Jutta Koether
- 1958
- Born in Cologne, Germany
- Lives and works in New York
Selected Exhibitions
- 2018-2019
- “Tour de Madame,” Museum Brandhorst, Munich, Germany; traveling to Serralves Foundation, Porto, Portugal; Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
- 2016
- “Zodiac Nudes,” Galerie Buchholz, Berlin, Germany
- “Best of Studios,” Campoli Presti, London, UK
- 2015
- “Fortune,” Bortolami, New York, NY
- 2014
- "Maquis," Galerie Francesca Pia, Zrich, Switzerland
- "Champrovent", Reena Spaulings Fine Art, New York, NY
- 2013
- Un tabliessement aux Folies-Koethre, tablissement d’en face projects, Brussels, Belgium
- Cycle I. Jutta Koether. Viktoria, Luise, Isabelle, Praxes Center for Contemporary Art, Berlin, Germany
- Seasons and Sacraments, Dundee Contemporary Arts, Dundee, Scotland, UK
- "Seasons and Sacraments", Arnolfini, Bristol, England
- "The Double Session", Campoli Presti, London
- 2012
- The Fifth Season, Bortolami, New York, NY
- 2011
- Mad Garland, Campoli Presti, Paris
- The Thirst, Moderna Museet, Stockholm, Sweden
- Berliner Schlussel, Galerie Daniel Buchholtz, Berlin, Germany
- 2009
- Van Abbemuseum, Eindhoven
- Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Culver City, CA
- Lux Interior, Reena Spaulings Fine Art, New York
- 2008
- "New Yorker Fenster", Galerie Daniel Buchholz, Cologne, Germany
- No.5, Kunsthall Landmark, Bergen, Norway
- The fact that you place your bet on red does not mean that the black is not still there, Galerie Francesca Pia, Zrich, Switzerland
- "JXXXA Leibhaftige Malerei", Sutton Lane, Paris, France
- "Leibhaftige Malerei JXXXA", Bergen Kunsthall, Bergen, Norway
- 2007
- nderungen Aller Art, Kunsthalle Bern, Bern, Switzerland
- Jutta Koether / Rodney McMillian, Susanne Vielmetter Berlin Projects, Berlin, Germany nderungen Aller Art, Kunsthalle Bern, Bern, Switzerland
- "Dead Already", Reena Spaulings Fine Art, New York, NY (two person show with Kim Gordon)
- 2006
- "love in a void", Akademie der Bildenden Kunste, Vienna, Austria
- Fantasia Colonia, Klnischer Kunstverein, Kln (Cologne), Germany
- Volume 13, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
- 2005
- Hysterics (Male), Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
- I Is Had Gone, Thomas Erben Gallery, New York, NY
- Very Lost Highway, Simultanhalle, Kln (Cologne), Germany
- extreme harsh, Ausstellungsraum Ursula Werz, Tbingen, Germany
- Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, UK
- 2004
- Allein, Allein! Galerie Meerrettich, Berlin, Germany
- Fresh Aufhebung, Reena Spaulings Fine Arts, New York, NY
- Fresh AufhebungKnstlerisches Interesse am philosphisch verneinten Wunderglauben, Klnischer Kunstverein, Cologne, Germany
- 2003
- Desire Is War, Galerie Meerrettich, Berlin, Germany
- The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York, NY
- Europe Extreme III: Farbenfieber, Performance, Pro qm, Berlin, Germany
- 2002
- Extremes Europa, Galerie Daniel Buchholz, Kln (Cologne), Germany
- Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York, NY
- 2001
- Need Change # 1-4, at Apt 6H, New York, NY
- 2000
- Ladies of the Rope, Galerie Daniel Buchholz, Kln (Cologne), Germay
- Zur Grnen Schenkefnf uhr nachmittags. die geheimen Bilder, Galerie Freund, Vienna
- 1999
- sun/ny, Pat Hearn Gallery, New York, NY
- 1998
- Billets-Doux, Galerie Daniel Buchholz, Kln (Cologne), Germany
- Songs of New York & c, Pat Hearn Gallery, New York, NY
- 1996
- after shows, Pat Hearn Gallery, New York, NY
- Warmer Stern, Galerie Daniel Buchholz, Kln (Cologne), Germany
- 1995
- frontage, Pat Hearn Gallery, New York, NY
- 1993
- Unter, Galerie Bruno Brunnet, Berlin, Germany
- Affective Import: Antibodies I-V, Pat Hearn Gallery, New York, NY
- 1992
- 100% Malerei, Galerie Sophia Ungers, Kln (Cologne), Germany
- 1991
- Massen. Malerei und Versammlung, Generali Foundation, Vienna, Austria
- Kissing the Canvas, Pat Hearn Gallery, New York, NY
- The Halal File, Standard Graphik, Kln (Cologne), Germany
- Koether, Galerie Bleich-Rossi, Graz, Austria
- 1989
- 20 Minuten, Galerie Monika Sprth, Kln (Cologne), Germany
- 1987
