Andrea Bowers

1965: Born in Wilmington, Ohio
: Lives and works in Los Angeles, California

1992: M.F.A., California Institute of the Arts, Valencia, CA.
1987: B.F.A., Bowling Green State University, Bowling Green, OH.

Selected Solo Exhibitions

2026: Solo, Fondazione Sandretto Re Rebaudengo, Turin, Italy (forthcoming)
: Solo, Andrew Kreps, New York, NY (forthcoming)
: Solo, kaufmann repetto Milan, Milan, Italy (forthcoming)
: "Andrea Bowers," Glenstone Museum, Potomac, MD
2025: "Hope is Never Silent," Jessica Silverman Gallery, San Francisco, CA
2024: "Recognize Yourself as Land and Water," Vielmetter Los Angeles, Los Angeles, CA
: "Exist, Flourish and Evolve," MoCA Cleveland, Cleveland, OH (Link)
2023: "Joy is an Act of Resistance," Andrew Kreps, New York, NY
: "Drink The Wild Air," two-person show with Mary Weatherford, Capitain Petzel, Berlin, Germany
2022-2023: "Moving in Space without Asking Permission," Fondazione Furla and Galleria d’Arte Moderna (GAM), Milan, Italy
2022: "Can the world mend in this body?," Jessica Silverman Gallery, San Francisco, CA
: "Andrea Bowers," (Traveling Exhibition) Hammer Museum, Los Angeles, CA
: "you must not turn your head away in grief," kaufmann repetto milan, Milan, Italy
2021-2022: "Andrea Bowers," (Traveling Exhibition) Museum of Contemporary Art Chicago, IL
2021: "Energy With Intention," Vielmetter Los Angeles, Los Angeles, CA
2020: "Grief and Hope," curated Susanne Titz, Museum Abteiberg, Mönchengladbach, Germany
: "Think of Our Future," Andrew Kreps, New York, NY
2019-2020: "Light and Gravity," Weserburg Museum für moderne Kunst, Bremen, Germany (Link)
2018: "Open Secret," Capitain Petzel, Berlin, Germany
: “Disrupting and Resisting,” Kauffman Repetto, Milan, Italy (Link)
2017: “Andrea Bowers and Marcos Erre,” Westmont Ridley Tree Museum, Santa Barbara, CA
: “Andrea Bowers,” curated by Steven Matijcio, Contemporary Arts Center, Cincinnati, OH
: "Bureau of Feminism," Hammer Museum, Los Angeles, CA
2016: "Triumph of Labor," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: “Andrea Bowers: Sanctuary,” curated by Sofia Hernandez Chong Chuy, Bronx Museum, New York, NY
: "Whose Feminism is it Anyway?" Andrew Kreps Gallery, New York, NY
: "The United State v. Tim DeChristopher," Elizabeth Leach Gallery, Portland, OR
2015: "Self-Determination," Kaufmann Repetto, Milan, Italy
2014: "Andrea Bowers: #sweetjane," Pomona College Museum of Art, Claremont, CA
: "In Situ-1: Andrea Bowers, Espace culturel Louis Vuitton, Paris, France
2013: "Cultivating the Courage to Sin", Capitain Petzel, Berlin, Germany
: "Transformer Display for Community Fundraising: Phase 4," Tang Museum, Skidmore College, Saratoga Springs, NY (two-person show with Olga Koumoundouros)
2012: "Help the Work Along," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011: "Ni Una Muerta Mas," curated by Anna Karetsi, National Museum of Contemporary Art, Athens, Greece
: "The New Womens Survival Guide," Andrew Kreps Gallery, New York, NY
2010: "Andrea Bowers," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009: "Mercy Mercy Me," Andrew Kreps Gallery, New York, NY
: "An Eloquent Woman," Praz-Delavallade, Paris, France
2008: "Sanctuary," Van Horn, Dusseldorf, Germany
: "The Weight of Relevance," ZKM/Zentrum fr Kunst und Medientechnologie, Karlsruhe
2007: "The Weight of Relevance," The Power Plant, Toronto, curated by Gregory Burke
: "The Weight of Relevance," Susanne Vielmetter Los Angeles Projects, CA
: "The Weight of Relevance," Secession, Vienna, Austria
2006: "Nothing is Neutral: Andrea Bowers," REDCAT, Los Angeles, CA, curated by Eungie Joo, traveling to: ArtPace, San Antonio, TX; St. Louis Museum,St. Louis, MO
: "Vows," Halle fuer Kunst, eV, Lneburg, Germany
: "Eulogies to One and Another," Galerie Praz-Delavallade, Paris, France
: Mehdi Chouakri, Berlin, Germany
: "Letters to an Army of Three," Core Program, Glassell School of Art, Museum of Fine Arts, Houston, Texas, curated by Mary Leclre
2005: "Culture of Choice," Van Horn, Dsseldorf, Germany
2004: "Soft Blockades Part 2," Magazin 4, Voralberger Kunstverein, Bregenz, Austria
: "Soft Blockades," Mary Goldman Gallery, Los Angeles, CA
: "Nonviolent Civil Disobedience Training," Sara Meltzer Gallery, New York, NY
2003: "Magical Politics," Chouakri Brahms, Berlin, Germany
2002: "Virtual Arena (catalogue)," Sara Meltzer Gallery, New York, NY
: "From Mouth to Ear, Goldman Tevis, Los Angeles, CA
: "Box with Dance of Its Own Making, Chouakri Brahms, Berlin, Germany
2001: "Democracys Body Dance Dance Revolution, Art 32 Basel, Art Statements,
: Basel, Switzerland, presented by Sara Meltzer Gallery, New York, NY
2000: "Intimate Strangers, Sara Meltzer Gallery, New York, NY
: "I Need a Hero, Institute of Visual Arts (INOVA), University of Wisconsin, Milwaukee, WI
: "One and the Same Body, ARCO Project Room, Madrid, Spain, presented by Sara Meltzers on view, New York, NY 1301 PE, Los Angeles, CA
1999: "Moving Equilibrium, Sara Meltzers on view, New York, NY
1998: "Ohio (two-person show with Sam Durant), Dogenhaus Berlin, Berlin, Germany
: "Spectacular Appearances, Santa Monica Museum of Art, Santa Monica, CA
1997: "Spectacular Appearances in the Food Court, A project with the Santa Monica Museum of Art
: Video Installation, Santa Monica Place Mall, Santa Monica, CA
: Spanish Box, Santa Monica, CA
1994: "Damaged Goods, Bliss, Pasadena, CA
1993: FOOD HOUSE, Santa Monica, CA.

Selected Group Exhibitions

2027: "Art and Feminisms," Thyssen-Bornemisza National Museum, Madrid, Spain (forthcoming)
: "California Dreaming," Palazzo Strozzi, Florence, Italy (forthcoming)
2026-2027: "From the Center: Looking at Lucy Lippard," Museum of Contemporary Art Chicago, Chicago, IL (forthcoming)
2026: "Ongoingness," Vielmetter Los Angeles, Los Angeles, CA
: "Day-to-Day: Rhythm, Routine, Resistance," Henry Art Gallery, Seattle, WA
: "See You Tomorrow Under Other Skies," Andrew Kreps Gallery, New York, NY
: "Future Geographies: Art in the Century of Climate Change," Vancouver Art Gallery, Vancouver, British Columbia (forthcoming); Traveling to Art Gallery of Ontario, Toronto, Canada (2027)
: "Into the Time Horizon," Nevada Museum of Art, Reno, NV
2025: "Icons, Archetypes, and Portraits," North Dakota Museum of Art, Grand Forks, ND
: "wild thinX," Galerie5020, Salzburg, Austria
: "Engaged, Sculptors 2," Foundation Villa Datris, L’Isle-sur-la-Sorgue, France
: "Trees We Breath," Wave Hill Public Garden & Cultural Center, The Bronx, NY
: "We. The Body as Sign," Kunstmuseum Mülheim an der Ruhr, Mülheim, Germany
2024-2026: "Get in the Game," SFMoMA, San Francisco, CA; Traveling to Crystal Bridges, Bentonville, AR (2025); Perez Art Museum, Miami, FL (2026).
2024-2025: "Making Their Mark," BAMPFA, Berkeley, CA; Traveling to Mildred Lane Kemper Art Museum, St. Louis, MO (2025).
2024: "Body Freedom for Every(body)," Project for Empty Space
: "PROJECTIONS III. RETHINKING THE WORLD," Kunstmuseum Ravensburg, Ravensburg, Germany
: "Too Much Future," Kunstpalast Düsseldorf, Düsseldorf, Germany
: "Art for a Safe and Healthy California," Gagosian, Beverly Hills, CA
: "Incandescence: The Chandelier in Contemporary Art," Shirley Fiterman Art Center at Bronx Community College, New York, NY
: "Survival In The 21st Century," Deichtorhallen, Hamburg, Germany
: "A Model: Prelude – Rayyane Tabet. Trilogy," MUDAM, Luxembourg
: "Ordinary People: Photorealism and the Work of Art since 1968," MoCA, Los Angeles, CA
: "Wrongs & RIGHTS," Kniznick Gallery, Brandeis University, Waltham, MA
: "2024 INAUGURAL EXHIBITION," The Campus, Claverack, NY
: "Mother Earth," Meridian Center for Cultural Diplomacy, Washington D.C.
: "Rewilding” Kunsthaus Baselland, Münchenstein/Basel, Switzerland
2023-2025: "Strike Fast, Dance Lightly: Artists on Boxing," The FLAG Art Foundation, New York, NY; Traveling to Norton Museum of Art, Los Angeles, CA (2024-2025)
2023: "The Feminist Art Program (1970-1975): Collective Cycles," REDCAT, Los Angeles, CA
: "Dawn of Humanity," Kunstmuseum Bonn, Bonn, Germany
: "How to Survive," Anchorage Museum, Anchorage, Alaska (Link)
: "What Has Been and What Could Be: The BAMPFA Collection," Berkeley Art Museum and Pacific Film Archive (BAMPFA), Berkeley, CA
: "(Chosen) Family/ (Wahl) Famile: Who We Are," Kunstmuseum Ravensburg, Ravensburg, Germany (Link)
: "Dear Earth: Art and Hope in a Time of Crisis," Hayward Gallery, London, UK
: "Rohkunstbau 28: Finally Peace! Caring For Yourself And Others," Capitain Petzel, Berlin, Germany
: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
: "Mouvement et Lumiére," Fondation Villa Datris, Paris, France (Link)
: "Euroluce," Salone del Mobile, Milan, Italy
: "Imperfect Paradise," Barbati Gallery, Venice
: "Visual Language: The Art of Protest," Subliminal Projects, Los Angeles, CA
: "Language in the Time of Miscommunication," Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2022-2023: "Paint The Protest," Off Paradise, New York, NY
: "Empowerment," Kunstmuseum Wolfsburg, Wolfsburg, Germany
2022: "Wrongs & RIGHTS," The Rudin Family Gallery, Brooklyn Academy of Music (BAM Strong), Brooklyn, NY
: "Calling To Our Future: LA Climate Art Action," Emerson Collective, Downtown Los Angeles, CA
: "51 @ 51," Rennie Museum, Vancouver, Canada
: "Plants Now!," Vielmetter Los Angeles, Los Angeles, CA
: "Working Thought," The Carnegie Museum of Art, Pittsburgh, PA
2021-2022: "Omelette Papier," Capitain Petzel, Berlin, Germany
2021: "Who will Write the History of Tears," MoMa Warsaw, Warsaw, Poland
: "Vogliamo Tutto," Officine Grandi Riparazioni, Torino, Italy
: "New Time: Art and Feminisms in the 21st Century," University of California, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA
: "We Are Here." Jessica Silverman, San Francisco, CA
: "In the Meanwhile… Recent Acquisitions of Contemporary Art," Santa Barbara Museum of Art, Santa Barbara, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Stories of Resistance," CAMSTL, St. Louis, Missouri
: "Wayne Thiebaud: Influencer," Thiebaud Centennial Exhibition, Manetti Shrem Museum, UC Davis, Davis, CA
2020: "Rhizome 7/7," Capitain Petzel, Berlin, Germany (online)
: "Conversational Spirits," Jessica Silverman, San Francisco, CA
: "F as in Frank," Museum of Contemporary Art, Cleveland, OH
: "Radical Tradition: American Quilts and Social Change," Toledo Museum of Art, Toledo, OH
: "Don’t Let This Be Easy," Walker Art Center, Minneaplis, MN
: Permanent Collection, National Museum of Contemporary Art (EMST), Athens, Greece
: "What is Nature?," Museum Sinclair-Haus, Bad Homburg vor der Höhe, Germany
: "Drawing 2020," Gladstone Gallery, NY
: "South East North West: New Works from the Collection," San Jose Museum of Art, San Jose, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Time for Outrage: Art in Times of Social Anger," Kunstpalast, Dusseldorf, Germany (Link)
: "Vent’anni – 20 years," Kaufmann Repetto, New York (Link)
: "In the Meanwhile…Recent Acquisitions of Contemporary Art," Santa Barbara Museum of Art, Santa Barbara, CA (Link)
2019-2021: "Waking Dream," Ruby City, San Antonio, TX
2019-2020: "In Plain Sight," Henry Art Gallery, Seattle, WA
2019: "Inaugural Exhibition," Vielmetter Los Angeles, Los Angeles, CA (Link)
: "F-Bomb", Daniel Arts Center, Bard College, NY (Link)
: "How the Light Gets In," Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: "United by AIDS," Migros Museum, Zurich, Switzerland
: "Damn! The Defiant," Fredericks & Freiser, New York, NY
: "STORIES: Selections from the Permanent Collection," Pomona College Museum of Art, Claremont, CA
: "Queer California: Untold Stories," Oakland Museum of California, Oakland, CA
2018-2019: "The Street. Where the World is Made," MAXXI, Rome, Italy (Link)
: "Parking on Pavement," The School, Jack Shainman Gallery, New York, NY
: "Terres de femmes," Praz-Delavallade, Los Angeles, CA
2018: "What Is Enlightenment? 200 Years of the Print Room of the University of Warsaw Library," Museum of Modern Art, Warsaw, Poland
: "Climate Change Is Real," Yerba Buena Center for the Arts, San Francisco, CA
: "Art & Activism: Drawing the line," Children’s Museum of the Arts, New York, NY
: "Half the Picture: A Feminist Look at the Collection," Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, Brooklyn, NY (Link)
: "West by Midwest," MCA Chicago, Chicago, IL
: "After Posada: Revolution," El Paso Museum of Art, El Paso, Texas
: “The Un-Heroic Act. Representations of Rape in Contemporary Women’s Art in the US,” Shiva Gallery, John Jay College, CUNY
: "Kinship," Jessica Silverman Gallery, San Francisco, CA
: "Artists and Their Books / Books and Their Artists," The Getty Center, Los Angeles, CA
: “Mis (missing) Information,” organized by Jody Zellen and Brian C. Moss, Charlie James Gallery, Los Angeles, CA (Link)
: “Agora,” The High Line, New York, NY (Link)
: “Power to the People. Political Art Now,” Schirn Kunsthalle Franfurt, Frankfurt, Germany (Link)
: “Nothing Stable under Heaven,” San Francisco Museum of Modern Art, San Francisco, CA (Link)
: "¿¡Welcome?!," Manetti Shrem Museum, University of California, Davis, CA (Link)
: "Manifesto: A Moderate Proposal," curated by Ciara Ennis and Jennifer Vanderpool, Pitzer College Art Galleries, Claremont, CA (Link)
2017: “Really?” curated by Beth Rudin DeWoody,Wilding Cran Gallery, Los Angeles, CA
: "An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940 – 2017," Whitney Museum of American Art, New York, NY (Link)
: “Sonic Rebellion: Music as Resistance,” Museum of Contemporary Art Detroit, Detroit, MI
: "Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA
: “Women to the Front: Works from the Miller Meigs Collection,” Lumber Room, Portland, OR
: “I Plan to Stay a Believer,” Andrew Kreps Gallery, New York, NY
: documenta 14, Fridericianum, Kassel, Germany
: “Graphic Witness,” The Drawing Room, London, UK
: “Resistance Training,” curated by Glen Helfand, Mills College, Oakland, CA
: “Occupancy,” Boston University art Galleries, Boston, MA
: “The Arcades: Contemporary Art and Walter Benjamin,” The Jewish Museum, New York, NY
: “The Intersectional Self,” The 8th Floor, The Shelley & Donald Rubin Foundation, New York, NY
: “LA TERRA INQUIETA,” curated by Massimiliano Gioni, Triennale di Milano, Milan, Italy
: “Unfinished Conversations,” The Museum of Modern Art, New York, NY
2016: “Displacement: Symbols and Journeys,” Cornell Fine Arts Museum, Rollins College, Winter Park, FL
: "The Revolution Will Not Be Gray,” Aspen Art Museum, Aspen, CO
: “Take Me (I’m Yours),” Jewish Museum, New York, NY
: “The Gildless Age,” curated by Denise Johnson, Torrance Art Museum, Torrence, CA
: "Let There Be Light,” curated by Jens Hoffman, Jessica Silverman Gallery, San Francisco, CA
: “Frozen World of the Familiar Stranger,” KADIST, San Francisco, CA
: “The Gildless Age,” Torrance Art Museum, Torrance, CA
2015: "Drawing Now," Albertina, Vienna, Austria
: "Unpacking Our Library," Capitain Petzel, Berlin, Germany
: "When Artists Speak Truth…" The 8th Floor, New York, NY
: "The Bottom Line," S.M.A.K., Gent, Belgium
: "Citizen," Tate Modern, London, UK
: “Agitprop!” Brooklyn Museum, Brooklyn, NY
: "A Voice Remains," Pippy Houldsworth Gallery, London, UK
: "Words, Words, Words," Elizabeth Leach Gallery, Portland, OR
2014: "Grip friheten! Take Liberty! Museum of Contemporary Art," Nationalmuseum, Oslo, Norway
: "Pace Gems," Linda Pace Foundation, San Antonio, TX
: "Lavenir (looking forward)," La Biennale de Montreal, curated by Gregory Burke, Peggy Gale, Lesley Johnstone and Mark Lanctt, Montral, Quebec, Canada
: "Burning down the house," 10th Gwangju Biennale, curated by Jessica Morgan, South Korea
: 2014 SITE Lines: SITE Santa Fe Biennial, Santa Fe, NM
: "Post-Picasso: Contemporary Artists Responses to his Life and Art," Museu Picasso, Barcelona, Spain
: "The Sunken Living Room," Franklin Street Works, Stamford, CT
: "If I can’t dance to it, it’s not my revolution," Cantor Fitzgerald Gallery, Haverford College, PA
: "Andrea Bowers and Susanne Lacy," The Drawing Center, New York, NY
: "The Other Side: Chinese and Mexican Immigration to America," USC Pacific Asia Museum, Pasadena, CA; traveled to Asia Society Texas Center, Houston TX (2015)
2013: "Arctic, Louisiana Museum of Modern Art, Humlebaek, Denmark
: "The Past is Present," Museum of Contemporary Art Detroit, Detroit, MI
: "Labour and Wait", Santa Barbara Museum of Art, Santa Barbara, CA
: "Approximately Infinite Universe", Museum of Contemporary Art, San Diego, CA
: Utah Biennial of Contemporary Art, In collaboration with Cori Redstone, Utah Museum of Contemporary Art, Mondo, UT
: "Selections from the Grunwald Center and the Hammer Contemporary Collection", UCLA Hammer Museum, Los Angeles, CA
2012: "Make Liverpool a City of Sanctuary," Liverpool Biennial of Contemporary Art, Liverpool, England, UK
: "The Living Years: Art after 1989" Walker Art Center, Minneapolis, MN
: "The Residue of Memory," Aspen Art Museum, Aspen, CO
: "Audience as Subject Part 2: Extra Large," Yerba Buena Center for the Arts, San Francisco, CA
: "No Person May Carry a Fish into a Bar," curated by Julian Hoeber and Alix Lambert, Blum & Poe, Los Angeles, CA
: "Drawn from Photography," DePaul Art Museum, Chicago, IL
: "Malas Artes," Galera Nieves Fernndez, Madrid, Spain
: "Go Tell It On The Mountain," Charlie James Gallery, Los Angeles, CA
: "Five Acts: Chronicles of Dissent," Marginal Utility, Philadelphia, PA
: "Femmescapes," Lenore Pereira & Rich Niles private gallery, San Francisco, CA
: "Nothing Beside Remains," collaboration with Shizu Saldamando, a project with LAND, Marfa, TX
2011: "Why I Never Became a Dancer," Sammlung Goetz im Haus der Kunst, Munich, Germany
: "Drawn from Photography," The Drawing Center, New York, NY
: "Body Gesture", Elizabeth Leach Gallery, Portland, OR
: "I Am Still Alive: Politics and Everyday Life in Contemporary Drawing," The Museum of Modern Art, NY
: "Word Is.," Luckman Art Gallery, California State University, Los Angeles, CA
: "Greater LA," curated by Benjamin Godsill, Eleaonor Cayre and Joel Mesler, New York, NY
: "In Process," Ann 330 Gallery, Los Angeles, CA
2010: "The Artists Museum: Los Angeles Artists 1980-2010," The Museum of Contemporary Art, Los Angeles, CA
: "The Politics of Art," National Museum of Contemporary Art, Athens, Greece
: "The Last Newspaper," The New Museum, New York, NY
: "Sisters, Brothers & Others," Claremont University East Gallery, Claremont, CA
: "Everything is Political," FOCA Fellowship exhibition, Fellows of Contemporary Art, Los Angeles, CA
: "In the Balance: Art for a Changing World," Museum of Contemporary Art, Sydney, Australia
: "The Seventh House, Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus," Project Row Houses, Houston, TX
: "The Road to Hell is Paved," Las Cienega Projects, Los Angeles, CA
: "Cycle 8: Stowaways, The Centro Cultural Montehermoso, Vitoria-Gasteiz, Araba, Spain, curated by Elke Krystufek," part of the exhibition series PASSWORDS, New Representation on Femininity
: "Collection: MOCAs First Thirty Years (1980 Now)," The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA
: Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Love in a Cemetery," 18th Street Art Center, Santa Monica, CA
2009: "Andrea Bowers and Suzanne Lacy: Your Donations Do Our Work," University of California, Riverside, CA
: "DAS GESPINST", collection Schrmann at Museum Abteilberg, Mnchengladbach, Germany
: "Multitud Singular: El arte de resistir," Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
2008: "Wunderkammer Lneburg, Halle fr Kunst, Lneburg, Germany
: "California Biennial 2008," Orange County Museum of Art, Newport Beach, CA (October 26, 2008 – March 15, 2009)
: "Progress, Whitney Museum of American Art, New York, NY
: "Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles, CA
: "nach/sichten. Video works from the Goetz Collection, Edith Russ Site for Media Art in Oldenburg, Oldenburg, Germany, curated by Sabine Himmelsbach and Stephan Urbaschek
2008-2009: "Proyecto Civico / Civic Project, Centro Cultural Tijuana (CECUT), Tijuana, Mexico, curated by Lucia Sanroman and Ruth Estevez
2008: "Memory is your image of perfection, Museum of Contemporary Art San Diego, San Diego, CA
: "Southern Exposure: Works from the Collection of the MCA San Diego, Museum of Contemporary Art, Syndey, Australia, curated by Rachel Kent and Dr. Stephanie Hanor
: "Currents: Recent Acquisitions, Hirshhorn Museum, Washington DC
: "The Way That We Rhyme: Women, Art and Politics, Yerba Buena Center for the Arts, San Francisco
: "We Remember The Sun, San Francisco Art Institute, San Francisco, CA
: "Amateurs, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, curated by Ralph Rugoff
: "La Mirada Iracunda / The Furious Gaze," Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain, co-curated by M. Reiley
: "Small Things End," Great Things Endure, New Langton Arts, San Francisco, CA (curated by Jill Dawsey and Maria Del Carmen Carrion)
: "Furious Gaze," Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
2007: "Read me! Text in Art," The Armory Center for the Arts, Los Angeles
: "Radical Hospitality," The Suburban, Chicago, IL
: "Nothing Moments Projects," Steve Turner Contemporary, Los Angeles, CA, curated by Steven Hull and Tami Demaree
: "space.gaze.desire,"Den Frie Udstillingsbygning, Copenhagen, curated by Sanne Kofod Olsen
: "Classe de Danse," Madonna fust Galerie, Bern, Switzerland, curated by Alessio Fransoni and Ilari Valbonesi
: "The California Files: Re-Viewing Side Effects of Cultural Memory," CCA Wattis Institute for Contemporary Art, San Francisco, curated by Ariane Beyn
: "Tanzen Sehen," Museum für Gegenwartskunst, Seigen, Germany
: "The Evil," Galerie Gebr. Lehmann, Dresden, Germany, curated by Raimar Stange
: "OHIO, Gahlberg Gallery, McAninch Arts Center at College of DuPage, Glen Ellyn, IL
: "Encore," Gallery 40000, Chicago, IL, curated by Huey Copeland and Hannah Feldman
2006: "Personal Affairs," Morsbroich Museum, Leverkusen, Germany
: "particulate matter," Mills College Art Museum, Oakland, CA (curated by Glen Helfand)
: "20 jahre NAK," Neuer Aachener Kunstverein, Aachen
: "Prevailing Climate," Sara Meltzer Gallery, New York, NY
: "First Artist Defines Meaning," Camera Austria, Kunsthaus Graz, Austria
: "Human Game," Fondazione Pitti Discovery, Florence, Italy (curated by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi)
: "This is not a Love Song," Susanne Vielmetter Los Angeles Projects, Culver City,
: "Anticipation," Museum of Contemporary Photography, Chicago, IL (curated by Karen Irvine)
: "Art for our sake!," Bard College, Annandale-on-Hudson, NY
: "Welcome Home," Sara Meltzer Gallery, New York
: Jump Cut—Nights (a symposium on choreographic structures in moving images) and Videoperformance—stories told through movement, Cinema of Museum Ludwig, Cologne, Germany (curated by Georg Elben)
2005: "Monuments for the USA," curated by Ralph Rugoff, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, traveling to White Columns, New York, NY
: "REALIT;-)T," curated by Andreas Meier with Dr. Stephan Urbaschek, Sammlung Goetz, Seedamm Kulturzentrum, Switzerland
: "Estacion Tijuana," Tijuana, Mexico
: Mary Goldman, Los Angeles, CA
: "Old News," curated by Jacob Fabricius, Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "New Tapestries," Sara Meltzer Gallery, New York, NY
: "Nonviolent Civil Disobedience Training," (screening), Kunsthalle Basel, Art/Film, Art/ 36/Basel, Switzerland
: "Fast Forward, Media Art From the Goetz Collection," Conde Duque Centro Cultural, Madrid, Spain
2004: "100 Artists See God," curated by John Baldessari and Meg Cranston; The Jewish Museum, San Francisco, CA; Laguna Art Museum, Laguna Beach, CA; Institute of Contemporary Arts, London, England; Contemporary Art Center of Virginia, Virginia Beach, VA; Albright College Freedman Art Gallery, Reading, PA; Cheekwood Museum of Art, Nashville, TN
: "Dance Dance Revolution," curated by Matthew Lyons & Lanka Tattersall, The Leroy Neiman Gallery at Columbia University, New York, NY
: "Victory 2004," Ronald Felman, New York, NY
: "kurzdavordanach," curated by von Wilhelm Schrmann, Die Photographische Sammlung/ SK Stiftung Kultur, Cologne, Germany
: "The Freedom Salon," Deitch Projects, New York, NY
: "Drawings," Galerie Praz-Delavallade, Paris, France
: Whitney Biennial, curated by Chrissie Iles, Shamim Momin, and Debra Singer, Whitney Museum of American Art, New York, NY
2003: "Fast Forward, Media Works from the Goetz Collection between Ethno-Narration and Formal Innovation," ZKM | Museum of Contemporary Art, Karlsruhe, Germany
: "Rendered," Sara Meltzer Gallery, New York, NY
: "Yard: An exhibition about the private landscape that surrounds suburban domestic architect," curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, Long Island City, NY
: "Extended Play: Art Remixing Music," curated by Simon Rees, Govett-Brewster Art Gallery, New Plymouth, New Zealand
: "C.O.L.A. 2003," Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
: "Conversations," curated by Connie Butler, Museum of Contemporary Art, Los Angeles, CA
2002: "Videodrome II," curated by Dan Cameron, Anne Barlow, Johanna Burton and Anne Ellegood, New Museum of Contemporary Art, New York, NY; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; Weatherspoon Art Museum, Greensboro, NC; Bates College Museum of Art, Lewiston, ME
: "Time-Share," Sara Meltzer Gallery, New York, NY
: "Remix: Contemporary Art and Pop," curated by Simon Wallis, Tate Liverpool, England
: "DV Noir: Video Art from Under the Shadow of Hollywood," curated by Rodolfo Sanchez, Museum at California Center for the Arts, Escondido, CA
: "LA On My Mind: Recent Acquisitions from MoCA’s Collection," curated by Michael Darling, MOCA at The Pacific Design Center, Los Angeles, CA
: Gallery Group Show, Goldman Tevis, Los Angeles, CA
: "New Heimat," curated by Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt, Germany
: "Retake," curated by Susanne Titz and Ulrike Groos, Neuer Aachener Kunstverein, Aachen, Germany
: "Untitled (Bowers, Hamilton, Schwarz, Steinfeld)," curated by Christine Bisetto and Steffen Boddeker, Haggerty Gallery, University of Dallas, Irving, TX
: "Casino 2001," curated by Jeanne Greenberg Rohatyn, Stedelijk Museum for Actual Kunst, Ghent, Belgium
2001: "Everybody Now," curated by Katy Siegel, The Bertha & Karl Leubsdorf Gallery, Hunter College, New York
: "Subject Plural," curated by Paola Morsiani, Contemporary Arts Museum, Houston, TX
: "False Start," curated by Cecilia Brunson, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
: "Making Time: Considering Time as a Material in Contemporary Film & Video," curated by Amy Cappellazzo, Armand Hammer Museum, Los Angeles, CA; PBICA, Palm Beach, FL
2000: "Video Take," Stuc en Hedendaagse Kunsten, De Openabare Bibliotheek, Leuven, Belgium
: "Radar Love," curated by David Pagel, Galleria Marabini, Bologna, Italy
: "Game On," curated by Sara Meltzer. Essay by Jenelle Porter and Conny Purtill, Sara Meltzer Gallery, New York, NY
: "Moving Pictures," Galerie Tommy Lund, Copenhagen, Denmark
1999: "Painting: Fore and Aft," ACME, Los Angeles, CA
: "Drawing the Line," curated by Kirk Delman, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA
: "Venus," curated by Habib Kheradyar, Arc, Vienna, Austria
: "Motion Studies," curated by Michael Darling, Kunsthallen Brandts Klaedefabrik, Odense, Denmark
: "Transfer," curated by Rosanne Alstatt Videonale-Intermezzo, Kunstmuseum Bonn, Bonn, Germany
: "Living Theatre," curated by Diana Thater and Hildegund Amanshauser, Salzburger Kunstverein, Salzburg, Austria
: "Im the Boss of Myself," curated by Sara Meltzer. Essay by Amy Cappellazzo, Sara Meltzer, New York, NY
: "Me Mine," curated by Julie Joyce and Mike Mehring, Luckman Fine Arts Gallery, California State University, Los Angeles, CA
: Group Exhibition, curated by Susie Allen for Virgin Atlantic Airways, Virgin Atlantic VIP Lounge, Newark Airport, Newark, NJ
: "Video Cult/tures," ZKM | Museum of Contemporary Art, Karlsruhe, Germany
: "More Than Meets the Eye," curated by Wilhelm Schuermann, Deichtorhallen, Hamburg, Germany
1998: "Unfinished History," curated by Francesco Bonami, Walker Art Center, Minneapolis, MN; Museum of Contemporary Art, Chicago, IL
: "Guarene Arte 98," Selected by Douglas Fogle, Fondazione Sandretto Re Rebaudengo per larte, Torino, Italy
: "In the Polka Dot Kitchen," curated by Sally Elesby and Anne Ayres, Otis Gallery and Armory Center, Los Angeles, CA
: "Time Dilates," Three Day Weekend, New York, NY
: "Kamikaze," curated by Monica Bonvicini, Marstall, Berlin, Germany
: "Phoenix Triennial," curated by David Rubin, Phoenix Art Museum, Phoenix, AZ
: "Love at the End of the Tunnel, or the Beginning of a Smart New Day," curated by Marilu Knode, Center of Contemporary Art, Seattle, WA (catalogue)
: "Wings of Desire," curated by Michelle Guy, Walter McBean Gallery, San Francisco Art Institute, San Francisco, CA
: "Three Day Weekend," curated by Dave Muller, Los Angeles, CA
: "Youth Studies," curated by Brad Spence, POSTdowntown, Los Angeles, CA
1997: "Places That Are Elsewhere," curated by Diana Thater, David Zwirner Gallery, New York, NY
: "Quartzose," curated by Michael Darling, Galleri Tommy Lund, Copenhagen, Denmark
: "The Summer of Love," Fotouhi Cramer Gallery, New York, NY
: "Hot Coffee," curated by Thomas Lawson, Artists Space, New York, NY
1996: "True Bliss," Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "Trying/Pattern, Chance," a project by Art Center College, Whisky Petes, NV
: "Open House," curated by John OBrien, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, CA
: "Space Space," curated by Stephen Hartzog, POST, Los Angeles, CA
: "Ether," curated by Michelle Guy, Angles Gallery, Santa Monica, CA
: "Report from Spring Training," Spanish Box, Santa Barbara, CA
1995: "Neotoma," Otis Gallery, Otis College of Art and Design, Los Angeles, CA
: "Redevelopment," curated by Stephen Hartzog & Rick Pirro
: "Couldnt Get Ahead (catalogue & CD)," curated by Adam McEwen, Independent Artists Space, London, England
: "Three Day Weekend Takes an Extended Working Vacation," In Rezone at Diverse Works, Houston, TX
: "People-Going Places-Doing Things," N.A.M.E. Gallery, Chicago, IL
: "Pretty," FOOD HOUSE, Santa Monica, CA
1994: "Thanks-The Works Is Not For Sale But Up For Barter," Three Day Weekend, Los Angeles, CA
: "Daves Not Here," Three Day Weekend, Los Angeles, CA
: "Thanks Again," FOOD HOUSE, Santa Monica, CA
: "Second Skin," curated by Charles LaBelle, Espace, San Francisco, CA
: "Bad Girls (catalogue)," curated by Marcia Tucker, New Museum, New York, NY
: "Utter Realities," curated by Randy Sommer, Cerritos College Fine Art Gallery, Cerritos College, Norwalk,
: "PARANOID," co-organized by Sam Durant, M*Y*T*H* Series at the Brewery, Los Angeles, CA
: "The Power of Positive Thinking," curated by Sam Durant, FOOD HOUSE, Santa Monica, CA
1993: "Loose Slots," curated by Richard Kuhlenshmidt, Temporary Contemporary, Las Vegas, NV
: "Heaven Missing," Jose Freire Gallery, New York, NY
: "Melancholic Consolation and Cynicism," Kuenstlerhaus Bethanien, Berlin, Germany
: Ruth Bloom Gallery, Santa Monica, CA
: "Thank You," FOOD HOUSE, Santa Monica, CA
: "FOOD HOUSE Visits the Art Store Gallery," curated by FOOD HOUSE The Art Store, Los Angeles, CA
: "Public & Private Pleasure," curated by Lauren Lesko, Nomadic Sites, Los Angeles
: "Cherry Bomb," Southern Exposure, San Francisco, CA
: "Imp of the Perverse," curated by Alisa Tager, Sally Hawkins Gallery, New York, NY
1992: "Skinned Eyes/Skin Dye," curated by Tyler Stallings, The Bridge Gallery, Los Angeles City Hall, Los Angeles, CA
: "The FAR Bazaar," Foundation for Art Resources Inc., Federal Reserve Building, Los Angeles, CA
: "Good Design," organized by Jorge Pardo & Pae White,Nomadic Sites, Pasadena, CA
: "Afterthought," San Francisco Art Institute, San Francisco, CA
1991: "Window on L.A.," curated by David Pagel, L.A. Art Fair, Los Angeles, CA
: "Tales From The Creeps," Marc Richards Gallery, Santa Monica, CA

