Whitney Bedford

: Lives and works in Los Angeles

2003: MFA, University of California Los Angeles, Los Angeles, CA
1998-2000: Fulbright Visiting Artist under Professor Wolfgang Petrick, Hochschule der Kunste, Berlin, Germany
1998: Art and Architecture of Rome at RISDE European Honors Program, Palazzo Cenci, Rome, Italy
1996: Pont-Aven School of Art, Pont-Aven, France
: Edinburgh College of Art, Edinburgh, Scotland
1994-1998: BA, Rhode Island School of Design, Providence, Rhode Island
1993: Maryland Institute College of Art, Baltimore, Maryland

Selected Solo and Two Person Exhibitions

2026: Solo, Vielmetter Los Angeles, Los Angeles, CA (forthcoming)
2024: "Whitney Bedford," San Luis Obispo Museum of Art, San Luis Obispo, CA (forthcoming)
2023: "Whitney Bedford: Veduta," Miles McEnery, New York, NY
: "Whitney Bedford: Vedute," Vielmetter Los Angeles, Los Angeles, CA
2022: "Imaginary," Starkwhite, Auckland, New Zealand
: "Whitney Bedford: Vedute," Art:Concept, Paris, France
2021: "Whitney Bedford," Miles McEnery Gallery, New York, NY
: "Whitney Bedford: Greenhouse," Vielmetter Los Angeles, Los Angeles, CA
2020: "Nevertheless," Carrie Secrist Gallery (online)
: "Nevertheless," Starkwhite (online)
: "Nevertheless," Vielmetter Los Angeles (online)
: "Reflections on the Anthropocene," Vielmetter Los Angeles, Los Angeles, CA
2018: "Numinous," Carrie Secrist Gallery, Chicago, IL (Link)
: "Bohemia," Starkwhite Gallery, Auckland, New Zealand
2017: "The Left Coast," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: “Bardo Parade,” Art:Concept, Paris, France
2016: “East of Eden,” Carrie Secrist, Chicago, IL
: “Lost and Found,” Starkwhite, Auckland, New Zealand
2015: "Night and Day," Taymour Grahne, New York, NY
: "West of Eden," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2014: "Whitney Bedford," Carrie Secrist Gallery, Chicago, IL
: "Love Letters," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2013: "This for That," Starkwhite, Auckland, New Zealand
2011: Susanne Vielmetter Los Angeles Projects, Culver City, CA
2010: "Whitney Bedford (here and there)," Starkwhite, Auckland, New Zealand
2009: Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2008: "Whitney Bedford," Art:Concept, Paris, France
2007: "Whitney Bedford: The Escape Artist Series," Cherry and Martin, Los Angeles, USA
2006: Art:Concept, Paris, France
2005: DAmelio Terras, New York, NY
: Cherrydelosreyes, Los Angeles, CA
2004: Art:Concept, Paris, France
2000: "Whitney Bedford," Hotel de Ville, Biot, France
1999: "Whitney Bedford," Fulbright-Kommission, Berlin, Germany
1998: "Whitney Bedford," BEB Gallery, Providence, RI
1997: "Whitney Bedford," Sokolofska #124 Space, Prague, Czech Republic

Selected Group Exhibitions

2024: "Seeing the Forest and the Trees" Transamerica Pyramid, San Francisco, CA (forthcoming)
: "Overserved," Miles McEnery, New York, NY
: "Olio e pepe," Galerie Art: Concept, Paris, France
2023: "New Landscapes Part I," Santa Barbara City College, Santa Barbara, CA
2023-2024: "Inside/Outside," Santa Barbara Museum of Art, Santa Barbara, CA (Link)
2023: SWQT Group Show, Starkwhite Queenstown, Queenstown, New Zealand
2022: "Plants Now!," Vielmetter Los Angeles, Los Angeles, CA
2021: "Was/Is/Ought," Carrie Secrist Gallery, Chicago, IL (Link)
2020: "Only Connect," Carrie Secrist Gallery, Chicago, IL
: "Do You Think It Needs A Cloud?”, Miles McEnery Gallery, New York, NY
: "Slippery Painting," Starkwhite, Auckland, NZ
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
2019: "Shall we go, you and I while we can," Carrie Secrist Gallery, Chicago, IL
: "Kaleidescope," Saatchi Gallery, London, UK
2018: "How They Ran," Over the Influence, Los Angeles, CA
: “Evolver,” LA Louver, Los Angeles, CA
: “New on the Wall (N.O.W.),” Pizzuti Collection, Columbus, OH (Link)
: "C’est Comme Vous Voulez – As You Like It," Praz-Delavallade, Paris, France
2017: “Anniversary Show,” Carrie Secrist Gallery, Chicago, IL
2016: "A Verdant Summer," Taymour Grahne Gallery, New York, NY
: “Painting: A Transitive Space,” ST PAUL ST Gallery, Auckland, New Zealand
2015: "La femme de trente ans," Galerie Art: Concept, Paris France
2014: "Lovers," Starkwhite, Auckland, New Zealand
: "Sargent’s Daughters," Sargent’s Daughters, New York, NY
2013: "Summer Group Show," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2012: "Facing the Sublime in Water, CA," Armory Center for the Arts, Pasadena, CA
2011: "Everything Must Go," A Project with Ceramica Suro Guadalajara, Mexico, organized by Jose Noe Suro and Eduardo Sarabia, Casey Kaplan, New York, NY
2010: "The Gleaners: Works from the Sarah and Jim Taylor Collection," Myhren Gallery, University of Denver, CO
: "Five from LA," Galerie Lelong, New York, NY
: "Bagna Cauda," Gallerie Art: Concept, Paris, France
: "Houdini: Art and Magic, 1919-1949," The Jewish Museum, New York, NY; Skirball Cultural Center, Los Angeles, CA; Contemporary Jewish Museum, San Francisco, CA; Madison Museum of Contemporary Art, Madison, WI
2009: "This Is Killing Me," Massachusetts Museum of Contemporary Art, North Adams, MA
2007: "PX – Snow Falls in the Mountains," curated by Jan Bryant, St Paul’s Gallery, University of Auckland, Auckland, New Zealand
: "Poker," Galleria Monica de Cardenas, Milan, Italy
2006: "Melancholy in Contemporary Art," Sommer Contemporary Art, Tel-Aviv, Israel
: "Step Into Liquid," Museum of Contemporary Art, Denver, CO
: "Peindre des images," Galerie de l’Ecole des Beaux-Arts de Quimper, France
2005: "CUT," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: "Evidence," Inman Gallery, Houston, TX
: "The Third Peak," Galerie Art: Concept, Paris, France
: "Rogue Wave," LA Louver, Venice, CA
: "Wunderkammer 2," Nina Menocal, Mexico City, Mexico
: "Sad Songs," University Galleries, Illinois State University, Normal, IL
: "Project Room: A Show Without Works," curated by Daniele Perra, Spazio Lima, Milan, Italy
2004: "summer group show," Cherry de los Reyes, Los Angeles, CA
: "Carpet Bag and Cozyspace," Healing Arts Gallery, Brooklyn, NY
: "Rimbaud," Palais des Beaux Arts, Brussels, Belgium
2003: Black Dragon Gallery, Los Angeles, CA
: Track 16 Gallery, Santa Monica, CA
: "MFA Exhibitions Show #1," UCLA New Wight Gallery/Kinross, Los Angeles, CA
1998: "New England Connection," Lanning Gallery, Columbus, OH
: "Woods-Gerry Invitational Exhibition," Woods-Gerry Gallery, Providence, RI
1997: Inagurative Show, Space 1026 Space, Philadelphia, PA
1996: L’ecole Nouveau de Pont-Aven (The New Pont-Aven School Painters), Hotel de Ville, Pont-Aven, France
: Salon de Refuses, Gallerie M, Pont-Aven, France
1995: "Common Threads," Rites and Reasons Gallery, Providence, RI

Bibliography

2024: Frieze Staff. "Association of Professional Art Advisors’ Top 10 Picks from Frieze Los Angeles Viewing Room 2024," Frieze, February 26 (Link)
: Pound, Cath. "11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision," Artsy, January 22 (Link)
2023: Woodard, Josef. "Rethinking, Re-tilling Landscape Art," Santa Barbara Independent, November 26 (Link)
2020: Dambrot, Shana Nys. "Review: Whitney Bedford at Vielmetter Los Angeles," Artillery, March 5 (Link)
: Finkel, Jori. "Artist Whitney Bedford is drawing a portrait of Elizabeth Warren every day until she is elected president," The Art Newspaper, March 3 (Link)
: Diehl, Travis. "The Best Shows to See in LA," Frieze, February 11 (Link)
: Cascone, Sarah. "In LA for Frieze Week? Here Is Our Guide to 33 Inspiring Gallery Shows to See Beyond the Fairs," artnet, February 10 (Link)
2019: Sritharan, Abi. "5 Wonderful Things To Do In London This Weekend (15-17 March 2019)," Luxury London, March 12 (Link)
2018: Jean Black, Ezhra, "Refuge from the Inferno: L.A.’s Best Summer Group Shows," Artillery (web), August 8 (Link)
: Riechert, Elliot, "Art Top 5: June 2018," New City Art (web), May 30 (Link)
: Zarley, B. David, "Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery," New City Art (web), June 15 (Link)
2017: “Bardo Parade,” Art.World (web), February
: “Whitney Bedford, Bardo Parade,” Daily Art Fair (web), February
: “Whitney Bedford, Bardo Parade,” My Art Guides (web), February
: “Whitney Bedford : Bardo Parade,” Art Hebdo Médias (web), February
: “Whitney Bedford : Bardo Parade,” Connaissance des Arts (web), February
: “Bardo Parade, 10 février – 1 avril 2017,” Paris Art (web), February 10
: “Whitney Bedford, Bardo Parade at Galerie Art : Concept, Paris,” Artcatalyst, February 11
: “Whitney Bedford, Bardo Parade,” Galleries Now (web), February 16
: Benoit, Guillaume, “Whitney Bedford , galerie Art : Concept,” Slash Paris, February 18
: “Whitney Bedford : Bardo Parade,” FigaroScope (web), February 20
: De Santis, Sophie, “Le ‘La-La-Land’ de Whitney Bedford,” Figaroscope, February 22
: “Whitney Bedford – Peinture,” Art Libres, March 1 – 7
: “Whitney Bedford ‘Bardo Parade’ at Art : Concept, Paris,” Mousse Magazine (web), March
: De Santis, Sophie, “Visite virtuelle de l’exposition Whitney Bedford à Paris,” Le Figaro (web), March 3
: Gil, Virginia, “The must-see Art Basel Miami 2017 galleries,” Time Out Miami, November 20
: "Sea, art & money,” Beaux Arts Magazine, December
: “Travel: Hot tickets,” Net-A-Porter (web), December
: Zevitas, Steven, “Making it to the Big Stage: New American Paintings Alumni on View at Art Basel Miami 2017,” New American Paintings, December
2016: Vallecorse, Victoria, “Alumna showcases art worldwide, stays in LA for dynamic environment,” Daily Bruin, February 26
: Zarley, B. David, “Whitney Bedford: The Sinister Sublime,” New American Paintings (web), June 6 (Link)
: Rigou, Vasia, “Painting Raging Nature and the Powerful Sublime, Whitney Bedford in Profile,” NewCity Art (web), June 10 (Link)
: Yood, James. “Whitney Bedford: “East of Eden” at Carrie Secrist Gallery, art ltd., July/August
2015: Hess, Hugo, "Whitney Bedford," WideWalls, February 2
: La Femme de trente ans, Contemporary Art Daily, July 21
: Pick of the Week: Whitney Bedford, Artillery Magazine (web), December 17
2014: Karman, Tony, "An Unprecedented List of Cultural Exhibitions and Events in Chicago This September," September 16
: "Preview the 2014 Expo Chicago Art Fair," ARTnews, September 15
2013: McNamara, T.J., "Colour Heightens Vivid Drama," The New Zealand Herald, April 20
2012: Mizota, Sharon, "Facing the Sublime in Water, CA delves deep," Los Angeles Times, December 20
2011: Goodrich, John, Five From L.A., City Arts, January 26
2009: Tran, Khanh T.L., Memo Pad: A Portrait of the Artist, Womens Wear Daily, Vol. 197, Iss. 49, p. 12, March 9
2007: Freeman, Tommy, Reviews, Artweek, December/January
: Bedford, Christopher, Whitney Bedford at Cherry and Martin, Art In America, Vol. 95, Iss. 11, p. 168, December
: Mizota, Sharon, Whitney Bedford at Cherry and Martin, Art Ltd., November, p. 17
: Wilder, Matthew, Critics Pick, Artforum, October
: Myers, Holly, Gallery World: Making a Scene, Los Angeles Times, October 17
: Brooks, Amra, Must See Art, LA Weekly, October 10
: Knight, Christopher, Around the Galleris, Los Angeles Times, October 5
2006: Mendelsohn, Meredith, The New Romantics, ARTnews, February, pg. 123
2005: Freeman, Tommy, Art Review, December
: Baldessari, John, 100 Future Greats: Whitney Bedford, Art Review, December
: News & Features, Art Basel Miami: Theyre a Steal!, ARTINFO, December
: Bennou, Kassiani, The risk of Art: Yorgos Tsibiridis Collection, Ozon, July/August
: Rogue Wave 05, exhibition catalog, LA Louvre, Venice, CA
2004: Fertiles Textiles, Jalouse, November
: Brochard, Yves, Mixed Paint: A Survey of Contemporary Painters, Flash Art, November
: Dagan, Philippe, Le allusions fantomatiques de Whitney Bedford, Le Monde, October
: Brochard, Yves, Whitney Bedford, Louise, September 11- November 6
: Selbach, Gerard, Whitney Bedford, paris-art.com, September
: Bedford, Whitney, Self Portrait, Tema Celeste, May/June, pg. 84-85

Catalogues and Publications

2023: Schwabsky, Barry and Sarah Whitfield. "Bonnard: The Experience of Seeing," Acquavella Galleries, New York, NY, 2023
2021: Schwabsky, Barry. “Whitney Bedford,” Miles McEnery Gallery, New York, NY 2021

Teaching Experience

2020: Visiting Artist, University of Texas, Austin, TX
2018-2023: Adjunct Professor, Chapman University, Orange, CA
2018-2021: Adjunct Professor, University of California, Riverside
2018: Visiting Artist, University of Nevada, Las Vegas
2016-2017: Adjunct Professor, University of California, San Diego
2016: Visiting Artist, Otis College of Design, Los Angeles, CA
2014: Visiting Artist, University of California, Los Angeles
2012: Visiting Artist, Art Center College of Design, Pasadena, CA

Awards, Grants and Fellowships

2015: Pollock Krasner Award
2000-2003: UCLA Darcy Hayman Award
2001: UCLA Hammer Museum Drawing Biennial Winner
1998-2000: Fulbright Graduate Fellowship, Hoschule der Kunste, Berlin, Germany
1998-1999: Karl-Hoffer Gesellschaft Atelier, Kunstler Werkstatt Banhoff Westend
1997: Peggy Guggenheim Collection Studentship, Venice, Italy

Public Collections

: Eric Decelle, Brussels, Belgium
: Francois Pinault Collection, Paris, France
: Ginette Moulin and Guillaume Houzé Contemporary Art Collection, Paris, France
: Hammer Museum, Hammer Contemporary Collection, Los Angeles, CA
: Jumex Collection, Mexico City, Mexico
: Marciano Art Foundation, Los Angeles, CA
: Pizutti Collection, Columbus, OH
: Rosa and Carlos de la Cruz, Miami, FL
: Santa Barbara Museum of Art, Santa Barbara, CA
: The Saatchi Gallery, London, UK

Sarah Cain

: Lives and works in Los Angeles, CA

2006: Skowhegan School of Painting and Sculpture, Skowhegan, ME
: MFA, University of California at Berkeley, Berkeley, CA
2001: BFA, San Francisco Art Institute, San Francisco, CA

Selected Solo and Two Person Exhibitions

2024: Solo, Anthony Meier, Mill Valley, CA (forthcoming)
2023: "Sarah Cain: Day after day on this beautiful stage," Henry Art Gallery, University of Washington, Seattle, WA
2022: "hand in hand," Colby Museum of Art, Colby College, Waterville, ME
2021: "Sarah Cain," Broadway, New York, NY
: "Enter the Center," Tang Teaching Museum, Saratoga Springs, NY
: "My favorite season is the fall of the patriarchy," National Gallery of Art, Washington, DC
: "In Nature," The Momentary, Bentonville, AR
2020: "On the possibility of overcoming negative thought," Vielmetter Los Angeles, Los Angeles, CA
2019: "We Will Walk Right Up To The Sun," San Francisco International Airport, permanent public artwork commissioned by The San Francisco Arts Commission, San Francisco, CA
: "The Sun Will Not Wait," Honor Fraser, Los Angeles, CA
2018: "Wild Flower," Timothy Taylor, London, England
2017: "Mountain Song," Aspen Art Museum at the Elk Camp on Snowmass Mountain, CO
: "Now I’m going to tell you everything," Institute of Contemporary Art, Los Angeles (ICA LA), CA
: "Racing with the moon," Anthony Meier Fine Arts, San Francisco, CA
2016: "Dark Matter," Galerie Lelong, New York, NY
2015: "Sarah Cain: The Imaginary Architecture of Love," Contemporary Art Museum Raleigh, Raleigh, NC
: "Sarah Cain: blue in your body, red when it hits the air," Museum of Contemporary Art San Diego, La Jolla, CA
: "BOW DOWN," Honor Fraser, Los Angeles, CA
2014: "hey babe take a walk on the wild side," A LAND Exhibition, Los Angeles, CA
: "Burning Bush," Galerie Lelong, New York, NY
2013: "LOUD OBJECT," Anthony Meier Fine Arts, San Francisco, CA
: "feral," Cardi Black Box, Milan, Italy
2012: "freedom is a prime number," Honor Fraser, Los Angeles, CA
2011: "Sarah Cain: Santa Barbara," Santa Barbara Contemporary Arts Forum, Bloom Projects, Santa Barbara, CA
2010: "California Does Psychic," Sara Meltzer Gallery/Projects, New York, NY
: "little by little," CTRL Gallery, Houston, TX
2009: "Midnight Mission," off-site installation for the California Biennial, Five Thirty Three Gallery, Los Angeles, CA
: "Double Future," Seiler + Mosseri-Marlio Gallery, Zurich, Switzerland
: "You Aurora Borealis Me," Sara Meltzer Gallery, New York, NY
: "As if Only as Atmosphere," Anthony Meier Fine Arts, San Francisco, CA
2006: "I Believe We Are Believers," Anthony Meier Fine Arts, San Francisco, CA
2005: "A River of Ifs," Queens Nails Annex, San Francisco, CA
2004: "The Tree Outside," San Francisco Art Commission, San Francisco, CA
2003: "Epigram on Being Alone: A Golden Willow Hits You on the Head," Lucky Tackle Gallery, Oakland, CA
2001: "Elephant Juice/ I Love You," The LAB Annex, San Francisco, CA

Selected Group Exhibitions

2023: "13 Women: Variation II," Curated by Heidi Zuckerman, Orange County Museum of Art, Santa Ana, CA
2022: "13 Women," Orange County Museum of Art, Santa Ana, CA
2021: "In Search of the Miraculous," FLAG Art Foundation, New York, NY (Link)
2019: "Driving Forces: Contemporary Art from the Collection of Ann and Ron Pizzuti," Columbus Museum of Art, Columbus, OH (Link)
: "Bright | Shiny," Anthony Meier Fine Arts, San Francisco, CA
: "The light touch," Vielmetter Los Angeles, Los Angeles, CA
: "cart, horse, cart," Lehmann Maupin, New York, NY
2018: ‘Away from the Wall," The National Arts Club, New York, NY
: "Painting Architecture," Barbara and Art Culver Center of the Arts, Riverside, California (Link)
: "Take Up Space,’ Pizzuti Collection, Columbus, OH
: "Surface Work," Victoria Miro, London, UK
: "Artwork for Bedrooms," CCA Wattis Institute, San Francisco, CA
: "Platforms," Armory Art Fair, New York, NY
2017: "Jump ball," Dio Horos, Mykonos, Greece
2016: "Holdings: Selections from MCASD’s Collection," Museum of Contemporary Art San Diego, La Jolla, CA
: "Contemporary Collection," San Antonio Museum of Art, San Antonio, TX
: "Surrogates," Griffin Art Projects, Vancouver, BC
2014: "Reading Los Angeles," Gallery Hyundai, Seoul, Korea
: "Drawings & Works on Paper," Galerie Lelong, New York, NY
: "Variations: Conversations In And Around Abstract Painting," Los Angeles County Museum of Art, Los Angeles, CA
: "In —– We Trust," Columbus Museum of Art, OH
: "Now-ism: Abstraction Today," Pizzuti Collection, Columbus, OH
: "I was a double," Tang Teaching Museum and Art Gallery, Saratoga, NY
2013: "My Crippled Fried," Columbus College of Arts and Design, Columbus, OH
: "Something about a Tree," curated by Linda Yablonsky, FLAG Art Foundation, New York, NY
: "Outside The Lines," Contemporary Arts Museum, Houston, TX
: "Untitled (Hybrid)," curated by Kate McNamara, Robert Miller Gallery, NY
: "Set Pieces," curated by Lauren Mackler and Andrew Berardini, Cardi Black Box, Milan, Italy
: "Painting in Place," Los Angeles Nomadic Division, Los Angeles, CA
: "Wall," Columbus College of Art and Design, Columbus, OH
: "PAINT THINGS: beyond the stretcher," deCordova Sculpture Park and Museum, Lincoln, MA
2012: "For the Martian Chronicles," L&M Arts, Los Angeles, CA
: "Stretching Painting," curated by Veronica Roberts, Galerie Lelong, New York, NY
: "Bold Tendencies 6," London, UK
: "Made in L.A. 2012," organized by the Hammer Museum in collaboration with LAXART, Los Angeles, CA
: "Gold," curated by Thomas Zaunschirm, Imperial Belvedere Palace Museum, Vienna, Austria
2011: "Fifty Years of Bay Area Art: The SECA Awards," San Francisco Museum of Modern Art, San Francisco, CA
: "Nothing Beside Remains," Los Angeles Nomadic Division (LAND), Marfa and Los Angeles, CA
: "Soft Math," Bryan Miller Gallery, Houston, TX
: "The Thingness of Color," Dodge Gallery, New York, NY
: "Two Schools of Cool," curated by Sarah Bancroft, Orange County Museum of Art, Newport Beach, CA
2010: "Feather Throat," Grimmuseum, Berlin, Germany
: "Fade to Black," curated by Rachel Gugelberger and Jeffrey Walkowiak, Sara Meltzer Gallery, New York, NY
2009: "Rebecca Morris and Sarah Cain," curated by Nancy Meyer, Fellows of Contemporary Art, Los Angeles, CA
2008: "Landscapes for Frankenstein," Sara Meltzer Gallery, New York, NY
: "Raw Boundaries," KN Gallery, Chicago, IL
: California Biennial, curated by Laurie Firstenberg, Orange County Museum of Art, Newport Beach, CA
: "California Dreamin’," Seiler + Mosseri-Marlio Gallery, Zurich, Switzerland
2007: SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco, CA
: "Like Color in Pictures," curated by Heidi Zuckerman Jacobson, Aspen Art Museum, Aspen, CO
: "In the Fullness of Time," The Luggage Store Gallery, San Francisco, CA
2006: Busan Biennale, curated by Doryun Chong, Busan, South Korea
: "A Century of Collage," Elizabeth Leach Gallery, Portland, OR
2005: "The Sleight of Hand: The Artist’s Touch," Lincart, San Francisco, CA
: "Book of Small," Open Space, Vancouver, BC
: "Space is the Place," Berkeley Art Center, Berkeley, CA
2003: "What we saw when we got there," The Lab, San Francisco, CA
: "Group Show," The Sickle, Providence, Rhode Island
: "Place-Specific Works," 21 Grand, Oakland, CA
: "Makeshift World," Stephen Wirtz Gallery, San Francisco, CA
2002: "Brilliant Pebbles," Kunst PLUS, Dusseldorf, Germany
: "Fly Away," The Luggage Store Gallery, San Francisco, CA
2001: "Group Show," The Smell, Los Angeles, CA

Group Exhibition Catalogues and Books

2021: Berry, Ian and Sarah Cain. “Sarah Cain, Music Book,” The Fracnes Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY and X Artists’ Books, Los Angeles, CA 2021
2019: Zuckerman, Heidi. Conversations with Artists II. Aspen Art Press, Aspen, CO.
: Buhmann, Stephanie. Los Angeles Studio Conversations – Sixteen Women Talk About Art. The Greenbox, Berlin, Germany
2016: Vitamin P3: New Perspectives in Painting. London: Phaidon, 2016
2015: Mayer, Bernadette, Sarah Lehrer-Graiwer, and Julian Myers. Sarah Cain The Imaginary Architecture of Love, CAM Raleigh; North Carolina, Distributed Art Publishers, 2015
2014: Cann, Tyler and Nannette V. Maciejunes. In __ We Trust: Art and Money. Columbus: Columbus Museum of Art, 2014
: Arning, Bill, Valerie Cassel Oliver, and Dean Daderko. Outside the Lines. Contemporary Arts Museum Houston; New York: Distributed Art Publishers
: Ibel, Rebecca, Greer Pagano, David Pagel and Ron Pizzuti. NOW-ISM: Abstraction Today. Columbus: Pizzuti Collection, Hopkins Printing, 2014
: Cann, Tyler and Nannette V. Maciejunes. In ___ We Trust: Art and Money. Columbus: Columbus Museum of Art, 2014
2013: Deitsch, Dina and Evan J. Garza. PAINT THINGS: beyond the stretcher. Lincoln, MA: deCordova Sculpture Park and Museum; Minneapolis: Shapco Printing, 2013
2012: Husslein-Arco, Agnes and Thomas Zaunschirm. Gold. Vienna: Belvedere; Munich: Hirmer, 2012
: Berardini, Andrew, Tara McDowell, Shamim Momin, and Franklin Sirmans. Sarah Cain. Los Angeles: LAND, 2012
: Ellegood, Anne, Lauri Firstenberg, Malik Gaines, Cesar Garcia and Ali Subotnick. Made in L.A. 2012. Los Angeles Hammer Museum, University of California; New York: DelMonico Books, Prestel, 2012
2011: Gass, Alison and Tanya Zimbardo. Fifty Years of Bay Area Art: The SECA Awards. San Francisco: San Francisco Museum of Modern Art, 2011
: Bancroft, Sarah. Two Schools of Cool. Newport Beach: Orange County Museum of Art; Los Angeles: Fellows of Contemporary Art; New York: DelMonico Books, Prestel, 2011
2009: New Museum of Contemporary Art. Younger than Jesus Artist Directory: The essential handbook to the future of art. London; New York: Phaidon, 2009
2008: Firstenberg, Lauri, Joshua Decter, and Rene Peralta, 2008 California Biennial. Newport Beach: Orange County Museum of Art, 2008
2007: Jacobson, Heidi Zuckerman, Rhonda Lieberman, and James Welling. Like color in pictures. Aspen, CO: Aspen Art Museum, Aspen Art Press, 2007
: McDowell, Tara. 2006 Seca Art Award. San Francisco: San Francisco Museum of Modern Art, 2007