- The Things Art Makes, Galerie Bleich-Rossi, Graz, Austria
- Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart, Germany
- 1985
- Road to Cairo, CC Galerie, Graz, Austria
- Keeping the Issues Alive, Galerie Jandrig, Krefeld, Germany
Group Exhibitions
- 2015
- Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany
- 2014
- New Dawn, curated by Leidy Churchman, Silberkuppe, Berlin
- "NO DRINK, NO TALK, JUST BEAUTIFUL", On Stellar Rays, New York, NY
- 2013
- "Future Perfect. The Future As It Will Have Been", Frankfurter Kunstverein, Frankfurt
- "Lies About Painting", Moderna Museet Malm, Malm, Sweden
- Death by Water. Death by Fire. Curated by David Lewis, Campoli Presti, Paris
- "Chat Jet", Kunstlerhaus, Graz, Austria
- NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY
- Catch as Catch Can, Locks Gallery, Philadelphia, PA
- 2012
- 2012 Whitney Biennial, Whitney Museum of American Art, New York, NY
- Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY, Wexner Center for the Arts, Columbus, OH
- Sao Paulo Biennial 2012, Sao Paulo, Brazil
- A Bigger Splash: Painting after Performance, Tate Modern, London
- 2011
- Quodlibet III Alphabets and Instruments, Galerie Buchholz, Berlin, Germany
- Invitation to the Voyage, Algus Greenspon Gallery, New York, NY
- The Rose-Colored Room, Overduin and Kite, Los Angeles, CA
- Antidepressiva, Galerie Peithner Lichtenfels, Wien, Austria
- Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Linienstrasse 160, Berlin
- Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin
- Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London
- Louise Despont, Jutta Koether, Alicja Kwade, Anj Smith, Marianne Vitale, Unica Zuern, Ibid Projects, London, UK
- 2010
- Utopie un Monument II, Steirischer Herbst 2010, Graz, Austria
- Sammlung Reininghaus, Sammlung Falckenberg Phoenix Kulturstiftung, Hamburg
- 2009
- Trio Exhibition 2009, Van Abbemuseum, Netherlands
- Bijoux de Famille, Galerie Chantal Crousel, Paris
- Palindrom (kuratiert von Tom Holert und Michael Dreyer), Hermes und der Pfau Project Space for Contemporary Art, Stuttgart
- Reena Spaulings. The Belgian Marbles, Sutton Lane, Brssel
- Grand Openings, SculptureCenter, Long Island, New York
- See This Sound, Lentos Kunstmuseum, Linz
- Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York, NY
- Schere, Stein, Papier, Kunsthaus Graz, Graz
- Quodlibet II, Galerie Daniel Buchholz, Kln
- Sonic Youth etc.: Sensational Fix, Kunsthalle Dsseldorf, Germany
- Celebration," Galerie Isabella Bortolozzi, Berlin
- Cave Painting, PSM Gallery, Berlin, Germany, organized by Bob Nickas
- modern modern, Chelsea Art Museum, New York, NY, curated by Pati Hertling
- Born to Be Wild, Kunstmuseum St. Gallen, St. Gallen
- Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia
- 2008
- Reena Spaulings: Courbet your enthusiasm, Galerie Chantal Crousel, Paris, France
- Her Noise Archives, Badischer Kunstverein, Karlsruhe, Germany
- Grand Openings, performance at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna, Austria
- Grand Openings, performance at Bumpershoot Festival, Seattle, WA
- Black Noise, A tribute to Steven Parrino, Ile des impressionnistes, Chatou, France
- Light is a kind of rhythem (part 2), Glaspavillion, Berlin, Germany
- Jutta Koether / John Miller, Neuer Berliner Kunstverein, Berlin, Germany
- CA.BU. + BA.D.AL.MO, Galerie Thomas Flor, Dsseldorf, Germany
- Altered States of Paint, Dundee Contemporary Arts, Dundee, Scotland
- Artists Space, New York (Performance)
- 2007
- Feminist Legacies and Potentials in Contemporary Art Practice: If I Cant Dance I Dont Want to be Part of Your Revolution, Museum of Contemporary Art, Antwerp, Belgium
- "Deaf 2 – From the Audible to the Visible", Galerie Frank Elbaz, Paris, France
- Stubborn Materials, Peter Blum Gallery, New York, NY
- "Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermachtigung", Shedhalle Zurich
- Bastard Creature (1 of 3 parts of La Marque Noir: Steven Parrino), Palais de Tokyo, Paris
- "Painting as Fact – Fact as Fiction", dePury & Luxembourg, Zurich, Switzerland