Bibliography

2026: Okoro, Enuma. "The heat of the matter," The Financial Times, July 6
: Alin, Maaz. "SMC to Celebrate Spring 2026 Santa Monica Review with Author Readings April 12," April 5 (Link)
: Nash, Dave. "Baubles Blooming Bright for Spring," Nob Hill Gazette, February 26 (Link)
: Irish, Anni. "One Year After the Fires, LA’s Art World Continues to Rebuild," Ocula, February 24 (Link)
2025: Nevada Museum of Art. "Nevada Museum of Art Presents the 2026 Art + Environment Summit: Under Pressure," Hyperallergic, December 17 (Link)
: Finkle, Jori. "Susanne Vielmetter and the rise of the Los Angeles art scene," ArtBasel, December 13
: "Sports," Texte Zur Kunst, Berlin, Germany, September
2024: Ocula Staff. "Six Standout Works by Women at Art Basel Paris 2024" Ocula, October 16 (Link)
: Kazakina, Katya. "A Former School in Upstate New York Is Now a Sprawling Arts Venue," Artnet News, July 8 (Link)
: Kinsella, Eileen. " Artist-Activist Andrea Bowers on Her Unlikely New Collaborator," Artnet, May 3
: Schwarz, Fee Louise. "Ruinart Grants Unprecedented "Carte Blanche" To Collective Creativity," Falstaff, March 16 (Link)
: Silverman, Erica. "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA," Whitewall, February 27 (Link)
: Frieze Staff. "Association of Professional Art Advisors’ Top 10 Picks from Frieze Los Angeles Viewing Room 2024," Frieze, February 26 (Link)
: Silver, Hannah. "Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation," Wallpaper*, February 21 (Link)
: Surma, Katie. "Fighting for a Foothold in American Law, the Rights of Nature Movement Finds New Possibilities in a Change of Venue: the Arts," Inside Climate News, February 4 (Link)
2023: Cultured Staff. "For Herno President Claudio Marenzi, Growing a Company Is Just Like Cultivating an Art Collection," Cultured Magazine, December 13 (Link)
: Miranda, Carolina A. "Artist Kerry James Marshall’s National Cathedral windows honor the light of protest," The LA Times, December 8 (Link)
: Atkins, Olivia. "Dear Earth: Artworks to inspire collective action, and promote care for our planet," CreativeBoom, August 8 (Link)
: Vankin, Deborah. "For L.A.’s newest underground art experience, head down to the Metro Regional Connector," LA Times, June 17
: Sutton, Benjamin. "Los Angeles inaugurates three new art-filled metro stations," The Art Newspaper, June 20 (Link)
: Trimble, Lynn. "How Do Artists Combat Propaganda?," Hyperallergic April 10 (Link)
: Zocalo Staff. "Artist and Activist Andrea Bowers," Zocalo Public Square, February 17 (Link)
2022: Simmons-Reid, Jessica. "Andrea Bowers: An Ethos of Resistance," CARLA Magazine, November
: People’s World Staff. "Andrea Bowers, revolutionary feminist artist retrospective at Hammer Museum until September 4," People’s World, August 26 (Link)
: Davidow, Jackson. "One Work: Andrea Bowers’s “Letters to an Army of Three”," Art in America, August 25 (Link)
: Womack, Catherine. "Andrea Bowers’ activist art has long been a conduit for hope — and still is today," LA Times, July 8 (Link)
: Knight, Christopher. "Review: At the Hammer Museum, Andrea Bowers’ art becomes an act of nonviolent civil disobedience," Los Angeles Times, July 6 (Link)
: Pippin, Sheila. "Artists Andrea Bowers, Mark Bradford, And Jenny Holzer | Bring Provoking Art To Los Angeles," FLAUNT, June 14 (Link)
: Vankin, Deborah. "‘The time is now’: A debut exhibition of artworks around L.A. speak to climate crisis," The LA Times, June 3 (Link)
: Cardoza, Carrie. "Engines of Change: Andrea Bowers Highlights Activists Making History," New City Art, January 7 (Link)
2021: Sorkin, Jenni. "Art in California," Thames & Hudson Inc., United Kingdom, pp 195-106
: Waxman, Lori. "Andrea Bowers at MCA: This is protest art by an artist long experienced in the genre. But does protest art change minds?," The Chicago Tribune, December 19 (Link)
: Lane, S. Nicole. "Are neon signs really enough?," Chicago Reader, December 13 (Link)
: Cherelus, Gina. "A Monument to the Lives of Black Women and Girls," The NY Times, December 7 (Link)
: Mitter, Siddhartha. "Andrea Bowers: Her Activism Animates Her Art," The NY Times, November 30 (Link)
: Zellen, Jody. "Andrea Bowers. Energy with Intention," What’s On Los Angeles Index, September 16
: Ababio, Rachel. "UC Davis reopens Manetti Shrem Museum of Art with new exhibit ‘Education Should Be Free’," The Sacramento Bee, July 6 (Link)
2020: Cascone, Sarah. "Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week," artnet, February 10 (Link)
: Howe, David Everett. "Andrea Bowers Portrays the Future of Activism," Art in America, March (Link)
: Aguirre, Abby. "Inside the Los Feliz Home of Frieze’s Bettina Korek," W, January 29 (Link)
: Angeleti, Gabriella and Wallace Ludel. "Three exhibitions to see in New York this weekend," The Art Newspaper, January 16 (Link)
2019: Ye, Fiona. "New exhibition ‘In Plain Sight’ powerfully brings unheard voices into public sphere," The Daily, November 27 (Link)
: Carrigan, Margaret. "Art Basel removes part of sexual harrassment-themed work," The Art Newspaper, June 13
: O’Neil, Dilara. "Who Profits When Pain Becomes Art?," Garage, June 19 (Link)
: "Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation," Malay Mail, June 14 (Link)
: Larsen, Nina. "Women artists bring #MeToo reckoning to Basel fair," Jakarta Post, June 14 (Link)
: Niermann, Ingo. "Basel Roundup," Art Agenda, June 18 (Link)
: "#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers," Latestly, June 13 (Link)
: Cascone, Sarah. "After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement," artnet, June 12 (Link)
: Schneider, Tim and Kate Brown. "The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines," artnet, June 11 (Link)
: Siegel, Nina. "#MeToo Work at Art Basel Offers Cautionary Tale About Political Art," New York Times, June 16 (Link)
: Kinsella, Eileen. "The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning," artnet, April 16 (Link)
: Weathers, Chelsea. "After Posada: Revolution," Artforum, February (Link)
2018: Mania, Astrid. "Critics Picks: Andrea Bowers at Capitain Petzel," Artforum, September (Link)
: Judah, Hettie. "Frieze London review – women on top at the #MeToo art fair," The Guardian, October 4 (Link)
: Schuster, Angela M.H. "Contemporary Art Shines Bright in the City of Light," Robb Report, October 16 (Link)
: Princenthal, Nancy, "3 Outdoor Art Shows and One Trusty Dog (With Tricks!)," New York Times (web), September 6 (Link)
: Stromberg, Matt, "The Power of Artists’ Books to Bind Together Radical Ideas," Hyperallergic (web), August 28 (Link)
: Lambie, Mark, "El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House," El Paso Times (web), July 27 (Link)
: "#MeToo Narratives in Open Secret by Andrea Bowers," Blouin Art Info (web), July 18 (Link)
: Lynch, Scott, "Check Out All This New Art & Insane Crowding On The High Line," Gothamist (web), April 27 (Link)
: Misner, Rebecca, “San Francisco Now,” Condé Nast Traveler (web), March 5 (Link)
: Shaw, Anny, “Trump: the first year,” The Art Newspaper, January 10 (Link)
2017: Valentine, Victoria L., “The Artist Project: New Volume Explores What Artists See, What Inspires Them, When They Look at Art at the Met Museum,” Culture Type (web), December 11 (Link)
: Michot, Michelle, “Florida is on the frontline of global warming – a crisis that demands creative thinking,” The Art Newspaper (web), December 8 (Link)
: Helfand, Glen, “Marching to the Beat at Jessica Silverman Galelry,” Art Papers, October
: “5 Artists Respond to: Charlottesville,” New York Times T Magazine, August 29 (Link)
: Zellen, Jody, “Andrea Bowers at the Hammer Museum,” ArtScene, July/August
: Menguc, Murat Cem, “Radical Art from the Past Decade, from Tahrir Square to Recife,” Hyperallergic (web), July 19 (Link)
: Harris, Gareth and Julia Michalska, “Power of pride: artists champion LGBT causes at Art Basel,” The Art Newspaper, June 14 (Link)
: Hanson, Sarah P., “Mood at Art Basel is upbeat as VIPs spend,” The Art Newspaper (web), June 15
: Sterling, Anna, “This Beautiful Installation Reveals the Money Behind the Dakota Access Pipeline,” KCET Artbound (web), May 31 (Link)
: Smith, William S., "The Lookout: ‘The Neighbors, part two, in two parts: Sanctuary: Andrea Bowers and Home: Andrea Aragón’," Art in America, January (Link)
: Mitter, Siddhartha, “‘People have Been Kind of Slapped Awake’: Urgent New Shines a Light on Immigration,” The Village Voice (web), January 4 (Link)
: Miller, M.H., “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 19 (Link)
: Seda-Reeder, Maria, “Two new Contemporary Arts Center exhibitions confront politically charged topics,” City Beat (web), February 22
: Woodard, Josef, “Art Review: Art About Border Patrolling,” Santa Barbara News-Press, February 24
: Donelan, Charles, “Andrea Bowers and Marcos Ramírez ERRE,” Santa Barbara Independent (web), March 6
: Barshee, Tenzing, “The Value of Rage: Morgan Fisher in Conversation with Tenzing Barshee,” Terremoto, Winter
2016: Bruney, Gabrielle, “Stunning Portraits Spotlight Trans Women Activists of Color,” The Creators Project (web), February 22
: Davis, Ben, “Andrea Bowers Fights for Transgender Icons in New Chelsea Show,” artnet News (web), February 24 (Link)
: Scott, Andrea K., “American Beauty: The artist-activist Andrea Bowers takes her street-smart politics to Chelsea,” The New Yorker, March 28 (Link)
: Chamberlain, Colby, “Andrea Bowers: Andrew Kreps Gallery,” Artforum, May (Link)
: Knight, Christopher, “Review: Art meets activism in Andrea Bowers’ ‘Triumph of Labor’ at Susanne Vielmetter Los Angeles Projects,” Los Angeles Times, June 17 (Link)
: Shaw, Michael, “Andrea Bowers and Lies Kraal,” ArtScene, July/August
: Miranda, Carolina, “New Main Museum in downtown Los Angeles reveals ‘Beta’ plans – and focus on art in L.A.,” Los Angeles Times, June 30
: Barrie, Lita, “Andrea Bowers’ Activist Aesthetics: ‘Triumph of Labor’ at Susanne Vielmetter Los Angeles Projects,” The Huffington Post (web), July 7 (Link)
: Greenberger, Alex, “ ‘It’s not nice to talk about entitlement’: Martha Rosler and Andrea Bowers discuss politics, ethics at DIA,” ArtNews (web), October 3 (Link)
: Martin, Brittany, “The Main Museum is opening this month – for a ‘beta’ launch,” TimeOut Los Angeles (web), October 19
: Loc, Tim, “Downtown’s Forthcoming Main Museum Kicks Off With a 10-Day Performance Piece,” LAist (web), October 25 (Link)
: Womack, Catherine, “A Coven of Witches and a Pair of Feminist Artists Help Launch Downtown’s Next Big Museum,” LA Weekly (web), October 28
: Miranda, Carolina, “Suzanne Lacey and Andrea Bowers in debut show for Beta Main,” Los Angeles Times (web), November 1 (Link)
: Slayton, Nicholas, “Beta Testing at the Main Museum,” Los Angeles Downtown News (web), November 1
: Boucher, Brian, “Artists Aren’t Afraid to Get Political at Art Basel Miami Beach,” ArtNet News (web), November 30
: Stromberg, Matt, “Focused on Residencies, the Main Museum Tests a Different Model in Downtown LA,” Hyperallergic (web), December 8
: Wagley, Catherine G., “Living Legends: Suzanne Lacy Teaches Andrea Bowers Performance Art, Inaugurating the New Main Museum in Los Angeles,” ArtNews (web), December 9
2015: The Bottom Line, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Gent, Belgium
: Gordon, Larry, California Colleges See Surge in Efforts to Unionize Adjunct Faculty, Los Angeles Times, January 3
: Basha, Regine, La Biennale de Montral: Lavenir (looking forward), Modern Painters, January
: Deleu, Sylvain, Art Basel Switzerland Announce their 2015 Gallery Lineup, artlyst, March 3
: Group Exhibition A Voice Remains to Open at Pippy Houldsworth Gallery, artlyst, April 24
: Purseglove, Laura, Art Review: A Voice Remains Pippy Houldsworth Gallery Reactivating the Revolution, artlyst, April 30
: Glentzer, Molly, Provocative Show Examines Immigration, Houston Chronicle, May 10
: Steer, Emily, Basel Gallery Picks: Susanne Vielmetter Los Angeles Projects, US, Elephant Magazine (web), June 19
: Jovanovic, Rozalia, See the 11 Best Gallery Booths at Art Basel, ArtNet News (web), June 18
: Kirsch, Corinna, Art teachers paid the same as McDonalds workers, The Art Newspaper, July 2
: Ricciardi, Nicola, Nothing is neutral: an interview with Andrea Bowers, Mousse Magazine, February
2014: Shen Goodman, Matthew, "Frieze New York Reaches Agreement With Unions," Art in America online, April 10 (Link)
: Lescaze, Zoe, "Frieze New York, Unions Reach Agreement in Art Fair Labor Dispute," Gallerist NY, April 9 (Link)
: Newhall, Edith, "Galleries: A long-forgotten artist, 1960s anarchy, and clay," The Philadelphia Inquirer, April 28 (Link)
: Fisch, Sarah, "’Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble," San Antonio Current, April 30 (Link)
: Maloney, Patricia, "Episode 447: Andrea Bowers, #sweetjane", Bad at Sports (audio interview), March 24 (Link)
: Landi, Ann, "the Cutting-Edge to Santa Fe," ARTNews, Summer (Link)
: Knight, Christopher, Year in Review: Christopher Knights Best Art Shows of 2014, Los Angeles Times, December 19
: Knight, Christopher, Year in Review: Christopher Knights Best Art Shows of 2014, Los Angeles Times, December 19
: Morgan, Jessica, Burning Down the House, Gwangju Biennale 2014 Exhibition Catalogue, October
: Bowers, Andrea, Feminists, Art in America, December
: Byrd, Cathy, Fresh Talk: Andrea Bowers, Fresh Art International, October 2
: Cooper, Ashton, ` on Futurity: 5 Works at the Montal Bienniale, ArtInfo, October 28
: Smith, William S., SITElines.2014: Unsettled Lanscapes, Art in America, November
: Byrd, Cathy, Fresh Talk: Andrea Bowers, Fresh Art International, October 2 (Link)
: Munro, Cait, At Montreal Biennial Artists Tackle Sexual Politics in the 21st Century, artnet, November 3
: Galan, Manuela, Paris Top 10 Contemporary Art Exhibitions this Summer, The Culture Trip, August
: Fleury, Claire, Ile-de-France: 5 expos ne pas manquer, Le nouvel Observateur, September 20
: Maloney, Patricia, All You Protest Kids, You Can Hear Jack Say, Sweet Jane, The Brooklyn Rail, September 4
: Bowers, Andrea, and Lacy, Suzanne, After the Slumber Party, The Brooklyn Rail, September 4
: Landi, Anne, Documenting the Americas: Art With a Politicla Bent, but the Messages Are Seldom Heavy-Handed, The Wall Street Journal, September 2
: Travers, Andrew, Anderson Ranch hosts Opie and women artists symposium, The Aspen Times, July 29
: Sanromn, Lucia, Andrea Bowers, catalog for Unsettled Landscapes, SITE Santa Fe, NM, Summer
: Weiderman, Paul, SITE Santa fe Andrea Bowers: The art of activism, Santa Fe New Mexican, July 18
: Hanson, Sarah, Pushing Boundaries: SITE Santa Fes Reimagined Biennial, ArtInfo, July 18
: Landi, Ann, Bringing the Cutting-Edge to Santa Fe, ARTnews, Summer
: Germack, Diane, Louis Vuitton rend homage aux femmes, luxurydesign, July 15
: Joyce, Erin, A First Look at the New SITE Santa Fe Biennial, Hyperallergic, July 31
: Cristello, Stephanie, Unsettled Landscapes: An Interview with Andrea Bowers, ARTslant, July
: Hirsh, Jennie, A New Chapter for SITE Santa Fes Biennial, Art in America, June 13
: Groppo, Pierre, In Situ 1: Espace Culturel Louis Vuitton gives Andrea Bowers carte blanche, Vogue Paris, June 4
: Gelsomini, Tina, BNLMTL 2014 // Andrea Bowers, The Seen: Chicagos International Online Journal of Contemporary at Modern Art, May 27
: Fisch, Sarah, ‘Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble, San Antonio Current, April 30
: Fisch, Sarah, ‘Pace Gems:’ Flawless Pieces, Gorgeous Setting Lost in a Jumble, San Antonio Current, April 30
: Knight, Christopher, " Review: ‘#sweetjane’ fuses art, a horrific crime to powerful effect," Los Angeles Times, February 18 (Link)
: Bodin, Claudia, "Die Kunst, dagegen zu sein," Art Magazin, February
: Buckley, Annie, "Investigating Steubenville: Andrea Bowers’ #sweetjane," KCET Artbound, February 6 (Link)
: Yoshimura, Courtney, "500 Words: Andrea Bowers," Artforum.com, January 21 (Link)
: "March Preview: Andrea Bowers," Art, February
: Willette, Jeanne, "Preview: Andrea Bowers at Pomona College Museum of Art," ArtScene, January
2013: Geiser, Kirsa, "Review: Andrea Bowers, ‘Cultivating the Courage to Sin,’ at Capitain Petzel," Spike Art Quarterly, Winter
: Mania, Astrid, "Critics’ Picks: Andrea Bowers at Capitain Petzel," Artforum, October 16
: Ruthe, Ingeborg, "Ihre Freunde, die Bume: Andrea Bowers, Capitain Petzel," Berliner Zeitung, October 15
: Cheng, Scarlet, Labour and Wait displays the melding of art and craft, Los Angeles Times, August 31
: Drohojowska-Philp, Hunter, Art Talk: Labour and Wait at the Santa Barbara Museum of Art, KCRW, August 15
: Foster, Kenneth J, Audience as Subject, Yerba Buena Center for the Arts, (Exhibition Catalog)
: McGuire, Mary, Andrea Bowers, Labour and Wait exhibition catalogue, Santa Barbara Museum of Art, July
: Joyce, Julie, Labour and Wait, exhibition catalogue, Santa Barbara Museum of Art, July
: Bodin, Claudia, Der Wichtigste Kunstmarkt Der Welt, ART Das Kunstmagazin, May 14
: Smith, Roberta, 40 Nations, 1,000 Artists and One Island, New York Times, May 10 (Link)
: Bodin, Claudia, Noch Mehr Lrm, ART Das Kunstmagazin, May 10
: Heddaya, Mostafa, Andrea Bowers Protest letters Taken Down Overnight at Frieze, Hyperallergic, May 10
: Kinsella, Eileen, Labor Activists Return to Protest Frieze, Will Speak Out at Nato Thompson Talk, ArtInfo, May 10
: Kjellburg, Ann, Not Fair: Artist Andrea Bowers Writes to the Organizers of the Frieze Art Fair, Little Star, May 10
: Sutton, Benjamin, Andrea Bowers Hangs Letter Decrying Friezes Labor Practices in Susanne Vielmetters Booth, ArtInfo, May 9
: Lescaze, Zo, Union Members Protest Frieze Labor Policy, Andrea Bowers Joins the Fray, Gallerist NY, May 5
: Willette, Jeanne, "Preview: Andrea Bowers at Pomona College Museum of Art," ArtScene, January
2012: Crow, Kelly, Art Basel: From Bargains to Billionaires, The Wall Street Journal, December 7
: Heyman, Marshall, The Insanity of Art Basel, The Wall Street Journal, December 6
: Bodin, Claudia, Art Basel Miami Beach: Und ewig lockt der Knstler, Art das Kunstmagazin, December 7
: Kellaway, Brooke, Letters to the Army of Three: Andrea Bowers on Abortion, Then and Now, Walker Art Center, December 3
: Three Friends Walk Into A Gallery, Revising Loneliness, November 6
: Richard, Frances, Andrea Bowers, Artforum, Winter
: Knight, Christopher, "A timely, spirited protest at ‘Work’", LA Times, October 5
: Heldebro, Johanna, "Interview with Andrea Bowers, LAURA, Issue No. 8, Autumn
: Proctor, Jacob, The Residue of Memory, Exhibition Catalogue, Aspen Art Museum
: Moshayedi, Aram, No Person May Carry a Fish into a Bar, Artforum.com Critics Pick, August
: Clayton, Campbell, Shamim Momin, Art Voices Magazine, Issue 38, June/July
: Edwards, Jeff, Never Forgotten: The Art and Activism of Andrea Bowers, ArtPulse, No. 11, Spring
: "Five Acts: Chronicles of Dissent", edited by Yaelle Amir, David Dempewolf and Yuka Yokoyama, Marginal Utility
: Green, Emily. L.A. activists try to stop woodlands from becoming sediment dumps, High Country News, May 14
: Buszek, Maria Elena Necessary Positions in Feminist Art: A Conversation, Art Journal, Spring
: Jacobson, Heidi Zuckerman, The Kids Are Alright, Huffington Post, April 30
: Audience as Subject Puts Spotlight on the Spectator at Yerba Buena Center for the Arts, Huffingtonpost.com, February 15
: Smith, Roberta. Promising Tyros Join an Art Fair Club, New York Times, March 9
: Kiyoizumi, A.J. Art Show Examines Audiences, The Daily Californian, February 22
: Prestianni, Sam. Mob Rules, San Francisco Weekly, February 15
: Richard, Frances. Andrea Bowers, Artforum, January
: Rochester, Katherine. Five Acts: Chronicles of Dissent, Artforum.com, February 16
: Thompson, Dale. Meeting Ground: 2012 Artist in Residence Andrea Bowers combines Art and Activism, March 6
: 27 Questions for Art Activist Andrea Bowers, ArtInfo International, January 4
2011: Bruce, Caitlin, Looking for the Political at Art Basel, Art Threat, December 19
: Cotter, Holland. Complacency Butts Up Against Game Changers, New York Times December 16
: Andrea Bowers. The New Yorker. December 12
: Rabel, Eduardo Alexander. Something for Everyone. Artslant.co, December 9
: Lookofsky, Sarah. Critics Pick – Andrea Bowers. Artforum.com, December 8
: Gilbert, Alan. Andrea Bowerss The New Womans Survival Catalog. Art-agenda.com, December 8
: Sledge, Matt. Occupy Art Basel Remains Elusive, But One Occupation Shoots Up In Miami Beach, huffingtonpost.com, December 2
: Rosenberg, Karen. Art Fair: Business Over Activism. New York Times, December 2
: Loos, Ted. Ten Things to Look Forward to at Art Basel in Miami. Vogue, November 28
: Bloom, Lisa. Glasberg, Elena. Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions. Far Field: Digital Culture, Climate Change, and the Poles, November
: Lacy, Suzanne. It Speaks to Me. Los Angeles Tim, September 21
: Diaz, Eva. Drawn from Photography. ArtForum, Summer
: Rosenow, Romina. The Treet Watchers. Pasadena Magazine, July
: Cromer, Mark. Incarceration to Installation. Artillery, May/June
: Scott, Andrea K. Drawn From Photography. The New Yorker, March 21
: Rosenberg, Karen. Drawn From Photography. New York Times: Weekend Arts, February 25
: Rosenberg, Karen, Authorship or Translation? Notes Toward Redefining Creativity, The New York Times, February 24
: Dorfman, John. The Lens and the Pencil. Art & Antiques, February
: Finkel, Jori, Artist-activist Andrea Bowers arrested in tree-sitting protest in Arcadia, Los Angeles Times, January 13
: Finkel, Jori, Artist Andrea Bowers turns activist, Los Angeles Times, January 12
: Lawson, Thomas. A Story about Civil Disobedience and Landscape: Interview with Andrea Bowers. East of Borneo, January
: Morgan, Margaret. Home Truths, in The M Word, edited by Myrel Chernick and Jennie Klein. Demeter Press
: Gilman, Claire. Drawn from Photography. Exhibition catalog. The Drawing Center, New York
: DiQuinzio, Apsara. The Air We Breathe: Artists and Poets Reflect on Marriage Equality. San Francisco Museum of Modern Art
: Rethinking Contemporary Art and Multicultural Education. Edited by Eungie Joo, Joseph Keehn II, Jenny Ham-Roberts. Routledge
: Why I Never Became a Dancer, Exhibition Catalog, Sammlung Goetz im Haus der Kunst, Hatje Cantz
: Goetz, Igvild, Why I Never Became a Dancer, at Sammlung Goetz, Munich | Essays: Goetz, Ingvild On this Exhibition: Urbaschek, Stephan On Younglings, Maidens, Dandies, Bobby-soxers, Hooligans, Rowdies, Teenagers and Avatars; Verreet, Isabelle Andrea Bowers, Democracys Body Dance Dance Revolution, 2001
: Szupinska, Joanna, Andrea Bowers, ArtUS, No. 30
2010: Barton, Greg. Graphite Testimony. The Last Times December
: Young, Paul. The New Garde. Angeleno Magazine December
: Gilman, Claire. "Marking Politics: Drawing as Translation in Recent Art." Art Papers, Fall
: Zellen, Jody, Andrea Bowers, Susanne Vielmetter Los Angeles Projects, Artillery, September/October
: Henson, Julie, The Political Landscape, a conversation with Andrea Bowers, Daily Serving, August 7
: Barliant, Claire, The Last Newspaper, Time Out New York, November 1
: Miles, Christopher, Andrea Bowers at Susanne Vielmetter Los Angeles Projects, LA Weekly, July 29
: Knight, Christopher, Other Side of the Dream, Los Angeles Times, July 9
: Mizota, Sharon, "The Guide," Los Angeles Times, May 7
: Beck, Graham T, Andrea Bowers at Andrew Kreps, Frieze, Issue 129, March
: Mizota, Sharon, Love in a Cemetery at the 18th Street Art Center, Los Angeles Times, February 26
: Duncan, David, Andrea Bowers at Andrew Kreps, Art in America, January
: ONeill-Butler, Lauren, Andrea Bowers at Andrew Kreps, Artforum, January
: Bowers, Andrea. "Andrea Bowers in conversation with Tucker Stilley." Jacob, Mary Jane and Michelle Grabner, editors, The Studio Reader. The University of Chicago Press, Chicago, 2010.
: California Community Foundation Fellowship for Visual Artists 2009. CCF Foundation, Los Angeles.
: Dean, Bec. "Raquel Ormella and Andrea Bowers: Life in the Balance." Art and Australia, Volume 48, No. 1
: In the Balance: Art for a Changing World. Exhibition catalogue. Curated by Rachel Kent, Glenn Barkley, Anna Davis and Keith Munro, Museum of Contemporary Art, Sydney
: Politics of Art. Exhibition Catalog. Curated by Anna Kafetsi, National Museum of Contemporary Art, Athens, 2010.
2009: Cotter, Holland, Golden Oldies All Over Chelsea, New York Times, December 4
: Mizota, Sharon, Andrea Bowers and Suzanne Lacy, Art Papers, November/December
: Amir, Yaelle, Eco-Action, Art Slant New York, November 22
: Emerling Susan, Laton: the little California town that served as a muse, Los Angeles Times, April 26
: Luna, Marcela Quiroz, Proyecto Cvico / Civic Project at Centro Cultural Tijuana- CECUT, Latin Art, Spring
: Dean, Jennifer, Exhibit at UCR pairs art, clothing drive for needy, The Press-Enterprise, March 11
: Buckley, Annie, Andrea Bowers and Suzanne Lacy, Art Forum, March 6
: Cheng, Scarlet, Irvine Shines at OC: 2008 California Biennial at the Orange County Museum of Art, Artillery magazine, March
: Dambrot, Shana Nys, Andrea Bowers and Suzanne Lacys Progressive Home Economics, THE Magazine Los Angeles, February/March
: Calder, Diane, Previews of Exhibitions: Andrea Bowers and Suzanne Lacy, Art Scene, February
: Lehrer-Graiwer, Sarah, Museum Preview: 2008 California Biennial, Art Forum, January
: I thought California would be different: The 2008 California Biennial in light of the presidential election, DBartmag.com, 2009
2008: Artists Project: Andrea Bowers, Switch 1.1 : A Biannual Magazine Published by The Power Plant, Winter
: Pincus, Robert, State of Mind, San Diego Union Tribune, December 14
: Wagley, Catherine, The Best Kind of Boring: 2008 California Biennial, dailyserving.com, December 1
: Christopher Knight, Critics Choices, Los Angeles Times, November 16
: Estves, Ruth and Lucia Sandromn Ed., Proyecto Civico Project, Centro Cultural Tijuana (CECUT), Mateus Books, November
: Boem, Mike. "3 L.A. Artists Get Fellowship," Los Angeles Times, November 11, 2008, p. E-3
: Knight, Christopher, Dont Take It Lying Down, Los Angeles Times, November 4
: Aeppel; LVR, 2008 California BiennialUnder Beautiful Smog, ovationtv.com, November 4
: The 2008 California Biennale, The Santa Barbara New Press, October 31
: The Orange County Museum of Art Presents the 2008 California Biennale, artdaily.org, October 26
: Chang, Richard, A Broader Biennial, Orange County Register, October 26
: Buitron, Michael, 2008 California Biennial at the OCMA and Beyond, Leap Into the Void (blog), October 25
: Chang, Richard, California Biennial reaches beyond the Golden State, The Arts Blog, ocregister.com, October 24
: Firstenberg, Lauri, 2008 California Biennial. Exhibition catalogue. Orange County Museum of Art, Newport Beach, CA, October
: Schwarting, Jen, Progress, The Brooklyn Rail, October
: Kecskes, Alex, A Rich Palette of Talent, 944 Magazine, October
: 2008 California Biennial, THE Magazine, October
: Melrod, George, A Questioning Biennial, Interview with Lauri Firstenberg, Art Ltd., November
: Andrea Bowers in Conversation with Catherine Opie, Catalogue, Art Resources Transfer, Canada: Westcan, Edited by Alejandro Cesarco
: OConnell, Brian, Ghostly Media: What Would an Invoking Media Look Like?, Art & Research, Volume 2, Number 1, Summer
: Morrone, Francis. "Changing Times, Changing Notions: ‘Progress’ At the Whitney," The New York Sun, August 14
: Myers, Julian, "Amateurs," Frieze, September
: Rugoff, Ralph, "Other Experts," Amateurs. Exhibition catalogue. CCA Wattis, San Francisco
: Schwarting, Jen, "Progress," The Brooklyn Rail, October
: Harmanci, Reyhan, Face of Femminism: Small Things End, Great Things Endure, San Francisco Chronicle, January 17
: Bryan-Wilson, Julia, Preview: The Way That We Rhyme, Artforum, January
: Krishtalka, Sholem, A Furious Embrace: Not a soft downy comforter, Xtra! January 7
2007: Borchhardt-Birbaumer, Brigitte, "Modelle einer kritischen Gegenwartskunst, Wiener Zeitung, February 22
: Pagel, David. "It Pays to Be Booksmart and Streetwise, Los Angeles Times, December 28
: Stange, Raimar, The Evil (exhibition catalogue) Galerie Gebr. Lehmann, Dresden, Germany, December
: Fragoza, Carribean, "LAXART Benefit Art Auction Draws Energetic Crowds and Funds, Flash Art Online, November 16
: Prickett, Sarah Nicole, "Art-Hopping: Power Plant, Gallery TPW, Deluca Fine Arts, Torontoist, Nov. 29
: Food, Brian, "Going Out: Things to do and People to See in T.O. this week, Globe and Mail, November 24
: Buckley, Annie, "A Handmades Tale: Andrea Bowers Bears Witness to the Equilibrium Between Art and Activism, A & U Magazine, September
: Patterson, Carrie, "Andrea Bowers: The Weight of Relevance, Art Circles, Issue #5, Fall
: Moshayedi, Aram, "Andrea Bowers: Los Angeles, Art Papers, July/August
: Schmidt, Eva. "Tanzen Sehen", Exhibition catalogue. Museum fr Gegenwartskunst Siegen
: Mizota, Sharon, "Filling the Gap, art ltd, July
: Mizota, Sharon, "Politics sewn to art, panel by quilt-like panel, Los Angeles Times, June 9
: Bowers, Andrea. "Beyond Drawing". Art on Paper, Vol. 11 (May/June 2007), p.66-68.
: Pagel, David, "Honoring a quilt and its powerful message, Los Angeles Times, May 18
: Bowers, Andrea. "Guest Lecture by Andrea Bowers", Artillery, Vol 1, No. 5, p. 24, May
: Bedford, Christopher, "Artforum Pick: Andrea Bowers at Susanne Vielmetter Los Angeles Projects, Artforum.com, May 19
: Beyn, Ariane, "The California Files (catalogue), CCA Wattis Institute for Contemporary Art, April 19
: Wing, Carlin, "WACK! Art and the Feminist Revolution, Fluent Collaborative, issue 87, April
: "Personal Affairs, Kunstforum International, vol. 184, March/April
: "Intimer Einblick in verborgenedurch die Kunst, Dumont Kunst, February
: Kort, Michele, "The Women Who Came Before Roe, Alternet, January
: "Personal Affairs, Stadt Revue, and Financial Time Deutschland, January
: "Personal Affairs im Museum Morsbroich, Kunstbulletin, January, p. 70
: "Die Verborgenen chatze des Leverkusener Kunsttempels, Das Regionale Freizeitmagazin, January
2006: Schmidt, Jason. "Artists." Paris, Edition 7L, 2006, p. 137
: Wolff, Elaine. "At the Crossroads with Freud and Roe", San Antonio Current, November 1-7
: Goddard, Dan R. "Photorealistic drawings honor women’s social activism", San Antonio Express News, Nov. 26
: Jones, Amelia. "A Companion to Contemporary Art since 1945." London, Blackwell Publishing, 2006, pp.181-182
: Schwenke-Runkel, Ingeborg. "Wie viel Intimitat ist erlaubt?", Kolner – Stadt – Anzeiger, vol 2.3, December
: Heinzelmann, Markus, "New Forms of Intimacy, Personal Affairs catalogue, Museum Morsbroich, DuMont Literature and Kunst Verlag
: Lawson, Thomas, "Best of 2006, Artforum, December
: Valdez, Sarah, "Andrea Bowers: Nothing is Neutral at REDCAT, Los Angeles, art on paper, November/December
: Kort, Michelle, "Letters to an Army of 3: Artist Andrea Bowers honors pre-Roe pioneers, Ms. Magazine, Fall
: Payton, Brenda, "Art explores world at tipping point, The Oakland Tribune, September 22
: Helfand, Glen, "particulate matter, (show catalogue), Mills College Art Museum, Oakland, CA
: Joo, Eungie. Nothing is Neutral: Andrea Bowers, CA Institute of the Arts and RedCat (show catalogue)
: Essays: Butler, Connie. "Andrea Bowerss Magical Feminism
: Joo, Eungie. "DIY School (interview)
: Leclre, Mary. "The Skeptics Question
: Lapp, Axel. "Your Whole Fucking Culture Alienates Me: Andrea Bowers", ArtReview, July, issue 1, p 135
: Myers, Holly. "Balancing art, politics, Los Angeles Times, July 19
: Taft, Catherine. "Scene and Herd, artforum.com, July 1
: Baldwin, Cara. "Cara Baldwin interviews Andrea Bowers, InterReview, pgs 33-34
: Futernick, Marisa. "Marisa Futernick on Andrea Bowers, InterReview, pg 25
: Herbst, Marc. "An elegy near Andrea Bowers, InterReview, pgs 36-37
: Lowther, John, "John Lowther on Andrea Bowers, InterReview, pgs 38-39
: Bell, Kirsty; Lubbke-Tidow, Maren; Stange, Raimar. "Andrea Bowers/ Matthew
: Antezzo, Neue Review, Art in Berlin, January, pgs. 4-9
: Leclre, Mary. "Andrea Bowers: Letters to the Army of Three, exhibition catalog,
: The Glassell School of Art, The Museum of Fine Arts, Houston, 2005, pp.4-11
: Pollack, Barbara. "Social Studies: Sixty artists overhaul the concept of national monument, Time Out New York, January Issue
2005: Meltzer, Eve. "Monuments for the USA, FRIEZE, Summer 2005
: Kraus, Chris. Tumlir, Jan, McFadden, Jane, "LA Artland: Contemporary Art from Los Angeles, Black
: Sholis, Brian, Vitamin D, New Perspectives in Drawings, Phaidon Press, London and New York, 2005, Essay p. 36, illustrations pp.37-39.
: Lorch, Catrin. "Van Horn, Dsseldorf, Germany, Frieze, Issue 94, October, p. 228.
: Bowers, Andrea. "Four Emerging Women Speak Out On Mary Kelly’s Circa 1968:
: Danielle Gustafson Sundell, Cara Balwin, Marisa J. Futernick and Andrea Bowers," InterReview p. 28-29.
: "Fast Forward/Avance Rapido," Media Art From the Goetz Collection, p.26-27,40-45.
: Rugoff, Ralph, "Monuments for the USA", pp. 32-33.
: Siegel, Katy. "All Together Now," Artforum, January, p. 169.
2004: "Alla Biennale del Whitney, tourna la pittura, Arte, April, p. 109.
: Bankowsky, Jack. "This is Today," Artforum, May, p. 170.
: Bowers, Andrea. "Magical Politics Feast or Fasting, Cakewalk, pp. 23-25.
: Bowers, Andrea. "My Pop" Artforum, October, p. 94.
: Dambrot, Shana Nys. "Andrea Bowers at Mary Goldman Gallery," Artweek, September, pp. 19-20.
: Dunn, Melissa. "Whitney Biennial: A Good-Looking Corpse," Flash Art, May-June, p. 63.
: Heartney, Eleamor, "The Well-Tempered Biennial" Art in America June/July 2004, p. 75.
: Knight, Christopher. "Politics and art? Of course, she says," The Los Angeles Times, June 11.
: Kraus, Chris. "Chance", 2004.
: Kraus, Chris, "Sentimental Bitch", Video Green, 2004.
: Kuhn, Thomas,"Fast Forward", Kunstforum International, 168 January/February 2004, p. 346-348.
: Larsen, Lars Bang, Katy Siegel and Jan Verwoert. "What the World Needs Now," Frieze, November/December, pp. 52-53, 77-78, 81-82, 84-86, 88.
: Lee, Pamela M. "Crystal Lite," Artforum, May, p. 174.
: Mania, Astrid, "Review Andrea Bowers" U-Spot, 02/2004, p. 49.
: Martens, Anne. "Andrea Bowers," Flash Art, Jul/Sep, p. 116.
: Morgan, Susan. "If Memories Failed to Fade", Andrea Bowers, Magazin 4.
: Rapkin, Mickey. "Bold Biennial," Details, March, p. 78.
: Seigel, Katy and Mattick, Paul, Art Works Money, Thames & Hudson, pp. 34-35,100-101, 194.
: Siegel, Katy et. al. "American Pie," Frieze, May, p. 69.
: Sholis, Brian, "Creative Resistance – Carol Bove and Andrea Bowers", Flash Art , October, p.102.
2003: Durant, Sam and Monica Bonvicini. "Andrea Bowers," Neue Review, December, p. 4-5.
: "Focus Video and Film, Flash Art, Mar/Apr, p. 93.
: Jana, Renna. "California Dreamin, tema celeste.
: Kantor, Jordan. "Andrea Bowers, Artforum, January, p. 140.
: Myers, Holly. "Relationships at Play in the Physical World, Los Angeles Times, Saturday, July 19.
: Smith, Roberta. "Impressions of the Yard, Visual and Olfactory," The New York Times, Friday, June 27.
: Sorbello, Marina. "Andrea Bowers: Magical Politics," The Art Newspaper, December.
: Thorson, Alice. "The Art of War," Kansas City Star, Sunday, March 30.
2002: Bowers, Andrea. "Game Girl, V Magazine, July/August.
: Bowers, Andrea "Top Ten, Artforum. April: p. 38.
: Casino 2001, Stedelijk Museum voor Actuele Kunst.
: Gavlak, Sarah "Andrea Bowers, Intimate Strangers. Time Out. Issue 277, Jan. 11-18.
: Harvey, Doug "About Time, Bitchin’ video art at the Hammer. LA Weekly. Feb. 16-22.
: Knode, Marilu. "Andrea Bowers, Retake, Neuer Aachener Kunstverein, p. 70-75. Liverpool.
: Kraus, Chris and Katy Siegel. Andrea Bowers, Sara Meltzer Gallery.
: Pagel, David "The Myth of Selling Out Art Issues, Summer.
: Pagel, David. "MOCA Sampler Is a Mixed Treat, Los Angeles Times, Friday, Feb. 8.
: Bowers, Andrea. The Museum of Contemporary Art, Los Angeles, Annual Report, Fiscal Years 2000 and 2001.
: Robinson, Walter " Baselmania, art.com magazine, June 16.
: Siegal, Katy et. al., "Andrea Bowers, Everybody Now, The Bertha and Karl Leubdsdorf Art Gallery at Hunter College.
: Siegel, Katy "Katy Siegel on Andrea Bowers. Artforum. January: p. 121.
: Wallis, Simon. "Andrea Bowers, Remix: Contemporary Art and Pop, Tate Liverpool.
2001: Amanshauser, Hildegund and Thater, Diana, "A Living Theatre, exhibition catalog, Salzburger Kunstverein pp. 22-33.
: Klassmeyer, Kelly. "Group Mentality, Houston Press, April 12-18.
: Knode, Marilu, "Revolution Dance", exhibition catalog Wiederaufnahme (Retake), NAK, Neuer Aachener Kunstverein, 2001.
: Molinari, Guido. "Radar Love, Flash Art, December.
: "New Heimat", publication on the occasion of the exhibition "New Heimat", Frankfurter Kunstverein, 2001.
: Siegel, Katy, "First Take: New Art, New Artists, Artforum, January 2001, p. 121.
2000: Baers, Michael. "An Art Enclave Heats Up in Chinatown, Art.
: Berget, Bill "Featured Stories: Marking Time as a Material in Film and Video opens at the Palm Beach ICA onview.com, April 18.
: Bowers, Andrea. "Nasty, or unclean, offensive, indecent, inclement. Monica Bonvicini interviewed by Andrea Bowers", Monica Bonvicini: Scream and Shake, pp. 30-38.
: Cappellazzo, Amy Making Time: Considering Time As a Material in Contemporary Video & Film. New York: DAP, March 2000.
: Guequierre, Nathan. "Karaoke Voyeurism, Shepherd Express Metro, November 9.
: Harvey, Doug. "Its Chinatown, LA Weekly, May 5-11, p. 49.
: Hunt, David "Andrea Bowers at Sara Meltzers On View Frieze, Issue 50, Jan/Feb,.p. 94-95.
: Pagel, David "Thrilling and Shiny, Bowers Work Resonate Los Angeles Times, Feb 25, F3.
: Pagel, David. "Andrea Bowers, Artist, Los Angeles, Artforum, Sept/Oct.Vol. 20, No. 5.
: Snow, Vicki. "Unfinished History, TGIF, Feb. 5, pp. 12-17.
: Thater, Diana. "A Living Theater, Magazin [4] Salzburger Kunstuerein.
1999: Amanshauser, Hildegund, "A Living Theatre, Salzburger Kunstverein, Magazin 4, 1999, pp. 76-83.
: Cappellazzo,Amy. "Im the Boss of Myself",Im the Boss of Myself or Please Release Me Let Me Go, New York: Sara Meltzers on View, illustration: p. 3.
: Darling, Michael. "Michael Darlings (MuseumGallery) Top 10 Plus 10. LA Weekly. Jan. 8-14
: Grabner, Michelle "Unfinished History Frieze. Issue 46, June-July.
: Knode, Marilu "Unfinished History Art/Text. No. 65, May-July: 93-94.
: Schurmann, Wilhelm, "More than meets the eye, exhibition catalog, Deichtorhallen, Hamburg
1998: Bonami, Francesco. Unfinished History, Walker Art Center, p.15-33, Illustrations:p.66-69.
: Calame, Ingrid. In the Polka Dot Kitchen, Foundation Press,1998:19-42.
: Coleman, Sarah, Glen Helford and Sylvia Tan. "Wings of Desire/Floss, The San Francisco Bay Guardian, February.
: Darling, Michael. "Crowd Control Frieze, Issue 38, Jan- Feb: 52-53.
: Demetre, Jim. "End of the world? I Feel Fine Seattle Weekly, Feb.
: Fogle, Douglas. "Andrea Bowers GUARENE ARTE 98, Torino, Italy: Fondazione Sandretto Re Rebaudengo per larte: pp. 12-16.
: Fredericksen, Eric. "Deeply Shallow The Stranger, February 19.
: Kangas, Matthew. "Flower Power and Frivolities, The Seattle Times, February 12.
: Kelly, Ruby. "The Ruby Kelly Column, Art Review, April.
: "L.A. Trained Artists Shown at Art Institute, San Francisco Chronicle, Tuesday, Feb. 19.
: Martin, Victoria. "Andrea Bowers at the Santa Monica Museum of Art, Artweek.
: McEwen, John. "Couldnt Get Ahead, Sunday Telegraph, April 23.
: Museum: pp. 8 33, illustrations pp. 52-55.
: OReilly, John. "Art for Barts Sake, Modern Review, April 10, p. 33.
: Rubin, David S., "Considering Audience: Reflections On the 1998 Phoenix Triennial, 1998 Phoenix Triennial, Phoenix Art Museum, pp. 8-33, illustrations on pp. 52-55.
: Webster, Mary Hull. "Wings of Desire and Mark Bradford at the San Francisco Art Institute, Artweek, April, pp. 19-20.
: Zellen, Jody, Andrea Bowers Spectacular Appearances at the Santa Monica Museum of Art Volume 1, Number 3, Fall 1998, p. 22.
1997: "Im Still In Love with You, exhibition catalog, Twentieth Century Womens Club, curated by Steven Hull, p. 3 & 4.
: Greene, David A. "Hot Coffee Frieze, Issue 43, May: p. 76.
: Pagel, David. " Voyeurs Paradise at Santa Monica Place Los Angeles Times, Friday, December 19th: F33.
: Saltz, Jerry. "Regular-No Sugar Time Out New York, Issue 75, Feb. 27 March 6: p. 40.
: Schjeldahl, Peter. "La-la Band Village Voice, February 18.
1996: Darling, Michael. "Box Tops Santa Barbara News-Press, Feb: 2.
1995: Baker, Kenneth. "Taking Art Into Their Own Hands San Francisco Chronicle, June 2nd: C1& C5.
: Craddock,Sacha. London Times, April 5th.
: Darling, Michael. " Pretty at FOOD HOUSE Artweek, March: 38-39.
: Feaver, William. "Smart Habits and Sharp Practice London Observer, April 23.
: Greene, David S. "Andrea Bowers Art Issues, No. 36, Jan Feb, p. 41
: Kent, Sarah. " Art Review, Time Out, April: p.51.
1994: Davidson, Leanne Alexis. "Three Day Weekend, Real Life Magazine, No. 23, ill. p. 35-36.
1993: Crosby, Gregory. "The Professors Guide to Vegas Kulcher SCOPE, October.
: Devine, Rory. "Heaven Missing Picture Book #4.
: Frank, Peter. "Picks of the Week, LA Weekly, August 27, p. 131.
1992: Heartney, Eleanor. "The Imp of the Perverse ARTnews, September.
: Jarrell, Joe. "Reviews Sculpture, September/October.
: Jones, Amelia. "Public and Private Pleasures Art Issues, Sept Oct.
: Pagel, David. "Art Review Los Angeles Times, March 20th.
: Rugoff, Ralph. "Sex Objects LA Weekly, April 2-8.
: Selwyn, Marc. "FOOD HOUSE: LAs Newest Alternative Space Flash Art, Nov/Dec.
: Pagel, David. "Window on LA LA Art Fair Catalog.