Bibliography

2023: Aton, Francesca. "Sarah Cain’s Vibrant Site-Specific Painting at Orange Barrel Media Headquarters Lightens the Columbus, Ohio Landscape," ARTNews, September 29 (Link)
2022: Keyes, Bob. "With Exuberance and Energy," Colby News, May 11 (Link)
2021: Griffin, Jonathan. "With Big, Bold Art, Sarah Cain Redefines Seriousness in Painting," The NY Times, Sept 30 (Link)
: Kazanjian, Dodie. "Craving Art This Fall? Here Are 57 Varieties," Vogue, Sept 6 (Link)
: Klett, Maddie. "Life as a Collage: Sarah Cain Interviewed by Maddie Klett," BOMB, Sept 9 (Link)
: Vankin, Deborah. "While you were in quarantine, a major new art museum rose in Orange County," The Los Angeles Times, June 14 (Link)
: Henriksen, Katy. "In Bright Hues and Stained Glass, Sarah Cain Attempts to Conjure the Meditative," Hyperallergic, March 22 (Link)
2020: Maine, Stephen. "Artists Quarantine with Their Art Collections," Hyperallergic, December 5 (Link)
: Loos, Ted. "Smaller Fairs Mean Great Art, Closer to Home," New York Times, March 14 (Link)
: Singh, Gary. "Feel the Force," SF Arts Monthly, January (Link)
2019: Schwendener, Martha and Will Heinrich. "At Frieze New York, Islands of Daring," New York Times, May 2 (Link)
: Li, Jennifer S. "Sarah Cain," Art in America, April 1 (Link)
: Finkel, Jori. "Frieze Los Angeles: Lights, Camera, Art!," New York Times, February 13 (Link)
: Newell-Hanson, Alice. "The Artist Creating a 150-Foot-Long Glass Rainbow," New York Times, February 7 (Link)
: Finkel, Jori. "Frieze and Felix Turn Heads in Los Angeles," New York Times, February 19 (Link)
: Pagel, David. "Review: Sarah Cain’s 1,000-square-foot painting is just the start," Los Angeles Times, January 22 (Link)
2018: van Straaten, Laura. "Frieze L.A. Artist Sarah Cain Talks Art World’s "Small Bubble" and Her Chocolate Habit," Hollywood Reporter, November 28 (Link)
: Alfred, Brian. "Sarah Cain," Sound & Vision, June 21 (Link)
: Guadagnino, Kate. "Eleven Summer Book Covers, Reimagined by Artists" T Magazine, June 21 (Link)
2017: Rathe, Adam. "Meet Sarah Cain, the Artist Taking Aspen by Storm," Town & Country, December 11 (Link)
: Cascone, Sarah. "Extreme Painting: Artist Sarah Cain Hits the Slopes With New Aspen Ski Lodge Mural" artnet, November 24 (Link)
: Travers, Andrew. "Sarah Cain’s ‘Mountain Song’ unveiled on Snowmass Ski Area," The Aspen Times, November 23 (Link)
: Confront, Caitlin. "Five Minutes with Sarah Cain in Her Dreamy Studio" Art Zealous, November 17 (Link)
: Jacobson, Colter. "Sarah Cain in conversation with Colter Jacobson," ICA LA podcast, October (Link)
: Riefe, Jordan. "Making Moves," LALA Magazine, September (Link)
: Bernadini, Andrew. "“She Comes in Colors”: A Portrait of Sarah Cain, Painter," Momus, May 10 (Link)
2016: Gleeson, Bridget. "Floored: Step Into and Onto Sarah Cain’s Latest Paintings at Galerie Lelong," Artsy, October 12 (Link)
: Wagley, Catherine. "The Cool School ," Carla, Fall
: "Really Really Big Show," Elle, September
: "Sarah Cain – Why I Paint," Phaidon, September 30 (Link)
: Shaw, Micheal. "Episode: 131 Sarah Cain," The Converation Podcast, March 24 (Link)
2015: "8 Artists on the Rise," Architectural Digest, November 10 (Link)
: Mendelsohn, Meredith. "Tracing Frank Stella’s Disproportionate Influence on Contemporary Art," Artsy, October 30 (Link)
: Frank, Priscilla. "Abstract Painting Was Never A Boy’s Club, And It’s Time To Stop Treating It Like One," Hyperallergic, October 13 (Link)
: Elizalde, Molly. "The Monumental Painting That’s Breaking Boundaries in Raleigh," Conde Nast Traveler, October 3 (Link)
: Zara, Janelle. "Off the Wall," Cultured, Fall
2016: Cascone, Sarah. "Now You Can Dance All Over Sarah Cain’s Stunning, 70-Piece Floor Mural," artnet, September 22 (Link)
2015: Bernadini, Andrew. "Sarah Cain: BOW DOWN," ArtReview, September
: Bradley, Paige K. "SARAH CAIN," Artforum, June 26 (Link)
: "In the Magazine: Sarah Cain," Juxtapoz, April 7 (Link)
2014: Baker, R.C. "Sarah Cain Dazzles While Michel Majerus Depresses in Two New Shows," The Village Voice, March 12 (Link)
: Cruz, Cynthia. "Sarah Cain’s Girl Power Paintings," Hyperallergic, February 26 (Link)
2013: Bernier-Clarke, Aubree. "Sarah Cain: The Artist’s Studio," MOCA TV, October 18 (Link)
: Wolf, Yoni. "Episode 31: Sarah Cain," The Wandering Wolf, September 8 (Link)
: Knight, Christopher. "Review: ‘Painting in Place’ flings open conceptual abstraction doors," Los Angeles Times, June 13 (Link)
: Momin, Shamim. "(Artist) Lunchtime Poll: Sarah Cain," Artsy, May 2 (Link)
: McQuaid, Cate. "‘PAINT THINGS’ is off the wall," The Boston Globe, February 7 (Link)
: Hudson, Suzanne. "Sarah Cain: Honor Fraser," Artforum, January
2012: Baxter, Jared. "Sarah Cain Freedom Is a prime number," Artslant, September 30
: Slenske, Michael. "Don’t Miss: Sarah Cain," W, September 28 (Link)
: Steffen, Patrick. "Sarah Cain," Flash Art, September 6
: Mohseni, Yasmine. "Coloring Outside the Lines: A Painter Goes Beyond the Canvas," Modern Painters, June 1
: Labong, Leilani Marie. "Announcing! The Top 10 California Artists You Need to Know in 2012," California Home + Design, March 16
2011: Vitello, Gwynned. "Two Schools of Cool: Sarah Cain," Juxtapoz, October 1
: Nelson, Steffie. "Space Invader," T Magazine, September 26 (Link)
2010: Garza, Evan J. "Q&A: A Conversation with Sarah Cain," New American Paintings (blog), November 15
2007: MacMilian, Kyle. "A color comeback in the Aspen show," The Denver Post, March 28 (Link)

Public Collections

: Blanton Museum of Art: The University of Texas at Austin, Austin, TX
: Dallas Museum of Art, Dallas, TX
: The FLAG Art Foundation, New York, NY
: Los Angeles County Museum of Art, Los Angeles, CA
: The Margulies Collection, Miami, FL
: Museum of Contemporary Art San Diego, San Diego, CA
: National Gallery of Art, Washington, DC
: North Carolina Museum of Art, Raleigh, NC
: Orange County Museum of Art, Santa Ana, CA
: Perez Art Museum Miami, Miami, FL
: Pizzuti Collection, Columbus, OH
: San Antonio Museum of Art, San Antonio, TX
: Tang Teaching Museum and Art Gallery, Saratoga, NY
: San Francisco Museum of Modern Art, San Francisco, CA
: UBS Art Collection
: Zabludowicz Collection, London, UK

Maya Kabat

Education

1971: Born in Portland, OR
: Lives and works in Oakland, CA

2000: MFA, University of California, Davis, CA
1993: BA, Oberlin College, Oberlin, OH

Ulrike Müller

1971: Born in Austria
: Lives and works in Brooklyn, NY and Vienna, Austria

2003: Whitney Independent Study Program, NY
1996: Academy of Fine Arts, Vienna, Austria

One and Two Person Exhibitions

2023: "For Now," Galerie Meyer Kainer, Vienna, Austria
2022: "On Edge," Vielmetter Los Angeles, Los Angeles, CA
2021: "Moving Parts," Callicoon Fine Arts, New York, NY
2020: "Coming Soon: Ulrike Müller and Rochelle Feinstein," Callicoon Fine Arts, New York, NY
2020-2022: "Ulrike Müller and Amy Zion: The Conference of Animals," Queens Museum, New York, NY
2019: "Or Both," curated by Mia Locks, The Galleries at Moore, Moore College of Art & Design, Philadelphia, PA
: "Container Contained," Galerie Meyer Kainer, Vienna, Austria
: "The Walls Do Not Fall," RODEO, London, UK
2018: "Ulrike Müller: Container," curated by Eva Birkenstock, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
2016: "And Then Some," Callicoon Fine Arts, New York, NY
: "Kitty Kraus / Ulrike Müller," curated by Israel Lund and Sam Korman, Parapet Real Humans, St. Louis, MO
: "House/Cat," curated by Michelle Grabner, The Suburban, Oak Park, IL (with Emi Winter)
: "Ulrike Müller and Emi Winter," curated by Michelle Grabner, The Suburban, Oak Park, IL
2015: "Ulrike Müller: The old expressions are with us always and there are always others," curated by Manuela Ammer, mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2014: "Ulrike Müller," curated by Christian Kravagna and Hedwig Saxenhuber, Kunstraum Lakeside, Klagenfurt, Austria
: "WEATHER," Callicoon Fine Arts, NY, New York
2010: "Fever 103," Artspace, San Antonio, TX
: "Feminism Formalism," Steinle Contemporary, Munich, Germany
: "Fever 103," Franza, and Quilts, Cairo Biennial, Cairo, Egypt
2008: "Public Spaces, Private Moments," O’Connor Art Gallery, Chicago, IL (with Bill Guy)
2007: "WHIP," Aktualisierungsraum, Hamburg, Germany (with Ginger Brooks Takahashi)
2005: "Looking for (S)he," Temporary Art Space at the Hotel Chelsea, New York, NY (with Anna Blume)
2004: "Ten in One," Galerie 5020, Salzburg, Austria

Selected Group Exhibitions

2023: "Woven Histories,” curated by Lynne Cooke, Los Angeles County Museum of Art (LACMA), Los Angeles, CA; Traveling to The National Gallery of Art, Washington, D.C. (2024); National Gallery of Canada, Ottawa, Canada (2024-2025); The Museum of Modern Art, New York, NY (2025)
2022-2023: "The Animal Within," curated by Manuela Ammer and Ulrike Müller, mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2022: "Changes," mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
: "20/20 Vision: The Collection Remixed," Kunsthalle Bremen, Bremen, Germany
: "*standstill," RODEO, London, UK
: "anabasis," RODEO, Piraeus, Greece
: "The Printer’s Proof: Artist and Printer Collaborations," The Albuquerque Museum, Albuquerque, NM
: "Women in Print: Recent Acquisitions," The Cleveland Museum of Art, Cleveland, OH
2021: "Stories of Abstraction. Greenberg’s Nightmare," Fondation d’enterprise Pernod Ricard, Paris, France
: "Gestures of Affection: In Memory of Louis Fishman," Thomas Erben Gallery, New York, NY
: "Katarzyna Kobro Shaping Space," Museum of Modern Art, New York, NY (Link)
: "Enjoy. The mumok Collection in Change," mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
: "Avant Garde and The Contemporary – The Belvedere Collection From Lassnig to Knebl," Belvedere 21, Vienna, Austria
: "When Art Meets Society/ When Society Meets Art," aqb Project Space, Budapest, Hungary
: "Disrupting The Canon," curated by Amelie von Wedel and Pernilla Holmes, The Arts Club London, London, UK
: "Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," curated by Amy Zion and Tom Eccles, The Hessel Museum of Art, Annandale-on-Hudson, New York, NY
: "In Three," Callicoon Fine Arts, New York, NY
: "Threads," Foxy Production, New York, NY
: "All Suffering Soon To End!," Callicoon Fine Arts, Callicoon, NY
: "Greenberg’s Nightmare," Ricard Foundation, Paris, France
2020: "Prize of the Böttcherstrasse," Kunsthalle Bremen, Bremen, Germany
: "1. COLOR 2. HOLE and 3. JOKE – Selected works on paper," Galerie Meyer Kainer, Vienna, Austria
2019: "sotto voce," curated by Robert Bordo, Bortolami Gallery, New York, NY
: "Der Hausfreund (The Family Friend)," Austrian Cultural Forum Berlin, Berlin, Germany
: "May You Live in Interesting Times," curated by Ralph Rugoff, 58th International Art Exhibition, Venice Biennale, Venice, Italy
: "L’arbre du Soleil," Mountains Gallery, Berlin, Germany
: "The Second Body," curated by Sam Contis, Klaus von Nichtssagend Gallery, New York, NY
: "Der Hausfreund (The Family Friend)," University of Applied Arts Vienna, Collection & Archive, Vienna, Austria
: "Straying from the Line," Schinkel Pavilion, Berlin, Germany
: "Overture," Callicoon Fine Arts, New York, NY
: "Count of Three," Alexander Gray Associates, New York, NY
: "Forms of Enclosure," International Print Center New York (IPCNY), New York, NY
2018: "We," RODEO, London, UK
: "The Carnegie International," curated by Ingrid Schaffner, Carnegie Museum of Art, Pittsburg, PA
: "Kathy Acker: GET RID OF MEANING," Badischer Kunstverein, Karlsruhe, Germany
: "Pond and Waterfall," The Gallery at Michael’s Santa Monica, Los Angeles, CA
: "Yesterday, Today Today," Art Space Schloss Buchberg, Gars am Kamp, Austria
2017: "Trigger: Gender as a Tool and a Weapon," New Museum, New York, NY
: "The Whitney Biennial," curated by Christopher Y. Lew and Mia Locks, The Whitney Museum of American Art, New York, NY
2016: "Figurative Geometry," curated by Bob Nickas, Collezione Maramotti, Reggio Emilia, Italy
: "We Are the Center…," curated by Paul O’Neill, Hessel Museum of Art, Annandale-on-Hudson, NY
: "Invisible Adversaries," curated by Tom Eccles and Lauren Cornell, Hessel Museum of Art, Annandale-on-Hudson, NY
: "Blackness in Abstraction," curated by Adrienne Edwards, Pace Gallery, New York, NY
: "The Cypress Broke," Rodeo, London, UK
: "Dropout," organized by Callicoon Fine Arts, Site 131, Dallas, TX
: "Standard Forms," curated by Christian Camacho-Light, Hessel Museum of Art, Annandale-on-Hudson, NY
: "Condo," Callicoon Fine Arts at Rodeo, London, UK
2015: "Painting 2.0: Expression in the Information Age," curated by Manuela Ammer, Achim Hochdörfer, David Joselit and Tonio, Kröger, Museum Brandhorst, Munich, Germany
: "Sorry, I’ve been trying to teach a peacock how to act," Rachel Uffner Gallery, New York, NY
: "I want to be. Inside Out," MOT International, Brussels, Belgium
: "Pretty Raw: After and Around Helen Frankenthaler," The Rose Art Museum, Waltham, MA
: "Quiet Tremors," Kate Werble Gallery, New York, NY
2014: "The Little Things Could be Dearer," curated by Mia Locks, MoMA PS1, New York, NY
: "New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin, Germany
: "Rites of Spring," Contemporary Arts Museum Houston, Houston, TX
: "Looking Back: The Eighth White Columns Annual Selected by Pati Hertling," White Columns, New York, NY
2013: "Descartes’ Daughters," Swiss Institute, New York, NY
2012: "Rosa Arbeit auf goldener Strasse," xhibit, Vienna, Austria
2011: "Dance/Draw," ICA Boston, Boston, MA
: "Living on the Edge of a Silver Future," Galerie 5020, Salzburg, Austria
: "A form is simply something..," Murray Guy, New York, NY
: "Reflecting Abstraction," Vogt Gallery, New York, NY
: "Agitated Histories," Contemporary Museum, Baltimore, MD
2010: "Held Up By Columns," Renwick Gallery, New York, NY
2009: "Ecstatic Resistance," X Initiative, New York, NY
: "Ridykeoulouse Hits Bottom," Leo König Projekte, New York, NY
: "Undigested Kernel (the super-saturated folk-art environment)," General Public, Berlin, Germany
: "Empfindung. Oder in der Nähe der Fehler liegen die Wirkungen," Augarten Contemporary, Vienna, Austria
2008: "MATRIX.," Geschlechter, Verhältnisse, Revisionen, Museum auf Abruf, Vienna, Austria
: "2 or 3 Things I Know About Her," Fogg Museum, Boston, MA
: "The Sound of Things: Unmonumental Audio," New Museum, New York, NY
2007: "Sex in The City," Dumbo Arts Center, New York, NY
: "Put the light out, erase a line," Studio44, Stockholm, Sweden
: "Shared Women," LACE, Los Angeles, CA
: "What F-Word?," Cynthia Broan Gallery, New York, NY
2006: "Flex Your Textiles," John Connelly presents, New York, NY
: "Reality / Play," Orchard, New York, NY
: "If a cat gives birth to kittens in an oven, are they kittens or biscuits?," Roebling Hall, New York, NY
: "Hot Topic," Center for Curatorial Studies (CCS), Bard College, Annandale-on-Hudson, New York, NY
: "Flex Your Textiles," Herbert Street, Brooklyn, NY
: "Heard Not Seen," Orchard, New York, NY
: "Ridykeulous," Participant Inc., New York, NY
2005: "I Beg Your Pardon," Vera List Center for Art and Politics at the New School, New York, NY
2004: "Republican Like Me," Parlour Projects, Brooklyn, NY
: "9 Mütter XX04," Mütter Museum, Philadelphia, PA
: "Visa for Thirteen," PS1 Contemporary Art Center, New York, NY
2003: "Mothers of Invention—Where is Performance coming from," Museum of Modern Art, Vienna, Austria
: "I can’t be you," Andrew Kreps Gallery, New York, NY
2002: "Geschichte(n)," Salzburger Kunstverein, Salzburg, Austria
: "Let’s twist again—If You Can’t Think It, Dance It," Kunsthalle Exnergasse, Vienna, Austria
: "Violence is the Margin of All Things," Generali Foundation, Vienna, Austria
1999: Schnittstelle/Öffentlichkeit, Kunsthalle Exnergasse, Vienna, Austria

Other Exhibitions and Projects

2022: "The Animal Within," curated by Ulrike Müller and Manuela Ammer, mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2018: "Banners for Resentment," Triple Canopy, Issue 25, edition
2015: "Always, Always, Others, curated by Ulrike Müller and Manuela Ammer," mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2013: "Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Oakville Galleries, Toronto, Ontario
2012: "Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Brooklyn Museum, NY and Kunsthaus Bregenz, Austria

Exhibitions and Events with LTTR

2015: "Here We LTTR: 2002–2008," Tensta konsthall, Spånga, Sweden
2008: "WACK! Art and the Feminist Revolution," MoMA PS1, New York, NY
2007: Documenta Magazines, Kassel, Germany
: "Locally Localized Gravity," ICA Philadelphia, Philadelphia, PA
: "Exile of the Imaginary: Politics Aesthetics Love," curated by Juli Carson, Generali Foundation, Vienna, Austria
2006: "Eat The Market," curated by Sam Durant, LACMA, Los Angeles, CA
: Outfest, New York, NY
: Lesbian and Gay Film Festival, London, United Kingdom
: "Hot Topic, Center for Curatorial Studies (CCS)," Bard College, Annandale-on-Hudson, NY
: "When Artists Say We," curated by Andrea Geyer and Christian Rattemeyer, Artists Space, New York, NY
2005: "A WAVE OF NEW RAGE THINKING: Read In," Printed Matter, New York, NY
: "Let’s Take The Role," The Kitchen, New York, NY
: Outfest, New York, NY
: Mix Festival, New York, NY

Performance Works and Selected Performances

2018: journeys with the initiated, e-flux, New York, NY
2011: Dem Bild was erklären, General Public, Berlin, Germany
2009: Herstory Inventory, Sonic Episodes program, Dia Art Foundation, New York, NY
: Herstory Inventory, Issue Project Room, New York, NY
2007: LOVE/TORTURE, part of Put the light out, erase a line, Studio44, Stockholm, Sweden
: LOVE/TORTURE, Art Institute, Chicago, IL
: A Confession, 30 Jahre Frauenzimmer, ega-Galerie, Vienna (with Marie-Therese Escribano)
2006: LOVE/TORTURE, part of MIX, Lesbian and Gay Experimental Film Festival, New York, NY
: LOVE/TORTURE, part of This Strangest of Theatres, Roebling Hall, New York, NY
2005: A Confession, part of Feminism and Activism, Galerie 5020, Salzburg, Austria (with Marie-Therese Escribano)
: One of Us (Freakish Moments), part of LTTR: Let’s Take The Role, The Kitchen, New York, NY
: Situationistinnen und andere…
2004: LOVE/TORTURE (pilot), Experimental Media for Feminist Trespass, Chicago, IL
: A Confession, part of LTTR Explosion, Art in General, New York, NY (with Marie-Therese Escribano)
2002: Situationistinnen und audere…, part of Violence is the Margin of All Things, Generali Foundation, Vienna
1996: Situationistinnen und audere…, Arsenal Cinema, Berlin, Germany

Selected Video Screenings

2022: Mock Rock, Kunsthalle und Kunstmuseum Bremerhaven, Bremerhaven, Germany
2008: Studio Voltaire, London, UK
2007: Positively Neurotic, White Space, Zürich, Switzerland
2006: Every Day, Salzburger Kunstverein, Salzburg, Austria
: Outfest, Los Angeles, CA
: Missbrauch, Bilder davon. Galerie IG Bildende Kunst, Vienna, Austria
: 20th London Gay and Lesbian Film Festival, United Kingdon
: Österreichische Filmgalerie Krems, Vienna, Austria
: VZW Havenfilmfestival, Antwerpen, Belgium
: MM Centre SC, Zagreb, Croatia
: From Mini-FM to Hacktivists, Govett-Brewster Art Gallery, New Plymouth, New Zealand
2005: Pilot Television: New Ground, and UP!, Care Of Gallery, Milano, Italy (traveled to Artmosphere, Vienna; and Galerie 5020, Salzburg, Austria)
: San Francisco Cinemateque, CA
: Outfest, Los Angeles, CA
: MIX Festival, New York, NY
: Internationales Videofestival Bochum, Germany
: Diagonale, Festival of Austrian Film, Graz, Austria
2004: Revolt She Said, Forde – Espace d’art contemporain, Geneva, Switzerland
: Viper Basel Festival, Basel, Switzerland
: Cinematexas Filmefestival, Austin, TX
: Viennale, International Film Festival, Vienna, Austria
: Bildinventur, Saumarkttheater Feldkirch, Austria
: backup_festival, Weimar, Germany
: 33. Internationales Filmfestival Rotterdam, Netherlands
2003: Breaking News, Judson Church, New York, NY
: Perform, Theater am Saumarkt, Feldkirch, Austria
2001: Der transparente Raum by Valie Export, Vienna, Austria
: Femme:os, Frauenkulturfestival, Siegharding, Austria
2000: Instant Island, Praterstern, Vienna, Austria

Artist Monographs

2017: Ulrike Müller: Always, Always, Others. mumok – Museum Moderner Kunst, Vienna, Austria; and Dancing Foxes Press, Brooklyn, NY
2014: Herstory Inventory: 100 Feminist Drawings by 100 Artists, Dancing Foxes Press, Brooklyn, NY
2012: Ulrike Müller: Franza, Fever 103 and Quilts, Dancing Foxes Press, Brooklyn, NY
2006: Work The Room. A Handbook on Performance Strategies. OE & b_books, Berlin, Germany
2005: Every little bit helps,—Ulrike Müller: Two Audio Works. Revolver Books, Frankfurt/Main, Germany
2001: Gruppe JUP (Jane Heiss, Ulrike Müller, Patricia Reschenbach): SituationistInnen und andere … (Women Situationists and others; with an afterword by Renee Green). b_books, Berlin

Bibliography

2022: The Animal Within – Creatures in (and outside) the mumok Collection, exhibition publication, edited with Manuela Ammer, Manuel Millautz. mumok – Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria
2021: Smith, Roberta. 4 Art Gallery Shows to See Right Now, The New York Times, February 24. Online and print.
: Gregg Bordowitz. "It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals"," ArtForum, March, online and print. pg. 51-52.
2020: Amy Zion & Ulrike Müller. "The Conference of the Animals: Conversation between the Curator Amy Zion and the Artist Ulrike Müller," Springerin, Winter Spring-2020/2021, online and print.
: Cooke, Lynne. Lynne Cooke’s Top Ten Highlights of 2020, ArtForum, December. Online and print
: Handy, Bruce. Can Kid Art Be Real Art?, The New Yorker, December 14. Online
: Gregg Bordowitz. It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals”, ArtForum, March issue. Online and print, pg. 51-52
: Artist Ulrike Müller, Springerin, Winter/Spring-2020/2021. Online and print
2019: Stillman, Steel. "Ulrike Müller: In the Studio," Art in America, November, print. pg. 82–91.
: Bingaman, Brian. "Moore College galleries to welcome a series of visiting curators," The Reporter, September 15, online
: Salisbury, Stephan. "Moore brings in a Whitney Biennial curator and two other high-powered women to create edgy exhibitions at the art school," The Philadelphia Inquirer, August 20. Print and online.
: Davis, Ben. "Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition," ArtNet News, May 9, online
: Davis, Ben. "Can’t Make It To the Venice Biennale? See Every Artist in the Arsenal Section of the Sprawling Exhibition," ArtNet News, May 9, online
: Higgie, Jennifer. "58th Venice Biennale Review: Brilliance and Bluster," Frieze, May 9, online
: Lubitz, Joseph. "Overture: A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz," The Brooklyn Rail, March 11, web and print.
: Nadja Abt, "Charged Freight," Texte Zur Kunst, March 2019, Issue No. 113, online and print
: Taylor, Stanton. "Ulrike Müller’s Dedramatized Formalism," Frieze, January 16, online
: Schwendener, Martha. "Critic’s Notebook, Pittsburgh Report: Five Places for Healing Through Art," The New York Times, January 2, online and print
2018: Trebing, Saskia. "Zu Den Waffen," Monopol, November 2018, print, pg 112.
: Woeller, Marcus. "Die schöne Schwester," Die Welt, November 17, online
: Taylor, Stanton. "Critics’ Guide: The Best Shows to See in Dusseldorf," frieze, November 15, online
2017: Schwabsky, Barry. "Without Warning: Margins and the Mainstream at the New Museum’s “Trigger.”" The Nation, January 26, online
: Johnson, Rindon. "Art Seen, Trigger: Gender as a Tool and a Weapon," The Brooklyn Rail, December 13, online
: Cotter, Holland. "Let (Gender) Confusion Reign," The New York Times, September 29, print, pg. c13, c16
2016: Swanson, Carl. "In a New Museum Exhibit, Artists Challenge Their Assumptions About Gender — and Ours," New York Magazine, September 18, print
: Pobric, Pac. "Snapshot from a brighter moment: the 2017 Whitney Biennial reflects a pre-Trump America," The Art Newspaper, March 16, online
: Farago, Jason. "The Biennial: A User’s Guide, The New York Times," March 9, pgs C1 & C4, print
: Kabat, Jennifer. "2016 Highlights: Jennifer Kabat," frieze.com, December 9, online
: Hanson, Sarah P. "Biennial-bound artists take a bow in Miami," The Art Newspaper, December 2, print, pg. 1, 4.
: Birkenstock, Eva. "Best of 2016: Eva Birkenstock," ArtForum, December 1, print, pg. 208.
: Loos, Ted. "Important Arts Fair Looks for Balance in Miami Beach," The New York Times, December 1, print, pg. S1.
: Haidu, Rachel. "Ulrike Müller, 4 Columns," October 21, online
: Farago, Jason. "Ulrike Müller," The New Yorker, October 31, print, pg.18.
: Phaidon Editors. "Ulrike Müller – Why I Paint," Phaidon, Vitamin P-3 Feature, October 17, online
: Lochner, Oona. "Ulrike Müller — mumok, Wien," Frieze, February 17, online and print, pgs. 136-138.
: Allen, Jennifer and Schiesser, Giaco. "The Impermanent Collection, Mousse Magazine," no 52, February 16, print, pg. 90-97.
: Thorne, Harry. "Current Shows: Condo," Frieze, February 2, online and print, pgs. 136-137.
: Stakemeier, Kerstin. "Ulrike Müller, Museum of Moderner Kunst Stiftung Ludwig Wien, Vienna," Artforum, February, print, pg. 228-229.
2015: Hausbichler, Beate. "Es geht mir um eine Suche nach Ausdrucksweisen," diestandard.at, November 28, online
: Hausbichler, Beate. "Wenn Form und Gebrauch streiten," derStandard.at, November 28, online
2021: Joseph, Branden W. "Ulrike Müller: The Old Expressions Are With Us Always and There Are Always Others," Artforum, September, online and print
: Smith, Roberta. "Collecting for Pleasure, Not Status," The New York Times, May 15, 2015. p C29, print
2015: Smith, Roberta. "15 Group Shows Not to Miss," The New York Times, pg. C27, 29-30, January 30, print
2014: Goldstein, Andrew. "10 of the Best Artworks at Frieze London 2014 (Plus One Bonus)," Artspace, October 17, online
: Donovan, Thom, "Herstory Inventory: 100 Feminist Drawings by 100 Artists," BOMB Magazine, Spring, Number 127, pg. 22-23, print
: Smith, Roberta. "‘Looking Back’: ‘The Eighth White Columns Annual’," The New York Times, February 14, pg. C30, print
: W.V. "Reviews in Brief: 6 New York Gallery Shows to See This Month," Modern Painters, February 10, online
: Smith, Roberta. "Ulrike Müller: ‘WEATHER’," The New York Times, February 7, p. C20, print
: Saltz, Jerry. "Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer," Vulture, January 30, online
: Smith, Roberta. "Art in Review: Moira Dryer Project," New York Times, January 16, pg. C36, print
2013: Heinrich, Will. "‘Descartes’ Daughter’ at the Swiss Institute," The New York Observer, October 1, online
2012: O’Neil-Butler, Lauren. "Reviews: Ulrike Müller," Brooklyn Museum. Artforum, September
: Schwendener, Martha. "Collaborative and Solo, With a Certain Feminist Bent," The New York Times, September 7
: Cotter, Holland. "The Week Ahead: Ulrike Müller," The New York Times, September 2
: Stakemeier, Kerstin. "Ulrike Müller," Springerin. Hefte für Gegenwartskunst, Issue 3
2011: Fitzpatrick, Corrine. "500 Words: Ulrike Müller on Herstory Inventory at the Kunsthaus Bregenz," Artforum.com, May 21
: Ulrike Müller (picture spread), Texte zur Kunst: Heft 82, June, print. pgs. 182-187
: Steinman, Megan. "Friends of the Fine Arts," In: Dance/Draw. The Institute of Contemporary Art: Boston, pp 126-127
: Cvetkovich, Ann. "The Queer Art of the Counterarchive," In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. ONE National Gay & Lesbian Archives: Los Angeles, CA, pp 32-35
: Grant, Catherine. "Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art," Oxford Art Journal 34.2
: Ammer, Manuela. "K8 Hardy & Ulrike Müller," Frieze, January 1, online.
2010: Stöppel, Daniela. "Kein Entweder Oder," In: Texte zur Kunst, December, print.
: Schurian, Andrea. "Kairos Biennale will erobert werden," In: Der Standard, December 17
: Arons, Philip E. und Roth, Andrew (Hg.), "LTTR," In: Numbers. Serial Publications by Artists Since 1955. PPP Editions/JRP Ringier Kunstverlag: Zürich
: Vogel, Wendy. "Where Does the Caged Bird Sing? On Louise Lawler’s Bird Calls and its Critical Afterlives," In: Core Yearbook 2009-2010, Museum of Fine Arts, Houston
: Judson, Ben. "IAIR 10.1," In: Art Lies. A Contemporary Art Quarterly, Nr 66, Sommer
: Baldon, Diana. "Cultivated Schmäh, Performances of Culture," In: FlashArt, July-September
2009: Hallensleben, Markus. "Importing Valie Export: Corporeal Topographies in Contemporary Austrian Body Art," In: Modern Austrian Literature Vol.43, No.3
2008: Schröder, Barbara. "LTTR," In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, Heft 45, June, print, pgs. 41-44
: Hochdörfer, Achim. "Curiosity Drawings," In: springerin, Band XIV Heft 3, Sommer 2008, Vienna
: Slanar, Claudia. "Lillian & Alice. In: Matrix," exhibition catalog, MUSA, Vienna
: Tattersall, Lanka. "One or Two Things I Know About Her," exhibition brochure, CCVA, Harvard University
2007: Cotter, Holland. "Sex in the City," New York Times, Art in Review, November 24
: Molesworth, Helen. "World’s Apart," Artforum International, May, pp 101-102
: Cotter, Holland. "Collective Creation In Philadelphia and Beyond," New York Times, March 21, p E5
2006: Samson, JD and Roysdon, Emily. ANP Quarterly, Issue 5, Fall
: Bryan Wilson, Julia. "Repetition and Difference," Artforum International, Summer
2004: Cotter, Holland. "Explosion LTTR," New York Times, August 06, p E35