- "Symbolismus und die Kunst der Gegenwart", von der Heydt-Museum Wuppertal, Wuppertal, Germany
- "Shandyismus – Autorschaft als Genre – Ausstellungsgesprach", Secession, Vienna Austria, Kunsthaus Dresden, Dresden, Germany
- Zwischen Zwei Toden / Between Two Deaths, ZKM, Karlsruhe, Germany
- "For the People of Paris", Sutton Lane, Paris, France
- Quotidian, BUIA Gallery, New York
- "What we do is secret", Blancpain Art Contemporain, Geneva, Switzerland
- "24 November – 22 December", Sutton Lane Paris, France
- Fit to print, Gagosian Gallery, New York
- "Epileptic Seizure Comparison", Green Naftali, New York, NY
- If I Cant Dance I Dont Want to be Part of Your Revolution, Utrecht, Netherlands
- 2006
- Make Your Own Life: Artists In and Out of Cologne, ICA Philadelphia, Philadelphia, PA; traveled to the Institute of Contemporary Art/ Boston, Boston, MA; Henry Art Gallery, University of Washington, Seattle, WA; Museum of Contemporary Art North Miami, Miami, FL
- Music is a Better Noise, P.S.1 Contemporary Art Center, Long Island, NY
- If I Cant Dance I Dont Want to be Part of Your Revolution, De Appel, Amsterdam, Netherlands
- "Hot Spring..In Autumn", Galerie Krinzinger, Vienna, Austria
- Grand Openings, performance at Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan
- "Gifts go in one direction", Apexart, New York, NY
- "Metalist Moment", Herald St, London, UK (Performance)
- "An Ongoing Low-Grade Mystery", Paul Cooper Gallery, New York, NY
- "Love Letter", Herald St, London, UK
- "Galerie Daniel Buchholz at Metro Pictures", Metro Pictures Gallery, New York, NY
- The Dimes of March, Reena Spaulings Fine Art, New York
- 2006 Whitney Biennial, Whitney Museum of American Art, New York, NY
- The Subversive Charm of the Bourgeoisie, Van Abbemuseum, Eindhoven
- Bring the War Home, Elizabeth Dee Gallery, New York and QED, Los Angeles, organized by Drew Heitzler
- TBILISI 3./ Lets stay alive till Monday, Tbilisi, Georgia
- "Reena Spaulings – Bialystoker", Sutton Lane, London, UK
- "Replay – The Aesthetics of Art and Music/Punk", MAGASIN – Centre National d’Art Contemporaine de Grenoble, Grenoble, France
- 2005
- Performa 05, Performa, New York, NY
- Painters Without Paintings & Paintings Without Painters, Orchard Gallery, New York
- Blankness is not a Void, Standard (Oslo), Oslo, Norway
- Afterall, Apexart, New York, NY
- "Reena Spaulings," Haswellediger Gallery, New York, NY
- Trade, White Columns, New York, NY
- Thomas Erben Gallery, New York (Performance)
- Kim Gordon and Jutta Koether, Tate Modern, London, UK (Talk and Performance)
- 2004
- Fresh Aufhebung, Performance im Rahmen d. Ausst. Dass die Krper sprechen, auch das wissen wir seit langem, Generali Foundation, Wien, Austria
- wir seit langem, Generali Foundation, Wien, Austria
- Europe Extreme III: Farbenfieber, Pro qm, Berlin (Performance)
- Born To Be a Star, Knstlerhaus Vienna, Austria
- Curious Crystals of Unusual Purity, PS1, New York, NY
- Auf dem Berlich, curated by Silke Bauer, Kln (Cologne), Germany
- Mllberg, Galerie Daniel Buchholz, Kln (Cologne), Germany
- The Big Nothing, ICA Philadelphia, Philadelphia, PA
- Jetzt und zehn Jahre davor, KW Institute of Contemporary Art, Berlin, Germany
- Teil 1 Mllberg, Galerie Daniel Buchholz, Kln (Cologne), Germany
- Publish and be damned, Cubitt, London, UK
- The personal is political, und peinlich, Kunsthalle Exnergasse, Wien (Vienna), Austria
- Black Bonds (with Steven Parrino,) Swiss Institute New York, NY
- 2003
- deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt/Main, Germany
- Lordship and Bondage, Columbia University, New York, NY
- Vom Horror der Kunst, Steirischer Herbst, Grazer Kunstverein, Graz, Austria
- Fresh Aufhebung, performance im Rahmen der Ausstellung: Dass die Krper sprechen, auch das wissen wir seit langem, Generali Foundation, Vienna, Austria
- Catholic, Guild & Greyshkul, New York, NY
- Wild Nights: Remembering Colin de Land, CBs Gallery, New York, NY
- Girls Gone Wild, Bronwyn Keenan Gallery, New York, NY
- The Club in the Shadow, (collaborative installation and musical performances with Kim Gordon) at Kenny Schachter Contemporary, New York, NY