Group Exhibition Catalogues and Books

2026: Apsara DiQuinzio, Makeda Best, William L. Fox, Maia Nuku, Maya Lin. "Into the Time Horizon," Radius Books Co-published with the Nevada Museum of Art, Reno, NV.
2023: O’Connell, Lauren R. "Language in The Times of Miscommunication," Scottsdale Museum of Contemporary Art, Scottsdale, Arizona (exhibition catalogue)
2021: DiQuinzio, A., Hejinian, L., and; Butler, J. (2021). New time: Art and; feminisms in the 21st Century. Pg 170-171. University of California, Berkeley Art Museum and Pacific Film Archive
: Darling, Michael and Connie Butler. "Andrea Bowers," Museum of Contemporary Art Chicago, the Armand Hammer Museum and Cultural Center Inc., and DelMonico Books, New York
: Wassan Al-Khudhairi, and Misa Jeffereis. Foreword by Lisa Melandri. "Stories of Resistance," Contemporary Art Museum St. Louis, MI pg. 22, & 52
2019: Gygax, R., Munder, H., Ritter, N., Düttmann, A. G., Crimp, D., Lebovici, E., Kerr, T., Himmer, E., and Bindermann, B. (2019). United by Aids: An anthology on Art in response to HIV/AIDS. Pg 208-209. Migros Museum fur Gegenwartskunst and Scheidegger and Spiess
: Bowers, Andrea, Maria Elena Buszek, Ciara Ennis, Peter R. Kalb, and Rebecca McGrew. "Andrea Bowers," Pomona College Museum of Art, Pitzer College Art Galleries, Distributed Art Publishers, New York, NY
2018: Artists and their Book/Books and their Artists. Getty Publicatios, pgs. 48-49
2013: Joyce, J., Salvesen, B., Adamson, G., and Gibson, W. (2013). Labour & Wait. Pg 35, 54-55, 97-99. Santa Barbara Museum of Art
2006: "Who is Marla Ruzicka? Artist Project, InterReview, pgs 4-11

Awards, Grants and Fellowships

2011: Anonymous Was a Woman, Grant Recipient Art Matters, Grant Recipient
2010: FOCA Fellowship, Grant Recipient
2009: The California Community Foundation Arts Fellowship
: Louis Comfort Tiffany Foundation Biennial Award
2008: United States Artists Broad Fellow
2003: City of Los Angeles (C.O.L.A.) Fellowship Recipient for Visual Arts
1998: Nominee, Fondazione Sandretto Re Rebaudengo per larte Prize
: WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture

Performances

1993: "Indignant Fairy," Beyond Baroque, Venice, CA
1991: "Cafeteria," The Other 45 Minutes, Los Angeles, CA

Public Collections

: Artspace, San Antonio, TX
: Brooklyn Museum, Brooklyn, NY
: Compound, Long Beach, CA
: Hammer Museum, Los Angeles, CA
: Hirshhorn Museum, Washington, DC
: Historic Broadway Station, Los Angeles, CA
: Ingvild Goetz Collection, Munich, Germany
: Linda Pace Foundation, San Antonio, TX
: Minneapolis Institute of Art, Minneapolis, MN
: Museum of Modern Art, New York, NY
: Museum of Contemporary Art, Chicago, IL
: Museum of Contemporary Art, Cleveland, OH
: Museum of Contemporary Art, Los Angeles, CA
: Museum of Fine Arts, Houston, TX
: Museum of Contemporary Art San Diego, La Jolla, CA
: Museum Abteiberg, Moenchengladbach, Germany
: National Museum of Contemporary Art, Athens, Greece
: North Dakota Museum of Art, Grand Forks, ND
: Orange County Museum of Art, Newport Beach, CA
: Pomona College Museum of Art, Claremont, CA
: Rennie Museum Collection, Vancouver, Canada
: San Francisco Museum of Modern Art, San Francisco, CA
: San Jose Museum of Art, San Jose, CA
: Santa Barbara Museum of Art, Santa Barbara, CA
: Tate Modern, London, UK
: UC Berkeley Art Museum and Pacific Film Archive (BAMPFA)
: Utah Museum of Fine Arts, Salt Lake City, UT
: Whitney Museum of American Art, New York, NY

Roberto Diago

1971: Born in Marianao, Havana, Cuba
: Lives and works in Havana, Cuba

1990: San Alejandro Academy of Fine Arts, Havana, Cuba

Selected Solo Exhibitions

2026: "Presence," Vielmetter Los Angeles, Los Angeles, CA
2025: "Of Truth and Time," Artizar Gallery, Tenerife, Spain
2024: "Lights in the Shadows," Galeria El Apartamento, Havana, Cuba
: "Diago: The Past of this Afro-Cuban Present," Art Museum Of The Americas, Washington DC
: "Juan Roberto Diago: Foraged Materials, Assembled Histories," Museum of Art and Archaeology, University of Missouri, Columbia, MO
: "Diago and its Afro-Cuban Legacies," Stephens College Library, Missouri, Columbia, MO
2023: "30 Years, 30 Faces," Rum Museum, Havana, Cuba
: "The Darkness Was the Beginning"," Casa América, Madrid, Spain
: "Roberto Diago," Vallois Gallery, Paris, France
: "The Darkness Was the Beginning," Centro de Arte Juan Ismael CAJI Islas Canarias, Tenerife, Spain
: "Diago: An Art for All Time," Clément Foundation, Martinique
2022: "Diago: The Past of this Afro-Cuban Present," Fine Art Center at Colorado College, Colorado Springs, CO
: "Witness of Time," Artizar Gallery, Tenerife, Spain
: "Tribute," Villa Manuel Gallery, UNEAC, Havana, Cuba
2019: "Diago: The Past of This Afro-Cuban Present," Lowe Art Museum, Miami, FL
: "Juan Roberto Diago: 20 Years of Creation," Cernuda Art Gallery, Miami, FL
2018: "The Remembered Story," Halsey Institute of Contemporary Art, Charleston, SC
2017: "Diago: The Past of This Afro-Cuban Present," Ethelberth Cooper Gallery of African & African American Art, Hutchins Center, Harvard University, Boston, MA
2016: "Imprint of a Memory," Magnan Metz Gallery, New York, NY
: "On my steps (Sur mes pas)," Vallois Galerie, Paris, France
2015: "Roberto Diago and Abstraction," Panamerican Art Projects, Miami, FL
: "Tracing Ashes," Galerie Crone, Berlin, Germany
2014: "The Skin that Speaks," Gallery of the Rubén Martínez Villena Public Library, Havana, Cuba
: "On my steps," Tristá Gallery, Trinidad, Cuba
2013: "The Power of Your Soul," Wifredo Lam Contemporary Art Center, Havana, Cuba
2012: "Between the Lines," MAGNANMETZ Gallery, New York, NY
: "Project "D".11th Biennial of Havana," John Lennon Park, Vedado, Havana, Cuba
2010: "The two together," Two person exhibition, Art Center, Arenal Electa Room, Holguín, Cuba
2009: "A Place in the World," Villa Manuela Gallery. Havana, Cuba
: "Utopia," Santa Fe Art Institute, Santa Fe, NM
: "Roberto Diago," International Seminar: "Rite and Representation" Benito Juárez House, Havana, Cuba
2008: "Roberto Diago," El Torco Gallery, Cantabria, Spain
: "Siempre Vuelv," Tristá Gallery, Trinidad, Cuba
2006: "What I Want Is to Live," (e)space gallery, Madrid, Spain
: "The Power of Presence," 9th Havana Biennial, Central Exhibition, Havana, Cuba
: "Drawings. Roberto Diago," Office of the City Historian, Camagüey, Cuba
: "Roberto Diago," Sacramento Gallery, Aveiro, Portugal
: "Roberto Diago," Pan American Art Gallery, Dallas, TX
: "Joy of Living," Havana Gallery, Havana, Cuba
: "A little of me," Spativm Gallery, Caracas, Venezuela
: "Joy of Living," Brownstone Foundation, Paris, France
2004: "Carta Menu," Hotel Inglaterra, Havana, Cuba
: "Both in Colón," Two person exhibition, Columbus Art Gallery, Matanzas, Cuba
2003: "Moments," XII International Book Fair, Onelio Jorge Cardoso Room, Complex Cultural Morro-Cabaña, Havana, Cuba
: "Here what you don’t have to do is die," Downtown Contemporary Art Wifredo Lam, Havana, Cuba
2002: "Juan Roberto Diago: Recent works," ArteConsult Gallery, Panama
: "Eating Knife," National Museum of Fine Arts, Havana, Cuba
2001: "Roberto Diago: Paintings," Benito Ortíz Gallery, Trinidad, Cuba
: "Diago in Puerto Rico," Space 304, San Juan, Puerto Rico
2000: "The Black and the Cigar," Two person exhibition, Revolution and Culture Magazine, Gallery Open Space, Havana, Cuba
: "You don’t have to fly to make a dream," The Lair, Havana, Cuba
: "Paintings by Roberto Diago," 19th Jazz Festival, Hotel Riviera, Havana, Cuba
1999: "Roberto Diago," Peintre Contemporain Cubain, Mairie de Paris Centre, Lyon, France
: "Roberto Diago," Amédée Maratier Prize 1999, Galerie Etats d’Arts et Fondation Kikoïne, Paris, France
1998: "Aller / Retour (Round Trip)," Lunéville Theatre, Lunéville, France
: "Issues," La Acacia Gallery, Havana, Cuba
1997: "Black Tears," Center for the Development of Visual Arts, Havana, Cuba
: "After Venice," Domingo Ravenet Gallery, Havana, Cuba
1996: "Paintings by Roberto Diago," Centro de Arte 23 y 12, Havana, Cuba
1995: Mural Project, Sassari, Sardinia, Italy
1994: "Landscapes," Oloron, France
: "Forest Motivs," Cuba Pavilion, Havana, Cuba

Selected Group Exhibitions

2025: "HB Cuban Contemporary Art," Havana Gallery, Havana, Cuba
: "Exhibition Cultural Creativa: Who was calling Elpidio Valdés?," La Manigua Project, Havana, Cuba
: "National Sculpture Salon, 40 years CODEMA," White Room Convent San Fransisco de Asis, Havana, Cuba
: "Memory of an Exhibition by Ruperto Jay Matamoros and
: Roberto Diago," Salcines Gallery, Guatánamo, Cuba
: "Cuban Discharge," Di Rosa Center for Contemporary Art, Napa County, CA
: "All the Glory of the World," José Marti Memorial, Havana, Cuba "Memory of an Exhibition by Ruperto Jay Matamoros and Roberto Diago," René Gallery, Valdés, Santiago de Cuba, Cuba
: "The Art Of Today," Cernuda Arte, Miami, FL
: "Decade Volume II," El Apartamento Gallery, Madrid, Spain
: "Decade Volume I," El Gallery Apartment, Havana, Cuba
: "It is born to me," Maxima Gallery, Havana, Cuba
: "Persistence," Two person exhibition of the artist Roberto Diago and Carlos Nicanor," Madrid, Spain
2023: "Open Box," The Apartment – Galleria Zapata, Coral Way, Miami, FL
: "Look at me, Mother," International Press Center, Havana, Cuba
2022: "I come from the sun and I go to the sun," José Martí Memorial, Havana, Cuba
: "Art with Art," José Martí Memorial, Luciano Méndez Collection, Havana, Cuba
: "Behind the Wall is the Love," Hispano-American Center of Culture, Havana, Cuba
: "Ĩ NDAFFA," 14th Dakar Biennial, Senegal
: "My Past, " The Cooper Gallery, Harvard University, Boston, MA
: "Subverted Resistance," Germany
: "Roads That Do Not Lead to Rome," Fourteenth Havana Biennial, W. Lam Center, Havana, Cuba
: "Songs of Grito," DA2 Domus Atrium, Salamanca, Spain
2021: "Face to Face," Brownstone Foundation, Paris, France
: "Artists Speak #5," Foundation Darryll Chapell, Online Event
: "Roads do not lead to Rome, Coloniality, Decolonization and
: Contemporaneity," 14th Havana Biennial, Wifredo Lam Contemporary Art Center, Havana, Cuba
: "More Lights and Shadows," Carmen Montilla Gallery, Havana, Cuba
2020: "They are from Havana," Artizar Gallery, Tenerife, Spain
: "Visionary Aponte," Vanderbilt Fine Arts Gallery, Nashville, TN
: "Archives of Conscience: Six Cuban Artists," Fairfield University Art Museum, Fairfield, CT
2019: "V.I.P Zone (1)," NG Art Gallery, Havana, Cuba
: "Visionary: Art and Black Freedom," Center for the Development of Visual Arts, Havana, Cuba
: "A Round Trip," Domus Artium Gallery 2002, Salamanca, Spain
: "Private Collection, ArteMorfosis Cuban Art Platform, Zürich, Switzerland
: "Majestic Havana," Iberostar Gran Packard Hotel, Havana, Cuba
: "Broken lines," Havana Gallery, Havana, Cuba
: "12+1," Studio Gallery "The Trades," Havana, Cuba
: "Project The Infinite Possibility, Thinking about the nation, Nothing personal," Central Program XIII Havana Biennial, National Museum of Fine Arts, Havana, Cuba
: "Behind the Wall Project," Liquid Scenario, Central Program XIII, Havana Biennial Pier, Havana, Cuba
: "HB," Collateral Program XIII Havana Biennial, Alicia Alonso Grand Theater of Havana, Havana, Cuba
: "3≠3 (three different from three)," Collateral Program XIII Havana Biennial, Havana Gallery, Havana, Cuba
2018: "Visionary Aponte Art & Black Freedom," New York University, New York, NY
: "Fire," City of Science and Industry, Paris, France
: "Ola Cuba," Saint Sauver Station, Lille, France
: "+53 Cuba Yes," Vallois Gallery, Paris, France
: "Arts of Cuba. From the Island to the World," The John F. Kennedy Center, Washington DC
: "Visionary Aponte Art & Black Freedom," Pawer Plant Gallery, Duke University, NC
: "Good Vista Contemporary Art in Cuba," Clément Foundation, Martinique, France
: "Inauguration of the Museum of Black Civilizations," Dakar, Senegal
2017: "The Power of Perception, mans lives and other think," PAAP ANNEX, Miami, FL
: "Kcho and Diago: Early Works," PAAP ANNEX, Miami, FL
: "Africa. Meanings.," Light and Trades Gallery, Havana, Cuba
: "Time of Intuition," Viva Arte Viva, Biennial of Venice, Palazzo Loredan, Venice, Italy
: "Shipwrecked of Reason," Cultural Center of Pompano Beach, FL
: "On the Horizon Contemporary Cuban Art from Jorge M. Pérez Collection," PAMM, FL
: "Without Masks," National Museum of Fine Arts, Havana, Cuba
: "Paris – Cotonou – Paris," Galeria Vallios, Paris, France
: "Visionary Aponte Art & Black Freedom," Haitian Cultural Art Alliance Center, Art Basel, Miami, FL
: "Important Cuban Artworks, Volume Fifteen," Cernuda Arte Gallery, Coral Gables, FL
2016: "Drapetomania," The African American Museum in Philadelphia, (AAMP), Philadelphia, PA
: "Parallel Worlds," Art Factory, Havana, Cuba
: "Origins," Origins of the Great Gallery, Alicia Alonso Theater, Havana, Cuba
: "Basic Instinct (CNAP)," Institute Cervantes, Rome, Italy
: "Strength and Blood. Imagery of the Flag in Cuban Art,"
: (Traveling Exhibition), Cuba Pavilion, CNAP, Alicia Alonso Grand Theater of Havana, Cuba
: "The Mother of all the Arts," Wifredo Lam Contemporary Art Center, Havana, Cuba
: "Transhumance," Brussels Art Centre (CAB), Brussels, Belgium
: "Ostralle Biennale," Poland
: "Two Steps Forwards: Contemporary Cuban Art," Terri and
: Steven Certilman Collection, Westport Arts Center, Westport, CT
: "Free Kuba," Rosctock Museum, Kunsthalle Rostock, Germany
: "The Caribbean: A Collector’s Point of View," Panamerican ArtProject, Miami, FL
: "Blank Space," Hispanic American Cultural Center, Havana, Cuba
: "Insular Line," La Cometa Gallery – Havana Gallery, Bogotá, Colombia
: "Important Cuban Artworks: Volume Fourteen," Cernuda Arte Gallery, Coral Gables, FL
2015: "1,305 Miles: Timeless," MAGNANMETZ Gallery, New York, NY
: "Until Forever, Ajaccio in the Moment of Cuba," Fesch Palace, Corsica, France
: "Reunions," Rum Museum Gallery, Havana, Cuba
: "Drapetomania," (Traveling Exhibition), Ethelbert Cooper Gallery, Hutchins Center for African and African American Research, Harvard University, Boston, MA
: "International Colloquium on Cultural Diversity in the Caribbean," Casa de las Américas, Havana, Cuba
: "Free Zone," Collateral Program. Twelfth Havana Biennial, Morro-Cabaña Complex, Havana, Cuba
: "HB. Collateral Program," Twelfth Havana Biennial, Havana, Cuba
: "Inauguration of the Romerillo Organic Museum (MOR)," KCHO Studio, Collateral Program, Twelfth Havana Biennial, Cuba
: "Public Restrooms, Private Spaces," Collateral Program of the Havana Biennial, Havana, Cuba
: "Made in Cuba," Cuban Art Space, Los Angeles, CA
: "New Colors," Robert Miller Gallery, New York, NY
: "Modern Times," UNESCO (Hall Segur), Vallois Gallery, Paris, France
: "Important Cuban Artworks," Volumes Twelve and Thirteen. Cernuda Art Gallery. Coral Gables, FL
2014: "THREE for Trinidad," Benito Ortiz Borrel Universal Art Gallery, Trinidad, Cuba
: "Fresh Painting," Galería Habana, Havana, Cuba
: "Permission to be Global (Global Practices in the Ella Fontanal-Cisneros Collection," (Traveling Exhibition) Museum of Fine Arts, Boston, MA
: "Drapetomania: Antillean Group and Afro-Cuban Art," The 8th Floor Gallery, New York, NY
: "They meet while rolling," Contemporary Cuban Art in the
: CNAP Collection, Shanghai Urban Planning Exhibition Center (SUPEC), Shanghai, China
: "Absolut Kuba! Cuban Contemporary Art, From the Terri and Steven Certilman Collection and Discoveries in Art," The Carriage Barn Arts Center, New Canaan, CT
: "Without Masks," Museum of Anthropology, University of British Columbia, Vancouver, Canada
2013: "Painting, Sculpture, Photography," Nuno Sacramento Gallery, Portugal
: "11 Cuban Artists of Today," Museum Servando Cabrera Library, Havana, Cuba
: "Drapetomanía," Universal Art Gallery, Santiago de Cuba, Cuba
: "Bola Viva. Cuban Painting of Today," Débora Arango Exhibition Hall, Centro Cultural Gabriel García Márquez, Bogota, Colombia
: "Waiting for the Idols to Fall," 8th Floor Gallery, New York, NY
: "Cuban Forever," Pizzuti Collection, Columbus, OH
: "Dilated Biography: Contemporary Cuban Narratives," Museum of Fine Arts, Boston, MA
: "Citizens of the World: Cuba in Queens," Queens Museum, New York, NY
2012: "Pieces of Existence," Tristá Gallery, Office of the Conservator of Trinidad, Cuba. Expo-Tribute to the artist Vicente Bonachea
: HB2, Cuban Contemporary Art Exhibition 11 Havana Biennial," PABEXPO, Havana, Cuba
: "Deeply Superficial, Project Liudmila López Domínguez," Havana Biennial, Havana. Cuba
: "Bola Viva," La Gallery Barranquilla Customs, Colombia
: "Beyond the Frame," Gallery 27, London, UK. Travelled to The Lighthouse Gallery, Glasgow, Scotland
: "Keloides III at Harvard (Scars)," Neil L. and Angelica Zander Rudenstine Gallery, Cambridge, MA
: "40 years of Engraving in Cuba," Gallery Space for Cuban Art, Center for Cuban Studies, New York, NY
: "Message from Havana," Contemporary Cuban Artists Zanebennett Gallery, Santa Fe, NM

Awards & Honors

2002: Distinction for National Culture. Granted by the Ministry of Culture of the Republic of Cuba
1999: Amédée Maratier Prize 1999. Presented by the Kikoïne Foundation, and the Foundation for French Judaism
: Raúl Martínez Special Prize
1995: III Prize. Juan Francisco Elso Annual National Prize for Contemporary Painting
1993: Honorable Mention: March 13th Competition, Sala Talía, Havana, Cuba
1990: Honorable Mention: Mirta Cerra Salon, Municipal Gallery of Bejucal, Cuba

Catalogues and Publications

2017: "Diago: The Past of This Afro-Cuban Present," Ethelberth Cooper Gallery of African & African American Art, Hutchins Center, Harvard University Press, Cambridge, MA

