Laura Aguilar

: Born: October 26, 1959 in San Gabriel, California
: Died: April 25, 2018 in Long Beach, CA
: Self taught

Selected Exhibitions

2003: "new bodies of work from Laura Aguilar”, Esperanza Peace & Justice Center, San Antonio, TX
2001: "Center", Susanne Vielmetter Los Angeles Projects, Los Angeles
2000: "Stillness & Motion", Susanne Vielmetter Los Angeles Projects, Los Angeles
1999: "Stillness", ArtPace, San Antonio, Texas
1998: "El jo divers" ("The Diverse Self"), Fundacio "la Caixa", Barcelona, Spain

Group Exhibitions

2023-2024: "What Has Been and What Could Be: The BAMPFA Collection," UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
2023: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022-2023: "Ecstatic Land," Ballroom Marfa, Marfa, TX
2021-2022: "Our whole, unruly selves," San José Museum of Art, San José, CA (Link)
2018: "Reclaimed," Linda Pace Foundation, San Antonio, TX
2007: "normal love—precarious life, precarious sex”, Künstlerhaus Bethanien, Berlin, curated by Renate Lorenz
2006: Mangnan Emrich Contemporary, Chelsea, New York, with Delilah Montoya
: "This is not a Love Song”, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Passing Through, Settling In: Photographs of the Desert", Stanlee and Gerald Rubin Center for the Visual Arts, University of Texas at El Paso, El Paso, TX, curated by Kate Bonansinga
: "Expressive Bodies: Contemporary Art Photography from The Kinsey Institute”, The Kinsey Institute for Research in Sex, Gender, and Reproduction, School of Fine Arts Gallery at
: Indiana University, Bloomington, IN, with Lynn Bianchi, Joel-Peter Witkin, Frank Yamrus, Mariette Path Allen, and Pierre et Gilles, traveling to Herron Gallery, Indianapolis
2004: "S.P.F", Angles Gallery, Los Angeles
: "Only Skin Deep Changing Visions of the American Self ", International Center of Photography, curated by Brian Wallis and Coco Fusco, catalog
: "AC", 473 Broadway Gallery, New York, NY, curated by Jeff Koan Baysa
: "Fat Attitudes – an exploration of an American subculture & the representation of the female body", Columbia University, NY
: "Fusion: A Los Angeles LGBT People of Color Film Festival", Los Angeles, CA
2003: "Koerper – Konstrukt – Schoenheit" (Body – Construct – Beauty), Galerie der Hochschule für Grafik und Buchkunst Leipzig, Germany, with Olaf Breuning, Mona Hatoum, Marie-Jo Lafontaine, Zoe Leonard, Bjorn Melhus, Orlan, Jack Pierson
: The Armory Show, New York, with Susanne Vielmetter Los Angeles Projects
: "H2O", Danese Gallery, New York, NY
2002-2003: "Der Akt in der Kunst des 20. Jahrhunderts" (The Nude in the Art of the 20th Century) Kunsthalle Emden, Germany (catalog)
2002: "water", The Renaissance Society at the University of Chicago, Chicago, IL
: "Majestic Sprawl – Some LA Photography", Pasadena Museum of California Art, Pasadena, CA, curated by Andrea Feldman
: "H2O", Hobart and William Smith College, Geneva, New York (catalog)
: "The Beautiful Gender: Transformations and Continuities", Sala de Exposiciones de la Comunidad de Madrid, Madrid, Spain, curated by Margarita Aizpuru, with Andres Serrano, Orlan, Cheryl Donegan, Martha Rosler, Nicole Eisenman, Daniela Steinfeld, catalog
: "Art/Women/California: Parallels and Intersections, 1950-2000", San Jose Museum of Art, San Jose, CA, catalog