Awards, Fellowships, and Grants

2020: Prize of the Böttcherstrasse, Kunsthalle Bremen, Germany
2011: Astraea Lesbian Foundation for Justice, Visual Arts Fund Award
2010: Printed Matter Award for Artists
2006: Visiting Scholar, New York University (with LTTR)
2005: Printed Matter Residency, New York (with LTTR)
2004: PS 1 International Studio Program, New York
1997: MAK Schindler Residency, Los Angeles

Teaching Experience

2014-2021: Co-chair of Painting, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
2019: Alex Katz Chair in Painting, Cooper Union, New York, NY
: Visiting Critic, Yale School of Art, New Haven, CT
2016: Adjunct Faculty, Cooper Union, New York, NY
2014-2015: Visiting Critic, Yale School of Art, New Haven, CT
2014: Adjunct Faculty, Painting Department, Yale School of Art, New Haven, CT
2012-2013: Faculty, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
2008-2013: Faculty, VCFA, Vermont College of Fine Arts, Montpelier, VT
2007-2008: Guest Lecturer, Academy of Fine Arts, Vienna, Austria

Catalogues and Publications

2023: Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 322-323, 2023
: Gilman, Claire and Roger Malbert. "Drawing in the Present Tense," Thames & Hudson, New York, NY, pg 180-181, 2023.
2022: Dragging Away: Queer Abstraction in Contemporary Art, by Lex Morgan Lancaster, Duke University Press
2020: Closer to Life. Annandale-on-Hudson, NY: Hessel Museum of Art, CCS Bard. Collection catalogue
2017: Ammer, Manuela, Karen Kelly, and Barber Schröder. “Always, Always, Others,” mumok, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, and Dancing Fox Press, Brooklyn, 2017
: Burton, J., and Bell, N. (2017). Trigger: Gender as a Tool and a Weapon. Pg 124-127. New Museum.
2016: Blackness in Abstraction. New York, NY: Pace Gallery. Exhibition Catalogue
: Painting 2.0: Expression in the Information Age. Munich, Germany: Museum Brandhorst. Exhibition Catalogue
: Müller, Ulrike, Bulletin, 2006, Queer, edited by David J. Getsy, Documents of Contemporary Art, White Chapel Gallery London, The MIT Press, Cambridge, Massachusetts, p. 173-174.
2015: Editors and fugitives / Ulrike Müller in conversation with Harmony Hammond. In: Pink Labor on Golden Streets — Queer Art Practices. Academy of Fine Arts Vienna, Vol. 17/Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.). Berlin, Germany: Sternberg Press
2014: A conversation with Ulrike Müller in: Art and the Critique of Ideology After ’89. Kunsthaus Bregenz/Eva Birkenstock, Max Jorge Hinderer Cruz, Jens Kastner, and Ruth Sonderegger (Eds.). Bregenz, Austria: Verlag der Buchhandlung Walther König
2013: Ulrike Müller, in Conversation with Ann Cvetkovich, Celeste Dupy-Spencer, Leidy Churchman, MPA, Nancy Brooks Brody, and many others. In: Opulente Figuren. Katrin Mayer (Ed.), Hamburg, Germany: Materialverlag-HFBK
: Putting the Invent in Inventory: Ulrike Müller with Corrine Fitzpatrick. ArtJournal, Vol. 72, no. 2, Summer, New York, NY: CAA
2012: Very Abstract and Really Figurative. In: Painting— The Implicit Horizon. Eds. Avigail Moss, Kerstin Stakemeier. Maastricht, the Netherlands: The Jan van Eyck Academie. pgs. 150-180
: Artist Project: Herstory Inventory. In: Coming After: queer time, arriving too late and the spectre of the recent past. Artist book by Jon Davies, Sharon Hayes, Zoe Leonard, Ulrike Müller (Authors), and Jimmy Robert (Artist). Toronto, Ontario: The Power Plant
: Hochdörfer, Achim and Barbara Schröder. “Ulrike Müller, Franza, Fever 103, and Quilts,” Austrian Federal Ministry for Education, the Arts and Culture. Dancing Foxes Press, NY, 2012
2011: Notes on Herstory Inventory: A Collaborative Work in Process. In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. Los Angeles, CA: ONE National Gay & Lesbian Archives
: Just Like That, But Different: A Conversation among Friends of the Fine Arts – Leidy Churchman, Celeste DuPut-Spencer, Ulrike Müller and Barbara Schröder, In: The first 3 years of Ludlow 38. Tobi Maier, Antonia Lotz (Eds.). New York, NY: Spector Books/ Goethe-Institut. pgs. 133-135
2010: Das Ist Programm/Artists of The Gallery. Munich, Germany: Steinle Contemporary. Exhibition Catalog
2009: An Idea-Driven Social Space (with Andrea Geyer). Grey Room 35, Spring, Cambridge, MA: MIT Press
: Catherine Opie: American Photographer. In: Springerin, Band XV, Heft 1, Winter, Wien
: Empfindung – Oder in der Nähe der Fehler liegen die Wirkungen, Vienna, Austria: Augarten Contemporary. Exhibition Catalog
2008: Feminist Time. Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto (conversation). Greyroom 31, Spring, Cambridge, MA: MIT Press
: From the Shadows. (written with Gregg Bordowitz). In: The Light Club: On Paul Scheerbart’s "The Light Club of Batavia” by Josiah McElheny. Chicago, IL: University Of Chicago Press.
2007: Positively Nasty in Hamburg. Ulrike Müller und Ginger Brooks Takahashi im Aktualisierungsraum Hamburg. In: Hugs and Kisses #1, Hamburg
: Sue Williams, Dessert, 1990. In: Kiss Kiss Bang Bang. 45 Years of Art and Feminism. Museo De Bellas Artes De Bilbao, Bilbao, Spain.
: Be A Bossy Bottom! Interview with the queer-feminist collective LTTR. In: Malmoe #37, Vienna
: Nicht im Einklang. A Conversation with Belinda Kazeem und Ulrike Müller. In: Bildpunkt, Spring, Vienna
2006: Franz Erhard Walther. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP
: Timeline 1967-1975. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP
: K8 Hardy and Ulrike Müller. In: North Drive Press #3, New York, 2006
: Mock Rock and On Mock Rock (Videos). On: As She Likes It. Female Performance Art from Austria. Index DVD 023
: To Act Critically. In: Let’s twist again—If You Can’t Think It, Dance It. Performance in Vienna from 1960 until today. Stefanie Seibold und Carola Dertnig (Eds.), DeA Verlag
2005: Curiosity Drawings. In: Bildpunkt, Fall, Vienna
2003: No Land Ho. Kathy Acker’s Literature of the Body. In: Springerin, January
: Angst/Anxiety and G-Train to Queens. On: LTTR #2 (Audio-CD)
2002: Untitled drawings (with Patricia Reschenbach). In: Violence is the Margin of All Things. Subject Relations, Political Militancy and Artistic Procedures. Generali Foundation, Exhibition Catalog
: Because I’m a fag and I’m also a feminist. In: Malmoe #10
2001: Freie Klasse Wien. In: Education Information Entertainment. Current Approaches on Higher Artistic Education. Institut für Gegenwartskunst, Ute Meta Bauer (Ed.). mit Freie Klasse Wien
2000: Working Poor (Comic). In: infection manifesto # 3, 2000
: <re:tracing the feminist art program>. In: Dialoge und Debatten. An International Symposium on Feminist Positions in Contemporary Visual Arts. Künstlerinnenhof Die Höge / Dorothee Richter (Ed.)
1998: Martha Rosler: Domination and the Everyday. In: Starship #1

Artist Editions

2022: Containers, olive oil packaging, mumok – Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria
: Cat Music, silk scarf, Griffelkunst, Hamburg, Germany
2020: Filo, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
: Assorted, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
: Petit Beurre, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
2019: Spekulatius, collagraph, edition of 50 Printed by 10 Grand Press: Published by Phileas for Phileas Holiday Edition, Vienna, Austria
: May You Live in Interesting Times, espresso cup and cappuccino cup set, with artists Cameron Jamie, AD Moniliti, Slavs and Tatars, illy Art Collection
: Venice Art Biennale, illycaffé, Trieste, Italy
2018: Banners for Resentment, Triple Canopy, Issue 25, New York, NY
2015: Rug (gato verde), mumok – Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria

Visiting Artists Talks

2022: Hochschule für Bildende Kunst – Städelschule, Frankfurt, Germany
: Hunter MFA, New York, NY
2020: Akademie der Bildenden Künste München, München, Germany
2019: Carnegie Mellon University, Pittsburgh, PA
2018: Columbia University, New York, NY
: Temple University, Philadelphia, PA
: Paint School, New York, NY
: Boston University, Boston, MA
2017: Virginia Commonwealth University, Richmond, VA
2016: Rutgers University, New Brunswick, NJ
2015: Art Institute of Chicago, Chicago, IL
: The New School, New York, NY
2007: International Center for Photography (ICP-Bard), New York NY
2006: California Institute of the Arts, Valencia, CA

Public Collections

: Carnegie Museum of Art, Pittsburgh, PA
: The Cleveland Museum of Art, Cleveland, OH
: Hessel Museum of Art, Annandale-on-Hudson, NY
: JoAnna Gonzalez Hickey Collection, New York, NY
: J.P. Morgan Chase, New York, NY
: Lumber Room, Portland, Oregon
: Museum of Applied Arts (MAK), Vienna, Austria
: The Museum of Modern Art, New York, NY
: mumok – Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
: Oesterreichische Nationalbank, Vienna, Austria
: Phileas – Fund for Contemporary Art, Vienna, Austria
: Tiroler Landesmuseen, Innsbruck, Austria

Rodney McMillian

1969: Born in Columbia, South Carolina
: Lives and works in Los Angeles, CA

2002: MFA, California Institute of the Arts, Valencia, CA
2000: Skowhegan School of Painting and Sculpture, Skowhegan, ME
: School of the Art Institute of Chicago, Chicago, IL
: Post-Baccalaureate Certificate, Presidential Scholar
1998: BFA Program, School of the Art Institute of Chicago, Chicago, IL
1991: BA Foreign Affairs, University of Virginia, Charlottesville, VA

Selected Solo Exhibitions

2024: "The Land: Not Without a Politic," Marta Herford Museum for Art, Architecture and Design, Herford, Germany
2023: "Landscape in Red," Vielmetter Los Angeles, Los Angeles, CA
2022-2023: "Regarding Violence," Petzel Gallery, New York, NY (Link)
2020: “Body Politic,” Vielmetter Los Angeles, Los Angeles, CA
: “Historically Hostile,” Blaffer Museum of Art, Houston, TX
: "Recirculating Goods," Petzel Gallery, New York, NY
2019: “Rodney McMillian: Videos from The Black Show,” Underground Museum, Los Angeles, CA
: "New Work: Rodney McMillian," San Francisco Museum of Modern Art, San Francisco, CA
2018: "Against a Civic Death," The Contemporary Austin, Austin, TX (Link)
2017: “Rodney McMillian: a great society,” Art Institute of Chicago, Chicago, IL (Link)
2016: "Chisholm’s reverb," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Views of Main Street," Studio Museum in Harlem, New York, NY (Link)
: "New Media Series: Rodney McMillian," St. Louis Art Museum, St. Louis, MO
: “The Black Show,” Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA (Link)
2015: "Landscape Paintings," Aspen Art Museum, Aspen, CO; traveling to MoMA PS1, New York, NY (Link)
2013: "Against a Civic Death: an overture", Susanne Vielmetter Los Angeles Projects, Culver City, CA
2012: "Prospect Ave.", Maccarone Gallery, New York, NY
2010: "Succulent," Susanne Vielmetter Los Angeles Projects, Culver City, CA; Inaugural Exhibition
2009: "Sentimental Disappointment, Momentum 14: Rodney McMillian," Project series, The Institute of Contemporary Art Boston, Boston, MA
: "rodney mcmillian," haubrok foundation, Berlin, Germany
2008: The Kitchen, New York, NY; curated by Rashida Bumbray
2007: "Jutta Koether / Rodney McMillian," Susanne Vielmetter Berlin Projects, Berlin, Germany
: Neuer Aachener Kunstverein, NAK, Aachen, Germany
: Adamski Galerie, Aachen, Germany
2006: "Odes," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: ArtNova solo presentation, Art Basel Miami Beach, with Susanne Vielmetter Los Angeles Projects
2005: "Untitled (ellipses) III", Triple Candie, New York, NY
: "Rodney McMillian: Untitled," Galleria Estro, Padua, Italy
2004: "on comfort", Gallery Adamski, Aachen, Germany
2003: "Untitled (ellipses) II", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2002: "Untitled", Finesilver Gallery, San Antonio, Texas
: "Untitled (…on love)," Gallery A-402, Valencia, CA

Selected Group Exhibitions

2024: "RETROaction," Curated by Kate Fowle in collaboration with Homi K Bhabha, Charles Gaines, and Ellen Tani, Hauser and Wirth, Los Angeles, CA
2023-2024: "de montañas submarinas el fuego hace islas," KADIST, San Francisco, CA
: "The 14th Shanghai Biennale: Cosmos Cinema," Power Station of Art, Shanghai, China
2023: "Affective Resistance," University of Irvine, Irvine, CA
: "Customs Cars Cultures," UncleBrother, Hancock, NY
: "The Collection," Haubrok Foundation, Fahrbereitschaft, Berlin, Germany
: "Together in Time: Selections from the Hammer Contemporary Collection," Hammer Museum, Los Angeles, CA
: "Re-Materialized: The Stuff that Matters," kaufmann repetto, New York, NY
: "Old Wounds, Dark Dreams," Art Galleries at Black Studies, The University of Texas at Austin, Austin, TX
: "13 Women: Variation II," Curated by Heidi Zuckerman, Orange County Museum of Art, Santa Ana, CA
: "It’s Time," Vielmetter Los Angeles, Los Angeles, CA
2022: "Black Sounds Project," Colorado Springs Fine Arts Center, Colorado Springs, CO
: "Plants Now!" Vielmetter Los Angeles, Los Angeles, CA
: "2022 Invitational Exhibition of Visual Arts," American Academy of Art and Letters, New York City, NY
: "Whitney Biennial 2022: Quiet as It’s Kept," Whitney Museum of American Art, New York, NY
: "Dustress Tolerance," Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY
: "The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse," Virginia Museum of Fine Arts, Richmond, VA
: "Nocturnal," Torrance Art Museum, Torrance, CA
2021-2022: "Prospect.5: Yesterday we said tomorrow," The Hancock Whitney Welcome Center, New Orleans, LA
: "The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse," Contemporary Art Museum Houston, Houston, TX
2021: "Time-Slip," Petzel Gallery, New York, NY
: “I don’t know you like that: The Bodywork of Hospitality,” Bemis Center, Omaha, NE
: "Church for Sale," The Haubrok Collection and the National Gallery Collection, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
: "Yesterday we said tomorrow," Prospect.5, New Orleans, LA (Link)
: "AB.7: Eclipse," Athens Biennial, Athens, Greece (Link)
: "Altered States," Rebecca Camacho Presents, San Francisco, CA
: “Pushing the Margins: A Survey of LA Artists," curated by Charles Gaines, Galleri Opdahl, Stavanger, Norway (Link)
: "Hiding in Plain Sight," Pace Gallery, New York, NY (Link)
: "Our House: Selections from MoCA’s Collection," Museum of Contemporary Art (MoCA), Los Angeles, CA
: "20 Years Anniversary," Vielmetter Los Angeles, Los Angeles, CA
: "Not I: Throwing Voices (1500 BCE – 2020CE)," curated José Luís Blondet, Los Angeles County Museum of Art, Los Angeles, CA
2020: “Post Performance Video, prospective 1: Los Angeles,” Carré d’art, Nîmes, France
: “States of Mind: Art and American Democracy,” Moody Center for the Arts, RICE University, Houston, TX
: "Mojo Rising," CalState LA Ronald Silverman Gallery, Los Angeles, CA
: "20 Years Anniversary," Vielmetter Los Angeles, Los Angeles, CA
2019: "New Order: Art and Technology in the Twenty-First Century," Museum of Modern Art, New York, NY
: "Parts of Speech," MCA Chicago, Chicago, IL (Link)
: "Dirty Protest: Selections from the Hammer Contemporary Collection," Hammer Museum, Los Angeles, CA
: "Inaugural Exhibition," Vielmetter Los Angeles, Los Angeles, CA
2018: "West by Midwest," MCA Chicago, Chicago, IL
: "Say It Loud," 22 London, Asheville, NC
: ”One Day at a Time: Manny Farber and Termite Art," Museum of Contemporary Art (MoCA), Los Angeles, CA
: "Welcome to the Dollhouse," Museum of Contemporary Art (MoCA), Pacific Design Center, Los Angeles, CA (Link)
: “Bounty,” Grice Bench, Los Angeles, CA
: "Painting Now and Forever Part III," Greene Naftali Gallery and Matthew Marks, New York, NY (Link)
2018-2020: “Michael Jackson: On the Wall,” National Portrait Gallery, London, UK; travelled to: Grand Palais, Paris, France; Bundeskunsthalle, Bonn, Germany; Espoo Museum of Modern Art, Finland
2017: “Never Free to Rest,” kurimanzutto, Mexico City, Mexico
: “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA
: “Looking at the Overlooked,” curated by Sally Frater, Ulrich Museum of Art, Wichita, KS
: “Living Apart Together: Recent Acquisitions from the Hammer Contemporary Collection,” Hammer Museum, Los Angeles, CA (Link)
: “Midtown,” Lever House, New York, NY
: “In the Abstract,” MASS MoCA, North Adams, MA (Link)
: “Black Light,” CCA Wattis Institute, San Francisco, CA; travelling to Gallery 400, University of Illinois, Chicago, IL
: “Regarding the Figure,” Studio Museum in Harlem, New York, NY
2016: “Making & Unmaking,” curated by Duro Olowu, Camden Arts Centre, London, UK
: “Los Angeles – A Fiction,” Astrup Fearnley Museet, Oslo, Norway, travelling to Musée d’art contemporain de Lyon, Lyon, France (Link)
: “After Pop Life,” curated by Glen Helfand, Minnesota Street Project, San Francisco, CA
: “Frozen World of the Familiar Stranger,” KADIST, San Francisco, CA
: “L.A. Exuberance: New Gifts by Artists,” Los Angeles County Museum of Art, Los Angeles, CA
2015: "Sharjah Biennial 12: The past, the present, the possible, Sharjah, United Arab Emirates
: "Misappropriations: Recent Acquisitions," curated by Dan Cameron, Orange County Museum of Art, Newport Beach, CA
: "Reproduction, Reproduction," California Museum of Photography, University of California Riverside, Riverside, CA
2014: "When the Stars Begin to Fall," The Studio Museum in Harlem, New York, NY; traveling to the NSU Museum of Art, Ft. Lauderdale, FL; and the Institute of Contemporary Art (ICA)/ Boston, Boston, MA
: Ruffneck Constructivists, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, curated by Kara Walker
: "Outside the Lines: Black in the Abstract, Part 2," Contemporary Art Museum Houston, Houston, TX
2013: "Room to Live: Recent Acquisitions and Works from the Collection," Museum of Contemporary Art, Los Angeles, CA, Organized by Bennett Simpson
: "bald eagle," haubrok foundation, Berlin, Germany (Link)
: Homebodies, MCA Chicago, Chicago, IL
: "Selections from the Grunwald Center and the Hammer Contemporary Collection", UCLA Hammer Museum, Los Angeles, CA
: "Selections from the Permanent Collection," organized by Bennett Simpson, Museum of Contemporary Art, Los Angeles
: "no desaster: sammlung haubrok bei falckenberg," Phoenix-Hallen, Harburg, Germany
: The Black Mirror, Diane Rosenstein Fine Art, Los Angeles, CA
2012: Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY, Wexner Center for the Arts, Columbus, OH
: "my.LA," haubrok foundation, Berlin, Germany
2011: VideoStudio, The Studio Museum, Harlem, NY
: The Bearden Project, The Studio Museum, Harlem, NY
: Human Nature, Los Angeles County Museum of Art, Los Angeles, CA
: Seven Los Angeles Artists, Fellows of Contemporary Art, Los Angeles, CA
: "shapes," haubrok foundation, Berlin, Germany
: Agitated Histories, Contemporary Museum, Baltimore, MD; SITE Santa Fe, Santa Fe, NM
2010: Summer Group Show, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus, Project Row Houses, Houston, TX
: The Artists Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA
: About Us (Summer Group Show), Johann Koenig, Berlin, Germany
: New Art for a New Century: Contemporary Acquisitions 00-10, Orange County Museum of Art, Newport Beach, CA
2009: The Moving Image: Scan to Screen, Pixel to Projection II, Orange County Museum of Art, Newport Beach, CA
: "MONITAUR", Aspen Art Museum, Aspen, CO
: Out of School, City of Brea Art Gallery, Brea, CA
2008: 30 Americans, Rubell Family Collection, Miami, FL. Traveling to: North Carolina Museum of Art, Raleigh, NC; Corcoran Gallery of Art, Washington, DC; Chrysler Museum of Art, Norfolk, VA; Milwaukee Art Museum, Milwaukee, WI; Frist Center for the Visual Arts, Nashville, TN
: "it’s about sculpture," haubrok foundation, Berlin, Germany
: California Biennial 2008, Orange County Museum of Art, CA; curated by Lauri Firstenberg
: Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA
: Whitney Biennial 2008, Whitney Museum of American Art, New York, NY
: BLACK IS, BLACK AINT, The Renaissance Society, University of Chicago, Chicago, IL; Museum of Contemporary Art, Detroit, MI; H&R Block Artspace at the Kansas City Art Institute, Kansas City, MO; Temple Gallery At the Tyler School of Art, Philadelphia, PA
: International Artist-in-Residence New Works 08.1 Artpace, San Antonio, TX; curated by Franklin Sirmans
: Mannerfantasien II, Centre for Opinions in Music and Art, Berlin, Germany; curated by Ellen Blumstein
: Disorderly Conduct: Recent Art in Tumultuous Times, Orange County Museum of Art, Newport Beach, CA; curated by Karen Moss
2007: An Atlas of Events, Calouste Gulbenkian Foundation, Lisbon, Portugal; curated by Antnio Pinto Ribeiro, Debra Singer, and Esra Sarigedik
: Touched: Artists and Social Engagement, Armory Center for the Arts, Pasadena, CA
: Philosophy of Time Travel Studio Museum in Harlem, NY; collaboration with Edgar Arceneaux, Vincent Johnson, Matthew Sloly, Olga Koumoundouros
: Hammer Contemporary Collection, UCLA Hammer Museum, Los Angeles, CA
: stop.look.listen: an exhibition of video works, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Haggerty Museum of Art at Marquette University, Milwaukee, WI; Orlando Museum, Orlando, FL; curated by Andrea Inselmann
: Rodney McMillian and Olga Koumoundouros: On A Porch, LAXART, Los Angeles, CA
: USA: American Video Art at the Beginning of the 3rd Millennium, 2nd Moscow Biennale, Moscow, Russia; curated by Hans Ulrich Obrist, Daniel Birnbaum, and Gunnar Kvaran
: Silicone Valley, PS1, Long Island City, NY; curated by Nick Stillman
2006: USA Today, The Royal Academy of Art, London, UK
: Black Alphabet: conTEXTS of Contemporary African American Art, Zachęta National Gallery of Art, Warsaw, Poland; curated by Maria Brewińska
: Ordinary Culture: Heikes/Helms/McMillian, Medtronic Gallery at Walker Art Center, Minneapolis, MN; curated by Doryun Chong
: Painting in Tongues, Museum of Contemporary Art Los Angeles, CA; curated by Michael Darling
: Everybody Dance Now, EFA Gallery, New York, NY; curated by Kathleen Goncharov
: ARCO, Project Booth selected by Christopher Miles; presented by Susanne Vielmetter Los Angeles Projects, Madrid, Spain
2005-2008: Uncertain States of America, Astrup Fearnley Museum of Art, Oslo, Norway; Bard Museum Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; Reykjavik Art Museum, Reykjavik, Iceland; Herning Kunstmuseum, Copenhagen, Denmark; Centre for Contemporary Art, Warsaw, Poland; Le Muse de Srignan, Srignan, France; Galerie Rudolfinum, Prague, Czech Republic; curated by Daniel Birnbaum, Hans Ulrich Obrist, and Gunnar Kvaran
2005: Happenstance, Harris Lieberman Gallery, New York, NY; curated by Lauri Firstenberg
: "Menschensgladbach – Neue Ankufe und Leihgaben", Stdtisches Museum Abteiberg, Mnchengladbach, Germany
: Rouge Wave, LA Louver, Venice, CA
: "Thing – New Sculpture from Los Angeles", UCLA Hammer Museum, Los Angeles, CA
: "Frequency", Studio Museum in Harlem, Harlem, NY
2004: "White Noise", REDCAT, Los Angeles, CA; curated by Clara Kim
: "Central Station", the collection of Harald Falckenberg, La Maison Rouge / Foundation Antoine de Galbert, Paris
: "Currents: African American Video Art Today", Cheekwood Museum of Art, Nashville, TN
: "Seeds and Roots: Selections from the Permanent Collection", The Studio Museum Harlem, Harlem, NY
: "New Balance Frontier", No Name Exhibitions @ The Soap Factory, Minneapolis, MN; curated by Aimee Chang
: "First Person", a Video Art Exhibition on DVD (with Carla Herrera-Prats and Anne-Julie Raccoursier), Sala de Arte Publico Siqueiros, Mexico City, Mexico; curated by Pilar Villela
: "Powering Up/Powering Down", a Technica Radica Conference, University of California, San Diego, CA
: "New", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA; collaboration with Edgar Arceneaux; inaugural exhibition
: "Now is a good time", Andrea Rosen Gallery, New York, NY; curated by Dean Valentine
: "FADE – African American Artists in Los Angeles – A Survey Exhibition", Luckman Gallery and University Fine Arts Gallery, Cal State Los Angeles, CA; curated by Malik Gaines
2003: "Gibt’s mich wirklich – Vier Raeume aus der Sammlung Schuermann", K21, Duesseldorf, Germany
: aufgeschraubt & abgestaubt IIDie Sammlung im Prozess der Neuprasentation, Ludwig Forum, Aachen, Germany
: "Veni Vidi Video", The Studio Museum Harlem, Harlem, NY; curated by Christine Kim
: "Urban Aesthetics", California African American Museum, Los Angeles, CA; curated by Sandra Rowe
2002: "A Show That Will Show That A Show Is Not Only A Show", The Project, Los Angeles, CA; curated by Jens Hoffman
: "Messy Fingers", Track 16, Santa Monica, CA; curated by Charles Gaines and Martin Kersels
: "#9", 5301 Sunset Blvd, Los Angeles, CA; with Olga Koumoundouros