Public Collections

: Boston Fine Arts Museum, Boston, MA
: Brownstone Foundation, Paris, France
: Cernuda Arte, Miami, FL
: CIFO Collection, Miami, FL
: Columbus Museum of Art at The Pizzutti, Columbus, OH
: District 798, Xin Dong Cheng Space for Contemporary Art, Beijing, China
: East Foundation for Contemporary Art, Athens, Greece
: Fort Lauderdale Museum, Fort Lauderdale, FL
: HGN/HGN Collection, Duderstadt, Germany
: Jorge M. Pérez Collection, Perez Art Museum Miami, FL
: KAMÉLÉONE Foundation, France
: Kikoïne Foundation, Paris, France
: Museum of Black Civilizations, Dakar, Senegal
: Museum 54, New York, NY
: National Museum of Fine Arts, Havana, Cuba
: Pan American Art Gallery, Miami, FL
: Rubin Museum of Art: The Collection, New York, NY
: Sacramento Gallery, Aveiro, Portugal
: Stephen Cohen Gallery, New York, NY
: Terri and Steven Certilman: Discoveries in Art Collection
: The von Christierson Collection, London, UK
: Zabludowicz Collection, London, UK

Tonia Calderon

1987: Born in San Jose, California
: Lives and works in Los Angeles, CA

Selected Solo Exhibitions

2026: "Endless," ASU Art Museum, Tempe, AZ
2025: "Unlearning," Vielmetter Los Angeles, Los Angeles, CA
2022: "Fragments of Again," Tonia Calderon x Spencer Guilburt; BMW Welt and Museum, Munich, Germany
2016: "Somewhere on the Moon," Soze Gallery, Los Angeles, CA
2012: "Invitation," Daniel Maltzman Gallery, Beverly Hills, CA

Selected Group Exhibitions

2026: "Material Abstractions," North Dakota Museum of Art, Grand Forks, ND
2025: "United State," Southern Guild Gallery, Los Angeles, CA
: "Le Coeur De L’Art," Similien Art, Los Angeles, CA
2019: "Heart Of," Cleveland Museum of Contemporary Art, Cleveland, OH
2015: "Cultivate," Soze Gallery, Los Angeles, CA
2009: "Hybridity," San Francisco Museum of Modern Art, San Francisco, CA

Bibliography

2025: Urist, Jacoba. "ARTIST TO WATCH: Tonia Calderon Creates Striking Large-Scale Paintings Inspired by Poetry," Galerie Magazine, April 2
2022: Löblein, Markus. "BMW Presents ARTGIRLRISING: ART AS A STATEMENT," BMW, March 7
2021: "BMW Design: FORM FOLLOWS FUNCTION," BMW, April 7, 2021
2018: Acquino, Tara. "JORDAN: 2018 The Ones Campaign x Tonia Calderon," November 8

Public Collections

: North Dakota Museum of Art, Grand Forks, ND

Mickalene Thomas

1971: Born in Camden, New Jersey
: Lives and works in Brooklyn, NY

2002: MFA Painting, Yale University School of Art, New Haven, CT
2000: BFA Painting, Pratt Institute, Brooklyn, NY
1998: Southern Cross University, Lismore, Australia

Selected Solo Exhibitions

2024: "All About Love," The Broad, Los Angeles, CA; Traveling to The Hayward Gallery, London, UK (2025)
2023: “Je t’adore," Yancey Richardson, New York, NY
2022: "Mickalene Thomas: Avec Monet," Musée de l’Orangerie, Paris, France
2021: "Mickalene Thomas: Femmes Noires," Contemporary Arts Center, New Orleans, LA
: "Beyond The Pleasure Principle," Galerie Nathalie Obadia, Paris, France
: "Mickalene Thomas: A Moment’s Pleasure," Baltimore Museum of Art, MD
2020: "Better Nights," The Bass Museum of Art, Miami, FL
2019: "Jet: beautés du mois," Galerie Nathalie Obadia, Paris, France
2018: "Mickalene Thomas: Femmes Noires," Art Gallery of Ontario, Toronto, Canada; Contemporary Arts Center, New Orleans, LA (Link)
: "MUSE: Mickalene Thomas Photographs," Henry Art Gallery, Seattle, Washington (Link)
: “Mickalene Thomas: I Can’t See You Without Me,” Wexner Center for the Arts, Columbus, OH
2017: "Waiting on a Prime-Time Star," Moody Center for the Arts, Rice University, Houston, TX (Link)
: "Mickalene Thomas: Mentors, Muses, and Celebrities," Contemporary Art Museum St. Louis, St. Louis, MO (Link)
: "Mickalene Thomas: Waiting on Prime-Time Star," Newcomb Art Museum, Tulane University, New Orleans, LA
2016: “Mickalene Thomas: Do I Look Like a Lady?” Museum of Contemporary Art, Los Angeles, CA (Link)
: “Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)
: “the desire of the other,” Lehmann Maupin, Hong Kong
: “Mickalene Thomas: Mentors: Muses, & Celebrities,” Aspen Art Museum, Aspen CO
2015: “Mickalene Thomas: MUSE,” Rivington Place, London, UK
: “I am your sister,” Galerie Nathalie Obadia, Brussels, Belgium
2014: "I Was Born to do Great Things," Kavi Gupta Gallery, Chicago, IL
: "Femme au Divan I," Galerie Nathalie Obadia, Paris, France
: Femme au Divan II, l’Ecole des Beaux Art, Monaco
: Tete de Femme, Lehmann Maupin Gallery, New York, NY
: "Mickalene Thomas: Happy Birthday to a Beautiful Woman", George Eastman House International Museum of Photography and Film, Rochester, NY
2013: "faux real – Lobby installation by Mickalene Thomas," Norton Museum of Art, West Palm Beach, FL
2012: "Origin of the Universe" Santa Monica Museum of Art, Santa Monica, CA and The Brooklyn Museum, New York
: Lehmann Maupin Gallery, New York, NY
: Mickalene Thomas, Fotene Demoulas Gallery, Institute of Contemporary Art, Boston, MA
2011: Mickalene Thomas-Mama Bush: One of a Kind Two Hara Museum of Contemporary Art, Tokyo, Japan
: "More Than Everything",Lehmann Maupin Gallery, New York, NY
2010: Put A Little Sugar In My Bowl, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009: Something you can feel, <a href="http://www.laconservera.org/" target="_blank">La Conservera: Centro de arte Contemporaneo</a>, Murcia, Spain
: "Shes Come UnDone!, Lehmann Maupin Gallery, New York, NY
2008: "Girlfriends, Lovers, Still Lifes and Landscape, Rhona Hoffman Gallery, Chicago, IL
: "Whats Love Got To Do With It?, Bloom Projects, Santa Barbara Contemporary Arts Forum, CA
2007: "The Unseen, Indianapolis Museum of Contemporary Art, Indianapolis, IN
: "An Imitation of Love, Brawlin Spitfire Two, Susanne Vielmetter Los Angeles Projects (Project Space)
2006: "Something About You… Rhona Hoffman Gallery, Chicago, IL
: "Brawlin Spitfire, Special Project, Dust Gallery, Las Vegas, NV

Selected Group Exhibitions

2026: "Day-to-Day: Rhythm, Routine, Resistance," Henry Art Gallery, Seattle, WA
2023: "Singular Views: 25 Artists," Rubell Museum, Washington D.C.
: "Multiplicity: Blackness in Contemporary American Collage ," Frist Art Museum, Nashville, TN
: "Resting Our Eyes," ICA San Francisco, San Francisco, CA
2022: "Positive Fragmentation," Organized By The National Museum Of Women In The Arts, On View At The American University Museum At The Katzen Arts Center, Washington, USA
: “Young, Gifted and Black: The Lumpkin-Boccuzi Family Collection of Contemporary Art,” Manetti Shrem Museum of Art, Davis, CA
: "Women Painting Women," The Modern, Fort Worth, TX
2021: "Black Refractions: Highlights from The Studio Museum in Harlem," Traveling from Frye Art Museum, Seattle, WA, to Utah Museum of Fine Arts, Salt Lake City, UT
: "Plural Possilbities & the Female Body," Henry Art Gallery, Seattle, WA
: "Underexposed: Women Photographers from the Collection," High Museum of Art, Atlanta, GA
: "Now Is The Time: Recent Acquisitions to the Contemporary Collection," The Baltimore Museum of Art, MD
2020: "Black Refractions: Highlights from The Studio Museum in Harlem," Smith College Museum of Art, Northampton, MA
: "Portraits, from the 17th to the 21st century," Galerie Nathalie Obadia, Brussels, Belgium
: "Looking Forward," Galerie Nathalie Obadia, Paris, France
: "On the Frontline of Contemporary Art: from the Taguchi Art Collection," Shimonoseki Art Museum, Yamaguchi, Japan
: "Never Done 100 years of Women in Politics And Beyond," Tang Teaching Museum, Skidmore College, Saratoga Springs, NY
2019-2020: "Better Nights," curated by Mickalene Thomas, Bass Museum of Art, Miami, FL
2019: "Orlando," Aperture, New York, NY
: "Your Mirror: Portraits from the ICP Collection," International Center of Photography, New York, NY
: "She Persists: A Century of Women Artists in New York," Gracie Mansion, New York, NY
2018: "Posing Modernity: The Black Model from Manet and Matisse to Today," The Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY
: “Black Blooded,” Curated by Jessical Gaynelle Moss, New Gallery of Modern Art, Charlotte, NC
: “Cast of Characters,” Bureau of General Services—Queer Division and The LGBT Community Center, New York, NY
: “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” Seattle Art Museum, Seattle, WA (Link)
2017: "Exposition D’été," Galerie Nathalie Obadia, Brussels, Belgium
: “Sonic Rebellion: Music as Resistance,” Museum of Contemporary Art Detroit, Detroit, MI
: “Body of Work,” Honolulu Museum of Art, Honolulu, HI
: “Trigger: Gender as a Tool and a Weapon,” New Museum, New York, NY (Link)
: “The Coffins of Paa Joe and the Pursuit of Happiness,” The School, Jack Shainman Gallery, New York, NY
: “Man Alive,” curated by Wendy White, Maruani Mercier, Brussels, Belgium
: “Victors For Art: Michigan’s Alumni Collectors, Part I: Figuration,” University of Michigan Museum of Art, Ann Arbor, MI
: “Gray Matters,” Wexner Center for the Arts, Ohio State University, Columbus, OH
: “Power,” Sprüth Magers, Los Angeles, CA
2016: “tête-à-tête,” curated by Mickalene Thomas, David Castillo Gallery, Miami Beach, FL
2015: "Future Seasons Past," Lehmann Maupin, New York, NY
: "Resignifications," Museo Stefano Bardini, Florence, Italy
: "A Room of Ones Own," Yancey Richardson, New York, NY
: Celebrity, National Portrait Gallery, Washington, D.C.
: 30 Americans, Detroit Institute of Arts, Detroit, MI
2014: "Bash: An Exhibition in Two Parts," curated by Daniel Mason, MaxArt, Woodstock, NY
: "Post Pop: East Meets West," Saatchi Gallery, London
: "Rauschenberg: Collecting and Connecting," Nasher Museum of Art at Duke University, Durham, NC
: "Beyond the Classical: Imagining the Ideal Across Time," The National Academy Museum, New York
: "Speaking of People: Ebony, Jet, and Contemporary Art," Studio Museum Harlem, New York, NY
: "Reflect, Cut, Construct," Wallach Art Gallery at Columbia University, New York, NY
: "Aljira at 30: Dreams and Reality," New Jersey State Museum, Trenton, NJ
: Aspects of the Self: Portraits of our Times, Center for the Arts at Virginia Tech, Blacksburg, VA
: Aftershock: The Impact of Radical Art, Edleman Arts, New York, NY
: Pop Departures, Seattle Museum of Art, Seattle, WA
: Domestic Unrest, Pippy Houldsworth Gallery, London, England
: First International Contemporary Art Biennial, Cartagena de Indias, Colombia
: Shakti, Brand New Gallery, Milan, Italy
2013: "Glyphs: Acts of Inscription" Pitzer Art Galleries, Pitzer College Claremont, CA
: "Du Bois in Our Time," University Museum of Contemporary Art at the University of Massachusetts Amherst
: "Body Language," The Studio Museum in Harlem, New York, NY
: Art Basel, Lehmann Maupin, Basel, Switzerland
: Expanding the Field of Painting, ICA Boston, Boston, MA
: Decopolis: The Talent of Others, The Proposition, New York, NY, curated by Mickalene Thomas
2012: Configured, Benrimon Contemporary, New York, NY
: tête-à-tête, Yancey Richardson Gallery, New York, NY
: Nailed, Subliminal Projects, Los Angeles, CA
2011: American Dream, DZ Bank Kunstsammlung, Frankfurt, Germany
: Americans Now, National Portrait Gallery, Washington, D.C.
: Converging Voices/Transforming Dialogue:Selections from the Elliot and Kimberly Perry Collection, University Museum of Texas Southern University, Houston, TX
: A Room of Her Own, Lu Magnus Gallery, New York, NY
: Contemporary Magic: A Tarot Deck Art Project, Pittsburgh, PA
: Posing Beauty Newark Museum, Newark, NJ, and University of Southern Californias Fisher Museum of Art, Los Angeles, CA
: Beyond Bling, Ringling Museum, Sarasota, FL
: Building the Contemporary Collection:Five Years of Acquisitions, Nasher Museum of at, Durham, NC
: Images from a Floating World: 18th Century Japanese Erotic Prints and the Echo in Modern Contemporary Art, Friedricks Freiser Gallery, New York, NY
: The Truth is Not in the Mirror, Haggerty Museum, Marquette University, Milwaukee, IL
: Surface Value, Des Moines Art Center, Des Moines, IA
: The Way We Are Now: Selections from the 21c Collection Cincinnati Museum of Art, Cincinnati, OH
: Stargazers: Elizabeth Catlett in Conversation with 21 Contemporary Artists Bronx Museum, Bronx, NY
: Seeing Now: Photography Since 1960 Baltimore Museum of Art, Baltimore, MD
: Safety in Numbers? Images of African American Identity and Community Portland Art Museum, Portland, OR
2010: "The Global Africa Project, The Museum of Arts and Design, New York, NY
: 4 Eccentrics, The Proposition, New York, NY
: Sharon Stone in Abuja, Location One, New York, NY
: Now What?, Norton Museum of Art, Miami, FL
: XX-XY/Gender Representation in Art, Orlando Museum of Art, Orlando, FL
: Americans Now, National Portrait Gallery, Washington, D.C.
: Collected. Reflections on the Permanent Collection, The Studio Museum in Harlem, New York, NY
: Shrewd: The Smart & Sassy Survey of American Women Artists Sheldon Museum of Art, Lincoln, NE
: Pattern ID, Akron Art Museum, Akron, OH, curated by Ellen Rudolph
: Posing Beauty Art Gallery of Hamilton, Ontario, Canada, Williams College Museum of Art, Williamstown, MA
: "Searching for the Heart of Black Identity: Art and the Contemporary African American Experience," Kentucky Museum of Art and Craft, Louisville, KY
: Versus Hous Projects, New York, NY
2009: Landscape Revisited Park Avenue Armory, New York, NY
: Extended Family: Contemporary Connections Brooklyn Museum, Brooklyn, NY
: Posing Beauty New York University Tisch School of the Arts, New York, NY
: Dress Codes, The Third ICP Triennial of Photography and Video, International Center of Photography, New York, NY
: Creating Identity: Portraits Today 21C Museum, Louisville, KY
: Black Is, Black Aint The Artspace at the Kansas City Art Institute, Kansas City, MO
: Undercover: Performing and Transforming Black Female Identities The Spelman College Museum of Fine Art, Atlanta, GA
: First Look, House of Campari, curated by Simon Watson, Los Angeles, CA
: Remix Catharine Clark Gallery, San Francisco, CA
: The Female Gaze: Women Looking At Women Cheim and Read, New York, NY
: Crash Proof The Scholar and Feminist Online, Barnard Center for Research on Women, online exhibition
: Elsewhere Saltworks, Atlanta, GA
: The Glamour Project Lehmann Maupin Gallery, New York, NY
: CAN & DID – Graphics, Art, and Photography from the Obama Campaign Danziger Projects, New York, NY
2008: "Perverted by Theater," apexart, New York, NY
: 30 Americans, Rubell Family Collection, Miami, FL. Traveling to: North Carolina Museum of Art, Raleigh, NC; Corcoran Gallery of Art, Washington, DC; Chrysler Museum of Art, Norfolk, VA; Milwaukee Art Museum, Milwaukee, WI; Frist Center for the Visual Arts, Nashville, TN
: Group Show, Andrhn-Schiptjenko, Stockholm, Sweden
: Belle du Jour, Collette Blanchard Gallery, New York, NY
: As Others See Us: The Contemporary Portrait, Brattleboro Museum and Art Center, Brattleboro, VT
: The Other Mainstream II: Selections from the Collection of Mikki and Stanley Weithorn, Arizona State
: University Art Museum, Tempe, AZ
: Becoming: Photographs from the Wedge Collection, Museum of Contemporary Art, Detroit, MI
: City Stage, New Orleans Contemporary Art Center, New Orleans, LA
: Black Is, Black Aint, The Renaissance Society, University of Chicago, Chicago, IL and traveling to:
: Museum of Contemporary Art, Detroit, MI, (February 13 May 3, 2009)
: H&R Block Artspace ar the Kansas City Art Institute, Kansas City, MO
: Temple Gallery At the Tyler School of Art, Philadelphia, PA
2007: Sweet SweetBacks Baadasssss Song, Von Lintel Gallery, New York, NY
: Commemorating 30 Years 1976-2007, Rhona Hoffman Gallery, Chicago, IL
: Distinctive Messenger, House of Campari, New York, NY
: Sex in the City, Dumbo Arts Center, Brooklyn, NY
: Some Kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA
: Taking Aim: Selections from the Elliot L. Perry Collection, Rhodes College, Memphis, TN
: Flava, Wedge Curatorial Projects, Toronto, Canada
: Prime Time, Caren Golden Fine Art Gallery, New York
: My Love is a 187, Luggage Store Gallery, San Francisco, CA
: Inspired in New York, Echo Gallery, New York, NY
2006: Not an Ocean Between Us: Voices of Women from Africa and the African Diaspora, Winston Salem
: State University, Winston Salem, NC
: Lag Time Line Up, Mumbo Jumbo Gallery, New York, NY
: Materiality, Kravets/Wehby Gallery, New York, NY
: Wild Girls, Exit Art, New York
: The Pulse of New Brooklyn, MoCADA Museum, Brooklyn, NY
: Armory Art Fair with Rhona Hoffman Gallery, Pier 90, New York
: Do You Think Im Disco, Longwood Art Gallery, Bronx, NY
2005: Tete-a-Tete, Greenberg Van Doren Gallery, New York,NY
: NeoVernacular, Steve Turner Gallery, Los Angeles
: Five Artists, Five Projects, Greenberg Van Doren Gallery, New York
: Frequency, Studio Museum in Harlem, New York, NY
: Maximum Flavor, Atlanta College of Art Gallery, Atlanta, GA
: Greater New York 2005, P.S.1/MoMA, Long Island City, NY
: African Queen, Studio Museum in Harlem, NY
2004: Glamour, Glory and Gold, The Proposition Gallery, New York
: Seeds and Roots, Studio Museum in Harlem, NY
: Its About Memory, Rhona Hoffman Gallery, Chicago, IL
: Me, Myself and I, Florida Atlantic University, Boca Raton, FL
2003: Beauty, Kravets/Wehby Gallery, New York
: Pantone, Massimo Audiello Gallery, New York
: Because Im Worth It, Chelsea Art Museum, New York
: Hands on Hands Down, Studio Museum in Harlem, NY
2002: Why Dont We Do It In the Road, Ambrosino Gallery, Miami, FL
1999: Corridor Gallery, Brooklyn, NY
: Elizabeth Stockel Battel Gallery, Norfolk, CT
1997: Brush, The Yellow Door Gallery, New York
: The Knitting Factory, New York
: Downtown Community Television Center, New York

Performances

2009: Oh Mickey! Kreemart and the American Patrons of Tate, Haunch of Venison, New York, NY
: Professor of Music and DJ Dean of Admissions, MoMixx at Museum of Modern Art, New York, NY

Film/TV/Radio

2012: Green, Tyler Interview with Michalene Thomas, The Modern Art Notes Podcast, June 18 (Link)

Curating

2022: "Set it off," Curated by Racquel Chevremont and Mickalene Thomas—collectively known as Deux Femmes Noires, Parrish Museum, Hamptons, NY
2014: "By Invitation Only 3", Jeff Vreeland, Kinz + Tillou Fine Art, Brooklyn, NY
2013: "tête-à-tête," QF Gallery, East Hampton, NY
: "Another New York," Barclays Center, New York, NY
: "Better Days," Art Bar at Art Basel, Basel, Switzerland, June 11- 15
: "Decopolis: The Talent of Others," The Proposition, New York, NY
2012: "tête-à-tête," Yancey Richardson Gallery, New York, NY
2009: "The Brand New Heavies," Collette Blanchard Gallery, New York, NY

Awards, Grants and Fellowships

2015: United States Artists Fellowship Award, Francie Bishop Good & David Horvitz Fellow for Visual Arts
2014: AICA Award for Best Show in a Commercial Space Nationally, Mickalene Thomas: I was born to do great things, Kavi Gupta, Chicago, IL (Link)
2009: The Joan Mitchell Foundation Grant
2007: Rema Hort Mann Grant
2002: Barry Cohen Scholarship, Yale University
2001: Paul Harper Fellowship, Yale University
2000: Presidential Merit Scholarship
1999: Elizabeth Stokel Battell Fellowship
: Student Activities Graduate Assistant Award
1998: Pratt Institute Student Leadership Award
1995-1997: Pratt Institute Black Alumni Scholarship

Guest Lectures

2014: Mickalene Thomas in conversation with curator Lisa Hostetler, George Eastman House, Rochester, NY
: In Conversation: Larry Wheeler, Linda Dougherty & Mickalene Thomas, North Carolina Museum of Art, Raleigh, NC
: Artist’s Talk, Norton Museum of Art, Palm Beach, FL
: Artist’s Talk, American University, Washington, D.C.
2010: Artists Lecture, Cranbrook Academy of Art, Bloomfield Hills, MI
: Artists Lecture, Columbia College, Chicago, IL
2009: Generation Next: Mickalene Thomas and the Legacy, Santa Monica Museum, CA
: Artists Talk, Yale University School of Art, New Haven, CT
2008: ReIGNITE: Making Art in the World, Panel Discussion, Pratt Institute, Brooklyn, NY
2007: MICA Senior Thesis Seminar, Brown Center Falvey Hall, Baltimore, MD
2006: The Stoop Series, Brics Rotunda Gallery & NY Magazine, New York, NY
2005: "Conversations with the Artists, MoMA, New York
2004: "Artists Voice, Rhode Island School of Design, Providence, RI
2003: Fine Arts Seminar, Pratt Institute, Brooklyn, NY
: "Artists Voice, Studio Museum in Harlem, NY
: Panel Discussion, Pratt Institute, Brooklyn, NY
: "Two Years, Pratt Panel, Pratt Institute, Brooklyn, NY
2002: Artists Talk, Exploration Senior Summer Program, New Haven, CT

Residencies

2017: Anderson Ranch Arts Center Residency, Aspen, CO
2013: Skowhegan School of Painting and Sculpture, Madison, ME
2011: Versailles Foundation Munn Artists Program at Giverny, France
2010: Anderson Ranch Arts Center, Aspen, CO
: Durham Press, Durham, PA
2002-2003: Studio Museum in Harlem, NY
2001: Vermont Studios Center, Johnson, VT
1999: Yale Norfolk Summer of Music and Art, Norfolk, CT

Catalogues

2022: Gay, Roxane, Kellie Jones. "Mickalene Thomas," Phaidon Press, New York, NY
2019: English, D., Barat, C., and Lowery, G. D. Among Others, Blackness at MoMA. Pg 426-427. Museum of Modern Art.
2021: DiQuinzio, A., Hejinian, L., and Butler, J. New time: Art and feminisms in the 21st Century. Pg 102-103. University of California, Berkeley Art Museum and Pacific Film Archive.
2020: Sargent, Antwaun. "Young, Gifted and Black: A New Generation of Artists The Lumpkin-Boccuzzi Family Collection of Contemporary Art," The Lumpkin-Boccuzzi Family Collection of Contemporary Art, D.A.P. Publishing, New York, NY, 2020
2017: Burton, J., and Bell, N. Trigger: Gender as a Tool and a Weapon. Pg 172-175. New Museum.
2015: Blessing, Jennifer. "Muse: Mickalene Thomas: Photographs," Aperture, New York, NY
: Hudson, Suzanne. "World of Art, Contemporary Painting," Thames & Hudson, pg 186-187
: Mullins, Charlott, Picture People: The New State of the Art, Thames & Hudson, London, UK
2014: Talmor, Ruti and Rene Mussai, Glyphs: Acts of Inscription, Exhibition Catalogue, Pitzer College Art Galleries, Claremont, CA
2012: Cateforis, David, Ed., Oppenheimer Collection, Nerman Museum of Contemporary Art, Johnson County Community College, Kansas
: The Bearden Project, The Studio Museum in Harlem
2011: Surface Value, Des Moines Art Center
: Beyond Bling, Ringling Museum of Art
: Stargazers: Elizabeth Catlett in Conversation with 21, The Bronx Museum of Art
: RE: COLLECTION Selected Work from the Studio Museum in Harlem, The Studio Museum in Harlem
2010: Pattern ID, Akron Art Museum
2009: Mickalene Thomas, Regin de Murcia: La Conservera Centro de Arte Contemporaneo
: Dress Codes: The Third ICP Triennial of Photography and Video, International Center of Photography/Steidl
: 100 Contemporary Artists: L-Z, Taschen
: The Glamour Project. Lehmann Maupin Gallery, NY
: State of the Art: Contemporary Sculpture, Yale University Art Gallery Bulletin
: TWO x TWO for AIDS and Art, Dallas: amfAR and The Dallas Museum of Art and Sothebys
: Posing Beauty: African American Images: 1890s to the Present, New York: Norton
: Mickalene Thomas, Rhona Hoffman Gallery (essays by Kerry James Marshall and Sarah Elizabeth Lewis)
2008: 30 Americans, Rubell Family Collection
: Art Now, Vol. 3, Taschen
: The Other Mainstream II: Selections from the Mikki and Stanley Weithorn Collection, Arizona State University Art Museum
: Becoming: Photographs from the Wedge Collection, Museum of Contemporary Art
: Art Now: Taschen Calendar
2007: FLAVA: WEDGE CURATORIAL PROJECTS (1997-2007) by Wedge
2006: Palm Beach Collects: The John Morrissey Collection
2005: Frequency: Studio Museum in Harlem, New York
: P.S.1 Greater New York