- Unknown Pleasures, Daniel Reich, New York, NY
- 20th Anniversary Show, Monika Sprth, Philomene Magers, Kln (Cologne), Germany
- The Melvins, Anton Kern Gallery, New York, NY
- Holler Color Holler, special event in the backroom of Greene Naftali, New York, NY
- 2002
- Unknown Pleasures, Daniel Reich, New York, NY
- 2000
- Kims Bedroom, MU Art Foundation/De Witte Dame, Eindhoven, Netherlands
- Prophecies, Swiss Institute, NY
- Hex Induction Hour by the Fall, Team Gallery, NY, curated by Bob Nickas
- 1999
- Malerei, INIT Kunsthalle, Berlin, Germany
- 1998
- Brushholder Value, Westflischer Kunstverein, Mnster, Germany
- Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York, NY
- 1997
- Thomas Emde, Isabell Heimerdinger, Jutta Koether, Newspace, Los Angeles, CA, curated by Susanne Vielmetter
- 1996
- A / Drift, Bard College, Annandale-on-Hudson, New York, curated by Joshua Decter
- Painting the Extended Field, Magasin 3, Center for Contemporary Art, Malm, Sweden
- Screen, Friedrich Petzel Gallery, New York, curated by Joshua Decter
- Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, Soho 20, New York, NY
- 1995
- When Techno Turns to Poetry, Kunstwerke, Berlin, Germany
- Joy of Painting, Here, New York, curated by Ami Arnault and Alix Lambert
- 1994
- Spielverderber, Forum Stadtpark, Graz, Austria
- The Use of Pleasure, Terrain Gallery, San Francisco, CA, curated by Bob Nickas
- Reflex: Die Neunziger, Wiener Secession, Vienna, Austria, curated by Martin Prinzhorn
- Dysfunction USA, Arthur Rogers Gallery, New Orleans, LA, curated by Bob Nickas and Peter Halley
- Rehearsal for frontage, innerhalb von Taste Venue, Pat Hearn Gallery, New York, NY
- 1993
- Galerie Christian Nagel, Kln (Cologne), Germany, curated by Cosima von Bonin and Michael Krebber
- X-Art Foundation, Blast Art Benefit, New York, NY
- Parralax View: CologneNew York, PS 1 Institute for Contemporary Art, New York, NY, curated by Daniela Salvioni
- June, Galerie Thaddaeus Ropac, Paris, France
- Abstract for Affective Import, Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, New York, NY
- Malerei 2000, Wien (Vienna), Austria, curated by ARTFAN
- “The Good, the Bad and the Ugly, Galerie Jousse Sequin, Paris, France, curated by Peter Hopkins
- 1992
- The Inside Job, innerhalb von The Real Thing, Water Bar, New York, organized by Eric Oppenheim
- MassenverhltnisseStandards, Galerie Sophia Ungers, Kln (Cologne), Germany
- Galerie Laage Salomon, Paris, France, with L. Joubert
- Bruno Brunnet Fine Arts, Berlin, Germany with Merlin Carpenter, Michael Krebber, Cosima von Bonin
- 1968, Le Consortium, Dijon, France, curated by Bob Nickas
- Projezioni, Buchholz & Buchholz, Kln (Cologne), Germany, curated by Gregorio Magnani
- 7 Rooms, 7 Curators, Institute for Contemporary Art, New York, NY, curated by Lois Nesbitt
- 1991
- Auf Tod folgt Tod, innerhalb von The Kln Show, 9 Klner Galerien, Kln (Cologne), Germany
- KoetherMalerei 2, 90 a.s.o., Auvers-sur Oise. Kuratiert von Francoise Claire Prodhon and Alain Reinaudo
- Regard sur la Jeune Creation Allemande, 36. Salon de Montrouge, Montrouge, France
- 1989
- Hypostatics, Kunstverein Mnchen, curated by minimal club, Mnchen, Germany
- 1987
- Practical Relations of Everyday Life, Raum Lothringer Strae, Mnchen, Germany
- Spectacle of the West, La Maquina Espanola, Sevilla, Spain (with Bettina Semmer and Rosemarie Trockel)
- Information in Jutta Koether, Wiener Secession, Wien (Vienna), Austria, f. Plakat (Buch)
- … of Everyday Life, innerhalb der Ausstellung Broken Neon, Forum Stadtpark, Graz, Austria, curated by Martin Kippenberger
- 1986
- Terminal Islands, Forum Stadtpark, Graz, Austria, curated by Diedrich Diederichsen
- 1985
- Smell of Female, La Grande Serre, Rouen, France (with Bettina Semmer and Rosemarie Trockel)
Bibliography
- 2015
- Baier, Simon, Jutta Koether: Galerie Francesca Pia, Artforum, January
- McLean-Ferris, Laura, Jutta Koether: Bortolami / New York, Flash Art, July – August
- Farago, Jason, Is Painting Dead? BBC.com, February 18
- 2014
- Schwendener, Martha, "Art in Review: Jutta Koether, ‘Champrovent,’ at Reena Spaulings Fine Art," New York Times, May 23 (Link)