Guest Lectures

2024: 2024 Summer Series Speaker Program with Charles Gaines, Anderson Ranch Arts Center, Snowmass Village, CO (forthcoming)
2023: Rodney McMillian in Conversation with Jacob Mason-Macklin, The Studio Museum in Harlem, Harlem, NY
2010: Artist lecture, Performance in collaboration with Tracie D. Morris and Chicava HoneyChild, and Discussion, A Proposition by Rodney McMillian: 13 Unrelated Ideas, The New Museum, New York, NY

Bibliography

2024: e-flux staff. "Rodney McMillian: The Land—Not Without a Politic Marta Herford Museum of Art and Design," e-flux, March 14 (Link)
2023: Dambrot, Shana Nys. "Cultural Labor Day: Arts Calendar August 31 – September 6," LAWeekly, August 30
: Knauss, Christina Lee. "Columbia-born national artist now represented in his home museum," Columbia Regional Business Report, August 24 (Link)
: Nicholson, Zoe. "CMA acquires contemporary works by Columbia native Rodney McMillian, solo exhibit planned," Post And Courier Free Times, August 8 (Link)
: O’Leary, Erin. "It’s Time | Vielmetter Los Angeles," Photography, March 1
: Zuckerman-Hartung, Molly. "Worse Words," The Brooklyn Rail, March (Link)
: Mousse Magazine Staff. "“It’s Time” at Vielmetter, Los Angeles," Mousse Magazine, February 18 (Link)
: Nys Dambrot, Shana. "A Pair of Exhibitions Renovate Portraiture and Perfection at Vielmetter Los Angeles," LA Weekly, February 9 (Link)
: Clayton, Dominique. "The Best Black Art Shows in Los Angeles Right Now," Cultured, January 30
: Platt, Stacy J. "The Dirty South Comes to Denver," Hyperallergic, January 12 (Link)
2022: Kelsey, Meret. "UB Art Galleries’ latest exhibition explores the absurdities of the human body," The Spectrum, November 17 (Link)
: "Church for Sale Works from the Haubrok Collection and the Nationalgalerie Collection," Exhibition Catalogue, Nationalgalerie, Staatliche Museen zu Berlin
: Art Institute of Chicago. "Rodney McMillian: The Great Society," The Art Insitute of Chicago, August 9 (Link)
: Clayton, Jace. "Whitney Biennial 2022," Artforum, June (Link)
: Diehl, Travis. "‘The Bodywork of Hospitality’ Sees Communal Care as a Civic Obligation," Frieze Magazine, February 28 (Link)
: Davis, Ben. "The Prospect 5 Triennial Reflects Contemporary Culture’s Hunger for Widespread Yet Specific Historical Reckoning," Artnet, January 19 (Link)
2021: Williams, Michael Paul. "‘The history of the African American South is really the history of this country’: "The Dirty South" at VMFA opens Saturday," Richmond Times-Dispatch, May 20 (Link)
: "The Act of Surviving is Enough" UCLA School of the Arts and Architecture, January
2020: Wagner, Josh. "Rodney McMillian: ‘Body Politic’ The Enduring Necessity of Memory," Art Now LA, December
: Piejko, Jennifer. "The Crushing Weight of the Comfortable: Rodney McMillian," Mousse Magazine, November 13
: Murray, Yxta Maya. "Art Seen: Rodney McMillian, Body Politic," Brooklyn Rail, November
: Miranda, Carolina. "Newsletter," Los Angeles Times, October 31
: Haddad, Natalie. "Rodney McMillian Deftly Treads the Line Between Politics and Aesthetics," Hyperallergic, October 30
: Preston-Zappas, Lindsay. "Black lives, immigration and politics are focal points of new LA art exhibits," KCRW, October 27
: Pogrebin, Robin. "Black Gallerists Press Forward Despite a Market That Holds Them Back," New York Times, June 25
: Goodman, Jonathan. "Rodney McMillian at Petzel," White Hot Magazine, July 2020
: Schwendener, Martha. "2 Art Gallery Shows to Explore From Home," The New York Times, May 6 (Link)
: Story, John and Philipp Farra. "Hanging With Clarence by Rodney McMillian," Riting, April 15
: Fateman, Johanna. "Goings on About Town: Rodney McMillian," The New Yorker, April
: Laster, Paul. "Upcycling: 5 Artists Inventively Using Reclaimed Materials," Art & Object, April 6 (Link)
: "Petzel Gallery opens a solo exhibition of recent paintings by artist Rodney McMillian," ArtDaily, March 8
: Durón, Maximiliano. "2020 Prospect New Orleans Triennial to Consider America’s ‘Unprecedented’ Political Moment," ArtNews, March 2 (Link)
: Valentine, Victoria L. "Artist List for Prospect New Orleans Triennial Includes Mark Bradford, Willie Birch, Simone Leigh, Dawoud Bey, Glenn Ligon, Karon Davis, Naudline Pierre, and Kevin Beasley," CultureType, March 2 (Link)
: "Prospect New Orleans Announces Artist List for Prospect.5," Artforum, March 2 (Link)
: Angeletti, Gabriella. "Three exhibitions to see in New York this weekend," The Art Newspaper, February 27 (Link)
: Cascone, Sarah. "In LA for Frieze Week? Here Is Our Guide to 22 Mind-Expanding Museum Shows to See If You Want to Venture Beyond the Fairs," artnet, February 11 (Link)
: Aldridge, Taylor Renee. "Critics’ Picks: Rodney McMillian at The Underground Museum," Artforum, February (Link)
: Kane, Ashleigh. "Art shows to leave the house for this month," Dazed, February 8 (Link)
: "Top shows to see during Frieze Los Angeles," Art Newspaper, February 6 (Link)
2019: Russeth, Andrew. "For Dealer Friedrich Petzel, a Successful Gallery Is About Precision, Not Expansion," ArtNews, December 12 (Link)
: English, D., Barat, C., and Lowery, G. D. (2019). Among Others, Blackness at MoMA. Pg 306-307. Museum of Modern Art.
: Pieterson, Mark. "This Hammer Museum Curator Uses Cinema to Educate and Empower," Surface, December 12 (Link)
: Desmarais, Charles. "Rodney McMillian’s cyclorama of displacement at SFMOMA," SF Chronicle, April 29 (Link)
: Gardner, Drake. "Professor’s new exhibition explores homelessness, inequality in America," Daily Bruin, April 30 (Link)
: Shindel, Dan. "A New, Highly Eclectic Space for Arthouse Films in Los Angeles," Hyperallergic, April 19 (Link)
: "The Twenty Five," Cultured, February/March
: Lorin, Guillaume. "BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA," CHOQ, March 28 (Link)
: Ambramovich, Alex. "Termite Art and the Modern Museum," New Yorker, February 28 (Link)
: Volpicelli, Anna. "Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals," 7×7, January 8 (Link)
2018: Balzar, C., Puvogel, R., and; Zybok, O. (2021). Beyond the Box, Dohmen Collection. Pg 118-121. Dr. Cantz’sche Verlagsgesellschaft mbH & Co. KG.
: Knight, Christopher. "Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now," Los Angelest Times, October 19 (Link)
: Wouk Almino, Elisa. "Helen Molesworth’s Last MOCA Exhibition Is an Act of Love," Hyperallergic, November 13 (Link)
: Rus, Mayer. "Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home," Architectural Digest, November 11 (Link)
: Smith, Roberta, "Painting: An (Incomplete) Survey of the State of the Art," New York Times (web), August 2 (Link)
: Raji, Michelle, "Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote," Texas Observer (web), July 6 (Link)
: Eckart, Stephanie, "How Nearly 50 Artists’ Attempted to Do the Impossible: Illustrate Michael Jackson’s Enormous Influence and Legacy," W Magazine (web), July 8 (Link)
: Raji, Michelle, "Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote," Texas Observer (web), July 6 (Link)
: Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)
: Bass, Shermakaye, “Exhibit at Contemporary explores the architecture and politics of race,” My Statesman (web), March 14 (Link)
: Olsen, Ivy, "Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’," The Art Newspaper (web), February 20 (Link)
: Petrossiants, Andreas, "’I hear it everywhere I go’ at Franklin Street Works," Brooklyn Rail (web), February 7 (Link)
: Greenberger, Alex, "San Antonio Museum of Art Acquires Works by Kevin Beasley, Rodney McMillian, Martine Syms," ArtNews (web), January 25 (Link)
: Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)
2017: Maldonado, Devon Van Houten, “ ‘Never Free to Rest’ at kurimanzutto, Mexico City,” art agenda (web), November 27 (Link)
: Hunter, Becky Huff, “Waging an Artist’s War,” Sculpture, January / February (Cover and Feature) (Link)
: Curtis, Frieda, “SLAM spotlight: Rodney McMillian’s ‘A Migration Tale’,” Student Life (web), February 20 (Link)
2016: Hine, Thomas, “Two shows at ICA: One head-scratcher, one sly use of space,” Philly.com (web), March 12 (Link)
: Moon, Kavior, “Previews: Rodney McMillian,” Artforum, January
: Plokarz, Tina, “Rodney McMillian’s sinister The Black Show at the ICA,” artblog (web), March 9
: Kennedy, Randy, “Turning Discarded Items into Art About Race in America,” The New York Times, March 23 (Link)
: Kaplan, Isaac, “If You Don’t Understand Conceptual Art, It’s Not Your Fault,” Artsy (web), March 31 (Link)
: Smith, William S., “Post-Consumer Report: A Conversation with Rodney McMillian,” Art in America (web), April 25 (Link)
: Harren, Natilee “Knight’s heritage: Karl Haendel and the Legacy of Appropiration, Episode 2, 2012,” Art Journal Open (web), April 22 (Link)
: Quinton, Jared, “Rodney McMillian’s Sobering, Irreverent Take on Race in America,” art21 magazine (web), May 2
: Pobric, Pac, “Rodney McMillian and the Poetry of the Past,” The Art Newspaper (web), May 4
: Standley, Michelle, “Rodney McMillian: Views of Main Street,” The Brooklyn Rail (web), June 3
: Blair, Courtney Willis, “4Questions: Rodney McMillian,” Forbes (web), June 23
: Gopnik, Blake, “THE DAILY PIC: The Studio Musuem in Harlem shows his domestic minimalism,” ArtNet News (web), June 27
: Sutton, Kate, “Through the Portal,” Cultured, June (Link)
: Wagner, Sandra, “Sweat Equity: A Conversation with Ruben Ochoa,” Sculpture Magazine, September
: Harris, Jane Ursula, “Rodney McMillian,” Art in America (web), September 17
: Mizota, Sharon, “Review: How white tables set with black vases serve as a reminder of the struggler for civil rights,” Los Angeles Times, September 19
: van Ryzin, Jeanne Claire, “Rodney McMillian wins inaugural $100,000 Suzanne Deal Booth art prize,” Austin American-Statesman (web), October 30
: Crow, Kelly, “Rodney McMillian Wins Inaugural Suzanne Deal Booth Art Prize,” The Wall Street Journal (web), October 31
: Cascone, Sarah, “Rodney McMillian Wins First $100,000 Suzanne Deal Booth Prize,” artnet news (web), November 3
: Lynch, Scott, “New Art & Notorious MSG at PS1 Spring Open House,” Gothamist (web), April 4
: Moffitt, Evan, “Rodney McMillian,” frieze (web), June 23
2015: Zuckerman, Heidi. "Rodney McMillian: Landscape Paintings," Aspen Art Museum, Aspen Art Press, Aspen, Colorado, Distributed by Artbook, D.A.P., New York, NY
: Travers, Andrew, Aspen Times Weekly: Current Events, The Aspen Times, March 26
: Benedetti, Christine, Landscape Paintings and Second Chances Make AAM Debut, Aspen Daily News, March 27
: Travers, Andrew, Rodney McMillian puts landscapes to bed in Aspen Art Museum show, The Aspen Times, May 22
: Weatherford, Mary, The Artists Artists: Mary Weatherford, Artforum, December
2014: Bader, Graham, Review: Outside the Lines at Contemporary Art Museum Houston, Artforum, April
: Lax, Thomas, Rodney McMillian, catalogue for When the Stars Begin to Fall, Studio Museum Harlem, Spring
2013: Petry, Michael, "Nature Morte: Contemporary Artists Reinvigorate the Still Life," London: Thames & Hudson, October
: Ise, Claudine, "There is nothing cozy about MCA’s ‘Homebodies’," The Chicago Tribune, July 17
: Soto, Paul, Rodney McMillian, Flash Art, May
: Cotter, Holland, Mood Indigo: A Playlist for the Mind. Blues for Smoke at the Whitney Museum, New York Times, February 7
: Friedwald, Will, "The Jazz Scene: Even Uptown Gets the Blues," The Wall Street Journal, February 7
: Kiyoizumi, A.J., Artist Rodney McMillian Discusses Process: Los Angeles Artist Melds the Political and Artistic with Keen Performances, The Daily Californian, April 9
: Mizota, Sharon, Rodney McMillian on the puppets of politics, Los Angeles Times, January 24 (Link)
2012: Wilson, Michael, Rodney McMillian at Maccarone, Art Forum, December
: Schultz, Charles Marshall, New York: Rodney McMillian at Maccarone, Art in America, December
: Schwarting, Jen, Rodney McMillian Prospect Ave, The Brooklyn Rail, November
: Knight, Christopher, Blues Reverberates at MOCA, The Los Angeles Times, October 29
: Johnson, Reed, MOCA’s ‘Blues for Smoke’ riffs on a wider aesthetic, The Los Angeles Times, October 27
: Wood, Mikael, "MOCA Examines Blues Music", Los Angeles Confidential, October
: Boucher, Brian, Maccarone to Expand in West Village, Art in America, March 13
: "The Bearden Project", exhibition catalogue; The Studio Museum in Harlem, NY
: Simpson, Bennett, Blues for Smoke, exhibition catalogue; The Museum of Contemporary Art, Los Angeles, CA
2011: Simpson, Bennett, And Your Mind Will Follow, Artforum, October
: Muchnic, Suzanne, 50 years of support- and changing tastes- at the Los Angeles County Museum of Art, The Los Angeles Times, May 15
2010: Miles, Chris, Rodney McMillian at Susanne Vielmetter Los Angeles Projects, LA Weekly, February 11
: Ollman, Leah, Around the Galleries, Los Angeles Times, February 5
: Civin, Marcus, Succulent in Culver City, Artslant, January 26
2009: Rodney McMillian features new commission by the artist in his first solo museum exhibition, artdaily.org, August 1
: Sholis, Brian, Rodney McMillian: The Kitchen, Artforum, January
: Hobbs, Robert, Franklin Sirmans and Michele Wallace, 30 Americans, exhibition catalogue; Rubell Family Collection, Miami, FL
2008: Chang, Richard, Visual art/ Top 5 events, Orange County Register, December 26
: Stacy, Greg, OCMAs 2008 California Biennial Is the Gift That Keeps On (and On and On) Giving, OC Weekly, November 6
: Buitron, Michael, 2008 California Biennial at the OCMA and Beyond, Leap Into the Void, October 25
: Copeland, Huey, The Blackness of Blackness, ArtForum, October
: Markle, Leslie, Disorderly Conduct, artUS, Summer
: OConnell, Brian, Ghostly Media: What Would an Invoking Media Look Like?, Art & Research, Summer
: Dambrot, Shana, Report: New York City, The Ghost of Jason Rhoades, Art Ltd, July
: Menzies, Michelle, Black Is, Black Aint, Flash Art, July
: Goldner, Liz, Opening Review: Disorderly Conduct, Artillery, May/June
: Vikram, Anuradha, The LA Annual, Artillery, May/June
: Grabner, Michelle, Black Is, Black Aint, Time Out Chicago, May 22
: Salsbury, Britany, Critics Picks: Black Is, Black Aint, ArtForum, May
: Volk, Gregory, Spring In Dystopia, Art In America, May
: Schjeldahl, Peter, Lessness: The Whitney Biennial, New Yorker, March 17
: Cohn, Marilyn, The Big Apple: Whitney Biennial, For Your Art, March 13
: Schuker, Lauren A.E., The Fine Art of Less, The Wall Street Journal, March 7
: Holland Cotter, Arts Economic Indicator, The New York Time, March 7
: Cohen, David, Whitney Biennial Has Adopted A Boho Vibe, The New York Sun, March 5
: Mizota, Sharon, World in Upheaval, Los Angeles Times, February 10
: Inselmann, Andrea, stop.look.listen: an exhibition of video works, exhibition catalogue; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: Thompson, Nato, A Guide to Democracy in America, exhibition catalogue; Creative Time, New York, NY
2007: Vogel, Carol, Whitney Biennial Stretches to Armory, New York Times, November 16
: Artists Announced for 2008 Whitney Biennial, Artforum.com, November 16 Continuing and Recommended, Art Scene, September
: Myers, Holly, Social issues leave imprint in Touched, Los Angeles Times, August 22
: Finkel, Jori, A Reluctant Fraternity, Thinking Post-Black, New York Times, June 10
: Brancusi Report: Last Days in LA, artslant.com, March
: Firstenberg, Lauri, Rodney McMillian: Los Angeles, Art Papers, January/February
: Ellis, Patricia, Catching up with Charles (Saatchi), FlashArt, January/Februrary
: 2nd Moscow Biennale, FlashArt Online News, January/February
: Kim, Christine Y, Philosophy of Time Travel, exhibition catalogue; The Studio Museum in Harlem, NY
: Molok, Nikolai, and Rodney McMillian, Footnotes on Geopolitics, Market, and Amnesia: 2nd Moscow Biennale of Contemporary Art, exhibition catalogue; ArtChronika and Moscow Biennale Art Foundation, Moscow, Russia
: Sholis, Brian, Rodney McMillian, exhibition catalogue from An Atlas of Events; Calouste Gulbenkian Foundation, London, UK
2006: Fair Report: Art Basel Miami Beach & Satellite Fairs, artinfo, December 15
: Smith, Roberta, More Than You Can See: Storm of Art Engulfs Miami, New York Times, December 9
: Searle, Adrian, Rebels without a cause, The Guardian, December 9
: The AI Eye (Miami): Editors Picks of Art for Sale, artinfo, December 8
: Nys Dambrot, Shana, Rodney McMillian: Odes, ArtReview, December
: Lawson, Thomas, Best of 2006, Artforum, December
: Morgan, Jessica, Best of 2006, Artforum, December
: Nys Dambrot, Shana, Rodney McMillian: Odes, Lifescapes Magazine, November
: Knight, Christopher, Falling short of a Great Society, Los Angeles Times, October 6
: Krasny, Marcin, Czarno na białym (Black on White), Obieg Magazine, Poland, October 6
: Brooks, Amra, Must See Art: Rodney McMillian, LA Weekly, October 5
: Bedford, Christopher, Rodney McMillian, Artforum.com, October 5
: CG, Rodney McMillian: Odes, Artkrush, October 4
: Muchnic, Suzanne, The Art Explosion, Los Angeles Times, October 1
: Kenning, Dean, Uncertain States of America, Art Monthly, October
: Kent, Sarah, States of the Art, Time Out, September 20
: Berardini, Andrew, Scene & Herd: On the Road, artforum.com, September 15
: Glover, Michael, An Orgy of Appropriation, The Independent, September 13
: Abbe, Mary, Ordinary becomes extraordinary, Star Tribune Minneapolis, August 17
: Smith, Roberta, Endgame Art? Its Borrow, Sample and Multiply in an Exhibition at Bard College, NYTimes, July 7
: Art in LA: Then & Now, Artkrush, May 31
: Hip New Buyers Boost Sales at Armory Show, Artnews, March 28
: Landi, Ann, Multiple Personalities, ARTnews, April
: Harvey, Doug, Glossolalia for Dummies, LA Weekly, February 22
: Knight, Christopher, "Painting Can Speak In Many Tongues", The Los Angeles Times, February 3
: Campagnola, Sofia, Focus Los Angeles, Flash Art, January/February
: Kastner, Jeffrey, Frequency, Artforum, January
: Frequency, Color Image: The Studio Museum in Harlem Magazine, Collectors Issue, Fall/winter
: Brewińska, Maria, Black Alphabet: conTEXTS of Contemporary African American Art, exhibition catalogue; Zachęta National Gallery of Art, Warsaw, Poland
: Chong, Doryun, Ordinary Culture, exhibition catalogue; Walker Art Center, Minneapolis, MN
: Darling, Michael, and Wolfram, Heubach, Friedrich, Painting in Tongues, exhibition catalogue, pg. 66-77; The Museum of Contemporary Art, Los Angeles, CA
: Horowitz, Noah and Sholis, Brian, The Uncertain States of America Reader, Serpentine Gallery, London
2005: Chang, Aimee, Rodney McMillian, Exhibition Catalogue, Frequency, The Studio Museum in Harlem, p.58-59
: Cotter, Holland, Happenstance, New York Times, December 30
: Boston, Nicolas, Give Them the Chair, The New York Observer, December 5
: Smith, Roberta, Where Issues of Black Identity Meet the Concerns of Every Artist, New York Times, November 18
: Zox, Rogue Wave at LA Louver Gallery, art/design, July 11
: Pagel, David, Summer sampler has a dark side, Los Angeles Times, July 8
: Lasarow, Bill, Rogue Wave, Art Scene, July
: Forgacs, Eva, Thing, artUS, July
: Firstenberg, Lauri, Thing, Frieze, June
: Frank, Peter,The Dish: Art, Angeleno, May
: Almela, Ramon, Sculpture in Los Angeles. Truth, Reality, and Objects, critic@rte, May 15
: Mack, Joshua, Sculpture from Los Angeles, Modern Painters, April
: Mack, Joshua, Thing: New Sculpture from Los Angeles, Modern Painters, April
: Chang, Richard, Maybe the Next Big Thing, The Orange County Register, March 6
: Arriola, Magali, Thing, March
: Ned Holte, Michael, "West Coast Thing", Artforum.com, February 10
: Knight, Christopher, "The next big ‘Thing’ in L.A.", Los Angeles Times, February 9
: Cotter, Holland, "Rodney McMillian at Triple Candie", New York Times, January 21
: Tumlir, Jan, "THING: New Sculpture from Los Angeles", Artforum, January
: Golden, Thelma, "A Beautiful Thing", exhibition catalogue; The Studio Museum Harlem, NY
: Birnbaum, Daniel, Kvaran, Gunnar, Obrist, Ulrich, Uncertain States of America: American Art in the Third Millennium, exhibition catalogue; Astrup Fearnley Museum of Modern Art, Oslo, Norway
: Chang, Aimee, "Thing: New Sculpture from Los Angeles – Rodney McMillian", exhibition catalogue; Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
2004: Myers, Holly, "Disposable Society", Los Angeles Times, October 13
: Friedrich, Christine, "White Noise at RedCat", downtownartnews, October 13
: Kim, Clara, "White Noise", Exhibition Brochure, RedCat, September
: Myers, Julian, "Edgar Arceneaux – Rodney McMillian at Susanne Vielmetter Los Angeles Projects", Frieze, May
: Davis, Phillip, "What we saw at ArtBasel Miami Beach", Dwell Magazine, April
: Worthington, Peter, " Eye of the beholder – you gotta see what some people call ‘art’", Toronto Sunday Sun, March 14
: Knight, Christopher, "A chronicle of race, rage, ritual", Los Angeles Times, February 17
: Harvey, Doug, "Color Theory – Fade to black", LA Weekly, February 13
: Barry, Dave, "Call me clueless, but I’m working toward my artistic license", Miami Herald; re-published in: International Herald Tribune Paris; Detroit Free Press; and Houston Chronicle, January 17
: Adamski, Stephan, Kunstforum, January
2003: Kunde, Harald, "aufgeschraubt und abgestaubt", Ludwig Forum fuer Internationale
: Kunst, Aachen, exhibition text Scarborough, James, artcritical.com, June 17

Awards, Grants and Fellowships

2016: Suzanne Deal Booth Art Prize, Contemporary Austin, TX
2008: United States Artists Broad Fellow 2008
: Art Matters, Spring 2008 Grantee
2007: William H. Johnson Prize, winner
2005: William H. Johnson Prize, finalist
2000: Edward L. Ryerson Fellowship Recipient, School of the Art Institute of Chicago, Chicago, IL

Public Collections

: Art Institute of Chicago, Chicago, IL
: Columbia Museum of Art, Columbia, SC
: Compound, Long Beach, CA
: Hammer Museum, Los Angeles, CA
: Kunstmuseum Wolfsburg, Wolfsburg, Germany
: Los Angeles County Museum of Art, Los Angeles, CA
: Minneapolis Museum of Art, Minneapolis, MN
: Museum of Contemporary Art, Chicago, IL
: Museum of Contemporary Art, Los Angeles, CA
: Museum of Modern Art, New York, NY
: Orange County Museum of Art, Newport Beach, CA
: Rennie Museum, Vancouver, BC, Canada
: San Antonio Museum of Art, San Antonio, TX
: San Francisco Museum of Modern Art, San Francisco, CA
: Städtisches Museum Abteiberg, Mönchengladbach, Germany
: St. Louis Art Museum, St. Louis, MO
: The Studio Museum in Harlem, New York, NY
: Ulrich Museum of Art, Wichita, KS

April Bey

Education

1987: Bahamian/American, Lives and works in Los Angeles, CA

2014: MFA, California State University Northridge, CA
2009: BFA, Ball State University, Muncie, IN

Selected Solo Exhibitions

2024: "I See All The Way Back to Where I’m Supposed to See," Tern Gallery, Nassau, Bahamas (forthcoming)
: "We Insist Upon Ourselved, In Perpetuity Throughout the Universe," Two Person Show with Kim Dacres, UTA, Atlanta, GA (forthcoming)
: "I Know All About What You Want to Know All About," Vielmetter Los Angeles, CA
: "Atlantican Opulencscapes," Glendale Community College, Los Angeles, CA
: "Atlantican Opulencscapes Part II," Pasadena City College, Los Angeles, CA
2023: "Atlantica: The Gilda Region," Nevada Museum of Art, Reno NV
2022: "I Believe in Why I’m Here," Simon Lee Gallery, London, UK
: "Colonial Swag," Tern Gallery, Nassau, Bahamas
: "When You’re on Another Planet and They Just Fly," Gavlak Gallery, Los Angeles, CA
: "The Opulent Blerd," Museum of Art and History, Lancaster, CA
: "Intersections: Where Art & Activism Meet," Scalehouse Gallery, Bend, OR
2021: "April Bey: Atlantica, The Gilda Region," The California African American Museum, Los Angeles, CA
2020: "April Bey, UNTITLED ART ONLINE," UPFOR Gallery, Portland, OR
: "Welcome to Atlantica," Fullerton College Art Gallery, Fullerton, CA
2018: "Made in Space," Band of Vices Gallery, Los Angeles, CA
2017: "COMPLY," Coagula Curatorial, Los Angeles, CA
2014: "Picky Head," Liquid Courage Art Gallery, New Providence, Nassau, Bahamas