Bibliography

2024: Pogrebin, Robin. "Mickalene Thomas Takes Los Angeles," The NY Times, April 26 (Link)
2023: Teague, Cass. "Multiplicity: Blackness in Contemporary American Collage exhibition opens at Frist Art Museum," PRIDE Publishing Group, September 15
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2022: Reid, Tiana. "Mickalene Thomas’s Journey From Paralegal to Renowned Artist," Wall Street Journal Magazine, February 7 (Link)
: Rathe, Adam. "How And Just Like That… Made Lisa Todd Wexley’s Apartment a Shrine to Modern Black Art Charlotte York Goldenblatt, meet Mickalene Thomas," Town and Country, January 6 (Link)
2021: Keh, Pei-Ru. "Mickalene Thomas on Black beauty, eroticism and power," Wallpaper*, October 21 (Link)
: Okhio, Camille. "Mickalene Thomas on slicing her way through the Pleasure Principle," Dazed, October 20 (Link)
: Flournoy, Angela. "Mickalene Thomas Is Reinventing Nudes," The New York Times, October 13 (Link)
: In Collaboration with Jo Malone London, Frieze Magazine. "Dr. V. Joy Simmons’ Los Angeles is ‘a place of possibility’," Frieze, July 23 (Link)
: Bahari, Sarah. “Exhibit showcasing top Black artists comes to Arlington museum,” Dallas News, June 1 (Link)
2020: Sargent, Antwaun. "Young, Gifted and Black: A New Generation of Artists," D.A.P. Distributed Art Publishers, 2020.
: Pine, D.W. "We Designed 100 New Covers For TIME’s Women of The Year Project. Here Are the Stories Behind Them," Time, March 5 (Link)
: Brown, Timothy. "Review: Mickalene Thomas’s ‘découverte’ at Baldwin Gallery in Aspen," New York Times, February 12 (Link)
: Finkel, Jori. "When a Mentor Said Tear Down Your Collection and Start Over, They Did," New York Times, February 12 (Link)
2019: Rosen, Miss. "Inspired by Her Mother, Mickalene Thomas’ New Show Is Her Most Personal Yet," AnOther, December 13 (Link)
: Jansen, Charlotte. "The Art Movements of the 2010s," Artsy, December 18 (Link)
: Binlot, Ann. "Mickalene Thomas recreates the sparkling dance parties and radical black aesthetic of the ’70s and ’80s," Document, December 18 (Link)
: "Making Room: Mickalene Thomas and More," Afro American, December 6 (Link)
: Cohen, Alina. "Mickalene Thomas Opens a Seductive, Spectacular Show in Miami," Artsy, December 6 (Link)
: Yerebakan, Osman Can. "Eight Highlights From Miami Art Week," New York Times Style Magazine, December 4 (Link)
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: Samaha, Barry. "The Baltimore Museum of Art Devotes a Year-Long Program to Female-Identifying Artists," Surface, August 5 (Link)
: Lim, Kay. "Black models in modern art," CBS News, July 14 (Link)
: Barmann, Jay. "SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities," SFist, June 28 (Link)
: Desmarais, Charles. "SFMOMA’s new acquisitions an important drop in the bucket," SF Chronicle, June 28 (Link)
: "The Most Influential Living African-American Artists," Artsy, February 25 (Link)
: Stapley-Brown, Victoria. "Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum," Art Newspaper, June 7 (Link)
: Palumbo, Jaqui. "These Photographers Explore the Limitlessness of Gender Identity," Artsy, May 30 (Link)
: Little, Colony. "The Studio Museum Conceives Its Future in a Traveling Exhibition," Hyperallergic, March 6 (Link)
: Parris, Amanda. "In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?," CBS, February 8 (Link)
: Valetine, Victoria L. "Black Art History: 17 Exhibition ‘Firsts’ Happening This February," The Culture Type, February 8 (Link)
: Scott, Chadd. "’Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris," Forbes, January 25 (Link)
: Burns, Charlotte and Julia Halperin. "Museums, Acquisitions and Artists of Color, Why Now is the Time for Change," Sotheby’s, January 11 (Link)
: Valetine, Victoria L. "Culture Type Picks: 18 Best Black Art Books of 2018," Culture Type, Janurary 4 (Link)
: "’Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario," Blouin Art Info (web), January 8 (Link)
: Smith, Melissa. "How a Businesswoman Became a Voice for Art’s Black Models," New York Times, December 26 (Link)
2018: Egan, Maura. "Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut," Departures, September 24 (Link)
: Smee, Sebastian. "Two revelatory exhibitions upend our understanding of black models in art," Washington Post, December 10 (Link)
: Parris, Amanda. "The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible," CBC, December 7 (Link)
: Rosen, Miss. "7 Black Artists You Should Know," Broadly, December 6 (Link)
: Carrier, David. "Deconstructing Race in Western Painting," Hyperallergic, December 1 (Link)
: Adams, Kelsey. "Mickalene Thomas celebrates Black women at the AGO," Now Toronto, December 3 (Link)
: "Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity," Artforum, November 30 (Link)
: Greenberger, Alex. "Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship," Art News, November 30 (Link)
: Hernandez, Jasmin. "Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism," Elle, November 30 (Link)
: "Mickalene Thomas: The artist on reclaiming the black female body," WBEZ Chicago, November 28 (Link)
: Nguyen, Long. "Posing Modernity," Flaunt, November 12 (Link)
: Reid, Tiana. "What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus," Vulture, November 9 (Link)
: Edelson, Sharon. "As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting," WWD, November 9 (Link)
: Sargent, Antwaun. "Seven Artists on the Warhol Influence," New York Times, November 1 (Link)
: Goldsmith, Suzanne. "2018 Fall Arts Guide: November," Columbus Monthly, October 29 (Link)
: Diderich, Joelle. "Dior Lady Art Project Celebrates Great Women Artists," WWD, October 29 (Link)
: Cascone, Sarah. "‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice," artnet news, October 26 (Link)
: Sheet, Hillarie M. "New Attention for Figures in the Background," The New York Times, October 25 (Link)
: Stapley-Brown, Victoria. "Show turns a spotlight on the black female figure in Modern art," The Art Newspaper, October 23 (Link)
: "Posing Modernity: The Black Model from Manet and Matisse to Today," Apollo, October 1 (Link)
: Pitts, Zac. "Mickalene Thomas Photography Exhibition," WDTN News, October 19 (Link)
: O’Grady, Megan. "How Carrie Mae Weems Rewrote the Rules of Image-Making," New York Times Style Magazine, October 15 (Link)
: Gilson, Nancy. "Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth," Columbus Dispatch, October 14 (Link)
: Binlot, Ann. "The Art of Being A Muse," Document, October 10 (Link)
: Weber, Jasmine. "Mickalene Thomas Makes a Muse of Cardi B," Hyperallergic, October 9 (Link)
: Kai, Maiysha. "High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine," The Glow Up, October 9 (Link)
: Solway, Diane. "Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue," W Magazine, October 9 (Link)
: Azzarello, Nina, "opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine," designboom (web), 4 October (Link)
: Adrian-Diaz, Jenna, "5 Lessons in Feminist Art," The Cut (web), October 3 (Link)
: Drew, Kimberly and Nicole Chapoteau, "Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work," Harper’s Bazaar (web), October 3 (Link)
: Keimig, Jasmyne, "Black Girl Magic, Mickalene Thomas, and Being My Own Muse," The Stranger (web), September 21 (Link)
: Michael, Michael Love, "In Conversation: John Edmonds and Mickalene Thomas," Paper, September 19 (Link)
: Pothast, Emily, "An Artist Pays Homage to Her Glamorous, Dying Mother," The Stanger (web), September 12 (Link)
: Lee, Michael, "Wexner Center art exhibition to empower women, challenge art history norms," The Lantern, September 10 (Link)
: Cascone, Sarah and Caroline Goldstein, "From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For," Artnet News (web), September 5 (Link)
: Belcove, Julie L, "Artist Mickalene Thomas: "It was always a political statement," The Financial Times (web), August 31 (Link)
: "Datebook: Our Top Columbus Events for September," Columbus Monthly (web), August 31 (Link)
: Clemans, Gayle, "A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery," The Seattle Times (web), August 29 (Link)
: Armstrong, Annie, "Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign," Art News, August 2 (Link)
: Najjar, Christina, "Three New York City Artists to Follow on Instagram This Month," Hamptons (web), June 5 (Link)
: Small, Zachary, "In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas," Hyperallergic (web), July 24 (Link)
: Stapley-Brown, Victoria, "Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?" The Art Newspaper (web), July 24 (Link)
: Upchurch, Michael, "Mother as muse in a powerful show of Black beauty," Crosscut (web), July 23 (Link)
: “10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)
: Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)
: “My Big Break: 7 Artists on Early Milestones That Changed the Course of Their Careers,” artnet News (web), May 31 (Link)
: Levere, Jane, "What Happens When Art History Gets Refigured," Smithsonian Magazine (web), May 9 (Link)
: Whitley, Zoe, "Do-it-yourself, do-it-right-now," Financial Times Weekend, April 28
: Dellas, Mary, "An All-Women Art Show Honors Acclaimed Artist Mickalene Thomas," The Cut (web), April 9 (Link)
: Rosen, Miss, "Artist Mickalene Thomas makes portraits to bring out your inner Foxy Brown," Dazed (web), April 5 (Link)
: Martinez, Jaime, "Interview with Mickalene Thomas and Racquel Chevremont Curators for Volta’s 2018 Section," Arte Fuse (web), February 21 (Link)
: Flock, T.S., "Re-Presenting Black History in Art," Seattle Weekly (web), February 14 (Link)
: Cleman, Gayle, "Seattle Art Museum’s ‘Figuring History’ a powerful look at who is represented in art," The Seattle Times, February 14 (Link)
: Cohen, Alina, "Artist Mickalene Thomas has a Message for Right Now: Resist," Observer (web), February 12 (Link)
: Morosi, Sara, "An Exhibition that Retells America’s Past Comes to the Seattle Art Museum," The Wall Street Journal, February 13 (Link)
: Hymowech, Gena, "Bang, Bang!," The Indypendent (web), December 26 (Link)
: Almino, Elisa Wouk, "Mickalene Thomas, Shinique Smith, and Others are Making Art for LA’s New Metro Line," Hyperallergic (web), January 24 (Link)
: Kinsella, Eileen, "Mickalene Thomas and Racquel Chevremont Will Co-Organize VOLTA’s Special Curated Section," artnet News (web), January 26 (Link)
: Zellen, Jody, “Preview of Exhibitions: Mickalene Thomas,” ArtScene, January
: Ates, Tiffany Y., “How Mickalene Thomas is Ushering in a New Wave of Contemporary Art,” Smithsonian Magazine, January (Link)
2017: Sargent, Antwaun, “How Black Artists, Dealers, and Collectors Art Boosting the Careers of Their Younger Peers,” Artsy (web), December 14 (Link)
: Byrd, Rikki, “Mickalene Thomas Makes Black Women the Protagonists of Their Own Stories,” Hyperallergic (web), November 26 (Link)
: Saltz, Jerry ,”The New Museum’s ‘Trigger’ is Radical in Content, Retrograde in Form: What Should We Make of That?” Vulture (web), October 23 (Link)
: Magallon Areli Navarro ,” ‘Waiting on a Prime-Time Star’ explores black womanhood,” The Rice Thresher, October 4
: Roffino, Sarah, “Behind the Screens,” Cultured Magazine, Fall (Link)
: Schjeldahl, Peter, “The Art World as Safe Space,” The New Yorker, October 9 (Link)
: Swanson, Carl, “This New Museum Exhibit Wants to Challenge Everything You Think You Know About Gender,” Vulture (web), September 21 (Link)
: Sheets, Hilarie M., “Gender-Fluid Artists Come Out of the Gray Zone,” New York Times, September 15 (Link)
: Mitter, Siddhartha, “Gallerist Jack Shainman Curates a Career-Spanning Show,” The Village Voice (web), August 8 (Link)
: Fowler, Nancy, “Is upcoming Contemporary Art Museum exhibition opportunity for a do-over,” KBIA (web), August 2
: Delaney, Lashea, “Contemporary Black Artists Are Redefining Portraiture in a Show at CAAM,” LA Weekly (web), July 21 (Link)
: Sharp, Sarah Rose, “Artists Embrace the Grayscale,” Hyperallergic (web), July 20 (Link)
: Amirkhani, Jordan, “Mickalene Thomas: Waiting on a Prime-Time Star,” Daily Serving (web), February 22
: Brantley, Rebecca, “Black Angels: Mickalene Thomas at the Spelman Museum of Art,” Burnaway (web), March 17
: Robinson, Shantay, “Review: Mickalene Thomas shows how ‘black girl magic’ has been with us all along,” ArtsATL (web), March 24
: Neuendorf, Henri, “In Los Angeles, Sprüth Magers Celebrates the Artistic Contributions of African American Women,” artnet News (web), March 31
: “Virginia MOCA’s Summer Exhibitions Celebrate Contemporary Photography with Renowned Artist Mickalene Thomas and a Journey Through the South,” Artfix Daily (web), April 18
: Thomas, Mickalene, “Kehinde Wiley,” Interview Magazine (web), May 22 (Link)
: Lopez, Pablo, “Mickalene Thomas at MOCA Grand,” Contemporary Art Review LA (web), January 12 (Link)
: Yates, Calder, “Reviews: Mickalene Thomas at MoCA Los Angeles,” Artillery, January / February (Link)
2016: Booth, Katie, “Mickalene Thomas’s awe-inspiring portraits, a meaningful refelction of black women in art,” New York Times (web), January 29
: Felsenthal, Julia, “Mickalene Thomas on Her Photographic Muses,” Vogue (web), January 28 (Link)
: Travers, Andrew, “Judith Scott Retrospective Leads Three New Shows at Aspen Art Museum,” The Aspen Times (web), March 17
: Conley, Kevin, “State Craft,” Town & Country, April
: Stapley-Brown, Victoria, “Mickalene Thomas: ‘A black woman’s existence on this planet is a revolutionary act’,” The Art Newspaper (web), October 16
: Helmke, Juliet, “Studio Check: Mickalene Thomas,” Blouin Modern Painters, March
: Campbell, Andy, “Critic’s Pick: Mickalene Thomas at The Museum of Contemporary Art, Los Angeles,” Artforum (web), November
2015: Salisbury, Vanita, Mickalene Thomas is Not Really a Subway Person, New York Magazine, February 6
: Boucher, Brian, Mickalene Thomas and Kavi Gupta Feted Guests With an Armory Week Feast, ArtNet News, March 4
: Valentine, Victoria L., For Artist Project, Mickalene Thomas, Nick Cave and Kehinde Wiley Reveal Their Favorite Works at the Met, Culture Type, March 31
: Zeller, Heidi, Fourteen Artists Selected to Create Art for Crenshaw/LAX Line Project, The Source, April 15
: Katz, Anita, SFMoMA, MoAD Showcase 20th Century Portraits, The San Francisco Examiner, May 21
: Katz, Anita, SFMoMA, MoAD Showcase 20th Century Portraits, The San Francisco Examiner, May 21
: Schuessler, Ryan, Blah, blah blah? Billboard art show confronts Missouri drivers head-on, Aljazeera America, May 31
: Thomas, Mickalene, Mickalene Thomas Responds, ArtNews, June
: Symonds, Alexandria, Mickalene Thomass Adventures in Italy, New York Times Style Magazine (web), June 17
: Kino, Carol, Mickalene Thomas Publishes Monograph of Muses, The Wall Street Journal, June 25
: 20 Artists Who Make New York, Elephant, Spring
: Tully, Judd, The Armory Show Contemporary Opens with a Flurry of Sales, ArtInfo, March 4
: Tay, Michelle, Alexis Bittar Taps Contemporary Artists for 25th Anniversary Lucite Art, ArtInfo, February 15
: Martin, Hannah, Alexis Bittars Fall Collection, Architectural Digest, February 19
: Lamont-Djite, Tara, Alexis Bittar Celebrates New Collection with Charity Auction, Harpers Bazaar, February 19
: Rosenfeld, Austen, Rhinestones are a Womans Best Friend, Style.com, March 6
2014: Saad, Shirine, Mom, Muse: Mickalene Thomass artistic ode to the life of her mother, Nowness, November 12
: Davis, Florangela, The Weekend List: The arts and culture guide to Seattles good life, Crosscut.com, October 8
: Messing Up Ideas of Beauty: The Queen of Afro-Kitsch, Mickalene Thomas Challenges Us All, Beautiful/Decay, October 9
: Cooper, Ashton, Q&A: Mickalene Thomas on Finding Meaning in Material Things, ArtInfo, October 7
: Silver, Leigh, Interview: Mickalene Thomas Discusses Creating a Different Kind of Portrait for her New Show I was born to do great things, Complex, October 1
: Russeth, Andrew, Mickalene Thomas: I was born to do great thing at Kavi Gupta, ArtNews, September 23
: Meisinger, Ann, Mickalene Thomas // I Was Born to do Great Things, The Seen, September 20
: Stamler, Hannah, Reviews: Mickalene Thomas, Lehmann Maupin, NY, frieze, August
: Corrigan, A., New York – Mickalene Thomas, Tte de Femme at Lehmann Maupin Through August 8th, 2014, ArtObserved, August 3
: Rosenberg, Karen, REVIEW: Mickalene Thomas, Tte de Femme, The New York Times, July 17
: Guiducci, Mark, 4 Art Shows to See That are Not Jeff Koons, Vogue, July 15
: Yablonsky, Linda, All Dogs Go to Heaven, ArtForum, July 1
: "Mickalene Thomas Creates Masterpieces with Geometric Cutouts, TrendHunter, June 30
: Arikoglu, Lale, Mickalene Thomas Brings Collage and Glitz to Lehmann Maupin, New York Observer, June 28
: Frank, Priscilla, Mickalene Thomas Delivers the Most Stylish Philosophy Less of All Time, The Huffington Post, June 26
: Rafferty, Rebecca, ART: The center of the universe, City Newspaper, June 25
: Adam, Georgina, The rise and rise of the superstar artists, The Art Newspaper, June 20
: Shaw, Catherine, The latest trends in creative floor art, South China Morning Post, June 20
: Russeth, Andrew, Mickalene Thomas Delves Deeper into Cubism Collage, New York Observer, June 19
: Valentine, Victoria, Mickalene Thomas Art Rug Debuting at Barneys, CultureType, May 6
: Vaughn, Katie, A Bustling Time for Tandem Press, Madison Magazine, May 5
: Newton, Mike, Aftershock: The Impact of Radical Art, The Indypendent, May 2
: Bell, Jonathan, Henzel gives us a preview of its new art rugs ahead of their Salone del Mobile unveiling, Wallpaper*, March 24
: Cascone, Sarah, Mickalene Thomas Signs with Kavi Gupta, ArtNet, March 20
: Nahmod, David-Elijah, Lesbian Artist Mickalene Thomas Tribute to her Mom, SFGN, March 7
: Cheng, Susan, Housewives Get Their Revenge with Domestic Unrest at Pippy Houldsworth Gallery, March 5
: The Whitney Houston Biennial is Here to Make Your Feminist Art Dreams Come True, The Huffington Post, March 4
: Shattuck, Kathryn, Whats on Monday, The New York Times, February 24
: Thomas, Mickalene, A Different Type of Beauty: Painter Mickalene Thomas Eulogizes Her Late Mother, Creative Time Reports, February 24
: Frank, Priscilla, Mickalene Thomas Directs Stunning Documentary for Her Mother and Muse, The Huffington Post, February 21
: La Force, Thessaly, Artist Mickalene Thomas on her Film Happy Birthday to a Beautiful Woman, her Mother, and Creativity, Vogue, February 17
: Obenson, Tambay, Artist Mickalene Thomas Honors Mother in Happy Birthday to a Beautiful Woman (2/24 on HBO), IndieWire, February 11
2013: Benrimon, Alex, "In the Artist’s Studio: An Interview with Mickalene Thomas," artnet, December 11 (Link)
: Yablonsky, Linda," Elle Women in Art: Meet Eight Women Changing the Art World Today," Elle, November 14 (Link)
: Sjostrom, Jan, "Fantasy landscape mural begins year-long stay at Norton Museum," Palm Beach Daily News, October 3
: Gibble, Mary, "New Season, New Mural," Palm Beach Illustrated, September 17
: Crandell, Ben, "At the Norton Museum, a natural vibe (hold the Jay Z)," SouthFlorida.com, September 17
: "QF Gallery’s Tete-a-Tete," East Hampton Star, August 20
: Traff, Thea, "Away with the clich," The New Yorker, July 29
: Leland, John, "Slow dance in Brooklyn," The New York Times, July 19
: Vogel, Carol, "At Art Basel, an Unslaked Appetite for Buying," The New York Times, June 13
: Bailey, Stephanie, Basel: Mickalene Thomas Better Days Absolute Art Basel, Whitewall Magazine, June 12
: "Mickalene Thomas’s Art Basel 70s Bar," Phaidon Blog, June
: In the Studio with Mickalene Thomas, Art.sy, March 27
: Knowles, Solange, Solange Interviews Mickalene Thomas, Opening Ceremony New News, March 25
: The Soapbox Interview: Mickalene Thomas, The Laundromat Project, January 24
: Mickalene Thomas: Seurats Rhinestones, Muse, No. 5 Vol. I, January 23
: Cole, Lori, "Mickalene Thomas at the Institute of Contemporary Art / Boston", Artforum.com, January 21
2013-2013: Bianco, Marcie, Pop Theory: Mickalene Thomas and Bodies That Matter, After Ellen, January 15
2013: Cook, Greg, Mickalene Thomas: The Seduction of Blackness, 90.9 WBUR Boston, January 3
: Solway, Diane, Musings on a Muse, W Magazine, January
2012: Kazakina, Katya, Exposed Mom as Sultry Muse, Amusement Parks: Chelsea Art, Bloomberg, December 28
: McQuaid, Cate, Mickalene Thomas at the ICA a dazzling display, The Boston Globe, December 27
: Corcoran, Heather, Mickalene Thomass Elegy, Interview Magazine, December
: Hudson, Suzanne, "Mickalene Thomas at the Santa Monica Museum of Art", Artforum, December, pp. 282-283
: tte–tte: Mickalene Thomas in conversation with Carmen McCleod, Art Papers, November/December
: Gilbert, Alan, Mickalene Thomass How to Organize a Room Around a Striking Piece of Art, Art Agenda, December 13
: Hicks, Cinque, "Psychological Spaces at Gallery 1600", Artvoices Magazine, November/December, p. 96
: Mickalene Thomas: A Whole Lotta Woman, The Economist Prospero Blog, November 30
: Plagens, Peter, "From Rooms to Revolutions", The Wall Street Journal, November 24: A20
: Montpezat, Charlotte, "Le corps noir de l’Histoire avec Kehinde Wiley et Mickalene Thomas", Le Huffington Post, November 24
: Baumgardner, Julie, "Scroll Contributor | Julie Baumgardner on Mickalene Thomas", Scroll, Paddle 8, November 12
: Budick, Ariella, "Mickalene Thomas: Origin of the Universe, Brooklyn Museum, New York", Financial Times, November 7
: Weschler, Michael, "The Bold Paintings of Mickalene Thomas", Architectural Digest, November
: Gonzalez, Desi, "Mickalene Thomas Origin of the Universe", The Brooklyn Rail, November
: Pollack, Maika, "Origin Stories: Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art and Mickalene Thomas at the Brooklyn Museum; Rosemarie Trockel and Judith Bernstein at the New Museum", GalleristNY, October 30
: Loos, Ted, "Mickalene Thomas at the Brooklyn Museum", Sotheby’s Inside: On the Loos, October 23
: Warren, Tamara, "Mickalene Thomas and ‘The Origins of the Universe’", Life + Times, October 22
: Kustanczy, Cate, "Mickalene Thomas shows her soul at the Brooklyn Museum Special", Digital Journal, October 13
: Roberts, Rebecca, "Some Thoughts on Mickalene Thomas at The Brooklyn Museum", Artinfo, October 9
: Rauschenberg Political Show, ArtCaste, October 9
: "Mickalene Thomas: A Star in the Art World", Arts Observer, October 6
: Tam, Paulina, "The Brooklyn Cocktail: One Part Basketball. One Part Art." The Bare Square, October 5
: Andries, Amanda, "Boldness Becomes Her: Mickalene Thomas Origin of the Universe at Brooklyn Museum", The Brooklyn College Kingsman, October
: Wama, Chole, Portfolio: Mickalene Thomas, Modern Painters, October
: Mickalene Thomas: Origin of the Universe, Ebony, September 28
: Ellis, Stacy-Ann, Mickalene Thomas Origin of the Universe, The Root, September 28
: Happening | Opening of Mickalene Thomas Origin of the Universe Exhibition @ Brooklyn Museum, Paddle 8 Scroll, September 28
: Chou, Kimberly, "One Artist’s ‘Origin’ Story", The Wall Street Journal, September 27: A26
: Rosenberg, Karen, Mickalene Thomas Rediscovers Her Mother And Her Muse, New York Times, September 27
: Smith, Roberta, Loud, Proud and Painted: Mickalene Thomas: Origin of the Universe, at Brooklyn Museum, New York Times, September 27
: Sutton, Benjamin, Brooklyns Barclays Center Will Have Art by Mickalene Thomas, Jose Parla, and More, Boulin ArtInfo, September 21
: Douglass, Lynn, "Want To See Great Art? Go To Brooklyn’s Barclays Center", Forbes, September 25, 2012
: Simon, Lizzie, "A Mother and a Muse", The Wall Street Journal, September 23, 2012
: Dumas, DeShawn, Arousing Desire in Post Black America: Mickalene Thomass Tete-a-tete, artcritical, September 16
: Duray, Dan "Fall Arts Preview: Top 10 Museums Exhibitions", Gallerist NY, September 13
: Sheets, Hilarie M., "Photographer and Subject Are One", The New York Times, September 12
: Rosenberg, Karen, "Exploring Islam, Pompeii and the Factory", New York Times, September 5
: "Mickalene Thomas, ‘Origin of the Universe’", Time Out Magazine, September 4
: Mickalene Thomas Studio Visit, Boulin ArtInfo, September (Link)
: Bodin, Von Claudia, Mickalene Thomas: Crazy, Sexy, Soul, Rolling Stone Germany, September
: Female Persuasion, Fall Art Preview, New Yorker, September
: Loos, Ted, People Are Talking About Art: Lush Life, Vogue, September
: New works by multimedia artist Mickalene Thomas in Brooklyn Museum exhibition, artdaily.org, September
: McGarry, Kevin, Mickalene Thomas, W Magazine, September
: Wood, Eve, Mickalene Thomas: Origin of the Universe at Santa Monica Museum of Art, Art LTD, September
: Schad, Ed "Mickalene Thomas: Origin of the Universe", Art Review, June 19
: Scene: Mickalene Thomas/Origin of the Universe, The International Review of African American Art, Spring/Summer Issue
: Finkel, Jori, Mickalene Thomas, up close and very personal, Los Angeles Times, April 20
2011: Frankel, David, Mickalene Thomas, Artforum, December
: Rosenberg, Karen, Mickalene Thomas: More Than Everything, The New York Times, October 20
: Mickalene Thomas, conversation with Sean Landers, BOMB Magazine, June
: Soul Kitchen: Studio Visit with Mickalene Thomas, Life and Times, May 23 (Link)
: Maerkle, Andrea, Mama Bush puts black women in a powerful light, The Japan Times, April 8
: Hirsch, Faye, Sharon Stone In Abuja, Art in America, March
: Pollack, Barbara, Rhinestone Odaliques, ARTnews, January
2010: Blasberg, Derek, Happy Birthday, Naomi!, V Magazine, Issue 65, p.38
: Smith, Roberta, Print Fair 2010, The New York Times, November 5
: Casagrande, Reggie, Feature: Mickalene Thomas: A Complex Vision, Lipsticktracez
: Collected. Reflections on the Permanent Collection, Studio, Winter, p.13
: Gaines, Carl, The Cleopatra Jones of the Brooklyn Art Scene, Brooklyn Based, April 8
: Laster, Paul, A Window on Art, The New York Observer, April 21
: Rudolph, Ellen, Pattern ID, Akron Art Museum, Akron, OH
: Thompson, Haven, Creative Chic, W Magazine, April, p. 92
: In The Flesh, V Magazine, Issue 63, Spring, p. 46-47
: Versus, Faction Magazine, Issue 11, January
: Wagley, Catherine, Bright and Polished, Daily Serving, May 28 (Link)
2009: Kazanjian, Dodie, Dreaming the Landscape, Vogue, November
: Oates, Leah, Bedazzled: Fall 2009 Conversations with Mickalene Thomas, NY Arts, Fall
: Cregan, Lisa, Cabin Fever!, CS Interiors, Fall 2009, p. 78-83
: Miranda, Carolina, Features: Art Basel Miami: Sales May Be Soft, But the Party Goes On, WNYC, December 4 radio feature
: Solway, Diane. Let Them Eat Cake, W Magazine Gallery Go-Round, November 4
: Russeth, Andrew. Let Them Eat Cake, ARTINFO November 5
: Yablonsky, Linda. The Moment: Sugar High at Haunch of Venison, T: New York Times Style Magazine, November 5
: Gensler, Andy. The Moment: Rock on the Block, The Phillips de Pury Music Sale, T: New York Times Style Magazine November 19
: Cox, Johanna, ArtWalk NY Turns 15, Honors Pat Steir, ELLE News Blog, November 18
: Lunn, Natasha. The Moment: In Focus, Dressing Up at the ICP, T: New York Times Style Magazine October 15
: Smith, Roberta, Dress Codes: Beyond a Simple Fashion Statement, New York Times, October 8
: Portfolio: Mickalene Thomas, Fantom: Photographic Quarterly Issue 01, Autumn: pp. 3-11
: Mickalene Thomas: Odalisques, ARTCO October 8: online.
: Muscionico, Daniele. Ein Sommer mit Donna, Die Weltwoche No. 40, October: pp. 60-61
: Edelson, Sharon. ICP Year of Fashion Culminates with Dress Codes, Womens Wear Daily, Sept. 16, p. 26
: Egan, Maura. The Moment: Boogie Down Productions at MoMA, T: New York Times Style Magazine, Sept. 25
: Medwick, Cathleen. Arthouse, O: The Oprah Magazine Vol. 10, No. 8, August, p. 134-41
: Egan, Maura. The Moment: The Girlie Show, T: New York Times Style Magazine June 30
: Brielmaier, Isolde and Ivan Lopez Munuera, Something You Can Feel, Exhibition catalogue, La Conservera, Murcia, Spain
: Adam, Georgina, Buoyant Basel Contrasts With Russian Reluctance, The Financial Times, June 13-14, p. 12
: Douglas, Sarah, Basel Grins and Bears Pre-Boom Prices, ArtInfo, June 11
: Lamm, Kimberly. Mickalene Thomas, Shes Come UnDone! The Brooklyn Rail May
: Smith, Roberta, Mickalene Thomas Shes Come Undone!, The New York Times, May 1
: Kerr, Merrily. Mickalene Thomas, Shes Come UnDone! Time Out New York April 23-29: p. 53.
: Shaw, Cameron, Mickalene Thomas at Lehmann Maupin, Art Forum, April 21
: Kino, Carol, A Confidence Highlighted in Rhinestones, New York Times, April 7
: What Does Glamour Mean to You? Glamour April: pp. 260-7.
: Leive, Cindi, The Glamour Project, New York: Lehmann Maupin Gallery
: Crisell, Luke. Body and Soul, NYLON April: p. 148.
: Alexander, Lily, Mickalene Thomas: Shes Come UnDone!, Whitewall, April 2
: Wright, Jeffrey Cyphers. Illusion, mystique, and plain beauty in sparkling paintings, The Villager Vol. 78, No. 43: April 1-7.
: Go See: Mickalene Thomass Shes Come UnDone! at Lehmann Maupin in New York though May 2, 2009, AO Art Observed, March 31
: Walker, Kara, Artists on Artists: Mickalene Thomas, Bomb Magazine, No. 107, p 72, Spring
: Cotter, Holland, On the Piers, Testing the Waters in a Down Art Market, The New York Times, March 5
: Dailey, Meghan, In the Studio: Mickalene Thomas, Art + Auction, March
: Jackson, Brian Keith, American Vision, Giant Magazine, December/January
: Hobbs, Robert, Franklin Sirmans and Michele Wallace, 30 Americans, exhibition catalogue, Rubell Family Collection
: Bedolla, Myrtis. Rubell Show, A Stand Out, The International Review of African American Art Vol. 22, No 3: pp. 45-46.
: Bonin, Claudia, Radar, Art Das Kunstmagazin, March 23
: Cutler, Jody B. A Lineage is Not a Category, The International Review of African American Art Vol. 22, No. 4, pp. 38-42.
: Ditner, Judy, Ed. Dress Codes: The Third ICP Triennial of Photography and Video. New York: The International Center of Photography/Steidl
: Haber, John. Post-Post-Black, Habers Art Reviews (www.haberarts.com) March
: Finch, Charlie. Another Country, Artnet March 30.
: Frank, Alex. NYC Armory Show: Sour Times, Bright Colors, FADER, March 13
: Laster, Paul. The Armory Show, Two Piers of Peerless Entertainment, ArtKrush February 26
: Goings On About Town: Art: The Brand New Heavies, The New Yorker February 23: p. 10.
: Grabner, Michelle. Reviews, ArtForum February: pp. 197-8.
: Finch, Charlie. Having a Rave Up! Artnet January 29.
: Holzwarth, Hans Werner, Ed. 100 Contemporary Artists: L-Z. Los Angeles: Taschen.
: Leive, Cindi. The Glamour Project. New York: Lehmann Maupin Gallery.
: Robinett, Rae Anne. Mickalene Thomas, Beautiful Decay Issue Z: pp. 74-81.
: TWO x TWO for AIDS and Art. Dallas: amfAR and The Dallas Museum of Art and Sothebys.
: Whats Up: Collected. Propositions on the Permanent Collection, Studio Spring 2009: p. 5.
: Willis, Deborah. Posing Beauty: African American Images: 1890s to the Present. New York: Norton.
2008: Ewing, John, New York: Perverted by Theater at Apexart, Art Lies, No. 60, Winter
: Tonchi, Stefano, Now Shopping: The Art Basel Miami Wish List, The Moment, NY Times Blog, December 5
: Weinberg, Lauren, Jet Set: Black History Shines in Mickalene Thomas show at Rhona Hoffman, Time Out Chicago, Issue 195, November 20-26
: Holzwarth, Hans Werner, Art Now, Vol. 3, Taschen, essay by Vivian Rehberg
: Copeland, Huey, The Blackness of Blackness, ArtForum, October
: Salsbury, Britany, Critics Picks: Black Is, Black Aint, ArtForum, May
: Psyllos, Steven. USA Today: A Visual Mixtape, TRACE, issue 81
: Pratt, Ken. Material Stealth, Wound, Fall, issue 4
: Evans, Ali, A Portrait of an Artist by an Artist, Studio Museum Harlem Magazine, Spring
: Watson, Simon. Mickalene Thomas: Lush Life, Whitewall, no. 8, Winter
2007: Rosenberg, Karen, At Fairs by the Beach, the Sands of Creativity, New York Times, December 8
: Allan, Stacey, Mickalene Thomas at Susanne Vielmetter Los Angeles Projects, Modern Painters, December 2007January 2008
: Douglas, Sarah, Intimately Scaled Pulse Looks Promising, Artinfo, October 11
: Goings On About Town: Shinique Smith / Mickalene Thomas, The New Yorker, May 7
: Rosenberg, Karen, An Afternoon in Chelsea, New York Magazine, May 7
: Cotter, Holland, Prime Time: Mickalene Thomas and Shinique Smith, New York Times, May 4
: ES, Prime Time, Artkrush, May 2
: Swartz, Anne, Sex Privilege and Power: The Paintings of Mickalene Thomas, NY Arts, May/June
: Wiley, Kehinde, The Sexiest Image Ive Seen, GQ, April
: Miller, Leigh Anne, Scope, Art in America, April
: Hunt, Kenya, Rhinestones and Oprah, Metro, March 30
: Miller, Rebecca, Shotgun Review, MyLove is a 187, March 18
: Viafora Kress, Althea, Shaken, Not Deterred: Interview with Curator Brian Keith Jackson and artists Mickalene Thomas, Shinique Amie Smith, and Navin June Norling, vernissage-tv.com, February 25
: Trends, Mickalene Thomas, Muse Magazine, January 10
2006: Thorncroft, Anthony,Basel Comes to the Beach, Financial Times, December 2
: Lynn, Sue, One Gals Opinion of Art Basel, Entertainment and News, December
: Youll have to stand in Line for the work of these hot, young Yale artists, American Art Collector, December
: Camper, Fred, Desire in the Abstract, Chicago Reader, November 17
: Peterson, Kristen, The Look is a Blast from the Past, Las Vegas Sun, October 27
: Ross, Susan, More, More, More, NYArts, May/June
: Valdez, Sarah, Frequency Bling and Beyond, Art in America, April
: Gronlund, Melissa, Frequency, Frieze, March
: Spence, Rebecca, How Street it is, ArtNews, February
: Maximum Flavor, Bare & Bitter Sleep
: Haber, John, Habers Art Reviews: Frequency, February
: Genocchio, Benjamin, Exploring the Effects of Discos Beat, The New York Times, February
: Cotter, Holland, Do You Think Im Disco, The New York Times, February
: Stillman, Nick, Frequency, Brooklyn Rail, February
: Oppenheim, Phil, 5X5 Five Artist/Five Perspectives, Art Papers, January/February
: Ribas, Jose, Emerging Collectors: A Profile of John Morrissey, ArtInfo, January
: Kastner, Jeffrey, Frequency, Art Forum, January
2005: Frank, Peter, Neovernacular, Good Clean Fun, LA Weekly, December
: Sirmans, Franklin, This Womans Work, Essence, November
: Smith, Roberta, Where Issues of Black Identity Meet the Concerns of Every Artist, The New York Times, November 18
: Feaster, Felicia, Five works by five artists 5X5 takes a mostly critical look at our media-drenched culture, Creative Loafing, October
: Feaster, Felicia, Buy and Large exhibit explores our devouring desire for more stuff, Creative Loafing, June
: Rimanelli, David, Greater New York 2005, Artforum, May
: Wiley, Kehinde, Top Ten, Art Forum, April
: Gardner, James, Theyre Unknown Under 30.., New York Post, March 23
: New and Noteworthy: Queen Scene, Museums New York
2004: Weinberg, Michelle, Its All About Me, Miami Newtimes.com, November 25
: Mills, Michael, Through A Fractured Lens, Newtimes bpb.com, November 18
: Laster, Paul, Back-to-back at SMH: interviews with Mickalene Thomas and Dave McKenzie, wburg, Vol. 4 No. 2, August
: Nichols, Matthew Guy, Hands on Hands Down, Art in America, February
: Smith, Roberta, Art in Review, The New York Times, January 23
: Goings On, The New Yorker, August 27
: Kim, Christine, Hands on, Hands Down (brochure), Studio Museum in Harlem, NY

Screening

2014: Happy Birthday to a Beautiful Woman HBO Premiere, HBO Theater, New York, NY
: Atlanta Television Festival, Savannah College of Art & Design, Atlanta, GA
2013: The Poetics of Unforgetting, Hackney Picture House, London, UK, June 6

Public Collections

: 21c Museum, Chicago, IL
: Akron Art Museum, Akron, OH
: Art Gallery of Ontario, Toronto, Canada
: Art Institute of Chicago, Chicago, IL
: Brooklyn Museum, Brooklyn, NY
: Guggenheim Museum, New York, NY
: International Center of Photography, New York, NY
: Joslyn Art Museum, Omaha, NE
: Mikki and Stanley Weithorn Collection
: Museum of Fine Arts, Boston, MA
: Museum of Modern Art, New York, NY
: National Portrait Gallery, Washington DC
: Nerman Museum of Contemporary Art, Overland Park, KS
: Rubell Family Collection, Miami, FL
: San Francisco Museum of Modern Art, San Francisco, CA
: The Sender Collection, Miami, FL
: Studio Museum in Harlem, New York, NY
: West Collection, Philadelphia, PN
: Westmoreland Museum of American Art, Greensburg, PA

Kim Dingle

: Lives and works in Los Angeles, CA

1990: MFA, Claremont Graduate Univesity, Claremont, CA
1988: BFA, California State University, Los Angeles, CA

Selected Solo Exhibitions

2023: "Open Call For Blue Lemons," Sperone Westwater, New York, NY
2021: "Pudgey Pomona Presents," Vielmetter Los Angeles, Los Angeles, CA
: "Dingle Does O’Flaherty’s," O’Flaherty’s, New York City, NY (Link)
2020: "Restaurant Mandala," Andrew Kreps, New York, NY
2019: "I Will Be Your Server (the Lost Supper Paintings)," Vielmetter Los Angeles, Culver City, CA
2018: "Kim Dingle: Painting Blindfolded," Sperone Westwater, New York, NY (Link)
2017: "YIPES," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2013: "Wine Bar For Children at Mister Ling’s Market,” Coagula Curatorial, Los Angeles, CA
2012: "Kim Dingle: still lives,” Sperone Westwater, New York, NY
2008: "Cake," Lightbox, Los Angeles, CA
2007: "Studies for the Last Supper at Fatty’s,” Sperone Westwater, New York, NY
2000: "Kim Dingle Bell Gallery,” Brown University, Providence, RI
: "Never In School,” Sperone Westwater, New York, NY
1998: "Fatty,” Gian Enzo Sperone, Rome, Italy
: "Fatty and Fudge,” Sperone Westwater, New York, NY
1997: "The Prisspapers,” Blum & Poe, Santa Monica, CA
1996: "Kim Dingle: A Survey,” The Renaissance Society, University of Chicago, Chicago, IL
1995: "Kim Dingle,” Otis Gallery, Otis College of Art and Design, Los Angeles, CA
: "A Glimpse of the Norton Collection as Revealed by Kim Dingle,” Santa Monica Museum of Art, Santa Monica, CA
: SITE Santa Fe, NM
: "Kim Dingle,” Blum & Poe, Santa Monica, CA
1994: "Kim Dingle,” Jack Tilton Gallery, New York, NY
1993: Jason Rubell Gallery, Miami Beach, FL
1992: Kim Light Gallery, Los Angeles, CA
: "The Romance and Drama of the Rubber Industry,” Closet of Modern Art (COMA), California State University Los Angeles, CA
1991: "Portraits from the Dingle Library,” Richard/Bennett Gallery, Los Angeles, CA
: "The Dingle Library Presents Paintings of the West with Horse Drawings by Teenage Girls,” Parker Zanic, Los Angeles, CA
1985: "pre-History A Dog’s Bach is Worse Than it Sounds,” Double Rocking G Gallery, Los Angeles, CA
1982: "Remembering Pencil,” Double Rocking G Gallery, Los Angeles, CA