- 2013
- Teixeira Pinto, Ana, "Highlights 2013," Frieze online, December 16 (Link)
- Sam, Sherman, "Jutta Koether at Arnolfini/Campoli Presti," Artforum, September
- Pentreath, Rosie, Jutta Koether: Seasons and Sacraments- Arnolfini, rosiepentreath.blogpost.com, May 13 (Link)
- William Kherbek, Jutta Koether: The Double Session, Port Magazine, June 21 (Link)
- Rice, Katie, Jutta Koether @ DCA, The Skinny, March 1
- Jeffrey, Moira, Jutta Koether creates a modern incarnation of a classic at DCA, Scotsman.com, February 17
- 2012
- Vogel, Carol, Biennial Tweaks Its Boundaries, The New York Times, February 6
- Marcus, Daniel, Jutta Koether at Bortolami, Art in America, September 17
- Heinrich, Will, Facing the Truth: Alice Neel: Late Portraits & Still Lifes, at David Zwirner and Jutta Koether: The Fith Season, at Bortolami, Gallerist NY, June 12
- 2011
- Jutta Koether-,Interview with Kim Gordon, Flash Art, January-February Issue
- Cairns, Steven, Jutta Koether Critics Pick, Artforum, January
- Tang, Jo-ey, Jutta Koether, This is Tomorrow, November 22
- 2010
- Fox, Dan, XXX Macarena (From the Nursery/Primary Information, 2010),, Frieze, Issue 130, April
- Nickas, Bob, Painting Abstraction, Phaidon
- Nickas, Bob, Painting Abstraction, Phaidon, pp. 224-225
- 2009
- Dahn, Max, and Martin Hossbach, Entspannt in den Konjunkturen der Sympathie, Spex, # 318, Jan/Feb
- Joselit, David, Painting Beside Itself, October Journal, No. 130, October
- Lewitt, Sam, Pyrrhic Victories, Texte zur Kunst No. 75, September
- Latimer, Quinn, In Other Words, Frieze, September
- 2008
- Koether, Jutta, and Alan licht, On Sonic Youth, in exhibition cat. Sonic Youth etc. Sensational Fix, pp. 52 – 64
- Lowndes, Sara, Altered States of Paint, Frieze, p. 203, September
- Didi-Hubermann, Georges, Anschaulich Werden, Texte zur Kunst, pp. 196 201, June
- Koether, Jutta, Now, Then! Now, Then! Now, Then!, Artforum, p. 408 411, September
- Hafner, Hans Jrgen, Das Einmaleins der Stunde Null, Artnet Magazine, 21. November
- Koether, Jutta, Anschaulich Werden, Texte zur Kunst, June
- Trezzi, Nicola, Jutta Koether, FlashArtOnline.com, February 15
- Yablonsky, Linda, Poll Positions, Artforum.com, February 6
- 2007
- Licht, Alan, Sound Art: Beyond Music, Between Categories, Rizzoli International Publications, pp. 154-155, 192-193
- Zucker, Seth, Reena Spaulings, Radical Art, pp. 329 – 331 and 347 – 348
- Between two deaths at ZKM, artnews.info, May 25
- Lorch, Catrin, Niemand is een vrouw, De antiautortaire kunst van Jutta Koether, page, in: Metropolis M, #2 pp. 68 73, April/May
- AH, Jutta Koether in der Kunsthalle, Kunst Bulletin pp.60-61, March
- Jutta Koether, Shirly, Born to be a Star, Ausstellungskatalog K/Haus, pp.33 37, Vienna
- Wagner, Stefan, Jutta Koether, Flash Art, p.132, March April
- Henkes, Alice, Bern: Jutta Koether in der Kunsthalle, Kunstbulletin, February 23, 2007-03-26
- Szczesniak, Paulina, Kampf gegen die geschmackliche Langeweile, Tages Anzeiger Zrich, p. 43, February 8
- Schrder, Nicola, Ohrenbetubende Entgrenzung, Ensuite, #3, p. 39, February 3
- Miesch, Barbara, Statements zur Malerei, Aargauer Zeitung, January 25
- Christ, Stefanie, Wirre Klangwelten im Dunkeln, Berner Zeitung, January 22
- Henkes, Alice, Grellrote Sternennchte, Der Bund, January 9
- Miesch, Barbara. Jutta Koether in der Kunsthalle Bern Gestische Malerei im Prfstand Kritik, Schweizer Depeschenagentur, p.54, January 19
- Jutta Koether Aenderungen Aller Art, Indepth Arts News, January
- Jutta Koether in Bern, www.kunstmarkt.com, January
- Christ, Stefanie, Crossover-Kunst, Berner Oberlnder, p.33, January 18
- Mehr als nur Knstlerin, Kulturagenda, January 11, 2007, p.16
- Jutta Koether Kunsthalle Bern, www.art-in.de, January 10, 2007
- Verwoert, Jan, Use Me Up, Metropolis M, No.1, p.50 56
- Beasley, Mark, Sympathy for the Devil: Art and Rock and Roll Since 1967, Artforum.com, December
- Smith, Roberta, In these Shows, the Material is the Message, New York Times, August 10
- Parrino, Steven, Bastard Creature, Palais De Tokyo, Summer