Selected Group Exhibitions

2024: "I’d Love To See You," Juxtapoz 30th Anniversary Show at Rusha & Co, Los Angeles, CA (forthcoming)
: "Surrealism and Us: Caribbean African Diasporic Artists Since 1950," The Modern Forth Worth, Fort Worth, TX
2023: "UNTITLED," TERN Gallery, Nassau, Bahamas
: “The Threads We Follow,” The Southwestern Center for Contemporary Art, NC
: “(En)gendered Agency”, LH Horton Jr. Gallery, Stockton, CA
: “The Speed of Grace,” Simões de Assis Gallery, São Paulo, Brazil
: “ROOTED,” Muzeo Museum and Cultural Center, Anaheim, CA
: “WITNESS,” WACO Theater Center, Los Angeles, CA
: “We Are Enough,” 193 Gallery, Paris, France
: “Queer Threads,” San Jose Museum of Quilts & Textiles, San Jose, CA
: “Weaving Data,” Jordan Schnitzer Museum of Art, Portland State University, Portland, OR
: “A Love Letter to LA,” PHILLIPS, Los Angeles, CA
: “A Room Full of Mirrors”, Fragment Gallery, New York, NY
2022: “TEXT MESSAGES,” Grace Ross Shanley Gallery, The Center for Contemporary Printmaking, Norwalk, CT
: “New Pop Stars,” 21C Museum Hotel Chicago, Chicago, IL
: “HAIRTAGE: Continuum,” Cypress College Art Gallery, Cypress, CA
: “Common Ground: Artists Reimaging Community,” California Lutheran University Art Gallery, Thousand Oaks, CA
: “Portraits of Metro Riders,” LA Metro, Los Angeles, CA
: “Adornment Artifact,” The Getty, Los Angeles, CA
: “Louder Now,” Fragment Gallery, Moscow, Russia (online)
: “Salt to Catch Ghosts,” Slash Arts, San Francisco, CA
: “Language in the Times of Miscommunication,” Scottsdale Museum of Contemporary Art, Scottsdale, AZ
: “Cantos of the Sibylline Sisterhood,” Art Center College of Design, Pasadena, CA
: “Terms of Endearment”, Hilger Gallery, Vienna, Austria
2021: “She Says: Women, Words, and Power in Art,” Virginia Museum of Contemporary Art, Virginia Beach, VA
: “HAIRTAGE: Tangled,” Twisted & Black, Cypress College Art Gallery, Cypress, CA
: “TEXTURES: The History and Art of Black Hair,” Kent State Museum, Kent, OH
: “Floating Rib,” The National Art Gallery of The Bahamas, Nassau, Bahamas
2020: “Show Me the Signs," Blum & Poe, Los Angeles, CA
: “INVOCATION DEMOCRACY: A Political and Mystical Virtual Exhibition,” Presented by Pro Arts Commons
: “Nasty Women,” Gavlak Gallery, Los Angeles, CA
: “SPACELAND IV WAR,” Bermudez Projects, Los Angeles, CA
: “Access,” Reflect Space Gallery, Glendale, CA
: “Sanctuary,” California African American Museum, Los Angeles, CA
: “Breathe/Breath,” Seer Virtual Gallery curated by: The Association of Hysteric Curators
2019: “Welcome to the AfroFuture,” New Orleans African American Museum, New Orleans, LA
: “Dear Lucy,” UPFOR Gallery, Portland, OR
: “Black, Brown and Beige,” Self-Help Graphics, Los Angeles, CA
: “From the Head to the Heart,” The Center for Contemporary Printmaking, Norwalk, CT
: “Atlantica,” Chimento Contemporary, Los Angeles, CA
: “LA Painting Survey,” Museum of Art History, Lancaster, CA
: “BLACK HISTORY 365,” University of La Verne College of Law, Ontario, CA
: “AMERICAN,” Golden West College Art Gallery, Huntington Beach, CA
: “Black on Black III,” Raleigh Arts, Raleigh, NC
: “NE9: The Fruit and the Seed,” The National Art Gallery of The Bahamas, Nassau, Bahamas
2018: Shika Shika Art Fair, Brazil House Gallery, Accra, Ghana
: Visual Resistance, Fullerton College Art Gallery, Fullerton, CA
: Glendale Community College Faculty Exhibition, Glendale, CA
: “Back to Black,” Avenue 50 Gallery, Los Angeles, CA
: “Eye Forward,” Curating Our Narratives, Fresno State University, Fresno, CA
: “Dis…Miss,” Freewaves Los Angeles, CA
: “Eyes Forward,” LA Art Show, Los Angeles, CA
: “MANIFESTO: A Moderate Proposal,” Pitzer College Art Gallery, Claremont, CA
2017: “The Fabulous 7,” Feral Projects, Los Angeles, CA
: “Dis…Miss,” Freewaves, Los Angeles, CA
: "CHALE WOTE," Jamestown, Ghana
: "ICONIC: Black Panther," Gregorio Escalante Gallery, Los Angeles, CA
2016: "NE8," The National Art Gallery of The Bahamas, Nassau, Bahamas
: "Shift and Fade," BLAM Projects, Los Angeles, CA
: "Dis…Miss," Freewaves, Los, Angeles, CA
: "Reflections on the Self: Selections from the Permanent Collection," California African American Museum, Los Angeles, CA
: "SKIN," Los Angeles Municipal Art Gallery, Los Angeles, CA
2015: "Colored Girls," Autonomie Projects, Los Angeles, CA
: "Hard Edged: Geometric Abstraction and Beyond," The California Africa American Museum, Los Angeles, CA
: "CA 101," Redondo Beach Power Plant, Redondo Beach, CA
: "Out of Nothing," Glen Echo Park Gallery, Washington DC
: "We Choose Art: A Feminist Perspective," Los Angeles, CA
: "50 Years and I Still Can’t Breathe," Watts Towers Arts Center, Watts, Los Angeles, CA
: "Pulse of LA," Southern California Women’s Caucus of Art, Los Angeles, CA
2014: "Fresh," South Bay Contemporary, Southbay, CA
: "Antillean: An Ecology (NE7)," National Art Gallery of The Bahamas, Nassau, Bahamas
: "GLAMFA," California State University, Long Beach, CA
: "#Whodoyouworship?," Graduate Thesis Show, California State University Northridge, Northridge, CA

Bibliography

2023: Modern Luxury Dallas Magazine Staff. "State Of The Arts: 9 Visual Artists Leading The Cultural Conversation Right Now," Modern Luxury Dallas Magazine, November 15 (Link)
: Morrison, Alexander. "In pictures: focus on Caribbean artists," The Art Newspaper, December 8 (Link)
: "Wide-Eyed and Dreaming—A Season of Seeing in Four Acts," e-flux, October 28
: "TERN Gallery at The Armory Show 2023," Artsy, September 8
: "Wide-Eyed And Dreaming: A Season of Seeing at the Nevada Museum of Art," Nevada Today, August 29
: Bean, Jason. "Artist April Bey talks about fantasy and undercover aliens in "Atlantica, The Gilda Region"," Reno Gazette Journal, August 28
: Holmes, Brent. "Q+A with April Bey," Double Scoop, August 21
2022: Bochicchio, Sarah. "Thriving on Atlantica: April Bey & her Speculative Futurism," Art&Object, September 15
: Eddy Frankel. "April Bey: ‘I Believe in Why I’m Here," Time Out, September 8
: Donoghue, Katy. "April Bey Brings the Story of Atlantica to The Bahamas and Beyond," Whitewall, August 3
2023: Jackson, Leigh-Ann. "‘Few people ask us what we think about ourselves’: This L.A. art show elevates Black women and nonbinary artists," The LA Times, May 8
2022: Orozco, Jonathan. "On Atlantica: April Bey’s Utopian Planet," Whitehot Magazine, May
: Lawrence, Gabrielle. "Brimming with Lush Texture, Mixed-Media Tapestries by April Bey Envision an Afrofuturist World," Colossal, May 5
: Stromber, Matt and Elisa Wouk Almino. "Your Concise Los Angeles Art Guide for March 2022," February 28
: Piejko, Jennifer. "Los Angeles: seven must-see shows on view now," Art Basel, Feb
2021: Ortiz, Maria Elena. "Colonial Swag Fashion: A Conversation between April Bey and María Elena Ortiz" Pérez Art Museum Miami, Caribbean Cultural Institute
: Dexter, Henry. "April Bey Is an Emissary for the Unseen," Cultured Magazine, November 23

Teaching Experience

2015 – Present: Tenured Professor, Glendale Community College, Glendale, CA
2015-2016: Inglewood Cultural Arts Instructor, Inglewood, CA
2014-2015: Adjunct Professor, Art Center College of Design, Pasadena, CA
: Instructor, artworxla, Los Angeles, CA
: Ryman Teaching Artist, Fullerton, CA
2012-2014: Adjunct Professor California, State University Northridge, CA

Visiting Artist/Lectures

2022: University of California, Los Angeles (UCLA), Los Angeles, CA
: Chadwick School, Palos Verdes Peninsula, CA
: Kent State University, Kent, OH
: Cypress College, Cypress, CA
2021: Cypress College, Cypress, CA
: Whitman College, Walla Walla, WA
: Pomona College, Pomona, CA
: Glendale Hoover High, Glendale, CA
2020: University of the Bahamas, Nassau, The Bahamas
: Wheaton College, Wheaton, IL
: Pepperdine University, Malibu, CA
: Claremont Graduate University, Claremont, CA
: California State University Fullerton, Fullerton, CA
: Fullerton College, Fullerton, CA
: Women Painter’s West, Laguna Beach, CA
2019: Tulane University, New Orleans, LA
: University of Alaska, Anchorage, Anchorage, AK
: Los Angeles City College, Los Angeles, CA
: Otis College of Art and Design, Los Angeles, CA
: Chapman University, Orange, CA
2018: Art+Practice, Los Angeles, CA
: The MAIN Museum, Los Angeles, CA
: California African American Museum (CAAM), Los Angeles, CA

Public Art Projects

2022: For Freedoms, Inglewood Mural
2021: Fringe Projects MiamiDesign District
: Glendale Library Arts and Culture
2020: Destination Crenshaw Outdoor Museum Finalist
: Census Campaign East LA: Make It Count!
: LA METRO Willowbrook Through the Artist’s Eyes

Awards & Grants

2020: Center for Cultural Innovation Artist Grant
2019: GCC Foundation Grant
: Student Equity Grant
2017: Rema Hort Mann Foundation Grant Nominee
2015: Melvin Best Award
2014: CSUN Arts Council Award

Residencies

2020: Self-Help Graphics, Los Angeles, CA
: Fullerton College Artist in Residency, Fullerton, CA
2019: Center for Contemporary Printmaking, Artist in Residence, Norwalk, CT
: Nkyinkyim za, Ada, Ghana
2018: The Current, Nassau, Bahamas
: In-Flux Artist Residency, Ghana, West Africa
2017: In-Flux Artist Residency, Bali, Dubai, Senegal, Morocco, Nigeria, Benin, Togo, Ghana
: CHALE WOTE, Jamestown, Ghana
2012: Can Serrat Artist in Residence, El Bruc, Spain

Public Collections

: 21C Museum Hotels
: California African American Museum, Los Angeles, CA
: Center for Contemporary Printmaking, Norwalk, CT
: The Current Bahamas Tradewinds, Marsh Harbour, Bahamas
: Escalette Collection, Chapman University, Orange, CA
: Fullerton College Art Gallery, Fullerton, CA
: Inter-American Development Bank, Los Angeles, CA
: Los Angeles County Museum of Art (LACMA), Los Angeles, CA
: METRO Los Angeles, Los Angeles, CA
: Museum of Art and History, Lancaster, CA
: National Art Gallery of the Bahamas, Nassau, The Bahamas
: Newfelds Indianapolis Art Museum, Indianapolis, IN
: Self-Help Graphics, Boyle Heights, CA

Aly Helyer

Education

: MA Painting, Chelsea College of Art & Design

Residencies

2022: La Brea Residency, Los Angeles, CA

Selected Solo Exhibitions

2024: "Solo," Vielmetter Los Angeles, Los Angeles, CA (forthcoming)
2022: "The Look of Love," The Cabin, curated by Danny First, Los Angeles, CA
: "How to Fight loneliness," PM/AM Gallery, London, UK
2020: "Silent Charmers," The Cabin, curated by Danny First, Los Angeles, CA
2019: "The Forerunners," Draw Art Fair, Saatchi Gallery, New Art Projects, London, UK
2017: "Nobody’s Business," Angus-Hughes, London, UK
2014: "Soft Subversions," Herrick Gallery, London, UK

Selected Group Exhibitions

2023: "Celebrating Picasso Today: Infinite Modernism, Almine Rech, Paris, France
: "The Artist as Beast," Project Space on the Inside, a curated selection of paintings from the collection of Edwin Oostmeijer, Amsterdam, The Netherlands
: "Feeling of Light," Almine Rech, Brussels, Belgium
2022: "The Power to Dream," Galerie Hussenot, Paris, France
: "A Play of Features," Union Gallery, co curated by Aly Helyer and William Gustaffson, London, UK
2021: "10," PM/AM Gallery, London, UK
: “Holding Hands,” Union Gallery, London, UK
2020: "Melancholympics," The Wunderwall, curated by Sasha Bogojev, Antwerp, Belgium
2019: "What Spirit is This?," Sim Smith Gallery, London, UK
2017: "DUMB," Mercer Chance Gallery, curated by Kris Day London, UK
2016: "The Good,The Bad and The Ugly," Charlie Smith Gallery London, UK
: "Endgame," Turps Gallery, London, UK
2015: "Ludic," (Two person show with Joel Tomlin), at Herrick Gallery, London, UK
: "Lucy In The Sky," Transition Gallery, London, UK
2013: "SPEAK, CLOWN!," Fold Gallery, curated by Hotel Swirly-Whirly, London, UK
: "HARTMANN. HELYER. LYDDON. BONILLA. & BAJT," We sell pornography here, Charlie Dutton Gallery, London, UK
: "Unknown Sitter," Lion & Lamb Gallery, curated by Covadonga Valdes, London, UK
: "This Me of Mine," APT London, curated by Jane Boyer, London, UK (Traveling exhibition)
2009: "Configuration," curated by Day and Gluckman, London, UK
2002: "The Jerwood Drawing Prize," (Traveling exhibition)

Awards, Fellowships, and Grants

2012: Exeter Contemporary Audience Choice Award

News

Nick Aguayo

2019

Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 (Link)

Edgar Arceneaux

2019

Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 (Link)

Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 (Link)

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 (Link)

2018

Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 (Link)

Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 (Link)

Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November (Link)

Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 (Link)

“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 (Link)

Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 (Link)

Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 (Link)

“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 (Link)

Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 (Link)

“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 (Link)

Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 (Link)

“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 (Link)

Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 (Link)

My Barbarian

2018

“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA (Link)

Whitney Bedford

2019

Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 (Link)

2018

Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 (Link)

Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 (Link)

Sadie Benning

2018

Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 (Link)

O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 (Link)

Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 (Link)

Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May (Link)

Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 (Link)

Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 (Link)

Ellen Berkenblit

2019

“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL (Link)

“Samaritans,” Eva Presenhuber, New York, NY (Link)

Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 (Link)

Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 (Link)

Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 (Link)

Scott, Andrea K. ““Samaritans,” New Yorker, January 26 (Link)

2018

Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 (Link)

Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September (Link)

“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 (Link)

Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 (Link)

“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (Link)

Andrea Bowers

2018-2019

“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY

2019

O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 (Link)

“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 (Link)

Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 (Link)

Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 (Link)

“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 (Link)

Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 (Link)

Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 (Link)

Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 (Link)

Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 (Link)

Weathers, Chelsea. “After Posada: Revolution,” Artforum, February (Link)

2018

Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 (Link)

Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 (Link)

Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 (Link)

Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 (Link)

“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 (Link)

Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 (Link)

Kim Dingle

2019

Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 (Link)

Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 (Link)

Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 (Link)

Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 (Link)

“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 (Link)

2018

Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 (Link)

Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)

Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March (Link)

Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 (Link)

Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 (Link)

2017

Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 (Link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)

Mx Nicole Eisenman

2019

Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 (Link)

Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 (Link)

Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 (Link)

Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 (Link)

Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 (Link)

Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 (Link)

Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 (Link)

Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 (Link)

“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 (Link)

Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 (Link)

Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 (Link)

Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 (Link)

Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 (Link)

Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 (Link)

Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 (Link)

Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 (Link)

Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 (Link)

Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 (Link)

Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 (Link)

Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 (Link)

Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 (Link)

“Biennial delivers, despite birth pains,” The Villager, May 22 (Link)

Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 (Link)

“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 (Link)

Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 (Link)

Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 (Link)

Bradley, Paige K., “As the World Turns,” Artforum, May 16 (Link)

Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 (Link)

Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 (Link)

Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 (Link)

Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 (Link)

Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 (Link)

Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 (Link)

Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 (Link)

Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 (Link)

Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 (Link)

Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 (Link)

2018

Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 (Link)

Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 (Link)

Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 (Link)

Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 (Link)

Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 (Link)

“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 (Link)

Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 (Link)

van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 (Link)

Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 (Link)

Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) (Link)

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)

Genevieve Gaignard

2019

“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL (Link)

Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July (Link)

Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 (Link)

Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 (Link)

Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 (Link)

Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 (Link)

Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 (Link)

Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 (Link)

Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January

2018

Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 (Link)

Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 (Link)

Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 (Link)

Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 (Link)

Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 (Link)

Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14

Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 (Link)

Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 (Link)

“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 (Link)

Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 (Link)

Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 (Link)

Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 (Link)

Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 (Link)

Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 (Link)

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 (Link)

Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 (Link)

“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 (Link)

Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1

Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 (Link)

Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March (Link)

Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 (Link)

Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 (Link)

Liz Glynn

2019

“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 (Link)

Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February (Link)

2018

“Frieze London Opens This Friday,” ArtForum (web), October 3 (Link)

Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 (Link)

“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 (Link)

Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 (Link)

Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 (Link)

“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 (Link)

Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 (Link)

Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 (Link)

“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 (Link)

Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 (Link)

McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 (Link)

Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 (Link)

Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 (Link)

Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 (Link)

Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 (Link)

Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 (Link)

Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)

Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)

McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)

2017

Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)

2016

Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 (Link)

Karl Haendel

2019

Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 (Link)

Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 (Link)

2018

“How do I sell more art?” Diaphanes, Fall/Winter

“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 (Link)

Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)

Samuel Levi Jones

2019

Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 (Link)

2018

Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 (Link)

Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 (Link)

Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 (Link)

Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)

Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 (Link)

Hayv Kahraman

2018

“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA (Link)

2019

“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 (Link)

Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 (Link)

Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 (Link)

2018

Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 (Link)

Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 (Link)

Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 (Link)

Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 (Link)

“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 (Link)

Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 (Link)

Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 (Link)

Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 (Link)

“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 (Link)

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (Link)

Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 (Link)

Raffi Kalenderian

2019

De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 (Link)

Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 (Link)

McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 (Link)

2018

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Mary Kelly

2019

“The Best Guide to Desert X 2019,” KCET, March 6 (Link)

Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 (Link)

Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 (Link)

2018

Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 (Link)

“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 (Link)

Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 (Link)

“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall (Link)

Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 (Link)

Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 (Link)

Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 (Link)

Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 (Link)

Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 (Link)

Shana Lutker

2019

Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)

Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)

2018

Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April

Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)

Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February

Hugo McCloud

2019

Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 (Link)

2014

Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 (Link)

Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 (Link)

Dave McKenzie

2019

Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May (Link)

“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 (Link)

2018

Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 (Link)

Rodney McMillian

2019

Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 (Link)

Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 (Link)

Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 (Link)

“The Twenty Five,” Cultured, February/March

Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 (Link)

Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 (Link)

Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 (Link)

2018

Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 (Link)

Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 (Link)

Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 (Link)

Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)

Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 (Link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)

Yunhee Min

2019

Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 (Link)

Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 (Link)

2018

Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 (Link)

Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 (Link)

“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 (Link)

Wangechi Mutu

2019

“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 (Link)

MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 (Link)

Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 (Link)

Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 (Link)

Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 (Link)

Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 (Link)

Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 (Link)

2018

Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 (Link)

“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 (Link)

Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 (Link)

Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 (Link)

Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 (Link)

Elizabeth Neel

2018

Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 (Link)

Ruben Ochoa

2019

Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 (Link)

2018

Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 (Link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)

Angel Otero

2019

Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 (Link)

Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 (Link)

Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 (Link)

“Urban Glamour #46,” Livingetc (web), January 24 (Link)

2018

Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 (Link)

William Pope.L

2017

“If Not Apollo, the Breeze,” Kadist, San Francisco, CA (Link)

2019

Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 (Link)

“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 (Link)

Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 (Link)

Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 (Link)

Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 (Link)

Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 (Link)

Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 (Link)

2018

Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 (Link)

Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 (Link)

Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 (Link)

“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 (Link)

O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 (Link)

“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL (Link)

Mary Reid Kelley

2019

Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 (Link)

Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 (Link)

Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February (Link)

Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 (Link)

2018

Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 (Link)

Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) (Link)

Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 (Link)

Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 (Link)

Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 (Link)

Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January (Link)

Deborah Roberts

2019

Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 (Link)

Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 (Link)

Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 (Link)

Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 (Link)

Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 (Link)

Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring (Link)

2018

Roberts, Deborah. “The Lives They Lived: Linda Brown,” The New York Times Magazine, December 30 (Link)

Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” The New York Times, December 26 (Link)

Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 (Link)

Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 (Link)

Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 (Link)

Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. (Link)

Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 (Link)

Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. (Link)

Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 (Link)

Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)

Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. (Link)

Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.

Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)

Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.

Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)

Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)

Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)

Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)

Steve Roden

2019

Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 (Link)

Paul Mpagi Sepuya

2019

“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK

Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 (Link)

Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 (Link)

Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 (Link)

Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 (Link)

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Howe, David Everitt. “The Conditions,” Art in America, May (Link)

Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 (Link)

Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 (Link)

Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 (Link)

Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May (Link)

Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 (Link)

Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 (Link)

Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 (Link)

Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 (Link)

Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 (Link)

“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 (Link)

Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March (Link)

“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 (Link)

Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 (Link)

Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51

“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 (Link)

Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 (Link)

Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January (Link)

2018

Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October (Link)

Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 (Link)

Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 (Link)

Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 (Link)

Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 (Link)

Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 (Link)

Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 (Link)

Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 (Link)

Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 (Link)

Goldberg, Ariel. “In the Room,” Art in America, April 1 (Link)

“Image of the Day,” Elephant, September 12 (Link)

Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 (Link)

Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall

“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall

Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 (Link)

Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 (Link)

Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 (Link)

Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 (Link)

Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 (Link)

“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 (Link)

Arlene Shechet

2019

Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 (Link)

Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 (Link)

Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 (Link)

Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 (Link)

Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 (Link)

Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 (Link)

2018

Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 (Link)

Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 (Link)

Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 (Link)

“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 (Link)

Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 (Link)

“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 (Link)

Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (Link)

Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 (Link)

“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 (Link)

“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 (Link)

Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 (Link)

Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 (Link)

“Morning Links: Sword Wound Edition,” Art News, September 24 (Link)

“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 (Link)

“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 (Link)

Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 (Link)

Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 (Link)

Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 (Link)

Dasha Shishkin

2018

Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 (Link)

Amy Sillman

2019

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 (Link)

2018

Sillman, Amy. “Delacroix,” 4columns, December 14 (Link)

Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 (Link)

Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)

Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 (Link)

Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 (Link)

Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 (Link)

Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 (Link)

Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 (Link)

Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 (Link)

Sillman, Amy, “Laura Owens,” Artforum, April (Link)

“Amy Sillman,” The New Yorker, February (Link)

Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 (Link)

Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 (Link)

Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 (Link)

Mickalene Thomas

2016

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)

2019

Lim, Kay. “Black models in modern art,” CBS News, July 14 (Link)

Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 (Link)

Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 (Link)

Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 (Link)

Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 (Link)

Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 (Link)

Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 (Link)

Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 (Link)

Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 (Link)

Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 (Link)

“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 (Link)

Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 (Link)

2018

Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 (Link)

Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 (Link)

Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 (Link)

Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 (Link)

Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 (Link)

Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 (Link)

“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 (Link)

Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 (Link)

Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 (Link)

“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 (Link)

Nguyen, Long. “Posing Modernity,” Flaunt, November 12 (Link)

Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 (Link)

Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 (Link)

Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 (Link)

Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 (Link)

Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 (Link)

Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 (Link)

Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 (Link)

Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 (Link)

“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 (Link)

Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 (Link)

O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 (Link)

Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 (Link)

Binlot, Ann. “The Art of Being A Muse,” Document, October 10 (Link)

Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 (Link)

Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 (Link)

Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 (Link)

Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October (Link)

Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 (Link)

Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 (Link)

Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 (Link)

Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 (Link)

Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 (Link)

Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 (Link)

Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 (Link)

Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 (Link)

“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 (Link)

Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 (Link)

Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 (Link)

Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 (Link)

Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 (Link)

Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 (Link)

Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 (Link)

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

Nicola Tyson

2018

Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 (Link)

Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 (Link)

Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 (Link)

Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 (Link)

Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 (Link)

Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 (Link)

Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 (Link)

Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 (Link)

Monique Van Genderen

2018

“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 (Link)

Esther Pearl Watson

2019

“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA

Patrick Wilson

2018

Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 (Link)

Andrea Bowers

1965: Born in Wilmington, Ohio
: Lives and works in Los Angeles, California

1992: M.F.A., California Institute of the Arts, Valencia, CA.
1987: B.F.A., Bowling Green State University, Bowling Green, OH.

Selected Solo and Two Person Exhibitions

2024: Solo, Vielmetter Los Angeles, Los Angeles, CA (forthcoming)
: "Eleanor Antin," Curated by Andrea Bowers, Andrew Kreps, New York, NY (forthcoming)
2023-2024: "Andrea Bowers: Exist, Flourish and Evolve," MoCA Cleveland, Cleveland, OH (Link)
2023: "Joy is an Act of Resistance," Andrew Kreps, New York, NY
: "Drink The Wild Air," two-person show with Mary Weatherford, Capitain Petzel, Berlin, Germany
2022-2023: "Moving in Space without Asking Permission," Fondazione Furla and Galleria d’Arte Moderna (GAM), Milan, Italy
2022: "Andrea Bowers," (Traveling Exhibition) Hammer Museum, Los Angeles, CA
: "you must not turn your head away in grief," kaufmann repetto milan, Milan, Italy
2021-2022: "Andrea Bowers," (Traveling Exhibition) Museum of Contemporary Art Chicago, IL
2021: "Energy With Intention," Vielmetter Los Angeles, Los Angeles, CA
2020: "Grief and Hope," curated Susanne Titz, Museum Abteiberg, Mönchengladbach, Germany
: "Think of Our Future," Andrew Kreps, New York, NY
2019-2020: "Light and Gravity," Weserburg Museum für moderne Kunst, Bremen, Germany (Link)
2018: "Open Secret," Capitain Petzel, Berlin, Germany
: “Disrupting and Resisting,” Kauffman Repetto, Milan, Italy (Link)
2017: “Andrea Bowers and Marcos Erre,” Westmont Ridley Tree Museum, Santa Barbara, CA
: “Andrea Bowers,” curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH
: "Bureau of Feminism," Hammer Museum, Los Angeles, CA
2016: "Triumph of Labor," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: “Andrea Bowers: Sanctuary,” curated by Sofia Hernandez Chong Chuy, Bronx Museum, New York, NY
: "Whose Feminism is it Anyway?" Andrew Kreps Gallery, New York, NY
: "The United State v. Tim DeChristopher," Elizabeth Leach Gallery, Portland, OR
2015: "Self-Determination," Kaufmann Repetto, Milan, Italy
2014: "Andrea Bowers: #sweetjane," Pomona College Museum of Art, Claremont, CA
: "In Situ-1: Andrea Bowers, Espace culturel Louis Vuitton, Paris, France
2013: "Cultivating the Courage to Sin", Capitain Petzel, Berlin, Germany
: "Transformer Display for Community Fundraising: Phase 4," Tang Museum, Skidmore College, Saratoga Springs, NY (two-person show with Olga Koumoundouros)
2012: "Help the Work Along," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011: "Ni Una Muerta Mas," curated by Anna Karetsi, National Museum of Contemporary Art, Athens, Greece
: "The New Womens Survival Guide," Andrew Kreps Gallery, New York, NY
2010: "Andrea Bowers," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009: "Mercy Mercy Me," Andrew Kreps Gallery, New York, NY
: "An Eloquent Woman," Praz-Delavallade, Paris, France
2008: "Sanctuary," Van Horn, Dusseldorf, Germany
: "The Weight of Relevance," ZKM/Zentrum fr Kunst und Medientechnologie, Karlsruhe
2007: "The Weight of Relevance," The Power Plant, Toronto, curated by Gregory Burke
: "The Weight of Relevance," Susanne Vielmetter Los Angeles Projects, CA
: "The Weight of Relevance," Secession, Vienna, Austria
2006: "Nothing is Neutral: Andrea Bowers," REDCAT, Los Angeles, CA, curated by Eungie Joo, traveling to: ArtPace, San Antonio, TX; St. Louis Museum,St. Louis, MO
: "Vows," Halle fuer Kunst, eV, Lneburg, Germany
: "Eulogies to One and Another," Galerie Praz-Delavallade, Paris, France
: Mehdi Chouakri, Berlin, Germany
: "Letters to an Army of Three," Core Program, Glassell School of Art, Museum of Fine Arts, Houston, Texas, curated by Mary Leclre
2005: "Culture of Choice," Van Horn, Dsseldorf, Germany
2004: "Soft Blockades Part 2," Magazin 4, Voralberger Kunstverein, Bregenz, Austria
: "Soft Blockades," Mary Goldman Gallery, Los Angeles, CA
: "Nonviolent Civil Disobedience Training," Sara Meltzer Gallery, New York, NY
2003: "Magical Politics," Chouakri Brahms, Berlin, Germany
2002: "Virtual Arena (catalogue)," Sara Meltzer Gallery, New York, NY
: "From Mouth to Ear, Goldman Tevis, Los Angeles, CA
: "Box with Dance of Its Own Making, Chouakri Brahms, Berlin, Germany
2001: "Democracys Body Dance Dance Revolution, Art 32 Basel, Art Statements,
: Basel, Switzerland, presented by Sara Meltzer Gallery, New York, NY
2000: "Intimate Strangers, Sara Meltzer Gallery, New York, NY
: "I Need a Hero, Institute of Visual Arts (INOVA), University of Wisconsin, Milwaukee, WI
: "One and the Same Body, ARCO Project Room, Madrid, Spain, presented by Sara Meltzers on view, New York, NY 1301 PE, Los Angeles, CA
1999: "Moving Equilibrium, Sara Meltzers on view, New York, NY
1998: "Ohio (two-person show with Sam Durant), Dogenhaus Berlin, Berlin, Germany
: "Spectacular Appearances, Santa Monica Museum of Art, Santa Monica, CA
1997: "Spectacular Appearances in the Food Court, A project with the Santa Monica Museum of Art
: Video Installation, Santa Monica Place Mall, Santa Monica, CA
: Spanish Box, Santa Monica, CA
1994: "Damaged Goods, Bliss, Pasadena, CA
1993: FOOD HOUSE, Santa Monica, CA.

