Nick Aguayo
2019
Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 (Link)
Edgar Arceneaux
2019
Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 (Link)
Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 (Link)
Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 (Link)
2018
Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 (Link)
Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 (Link)
Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November (Link)
Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 (Link)
“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 (Link)
Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 (Link)
Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 (Link)
“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 (Link)
Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 (Link)
“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 (Link)
Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 (Link)
“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 (Link)
Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 (Link)
My Barbarian
2018
“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA (Link)
Whitney Bedford
2019
Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 (Link)
2018
Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 (Link)
Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 (Link)
Sadie Benning
2018
Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 (Link)
O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 (Link)
Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 (Link)
Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May (Link)
Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 (Link)
Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 (Link)
Ellen Berkenblit
2019
“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL (Link)
“Samaritans,” Eva Presenhuber, New York, NY (Link)
Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 (Link)
Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 (Link)
Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 (Link)
Scott, Andrea K. ““Samaritans,” New Yorker, January 26 (Link)
2018
Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 (Link)
Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September (Link)
“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 (Link)
Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 (Link)
“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16
Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (Link)
Andrea Bowers
2018-2019
“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY
2019
O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 (Link)
“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 (Link)
Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 (Link)
Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 (Link)
“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 (Link)
Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 (Link)
Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 (Link)
Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 (Link)
Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 (Link)
Weathers, Chelsea. “After Posada: Revolution,” Artforum, February (Link)
2018
Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September (Link)
Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)
Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 (Link)
Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 (Link)
Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 (Link)
Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 (Link)
“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 (Link)
Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 (Link)
Kim Dingle
2019
Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 (Link)
Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 (Link)
Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 (Link)
Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 (Link)
“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 (Link)
2018
Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 (Link)
Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)
Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March (Link)
Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 (Link)
Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 (Link)
2017
Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 (Link)
Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)
Mx Nicole Eisenman
2019
Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 (Link)
Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 (Link)
Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 (Link)
Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 (Link)
Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 (Link)
Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 (Link)
Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 (Link)
Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 (Link)
“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 (Link)
Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 (Link)
Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 (Link)
Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 (Link)
Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 (Link)
Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 (Link)
Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 (Link)
Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 (Link)
Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 (Link)
Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 (Link)
Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)
Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 (Link)
Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 (Link)
Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 (Link)
Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 (Link)
“Biennial delivers, despite birth pains,” The Villager, May 22 (Link)
Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 (Link)
“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 (Link)
Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)
Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 (Link)
Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 (Link)
Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 (Link)
Bradley, Paige K., “As the World Turns,” Artforum, May 16 (Link)
Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 (Link)
Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 (Link)
Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 (Link)
Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 (Link)
Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 (Link)
Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 (Link)
Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 (Link)
Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 (Link)
Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 (Link)
Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 (Link)
2018
Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 (Link)
Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 (Link)
Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)
Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 (Link)
Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 (Link)
Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 (Link)
Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 (Link)
“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 (Link)
Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 (Link)
van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 (Link)
Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)
Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 (Link)
Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 (Link)
Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) (Link)
Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)
Genevieve Gaignard
2019
“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL (Link)
Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July (Link)
Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 (Link)
Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 (Link)
Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 (Link)
Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 (Link)
Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 (Link)
Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 (Link)
Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January
2018
Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 (Link)
Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 (Link)
Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 (Link)
Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 (Link)
Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 (Link)
Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14
Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 (Link)
Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 (Link)
“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 (Link)
Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 (Link)
Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 (Link)
Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 (Link)
Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 (Link)
Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 (Link)
Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 (Link)
Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 (Link)
“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 (Link)
Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1
Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 (Link)
Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March (Link)
Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 (Link)
Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 (Link)
Liz Glynn
2019
“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 (Link)
Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February (Link)
2018
“Frieze London Opens This Friday,” ArtForum (web), October 3 (Link)
Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 (Link)
“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 (Link)
Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 (Link)
Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 (Link)
“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 (Link)
Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 (Link)
Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 (Link)
Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 (Link)
Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 (Link)
“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 (Link)
Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 (Link)
McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 (Link)
Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 (Link)
Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 (Link)
Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 (Link)
Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 (Link)
Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 (Link)
Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)
Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)
McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)
2017
Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)
2016
Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 (Link)
Karl Haendel
2019
Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 (Link)
Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 (Link)
2018
“How do I sell more art?” Diaphanes, Fall/Winter
“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 (Link)
Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)
Samuel Levi Jones
2019
Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 (Link)
2018
Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 (Link)
Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 (Link)
Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 (Link)
Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)
Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 (Link)
Hayv Kahraman
2018
“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA (Link)
2019
“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 (Link)
Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 (Link)
Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 (Link)
2018
Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 (Link)
Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)
Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 (Link)
Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 (Link)
Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 (Link)
Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 (Link)
“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 (Link)
Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 (Link)
Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 (Link)
Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 (Link)
“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 (Link)
Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (Link)
Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 (Link)
Raffi Kalenderian
2019
De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 (Link)
Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 (Link)
McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 (Link)
2018
Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)
Mary Kelly
2019
“The Best Guide to Desert X 2019,” KCET, March 6 (Link)
Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 (Link)
Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 (Link)
2018
Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 (Link)
“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 (Link)
Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 (Link)
“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall (Link)
Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 (Link)
Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 (Link)
Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 (Link)
Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 (Link)
Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 (Link)
Shana Lutker
2019
Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)
Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)
2018
Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April
Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)
Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February
Hugo McCloud
2019
Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 (Link)
2014
Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 (Link)
Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 (Link)
Dave McKenzie
2019
Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May (Link)
“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 (Link)
2018
Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 (Link)
Rodney McMillian
2019
Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 (Link)
Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 (Link)
Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 (Link)
“The Twenty Five,” Cultured, February/March
Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 (Link)
Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 (Link)
Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 (Link)
2018
Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 (Link)
Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 (Link)
Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 (Link)
Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)
Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 (Link)
Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)
Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 (Link)
Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)
Yunhee Min
2019
Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 (Link)
Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 (Link)
2018
Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 (Link)
Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)
Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 (Link)
Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 (Link)
“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 (Link)
Wangechi Mutu
2019
“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 (Link)
MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 (Link)
Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 (Link)
Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)
Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 (Link)
Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 (Link)
Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)
Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 (Link)
Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 (Link)
Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 (Link)
Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 (Link)
2018
Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 (Link)
“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 (Link)
Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 (Link)
Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 (Link)
Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 (Link)
Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)
“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 (Link)
Elizabeth Neel
2018
Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 (Link)
Ruben Ochoa
2019
Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 (Link)
2018
Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 (Link)
Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)
Angel Otero
2019
Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 (Link)
Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 (Link)
Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 (Link)
“Urban Glamour #46,” Livingetc (web), January 24 (Link)
2018
Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 (Link)
Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)
Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 (Link)
William Pope.L
2017
“If Not Apollo, the Breeze,” Kadist, San Francisco, CA (Link)
2019
Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 (Link)
“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 (Link)
Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 (Link)
Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 (Link)
“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)
“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 (Link)
Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 (Link)
Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 (Link)
Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 (Link)
2018
Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 (Link)
Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 (Link)
Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)
Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 (Link)
Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 (Link)
“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 (Link)
O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 (Link)
“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL (Link)
Mary Reid Kelley
2019
Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 (Link)
Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 (Link)
Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February (Link)
Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 (Link)
2018
Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 (Link)
Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) (Link)
Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 (Link)
Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 (Link)
Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 (Link)
Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January (Link)
Deborah Roberts
2019
Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 (Link)
Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 (Link)
Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 (Link)
Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 (Link)
Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 (Link)
Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring (Link)
2018
Roberts, Deborah. “The Lives They Lived: Linda Brown,” The New York Times Magazine, December 30 (Link)
Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” The New York Times, December 26 (Link)
Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 (Link)
Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 (Link)
Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 (Link)
Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. (Link)
Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 (Link)
Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. (Link)
Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 (Link)
Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)
Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. (Link)
Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.
Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)
Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.
Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)
Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)
Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)
Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)
Steve Roden
2019
Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 (Link)
Paul Mpagi Sepuya
2019
“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK
Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 (Link)
Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 (Link)
Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 (Link)
Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 (Link)
“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)
Howe, David Everitt. “The Conditions,” Art in America, May (Link)
Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 (Link)
Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 (Link)
Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 (Link)
Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)
King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 (Link)
Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May (Link)
Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 (Link)
Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 (Link)
Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 (Link)
Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 (Link)
Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 (Link)
“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 (Link)
Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March (Link)
“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 (Link)
Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 (Link)
Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51
“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 (Link)
Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 (Link)
Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January (Link)
2018
Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October (Link)
Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 (Link)
Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 (Link)
Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 (Link)
Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 (Link)
Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 (Link)
Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 (Link)
Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 (Link)
Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 (Link)
Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 (Link)
Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 (Link)
Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 (Link)
Goldberg, Ariel. “In the Room,” Art in America, April 1 (Link)
“Image of the Day,” Elephant, September 12 (Link)
Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 (Link)
Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall
“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall
Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March (Link)
Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 (Link)
Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 (Link)
Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 (Link)
Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 (Link)
Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 (Link)
“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 (Link)
Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 (Link)
Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 (Link)
Arlene Shechet
2019
Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 (Link)
Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 (Link)
Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 (Link)
Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 (Link)
Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 (Link)
Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 (Link)
2018
Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 (Link)
Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 (Link)
Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 (Link)
“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 (Link)
Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 (Link)
“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 (Link)
Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (Link)
Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 (Link)
“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 (Link)
“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 (Link)
Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 (Link)
Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 (Link)
“Morning Links: Sword Wound Edition,” Art News, September 24 (Link)
“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 (Link)
“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 (Link)
Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 (Link)
Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 (Link)
Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 (Link)
Dasha Shishkin
2018
Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 (Link)
Amy Sillman
2019
“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)
Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 (Link)
2018
Sillman, Amy. “Delacroix,” 4columns, December 14 (Link)
Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 (Link)
Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)
Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 (Link)
Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 (Link)
Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 (Link)
Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 (Link)
Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 (Link)
Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 (Link)
Sillman, Amy, “Laura Owens,” Artforum, April (Link)
“Amy Sillman,” The New Yorker, February (Link)
Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 (Link)
Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 (Link)
Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 (Link)
Mickalene Thomas
2016
“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)
2019
Lim, Kay. “Black models in modern art,” CBS News, July 14 (Link)
Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 (Link)
Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 (Link)
“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)
Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 (Link)
Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 (Link)
Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 (Link)
Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 (Link)
Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 (Link)
Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 (Link)
Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 (Link)
Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 (Link)
“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 (Link)
Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 (Link)
2018
Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 (Link)
Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 (Link)
Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 (Link)
Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 (Link)
Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 (Link)
Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 (Link)
“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 (Link)
Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 (Link)
Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 (Link)
“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 (Link)
Nguyen, Long. “Posing Modernity,” Flaunt, November 12 (Link)
Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 (Link)
Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 (Link)
Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 (Link)
Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 (Link)
Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 (Link)
Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 (Link)
Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 (Link)
Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 (Link)
“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 (Link)
Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 (Link)
O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 (Link)
Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 (Link)
Binlot, Ann. “The Art of Being A Muse,” Document, October 10 (Link)
Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 (Link)
Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 (Link)
Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 (Link)
Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October (Link)
Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 (Link)
Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 (Link)
Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 (Link)
Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 (Link)
Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 (Link)
Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 (Link)
Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 (Link)
Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 (Link)
“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 (Link)
Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 (Link)
Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 (Link)
Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 (Link)
Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 (Link)
Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 (Link)
Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 (Link)
“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)
Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)
Nicola Tyson
2018
Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 (Link)
Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 (Link)
Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 (Link)
Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 (Link)
Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 (Link)
Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 (Link)
Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 (Link)
Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 (Link)
Monique Van Genderen
2018
“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 (Link)
Esther Pearl Watson
2019
“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA
Patrick Wilson
2018
Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 (Link)