- Sayej, Nadja, Make Your Own Life, ArtUS, January/February
- Peter Blum, Stubborn Materials, Artforum, pp. 370-371, November
- Dorothee Baer-Bogenschtz, Blo keine Diskurs Kacke, Kunstzeotung, p. 13, January 5
- 2006
- Kushner, Rachel, On the Ground: Los Angeles, Artforum, December
- Kerr, Merrily, Bring the War Home, Art on Paper, November/December
- Verwoert, Jan, The Days of Our Lives, frieze, November/December
- Blumenstein, Ellen, L.A. Confidential, Monopol, November/December
- Thomann,Mirjam, Du bist nicht allein / Ein Roundtablegesprch mit Stephan Geene, Jutta Koether, Markus Mller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann, Texte Zur Kunst, pp.106 120, September
- Verwoert, Jan, The Davs of Our Lives, Artforum, Issue 103, p.131, November/December
- Verwoert, Jan, Masters and Servants or Lovers
- Make Your Own Life: Artists in & Out of Cologne, ICA Gallery Notes
- Jutta Koether: Volume 13 / Susanne Vielmetter Los Angeles Projects, www.vernissagetv.com, August 23
- Myers, Holly, A message in the starkness Jutta Koether at Vielmetter, Los Angeles Times, August 18
- Cotter, Holland, Where the Focus Is Sharp but the Categories Blurry, The New York Times, August 16
- Spaid, Sue, Whitney Biennial 2006, ArtUS, July/September, issue 14
- Brooks, Amra, Art Pick: Must See Art: Jutta Koether at Susanne Vielmetter Los Angeles Projects, LA Weekly, August 2
- Tepel, Oliver, Hallo Wnde – Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino, Spex, #296, No. 03/2006, p. 76
- Koether, Jutta, Martin Kippenberger, interview, in: Flash Art, No. 247, March-April 2006, p. 92-96, first published in Flash Art, No. 156, January-February 1991
- Graw, Isabelle, Peripheral Vision, in: Artforum, March, p. 258-263
- Jutta Koether on Martin Kippenberger, in: Tate etc., iss. 6, spring, p. 36
- 2005
- Smith, Roberta, Jutta Koether, NY Times, April 15
- Avgikos, Jan, Jutta Koether, Artforum, Summer Issue
- Blasi, Johanna Di, Alles verfliet mit allem, in: Klner Stadt-Anzeiger, No. 210, September 9, p. 29
- Leffingwell, Edward, Jutta Koether at Thomas Erben, Art in America, June/July Issue
- Gilligan. Melanie, Ich Ist War Weg, Texte Zur Kunst, June, Vol.15, Issue 58, p. 192-195
- Koether, Jutta, Heart of Noise, in: Texte zur Kunst, iss. 60, December, p. 144-145
- Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gesprch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Bttner, Isabelle Graw, Kasper Knig, Jutta
- Koether and Thomas Ruff, moderated by Philipp Kaiser, in: exh. cat. Flashback, Kunstmuseum Basel, p. 21-93
- Jutta Koether: Very Lost Highway, in: Stadt Revue, 09/2005, p. 87
- Koether, Jutta und Nickas, Bob, Dark Star, in: Artforum, No. 7, March, p.59
- Koether, Jutta and Gordon, Kim, Trading Post!, in: Trade – The W.C. # 1, exhibition catalogue, February 4 – March 12
- Gilligan, Melanie, Kollektive Erhebung. ber das Projekt Orchard in New York, in: Texte zur Kunst, iss. 59, September, p. 76-85
- Arbeiten von Jutta Koether bei Werz, in: Schwbisches Tagblatt, Tuesday, August 9, p. 19
- Christian Egger: When bands turn into the art of noise, in: spike Art Quarterly, No. 4, summer, p. 110-114
- Rita Vitorelli in conversation with Jutta Koether, in: Spike, no. 05, autumn, p. 72-78
- 2004
- Koether, Jutta, Alles in Allem, Interview mit Karl Lagerfeld, in: Texte zur Kunst, Dezember, S. 32-43
- Koether, Jutta, Sondersphrig! Zwanzig Minuten vor der Marc-Jacobs-Show, in: Texte zur Kunst, Dezember, S. 96-101
- Egger, Christian, Inteview mit Jutta Koether, in: Lhfelm, Nr. 7, November, S. 30-40
- Koether, Jutta, Shirly, in: Born to be a star, exhibition brochure, Knstlerhaus Wien, S. 4-5
- 2003
- Nickas, Bob, How to Write About Jutta Koether and Thomas Groetz: Unfinished Sympathies, afterall, London and Los Angeles, issue 07, p. 40-55
- Koether, Jutta, & c, Helvetica, Wien, 4. Ausg, Septmber, p. 19-25
- Roundtable: Barney im Abspann. Eine Gesprchsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper und Tom Tykwer, Texte zur Kunst, Heft 51, September, p. 104-117
- Smith, Roberta, Girls Gone Wild, The New York Times, July 4
- Galleries: SoHo. Girls Gone Wild, The New Yorker, June 30.