Selected Group Exhibitions

2024: "Get in the Game," SFMoMA, San Francisco, CA (forthcoming)
2023: "The Feminist Art Program (1970-1975): Collective Cycles," REDCAT, Los Angeles, CA
: "Dawn of Humanity," Kunstmuseum Bonn, Bonn, Germany
: "How to Survive," Anchorage Museum, Anchorage, Alaska (Link)
: "What Has Been and What Could Be: The BAMPFA Collection," Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkeley, CA
: "(Chosen) Family/ (Wahl) Famile: Who We Are," Kunstmuseum Ravensburg, Ravensburg, Germany (Link)
: "Dear Earth: Art and Hope in a Time of Crisis," Hayward Gallery, London, UK
: "Strike Fast, Dance Lightly: Artists on Boxing," The FLAG Art Foundation, New York, NY
: "Rohkunstbau 28: Finally Peace! Caring For Yourself And Others," Capitain Petzel, Berlin, Germany
: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
: "Mouvement et Lumiére," Fondation Villa Datris, Paris, France (Link)
: "Euroluce," Salone del Mobile, Milan, Italy
: "Imperfect Paradise," Barbati Gallery, Venice
: "Visual Language: The Art of Protest," Subliminal Projects, Los Angeles, CA
: "Language in the Time of Miscommunication," Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2022-2023: "Paint The Protest," Off Paradise, New York, NY
: "Empowerment," Kunstmuseum Wolfsburg, Wolfsburg, Germany
2022: "Wrongs & RIGHTS," The Rudin Family Gallery, Brooklyn Academy of Music (BAM Strong), Brooklyn, NY
: "Calling To Our Future: LA Climate Art Action," Emerson Collective, Downtown Los Angeles, CA
: "51 @ 51," Rennie Museum, Vancouver, Canada
: "Plants Now!," Vielmetter Los Angeles, Los Angeles, CA
: "Working Thought," The Carnegie Museum of Art, Pittsburgh, PA
2021-2022: "Omelette Papier," Capitain Petzel, Berlin, Germany
2021: "Who will Write the History of Tears," MoMa Warsaw, Warsaw, Poland
: "Vogliamo Tutto," Officine Grandi Riparazioni, Torino, Italy
: "New Time: Art and Feminisms in the 21st Century," University of California, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA
: "We Are Here." Jessica Silverman, San Francisco, CA
: "In the Meanwhile… Recent Acquisitions of Contemporary Art," Santa Barbara Museum of Art, Santa Barbara, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Stories of Resistance," CAMSTL, St. Louis, Missouri
: "Wayne Thiebaud: Influencer," Thiebaud Centennial Exhibition, Manetti Shrem Museum, UC Davis, Davis, CA
2020: "Rhizome 7/7," Capitain Petzel, Berlin, Germany (online)
: "Conversational Spirits," Jessica Silverman, San Francisco, CA
: "F as in Frank," Museum of Contemporary Art, Cleveland, OH
: "Radical Tradition: American Quilts and Social Change," Toledo Museum of Art, Toledo, OH
: "Don’t Let This Be Easy," Walker Art Center, Minneaplis, MN
: Permanent Collection, National Museum of Contemporary Art (EMST), Athens, Greece
: "What is Nature?," Museum Sinclair-Haus, Bad Homburg vor der Höhe, Germany
: "Drawing 2020," Gladstone Gallery, NY
: "South East North West: New Works from the Collection," San Jose Museum of Art, San Jose, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Time for Outrage: Art in Times of Social Anger," Kunstpalast, Dusseldorf, Germany (Link)
: "Vent’anni – 20 years," Kaufmann Repetto, New York (Link)
: "In the Meanwhile…Recent Acquisitions of Contemporary Art," Santa Barbara Museum of Art, Santa Barbara, CA (Link)
2019-2021: "Waking Dream," Ruby City, San Antonio, TX
2019-2020: "In Plain Sight," Henry Art Gallery, Seattle, WA
2019: "Inaugural Exhibition," Vielmetter Los Angeles, Los Angeles, CA (Link)
: "F-Bomb", Daniel Arts Center, Bard College, NY (Link)
: "How the Light Gets In," Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: "United by AIDS," Migros Museum, Zurich, Switzerland
: "Damn! The Defiant," Fredericks & Freiser, New York, NY
: "STORIES: Selections from the Permanent Collection," Pomona College Museum of Art, Claremont, CA
: "Queer California: Untold Stories," Oakland Museum of California, Oakland, CA
2018-2019: "The Street. Where the World is Made," MAXXI, Rome, Italy (Link)
: "Parking on Pavement," The School, Jack Shainman Gallery, New York, NY
: "Terres de femmes," Praz-Delavallade, Los Angeles, CA
2018: "What Is Enlightenment? 200 Years of the Print Room of the University of Warsaw Library," Museum of Modern Art, Warsaw, Poland
: "Climate Change Is Real," Yerba Buena Center for the Arts, San Francisco, CA
: "Art & Activism: Drawing the line," Children’s Museum of the Arts, New York, NY
: "Half the Picture: A Feminist Look at the Collection," Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, Brooklyn, NY (Link)
: "West by Midwest," MCA Chicago, Chicago, IL
: "After Posada: Revolution," El Paso Museum of Art, El Paso, Texas
: “The Un-Heroic Act. Representations of Rape in Contemporary Women’s Art in the US,” Shiva Gallery, John Jay College, CUNY
: "Kinship," Jessica Silverman Gallery, San Francisco, CA
: "Artists and Their Books / Books and Their Artists," The Getty Center, Los Angeles, CA
: “Mis (missing) Information,” organized by Jody Zellen and Brian C. Moss, Charlie James Gallery, Los Angeles, CA (Link)
: “Agora,” The High Line, New York, NY (Link)
: “Power to the People. Political Art Now,” Schirn Kunsthalle Franfurt, Frankfurt, Germany (Link)
: “Nothing Stable under Heaven,” San Francisco Museum of Modern Art, San Francisco, CA (Link)
: "¿¡Welcome?!," Manetti Shrem Museum, University of California, Davis, CA (Link)
: "Manifesto: A Moderate Proposal," curated by Ciara Ennis and Jennifer Vanderpool, Pitzer College Art Galleries, Claremont, CA (Link)
2017: “Really?” curated by Beth Rudin DeWoody,Wilding Cran Gallery, Los Angeles, CA
: "An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940 – 2017," Whitney Museum of American Art, New York, NY (Link)
: “Sonic Rebellion: Music as Resistance,” Museum of Contemporary Art Detroit, Detroit, MI
: "Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA
: “Women to the Front: Works from the Miller Meigs Collection,” Lumber Room, Portland, OR
: “I Plan to Stay a Believer,” Andrew Kreps Gallery, New York, NY
: documenta 14, Fridericianum, Kassel, Germany
: “Graphic Witness,” The Drawing Room, London, UK
: “Resistance Training,” curated by Glen Helfand, Mills College, Oakland, CA
: “Occupancy,” Boston University art Galleries, Boston, MA
: “The Arcades: Contemporary Art and Walter Benjamin,” The Jewish Museum, New York, NY
: “The Intersectional Self,” The 8th Floor, The Shelley & Donald Rubin Foundation, New York, NY
: “LA TERRA INQUIETA,” curated by Massimiliano Gioni, Triennale di Milano, Milan, Italy
: “Unfinished Conversations,” The Museum of Modern Art, New York, NY
2016: “Displacement: Symbols and Journeys,” Cornell Fine Arts Museum, Rollins College, Winter Park, FL
: "The Revolution Will Not Be Gray,” Aspen Art Museum, Aspen, CO
: “Take Me (I’m Yours),” Jewish Museum, New York, NY
: “The Gildless Age,” curated by Denise Johnson, Torrance Art Museum, Torrence, CA
: "Let There Be Light,” curated by Jens Hoffman, Jessica Silverman Gallery, San Francisco, CA
: “Frozen World of the Familiar Stranger,” KADIST, San Francisco, CA
: “The Gildless Age,” Torrance Art Museum, Torrance, CA
2015: "Drawing Now," Albertina, Vienna, Austria
: "Unpacking Our Library," Capitain Petzel, Berlin, Germany
: "When Artists Speak Truth…" The 8th Floor, New York, NY
: "The Bottom Line," S.M.A.K., Gent, Belgium
: "Citizen," Tate Modern, London, UK
: “Agitprop!” Brooklyn Museum, Brooklyn, NY
: "A Voice Remains," Pippy Houldsworth Gallery, London, UK
: "Words, Words, Words," Elizabeth Leach Gallery, Portland, OR
2014: "Grip friheten! Take Liberty! Museum of Contemporary Art," Nationalmuseum, Oslo, Norway
: "Pace Gems," Linda Pace Foundation, San Antonio, TX
: "Lavenir (looking forward)," La Biennale de Montreal, curated by Gregory Burke, Peggy Gale, Lesley Johnstone and Mark Lanctt, Montral, Quebec, Canada
: "Burning down the house," 10th Gwangju Biennale, curated by Jessica Morgan, South Korea
: 2014 SITE Lines: SITE Santa Fe Biennial, Santa Fe, NM
: "Post-Picasso: Contemporary Artists Responses to his Life and Art," Museu Picasso, Barcelona, Spain
: "The Sunken Living Room," Franklin Street Works, Stamford, CT
: "If I can’t dance to it, it’s not my revolution," Cantor Fitzgerald Gallery, Haverford College, PA
: "Andrea Bowers and Susanne Lacy," The Drawing Center, New York, NY
: "The Other Side: Chinese and Mexican Immigration to America," USC Pacific Asia Museum, Pasadena, CA; traveled to Asia Society Texas Center, Houston TX (2015)
2013: "Arctic, Louisiana Museum of Modern Art, Humlebaek, Denmark
: "The Past is Present," Museum of Contemporary Art Detroit, Detroit, MI
: "Labour and Wait", Santa Barbara Museum of Art, Santa Barbara, CA
: "Approximately Infinite Universe", Museum of Contemporary Art, San Diego, CA
: Utah Biennial of Contemporary Art, In collaboration with Cori Redstone, Utah Museum of Contemporary Art, Mondo, UT
: "Selections from the Grunwald Center and the Hammer Contemporary Collection", UCLA Hammer Museum, Los Angeles, CA
2012: "Make Liverpool a City of Sanctuary," Liverpool Biennial of Contemporary Art, Liverpool, England, UK
: "The Living Years: Art after 1989" Walker Art Center, Minneapolis, MN
: "The Residue of Memory," Aspen Art Museum, Aspen, CO
: "Audience as Subject Part 2: Extra Large," Yerba Buena Center for the Arts, San Francisco, CA
: "No Person May Carry a Fish into a Bar," curated by Julian Hoeber and Alix Lambert, Blum & Poe, Los Angeles, CA
: "Drawn from Photography," DePaul Art Museum, Chicago, IL
: "Malas Artes," Galera Nieves Fernndez, Madrid, Spain
: "Go Tell It On The Mountain," Charlie James Gallery, Los Angeles, CA
: "Five Acts: Chronicles of Dissent," Marginal Utility, Philadelphia, PA
: "Femmescapes," Lenore Pereira & Rich Niles private gallery, San Francisco, CA
: "Nothing Beside Remains," collaboration with Shizu Saldamando, a project with LAND, Marfa, TX
2011: "Why I Never Became a Dancer," Sammlung Goetz im Haus der Kunst, Munich, Germany
: "Drawn from Photography," The Drawing Center, New York, NY
: "Body Gesture", Elizabeth Leach Gallery, Portland, OR
: "I Am Still Alive: Politics and Everyday Life in Contemporary Drawing," The Museum of Modern Art, NY
: "Word Is.," Luckman Art Gallery, California State University, Los Angeles, CA
: "Greater LA," curated by Benjamin Godsill, Eleaonor Cayre and Joel Mesler, New York, NY
: "In Process," Ann 330 Gallery, Los Angeles, CA
2010: "The Artists Museum: Los Angeles Artists 1980-2010," The Museum of Contemporary Art, Los Angeles, CA
: "The Politics of Art," National Museum of Contemporary Art, Athens, Greece
: "The Last Newspaper," The New Museum, New York, NY
: "Sisters, Brothers & Others," Claremont University East Gallery, Claremont, CA
: "Everything is Political," FOCA Fellowship exhibition, Fellows of Contemporary Art, Los Angeles, CA
: "In the Balance: Art for a Changing World," Museum of Contemporary Art, Sydney, Australia
: "The Seventh House, Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus," Project Row Houses, Houston, TX
: "The Road to Hell is Paved," Las Cienega Projects, Los Angeles, CA
: "Cycle 8: Stowaways, The Centro Cultural Montehermoso, Vitoria-Gasteiz, Araba, Spain, curated by Elke Krystufek," part of the exhibition series PASSWORDS, New Representation on Femininity
: "Collection: MOCAs First Thirty Years (1980 Now)," The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA
: Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Love in a Cemetery," 18th Street Art Center, Santa Monica, CA
2009: "Andrea Bowers and Suzanne Lacy: Your Donations Do Our Work," University of California, Riverside, CA
: "DAS GESPINST", collection Schrmann at Museum Abteilberg, Mnchengladbach, Germany
: "Multitud Singular: El arte de resistir," Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
2008: "Wunderkammer Lneburg, Halle fr Kunst, Lneburg, Germany
: "California Biennial 2008," Orange County Museum of Art, Newport Beach, CA (October 26, 2008 – March 15, 2009)
: "Progress, Whitney Museum of American Art, New York, NY
: "Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA
: "nach/sichten. Video works from the Goetz Collection, Edith Russ Site for Media Art in Oldenburg, Oldenburg, Germany, curated by Sabine Himmelsbach and Stephan Urbaschek
2008-2009: "Proyecto Civico / Civic Project, Centro Cultural Tijuana (CECUT), Tijuana, Mexico, curated by Lucia Sanroman and Ruth Estevez
2008: "Memory is your image of perfection, Museum of Contemporary Art San Diego, San Diego, CA
: "Southern Exposure: Works from the Collection of the MCA San Diego, Museum of Contemporary Art, Syndey, Australia, curated by Rachel Kent and Dr. Stephanie Hanor
: "Currents: Recent Acquisitions, Hirshhorn Museum, Washington DC
: "The Way That We Rhyme: Women, Art and Politics, Yerba Buena Center for the Arts, San Francisco
: "We Remember The Sun, San Francisco Art Institute, San Francisco, CA
: "Amateurs, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, curated by Ralph Rugoff
: "La Mirada Iracunda / The Furious Gaze," Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain, co-curated by M. Reiley
: "Small Things End," Great Things Endure, New Langton Arts, San Francisco, CA (curated by Jill Dawsey and Maria Del Carmen Carrion)
: "Furious Gaze," Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
2007: "Read me! Text in Art," The Armory Center for the Arts, Los Angeles
: "Radical Hospitality," The Suburban, Chicago, IL
: "Nothing Moments Projects," Steve Turner Contemporary, Los Angeles, CA, curated by Steven Hull and Tami Demaree
: "space.gaze.desire,"Den Frie Udstillingsbygning, Copenhagen, curated by Sanne Kofod Olsen
: "Classe de Danse," Madonna fust Galerie, Bern, Switzerland, curated by Alessio Fransoni and Ilari Valbonesi
: "The California Files: Re-Viewing Side Effects of Cultural Memory," CCA Wattis Institute for Contemporary Art, San Francisco, curated by Ariane Beyn
: "Tanzen Sehen," Museum für Gegenwartskunst, Seigen, Germany
: "The Evil," Galerie Gebr. Lehmann, Dresden, Germany, curated by Raimar Stange
: "OHIO, Gahlberg Gallery, McAninch Arts Center at College of DuPage, Glen Ellyn, IL
: "Encore," Gallery 40000, Chicago, IL, curated by Huey Copeland and Hannah Feldman
2006: "Personal Affairs," Morsbroich Museum, Leverkusen, Germany
: "particulate matter," Mills College Art Museum, Oakland, CA (curated by Glen Helfand)
: "20 jahre NAK," Neuer Aachener Kunstverein, Aachen
: "Prevailing Climate," Sara Meltzer Gallery, New York, NY
: "First Artist Defines Meaning," Camera Austria, Kunsthaus Graz, Austria
: "Human Game," Fondazione Pitti Discovery, Florence, Italy (curated by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi)
: "This is not a Love Song," Susanne Vielmetter Los Angeles Projects, Culver City,
: "Anticipation," Museum of Contemporary Photography, Chicago, IL (curated by Karen Irvine)
: "Art for our sake!," Bard College, Annandale-on-Hudson, NY
: "Welcome Home," Sara Meltzer Gallery, New York
: Jump Cut—Nights (a symposium on choreographic structures in moving images) and Videoperformance—stories told through movement, Cinema of Museum Ludwig, Cologne, Germany (curated by Georg Elben)
2005: "Monuments for the USA," curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, traveling to White Columns, New York, NY
: "REALIT;-)T," curated by Andreas Meier with Dr. Stephan Urbaschek, Sammlung Goetz, Seedamm Kulturzentrum, Switzerland
: "Estacion Tijuana," Tijuana, Mexico
: Mary Goldman, Los Angeles, CA
: "Old News," curated by Jacob Fabricius, Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "New Tapestries," Sara Meltzer Gallery, New York, NY
: "Nonviolent Civil Disobedience Training," (screening), Kunsthalle Basel, Art/Film, Art/ 36/Basel, Switzerland
: "Fast Forward, Media Art From the Goetz Collection," Conde Duque Centro Cultural, Madrid, Spain
2004: "100 Artists See God," curated by John Baldessari and Meg Cranston; The Jewish Museum, San Francisco, CA; Laguna Art Museum, Laguna Beach, CA; Institute of Contemporary Arts, London, England; Contemporary Art Center of Virginia, Virginia Beach, VA; Albright College Freedman Art Gallery, Reading, PA; Cheekwood Museum of Art, Nashville, TN
: "Dance Dance Revolution," curated by Matthew Lyons & Lanka Tattersall, The Leroy Neiman Gallery at Columbia University, New York, NY
: "Victory 2004," Ronald Felman, New York, NY
: "kurzdavordanach," curated by von Wilhelm Schrmann, Die Photographische Sammlung/ SK Stiftung Kultur, Cologne, Germany
: "The Freedom Salon," Deitch Projects, New York, NY
: "Drawings," Galerie Praz-Delavallade, Paris, France
: Whitney Biennial, curated by Chrissie Iles, Shamim Momin, and Debra Singer, Whitney Museum of American Art, New York, NY
2003: "Fast Forward, Media Works from the Goetz Collection between Ethno-Narration and Formal Innovation," ZKM | Museum of Contemporary Art, Karlsruhe, Germany
: "Rendered," Sara Meltzer Gallery, New York, NY
: "Yard: An exhibition about the private landscape that surrounds suburban domestic architect," curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, NY
: "Extended Play: Art Remixing Music," curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand
: "C.O.L.A. 2003," Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
: "Conversations," curated by Connie Butler, Museum of Contemporary Art, Los Angeles, CA
2002: "Videodrome II," curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood, New Museum of Contemporary Art, New York, NY; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; Weatherspoon Art Museum, Greensboro, NC; Bates College Museum of Art, Lewiston, ME
: "Time-Share," Sara Meltzer Gallery, New York, NY
: "Remix: Contemporary Art and Pop," curated by Simon Wallis, Tate Liverpool, England
: "DV Noir: Video Art from Under the Shadow of Hollywood," curated by Rodolfo Sanchez, Museum at California Center for the Arts, Escondido, CA
: "LA On My Mind: Recent Acquisitions from MoCA’s Collection," curated by Michael Darling, MOCA at The Pacific Design Center, Los Angeles, CA
: Gallery Group Show, Goldman Tevis, Los Angeles, CA
: "New Heimat," curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt, Germany
: "Retake," curated by Susanne Titz and Ulrike Groos, Neuer Aachener Kunstverein, Aachen, Germany
: "Untitled (Bowers, Hamilton, Schwarz, Steinfeld)," curated by Christine Bisetto and Steffen Boddeker, Haggerty Gallery, University of Dallas, Irving, TX
: "Casino 2001," curated by Jeanne Greenberg Rohatyn, Stedelijk Museum for Actual Kunst, Ghent, Belgium
2001: "Everybody Now," curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York
: "Subject Plural," curated by Paola Morsiani, Contemporary Arts Museum, Houston, TX
: "False Start," curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
: "Making Time: Considering Time as a Material in Contemporary Film & Video," curated by Amy Cappellazzo, Armand Hammer Museum, Los Angeles, CA; PBICA, Palm Beach, FL
2000: "Video Take," Stuc en Hedendaagse Kunsten, De Openabare Bibliotheek, Leuven, Belgium
: "Radar Love," curated by David Pagel, Galleria Marabini, Bologna, Italy
: "Game On," curated by Sara Meltzer. Essay by Jenelle Porter and Conny Purtill, Sara Meltzer Gallery, New York, NY
: "Moving Pictures," Galerie Tommy Lund, Copenhagen, Denmark
1999: "Painting: Fore and Aft," ACME, Los Angeles, CA
: "Drawing the Line," curated by Kirk Delman, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA
: "Venus," curated by Habib Kheradyar, Arc, Vienna, Austria
: "Motion Studies," curated by Michael Darling, Kunsthallen Brandts Klaedefabrik, Odense, Denmark
: "Transfer," curated by Rosanne Alstatt Videonale-Intermezzo, Kunstmuseum Bonn, Bonn, Germany
: "Living Theatre," curated by Diana Thater and Hildegund Amanshauser, Salzburger Kunstverein, Salzburg, Austria
: "Im the Boss of Myself," curated by Sara Meltzer. Essay by Amy Cappellazzo, Sara Meltzer, New York, NY
: "Me Mine," curated by Julie Joyce and Mike Mehring, Luckman Fine Arts Gallery, California State University, Los Angeles, CA
: Group Exhibition, curated by Susie Allen for Virgin Atlantic Airways, Virgin Atlantic VIP Lounge, Newark Airport, Newark, NJ
: "Video Cult/tures," ZKM | Museum of Contemporary Art, Karlsruhe, Germany
: "More Than Meets the Eye," curated by Wilhelm Schuermann, Deichtorhallen, Hamburg, Germany
1998: "Unfinished History," curated by Francesco Bonami, Walker Art Center, Minneapolis, MN; Museum of Contemporary Art, Chicago, IL
: "Guarene Arte 98," Selected by Douglas Fogle, Fondazione Sandretto Re Rebaudengo per larte, Torino, Italy
: "In the Polka Dot Kitchen," curated by Sally Elesby and Anne Ayres, Otis Gallery and Armory Center, Los Angeles, CA
: "Time Dilates," Three Day Weekend, New York, NY
: "Kamikaze," curated by Monica Bonvicini, Marstall, Berlin, Germany
: "Phoenix Triennial," curated by David Rubin, Phoenix Art Museum, Phoenix, AZ
: "Love at the End of the Tunnel, or the Beginning of a Smart New Day," curated by Marilu Knode, Center of Contemporary Art, Seattle, WA (catalogue)
: "Wings of Desire," curated by Michelle Guy, Walter McBean Gallery, San Francisco Art Institute, San Francisco, CA
: "Three Day Weekend," curated by Dave Muller, Los Angeles, CA
: "Youth Studies," curated by Brad Spence, POSTdowntown, Los Angeles, CA
1997: "Places That Are Elsewhere," curated by Diana Thater, David Zwirner Gallery, New York, NY
: "Quartzose," curated by Michael Darling, Galleri Tommy Lund, Copenhagen, Denmark
: "The Summer of Love," Fotouhi Cramer Gallery, New York, NY
: "Hot Coffee," curated by Thomas Lawson, Artists Space, New York, NY
1996: "True Bliss," Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "Trying/Pattern, Chance," a project by Art Center College, Whisky Petes, NV
: "Open House," curated by John OBrien, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, CA
: "Space Space," curated by Stephen Hartzog, POST, Los Angeles, CA
: "Ether," curated by Michelle Guy, Angles Gallery, Santa Monica, CA
: "Report from Spring Training," Spanish Box, Santa Barbara, CA
1995: "Neotoma," Otis Gallery, Otis College of Art and Design, Los Angeles, CA
: "Redevelopment," curated by Stephen Hartzog & Rick Pirro
: "Couldnt Get Ahead (catalogue & CD)," curated by Adam McEwen, Independent Artists Space, London, England
: "Three Day Weekend Takes an Extended Working Vacation," In Rezone at Diverse Works, Houston, TX
: "People-Going Places-Doing Things," N.A.M.E. Gallery, Chicago, IL
: "Pretty," FOOD HOUSE, Santa Monica, CA
1994: "Thanks-The Works Is Not For Sale But Up For Barter," Three Day Weekend, Los Angeles, CA
: "Daves Not Here," Three Day Weekend, Los Angeles, CA
: "Thanks Again," FOOD HOUSE, Santa Monica, CA
: "Second Skin," curated by Charles LaBelle, Espace, San Francisco, CA
: "Bad Girls (catalogue)," curated by Marcia Tucker, New Museum, New York, NY
: "Utter Realities," curated by Randy Sommer, Cerritos College Fine Art Gallery, Cerritos College, Norwalk,
: "PARANOID," co-organized by Sam Durant, M*Y*T*H* Series at the Brewery, Los Angeles, CA
: "The Power of Positive Thinking," curated by Sam Durant, FOOD HOUSE, Santa Monica, CA
1993: "Loose Slots," curated by Richard Kuhlenshmidt, Temporary Contemporary, Las Vegas, NV
: "Heaven Missing," Jose Freire Gallery, New York, NY
: "Melancholic Consolation and Cynicism," Kuenstlerhaus Bethanien, Berlin, Germany
: Ruth Bloom Gallery, Santa Monica, CA
: "Thank You," FOOD HOUSE, Santa Monica, CA
: "FOOD HOUSE Visits the Art Store Gallery," curated by FOOD HOUSE The Art Store, Los Angeles, CA
: "Public & Private Pleasure," curated by Lauren Lesko, Nomadic Sites, Los Angeles
: "Cherry Bomb," Southern Exposure, San Francisco, CA
: "Imp of the Perverse," curated by Alisa Tager, Sally Hawkins Gallery, New York, NY
1992: "Skinned Eyes/Skin Dye," curated by Tyler Stallings, The Bridge Gallery, Los Angeles City Hall, Los Angeles, CA
: "The FAR Bazaar," Foundation for Art Resources Inc., Federal Reserve Building, Los Angeles, CA
: "Good Design," organized by Jorge Pardo & Pae White,Nomadic Sites, Pasadena, CA
: "Afterthought," San Francisco Art Institute, San Francisco, CA
1991: "Window on L.A.," curated by David Pagel, L.A. Art Fair, Los Angeles, CA
: "Tales From The Creeps," Marc Richards Gallery, Santa Monica, CA

Performances

1993: "Indignant Fairy, Beyond Baroque, Venice, CA
1991: "Cafeteria, The Other 45 Minutes, Los Angeles, CA