: "Super Sex", Post, Los Angeles, CA, with Nicole Eisenman, Nicoletta Munroe, Sharon Ryan, Naomi Fisher, curated by Michael Gold
2001: "COLA 2001", Skirball Cultural Center, Los Angeles, CA
: "fotografia y sociedad", Museo de Arte Contemporaneo de Caracas Sofia Imber, Spain
2000: "Made In California" Los Angeles County Museum of Art, Los
: "Aztlan Today: The Chicano Postnation”, Communidad de Madrid, Spain and Brooklyn Museum of Art, Brooklyn, NY, catalog
1999: "The Nude in Contemporary Art", Aldrich Museum of Contemporary Art, Ridgefield, CT
1998: Margo Leavin Gallery, Los Angeles, CA
1997-1998: "Sunshine & Noir – Art in L.A. 1960-1997" Louisiana Museum of Modern Art, Humlebaek, Denmark, UCLA at the Armand Hammer Museum, Westwood, CA, Museum Wolfsburg, Wolfsburg, Germany
: "American Voices: Latin Photographers in the United States", Smithsonian Institution’s International Gallery, Washington, D.C.
1996: Sexual Politics: Judy Chicago’s "Dinner Party" in Feminist Art History, Armand Hammer Museum , UCLA, Westwood, CA
: Museum of Contemporary Art, New York, NY
: James D. Phelan Art Award in Photography Exhibition, San Francisco Camerawork
: "Vital Signs", Municipal Art Gallery, Los Angeles, CA
: "P.L.A.N. -Photography Los Angeles Now", LA County Museum of Art, Los Angeles
: "In a Different Light", University Art Museum of California at Berkeley
: "Pervert", University of California at Irvine, CA
1995: "Temporarily Possessed: The semi-permanent Collection", The New Museum of Art, NY
1994: "Encuentro Interamerieano de Artist Plasticos Exposicion", Universida De Guadalajara, Guadalajara, Mexico
: "New Photography II/ New Acquisitions Exhibition", LA County Museum of Art, Los Angeles
: "Bad Girls", The New Museum of Contemporary Art, New York
: "Bad Girls West", UCLA Wight Art Gallery, Los Angeles
1993: "Aperto 93", LA Biennale di Venezia, XLVB Esposizione Internazionale d’Art 1993, Venice, Italy
1992: "Breaking Barriers: Revisualizing the Urban Landscape", Santa Monica Museum of Art, Santa Monica, CA
: "Disorient: Perspectives in Colonialism", University of Illinois at Chicago, Chicago, IL
: "Ojo Abierto/Open Eye", Santa Barbara Contemporary Arts Forum
: "Working W/people", Los Angeles Municipal Art Gallery, Los Angeles, CA
1991: "L.A. iluminado", Otis/Parsons School of Art and Design, Los Angeles,
: "Forbidden Language: Beauty and Culture", University of Southern California
1990: "All But the Obvious", Los Angeles Contemporary Exhibitions, Los Angeles, CA
: "El Dia de los Muertos/ The Day of the Dead", Los Angeles Photography Center, Los Angeles, CA and The Women’s Building Gallery, Los Angeles, CA
: "Image and Identity: Recent Chicana Art", Laband Art Gallery, Loyola Marymount University, Los Angeles, CA
1989: "Contemporary Latin Photography", Los Angeles Photography Center, Los Angeles, CA
1988: "Mexican/Mexican American Photography", Mexico National General Archives Mexico D.F
: "Visible Differences: Images of a Diverse U.S. Culture, A National Exhibition of 14 Photographers", Centro Cultural de la Raza, San Diego, CA
1987: "Women Photographers in America 1987", Los Angeles Municipal Art Gallery, Los Angeles
1986: "Dia de los Muertos/ The Day of the Dead", Los Angeles Photography Center, Los Angeles, CA
1985: "Seven Latin Photographers", Self Help Graphics, East Los Angeles, CA