- Koether, Jutta, All alone (1957). Fautrier in den Vereinigten Staaten, Texte zur Kunst, Heft 50, June, p. 54-61
- Groetz, Thomas, Unfinished Sympathies: On Jutta Koethers art, Afterall, issue 07, p. 52-55
- Graw, Isabelle, Peripher im Zentrum – Jutta Koether, Die bessere Hlfte. Knstlerinnen des 20. und 21. Jahrhunderts, Kln: DuMont, p. 143-154
- Schafhausen, Nicolaus (Hrsg.), deutschemalereizweitausenddrei, Ausst. Kat. Frankfurter Kunstverein, Frankfurt/Main, p. 60-61
- 2002
- Koether, Jutta, gogogo, ecstatic peace, poetry journal, Nr. 4, Summer Issue
- Koether, Jutta, found artist N.Y., Starship, Nr. 5, Frhling, p. 17-21, Abb. p. 18-21
- Jutta Koether, Lyrik-Ecke, Texte zur Kunst, Heft 48, Dezember, p. 104f
- Cotter, Holland, The Heavenly Tree Grows Downward, The New York Times, September 20
- Koether, Jutta, Illustration avocation illustration, ecstatic peace, poetry journal, Nr. 5, July
- 2001
- Koether, Jutta, teasers trail, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
- Koether, Jutta: mali thep, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
- Koether, Jutta, Nur dass nicht. Bruchstcke einer Performance von Jutta Koether, Erniedrigung geniessen. Kapitalismus and Depression III. hrsg. von Carl Hegemann, Alexander Verlag Berlin, Berlin, p. 142-156
- Koether, Jutta, the life they make me lead, ecstatic peace, poetry journal, Nr. 1, Spring
- Lintzel, Aram, No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hmmert zu ihren Bildern, Erniedrigung geniessen. Kapitalismus und Depression III. hrsg. von Carl
- Hegemann, Alexander, Nachdruck mit freundlicher, Verlag Berlin, Berlin, p. 157-159
- Genehmigung der Frankfurter Allgemeinen Zeitung, in der der Artikel am 3./4. Februar erschien.