Bibliography

2023: Cultured Staff. "For Herno President Claudio Marenzi, Growing a Company Is Just Like Cultivating an Art Collection," Cultured Magazine, Decemeber 13 (Link)
: Miranda, Carolina A. "Artist Kerry James Marshall’s National Cathedral windows honor the light of protest," The LA Times, December 8 (Link)
: Atkins, Olivia. "Dear Earth: Artworks to inspire collective action, and promote care for our planet," CreativeBoom, August 8 (Link)
: Vankin, Deborah. "For L.A.’s newest underground art experience, head down to the Metro Regional Connector," LA Times, June 17
: Sutton, Benjamin. "Los Angeles inaugurates three new art-filled metro stations," The Art Newspaper, June 20 (Link)
: Trimble, Lynn. "How Do Artists Combat Propaganda?," Hyperallergic April 10 (Link)
: Zocalo Staff. "Artist and Activist Andrea Bowers," Zocalo Public Square, February 17 (Link)
2022: Simmons-Reid, Jessica. "Andrea Bowers: An Ethos of Resistance," CARLA Magazine, November
: People’s World Staff. "Andrea Bowers, revolutionary feminist artist retrospective at Hammer Museum until September 4," People’s World, August 26 (Link)
: Davidow, Jackson. "One Work: Andrea Bowers’s “Letters to an Army of Three”," Art in America, August 25 (Link)
: Womack, Catherine. "Andrea Bowers’ activist art has long been a conduit for hope — and still is today," LA Times, July 8 (Link)
: Knight, Christopher. "Review: At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience," Los Angeles Times, July 6 (Link)
: Pippin, Sheila. "Artists Andrea Bowers, Mark Bradford, And Jenny Holzer | Bring Provoking Art To Los Angeles," FLAUNT, June 14 (Link)
: Vankin, Deborah. "‘The time is now’: A debut exhibition of artworks around L.A. speak to climate crisis," The LA Times, June 3 (Link)
: Cardoza, Carrie. "Engines of Change: Andrea Bowers Highlights Activists Making History," New City Art, January 7 (Link)
2021: Sorkin, Jenni. "Art in California," Thames & Hudson Inc., United Kingdom, pp 195-106
: Waxman, Lori. "Andrea Bowers at MCA: This is protest art by an artist long experienced in the genre. But does protest art change minds?," The Chicago Tribune, December 19 (Link)
: Lane, S. Nicole. "Are neon signs really enough?," Chicago Reader, December 13 (Link)
: Cherelus, Gina. "A Monument to the Lives of Black Women and Girls," The NY Times, December 7 (Link)
: Mitter, Siddhartha. "Andrea Bowers: Her Activism Animates Her Art," The NY Times, November 30 (Link)
: Zellen, Jody. "Andrea Bowers. Energy with Intention," What’s On Los Angeles Index, September 16
: Ababio, Rachel. "UC Davis reopens Manetti Shrem Museum of Art with new exhibit ‘Education Should Be Free’," The Sacramento Bee, July 6 (Link)
2020: Cascone, Sarah. "Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week," artnet, February 10 (Link)
: Howe, David Everett. "Andrea Bowers Portrays the Future of Activism," Art in America, March (Link)
: Aguirre, Abby. "Inside the Los Feliz Home of Frieze’s Bettina Korek," W, January 29 (Link)
: Angeleti, Gabriella and Wallace Ludel. "Three exhibitions to see in New York this weekend," The Art Newspaper, January 16 (Link)
2019: Ye, Fiona. "New exhibition ‘In Plain Sight’ powerfully brings unheard voices into public sphere," The Daily, November 27 (Link)
: Carrigan, Margaret. "Art Basel removes part of sexual harrassment-themed work," The Art Newspaper, June 13
: O’Neil, Dilara. "Who Profits When Pain Becomes Art?," Garage, June 19 (Link)
: "Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation," Malay Mail, June 14 (Link)
: Larsen, Nina. "Women artists bring #MeToo reckoning to Basel fair," Jakarta Post, June 14 (Link)
: Niermann, Ingo. "Basel Roundup," Art Agenda, June 18 (Link)
: "#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers," Latestly, June 13 (Link)
: Cascone, Sarah. "After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement," artnet, June 12 (Link)
: Schneider, Tim and Kate Brown. "The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines," artnet, June 11 (Link)
: Siegel, Nina. "#MeToo Work at Art Basel Offers Cautionary Tale About Political Art," New York Times, June 16 (Link)
: Kinsella, Eileen. "The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning," artnet, April 16 (Link)
: Weathers, Chelsea. "After Posada: Revolution," Artforum, February (Link)
2018: Mania, Astrid. "Critics Picks: Andrea Bowers at Capitain Petzel," Artforum, September (Link)
: Judah, Hettie. "Frieze London review – women on top at the #MeToo art fair," The Guardian, October 4 (Link)
: Schuster, Angela M.H. "Contemporary Art Shines Bright in the City of Light," Robb Report, October 16 (Link)
: Princenthal, Nancy, "3 Outdoor Art Shows and One Trusty Dog (With Tricks!)," New York Times (web), September 6 (Link)
: Stromberg, Matt, "The Power of Artists’ Books to Bind Together Radical Ideas," Hyperallergic (web), August 28 (Link)
: Lambie, Mark, "El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House," El Paso Times (web), July 27 (Link)
: "#MeToo Narratives in Open Secret by Andrea Bowers," Blouin Art Info (web), July 18 (Link)
: Lynch, Scott, "Check Out All This New Art & Insane Crowding On The High Line," Gothamist (web), April 27 (Link)
: Misner, Rebecca, “San Francisco Now,” Condé Nast Traveler (web), March 5 (Link)
: Shaw, Anny, “Trump: the first year,” The Art Newspaper, January 10 (Link)
2017: Valentine, Victoria L., “The Artist Project: New Volume Explores What Artists See, What Inspires Them, When They Look at Art at the Met Museum,” Culture Type (web), December 11 (Link)
: Michot, Michelle, “Florida is on the frontline of global warming – a crisis that demands creative thinking,” The Art Newspaper (web), December 8 (Link)
: Helfand, Glen, “Marching to the Beat at Jessica Silverman Galelry,” Art Papers, October
: “5 Artists Respond to: Charlottesville,” New York Times T Magazine, August 29 (Link)
: Zellen, Jody, “Andrea Bowers at the Hammer Museum,” ArtScene, July/August
: Menguc, Murat Cem, “Radical Art from the Past Decade, from Tahrir Square to Recife,” Hyperallergic (web), July 19 (Link)
: Harris, Gareth and Julia Michalska, “Power of pride: artists champion LGBT causes at Art Basel,” The Art Newspaper, June 14 (Link)
: Hanson, Sarah P., “Mood at Art Basel is upbeat as VIPs spend,” The Art Newspaper (web), June 15
: Sterling, Anna, “This Beautiful Installation Reveals the Money Behind the Dakota Access Pipeline,” KCET Artbound (web), May 31 (Link)
: Smith, William S., "The Lookout: ‘The Neighbors, part two, in two parts: Sanctuary: Andrea Bowers and Home: Andrea Aragón’," Art in America, January (Link)
: Mitter, Siddhartha, “‘People have Been Kind of Slapped Awake’: Urgent New Shines a Light on Immigration,” The Village Voice (web), January 4 (Link)
: Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (Link)
: Seda-Reeder, Maria, “Two new Contemporary Arts Center exhibitions confront politically charged topics,” City Beat (web), February 22
: Woodard, Josef, “Art Review: Art About Border Patrolling,” Santa Barbara News-Press, February 24
: Donelan, Charles, “Andrea Bowers and Marcos Ramírez ERRE,” Santa Barbara Independent (web), March 6
: Barshee, Tenzing, “The Value of Rage: Morgan Fisher in Conversation with Tenzing Barshee,” Terremoto, Winter
2016: Bruney, Gabrielle, “Stunning Portraits Spotlight Trans Women Activists of Color,” The Creators Project (web), February 22
: Davis, Ben, “Andrea Bowers Fights for Transgender Icons in New Chelsea Show,” artnet News (web), February 24 (Link)
: Scott, Andrea K., “American Beauty: The artist-activist Andrea Bowers takes her street-smart politics to Chelsea,” The New Yorker, March 28 (Link)
: Chamberlain, Colby, “Andrea Bowers: Andrew Kreps Gallery,” Artforum, May (Link)
: Knight, Christopher, “Review: Art meets activism in Andrea Bowers’ ‘Triumph of Labor’ at Susanne Vielmetter Los Angeles Projects,” Los Angeles Times, June 17 (Link)
: Shaw, Michael, “Andrea Bowers and Lies Kraal,” ArtScene, July/August
: Miranda, Carolina, “New Main Museum in downtown Los Angeles reveals ‘Beta’ plans – and focus on art in L.A.,” Los Angeles Times, June 30
: Barrie, Lita, “Andrea Bowers’ Activist Aesthetics: ‘Triumph of Labor’ at Susanne Vielmetter Los Angeles Projects,” The Huffington Post (web), July 7 (Link)
: Greenberger, Alex, “ ‘It’s not nice to talk about entitlement’: Martha Rosler and Andrea Bowers discuss politics, ethics at DIA,” ArtNews (web), October 3 (Link)
: Martin, Brittany, “The Main Museum is opening this month – for a ‘beta’ launch,” TimeOut Los Angeles (web), October 19
: Loc, Tim, “Downtown’s Forthcoming Main Museum Kicks Off With a 10-Day Performance Piece,” LAist (web), October 25 (Link)
: Womack, Catherine, “A Coven of Witches and a Pair of Feminist Artists Help Launch Downtown’s Next Big Museum,” LA Weekly (web), October 28
: Miranda, Carolina, “Suzanne Lacey and Andrea Bowers in debut show for Beta Main,” Los Angeles Times (web), November 1 (Link)
: Slayton, Nicholas, “Beta Testing at the Main Museum,” Los Angeles Downtown News (web), November 1
: Boucher, Brian, “Artists Aren’t Afraid to Get Political at Art Basel Miami Beach,” ArtNet News (web), November 30
: Stromberg, Matt, “Focused on Residencies, the Main Museum Tests a Different Model in Downtown LA,” Hyperallergic (web), December 8
: Wagley, Catherine G., “Living Legends: Suzanne Lacy Teaches Andrea Bowers Performance Art, Inaugurating the New Main Museum in Los Angeles,” ArtNews (web), December 9
2015: The Bottom Line, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Gent, Belgium
: Gordon, Larry, California Colleges See Surge in Efforts to Unionize Adjunct Faculty, Los Angeles Times, January 3
: Basha, Regine, La Biennale de Montral: Lavenir (looking forward), Modern Painters, January
: Deleu, Sylvain, Art Basel Switzerland Announce their 2015 Gallery Lineup, artlyst, March 3
: Group Exhibition A Voice Remains to Open at Pippy Houldsworth Gallery, artlyst, April 24
: Purseglove, Laura, Art Review: A Voice Remains Pippy Houldsworth Gallery Reactivating the Revolution, artlyst, April 30
: Glentzer, Molly, Provocative Show Examines Immigration, Houston Chronicle, May 10
: Steer, Emily, Basel Gallery Picks: Susanne Vielmetter Los Angeles Projects, US, Elephant Magazine (web), June 19
: Jovanovic, Rozalia, See the 11 Best Gallery Booths at Art Basel, ArtNet News (web), June 18
: Kirsch, Corinna, Art teachers paid the same as McDonalds workers, The Art Newspaper, July 2
: Ricciardi, Nicola, Nothing is neutral: an interview with Andrea Bowers, Mousse Magazine, February
2014: Shen Goodman, Matthew, "Frieze New York Reaches Agreement With Unions," Art in America online, April 10 (Link)
: Lescaze, Zoe, "Frieze New York, Unions Reach Agreement in Art Fair Labor Dispute," Gallerist NY, April 9 (Link)
: Newhall, Edith, "Galleries: A long-forgotten artist, 1960s anarchy, and clay," The Philadelphia Inquirer, April 28 (Link)
: Fisch, Sarah, "’Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble," San Antonio Current, April 30 (Link)
: Maloney, Patricia, "Episode 447: Andrea Bowers, #sweetjane", Bad at Sports (audio interview), March 24 (Link)
: Landi, Ann, "the Cutting-Edge to Santa Fe," ARTNews, Summer (Link)
: Knight, Christopher, Year in Review: Christopher Knights Best Art Shows of 2014, Los Angeles Times, December 19
: Knight, Christopher, Year in Review: Christopher Knights Best Art Shows of 2014, Los Angeles Times, December 19
: Morgan, Jessica, Burning Down the House, Gwangju Biennale 2014 Exhibition Catalogue, October
: Bowers, Andrea, Feminists, Art in America, December
: Byrd, Cathy, Fresh Talk: Andrea Bowers, Fresh Art International, October 2
: Cooper, Ashton, ` on Futurity: 5 Works at the Montal Bienniale, ArtInfo, October 28
: Smith, William S., SITElines.2014: Unsettled Lanscapes, Art in America, November
: Byrd, Cathy, Fresh Talk: Andrea Bowers, Fresh Art International, October 2 (Link)
: Munro, Cait, At Montreal Biennial Artists Tackle Sexual Politics in the 21st Century, artnet, November 3
: Galan, Manuela, Paris Top 10 Contemporary Art Exhibitions this Summer, The Culture Trip, August
: Fleury, Claire, Ile-de-France: 5 expos ne pas manquer, Le nouvel Observateur, September 20
: Maloney, Patricia, All You Protest Kids, You Can Hear Jack Say, Sweet Jane, The Brooklyn Rail, September 4
: Bowers, Andrea, and Lacy, Suzanne, After the Slumber Party, The Brooklyn Rail, September 4
: Landi, Anne, Documenting the Americas: Art With a Politicla Bent, but the Messages Are Seldom Heavy-Handed, The Wall Street Journal, September 2
: Travers, Andrew, Anderson Ranch hosts Opie and women artists symposium, The Aspen Times, July 29
: Sanromn, Lucia, Andrea Bowers, catalog for Unsettled Landscapes, SITE Santa Fe, NM, Summer
: Weiderman, Paul, SITE Santa fe Andrea Bowers: The art of activism, Santa Fe New Mexican, July 18
: Hanson, Sarah, Pushing Boundaries: SITE Santa Fes Reimagined Biennial, ArtInfo, July 18
: Landi, Ann, Bringing the Cutting-Edge to Santa Fe, ARTnews, Summer
: Germack, Diane, Louis Vuitton rend homage aux femmes, luxurydesign, July 15
: Joyce, Erin, A First Look at the New SITE Santa Fe Biennial, Hyperallergic, July 31
: Cristello, Stephanie, Unsettled Landscapes: An Interview with Andrea Bowers, ARTslant, July
: Hirsh, Jennie, A New Chapter for SITE Santa Fes Biennial, Art in America, June 13
: Groppo, Pierre, In Situ 1: Espace Culturel Louis Vuitton gives Andrea Bowers carte blanche, Vogue Paris, June 4
: Gelsomini, Tina, BNLMTL 2014 // Andrea Bowers, The Seen: Chicagos International Online Journal of Contemporary at Modern Art, May 27
: Fisch, Sarah, ‘Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble, San Antonio Current, April 30
: Fisch, Sarah, ‘Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble, San Antonio Current, April 30
: Knight, Christopher, " Review: ‘#sweetjane’ fuses art, a horrific crime to powerful effect," Los Angeles Times, February 18 (Link)
: Bodin, Claudia, "Die Kunst, dagegen zu sein," Art Magazin, February
: Buckley, Annie, "Investigating Steubenville: Andrea Bowers’ #sweetjane," KCET Artbound, February 6 (Link)
: Yoshimura, Courtney, "500 Words: Andrea Bowers," Artforum.com, January 21 (Link)
: "March Preview: Andrea Bowers," Art, February
: Willette, Jeanne, "Preview: Andrea Bowers at Pomona College Museum of Art," ArtScene, January
2013: Geiser, Kirsa, "Review: Andrea Bowers, ‘Cultivating the Courage to Sin,’ at Capitain Petzel," Spike Art Quarterly, Winter
: Mania, Astrid, "Critics’ Picks: Andrea Bowers at Capitain Petzel," Artforum, October 16
: Ruthe, Ingeborg, "Ihre Freunde, die Bume: Andrea Bowers, Capitain Petzel," Berliner Zeitung, October 15
: Cheng, Scarlet, Labour and Wait displays the melding of art and craft, Los Angeles Times, August 31
: Drohojowska-Philp, Hunter, Art Talk: Labour and Wait at the Santa Barbara Museum of Art, KCRW, August 15
: Foster, Kenneth J, Audience as Subject, Yerba Buena Center for the Arts, (Exhibition Catalog)
: McGuire, Mary, Andrea Bowers, Labour and Wait exhibition catalogue, Santa Barbara Museum of Art, July
: Joyce, Julie, Labour and Wait, exhibition catalogue, Santa Barbara Museum of Art, July
: Bodin, Claudia, Der Wichtigste Kunstmarkt Der Welt, ART Das Kunstmagazin, May 14
: Smith, Roberta, 40 Nations, 1,000 Artists and One Island, New York Times, May 10 (Link)
: Bodin, Claudia, Noch Mehr Lrm, ART Das Kunstmagazin, May 10
: Heddaya, Mostafa, Andrea Bowers Protest letters Taken Down Overnight at Frieze, Hyperallergic, May 10
: Kinsella, Eileen, Labor Activists Return to Protest Frieze, Will Speak Out at Nato Thompson Talk, ArtInfo, May 10
: Kjellburg, Ann, Not Fair: Artist Andrea Bowers Writes to the Organizers of the Frieze Art Fair, Little Star, May 10
: Sutton, Benjamin, Andrea Bowers Hangs Letter Decrying Friezes Labor Practices in Susanne Vielmetters Booth, ArtInfo, May 9
: Lescaze, Zo, Union Members Protest Frieze Labor Policy, Andrea Bowers Joins the Fray, Gallerist NY, May 5
: Willette, Jeanne, "Preview: Andrea Bowers at Pomona College Museum of Art," ArtScene, January
2012: Crow, Kelly, Art Basel: From Bargains to Billionaires, The Wall Street Journal, December 7
: Heyman, Marshall, The Insanity of Art Basel, The Wall Street Journal, December 6
: Bodin, Claudia, Art Basel Miami Beach: Und ewig lockt der Knstler, Art das Kunstmagazin, December 7
: Kellaway, Brooke, Letters to the Army of Three: Andrea Bowers on Abortion, Then and Now, Walker Art Center, December 3
: Three Friends Walk Into A Gallery, Revising Loneliness, November 6
: Richard, Frances, Andrea Bowers, Artforum, Winter
: Knight, Christopher, "A timely, spirited protest at ‘Work’", LA Times, October 5
: Heldebro, Johanna, "Interview with Andrea Bowers, LAURA, Issue No. 8, Autumn
: Proctor, Jacob, The Residue of Memory, Exhibition Catalogue, Aspen Art Museum
: Moshayedi, Aram, No Person May Carry a Fish into a Bar, Artforum.com Critics Pick, August
: Clayton, Campbell, Shamim Momin, Art Voices Magazine, Issue 38, June/July
: Edwards, Jeff, Never Forgotten: The Art and Activism of Andrea Bowers, ArtPulse, No. 11, Spring
: "Five Acts: Chronicles of Dissent", edited by Yaelle Amir, David Dempewolf and Yuka Yokoyama, Marginal Utility
: Green, Emily. L.A. activists try to stop woodlands from becoming sediment dumps, High Country News, May 14
: Buszek, Maria Elena Necessary Positions in Feminist Art: A Conversation, Art Journal, Spring
: Jacobson, Heidi Zuckerman, The Kids Are Alright, Huffington Post, April 30
: Audience as Subject Puts Spotlight on the Spectator at Yerba Buena Center for the Arts, Huffingtonpost.com, February 15
: Smith, Roberta. Promising Tyros Join an Art Fair Club, New York Times, March 9
: Kiyoizumi, A.J. Art Show Examines Audiences, The Daily Californian, February 22
: Prestianni, Sam. Mob Rules, San Francisco Weekly, February 15
: Richard, Frances. Andrea Bowers, Artforum, January
: Rochester, Katherine. Five Acts: Chronicles of Dissent, Artforum.com, February 16
: Thompson, Dale. Meeting Ground: 2012 Artist in Residence Andrea Bowers combines Art and Activism, March 6
: 27 Questions for Art Activist Andrea Bowers, ArtInfo International, January 4
2011: Bruce, Caitlin, Looking for the Political at Art Basel, Art Threat, December 19
: Cotter, Holland. Complacency Butts Up Against Game Changers, New York Times December 16
: Andrea Bowers. The New Yorker. December 12
: Rabel, Eduardo Alexander. Something for Everyone. Artslant.co, December 9
: Lookofsky, Sarah. Critics Pick – Andrea Bowers. Artforum.com, December 8
: Gilbert, Alan. Andrea Bowerss The New Womans Survival Catalog. Art-agenda.com, December 8
: Sledge, Matt. Occupy Art Basel Remains Elusive, But One Occupation Shoots Up In Miami Beach, huffingtonpost.com, December 2
: Rosenberg, Karen. Art Fair: Business Over Activism. New York Times, December 2
: Loos, Ted. Ten Things to Look Forward to at Art Basel in Miami. Vogue, November 28
: Bloom, Lisa. Glasberg, Elena. Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions. Far Field: Digital Culture, Climate Change, and the Poles, November
: Lacy, Suzanne. It Speaks to Me. Los Angeles Tim, September 21
: Diaz, Eva. Drawn from Photography. ArtForum, Summer
: Rosenow, Romina. The Treet Watchers. Pasadena Magazine, July
: Cromer, Mark. Incarceration to Installation. Artillery, May/June
: Scott, Andrea K. Drawn From Photography. The New Yorker, March 21
: Rosenberg, Karen. Drawn From Photography. New York Times: Weekend Arts, February 25
: Rosenberg, Karen, Authorship or Translation? Notes Toward Redefining Creativity, The New York Times, February 24
: Dorfman, John. The Lens and the Pencil. Art & Antiques, February
: Finkel, Jori, Artist-activist Andrea Bowers arrested in tree-sitting protest in Arcadia, Los Angeles Times, January 13
: Finkel, Jori, Artist Andrea Bowers turns activist, Los Angeles Times, January 12
: Lawson, Thomas. A Story about Civil Disobedience and Landscape: Interview with Andrea Bowers. East of Borneo, January
: Morgan, Margaret. Home Truths, in The M Word, edited by Myrel Chernick and Jennie Klein. Demeter Press
: Gilman, Claire. Drawn from Photography. Exhibition catalog. The Drawing Center, New York
: DiQuinzio, Apsara. The Air We Breathe: Artists and Poets Reflect on Marriage Equality. San Francisco Museum of Modern Art
: Rethinking Contemporary Art and Multicultural Education. Edited by Eungie Joo, Joseph Keehn II, Jenny Ham-Roberts. Routledge
: Why I Never Became a Dancer, Exhibition Catalog, Sammlung Goetz im Haus der Kunst, Hatje Cantz
: Goetz, Igvild, Why I Never Became a Dancer, at Sammlung Goetz, Munich | Essays: Goetz, Ingvild On this Exhibition: Urbaschek, Stephan On Younglings, Maidens, Dandies, Bobby-soxers, Hooligans, Rowdies, Teenagers and Avatars; Verreet, Isabelle Andrea Bowers, Democracys Body Dance Dance Revolution, 2001
: Szupinska, Joanna, Andrea Bowers, ArtUS, No. 30
2010: Barton, Greg. Graphite Testimony. The Last Times December
: Young, Paul. The New Garde. Angeleno Magazine December
: Gilman, Claire. "Marking Politics: Drawing as Translation in Recent Art." Art Papers, Fall
: Zellen, Jody, Andrea Bowers, Susanne Vielmetter Los Angeles Projects, Artillery, September/October
: Henson, Julie, The Political Landscape, a conversation with Andrea Bowers, Daily Serving, August 7
: Barliant, Claire, The Last Newspaper, Time Out New York, November 1
: Miles, Christopher, Andrea Bowers at Susanne Vielmetter Los Angeles Projects, LA Weekly, July 29
: Knight, Christopher, Other Side of the Dream, Los Angeles Times, July 9
: Mizota, Sharon, "The Guide," Los Angeles Times, May 7
: Beck, Graham T, Andrea Bowers at Andrew Kreps, Frieze, Issue 129, March
: Mizota, Sharon, Love in a Cemetery at the 18th Street Art Center, Los Angeles Times, February 26
: Duncan, David, Andrea Bowers at Andrew Kreps, Art in America, January
: ONeill-Butler, Lauren, Andrea Bowers at Andrew Kreps, Artforum, January
: Bowers, Andrea. "Andrea Bowers in conversation with Tucker Stilley." Jacob, Mary Jane and Michelle Grabner, editors, The Studio Reader. The University of Chicago Press, Chicago, 2010.
: California Community Foundation Fellowship for Visual Artists 2009. CCF Foundation, Los Angeles.
: Dean, Bec. "Raquel Ormella and Andrea Bowers: Life in the Balance." Art and Australia, Volume 48, No. 1
: In the Balance: Art for a Changing World. Exhibition catalogue. Curated by Rachel Kent, Glenn Barkley, Anna Davis and Keith Munro, Museum of Contemporary Art, Sydney
: Politics of Art. Exhibition Catalog. Curated by Anna Kafetsi, National Museum of Contemporary Art, Athens, 2010.
2009: Cotter, Holland, Golden Oldies All Over Chelsea, New York Times, December 4
: Mizota, Sharon, Andrea Bowers and Suzanne Lacy, Art Papers, November/December
: Amir, Yaelle, Eco-Action, Art Slant New York, November 22
: Emerling Susan, Laton: the little California town that served as a muse, Los Angeles Times, April 26
: Luna, Marcela Quiroz, Proyecto Cvico / Civic Project at Centro Cultural Tijuana- CECUT, Latin Art, Spring
: Dean, Jennifer, Exhibit at UCR pairs art, clothing drive for needy, The Press-Enterprise, March 11
: Buckley, Annie, Andrea Bowers and Suzanne Lacy, Art Forum, March 6
: Cheng, Scarlet, Irvine Shines at OC: 2008 California Biennial at the Orange County Museum of Art, Artillery magazine, March
: Dambrot, Shana Nys, Andrea Bowers and Suzanne Lacys Progressive Home Economics, THE Magazine Los Angeles, February/March
: Calder, Diane, Previews of Exhibitions: Andrea Bowers and Suzanne Lacy, Art Scene, February
: Lehrer-Graiwer, Sarah, Museum Preview: 2008 California Biennial, Art Forum, January
: I thought California would be different: The 2008 California Biennial in light of the presidential election, DBartmag.com, 2009
2008: Artists Project: Andrea Bowers, Switch 1.1 : A Biannual Magazine Published by The Power Plant, Winter
: Pincus, Robert, State of Mind, San Diego Union Tribune, December 14
: Wagley, Catherine, The Best Kind of Boring: 2008 California Biennial, dailyserving.com, December 1
: Christopher Knight, Critics Choices, Los Angeles Times, November 16
: Estves, Ruth and Lucia Sandromn Ed., Proyecto Civico Project, Centro Cultural Tijuana (CECUT), Mateus Books, November
: Boem, Mike. "3 L.A. Artists Get Fellowship," Los Angeles Times, November 11, 2008, p. E-3
: Knight, Christopher, Dont Take It Lying Down, Los Angeles Times, November 4
: Aeppel; LVR, 2008 California BiennialUnder Beautiful Smog, ovationtv.com, November 4
: The 2008 California Biennale, The Santa Barbara New Press, October 31
: The Orange County Museum of Art Presents the 2008 California Biennale, artdaily.org, October 26
: Chang, Richard, A Broader Biennial, Orange County Register, October 26
: Buitron, Michael, 2008 California Biennial at the OCMA and Beyond, Leap Into the Void (blog), October 25
: Chang, Richard, California Biennial reaches beyond the Golden State, The Arts Blog, ocregister.com, October 24
: Firstenberg, Lauri, 2008 California Biennial. Exhibition catalogue. Orange County Museum of Art, Newport Beach, CA, October
: Schwarting, Jen, Progress, The Brooklyn Rail, October
: Kecskes, Alex, A Rich Palette of Talent, 944 Magazine, October
: 2008 California Biennial, THE Magazine, October
: Melrod, George, A Questioning Biennial, Interview with Lauri Firstenberg, Art Ltd., November
: Andrea Bowers in Conversation with Catherine Opie, Catalogue, Art Resources Transfer, Canada: Westcan, Edited by Alejandro Cesarco
: OConnell, Brian, Ghostly Media: What Would an Invoking Media Look Like?, Art & Research, Volume 2, Number 1, Summer
: Morrone, Francis. "Changing Times, Changing Notions: ‘Progress’ At the Whitney," The New York Sun, August 14
: Myers, Julian, "Amateurs," Frieze, September
: Rugoff, Ralph, "Other Experts," Amateurs. Exhibition catalogue. CCA Wattis, San Francisco
: Schwarting, Jen, "Progress," The Brooklyn Rail, October
: Harmanci, Reyhan, Face of Femminism: Small Things End, Great Things Endure, San Francisco Chronicle, January 17
: Bryan-Wilson, Julia, Preview: The Way That We Rhyme, Artforum, January
: Krishtalka, Sholem, A Furious Embrace: Not a soft downy comforter, Xtra! January 7
2007: Borchhardt-Birbaumer, Brigitte, "Modelle einer kritischen Gegenwartskunst, Wiener Zeitung, February 22
: Pagel, David. "It Pays to Be Booksmart and Streetwise, Los Angeles Times, December 28
: Stange, Raimar, The Evil (exhibition catalogue) Galerie Gebr. Lehmann, Dresden, Germany, December
: Fragoza, Carribean, "LAXART Benefit Art Auction Draws Energetic Crowds and Funds, Flash Art Online, November 16
: Prickett, Sarah Nicole, "Art-Hopping: Power Plant, Gallery TPW, Deluca Fine Arts, Torontoist, Nov. 29
: Food, Brian, "Going Out: Things to do and People to See in T.O. this week, Globe and Mail, November 24
: Buckley, Annie, "A Handmades Tale: Andrea Bowers Bears Witness to the Equilibrium Between Art and Activism, A & U Magazine, September
: Patterson, Carrie, "Andrea Bowers: The Weight of Relevance, Art Circles, Issue #5, Fall
: Moshayedi, Aram, "Andrea Bowers: Los Angeles, Art Papers, July/August
: Schmidt, Eva. "Tanzen Sehen", Exhibition catalogue. Museum fr Gegenwartskunst Siegen
: Mizota, Sharon, "Filling the Gap, art ltd, July
: Mizota, Sharon, "Politics sewn to art, panel by quilt-like panel, Los Angeles Times, June 9
: Bowers, Andrea. "Beyond Drawing". Art on Paper, Vol. 11 (May/June 2007), p.66-68.
: Pagel, David, "Honoring a quilt and its powerful message, Los Angeles Times, May 18
: Bowers, Andrea. "Guest Lecture by Andrea Bowers", Artillery, Vol 1, No. 5, p. 24, May
: Bedford, Christopher, "Artforum Pick: Andrea Bowers at Susanne Vielmetter Los Angeles Projects, Artforum.com, May 19
: Beyn, Ariane, "The California Files (catalogue), CCA Wattis Institute for Contemporary Art, April 19
: Wing, Carlin, "WACK! Art and the Feminist Revolution, Fluent Collaborative, issue 87, April
: "Personal Affairs, Kunstforum International, vol. 184, March/April
: "Intimer Einblick in verborgenedurch die Kunst, Dumont Kunst, February
: Kort, Michele, "The Women Who Came Before Roe, Alternet, January
: "Personal Affairs, Stadt Revue, and Financial Time Deutschland, January
: "Personal Affairs im Museum Morsbroich, Kunstbulletin, January, p. 70
: "Die Verborgenen chatze des Leverkusener Kunsttempels, Das Regionale Freizeitmagazin, January
2006: Schmidt, Jason. "Artists." Paris, Edition 7L, 2006, p. 137
: Wolff, Elaine. "At the Crossroads with Freud and Roe", San Antonio Current, November 1-7
: Goddard, Dan R. "Photorealistic drawings honor women’s social activism", San Antonio Express News, Nov. 26
: Jones, Amelia. "A Companion to Contemporary Art since 1945." London, Blackwell Publishing, 2006, pp.181-182
: Schwenke-Runkel, Ingeborg. "Wie viel Intimitat ist erlaubt?", Kolner – Stadt – Anzeiger, vol 2.3, December
: Heinzelmann, Markus, "New Forms of Intimacy, Personal Affairs catalogue, Museum Morsbroich, DuMont Literature and Kunst Verlag
: Lawson, Thomas, "Best of 2006, Artforum, December
: Valdez, Sarah, "Andrea Bowers: Nothing is Neutral at REDCAT, Los Angeles, art on paper, November/December
: Kort, Michelle, "Letters to an Army of 3: Artist Andrea Bowers honors pre-Roe pioneers, Ms. Magazine, Fall
: Payton, Brenda, "Art explores world at tipping point, The Oakland Tribune, September 22
: Helfand, Glen, "particulate matter, (show catalogue), Mills College Art Museum, Oakland, CA
: Joo, Eungie. Nothing is Neutral: Andrea Bowers, CA Institute of the Arts and RedCat (show catalogue)
: Essays: Butler, Connie. "Andrea Bowerss Magical Feminism
: Joo, Eungie. "DIY School (interview)
: Leclre, Mary. "The Skeptics Question
: Lapp, Axel. "Your Whole Fucking Culture Alienates Me: Andrea Bowers", ArtReview, July, issue 1, p 135
: Myers, Holly. "Balancing art, politics, Los Angeles Times, July 19
: Taft, Catherine. "Scene and Herd, artforum.com, July 1
: Baldwin, Cara. "Cara Baldwin interviews Andrea Bowers, InterReview, pgs 33-34
: Futernick, Marisa. "Marisa Futernick on Andrea Bowers, InterReview, pg 25
: Herbst, Marc. "An elegy near Andrea Bowers, InterReview, pgs 36-37
: Lowther, John, "John Lowther on Andrea Bowers, InterReview, pgs 38-39
: Bell, Kirsty; Lubbke-Tidow, Maren; Stange, Raimar. "Andrea Bowers/ Matthew
: Antezzo, Neue Review, Art in Berlin, January, pgs. 4-9
: Leclre, Mary. "Andrea Bowers: Letters to the Army of Three, exhibition catalog,
: The Glassell School of Art, The Museum of Fine Arts, Houston, 2005, pp.4-11
: Pollack, Barbara. "Social Studies: Sixty artists overhaul the concept of national monument, Time Out New York, January Issue
2005: Meltzer, Eve. "Monuments for the USA, FRIEZE, Summer 2005
: Kraus, Chris. Tumlir, Jan, McFadden, Jane, "LA Artland: Contemporary Art from Los Angeles, Black
: Sholis, Brian, Vitamin D, New Perspectives in Drawings, Phaidon Press, London and New York, 2005, Essay p. 36, illustrations pp.37-39.
: Lorch, Catrin. "Van Horn, Dsseldorf, Germany, Frieze, Issue 94, October, p. 228.
: Bowers, Andrea. "Four Emerging Women Speak Out On Mary Kelly’s Circa 1968:
: Danielle Gustafson Sundell, Cara Balwin, Marisa J. Futernick and Andrea Bowers," InterReview p. 28-29.
: "Fast Forward/Avance Rapido," Media Art From the Goetz Collection, p.26-27,40-45.
: Rugoff, Ralph, "Monuments for the USA", pp. 32-33.
: Siegel, Katy. "All Together Now," Artforum, January, p. 169.
2004: "Alla Biennale del Whitney, tourna la pittura, Arte, April, p. 109.
: Bankowsky, Jack. "This is Today," Artforum, May, p. 170.
: Bowers, Andrea. "Magical Politics Feast or Fasting, Cakewalk, pp. 23-25.
: Bowers, Andrea. "My Pop" Artforum, October, p. 94.
: Dambrot, Shana Nys. "Andrea Bowers at Mary Goldman Gallery," Artweek, September, pp. 19-20.
: Dunn, Melissa. "Whitney Biennial: A Good-Looking Corpse," Flash Art, May-June, p. 63.
: Heartney, Eleamor, "The Well-Tempered Biennial" Art in America June/July 2004, p. 75.
: Knight, Christopher. "Politics and art? Of course, she says," The Los Angeles Times, June 11.
: Kraus, Chris. "Chance", 2004.
: Kraus, Chris, "Sentimental Bitch", Video Green, 2004.
: Kuhn, Thomas,"Fast Forward", Kunstforum International, 168 January/February 2004, p. 346-348.
: Larsen, Lars Bang, Katy Siegel and Jan Verwoert. "What the World Needs Now," Frieze, November/December, pp. 52-53, 77-78, 81-82, 84-86, 88.
: Lee, Pamela M. "Crystal Lite," Artforum, May, p. 174.
: Mania, Astrid, "Review Andrea Bowers" U-Spot, 02/2004, p. 49.
: Martens, Anne. "Andrea Bowers," Flash Art, Jul/Sep, p. 116.
: Morgan, Susan. "If Memories Failed to Fade", Andrea Bowers, Magazin 4.
: Rapkin, Mickey. "Bold Biennial," Details, March, p. 78.
: Seigel, Katy and Mattick, Paul, Art Works Money, Thames & Hudson, pp. 34-35,100-101, 194.
: Siegel, Katy et. al. "American Pie," Frieze, May, p. 69.
: Sholis, Brian, "Creative Resistance – Carol Bove and Andrea Bowers", Flash Art , October, p.102.
2003: Durant, Sam and Monica Bonvicini. "Andrea Bowers," Neue Review, December, p. 4-5.
: "Focus Video and Film, Flash Art, Mar/Apr, p. 93.
: Jana, Renna. "California Dreamin, tema celeste.
: Kantor, Jordan. "Andrea Bowers, Artforum, January, p. 140.
: Myers, Holly. "Relationships at Play in the Physical World, Los Angeles Times, Saturday, July 19.
: Smith, Roberta. "Impressions of the Yard, Visual and Olfactory," The New York Times, Friday, June 27.
: Sorbello, Marina. "Andrea Bowers: Magical Politics," The Art Newspaper, December.
: Thorson, Alice. "The Art of War," Kansas City Star, Sunday, March 30.
2002: Bowers, Andrea. "Game Girl, V Magazine, July/August.
: Bowers, Andrea "Top Ten, Artforum. April: p. 38.
: Casino 2001, Stedelijk Museum voor Actuele Kunst.
: Gavlak, Sarah "Andrea Bowers, Intimate Strangers. Time Out. Issue 277, Jan. 11-18.
: Harvey, Doug "About Time, Bitchin’ video art at the Hammer. LA Weekly. Feb. 16-22.
: Knode, Marilu. "Andrea Bowers, Retake, Neuer Aachener Kunstverein, p. 70-75. Liverpool.
: Kraus, Chris and Katy Siegel. Andrea Bowers, Sara Meltzer Gallery.
: Pagel, David "The Myth of Selling Out Art Issues, Summer.
: Pagel, David. "MOCA Sampler Is a Mixed Treat, Los Angeles Times, Friday, Feb. 8.
: Bowers, Andrea. The Museum of Contemporary Art, Los Angeles, Annual Report, Fiscal Years 2000 and 2001.
: Robinson, Walter " Baselmania, art.com magazine, June 16.
: Siegal, Katy et. al., "Andrea Bowers, Everybody Now, The Bertha and Karl Leubdsdorf Art Gallery at Hunter College.
: Siegel, Katy "Katy Siegel on Andrea Bowers. Artforum. January: p. 121.
: Wallis, Simon. "Andrea Bowers, Remix: Contemporary Art and Pop, Tate Liverpool.
2001: Amanshauser, Hildegund and Thater, Diana, "A Living Theatre, exhibition catalog, Salzburger Kunstverein pp. 22-33.
: Klassmeyer, Kelly. "Group Mentality, Houston Press, April 12-18.
: Knode, Marilu, "Revolution Dance", exhibition catalog Wiederaufnahme (Retake), NAK, Neuer Aachener Kunstverein, 2001.
: Molinari, Guido. "Radar Love, Flash Art, December.
: "New Heimat", publication on the occasion of the exhibition "New Heimat", Frankfurter Kunstverein, 2001.
: Siegel, Katy, "First Take: New Art, New Artists, Artforum, January 2001, p. 121.
2000: Baers, Michael. "An Art Enclave Heats Up in Chinatown, Art.
: Berget, Bill "Featured Stories: Marking Time as a Material in Film and Video opens at the Palm Beach ICA onview.com, April 18.
: Bowers, Andrea. "Nasty, or unclean, offensive, indecent, inclement. Monica Bonvicini interviewed by Andrea Bowers", Monica Bonvicini: Scream and Shake, pp. 30-38.
: Cappellazzo, Amy Making Time: Considering Time As a Material in Contemporary Video & Film. New York: DAP, March 2000.
: Guequierre, Nathan. "Karaoke Voyeurism, Shepherd Express Metro, November 9.
: Harvey, Doug. "Its Chinatown, LA Weekly, May 5-11, p. 49.
: Hunt, David "Andrea Bowers at Sara Meltzers On View Frieze, Issue 50, Jan/Feb,.p. 94-95.
: Pagel, David "Thrilling and Shiny, Bowers Work Resonate Los Angeles Times, Feb 25, F3.
: Pagel, David. "Andrea Bowers, Artist, Los Angeles, Artforum, Sept/Oct.Vol. 20, No. 5.
: Snow, Vicki. "Unfinished History, TGIF, Feb. 5, pp. 12-17.
: Thater, Diana. "A Living Theater, Magazin [4] Salzburger Kunstuerein.
1999: Amanshauser, Hildegund, "A Living Theatre, Salzburger Kunstverein, Magazin 4, 1999, pp. 76-83.
: Cappellazzo,Amy. "Im the Boss of Myself",Im the Boss of Myself or Please Release Me Let Me Go, New York: Sara Meltzers on View, illustration: p. 3.
: Darling, Michael. "Michael Darlings (MuseumGallery) Top 10 Plus 10. LA Weekly. Jan. 8-14
: Grabner, Michelle "Unfinished History Frieze. Issue 46, June-July.
: Knode, Marilu "Unfinished History Art/Text. No. 65, May-July: 93-94.
: Schurmann, Wilhelm, "More than meets the eye, exhibition catalog, Deichtorhallen, Hamburg
1998: Bonami, Francesco. Unfinished History, Walker Art Center, p.15-33, Illustrations:p.66-69.
: Calame, Ingrid. In the Polka Dot Kitchen, Foundation Press,1998:19-42.
: Coleman, Sarah, Glen Helford and Sylvia Tan. "Wings of Desire/Floss, The San Francisco Bay Guardian, February.
: Darling, Michael. "Crowd Control Frieze, Issue 38, Jan- Feb: 52-53.
: Demetre, Jim. "End of the world? I Feel Fine Seattle Weekly, Feb.
: Fogle, Douglas. "Andrea Bowers GUARENE ARTE 98, Torino, Italy: Fondazione Sandretto Re Rebaudengo per larte: pp. 12-16.
: Fredericksen, Eric. "Deeply Shallow The Stranger, February 19.
: Kangas, Matthew. "Flower Power and Frivolities, The Seattle Times, February 12.
: Kelly, Ruby. "The Ruby Kelly Column, Art Review, April.
: "L.A. Trained Artists Shown at Art Institute, San Francisco Chronicle, Tuesday, Feb. 19.
: Martin, Victoria. "Andrea Bowers at the Santa Monica Museum of Art, Artweek.
: McEwen, John. "Couldnt Get Ahead, Sunday Telegraph, April 23.
: Museum: pp. 8 33, illustrations pp. 52-55.
: OReilly, John. "Art for Barts Sake, Modern Review, April 10, p. 33.
: Rubin, David S., "Considering Audience: Reflections On the 1998 Phoenix Triennial, 1998 Phoenix Triennial, Phoenix Art Museum, pp. 8-33, illustrations on pp. 52-55.
: Webster, Mary Hull. "Wings of Desire and Mark Bradford at the San Francisco Art Institute, Artweek, April, pp. 19-20.
: Zellen, Jody, Andrea Bowers Spectacular Appearances at the Santa Monica Museum of Art Volume 1, Number 3, Fall 1998, p. 22.
1997: "Im Still In Love with You, exhibition catalog, Twentieth Century Womens Club, curated by Steven Hull, p. 3 & 4.
: Greene, David A. "Hot Coffee Frieze, Issue 43, May: p. 76.
: Pagel, David. " Voyeurs Paradise at Santa Monica Place Los Angeles Times, Friday, December 19th: F33.
: Saltz, Jerry. "Regular-No Sugar Time Out New York, Issue 75, Feb. 27 March 6: p. 40.
: Schjeldahl, Peter. "La-la Band Village Voice, February 18.
1996: Darling, Michael. "Box Tops Santa Barbara News-Press, Feb: 2.
1995: Baker, Kenneth. "Taking Art Into Their Own Hands San Francisco Chronicle, June 2nd: C1& C5.
: Craddock,Sacha. London Times, April 5th.
: Darling, Michael. " Pretty at FOOD HOUSE Artweek, March: 38-39.
: Feaver, William. "Smart Habits and Sharp Practice London Observer, April 23.
: Greene, David S. "Andrea Bowers Art Issues, No. 36, Jan Feb, p. 41
: Kent, Sarah. " Art Review, Time Out, April: p.51.
1994: Davidson, Leanne Alexis. "Three Day Weekend, Real Life Magazine, No. 23, ill. p. 35-36.
1993: Crosby, Gregory. "The Professors Guide to Vegas Kulcher SCOPE, October.
: Devine, Rory. "Heaven Missing Picture Book #4.
: Frank, Peter. "Picks of the Week, LA Weekly, August 27, p. 131.
1992: Heartney, Eleanor. "The Imp of the Perverse ARTnews, September.
: Jarrell, Joe. "Reviews Sculpture, September/October.
: Jones, Amelia. "Public and Private Pleasures Art Issues, Sept Oct.
: Pagel, David. "Art Review Los Angeles Times, March 20th.
: Rugoff, Ralph. "Sex Objects LA Weekly, April 2-8.
: Selwyn, Marc. "FOOD HOUSE: LAs Newest Alternative Space Flash Art, Nov/Dec.
: Pagel, David. "Window on LA LA Art Fair Catalog.