Selected Group Exhibitions

2025: “Blindfolded,” Kim Dingle and Ranee Henderson, Phase Gallery, Los Angeles, CA
: "In the Midst,” JDJ Gallery, New York, NY
: "The Kids Are Alright," Timothy Taylor Gallery, New York, NY
2024: "The Café," O’Flaherty’s, New York, NY
2023: “People of the Otherworld: Ken Kiff in Dialogue,” albertz benda, New York, NY
: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022: “For The Love Of Dog,” A.E. Sobieski Project Space, Studio44, Pasadena, CA
: "Don’t Fuck with Our Humans" Galerie Fabian Lang, Zurich, Switzerland
: "Plants Now!" Vielmetter Los Angeles, Los Angeles, CA
: "Women Painting Women," The Modern, Fort Worth, TX
2021: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Wood Works: Raw, Cut, Carved, Covered," Sperone Westwater, New York, NY
2020: "The Biblical Imagination," Mission Gathering, Pasadena, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "WOMAHR," Fondazione Molise Cultura, Campobasso, Italy
: "Home Depot Coloring Books—Anyone Can Do It," Gallery Platform LA, online
: "Double Take," CMAY Gallery, Los Angeles, CA
2019: "Coordinates: Maps and Art Exploring Shared Terrain." David Rumsey Map Center, Stanford University, Palo Alto, CA
2018-2019: "Terres de femmes," Praz-Delavallade, Los Angeles, CA
2018: "Re-celebration," Luckman Fine Arts Complex, Cal State LA, Los Angeles, CA
: "Shift," Denk Gallery, Los Angeles, CA (Link)
2014: "Secrets and Lies” Museum of Contemporary Art, San Diego, CA
: "The Avant Garde," Orange County Museum of Art, Newport Beach, CA
: Collezione Maramotti, Reggio Emillia, Italy
2013: "Untitled (Giotto’s O),” Sperone Westwater, Lugano, Switzerland
2005: "Light Options; A Selection,” Lightbox, Los Angeles, CA
2001: "Lateral Thinking, Art of the 1990’s,” Museum of Contemporary Art, San Diego, CA
: "Uncomfortable Beauty,” Jack Tilton/Anna Kustera, New York, NY
: "Pop & Post-Pop (On Paper),” Texas Gallery, Houston, TX
2000: "Made in California: Art, Image and Identity, 1900-2000,” Los Angeles County Museum of Art, Los Angeles, CA
: "The Darker Side of Playland: Childhood Imagery from the Logan Collection,” Museum of Modern Art San Francisco, CA (catalogue)
: Whitney Biennial, Whitney Museum of American Art, New York, NY
: "Arte Americana; Ultimo Decennio," Museo d’Arte della Citta di Ravenna, Ravenna, Italy
: "The End," Exit Art, New York, NY
: "Emotional Rescue,” The Contemporary Art Project Collection, Center on Contemporary Art, Seattle, WA
1999: "Almost Warm & Fuzzy: Childhood and Contemporary Art,” curated by Susan Lubowsky Talbott and Lea Rosson DeLong, organized and circulated by Independent Curators International (ICI), Des Moines Art Center, IA; traveled to Tacoma Art Museum, Tacoma, WA; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; MoMA PS1, New York, NY; Fundació "la Caixa”, Barcelona, Spain; Crocker Art Museum, Sacramento, CA; Art Gallery of Hamilton, Hamilton, Ontario, Canada; Cleveland Center for the Contemporary Art, Cleveland, OH "Almost Warm and Fuzzy; Childhood and Contemporary Art," Des Moines Art Center, Iowa
: "I’m the Boss of Myself", Sara Meltzer’s on View, New York, NY
: "Looking at Ourselves: Works by Women Artists from the Logan Collection," San Francisco Museum of Modern Art, San Francisco, CA
1998: "Family Viewing," Museum of Contemporary Art, Los Angeles, CA
: "Presumed Innocence," Anderson Gallery, School of the Arts, Virginia Commonwealth University Contemporary Arts Center, Cincinnati, OH
: "Sunshine and Noir: Art in L. A. 1960–1997,” Louisiana Museum of Modern Art, Humlebaek, Denmark; traveled to Kunstmuseum Wolfsburg, Germany; Castello di Rivoli, Turin, Italy; Hammer Museum, Los Angles, CA
: "My Little Pretty: Images of Girls by Contemporary Women Artists," Museum of Contemporary Art, Chicago, IL
: "Women’s Work: Examining theFeminine in Contemporary Painting," Southeastern Center for Contemporary Art, Winston-Salem, NC
: "Narcissism: Artists Reflect Themselves," California Center for the Arts Museum, Escondido, CA
: "American Kaleidoscope," National Museum of American Art, Smithsonian Institute, Washington, DC
: "Early Learning," Entwistle, London, UK
: "Between Reality and Abstraction: California Art at the End of the Century," Scottsdale Center for the Arts, AZ
: "Playtime: Artists and Toys," Whitney Museum of America Art at Champion, Stamford, CT
: "Space of Time," Museum of Contemporary Art, Miami, FL
: "Inside Out: Psychological Self Portraiture in the 90’s," The Aldrich Museum of Contemporary Art, Ridgefield, CT
: "Gender, Myth and Exploration," University of North Texas, Denton, TX
: "Wallpaper Works," Contemporary Arts Museum, Houston, TX
1994: "Mapping," Museum of Modern Art, New York, NY, curated by Robert Stor
: "Bad Girls West," UCLA Wight Gallery, Los Angeles, CA, curated by Francis Colpitt; traveled to University of Texas at San Antonio, TX; Santa Barbara Contemporary Arts Forum, CA
: "Arrested Childhood," Center for Contemporary Art, Miami, FL
1993: "Fourth Newport Biennial: Southern California 1993," The Newport Harbor Art Museum, Newport Beach, CA
1992: "Déjà vu," Asher/Faure Gallery, Los Angeles, CA
: "I Thought California Would Be Different, New Work in the Permanent Collection," Laguna Art Museum, Laguna Beach, CA
: "Fever," Exit Art, New York, NY
: "Space of Time," America Society, New York, NY
: "The Imp of the Perverse, Eight Artists from Los Angeles," Sally Hawkins Gallery, New York, NY
: "Group Show: Mary Beyt, Kim Dingle, David Dupuis, Scott Grodesky," Rubenstein/Diacono Gallery, New York, NY
: "Contemporary Identities: 23 Artists. The 1993 Phoenix Triennial," Phoenix Art Museum, Phoenix, AZ
: "Corcoran Gallery of Art Biennial," Washington, DC
1991: "The Store Show," Richard Bennett Gallery, Los Angeles
: "Les Fleurs," Parker/Zanic Gallery and Sue Spaid Fine Art, Los Angeles, CA
: "Synthetic Histories," Parker/Zanic Gallery, Los Angeles, CA
1990: "Con-Text," Richard/Bennett Gallery, Los Angeles, CA

Bibliography

2025: "The kids are alright," Meer, June 26 (Link)
2023: VIlla, Angelica. "A Closely Watched New York Gallery Returns, Offering a Smoke-Filled Café and Performance Art," Artnews, August 16
: Mac Adam, Alfred. "People of the Otherworld: Ken Kiff in Dialogue," Brooklyn Rail, July (Link)
2021: Miller, Lia Clay. "Twenty-three artists reflect on 2021," Artfourm, December (Link)
: Stromberg, Matt and Elisa Wouk Almino. "Your Concise Los Angeles Art Guide for December 2021," Hyperallergic, November 30 (Link)
: Haramis, Nick. "New Kids on the Block," L’Officiel, Novemeber 23 (Link)
: Sieracki, Jill. "The Rubell Family’s New York Pied-à-Terre Features a Tasteful Mix of Art and Design," Galerie Magazine, November 19 (Link)
: Krasner, Bob. "Unique performance art experience with an Irish pub theme opens in East Village," AM NY, September 29 (Link)
: Scott, Andrea K., "“Dingle Does O’Flaherty’s”," The New Yorker, October 2 (Link)
: Rea, Naomi. "‘I Haven’t Seen Anything Cool in So Long’: Painter Jamian Juliano-Villani Is Opening a Gallery to Show Whatever She Wants (and Throw Parties)," ArtNet, August 16
2020: Canova, Lorenzo. “Womahr: Women_Art_Human Rights for Peace,” Museum Laboratory of Contemporary Art, University of Molise. Gangemi Editore, Rome, Italy, 2020
: Avgikos, Jan. "Art Review: Kim Dingle at Andrew Kreps Gallery," Artforum, December
: Scott, Andrea K. "Goings on About Town: Kim Dingle," The New Yorker, October
: Urist Green, Sarah. "You Are an Artist: Assignments to Spark Creation," Penguin Books, New York
2019: Ross, Claudia. "Hospitality, Mutiny," X-TRA, Fall (Link)
: Grundy, Gordy. "We Love Art Books! (Part 2)," Artillery, April 25 (Link)
: Barrie, Lita. "Kim Dingle: I Will Be Your Server (The Lost Supper Paintings)," Riot Material, April 5 (Link)
: Pagel, David. "Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings," Los Angeles Times, March 18 (Link)
: Schneider, Tim. "Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures," artnet, February 15 (Link)
: "Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week," Artfix Daily, February 13 (Link)
2018: Brewer, Gary, "Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul," Art and Cake, October 5 (Link)
: Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)
: Becker, Noah, "Whitehot Suggests: Kim Dingle at Sperone Westwater," Whitehot Magazine, March (Link)
: Moony-Martin, Lucia Love, "Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin," artcritical (web), March 3 (Link)
: Yau, John ,"Painting by Touch, Not by Sight," Hyperallergic (web), January 27 (Link)
2017: "Kim Dingle," ExtraArt Magazine, June
: Pashaie, Natalie, "Kim Dingle ‘YIPES’: From Playful to Notorious," Art Now LA, November 16 (Link)
: Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)
: Hazani, Joseph A., "Kim Dingle at Susanne Vielmetter Los Angeles Projects Review," A-dilettante, November 3 (Link)
: Zellen, Jody, “Kim Dingle at Susanne Vielmetter LA Projects,” Art and Cake (web), November 7 (Link)
: Pagel, David, “Kim Dingle lets her alter ego loose, and the result is a rip-roaring ride,” Los Angeles Times, October 28 (Link)
: Goldman, Edward, “Sizzling weather, cool art,” KCRW Art Talk (web and radio), October 25 (Link)
: Short, Alice, “Inside Rand Corp.’s impressive art collection,” Los Angeles Times (web), July 30 (Link)
2016: Norman, Lee Ann, “EXPO 201: Critic’s Picks by Lee Ann Norman,” NewCity Art (web), September 25
: Goldstein, Andrew M., “5 Artists to Discover at EXPO Chicago 2016,” Artspace (web), September 23
2014: Snyder, Garrett, "Hide & Seek – Chinatown’s Secret Wine Shop,” tastingtable.com, February 4
: Miranda, Carolina, "Crazy Babies and Pantyhose: 5 must-see works at OCMA’s ‘Avant-Garde’”, Los Angeles Times, September 10
2013: Tiberghien, Giles A, "The Imaginary Cartographic World in Contemporary Art,” Espace, Spring / Summer Farabee, Mindy, "The Many Lives of Kim Dingle,” pasadenamonthly.com, June 20
: Vankin, Deborah, "Kim Dingle debuts ‘Wine Bar for Children’ at Coagula Curatorial,” Los Angeles Times, October 27
: Eisler, Maryam, Ed, "Art Studio America – Contemporary Artist Spaces,” London: Thames & Hudson
2012: McLean, Madeline, "Dollies of Folly & Frolic: Kim Dingle at Sperone Westwater.” Daily Serving, April 11
: Cembalest, Robin, "Having her cake and eating it too?” Let My People Show, April 12
: Herzlinger, Jamie, "Kim Dingle-So Interesting! Feminist Artist,” Jamie Herzlinger.com, April 24
2011: "Goldmine,” Exhibition Catalogue: University Art Museum, California State University Long Beach
2010: Gleason, Mat, "The Ten most UNDERRATED Los Angeles Art World Stars,” Huffington Post, August 17
2009: Jacobs, Frank, "Strange Maps: An Atlas of Cartographic Curiosities,” New York: Penguin Group, p. 26
2008: Evangelisti, Silvia, "Arte Fiera/ Art First,” Bologna: Renografica edizioni d’arte, p. 366
2007: Cohen, David, "Art in Brief: Studies for The Last Supper at Fatty’s,” The New York Sun, April 7, p. 20
: "Kim Dingle,” The New Yorker, April 16, p. 24
: Guest, Anthony, "Something personal this way comes,” The Financial Times, April 21
: Kreimer, Julian, "Kim Dingle at Sperone Westwater,” Art in America, June/July, p.196
: Pagel, David, "Dingle’s Return is Delicious,” Los Angeles Times, November 23, p. E30
: Dingle, Kim, "Guest Lecture.” Artillery, Vol. 2, No. 2, Nov/Dec
2006: "Heart of Palm; Sustainable wood and sensational art define George Yu’s addition to a 1920’s Los Angeles bungalow,” Interior Design, Volume 77, Issue 10 (1 August 2006), p. 232.
2003: Harmon, Katherine, "You are Here,” New York: Princeton Architectural Press
: Tyler, Stallings, and Amelia Jones, David R. Roediger, "Whiteness: A Wayward Contruction,” Exhibition Catalogue, Laguna Art Museum
: Hackett, Regina, "Contemporary Art Project Vividly Takes on Hot Button Issues,” Seattle Post- Intelligence, January 3
: Chang, Richard, "Shining a light on white // A Laguna Art Museum show explores the meaning of whiteness. Series: whiteness.0331,” The Orange County Register, March 31
2002: Corrin, Lisa, "SAM Collects Contemporary Art Project,” Seattle: Seattle Art Museum
: "Denver Art Museum gets highly sought after art collection,” Associated Press Newswires, February 8
: Burch, Peggy, "Snooty Art Ideas get a Dose of the Warm and Fuzzy (Almost),” Commercial Appeal Memphis, TN, June 23
: Phelps-Fredetter Suzanna, "Take a Kid to See ‘Warm and Fuzzy’; No ‘Serious’ art here so just enjoy it,” The Commercial Appeal Memphis, TN, July 7
: Aernst, Mark, "The Art of Now/ Exhibit Challenges traditional Views, Viewers early Notions,” The Gazette, October 4
: Voeltz Chandler, Mary, "Back to the Present; 25 Years of Contemporary and Modern Art Collecting Resurface in the in Dam Exhibit,” Rocky Mountain News, November 15
: Jana, Reena, "Kim Dingle,” Artnews, May
: "Retorno al País de las Maravillas, El arte contemporáneo y la infancia.” Barcelona: Centre Cultural de la Fundació "la Caixa”, Exhibition Catalogue
: Honigman, Ana, "Kim Dingle,” Frieze, May
2000: Siegel, Katy, "The Long List,” Artforum, January
: Stevens, Mark, "Built for Comfort," New York, Vol. 33, no.13, April 3
: Schjeldahl, Peter, "Pragmatic Hedonism," The New Yorker, April 3
: Kramer, Hilton, "Artgoers ! Avoid Deadly Esthetic Virus at Whitney," The New York Observer, April 3
: Knight, Christopher, "Not Enough Reasons to Celebrate," Los Angeles Times, March 24
: Reichert, Herbert, "The Search for Life in an Alien Universe," Review, April 1
: Gopinath, Gabrielle, "A Patchwork Labyrinth," Review, April 1
: Maxwell, Douglas F., "Biennal Lite," Review, April 1
: Markham, Pamela, "Monumentalizing to a Fault," Review, April 1
: Berdé, Olga, "Ants Flies & Blondes in the Global Village," Review, 1 April 2000, pp. 83-86.
: Spadoni, Claudio, Alan Jones, Roberto Daolio, and Fernanda Pivano "Arte Americana; Ultimo Decennio,” Exhibition catalogue. Ravenna, Italy: Museo d’Arte della Citta di Ravenna/Edizioni Gabriele Mazzotta
: "Whitney Biennial,” Exhibition catalogue, New York: Whitney Museum of American Art
: Richard, Paul, "Whitney’s Sampler; For Browsers, Biennial 2000 Goes Down Easy: Leaves no Aftertaste,” The Washington Post, March 31
: Siegel, Katy, "Biennal 2000; Whitney Museum of American Art, New York" Artforum, May
: Kutner, Janet, "New Looks; Whitney goes national with biennial survey of modern scene," The Dallas Morning News, April 23
: Gilman-Sevcik, "New York’s Mega-Shows; Whitney Biennial and Greater New York," Flash Art, Vol. XXXIII, no. 212, May-June 2000
: "Gian Enzo Sperone; Torino, Roma, New York; 35 Anni di Mostra tra Europa e America,” Torino, Italy: Hopeful Monster
: Zeraman, John, "Time to take out the garbage? Mixing business with Politics, at Art’s Expense,” The Record, Northern New Jersey, March 24
: Hall, Emily, "Childhood Art for More Than Children,” The Stranger, August
: "The Darker Side of Playland: Childhood Imagery from the Logan Collection,” Exhibition catalogue, San Francisco: San Francisco Museum of Modern Art
: "With a Child’s Eyes,” The News Tribune, Tacoma, Washington, July 9
: Clayton, Alec, "Almost warm and fuzzy at TAM,” Fort Lewis Ranger, August 3 – 9
: Mahoney, Robert, "Emotion Detectors,” ARTnews, October 2000, p. 42.
: Gray, Channing, "Art Scene – Evil brats in party dresses,” The Providence Journal, November 30
: "Kim Dingle,” The New Yorker, November 27
: "Kim Dingle,” The New Yorker, December 4
: Glueck, Grace, "Kim Dingle, ‘Never in School’,” The New York Times, December 1
: Minola, Anna, Maria Cristina Mundici, et. al "da Warhol al 2000: Gian Enzo Sperone,” exhibition catalogue, Palazzo Cavour, Regione Piemonte,Turin, Italy:Hopeful Monster
: Johnson, Ken, "’Uncomfortable Beauty’,” The New York Times, December 29
1999: Mahoney, Robert, "Miracles of Girldom," Artnet, January 12
: Spada, Sabina, "Kim Dingle," Tema Celeste, no. 72, January–February
: Siegel, Katy, "Kim Dingle: Sperone Westwater," Artforum, vol. 37, no. 6, February
: Muchnic, Suzanne, "’Sunshine & Noir’," Artnews, vol. 98, no. 2, February
: Salvioni, Daniela, "Looking at Ourselves: Works by Women Artists from the Logan Collection,” Exhibition catalogue, San Francisco: San Francisco Museum of Modern Art
: D ‘Souza, Aruna, "Kim Dingle at Sperone Westwater," Art in America, vol. 87 no. 3, March
: Lovelace, Carey, "Kim Dingle at Sperone Westwater” Art in America, vol. 87 no. 3, March
: Cho, Christina, "Kim Dingle” ARTnews, Volume 98, Issue 4, April
: "ZOO,” July, Purple House Limited
: Vogel, Carol, "Choosing a Palette of Biennal Artist," The New York Times, December 9
: Plagens, Peter, and Corie Brown, "Hollywood’s Big Art Deal," Newsweek, 6 December
1998: Pagel, David, "Kim Dingle: Blum & Poe, Santa Monica." Art/Text, no. 60, February–April
: Duncan, Michael, "Import/Export: Variations in Noir," Art in America, vol. 86, no. 4, April
: Crutchfield, Jean, "Presumed Innocence,” Exhibition catalogue, essays by Kathryn Hixson and Robert Hobbs, Richmond, VA: Anderson Gallery, School of the Arts, Virginia Commonwealth University, and Seattle and London: University of Washington Press
: Newhall, Edith, "Art Preview: Galleries," New York, 14 September
: Gilbert, David, "Interior Design’s Guide to Fall in New York," Interior Design, vol. 69, no. 11, September
: Ichihara, Kentaro, "New Figurative Painting in the 90s," Bijustu-Techo, vol. 50, no. 763, November
: Boodro, Michael, "People Are Talking about Art: Home Alone," Vogue (New York), November
: Pinchbeck, Daniel, "Art Market: Our Choice of New York Contemporary Galleries," The Art Newspaper, no. 86, November
: Wallach, Amei, "Malevolent Babies Busting Up Walls, Sharpening Darts," The New York Times, 1 November
: Smith, Roberta, "Art in Review: Kim Dingle," The New York Times, 27 November 1998, p. E43.
: Wallach, Amei, "Vision of the Void Behind the California Sun," The New York Times, 29 November
: Schwendener, Martha, "Kim Dingle, ‘Fatty and Fudge’," Time Out New York, 10–17 December
: Willette, Jeanne S. M., "Kim Dingle and Cohorts: The Writer, The Bad Girl, and The Seamstress," Artweek, vol. 29 no. 11, November
: Willette, Jeanne S. M., "The Little White Dress," Dutch, no. 19
: "Arte e Mercato," Arte, No. 304, December
1997: Nittve, Lars and Helle Crenzien, Sunshine and Noir: Art in L. A., 1960–1997,” Exhibition catalogue, Humlebaek, Denmark: Louisiana Museum of Modern Art
: Grisham, E, "Kim Dingle; Kara Walker.” Art Papers, v. 21, May/June
: Connors, T, "Kim Dingle,” Sculpture (Washington, D.C.) v. 16, May/June
: Kandel, Susan, "Sugar, Spice, and Everything Nice? Not Quite," Los Angeles Times, September 19
: Frank, Peter, "Pick of the Week," L. A. Weekly, September 19–26
: Fleming, Jeff, Women’s Work: Examining the Feminine in Contemporary Painting,” Exhibition brochure, Winston- Salem, NC: Southeastern Center for Contemporary Art
: Kozloff, Max, "Sunshine & Noir: Art in L. A., 1960–1997," Artforum, vol. 36, no. 3, November
: Gonzalez, Rita, "Poliester,” Winter 1997–98
: Harvey, Doug, "Kim Dingle at Blum & Poe," Art Issues, November/December
1996: Greenstein, M. A., "A Conversation with Kim Dingle, Artist.” Artweek, January
: Anderson, Isabel, "Kim Dingle at Otis Gallery," Artweek, January
: Schjeldahl, Peter, "The Dingle Flap,” Village Voice, January 30
: Rugoff, Ralph, "Crate Expectation," L. A. Weekly, January 12–18
: Pincus, Robert L. "Dreaming of Me,” February 11
: Lewis, Jo Ann, "Kaleidoscope, Pieces of a Dream," Washington Post, October 10
: Jones, Joyce, "American Art, Through a Prism," Washington Post, October 11.
: Artner, Alan, "Critic’s Choice," Chicago Tribune, November 24
: Artner, Alan, "Critic’s Choice," Chicago Tribune, December 1
1995: Schaffner, Ingrid, "Kim Dingle: Jack Tilton Gallery," Artforum, vol. 34 no. 6, February
: Cameron, Dan. "Kertess’s List," Art & Auction, February
: Pagel, David, "Mayhem, Mischief & Little Girls," Los Angeles Times, February 7
: Kandel, Susan, "Naughty Dolls Don’t Make for Bad Girls," Los Angeles Times, February 8
: Darling, Michael. "Kim Dingle at Blum & Poe," Art Issues, March/April
: Pagel, David, "Kim Dingle: Blum & Poe, Los Angeles," Frieze, no. 21, March–April
: Zellen, Jody, Art Press, April 1995
: Kutner, Janet, "Artists Explore the Issues of Human Gender," The Dallas Morning News, April 30
: Pagel, David, "Kim Dingle," Bomb, no. 52, Summer
: Hoving, Thomas, "Art for the Ages," Cigar Aficionado, Summer
: Morgan, Susan, "Little Miss Mayhem," Elle, November
: Knode, Marilu and Peter Schjeldahl, "Kim Dingle,” Exhibition catalogue, Los Angeles: Otis College of Art and Design
: Greene, David, "Born to Be Bad," Los Angeles Reader, December 8
: Knight, Christopher, "Exposing the Inner Child of U.S. Politics," Los Angeles Times, December 3
: Wilson, William, "Eccentric ‘Glimpse’ at Norton Collection," Los Angeles Times, December 12
: Wilson, William, "Canvassing the Year of Brilliance," Los Angeles Times, December 31
: Gamblin, Noriko, "A Glimpse of the Norton Collection as Revealed by Kim Dingle,” Exhibition brochure, Santa Monica Museum of Art
: Gauthier, Jennifer, Angela Kramer Murphy, and Cynthia Roznoy, "Playtime: Artists and Toys,” Exhibition catalogue, Whitney Museum of America Art
1994: Cohen, Jean Lawlor, "43rd Biennial Exhibition of Contemporary American Painting,” Art News, vol. 93 no. 2, February
: Knight, Christopher, "’Bad Girls’: Feminism on Wry, Tone Bemusedly Subversive in West Coast Edition of N.Y. Show," Los Angeles Times, February 8
: "The Space of Time," Art Nexus, no. 1, February–March
: Edelman, Robert. "The Figure Returns," Art in America, vol. 83 no. 3, March
: Roth, Charlene, "Bad Girls," Artweek, March 10–17
: Lumpkin, Libby, "Bad Girls West," Art Issues, no. 32, March–April
: LaBelle, Charles, "Biggest, Badettes," Cover, April
: Weissman, Benjamin, "Bad Girls Blues: Los Angeles (Sigh)," Artforum, vol. 33 no. 9, May
: Bertei, Adele, "Kim Dingle’s Wild Girls," Vibe, May
: Clearwater, Bonne, "Arrested Childhood,” Exhibition catalogue, Miami, FL: Center for Contemporary Art
: Kohen, Helen, "Naughty and Nice Show at COCA Explores Emotions of Childhood," The Miami Herald, May 22
: DeLeon, Jessica, "Reshaping the Globes," Denton Record-Chronicle, September 25
: Storr, Robert, "Mapping,” Exhibition catalogue, New York: Museum of Modern Art, and Harry N. Abrams
: Smith, Roberta, "Mapping," New York Times, 14 October
: The New Yorker, November 7–13
: Schjeldahl, Peter, "Bringing Up Baby," Village Voice, November 5
: Auerbach, Lisa Anne, "Kim Dingle’s Cherubic Brats," Vernacular, Winter
: Duncan, Michael, "L. A. Rising," Art in America, vol. 83, no. 12, December
: Cameron, Dan, "The Easel Way Out," Art & Auction, December
: Weil, Benjamin, "Mapping," Art Monthly, December 1994 – January 1995
: Young, Geoffrey, "Kim Dingle," Lingo, no. 3
1993: Curtis, Cathy, "Upstairs Invigorate Art Scene," Los Angeles Times, January, Orange County Edition
: Scarborough, James, Art Press, no. 178, March
: Cottingham, Laura, "Fever," Frieze, March/April
: Crockett, Tobey, "Violent Femmes," Visions, Summer
: Hodges, Karen C, and Bruce D. Kurtz, "Contemporary Identities: 23 Artists,” The 1993 Phoenix Triennial, Exhibition catalogue, Phoenix, AZ: Phoenix Art Museum
: Wilson, William, "Biennial’ Uses Humorous Paradox to Tackle Issues," Los Angeles Times, October 9
: Curtis, Cathy, "Painting Pictures," Los Angeles Times, October 14
: Dash, Phillip, "Kim Dingle at Jason Rubell Gallery," Beach Weekly, vol. 1 no. 4
: Guenther, Bruce, "Forth Newport Biennial: Southern California,” Exhibition catalogue, Bruce Newport Beach, CA: Newport Harbor Museum
: Demos, Alison V., "Bodies Galore," Lear’s, October
: Richard, Paul, "What’s Wrong With This Picture?" Washington Post, October 31
: McWilliams, Martha, "Go Figure," Washington City Paper, November 12
: Russell, John, "The Corcoran Gives New Meaning to ‘Biennial’," The New York Times, November 21
: Pagel, David, "43rd Biennial Exhibition of Contemporary American Painting,” Exhibition catalogue, Washington, DC: Corcoran Gallery of Art.
: Willette, J. S. M., "Kim Dingle.” Exhibition brochure, Miami Beach, FL: Jason Rubell Gallery
: 1992 Curtis, Cathy, "Young Artists in Laguna Spotlight," Los Angeles Times, February 17
: Littlefield, Kenny, "California Culture Clash," The Register, March 8
: Pagel, David, "Kim Dingle," Art Issues, March/April
: Kandel, Susan, "Sly Homage," Los Angeles Times, June 26
: Crockett, Tobey, "Kim Dingle at Richard/Bennett and Parker Zanic." Art in America, vol. 6 no. 7, July
: Scarborough, James, "The Pun Also Rises," Artweek, September 3
: Curtis, Cathy, "Hers Is Unfinished Business," Los Angeles Times, September 23, Orange Country Edition
: Plochere, Michelle, "Visions,” Fall
: Pagel, David, "What Little Girls Are Made Of,” Los Angeles Times, November 5
: Crockett, Tobey, "Art Angeles," Venice, December
: Hess, Elizabeth, "Give Me Fever,” Village Voice, December 29
1991: Curtis, Cathy, "Les Fleurs, Snipes at Flowery Tradition," Los Angeles Times, May 17
: Frank, Peter, "Pick of the Week,” L. A. Weekly, May 17-23
: Kandel, Susan, "Skewed Portraits," Los Angeles Times, September 12
: Frank, Peter, "Pick of the Week." L. A. Weekly, September 20
: Scarborough, James, "Dressing up the Idea," Artweek, October 3
: Pagel, David, "Kim Dingle," Arts Magazine, December
: Zellen, Jody, "Kim Dingle," Artscene, December
1990: Frank, Peter. "Pick of the Week." L. A. Weekly, 26 October–1 November

Public Collections

: Collezione Maramotti, Reggio Emilia, Italy
: Columbus Museum of Art, Columbus, OH
: Denver Museum Contemporary Art, Denver, CO
: Los Angeles County Museum of Art, Los Angeles, CA
: Minneapolis Institute of Art, Minneapolis, MN
: Museum of Contemporary Art, Los Angeles, CA
: Museum of Modern Art, San Francisco, CA
: National Gallery of Art, Washington, D.C.
: Orange County Museum of Art, Newport Beach, CA
: Palm Springs Art Museum, Palm Springs, CA
: Pomona College Museum of Art, Claremont, CA
: San Jose Museum of Art, San Jose, CA
: Seattle Museum of Contemporary Art, Seattle, WA
: Sheldon Museum of Art in Lincoln, NE
: Walker Art Center, Minneapolis, MN
: Whitney Museum of American Art, New York, NY

Laura Aguilar

: Born: October 26, 1959 in San Gabriel, California
: Died: April 25, 2018 in Long Beach, CA
: Self taught

Selected Solo Exhibitions

2003: "New Bodies of Work from Laura Aguilar," Esperanza Peace & Justice Center, San Antonio, TX
2001: "Center," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2000: "Stillness & Motion," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
1999: "Stillness," ArtPace, San Antonio, TX
1998: "El jo divers ("The Diverse Self")," Fundacio "la Caixa", Barcelona, Spain

Selected Group Exhibitions

2026: "Ascendancy: The Self in Contemporary Art," Guest curated by Camilo Alvarez, Mattatuck Museum, Waterbury, CT
2024-2025: "For Dear Life: Art, Medicine, and Disability," Museum of Contemporary Art San Diego, San Diego, CA
2023-2024: "What Has Been and What Could Be: The BAMPFA Collection," UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
2023: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022-2023: "Ecstatic Land," Ballroom Marfa, Marfa, TX
2021-2022: "Our whole, unruly selves," San José Museum of Art, San José, CA (Link)
2018: "Reclaimed," Linda Pace Foundation, San Antonio, TX
2007: "normal love—precarious life, precarious sex," Künstlerhaus Bethanien, Berlin, Germany curated by Renate Lorenz
2006: "Mangnan Emrich Contemporary," Chelsea, NY, with Delilah Montoya
: "This is not a Love Song," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Passing Through, Settling In: Photographs of the Desert," Stanlee and Gerald Rubin Center for the Visual Arts, University of Texas at El Paso, El Paso, TX, curated by Kate Bonansinga
: "Expressive Bodies: Contemporary Art Photography from The Kinsey Institute," The Kinsey Institute for Research in Sex, Gender, and Reproduction, School of Fine Arts Gallery at Indiana University, Bloomington, IN, with Lynn Bianchi, Joel-Peter Witkin, Frank Yamrus, Mariette Path Allen, and Pierre et Gilles; Traveling to Herron Gallery, Indianapolis, ID
2004: "S.P.F.," Angles Gallery, Santa Monica, CA
: "Only Skin Deep Changing Visions of the American Self," International Center of Photography, curated by Brian Wallis and Coco Fusco, catalog
: "AC," 473 Broadway Gallery, New York, NY, curated by Jeff Koan Baysa
: "Fat Attitudes – an exploration of an American subculture & the representation of the female body," Columbia University, New York, NY
: "Fusion: A Los Angeles LGBT People of Color Film Festival," Los Angeles, CA
2003: "Koerper – Konstrukt – Schoenheit (Body – Construct – Beauty)," Galerie der Hochschule für Grafik und Buchkunst Leipzig, Germany, with Olaf Breuning, Mona Hatoum, Marie-Jo Lafontaine, Zoe Leonard, Bjorn Melhus, Orlan, Jack Pierson
: The Armory Show, New York, with Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "H2O," Danese Gallery, New York, NY
2002-2003: "Der Akt in der Kunst des 20. Jahrhunderts (The Nude in the Art of the 20th Century)," Kunsthalle Emden, Germany (catalog)
2002: "water," The Renaissance Society at the University of Chicago, Chicago, IL
: "Majestic Sprawl – Some LA Photography," Pasadena Museum of California Art, Pasadena, CA, curated by Andrea Feldman
: "H2O," Hobart and William Smith College, Geneva, New York (catalog)
: "The Beautiful Gender: Transformations and Continuities", Sala de Exposiciones de la Comunidad de Madrid, Madrid, Spain, curated by Margarita Aizpuru, with Andres Serrano, Orlan, Cheryl Donegan, Martha Rosler, Nicole Eisenman, Daniela Steinfeld, catalog
: "Art/Women/California: Parallels and Intersections, 1950-2000," San Jose Museum of Art, San Jose, CA, catalog
: "Super Sex," Post, Los Angeles, CA, with Nicole Eisenman, Nicoletta Munroe, Sharon Ryan, Naomi Fisher, curated by Michael Gold
2001: "COLA 2001," Skirball Cultural Center, Los Angeles, CA
: "fotografia y sociedad," Museo de Arte Contemporaneo de Caracas Sofia Imber, Spain
2000: "Made In California," Los Angeles County Museum of Art, Los Angeles, CA
: "Aztlan Today: The Chicano Postnation," Communidad de Madrid, Spain and Brooklyn Museum of Art, Brooklyn, NY, catalog
1999: "The Nude in Contemporary Art," Aldrich Museum of Contemporary Art, Ridgefield, CT
1998: Margo Leavin Gallery, Los Angeles, CA
1997-1998: "Sunshine & Noir – Art in L.A. 1960-1997," Louisiana Museum of Modern Art, Humlebaek, Denmark, UCLA at the Armand Hammer Museum, Westwood, CA, Museum Wolfsburg, Wolfsburg, Germany
: "American Voices: Latin Photographers in the United States," Smithsonian Institution’s International Gallery, Washington, D.C.
1996: "Sexual Politics: Judy Chicago’s "Dinner Party," in Feminist Art History, Armand Hammer Museum, UCLA, Westwood, CA
: Museum of Contemporary Art, New York, NY
: James D. Phelan Art Award in Photography Exhibition, San Francisco Camerawork
: "Vital Signs," Municipal Art Gallery, Los Angeles, CA
: "P.L.A.N. -Photography Los Angeles Now", LA County Museum of Art, Los Angeles
: "In a Different Light," University Art Museum of California at Berkeley, Berkeley, CA
: "Pervert," University of California at Irvine, Irvine, CA
1995: "Temporarily Possessed: The semi-permanent Collection," The New Museum of Art, New York, NY
1994: "Encuentro Interamerieano de Artist Plasticos Exposicion," Universida De Guadalajara, Guadalajara, Mexico
: "New Photography II/ New Acquisitions Exhibition," LA County Museum of Art, Los Angeles, CA
: "Bad Girl," The New Museum of Contemporary Art, New York, NY
: "Bad Girls West," UCLA Wight Art Gallery, Los Angeles, CA
1993: "Aperto 93," LA Biennale di Venezia, XLVB Esposizione Internazionale d’Art 1993, Venice, Italy
1992: "Breaking Barriers: Revisualizing the Urban Landscape," Santa Monica Museum of Art, Santa Monica, CA
: "Disorient: Perspectives in Colonialism," University of Illinois at Chicago, Chicago, IL
: "Ojo Abierto/Open Eye," Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
: "Working W/people," Los Angeles Municipal Art Gallery, Los Angeles, CA
1991: "L.A. iluminado," Otis School of Art and Design, Los Angeles, CA
: "Forbidden Language: Beauty and Culture," University of Southern California, Los Angeles, CA
1990: "All But the Obvious," Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "El Dia de los Muertos/ The Day of the Dead," Los Angeles Photography Center, Los Angeles, CA and The Women’s Building Gallery, Los Angeles, CA
: "Image and Identity: Recent Chicana Art," Laband Art Gallery, Loyola Marymount University, Los Angeles, CA
1989: "Contemporary Latin Photography," Los Angeles Photography Center, Los Angeles, CA
1988: "Mexican/Mexican American Photography," Mexico National General Archives Mexico D.F
: "Visible Differences: Images of a Diverse U.S. Culture, A National Exhibition of 14 Photographers," Centro Cultural de la Raza, San Diego, CA
1987: "Women Photographers in America 1987," Los Angeles Municipal Art Gallery, Los Angeles, CA
1986: "Dia de los Muertos/ The Day of the Dead," Los Angeles Photography Center, Los Angeles, CA
1985: "Seven Latin Photographers," Self Help Graphics, East Los Angeles, CA