- Lintzel, Aram, Wenn der Hammer ins Meer sinkt, in: Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3
- 1998
- Miller, John, Proze-Expressionismus, Texte zur Kunst, 8. Jahrgang Nr.29, Mrz, p. 121-123
- 1997
- Salz, Jerry, Time-Out Nr. 108, p. 46
- Cotter, Holland, Art in Review: Jutta Koether, The New York Times, October 4
- Pedersen, Victoria, Gallery Go Round: Jutta Koether, Paper Magazine, October
- Levin, Kim, Voice Choices: Galleries: Jutta Koether, The Village Voice, September 30
- 1996
- Kunstforum, Nr. 134, May-September, p. 242-248
- Schmerler, Sarah, Art in Review: Jutta Koether, Time Out, March 6
- Cotter, Holland, Jutta Koether: aftershows, The New York Times, February
- Kelley, Mike, Jutta Koether: 100 % Malerei oder Wie aus Musik Malerei wird und umgekehrt,
- 1995
- Siegel, Jeanne, Jutta Koether at Pat Hearn, ARTIS, Mrz/April, p. 227-228
- Levin, Kim, Choices: Jutta Koether, The Village Voice, February 28
- Smith, Roberta, Jutta Koether, The New York Times, February 24
- Koether, Jutta, Deliratio III So frei, Spex, October, p. 60-63
- 1993
- Goings On About Town, The New Yorker, June 21
- Smith, Roberta, Jutta Koether, The New York Times, June 4
- Smith, Roberta, German Art Still Breathes the Air of Ideas, The New York Times, April 23
- Corris, Michael, Punishment and Decoration: Art in an Age of Militant Superficiality, Artforum, April
- Koether, Jutta and Diederichsen, Diedrich, Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany, Artforum, April
- Zahm, Olivier, Jutta Koether Laurent Joubert, Artforum, February
- Koether, Jutta and Diederichsen, Diedrich, Achtung Baby. Diedrich Diederichsen and Jutta Koether on
- Levin, Kim, Choices: Jutta Koether, The Village Voice, June 29
- Springtime for Hitler, Artforum, January
- 1990
- Koether, Jutta, Halal, Nieswandt, Hans, The Halal File, Texte zur gleichnamigen CD, Kln: Standard Graphik Kln
- 1988
- Titz, Walter: Michael Krebber/ Jutta Koether in: Artscribe, January-February
- 1986
- Diederichsen, Diederich, Jutta Koether, Steirischer Herbst 86/ Forum Stadtpark Graz
- 1985
- Koether, Jutta, Smell of Female, Ausst. Kat. Trockel, Semmer, Koether, La Grande Serre, Rouen
- Koether, Jutta, Road to Cairo, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld
Catalogues
- 2023
- Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 272-273, 2023
- 2013
- Season and Sacraments, Dundee Contemporary Arts/ Arnolfini
- Meade, Fionn, Catch as Catch Can, Locks Gallery, Philadelphia, PA
- 2012
- Sussman, Elisabeth and Sanders, Jay (ed.), 2012 Whitney Biennial (catalog)
- Simpson, Bennett, Blues for Smoke, The Museum of Contemporary Art, Los Angeles, Prestel
- 2011
- Krauss, Rosalind; Foster, Hal; Buchloh, Benjamin H.D.; Joselit, David; and Bois, Yve-Alain; Art Since 1900: Modernism, Antimodernism, Postmodernism, Second edition
- 2010
- On Sonic Youth, with Alan Licht, in Sonic Youth etc. Sensational Fix, Cologne: Walther Knig
- 2009
- Blend special Times 3: Jo Baer Lynda Benglis Jutta Koether, Exhibition Catalogue for Trio Exhibition, Van Abbemuseum, Netherlands
- Hertling, Pati, Ed. modern modern, exhibition catalogue, STARSHIP and Chelsea Art Museum
- 2007
- Koether, Jutta, Black Noise, artist book Nr. 19 of Black Noise, Ecart- Publications, Geneva
- Witness to Her Art, with essay Oh ah The fire! By Mrs. Benway 1985 by Johanna Burton, Bard College, pp. 205, March
- Symbolismus und die Kunst der Gegenwart, Wuppertal, p. 135
- 2006
- Klnischer Kunstverein, exhibition catalogue, Cologne, Germany
- 2003
- Desire Is War, copy-book-catalogue, Cologne, NY, open edition
- 1997
- Thomas Emde, Isabell Heimerdinger, Jutta Koether, Newspace, Los Angeles, CA
- 1996
- Kairos: Texte zur Kunst und Musik, Berlin: Edition ID-Archiv
- 1994
- The Use of Pleasure. Die Neunziger. Wiener Secession. Herausgegeben von Martin Prinzhorn
- 1993
- The Inside Job. Galerie Bleich-Rossi, Graz.
- 1992
- 100% Malerei. Niemand ist eine Frau. Galerie Sophia Ungers, Kln.
- 1991
- Massen. EA Gnerali Foundation, Wien.
- 1990
- The Kln Show. Herausgegeben von Isabelle Graw
- 1989
- 20 Minuten – 20 Minutes. Galerie Monika Sprth, Kln
- 1987
- Kandl, Koether, Stanzel. Wiener Secession, Kunstverein Wien
- f., Galerie Bleich-Rossi, Graz
- Koether, Trockel, Semmer, La Maquina Espanola, Sevilla
- Balkon, Raum Lothringer Strae, Mnchen
- 1986
- Diedrich Diederichsen, steirischer herbst 89, Forum Stadtpark, Graz
- Road to Cairo, CC Galerie, Graz
- 1985
- Trockel Semmer Koether, La Grande Serre, Rouen
- Road to Cairo, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld
Public Collections
- MoMA – The Museum of Modern Art, New York
- Kunsthalle Bern, Switzerland
- MOCA – Museum of Contemporary Art, Los Angeles, CA
- Nationalgalerie, Berlin, Germany
- Musee d’Art moderne de la Ville de Paris, Paris, France