Group Exhibition Catalogues and Books

2023: O’Connell, Lauren R. "Language in The Times of Miscommunication," Scottsdale Museum of Contemporary Art, Scottsdale, Arizona (exhibition catalogue)
2021: DiQuinzio, A., Hejinian, L., and; Butler, J. (2021). New time: Art and; feminisms in the 21st Century. Pg 170-171. University of California, Berkeley Art Museum and Pacific Film Archive
: Darling, Michael and Connie Butler. "Andrea Bowers," Museum of Contemporary Art Chicago, the Armand Hammer Museum and Cultural Center Inc., and DelMonico Books, New York
: Wassan Al-Khudhairi, and Misa Jeffereis. Foreword by Lisa Melandri. "Stories of Resistance," Contemporary Art Museum St. Louis, MI pg. 22, & 52
2019: Gygax, R., Munder, H., Ritter, N., Düttmann, A. G., Crimp, D., Lebovici, E., Kerr, T., Himmer, E., and Bindermann, B. (2019). United by Aids: An anthology on Art in response to HIV/AIDS. Pg 208-209. Migros Museum fur Gegenwartskunst and Scheidegger and Spiess
: Bowers, Andrea, Maria Elena Buszek, Ciara Ennis, Peter R. Kalb, and Rebecca McGrew. "Andrea Bowers," Pomona College Museum of Art, Pitzer College Art Galleries, Distributed Art Publishers, New York, NY
2018: Artists and their Book/Books and their Artists. Getty Publicatios, pgs. 48-49
2013: Joyce, J., Salvesen, B., Adamson, G., and Gibson, W. (2013). Labour & Wait. Pg 35, 54-55, 97-99. Santa Barbara Museum of Art
2006: "Who is Marla Ruzicka? Artist Project, InterReview, pgs 4-11

Awards, Grants and Fellowships

2009: Louis Comfort Tiffany Foundation Biennial Award
2008: United States Artists Broad Fellow
2003: City of Los Angeles (C.O.L.A.) Fellowship Recipient for Visual Arts
1998: Nominee, Fondazione Sandretto Re Rebaudengo per larte Prize
: WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture

Public Collections

: ArtPace, San Antonio, TX
: Brooklyn Museum, Brooklyn, NY
: Compound, Long Beach, CA
: Hammer Museum, Los Angeles, CA
: Hirshhorn Museum, Washington, DC
: Historic Broadway Station, Los Angeles, CA
: Ingvild Goetz Collection, Munich, Germany
: Linda Pace Foundation, San Antonio, TX
: Museum of Modern Art, New York, NY
: Museum of Contemporary Art, Chicago, IL
: Museum of Contemporary Art, Cleveland, OH
: Museum of Contemporary Art, Los Angeles, CA
: Museum of Fine Arts, Houston, TX
: Museum of Contemporary Art San Diego, La Jolla, CA
: Museum Abteiberg, Moenchengladbach, Germany
: National Museum of Contemporary Art, Athens, Greece
: Orange County Museum of Art, Newport Beach, CA
: Pomona College Museum of Art, Claremont, CA
: Rennie Museum Collection, Vancouver, Canada
: San Francisco Museum of Modern Art, San Francisco, CA
: San Jose Museum of Art, San Jose, CA
: Santa Barbara Museum of Art, Santa Barbara, CA
: Tate Modern, London, UK
: UC Berkeley Art Museum and Pacific Film Archive (BAMPFA)
: Utah Museum of Fine Arts, Salt Lake City, UT
: Whitney Museum of American Art, New York, NY

Celia Paul

Education

: Born 1959 in Trivandrum, India
: Lives and works in London, UK

1981: Slade School of Art, London, UK

Selected Solo Exhibitions

2024: "Life Painting," Vielmetter Los Angeles, Los Angeles, CA (forthcoming)
2023: "Celia Paul: Myself Among Others," Victoria Miro Gallery, Venice, Italy
: "Celia Paul: 26 Years of Portraiture with Studio Prints, 1985-2011," Marlborough Fine Art, London, UK
2022: "Celia Paul: Memory and Desire," Victoria Miro, London, UK
2020: "Celia Paul: Self Portrait, an extended reality (XR) exhibition on Vortic Collect," Victoria Miro, London, UK
2019: "Celia Paul," Victoria Miro, London, UK
2018: "Celia Paul," curated by Hilton Als, Yale Center for British Art, New Haven, USA; The Huntington, San Marino, CA
2017: "The Sea and the Mirror," Victoria Miro, Venice, Italy
2016: "Celia Paul: Desdemona for Hilton by Celia," Victoria Miro, London, UK
2015: "Celia Paul: Desdemona for Hilton by Celia," Gallery Met at the Metropolitan Opera, New York, NY
2014: "Celia Paul," Victoria Miro, London, UK
2012: "Celia Paul: The Separation series and recent work," Chichester Cathedral, UK; Marlborough Fine Art, London, UK
: "Gwen John and Celia Paul: Painters in Parallel," Pallant House Gallery, Chichester, UK
2011: "Celia Paul: Identity, Paintings and Watercolours," Marlborough Fine Art, London, UK
: "Celia Paul: Mothers and Daughters, Etchings and Drawings," Marlborough Fine Art, London, UK
2010: "Celia Paul: Mothers, Daughters and Sisters," University Gallery and Baring Wing, Newcastle, UK
: "Celia Paul," De Queeste, Brussels, Belgium; touring to Abeley-Watou, Flanders, Belgium
2009: "Celia Paul: Where I am now," Marlborough Fine Art, London, UK
: "Celia Paul: Etchings 2004-6," Marlborough Fine Art, London, UK
2006: "Celia Paul, Where I am now," Marlborough Fine Art, London, UK

Selected Group Exhibitions

2023: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
: "Face to Face: A Celebration of Portraiture," Marlborough Gallery, London, UK
2022: "The Story of Arts as it’s Still Being Written," Victoria Miro, London, UK
: "Intimacy," Victoria Miro, London, UK
: "Pictus Porrectus: Reconsidering the Full-Length Portrait," "Isaac Bell House," Rhode Island, US
: "Figuration," Marlborough Gallery, London, UK
: "Me, Myself, I – Artists’ Self-Portraits," Royal West of England Academy, Bristol, UK
2021: "The Sublime in Nature," Daniel Malarkey, London, UK
2020: "I See You, an extended reality (XR) exhibition on Vortic Collect," Victoria Miro, London, UK
: "Parley for the Oceans x Vortic," online exhibition, Vortic Going Home, Marlborough Graphics, London, UK
2019: "Works on Paper," Galleri Bo Bjerggaard, Copenhagen, Denmark
: "Unparalleled Journey through Contemporary Art of Past 50 Years," RUBELL MUSEUM, Miami, FL
2018: "Contemporary Dialogues with Tintoretto," Ca’ d’Oro, Venice, Italy
: "Studio Prints: a Survey," Marlborough Fine Art, London, UK
: All Too Human, Tate Britain, London, UK; Painting Life: Bacon, Freud and the School of London, MFA Budapest, Hungary
2017: "House Work," Victoria Miro, London, UK
2016: "NO MAN’S LAND: Women Artists from the Rubell Family Collection," National Museum of Women in the Arts (NMWA), Washington; Rubell Family Collection, Miami, FL
: "Forces in Nature," Victoria Miro, London, UK
: "Inspired by Soane: I found this and thought of you…," Sir John Soane’s Museum, London, UK

Bibliography

2024: Laster, Paul. "8 Must-See Solo Gallery Shows in February 2024," Galerie, February 5 (Link)
: Parker, Dian. "Don’t Miss: The Intense Stillness of Celia Paul’s ‘Life Painting’," The Observer, Februrary 1
2023: Hodgkin, Beatrice. "Artist Celia Paul’s debt to Venice," Financial Times, October 25
2022: Marius, Marley. “An Enthralling Exhibition in Newport Puts the Full-Length Portrait in Focus,” VOGUE, July 15
: Payne, Cynthia. "Celia Paul’s Letters to Gwen John," The Brooklyn Rain, June
: Williamson, Beth. "Celia Paul: Memory and Desire," Studio International, April 29
: Hallett, Florence. "Tarred by same brush"," i, April 8
: Scholes, Lucy. "Can you be an artist’s muse without ruining your own career?," The Telegraph, April 4
: "Celia Paul: Against Any Intrusion: Writing to Gwen John," The Paris Review, March 2
: Mendelsohn, Meredith. "In Newport, Artists Turn Tables on the Gilded Age," The New York Times, July
2021: “Celia Paul, “The Trauma and Talent of Some of History’s Greatest Women Artists”,” The New York Times, October
2020: Szalai, Jennifer. "‘I Am My Own Subject’: Celia Paul on Lucian Freud, Motherhood and a Life in Art," The New York Times, Nover 20
: “Diary: Painting in the Dark,” London Review of Books, December 12
: “Lockdown review– Celia Paul: My Studio at Victoria Miro and Vortic,” Splash, July 10
: “The power of creativity: friends of Bazaar share imaginative responses to crisis,” Harper’s Bazaar, July
: Wullschläger, Jackie. “London lockdown paintings are raucous and lyrical,” Financial Times July 8
: Hallett, Florence. “Celia Paul: My Studio,” The Arts Desk, June 30
2019: “Women of the Year’, ‘Artist of the Year: Celia Paul,” Harpers Bazaar, December
: Mclaughlin, Rosanna. “A Muse in Her Own Words: Celia Paul’s Self-Portrait”,” Frieze, November 26
: “Review, ‘Holding up a Mirror’,” The Daily Telegraph, November
: “Can a Woman Who Is an Artist Ever Just Be an Artist?” The New York Times, November
: “Self-Portrait by Celia Paul, review: stepping out of Lucien Freud’s shadow,” The Telegraph, November
: “Celia Paul on life after Lucien Freud: “I had to make this story my own”,” The Guardian, October
: “I needed to make this story my own,” The Observer, October
: “How do women become more than objects in art? The painters Celia Paul and Cecily Brown navigate a medium historically dominated by men. Where the body is buried,” The New York Times, November
: “Self-Portrait by Celia Paul, review: stepping out of Lucien Freud’s shadow,” The Telegraph, November
2018: “Celia Paul, "Gwen John",” Frieze Masters, October
: “Celia Paul,” Apollo, April
: “Works by artist Celia Paul featured in exhibition curated by writer Hilton Als,” Yale News, March 22
: “Celia Paul, ‘Acclaimed artist Celia Paul on painting from life – and loss,” Financial Times, March 16
: Neyeri, Farah. “A muse steps out of the shadows,” The New York Times, March 10
2016: Elmhirst, Sophie. “Standing Tall: Celia Paul will always be her own woman,” Harper’s Bazaar Art, November
: Lloyd, Joe. “Celia Paul: Desdemona for Hilton by Celia,” Studio International, October 13
: Cumming, Laura. “It’s always the quiet ones…” The Observer, September 11
: Wullschlager, Jackie. “Artist Celia Paul explores the beauty of melancholy,” Financial Times, September 2

Public Collections

: Abbot Hall Art Gallery & Museum, Kendal, UK
: British Museum, London, UK
: Carlsberg Foundation, Copenhagen, Denmark
: Fitzwilliam Museum, Cambridge, UK
: Frissiras Museum, Athens, Greece
: Metropolitan Museum, New York, USA
: Morgan Library, New York, USA
: National Portrait Gallery, London, UK
: New Hall Art Collection, Cambridge, UK
: Rubell Family Collection, Miami, USA
: Saatchi Collection, London, UK
: The Rachofsky Collection, Dallas, Texas, USA
: Victoria & Albert Museum, London, UK
: Yale Center for British Art, New Haven, Connecticut, USA