art Fund, Installation view
Open House, 2017
Public Art Fund, Installation view
Photo: James Ewing
Public Art Fund, Installation view
Photo: James Ewing
Open House, 2017
Public Art Fund, Installation view
Open House, 2017
Public Art Fund, Installation view
Photo: James Ewing
Public Art Fund, Installation view
Photo: James Ewing
Open House, 2017
Public Art Fund, Installation view
Open House, 2017
Public Art Fund, Installation view
Photo: James Ewing
Public Art Fund, Installation view
Photo: James Ewing
![Liz Glynn
“Emotional Architecture: Gestural Fragment XX,” 2018
Glazed ceramic
19 x 13.25 x 3" [HxWxD] (48.26 x 33.66 x 7.62 cm)](/img/containers/main/11-emotional-architechture.jpg/d1c6f9862a154d54bc78a8e83e834bdf.jpg)
Liz Glynn
“Emotional Architecture: Gestural Fragment XX,” 2018
Glazed ceramic
19 x 13.25 x 3" [HxWxD] (48.26 x 33.66 x 7.62 cm)
Liz Glynn
“Emotional Architecture: Gestural Fragment XX,” 2018
Glazed ceramic
19 x 13.25 x 3" [HxWxD] (48.26 x 33.66 x 7.62 cm)
Inventory #GLY108
Courtesy of the artist and Vielmetter Los Angeles
“Emotional Architecture: Gestural Fragment XX,” 2018
Glazed ceramic
19 x 13.25 x 3" [HxWxD] (48.26 x 33.66 x 7.62 cm)
Inventory #GLY108
Courtesy of the artist and Vielmetter Los Angeles
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
The Archaeology of Another Possible Future, 2017
MASS MoCA, Installation view
Photo: Steven Probert
MASS MoCA, Installation view
Photo: Steven Probert
"Emotional Capital"
Installation view
"Emotional Capital"
Installation view
Photo credit: Robert Wedemeyer
Installation view
Photo credit: Robert Wedemeyer
![Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions](/img/containers/main/21-dress.jpg/1806c94484893dc51145a15e0fa9b8e0.jpg)
Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
![Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions](/img/containers/main/22-dress.jpg/6385fad97db1544a5b5e7650e90c8a3e.jpg)
Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Liz Glynn
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
“Unfinished Business,” 2019
Tee shirts with resin and steel armature
42 x 42 x 68" [HxWxD] (106.68 x 106.68 x 172.72 cm) overall dimensions
Inventory #GLY150
Courtesy of the artist and Vielmetter Los Angeles
Photo credit: Robert Wedemeyer
Liz Glynn
"Panic Dress," 2020
Liz Glynn
"Panic Dress," 2020
Photo credit: Brica Wilcox
Courtesy of the artist and Vielmetter Los Angeles
"Panic Dress," 2020
Photo credit: Brica Wilcox
Courtesy of the artist and Vielmetter Los Angeles
Liz Glynn
"Panic Dress," 2020 (detail)
Liz Glynn
"Panic Dress," 2020
Photo credit: Brica Wilcox
Courtesy of the artist and Vielmetter Los Angeles
"Panic Dress," 2020
Photo credit: Brica Wilcox
Courtesy of the artist and Vielmetter Los Angeles