Bibliography

2021: DiQuinzio, A., Hejinian, L., and Butler, J. (2021). New time: Art and feminisms in the 21st Century. Pg 88-89. University of California, Berkeley Art Museum and Pacific Film Archive.
2006: Kuusinen, Asta, Shooting from the Wild Zone: A Study of the Chicana Art Photographers Laura Aguilar, Celia Álvarez Muñoz, Delilah Montoya, and Kathy Vargas, University of Helsinki
: Jones, Amelia, Self/Image: Technology, Representation, and the Contemporary Subject, Routledge Press, London and New York
: Selz, Peter, "On Racism, Discrimination and Identity Politics”, Art of Engagement, Visual Politics in California and Beyond, University of California Press, Berkley and Los Angeles, CA, University of California, Ltd. London, England, San Jose Museum of Modern Art, San Jose, CA, pp.218-219 (image reproduction pg.219)
2005: Davis, Angela Y. and Tadiar, Neferti X, "Beyond the Frame: Women of Color and Photography", Palgrave Publishers (in progress)
: Mahon, Alyce, Eroticism and Art, "Erotic Fragmentation and Abjection”, Oxford University Press, England, pg. 267 (book with reproduced images)
: Sinister Wisdom, No.64, Spring Issue, pg.7-9 (image)
2004: Oboler, Suzanne, and Gonzales, Deena J. (eds), "The Encyclopaedia of Latinos and Latinas in the United States", Oxford University Press
: Lazzari, Margaret & Schlesier, Donna, "Exploring Art: A Global, Thematic Approach", New York
2003: Henry, Lisa, "Still Life / Natural Beauty", FotoFile, #44, November 2003, pg 16 – 20, Jones, Amelia, ARTFORUM, pg. 143, October issue
: ZYZZYVA, Volume XIX.2, Fall 2003, pg. 81
: Breen, Margaret & Blumenfeld, Warren (editors): "Butler Matters: Judith Butler’s Impact on Gender and Queer Studies Since Gender Trouble, Ashgate Publishers (in progress)
: "Only Skin Deep Changing Visions of the American Self ", International Center of Photography, catalog
: Smith, Bill, "The Natural – Laura Aguilar, in the flesh", LA WEEKLY, Cover and feature article, January 10
2002: Achim Sommer, Nils Ohlsen (Hrsg.), "Der Akt in der Kunst des 20. Jahrhunderts" (The Nude in the Art of the 20th Century), Kunsthalle Emden, Wienand Verlag, 2002, pg. 89-90, 98-99
: Mesa-Bains, Amalia, "Calafia / Califas – A Brief History of Chicana California"
: Burgess Fuller, Diana, and Salvioni, Daniela, "Burning Down the House: Feminist Art in California"
: Phillips, Sandra S., "Women Artists in California and Their Engagement with Photography", in "Women / Art / California – Parallels and Intersections 1950 – 2000", University of California Press, 2002, pg. 137-139, 173, 254
: Nueva Luz, Commemorative Issue, May 2002
: Aizpuru, Margarita, "The Beautiful Gender: Transformations and Continuities", Sala de Exposiciones de la Comunidad de Madrid, Madrid, Spain, exhibition catalog essay
: Knight, Christopher, "Female Artists Just Foolin’ Around", Los Angeles Times, February 22
2001: Myers, Holly, "City, Too, Benefits from Grants", Los Angeles Times Calendar, June 7
: Muchnic, Suzanne, "City-Sponsored Freedom", Los Angeles Times Calendar, Sunday, May 20
: Davalos, Karen Mary, "Exhibiting Mestizaje – Mexican (American) Museums in the Diaspora", University of New Mexico Press, Albuquerque, 2001
: "Encuentro Iberamericano de Fotografia, catalog, pg 15
: Willis, Holly, "’Air Raids’ in Support of Local Video", Artweek, Vol. 32, issue No. 1, January
2000: Jones, Amelia, and Warr, Tracey, "The Artist’s Body", published by Phaidon Press, London
: Hammond, Harmony, "Lesbian Art In America", New York 2000
: Chicago, Judy and Lucie-Smith, Edward, "Women and Art", New York 1999
: Rousseau, Ann Marie, "Of Heaven and Hell: Another Day in LA, Stillness and Motion, Laura Aguilar, Susanne Vielmetter Los Angeles Projects", PHOTO METRO, Volume 18
: Martin, Victoria, "Laura Aguilar at Susanne Vielmetter Los Angeles Projects", Artweek
: Sichel, Berta, "Aztlan Today: The Chicano Postnation”, Exhibition catalog, published by Comunidad de Madrid, Spain, 1999-2000
: "Egg The Arts Show”, Section "The Body”, KCET Los Angeles (with Carolee Schneemann and John Currin)
: Rosenberg, Howard: ‘EGG’: It’s Not Always Just Breakfast”, LOS ANGELES TIMES, February 2
1999: Nochlin, Linda, "Offbeat and Naked", feature article on artnet.com, November
: Smith, Roberta, "In Connecticut, the Scars of War, the Works of Peace", The New York Times, July 30
: Cottingham, Laura, "Laura Aguilar”, ArtPace Exhibition Essay, May
: McGovern, Thomas, "Depictions of Class in West Coast Photography", Artweek, January
1998: Gerstler, Amy, "Art Attack", Los Angeles Magazine, November issue
: Jones, Amelia, "Body Art – Performing the Subject," University of Minnesota Press, Minneapolis, 1998
: "El jo divers" ("The Diverse Self"), Fundacio "la Caixa", Barcelona, SpaiN
: Cruewell, Constanze, Frankfurter Allgemeine Zeitung/ Kultur, March 21
: Gross, Roland, Berliner Morgenpost, Feuilleton, March 19
: Huther, Christian, Der Tagesspiegel, Berlin, March 21
: Deutsche Presseagentur, March 19
1996: "Chicana Creativity & Criticism," 2nd edition, edited by Maria Hererra-Sobek and Helena Maria Viramontes; published by University of New Mexico Press
: Jones, Amelia, "Sexual Politics / Judy Chicago’s Dinner Party in Feminist art History," (catalog), published by UCLA Armand Hammer Museum of Art, Westwood
1995: "Reframings – New American Feminist Photographies," pg. 242, 243, 244, 245; edited by Diane Neumaier; published by Temple University Press, Philadelphia
: "In A Different Light," pg. 93; edited by Nayland Blake, Lawrence Rinder & Amy Scholder, published by City Lights Books San Francisco
1994: Foto Fest 94, pg.37, The 5th Biennial International Festival of Photography
: Museo de las Artes, Universidad De Guadalajara (catalog)
: "Uncontrollable Bodies – Testimonies of Identity and Culture," published by Bay Press
1993: Bad Girls (catalog), pg. 56, published by the New Museum of Contemporary Art, New York
: FlashArt, Aperto 93 Emergency
: La Biennale di Venezia, XLV Espozsizione Internazionale d/Art 1993
1992: Frame-Work: The Journal of Images and Culture, Vol. 6, issue 1
: Art in America, June 1992, No. 6, pg. 61
1991: Frame-Work: The Journal of Images and Culture, Portfolio 1991, Vol. 4
1990: The Photo Review, Vol. 13, No.3, summer 1990, Ed. Stephen Perloff, pg. 13
1987: The Photo Review, Vol. 10, No. 3, summer 1987, Ed. Stephen Perloff

Public Collections

: The Kinsey Institute for Research in Sex, Gender, and Reproduction, Indiana University, Bloomington, IN
: DG Bank Collection, Frankfurt, Germany
: State Finance Office of Hessen, Germany
: Latin American Art, Scottsdale, Arizona
: Light Work, Syracuse, New York
: Los Angeles County Museum of Art, Los Angeles, California
: Los Angeles Public Library, Los Angeles, California
: The Museum of Contemporary Art, Los Angeles, CA
: The New Museum of Contemporary Art, New York, New York
: Santa Monica Cultural Affairs Department, Santa Monica, California
: Stanford University, Stanford, California

Awards, Grants and Fellowships

: Anonymous Was A Woman Award, New York, 2000
: COLA, Los Angeles Cultural Affairs Department, Los Angeles, 2000
: ArtPace, Residency, San Antonio, Texas, 1999
: California Community Foundation’s J. Paul Getty Grant for the Visual Arts, 1998
: The James D. Phelan Art Award – Photography, sponsored by the San Francisco Foundation, administered by SF Camerawork, 1995
: California Arts Council Fellowship, California Arts Council, Los Angeles, CA, 1994/95
: Artist in Residence Grant, California Arts Council, through the Gay and Lesbian Community Services Center, 1991-94

Lyne Lapointe

1957: Born in Montreal, Québec, Canada
: Lives and works in Mansonville, Québec

1978: University of Ottawa, Ottawa, ON, Canada

Selected Solo Exhibitions

2026: "Lyne Lapointe: In the Mood for Deviance," Vielmetter Los Angeles, Los Angeles, CA
2025: "Spotlight: Lyne Lapointe," Vielmetter Los Angeles, Los Angeles, CA
: "Lyne Lapointe: Becoming Animal," Jack Shainman Gallery, New York, NY
2022: "Lyne Lapointe: La femme enceinte," Curated by Sylvie Lacerte, Arts Sutton, Sutton, QC, Canada
2021: "Lyne Lapointe: De la soie aux poils de porc-épic / From Silk to Porcupine Quills," Curated by Lesley Johnstone and Stéphane La Rue, Galeries Bellemare Lambert, Montréal, QC, Canada
2017: "Lyne Lapointe and La Fontaine’s Fables by Marc Chagall," Galeries Bellemare Lambert, Montréal, QC, Canada
2015: "Lyne Lapointe," Galeries Bellemare Lambert, Montréal, QC, Canada
: "Lyne Lapointe: Perches/Perchoirs," The Rooms Provincial Art Gallery, St. John’s, NL, Canada
2012: "Lyne Lapointe: Oeuvres Choisies," Pierre-Francois Ouellette Art Contemporain, Montréal, QC, Canada
: "Lyne Lapointe: Selected Work," Jack Shainman Gallery, New York, NY
2011: "Lyne Lapointe: Cabinet," Musée D’Art De Joliette, Joliette, QC, Canada
2008: "Lyne Lapointe: La Clef," SBC Gallery of Contemporary Art, Montréal, QC, Canada
2007: "Lyne Lapointe: La Perle," Carleton University Art Gallery, Ottawa, ON, Canada
2004: "Lyne Lapointe: The Blind Spot," Yukon Arts Centre Public Art Gallery, Whitehorse, Canada; Travelled to: Musée du Nouveau-Monde, La Rochelle, France (2004); Galerie d’art du Centre culturel de l’Université de Sherbrooke Québec, QC, Canada (2005); Maison Hamel-Bruneau, QC, Canada (2005); Art Gallery of Guelph, Guelph, ON, Canada (2006)
2003: "Lyne Lapointe:The Blind Spot," Susan Hobbs Gallery, Toronto, ON, Canada
2002: "Lyne Lapointe: La Tache aveugle," Musée d’art contemporain, Montréal, QC, Canada
1997: "Lyne Lapointe," Susan Hobbs Gallery, Toronto, ON, Canada
1996: "Martha Flemming & Lyne Lapointe," Susan Hobbs Gallery, Toronto, ON, Canada
1995: "Martha Fleming & Lyne Lapointe: Work 1984-1994," Susan Hobbs Gallery, Toronto, ON, Canada
1994: "Lyne Lapointe," Museu de zoologia da Universidade de Sao Paulo, Sao Paulo, Brazil
1993: "Eat Me/Drink Me/Love Me," Galerie Rochefort, Montréal, QC, Canada
1989: "Eat Me/Drink Me/Love Me," Curated by Bill Olander, The New Museum of Contemporary Art, New York, NY
1988: "Lyne Lapointe/ Martha Fleming," Atelier Roger Bellemare, Montréal, QC, Canada
: "New Work," Jack Shainman Gallery, New York, NY
1981: "Lyne Lapointe," Galerie France Morin, Montréal, QC, Canada

Selected Group Exhibitions

2024: "Echoes of Circumstance," Jack Shainman Gallery, New York, NY
: "Soft Focus," Bradley Ertaskiran, Montréal, QC, Canada
2022: "Stressed World," The School, Jack Shainman Gallery, Kinderhook, NY
: "Over the Rainbow: A Selection of Works by LGBTQ2S+ Artists," National Gallery of Canada, Ottawa, ON, Canada
2021: "Anti/Body," Jack Shainman Gallery, New York, NY
2020: "Les feuilles – Qu’on foule – Un train – Qui roule – La vie -·S’écoule (Guillaume Apollinaire)," Curated by Pierre Bourgie, Catalogue Gallery, Montréal, QC, Canada
2019-2020: "Peindre la nature avec un miroir," Musée d’art contemporain de Montréal, Montréal, QC, Canada
2019: "Dunkle Energie. Feministisch organisieren, kollektiv arbeiten = Dark Energy. Feminist Organizing, Working Collectively," Curated by Veronique Boilard, Andrea Haas, Nina Hochtl and Julia Wieger, Akademie der bildenden Künste Wien /Academy of Fine Arts Vienna, Austria
2018: "Travelogue," The School, Jack Shainman Gallery, Kinderhook, NY
: "Terræ Incognitæ," Galerie Catalogue, Montréal, QC, Canada
: "Beginning with the Seventies: GLUT," Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, BC, Canada
: "En avant la Musique!," Galeries Bellemare Lambert, Montréal, QC, Canada
2017: "The Coffins of Paa Joe and the Pursuit of Happiness," The School, Jack Shainman Gallery, Kinderhook, NY
: "Canadian and Indigenous Art: 1968 to Present," Curated by Jos.e Drouin-Brisebois, Greg Hill, Christine Lalonde, Rhiannon Vogl and Adam Welch, National Gallery of Canada, Ottawa, ON, Canada
: "Rien de moins," Galeries Bellemare Lambert, Montréal, QC, Canada
: "The Hold: Studies in the Contemporary Collection," Curated by Sunny Kerr, Agnes Etherington Art Centre, Queen’s, University, Kingston, ON, Canada
2016: "Mutations," Galeries Bellemare Lambert, Montréal, QC, Canada
: "De Ferron à BGL: art contemporain du Québec," Musée national des beaux-arts du Québec, QC, Canada
2015: "Chemin faisant," Galeries Bellemare Lambert, Montréal, QC, Canada
2014: "The Beauty of Gesture," Musée d’art contemporain de Montréal, Montréal, QC, Canada
2013: "Collection Luciano Benetton," Fondazione Querini Stampalia, Venice, Italy
2010: "Femmes artistes. L’éclatement des frontières, 1965-2000," Musée national des beaux-arts du Québec, QC, Canada
2009: "Above and Below," Foreman Art Gallery of Bishop’s University, Sherbrooke, QC, Canada
2008: "À la croisée de l’art et de la médecine," Galerie d’art du Centre culturel de l’Universit de Sherbrooke, QC, Canada (Travelled to: Foreman Art Gallery of Bishop’s University, Sherbrooke, QC, Canada)
2007: "Coup d’éclat: Acquisitions 2006-2007," Musée national des beaux-arts du Québec, QC, Canada
: "Finding the Bard in Contemporary Portraiture," Macdonald Stewart Art Centre, Guelph, ON, Canada
2006: "Illumination Escapade," Foreman Art Gallery of Bishop’s University, Lennoxville, QC, Canada
2005-2006: "Dessins de la Collection," Musée d’art contemporain de Montréal, Montréal, QC, Canada
2005: "Science," National Gallery of Canada, Ottawa, ON, Canada
: "Animal Nature," Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA
2004: "La Sculpture et le vent: Femmes sculpteures au Québec," Centre d’exposition CIRCA, Montréal, QC, Canada
2000: "Concordia Collects: Selected Art Acquisitions, 1974-2000," Galerie d’art Leonard & Bina Ellen Art Gallery, Montréal, QC, Canada
1999: "Les Bouches ouvertes, Maison Hamel-Bruneau, Québec, QC, Canada
1997: "Exquisite Corpses," Presentation House Gallery, Vancouver, BC, Canada
: "Telling Stories: Recent Acquisitions of Contemporary Art," Macdonald Stewart Art Centre, Guelph, ON, Canada
: "En cause: Brancusi, une fiction de l’atelier," Axené07, Gatineau, QC, Canada
: "Présences: l’art contemporain au féminin," Galerie de l’UQAM, Montréal, QC, Canada
1996: "La Collection: OEuvres-phares," Musée d’art contemporain de Montréal, Montréal, QC, Canada
1995-1996: "Seeing in Tounges: A Narrative of Language and Visual Arts in Québec," Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, BC, Canada
1995: "Pervert," The Art Gallery, University of California, Irvine, CA
1994: "Dreaming of You," Garnet Press Gallery, Toronto, ON, Canada
: "Well-Spring," Bath Festival Trust, Bath, England, UK
: "La Collection Lavalin du Musée d’art contemporain de Montréal," Musée d’art contemporain de Montréal, Montréal, QC, Canada
: "Biennale de São Paulo," São Paulo, Brazil
: "De causis et tractatibus," Axené07, Gatineau, QC, Canada
1993: "Objets choisis," Galerie Rochefort, Montréal, QC, Canada
1992: "Queues, Rendezvous, Riots: Questioning the Public in Art and Architecture," Walter Phillips Gallery, The Banff Centre for the Arts, Banff, AB, Canada
: "La Collection: Tableau inaugural," Musée d’art contemporain de Montréal, Montréal, QC, Canada
: "Pour la suite du Monde," Musée d’art contemporain de Montréal, Montréal, QC, Canada
: "Edge 92 Bienniale," London, UK and Madrid, Spain
1991: "Outrageous Desire: The Politics and Aesthetics of Representation in Recent Works by Lesbian and Gay Artists," Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ
1990-1992: "Team Spirit. — An Independent Curators Incorporated," Curated by Susan Sollins and Nina Castelli Sundell, New York, NY (Travelled to: Neuberger Museum, State University of New York at Purchase, Purchase, NY (1991); Cleveland Center for Contemporary Art, Cleveland, OH (1991); Vancouver Art Gallery, Vancouver, BC, Canada (1991); The Art Museum at Florida International University, Miami, FL (1991); Spirit Square Center for the Arts, Charlotte, NC (1992); Davenport Art Museum, Davenport, IA (1992); Laumeier Sculpture Park, Saint Louis, MO (1992))
1990: "Queer," Wessel O’Connor Gallery, New York, NY
: "The Collector’s Cabinet," Curated by Carol Anne Klonarides, Curt Marcus Gallery, New York, NY
1989: "Une histoire de collections: dons 1984-1989," Musée d’art contemporain de Montréal, Montréal, QC, Canada
1988: "Installations: Selected Works from the Permanent Collection," National Gallery of Canada, Ottawa, ON, Canada
1984: "Face à face: Auto-portraits," Powerhouse, Montréal, QC, Canada
1983: "Künstler aus Kanada: Räume und Installationnen," Württembergischer Kunstverein, Stuttgart, Germany
1982: "Photographs by Artists," Galerie France Morin, Montréal, QC, Canada
1981: "Betty Goodwin, Jene Highsteen, Lyne Lapointe, Marcel Lemyre, Keith Sonnier," Galerie France Morin, Montréal, QC, Canada

Awards, Residencies, and Grants

2012: Québec studio in New York, Council of Arts and Letters of Québec, Montréal, QC, Canada
1998: Prix Graff, Duo Lapointe/Fleming, Montréal, QC, Canada
1997: Prix Pollock-Krasner Foundation, New York, NY

Bibliography

2025: Clement, Eric. "In Lyne Lapointe’s studio The resilient," La Presse, May 18
: Worthington, Corinne. "Separating the Art from the Artist," Impulse, March 25 (Link)
: Martinovic, Jelena. "Lyne Lapointe’s New Body of Work Explores the Body in Flux," Loophole, March 24 (Link)
: Mavrikakis, Nicolas. "Exhibitions in New York: fruitful metamorphoses," LeDevoir, March 22
: Cultured Staff. "This Month, Show Up for These 12 Unmissable New York Solo Shows by Women Artists," March 3 (Link)
2022: ArtsSutton. "Lyne Lapointe exhibits The Pregnant Woman," Westmount Mag, July 28 (Link)

Public Collections

: Agnes Etherington Art Centre, Queen’s University, Kingston, ON
: Art Gallery of Guelph, Guelph, ON
: Brown University Art Museum, Providence, RI
: Fondazione Benetton Studi Ricerche, Treviso, Italy
: Morris and Helen Belkin Art Gallery, Vancouver, BC
: Musée d’art contemporain de Montréal, Montréal, QC
: Musée des beaux-arts de Montréal, Montréal, QC
: Musée national des beaux-arts du Québec, Québec, QC
: Rennie Museum, Vancouver, BC
: The Canada Council Art Bank, Ottawa, ON
: Université de Sherbrooke, Sherbrooke, QC
: Vancouver Art Gallery, Vancouver, BC
: Windsor Art Gallery, Windsor, ON

Ever Baldwin

1978: Born in Brookline, MA
: Lives and works in Catskill, NY

2005: MFA in Studio Art, School of The Museum of Fine Arts/Tufts University, Boston, MA
2000: BFA in Painting, Maryland Institute College of Art, Baltimore, MD

Selected Solo Exhibitions

2026: "Spotlight: Ever Baldwin," Vielmetter Los Angeles, Los Angeles, CA
2024: "Stranger in the Echoes," Marinaro, New York, NY
2023: "Down the Line," Ogunquit Museum of American Art, Ogunquit, ME
2022: "Ever Baldwin & Wayne Fischer," LeFebvre et Fils, Paris, France
: "Quiet Yes," Marinaro, New York, NY
: "PLENTY," Five Car Garage/Emma Gray HQ, Los Angeles, CA
2021: "Between Observation and Sensation," JAG Projects at Hudson House Reserve, curated by Elisa Soliven, Underdonk, Brooklyn, NY
2018: "An Animal Unto Itself: Ever Baldwin & Anna Ortiz," curated by Tom Marquet, Transmitter Gallery, Brooklyn, NY
2015: "Labor Day," Curt’s Door Gallery, Chicago IL
2007: "A Bad Bad Xmas For Cursed Earth! Ever Baldwin and Royal Robertson", Sunday Gallery, NY
: "Don’t Let Nobody Make You Mad," Sunday Gallery, New York, NY
2006: "Mythmaking: Ever Baldwin and Ann Young," Firehouse Gallery, Burlington, VT

Selected Group Exhibitions

2026: "No Point in Making Myself Comfortable," Springs Projects, New York, NY (forthcoming)
2025: "The Horror II, "The University of Texas, Dallas, TX
: "Summer Spell," Marinaro, New York, NY
: "The River That Flows Both Ways," Ruthann, Catskill, NY
: "Signal Intelligence," eyes never sleep, New York, NY
: "The Middle Ages, " Roundabouts Now, Kingston, NY
: "Bride of the Far Side," Post Times, New York, NY
2024: "Pluperfect: an action of continued relevance," 81 Leonard Gallery, New York, NY
: "Secular Gothic," eyes never sleep, New York, NY
: "The Return of Histoire Naturelle," Chex Max et Dorothea, Los Angeles, CA
: "Looking Back/The 14th White Columns Annual," White Columns, New York, NY
2023: "The Triumph of Death," Marinaro, New York, NY
: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022: "Jung Lovers," Soloway, Brooklyn, NY
: JAG projects at Foreland, Catskill, NY
: "Recipes for Romance," curated by Nick Payne, Hudson House, NY
2021: Forge Collection public exhibition, Taghkanic, NY
: JAG projects at Hudson House Staff Show, Art Omi, Ghent, NY
2020: Holiday Show, LABSpace, Hillsdale, NY
: Eddysroom at Left Field, curated by Austin Eddy, Left Field Gallery, Los Osos CA
: "Infinite Uncertainties," Opalka Gallery, Albany, NY
2019: "Limbic Songs," Curated by Cotter Luppi, Real Eyes Gallery, North Adams, MA
: "The Endless Body," curated by Julia Klein, TSA Chicago, IL
2018: "New School," Greene County Council on The Arts, Catskill, NY
: Art To Go Benefit, Transmitter, Brooklyn, NY
2017: Summer Exhibition, Curated by Sarah Butler, D.R. Evarts Library, Athens, NY
: "Act 1," September Gallery, Hudson, NY
: "Escape Portal," Community Room, Cairo, NY
2016: Group Exhibition at Eddy’s Room, Brooklyn, NY
: "Conceptualize/Realize," Marwen Foundation, Chicago, IL
2015-2016: "Buy What You Love Benefit Auction," Rema Hort Mann Foundation, New York, NY
2015: "Person, Place or Thing: Works on Paper by 51 Artists," 68 Projects, Berlin, Germany
2014: "Buy What You Love Benefit Auction," Rema Hort Mann Foundation, New York, NY
: "InsideOut," Atlantic Center for The Arts, New Smyrna Beach, FL
2013: ACRE’s Art Expo Satellite Exhibition, Susanin’s Auction House, Chicago, IL
2012: "Movements and Transformations," ACRE Gallery, Chicago, IL
: "Quiet Echo on Loud Wind," With Laura Hart Newlon, ACRE Gallery, Chicago, IL
2011: "Hot China," Estrella Gallery, Truth or Consequences, NM
: "Wish You Were Here," Niche Gallery, Truth or Consequences, NM
: "Chain Letter," Samson Projects, Boston, MA
: "Restore Defaults," Camel Art Space, Brooklyn, NY
2010: "Black Thursday Halloween City Black Friday Fireworks Stand," Troutman Studios, Brooklyn, NY
: "The Romance Show," Curated by Sasha Panyuta, New York, NY
2009: "What It Is!" In collaboration with Matthew Ward, Repetti Gallery, Queens, NY
: "Good Vibrations," curated by Jasmin Tsou at Carol Bove’s studio, New York, NY
: "Quizotic," Troutman Studios, Brooklyn, NY
2008: Studio Artists Exhibition, Museum of Arts and Design, New York, NY
2007: "Conversational Lag," Freight and Volume, New York, NY
: "Chuck has a fat fucking ass (MFA Thesis Exhibition)," Tufts University, Medford, MA

Selected Awards & Grants

2021: NYSCA/NYFA Artist Fellowship: Painting
2017: Publication: Bites, an artist board book by (Ever) Baldwin, Soberscove Press, Chicago, IL
2014: DCASE Individual Artist Program grant recipient, Chicago, IL
: Atlantic Center for The Arts Residency with Artist Dana Schutz, New Smyrna Beach, FL
2013: Ragdale Artist Residency, Lake Forest, IL
2012: ACRE Artist Residency, Steuben, WI
2011: Byrdcliffe Artist Residency, Woodstock, NY
2008: Museum of Arts and Design, Artist in Residence, New York, NY

Bibliography

2023: Irons, Hillary. “Modernism Both Past and Present Shine in Two Shows at the Ogunquit Museum of American Art,” Boston Art Review, November
2022: Smith, Roberta. “What to See in NYC Galleries Right Now,” The New York Times, August
: Gerwin, Daniel. “Ever Baldwin,” Artforum, May

Public Collections

: ICA Miami, Miami, FL
: Nerman Museum of Contemporary Art, Overland Park, KS
: Ogunquit Museum of American Art, Ogunquit, ME

Whitney Bedford

: Lives and works in Los Angeles

2003: MFA, University of California Los Angeles, Los Angeles, CA
1998-2000: Fulbright Visiting Artist under Professor Wolfgang Petrick, Hochschule der Kunste, Berlin, Germany
1998: Art and Architecture of Rome at RISDE European Honors Program, Palazzo Cenci, Rome, Italy
1996: Pont-Aven School of Art, Pont-Aven, France
: Edinburgh College of Art, Edinburgh, Scotland
1994-1998: BA, Rhode Island School of Design, Providence, Rhode Island
1993: Maryland Institute College of Art, Baltimore, Maryland

Selected Solo Exhibitions

2026: "Sunsetting," Secrist Beach, Chicago, IL (forthcoming)
: "Sunsetting," Art:Concept, Paris, France (forthcoming)
: "Sunsetting," Miles McEnery Gallery, New York, NY
2025: "Sunsetting," Vielmetter Los Angeles, Los Angeles, CA
2024: "Whitney Bedford: The Window" San Luis Obispo Museum of Art, San Luis Obispo, CA
2023: "Whitney Bedford: Veduta," Miles McEnery, New York, NY
: "Whitney Bedford: Vedute," Vielmetter Los Angeles, Los Angeles, CA
2022: "Imaginary," Starkwhite, Auckland, New Zealand
: "Whitney Bedford: Vedute," Art:Concept, Paris, France
2021: "Whitney Bedford," Miles McEnery Gallery, New York, NY
: "Whitney Bedford: Greenhouse," Vielmetter Los Angeles, Los Angeles, CA
2020: "Nevertheless," Carrie Secrist Gallery (online)
: "Nevertheless," Starkwhite (online)
: "Nevertheless," Vielmetter Los Angeles (online)
: "Reflections on the Anthropocene," Vielmetter Los Angeles, Los Angeles, CA
2018: "Numinous," Carrie Secrist Gallery, Chicago, IL (Link)
: "Bohemia," Starkwhite Gallery, Auckland, New Zealand
2017: "The Left Coast," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: “Bardo Parade,” Art:Concept, Paris, France
2016: “East of Eden,” Carrie Secrist, Chicago, IL
: “Lost and Found,” Starkwhite, Auckland, New Zealand
2015: "Night and Day," Taymour Grahne, New York, NY
: "West of Eden," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2014: "Whitney Bedford," Carrie Secrist Gallery, Chicago, IL
: "Love Letters," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2013: "This for That," Starkwhite, Auckland, New Zealand
2011: Susanne Vielmetter Los Angeles Projects, Culver City, CA
2010: "Whitney Bedford (here and there)," Starkwhite, Auckland, New Zealand
2009: Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2008: "Whitney Bedford," Art:Concept, Paris, France
2007: "Whitney Bedford: The Escape Artist Series," Cherry and Martin, Los Angeles, USA
2006: Art:Concept, Paris, France
2005: DAmelio Terras, New York, NY
: Cherrydelosreyes, Los Angeles, CA
2004: Art:Concept, Paris, France
2000: "Whitney Bedford," Hotel de Ville, Biot, France
1999: "Whitney Bedford," Fulbright-Kommission, Berlin, Germany
1998: "Whitney Bedford," BEB Gallery, Providence, RI
1997: "Whitney Bedford," Sokolofska #124 Space, Prague, Czech Republic

Selected Group Exhibitions

2026-2027: "Feels Natural," Heartland Whole Health Institute, Bentonville, AR (forthcoming)
2025: "Natura Non Constristatur," Secrist Beach, Chicago, IL
2024-2025: "All Bangers, All The Time," Miles McEnery Gallery, New York, NY
2024: "In the Making: Contemporary Art at SBMA," Santa Barbara Museum of Art, Santa Barbara, CA
: "Overserved," Miles McEnery, New York, NY
: "Olio e pepe," Galerie Art: Concept, Paris, France
2023: "New Landscapes Part I," Santa Barbara City College, Santa Barbara, CA
2023-2024: "Inside/Outside," Santa Barbara Museum of Art, Santa Barbara, CA (Link)
2023: SWQT Group Show, Starkwhite Queenstown, Queenstown, New Zealand
2022: "Plants Now!," Vielmetter Los Angeles, Los Angeles, CA
2021: "Was/Is/Ought," Carrie Secrist Gallery, Chicago, IL (Link)
2020: "Only Connect," Carrie Secrist Gallery, Chicago, IL
: "Do You Think It Needs A Cloud?”, Miles McEnery Gallery, New York, NY
: "Slippery Painting," Starkwhite, Auckland, NZ
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
2019: "Shall we go, you and I while we can," Carrie Secrist Gallery, Chicago, IL
: "Kaleidescope," Saatchi Gallery, London, UK
2018: "How They Ran," Over the Influence, Los Angeles, CA
: “Evolver,” LA Louver, Los Angeles, CA
: “New on the Wall (N.O.W.),” Pizzuti Collection, Columbus, OH (Link)
: "C’est Comme Vous Voulez – As You Like It," Praz-Delavallade, Paris, France
2017: “Anniversary Show,” Carrie Secrist Gallery, Chicago, IL
2016: "A Verdant Summer," Taymour Grahne Gallery, New York, NY
: “Painting: A Transitive Space,” ST PAUL ST Gallery, Auckland, New Zealand
2015: "La femme de trente ans," Galerie Art: Concept, Paris France
2014: "Lovers," Starkwhite, Auckland, New Zealand
: "Sargent’s Daughters," Sargent’s Daughters, New York, NY
2013: "Summer Group Show," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2012: "Facing the Sublime in Water, CA," Armory Center for the Arts, Pasadena, CA
2011: "Everything Must Go," A Project with Ceramica Suro Guadalajara, Mexico, organized by Jose Noe Suro and Eduardo Sarabia, Casey Kaplan, New York, NY
2010: "The Gleaners: Works from the Sarah and Jim Taylor Collection," Myhren Gallery, University of Denver, CO
: "Five from LA," Galerie Lelong, New York, NY
: "Bagna Cauda," Gallerie Art: Concept, Paris, France
: "Houdini: Art and Magic, 1919-1949," The Jewish Museum, New York, NY; Skirball Cultural Center, Los Angeles, CA; Contemporary Jewish Museum, San Francisco, CA; Madison Museum of Contemporary Art, Madison, WI
2009: "This Is Killing Me," Massachusetts Museum of Contemporary Art, North Adams, MA
2007: "PX – Snow Falls in the Mountains," curated by Jan Bryant, St Paul’s Gallery, University of Auckland, Auckland, New Zealand
: "Poker," Galleria Monica de Cardenas, Milan, Italy
2006: "Melancholy in Contemporary Art," Sommer Contemporary Art, Tel-Aviv, Israel
: "Step Into Liquid," Museum of Contemporary Art, Denver, CO
: "Peindre des images," Galerie de l’Ecole des Beaux-Arts de Quimper, France
2005: "CUT," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: "Evidence," Inman Gallery, Houston, TX
: "The Third Peak," Galerie Art: Concept, Paris, France
: "Rogue Wave," LA Louver, Venice, CA
: "Wunderkammer 2," Nina Menocal, Mexico City, Mexico
: "Sad Songs," University Galleries, Illinois State University, Normal, IL
: "Project Room: A Show Without Works," curated by Daniele Perra, Spazio Lima, Milan, Italy
2004: "summer group show," Cherry de los Reyes, Los Angeles, CA
: "Carpet Bag and Cozyspace," Healing Arts Gallery, Brooklyn, NY
: "Rimbaud," Palais des Beaux Arts, Brussels, Belgium
2003: Black Dragon Gallery, Los Angeles, CA
: Track 16 Gallery, Santa Monica, CA
: "MFA Exhibitions Show #1," UCLA New Wight Gallery/Kinross, Los Angeles, CA
1998: "New England Connection," Lanning Gallery, Columbus, OH
: "Woods-Gerry Invitational Exhibition," Woods-Gerry Gallery, Providence, RI
1997: Inagurative Show, Space 1026 Space, Philadelphia, PA
1996: L’ecole Nouveau de Pont-Aven (The New Pont-Aven School Painters), Hotel de Ville, Pont-Aven, France
: Salon de Refuses, Gallerie M, Pont-Aven, France
1995: "Common Threads," Rites and Reasons Gallery, Providence, RI

Bibliography

2025: Zellen, Jody. "Whitney Bedford: ‘Sunsetting’," ArtNowLA, June 26 (Link)
: Billing, Karen. "Local art advisors launch pop up art exhibit in Rancho Santa Fe village," San Diego Union Tribune, April 11
2024: Lanham, Camilla. "Whitney Bedford’s solo show at SLOMA highlights what’s been lost by looking back at historic landscapes," New Times, October 31 (Link)
: Frieze Staff. "Association of Professional Art Advisors’ Top 10 Picks from Frieze Los Angeles Viewing Room 2024," Frieze, February 26 (Link)
: Pound, Cath. "11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision," Artsy, January 22 (Link)
2023: Woodard, Josef. "Rethinking, Re-tilling Landscape Art," Santa Barbara Independent, November 26 (Link)
2020: Dambrot, Shana Nys. "Review: Whitney Bedford at Vielmetter Los Angeles," Artillery, March 5 (Link)
: Finkel, Jori. "Artist Whitney Bedford is drawing a portrait of Elizabeth Warren every day until she is elected president," The Art Newspaper, March 3 (Link)
: Diehl, Travis. "The Best Shows to See in LA," Frieze, February 11 (Link)
: Cascone, Sarah. "In LA for Frieze Week? Here Is Our Guide to 33 Inspiring Gallery Shows to See Beyond the Fairs," artnet, February 10 (Link)
2019: Sritharan, Abi. "5 Wonderful Things To Do In London This Weekend (15-17 March 2019)," Luxury London, March 12 (Link)
2018: Jean Black, Ezhra, "Refuge from the Inferno: L.A.’s Best Summer Group Shows," Artillery (web), August 8 (Link)
: Riechert, Elliot, "Art Top 5: June 2018," New City Art (web), May 30 (Link)
: Zarley, B. David, "Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery," New City Art (web), June 15 (Link)
2017: “Bardo Parade,” Art.World (web), February
: “Whitney Bedford, Bardo Parade,” Daily Art Fair (web), February
: “Whitney Bedford, Bardo Parade,” My Art Guides (web), February
: “Whitney Bedford : Bardo Parade,” Art Hebdo Médias (web), February
: “Whitney Bedford : Bardo Parade,” Connaissance des Arts (web), February
: “Bardo Parade, 10 février – 1 avril 2017,” Paris Art (web), February 10
: “Whitney Bedford, Bardo Parade at Galerie Art : Concept, Paris,” Artcatalyst, February 11
: “Whitney Bedford, Bardo Parade,” Galleries Now (web), February 16
: Benoit, Guillaume, “Whitney Bedford , galerie Art : Concept,” Slash Paris, February 18
: “Whitney Bedford : Bardo Parade,” FigaroScope (web), February 20
: De Santis, Sophie, “Le ‘La-La-Land’ de Whitney Bedford,” Figaroscope, February 22
: “Whitney Bedford – Peinture,” Art Libres, March 1 – 7
: “Whitney Bedford ‘Bardo Parade’ at Art : Concept, Paris,” Mousse Magazine (web), March
: De Santis, Sophie, “Visite virtuelle de l’exposition Whitney Bedford à Paris,” Le Figaro (web), March 3
: Gil, Virginia, “The must-see Art Basel Miami 2017 galleries,” Time Out Miami, November 20
: "Sea, art & money,” Beaux Arts Magazine, December
: “Travel: Hot tickets,” Net-A-Porter (web), December
: Zevitas, Steven, “Making it to the Big Stage: New American Paintings Alumni on View at Art Basel Miami 2017,” New American Paintings, December
2016: Vallecorse, Victoria, “Alumna showcases art worldwide, stays in LA for dynamic environment,” Daily Bruin, February 26
: Zarley, B. David, “Whitney Bedford: The Sinister Sublime,” New American Paintings (web), June 6 (Link)
: Rigou, Vasia, “Painting Raging Nature and the Powerful Sublime, Whitney Bedford in Profile,” NewCity Art (web), June 10 (Link)
: Yood, James. “Whitney Bedford: “East of Eden” at Carrie Secrist Gallery, art ltd., July/August
2015: Hess, Hugo, "Whitney Bedford," WideWalls, February 2
: La Femme de trente ans, Contemporary Art Daily, July 21
: Pick of the Week: Whitney Bedford, Artillery Magazine (web), December 17
2014: Karman, Tony, "An Unprecedented List of Cultural Exhibitions and Events in Chicago This September," September 16
: "Preview the 2014 Expo Chicago Art Fair," ARTnews, September 15
2013: McNamara, T.J., "Colour Heightens Vivid Drama," The New Zealand Herald, April 20
2012: Mizota, Sharon, "Facing the Sublime in Water, CA delves deep," Los Angeles Times, December 20
2011: Goodrich, John, Five From L.A., City Arts, January 26
2009: Tran, Khanh T.L., Memo Pad: A Portrait of the Artist, Womens Wear Daily, Vol. 197, Iss. 49, p. 12, March 9
2007: Freeman, Tommy, Reviews, Artweek, December/January
: Bedford, Christopher, Whitney Bedford at Cherry and Martin, Art In America, Vol. 95, Iss. 11, p. 168, December
: Mizota, Sharon, Whitney Bedford at Cherry and Martin, Art Ltd., November, p. 17
: Wilder, Matthew, Critics Pick, Artforum, October
: Myers, Holly, Gallery World: Making a Scene, Los Angeles Times, October 17
: Brooks, Amra, Must See Art, LA Weekly, October 10
: Knight, Christopher, Around the Galleris, Los Angeles Times, October 5
2006: Mendelsohn, Meredith, The New Romantics, ARTnews, February, pg. 123
2005: Freeman, Tommy, Art Review, December
: Baldessari, John, 100 Future Greats: Whitney Bedford, Art Review, December
: News & Features, Art Basel Miami: Theyre a Steal!, ARTINFO, December
: Bennou, Kassiani, The risk of Art: Yorgos Tsibiridis Collection, Ozon, July/August
: Rogue Wave 05, exhibition catalog, LA Louvre, Venice, CA
2004: Fertiles Textiles, Jalouse, November
: Brochard, Yves, Mixed Paint: A Survey of Contemporary Painters, Flash Art, November
: Dagan, Philippe, Le allusions fantomatiques de Whitney Bedford, Le Monde, October
: Brochard, Yves, Whitney Bedford, Louise, September 11- November 6
: Selbach, Gerard, Whitney Bedford, paris-art.com, September
: Bedford, Whitney, Self Portrait, Tema Celeste, May/June, pg. 84-85

Catalogues and Publications

2023: Schwabsky, Barry and Sarah Whitfield. "Bonnard: The Experience of Seeing," Acquavella Galleries, New York, NY, 2023
2021: Schwabsky, Barry. “Whitney Bedford,” Miles McEnery Gallery, New York, NY 2021

Teaching Experience

2020: Visiting Artist, University of Texas, Austin, TX
2018-2024: Adjunct Professor, Chapman University, Orange, CA
2018-2021: Adjunct Professor, University of California, Riverside
2018: Visiting Artist, University of Nevada, Las Vegas
2016-2017: Adjunct Professor, University of California, San Diego
2016: Visiting Artist, Otis College of Design, Los Angeles, CA
2014: Visiting Artist, University of California, Los Angeles
2012: Visiting Artist, Art Center College of Design, Pasadena, CA

Awards, Grants and Fellowships

2015: Pollock Krasner Award
2000-2003: UCLA Darcy Hayman Award
2001: UCLA Hammer Museum Drawing Biennial Winner
1998-2000: Fulbright Graduate Fellowship, Hoschule der Kunste, Berlin, Germany
1998-1999: Karl-Hoffer Gesellschaft Atelier, Kunstler Werkstatt Banhoff Westend
1997: Peggy Guggenheim Collection Studentship, Venice, Italy

Public Collections

: Eric Decelle, Brussels, Belgium
: Francois Pinault Collection, Paris, France
: Ginette Moulin and Guillaume Houzé Contemporary Art Collection, Paris, France
: Hammer Museum, Los Angeles, CA
: Jumex Collection, Mexico City, Mexico
: Legion of Honor, San Francisco, CA
: Marciano Art Foundation, Los Angeles, CA
: Pizutti Collection, Columbus, OH
: Rosa and Carlos de la Cruz, Miami, FL
: Santa Barbara Museum of Art, Santa Barbara, CA
: The Saatchi Gallery, London, UK

Ruben Ochoa

1974: Born in Oceanside, CA
: Lives and works in Los Angeles

2003: MFA, University of California, Irvine
1997: BFA, Otis College of Art and Design, Los Angeles
1996: Parsons School of Art and Design, New York

Selected Solo Exhibitions

2020: "Ruben Ochoa," Vielmetter Los Angeles, Los Angeles, CA
2017: “Sampled and Surveyed,” Art + Practice, Los Angeles, CA (Link)
2016: "Tripping the Light Fantastick," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: “Ruben Ochoa: watching, waiting, commiserating,” Museum of Contemporary Art San Diego, San Diego, CA (Link)
2014: "MATRIX 169: Ruben Ochoa, ‘Cloudless Day,’" The Wadsworth Atheneum Museum of Art, Hartford, CT (Link)
2013: "Dislocated Masses," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011: "Cores and Cutouts", Locust Projects, Miami, FL
2010: Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Museum of Contemporary Art San Diego, CA
2009: Charles H. Scott Gallery at Emily Carr University, Vancouver, British Columbia, Canada
: "Crooked Under the Weight," Site Santa Fe, Santa Fe, NM
: Collapsed, Peter Blum, Soho, New York, NY
: three the hard way, Peter Blum Gallery, Chelsea, New York, NY
2008: Fall of the Wall [paper], Susanne Vielmetter Berlin Projects, Berlin, Germany
2007: A Recurring Amalgamation, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: Clastic Rupture, Hallwalls Contemporary Arts Center, Buffalo, NY
2006: Extracted, LA><ART, Los Angeles, CA
: Freeway wall next to a, Lizabeth Oliveria Gallery, Los Angeles, CA
2005: Borrowed Ladders, ESL Ι Esthetics as a Second Language, Los Angeles, CA
2004: Greyscale, Voz Alta Projects, San Diego, CA

Two and Three Person Exhibitions

2018: "Forty and Nine," 49 South Van Ness Forum Sculpture Public Art Project, San Francisco, CA
2013: "Duet: Ruben Ochoa and B.J. Vogt", Duet St. Louis, MO, curated by Daniel McGrath
2011: Beta-Space: Kevin Appel and Ruben Ochoa, San Jose Museum of Art, San Jose, CA
2009: ArtBasel Miami, two person presentation with Tam Van Tran, Susanne Vielmetter Los Angeles Projects Booth
2007: Swap, collaboration with Mark Bradford, LACMA: On-Site, Charles White Elementary Gallery, Los Angeles, CA
2006: Storage, collaboration with Marco Rios, 4-F Gallery, Los Angeles, CA
: Embryonic Loop, collaboration with Marco Rios, LA><ART, Los Angeles, CA
2005: Caltransposed with Peter Tavera, Gallery 727, Los Angeles, CA
2004: Rigor Motors, collaboration with Marco Rios, Laguna Art Museum, Laguna, CA, CA
: Projects by Ruben Ochoa and Michael Queenland, The Project, Los Angeles (curated by Lauri Firstenberg)

Selected Group Exhibitions

2026: "Day-to-Day: Rhythm, Routine, Resistance," Henry Art Gallery, Seattle, WA
2023: "Outside: In," Cummer Museum of Art & Gardens, Jacksonville, FL
: "The Land of Milk and Honey / La tierra queue mana leche y miel," Organized by the MexiCali Biennial, The Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, Riverside, CA
2022: "Lonesome Crowd West: Works from MOCA’s Collection," The Geffen Contemporary, Los Angeles, CA
2021: "Church for Sale," The Haubrok Collection and the National Gallery Collection, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: COLA Fellowship Exhibition, Los Angeles Municipal Art Gallery (LAMAG), Los Angeles CA (Link)
: "Church for Sale," Hamburger Bahnhof, Berlin, Germany
2020: "South East North West: New Works from the Collection," San Jose Museum of Art, San Jose, CA
: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "To Tame a Wild Tongue: Art After Chicanismo," Museum of Contemporary Art San Diego, San Diego, CA
2019-2020: " Bound to the Earth: Art, Materiality, and the Natural World," Museum of Contemporary Art San Diego, San Diego, CA
: "Open Space," BACKSPACE, Los Angeles, CA
: "The Sorcerer’s Burden," The Contemporary Austin, Texas
2019: "Sculpture," Vielmetter Los Angeles, Los Angeles, CA
: "Centennial: 100 years of Otis College Alumni," Otis College of Art and Design, Los Angeles, CA
: "Common Bonds: Artists and Architects on Community," Art, Design & Architecture Museum, UC Santa Barbara, Santa Barbara, CA (Link)
2018: "Maker Faire San Diego," San Diego Art Institute, San Diego, CA
2017: “Vantage,” Finishing Concepts, Los Angeles, CA
: “Down These Mean Streets: Community and Place in Urban Photography,” Smithsonian American Art Museum, Washington, DC (Link)
: “Mi Tierra: Contemporary Artists Explore Space,” Denver Art Museum, Denver, CO
2016: "Artworks for Change," Online Exhibition (Link)
2015: "Apparitions: Frottages and Rubbings from 1860 to Now," Hammer Museum, Los Angeles, CA; travelled to the Menil Collection, Houston, TX
2013: Nasher XCHANGE: 10+ Celebration, Nasher Sculpture Center, Dallas, TX, curated by Jeremy Strick
: "Reverberations," Huntington Beach Art Center, Huntington Beach, CA
: "Hook, Line and Sinker: Contemporary Drawings from the Collection of Debra and Dennis Scholl", Nevada Museum of Art, Reno, NV
2012: Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
: "no desaster: sammlung haubrok bei falckenberg," Phoenix-Hallen, Harburg, Germany
: The Very Large Array: San Diego/Tijuana Artists in the MCA Collection, Museum of Contemporary Art San Diego Downtown, Jacobs Building, San Diego, CA
: "my.LA," haubrok foundation, Berlin, Germany
2011: Greater LA, curated by Benjamin Godsill, Eleaonor Cayre and Joel Mesler, New York, NY
: The Future Generation Art Prize @ Venice Collateral Event of the 54th International Art Exhibition La Biennale di Venezia, Palazzo Papadopoli, Venice , Italy
2010: Summer Group Show, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: The Artists Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA
: Future Generation Art Prize, PinchukArtCenter, Kiev, Ukraine
: Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Between Here and There: Modern and Contemporary Art from the Permanent Collection, Miami Art Museum, Miami, Florida
: Invisible City, Instituto Cervantes, Madrid, Spain (Curated by Kris Kuramitsu and Christopher Miles) traveling to: Instituto Cervantes, New Delhi, India; Instituto Cervantes, Berlin, Germany; Instituto Cervantes, Tokyo, Japan
2009: Counter Intelligence, Luckman Gallery at California State University, Los Angeles, CA
: Collecting History: Highlighting Recent Acquisitions, MOCA, Los Angeles, CA
: Collectors XXIV, Museum of Contemporary Art San Diego, San Diego, CA
: Dibujar es Pensar Proyecto Magenta, Monterrey, Nuevo Len, Mexico
2008: "it’s about sculpture," haubrok foundation, Berlin, Germany
: From and About Place: Art from Los Angeles, The Center for Contemporary Arts, Tel Aviv, Israel, Curated by Alma Ruiz (catalogue)
: In the Round: The 90th Anniversary of OTIS College of Art & Design, Andrew Shire Gallery, Los Angeles, CA
: Puerto Vallarta Arte Contemporneo 08, Puerto Vallarta, Mexico (organized by Pilar Perez)
: WHITNEY BIENNIAL 2008, Whitney Museum of American Art, New York, NY
: Phantom Sightings, Los Angeles County Museum of Art, Los Angeles (curated by Rita Gonzalez,Howard Fox and Chon Noriega) travelling to: Tamayo Art Museum, Mexico City, Mexico; Mexico Contemporary Art Museum, Houston, TX; Museum Alamdea, San Antonio, TX; El Museo del Barrio / Americas Society, New York, NY; Museo de Arte de Zapopan, Guadalajara, Mexico
2007: Multifaceted Lens, Minnesota Center for Photography, Minneapolis, MN
: Performance Z-A, 25th Anniversary for the Storefront for Art and Architecture, New York, NY
: Viva Mexico! Zachęta National Gallery of Art, Warsaw, Poland, curated by Magda Kardasz, traveling to BWA Wrocław Contemporary Art Gallery, Wrocław, Poland.
: Latitude, Artcore, Los Angeles (organized by Pilar Tompkins)
: Range, d.e.n Gallery, Los Angeles (curated by Kristi Lippire)
2006: Mexicali Biennial, La Casa de la Tia Tina, Mexicali, Mexico
: The Newsstand Project, newsstands throughout Los Angeles (organized by Dan Bayles)
: Agent Once, Acuna-Hansen, Los Angeles (organized by Jason Keller)
: 25 Bold Moves: Emerging Artists Exhibit, House of Campari, Los Angeles, CA
: An Image Bank for Everyday Revolutionary Life, REDCAT Gallery, Los Angeles, CA
: Otis: Nine Decades of Los Angeles Art Municipal Art Gallery, Los Angeles, CA
2005: Happenstance, Harris-Lieberman Gallery, New York (curated by Lauri Firstenberg)
: Drive by and relax, UPSPACE, Los Angeles (curated by Chris Sicat)
: Borderless Dreams, Oceanside Museum of Art, Oceanside, CA
: Drive Time, Wignall Museum, Rancho Cucamonga, CA
: Empire.Style, ART2102, Boyle Heights, CA (curated by Peter Zellner)
: passerby, Vox Populi, Philadelphia, PA (curated by Cassandra Cobelentz)
2004: FREEWAVES_Inter-State: Video on a Go, REDCAT Theater, Los Angeles, CA
: 2004 California Biennial, Arist-in-residence, Orange County Museum of Art, Newport Beach, CA
: Land of the Free: Americana, City of Brea Gallery, Brea, CA (curated by Tyler Stallings)
2003: Picarte! Photography Beyond Representation, Heard Museum, Phoeniz, AZ
: Recess, Cirrus Gallery, Los Angeles (curated by Brienne Arrington and Dan Bayles)
: Happy Beautiful Desirable, Track 16, Santa Monica, CA
2002: Better Look Twice, Pasadena City College Art Gallery, Pasadena, CA
: Whacked, Los Angeles (curated by John Souza)

Selected Projects

2006-2007: Fwy Wall Extraction, 10 fwy eastbound below Soto St and Marengo Blvd intersection, Los Angeles (produced by Creative Capital Foundation)
2006: Disrup, LA><ART Billboard Project, La Cienega Blvd between Venice and Washington, Los Angeles
: aint that revolutionary, LA><ART Billboard Project, corner of Santa Monica Blvd and Highland Ave, Hollywood, CA (in conjunction with the exhibition An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles)
2001-2005: CLASS: C, mobile artist space featuring over 75 artists, curators, and collaborators throughout Southern California

Awards, Grants and Fellowships

2021: COLA Fellowship Grant, Los Angeles, CA (Link)
2013: California Community Foundation, Getty Fellow, Mid-Career Artist (Link)
2010: Future Generation Art Prize Nomination, Victor Pinchuk Foundation
2008: John Simon Guggenheim Memorial Foundation Fellowship
: Center for Cultural Innovation (CCI) Investing in Artist Grant
2006: Rockefeller Fellowship: New Media
2005: International Studio and Curatorial Program Residency (ISCP-NYC), August-November 2007
: Creative Capital Foundation: Visual Arts Grant
2004: Nimoy Foundation, California Biennial, Orange County Museum of Art: Artist-in-Residence
: California Community Foundation: Emerging Artist Fellowship
: The Durfee Foundation: Artists Resource for Completion Grant
2002: University of California Institutional Research Award (UCIRA)

Teaching Experience

2018: Associate Professor of Practice, USC Roski School of Art and Design

Bibliography

2023: Voon, Claire. "An environmental art festival in Los Angeles seeks to counteract climate despair and inspire action," The Art Newspaper, September, 20
: Katz, Anna. "MOCA Focus: Eddie Rodolfo Aparicio," Museum of Contemporary Art, Los Angeles, CA
: Allen, David. "MexiCali Biennial art show migrates to The Cheech in Riverside," The Press-Enterprise, March 9 (Link)
: Stromberg, Matt. "Tamales, Celebs, and Hungry Collectors at Frieze LA," Hyperallergic, Febraury 17 (Link)
: Durón, Maximilíano. "The Best Booths at Frieze LA 2023, From Poignant Reflections on History to an Art Gallery in a Van," ARTnews, February 16 (Link)
: Escárcega, Patricia. "Ruben Ochoa Puts Hidden Labour Under The Spotlight," Frieze, February 15 (Link)
: Finkel, Jori. "A Vehicle for Social Justice, Bound for the Frieze Art Fair," The New York Times, February 13 (Link)
: Frieze Los Angeles. "Frieze Projects Los Angeles 2023" Frieze, February 3 (Link)
: Ludel, Wallace. "Frieze Los Angeles bringing a skyscraper, a truck- based gallery and more to Santa Monica Airport," The Art Newspaper, February 2 (Link)
2022: "Church for Sale Works from the Haubrok Collection and the Nationalgalerie Collection," Exhibition Catalogue, Nationalgalerie, Staatliche Museen zu Berlin
2021: Miranda, Carolina. "Newsletter: How artist Nari Ward uses castoffs to create charged worlds at Deitch gallery," LA Times, July 3 (Link)
: Almino, Elisa Wouk. "A Tribute to Los Angeles’s Street Vendors," Hyperallergic, April 28 (Link)
: Keh, Pei-Ru. "Snapchat and LACMA celebrate diversity in LA," Wallpaper, April 23. (Link)
: Robarts, Stu. "Snapchat’s Five Los Angeles AR Monuments: What Are They & How To View Them," ScreenRant, April 16 (Link)
: Azzarello, Nina. "LACMA + snapchat bring artist-designed augmented reality monuments to L.A. (and your home)," Designbloom, April 13 (Link)
: Vankin, Deborah. "Fruit carts flying over MacArthur Park: How you can see LACMA’s first AR monuments," Los Angeles Times, April 13 (Link)
2020: Vankin, Deborah. "LACMA turns to Snapchat again, this time for a virtual monuments project," Los Angeles Times, December 8
2019: Fernandez, Javier. "Beauty at the Border: A collection of Art in Architecture pieces at the San Ysidro Land Port of Entry," GSA, August 5 (Link)
: Delson, Susan. "Playful Riffs on Fact and Fiction," Wall Street Journal, July 26 (Link)
2018: Shimi Roth, Minhae. "Locust Projects Turns 20: Remembering Its Most Memorable Exhibits," Miami New Times, December 4 (Link)
: Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)
2017: Shang, Danielle, “Collectors of Color on the Importance of Supporting Under-Recognized Artists,” Hyperallergic (web), November 28 (Link)
: Zellen, Jody, “Ruben Ochoa at Art + Practice,” Art and Cake (web), October 7 (Link)
: Goldberg, Vicki, “Mean Streets, Kind Cameras,” New York Times, July 28 (Link)
: Jacobson, Louis, “At the Smithsonian’s American Art Museum, a Fresh Look at Urban Photography,” Washington City Paper (web), July 21
2016: Miranda, Carolina, “Last chance to see Ruben Ochoa’s latest twist on his urban landscape obsession: Giving rust new life,” Los Angeles Times (web), April 13 (Link)
: Wilcox, Larry, “Ruben Ochoa at Susanne Vielmetter Los Angeles Projects,” ArtReview, Summer (Link)
: Buscemi, Lauren, “Report: San Diego,” art ltd., August
: Peterson, Karla, “Test Drive: Night at the museum,” The San Diego Union-Tribune (web), November 19
2015: Knight, Christopher, Review: Apparitions at the Hammer explores low-tech art in a high-tech world, Los Angeles Times, February 13 (Link)
2014: Hickson, Patricia, "Nothing But Blue Skies," brochure for "Ruben Ochoa: Matrix 169, ‘Cloudless Day,’" published by Wadsworth Atheneum Museum of Art, Hartford, CT
: "Best Bets: June 2014," Hartford Magazine, June (Link)
: Smith, Anna M., "Nasher XChange: Ruben Ochoa," exhibition catalog to "Nasher XChange", published by The Nasher Sculpture Center, Dallas, TX
2013: Ruben Ochoa: Flock in Space, Trinity River Audubon Center, Exhibition Pamphlet for Nasher XCHANGE: 10 Years, 10 Artists, 10 Sites, Dallas: Nasher Sculpture Center, October
: Nasher Sculpture Center Celebrates 10th Anniversary, CBS Dallas-Forth Worth, October 18
: Herren, Michael, "7 LA Artists to Watch," LA Confidential, October
: 100 Best Fall Shows, Modern Painters, September
: Nasher Sculpture Center launches ambitious project to turn all of North Texas into an outdoor museum, Dallas Voice, August 23
: Bentley, Alex, Nasher Sculpture Center unveils plans for first Nasher Xchange sculpture at Trinity River Audubon Center, Culture Map Dallas, June 14
2012: Einspruch, Franklin, Ruben Ochoa, Art in America, March 8
2010: Boehm, Mike, New art prize nets winner $100,000 from billionare collector Victor Pinchuk, The Los Angeles Times, December 10 (Link)
: Burge, Russell, Critics Pick: Ruben Ochoa, artforum.com, May
: Pincus, Robert L., Echoes of Duchamp at the MCASD, San Diego Union Tribune, April 11
: Johnson, Ken, Art Review: Phantom Sightings, The New York Times,
: Myers, Holly, Ruben Ochoa: In a construction zone, Los Angeles Times, March 7
2009: Adlmann, Jan Ernst, Santa Fe, Art In America, December
: Momin, Shamim, Ruben Ochoa essay in Vitamin 3-D: New Perspectives in Sculptures and Installation, Phaidon Press
: Art & Space: Ruben Ochoa, BOB International Magazine of Space Design, Issue #062, Fall
: Davis, Kathryn M., Santa Fe, Art Ltd., July
: Cotter, Holland, Ruben Ochoa: Collapsed, the New York Times, July 17
: Fairfield, Douglas, Art In Review, Santa Fe New Mexican Pasatiempo, July 10
: Fischer, Zane, Pssst! Hey, Mom: SITE has an art exhibition that mothers (and others) will love, Santa Fe Reporter, July 8
: Tobin, Richard, Critical Reflections: Ruben Ochoa/ Crooked Under the Weight, THE Magazine, July 2009
: Weideman, Paul, Four Off the Floor, the New Mexican Pasatiempo, June 26
: Exhibitions: Ruben Ochoa, SITE magazine, Summer
: Dault, Julia, Critics Pick: New York, Ruben Ochoa at Peter Blum, Artforum, May
: Galleries-Downtown: Ruben Ochoa, The New Yorker, April 13
: Saltz, Jerry, This Road Goes Somewhere, New York Magazine, April 6
: Von Taube, Annika, Los Angeles, Sleek Magazine, Winter
2008: Place, Vanessa, Phantom Sightings: Art after the Chicano Movement, X-Tra Magazine, Vol. 11, No. 2, Winter
: Chang, Richard, A Broader Biennial, Orange County Register, October 26
: Chang, Richard, California Biennial reaches beyond the Golden State, The Arts Blog, ocregister.com, October 24
: Young, Paul, The Radar Art, Angeleno, October
: Ruiz, Alma, Interview with Ruben Ochoa, From and About Place: Art from Los Angeles, The Center for Contemporary Art, Tel Aviv, September – November
: Kotz, Liz, Phantom Sightings: Art After the Chicano Movement, Modern Painters, September
: Guha, Rohin, Ruben Ochoa @ LAMCA, Blackbook.com, August 7
: Dambrot, Shana, Report: New York City, The Ghost of Jason Rhoades, Art Ltd, July
: Ezrha Jean, LAs Cultural art (r)evolution, Artillery, July/August
: Danto, Arthur C., Unlovable, The Nation, May 26
: Bryan-Wilson, Julia, Review: Phantom Sightings: Art After the Chicano Movement, Art Forum, Summer
: Johnson, Reed, Puerto Vallartas Not Just for Tourists, its for Artists too, Los Angeles Times, June 4
: Guggenheim Fellows of 2008, Art In America, June/July
: Canning, Susan, Whitney Biennial: New York, Art Papers, May
: Machida, Nico, Interview with Ruben Ochoa, ArtSlant, May 19
: Dabkowski, Colin, New at the Knox, The Buffalo News, May 11
: Vikram, Anuradha, The LA Annual, Artillery, May/June
: Gleason, Mat, Beyond Expectations: How Phantom Sightings Defeats Clich, ArtScene, May 1
: Miles, Christopher, LACMA East: Phantom Sightings Chronicles the Rise of Post-Chicanoism, LA Weekly, April 30
: Chang, R, O.C. Museum of Art hires guest curator for biennial, The Arts Blog, ocregister.com, February 11
: Lacavo, Richard, The Simple Life, Time, March 13
: Cohn, Marilyn, The Big Apple: Whitney Biennial, For Your Art, March 13
: Schuker, Lauren A.E., The Fine Art of Less, The Wall Street Journal, March 7
: Dalton, Trinie, 2008 Biennial Exhibition Catalogue, The Whitney Museum of American Art, March
: Dockary, Sean and Hugo Hopping. Social Studies: An Art and Social Engagement, X-TRA Contemporary
: Art Quarterly, Volume 10, Number 3, Spring
: MJ, Susanne Vielmetter Berlin Projects, Transparenz durch Trugbilder, Taz.de, January 16
: Gonzalez, Rita, Howard N. Fox, and Chan A. Noriega, Phantom Sightings: Art After the Chicano Movement LACMA Publications, March
2007: Viva Mexico, (Exhibition Catalogue), Zacheta National Gallery of Art, Warszawa
: Paterson, Carrie, Ruben Ochoa: A Recurring Amalgamation, Art Circles, Issue #5, Fall
: Vogel, Carol, Whitney Biennial Stretches to Armory, New York Times, November 16
: Artists Announced for 2008 Whitney Biennial, Artforum.com, November 16
: Campagnola, Sonia, Live from Los Angeles, Flash Art, November/December
: Gray, Emma, L.A. Confidential, artnet, October 12
: Continuing and Recommended: Ruben Ochoas A Recurring Amalgamation at Susanne Vielmetter Los Angeles Projects, Art Scene, October
: Mizota, Sharon, Ruben Ochoa: A Recurring Amalgamation at Susanne Vielmetter Los Angeles Projects, Artforum.com, September 22
: Gray, Emma, Emma Grays Top 10 Shows in Los Angeles this Month, Daily Magazine, Saatchi Online, September
: Myers, Holly, When nature and urban life conflict, Los Angeles Times, September 14
: Becker, Jack; Slade, George, Multifaceted Lens: Photography and Public Art, Public Art Review, Spring/Summer
: Freeman, Tommy, The Trans-Aestheticization of Daily Life at the Sweeney Art Gallery, Artweek, May
: Allsop, Laura; Alizarin Harvey, Polly; Lawley, Alanna, Consumed, ArtReview, June, p. 42
: Szupinska, Joanna, Ruben Ochoa, Artillery, Volume 1, No. 4, March
2006: Westerbeck, Colin, Photo Synthesis: Fwy Wall Extraction, West Magazine, Los Angeles Times, December 24
: Kim, Clara, Ruben Ochoa: Extracted, Contemporary, Issue 88, p.73
: West, Kevin, The Van Man, WWDscoop, September, p. 60
: Myers, Holly, Freeways connect and divide, Los Angeles Times, September 15, p. E22
: Gray, Emma, L.A. Confidential, Artnet, October 13
: Satorius, Katherine, Ruben Ochoa at LA><ART, Artweek, November, p. 17
: Campagnola, Sonia, Focus Los Angeles: A Survey of Contemporary Los Angeles Art, Flash Art, January/February, page 73
: Finkel, Jori, Recipe for Revolution: Take 11,000 Photos, New York Times, January 29, section 2-32
: Isenberg, Barbara, Otis College of Art and Design: The First 88 Years, Otis: Nine Decades of Art (catalogue), p. 14
: Pollack, Barbara, Happenstance, Time Out New York, Issue 536, January
2005: Gonzalez, Rita, Strangeways Here We Come, Recent Pasts: Art in Southern California from the 90s to Now, published by jrp ringier
: Cotter, Holland, Happenstance, New York Times, December 30, p. B37
: Willis, Holly, State of the Art: A Field Guide from Acken to Zittel, LA Weekly, October 28, p. 52
: Tumlir, Jan, California Biennial, Artforum, February, p. 168
2004: Pincus, Robert L., Turning in to the O.C.: Biennial belly laughs, The San Diego Union-Tribune, November 7
: Knight, Christopher, Biennial arrives, and so does a museum, Los Angeles Times, October 13, p. E1, E7
: Armstrong, Elizabeth and Hofman, Irene, The Big Sweep: Paradox in Paradise, California Biennial (catalogue), Orange County Museum of Art, Newport Beach, CA, p. 12-21, 92-95
: Cavallo Collins, Gina, Through the Lens Violently, Phoenix New Times, January 15 <http://www.phoenixnewtimes.com/issue/2004-01-15/art.html/print.html>
2002: Contreras, V. Wade, CLASS C: Ruben Ochoa Rolls Over Artistic Barriers, September <http://beyondmainstream.com/index.php3?inc=arts/artist_ruben_ochoa.php>

Public Collections

: Albright Knox Art Gallery, Buffalo, NY
: Hammer Museum, UCLA, Los Angeles, CA
: Los Angeles County Museum of Art, Los Angeles, CA
: Museum of Contemporary Art, Los Angeles
: Museum of Contemporary Art San Diego, San Diego, CA
: Perez Art Museum, Miami, Florida
: Sweeney Art Gallery, University of California, Riverside, CA
: Whitney Museum of American Art, New York, NY