Bibliography

2021: DiQuinzio, A., Hejinian, L., and Butler, J. (2021). New time: Art and feminisms in the 21st Century. Pg 88-89. University of California, Berkeley Art Museum and Pacific Film Archive.
2006: Kuusinen, Asta, Shooting from the Wild Zone: A Study of the Chicana Art Photographers Laura Aguilar, Celia Álvarez Muñoz, Delilah Montoya, and Kathy Vargas, University of Helsinki
: Jones, Amelia, Self/Image: Technology, Representation, and the Contemporary Subject, Routledge Press, London and New York
: Selz, Peter, "On Racism, Discrimination and Identity Politics”, Art of Engagement, Visual Politics in California and Beyond, University of California Press, Berkley and Los Angeles, CA, University of California, Ltd. London, England, San Jose Museum of Modern Art, San Jose, CA, pp.218-219 (image reproduction pg.219)
2005: Davis, Angela Y. and Tadiar, Neferti X, "Beyond the Frame: Women of Color and Photography", Palgrave Publishers (in progress)
: Mahon, Alyce, Eroticism and Art, "Erotic Fragmentation and Abjection”, Oxford University Press, England, pg. 267 (book with reproduced images)
: Sinister Wisdom, No.64, Spring Issue, pg.7-9 (image)
2004: Oboler, Suzanne, and Gonzales, Deena J. (eds), "The Encyclopaedia of Latinos and Latinas in the United States", Oxford University Press
: Lazzari, Margaret & Schlesier, Donna, "Exploring Art: A Global, Thematic Approach", New York
2003: Henry, Lisa, "Still Life / Natural Beauty", FotoFile, #44, November 2003, pg 16 – 20, Jones, Amelia, ARTFORUM, pg. 143, October issue
: ZYZZYVA, Volume XIX.2, Fall 2003, pg. 81
: Breen, Margaret & Blumenfeld, Warren (editors): "Butler Matters: Judith Butler’s Impact on Gender and Queer Studies Since Gender Trouble, Ashgate Publishers (in progress)
: "Only Skin Deep Changing Visions of the American Self ", International Center of Photography, catalog
: Smith, Bill, "The Natural – Laura Aguilar, in the flesh", LA WEEKLY, Cover and feature article, January 10
2002: Achim Sommer, Nils Ohlsen (Hrsg.), "Der Akt in der Kunst des 20. Jahrhunderts" (The Nude in the Art of the 20th Century), Kunsthalle Emden, Wienand Verlag, 2002, pg. 89-90, 98-99
: Mesa-Bains, Amalia, "Calafia / Califas – A Brief History of Chicana California"
: Burgess Fuller, Diana, and Salvioni, Daniela, "Burning Down the House: Feminist Art in California"
: Phillips, Sandra S., "Women Artists in California and Their Engagement with Photography", in "Women / Art / California – Parallels and Intersections 1950 – 2000", University of California Press, 2002, pg. 137-139, 173, 254
: Nueva Luz, Commemorative Issue, May 2002
: Aizpuru, Margarita, "The Beautiful Gender: Transformations and Continuities", Sala de Exposiciones de la Comunidad de Madrid, Madrid, Spain, exhibition catalog essay
: Knight, Christopher, "Female Artists Just Foolin’ Around", Los Angeles Times, February 22
2001: Myers, Holly, "City, Too, Benefits from Grants", Los Angeles Times Calendar, June 7
: Muchnic, Suzanne, "City-Sponsored Freedom", Los Angeles Times Calendar, Sunday, May 20
: Davalos, Karen Mary, "Exhibiting Mestizaje – Mexican (American) Museums in the Diaspora", University of New Mexico Press, Albuquerque, 2001
: "Encuentro Iberamericano de Fotografia, catalog, pg 15
: Willis, Holly, "’Air Raids’ in Support of Local Video", Artweek, Vol. 32, issue No. 1, January
2000: Jones, Amelia, and Warr, Tracey, "The Artist’s Body", published by Phaidon Press, London
: Hammond, Harmony, "Lesbian Art In America", New York 2000
: Chicago, Judy and Lucie-Smith, Edward, "Women and Art", New York 1999
: Rousseau, Ann Marie, "Of Heaven and Hell: Another Day in LA, Stillness and Motion, Laura Aguilar, Susanne Vielmetter Los Angeles Projects", PHOTO METRO, Volume 18
: Martin, Victoria, "Laura Aguilar at Susanne Vielmetter Los Angeles Projects", Artweek
: Sichel, Berta, "Aztlan Today: The Chicano Postnation”, Exhibition catalog, published by Comunidad de Madrid, Spain, 1999-2000
: "Egg The Arts Show”, Section "The Body”, KCET Los Angeles (with Carolee Schneemann and John Currin)
: Rosenberg, Howard: ‘EGG’: It’s Not Always Just Breakfast”, LOS ANGELES TIMES, February 2
1999: Nochlin, Linda, "Offbeat and Naked", feature article on artnet.com, November
: Smith, Roberta, "In Connecticut, the Scars of War, the Works of Peace", The New York Times, July 30
: Cottingham, Laura, "Laura Aguilar”, ArtPace Exhibition Essay, May
: McGovern, Thomas, "Depictions of Class in West Coast Photography", Artweek, January
1998: Gerstler, Amy, "Art Attack", Los Angeles Magazine, November issue
: Jones, Amelia, "Body Art – Performing the Subject," University of Minnesota Press, Minneapolis, 1998
: "El jo divers" ("The Diverse Self"), Fundacio "la Caixa", Barcelona, SpaiN
: Cruewell, Constanze, Frankfurter Allgemeine Zeitung/ Kultur, March 21
: Gross, Roland, Berliner Morgenpost, Feuilleton, March 19
: Huther, Christian, Der Tagesspiegel, Berlin, March 21
: Deutsche Presseagentur, March 19
1996: "Chicana Creativity & Criticism," 2nd edition, edited by Maria Hererra-Sobek and Helena Maria Viramontes; published by University of New Mexico Press
: Jones, Amelia, "Sexual Politics / Judy Chicago’s Dinner Party in Feminist art History," (catalog), published by UCLA Armand Hammer Museum of Art, Westwood
1995: "Reframings – New American Feminist Photographies," pg. 242, 243, 244, 245; edited by Diane Neumaier; published by Temple University Press, Philadelphia
: "In A Different Light," pg. 93; edited by Nayland Blake, Lawrence Rinder & Amy Scholder, published by City Lights Books San Francisco
1994: Foto Fest 94, pg.37, The 5th Biennial International Festival of Photography
: Museo de las Artes, Universidad De Guadalajara (catalog)
: "Uncontrollable Bodies – Testimonies of Identity and Culture," published by Bay Press
1993: Bad Girls (catalog), pg. 56, published by the New Museum of Contemporary Art, New York
: FlashArt, Aperto 93 Emergency
: La Biennale di Venezia, XLV Espozsizione Internazionale d/Art 1993
1992: Frame-Work: The Journal of Images and Culture, Vol. 6, issue 1
: Art in America, June 1992, No. 6, pg. 61
1991: Frame-Work: The Journal of Images and Culture, Portfolio 1991, Vol. 4
1990: The Photo Review, Vol. 13, No.3, summer 1990, Ed. Stephen Perloff, pg. 13
1987: The Photo Review, Vol. 10, No. 3, summer 1987, Ed. Stephen Perloff

Public Collections

: The Kinsey Institute for Research in Sex, Gender, and Reproduction, Indiana University, Bloomington, IN
: DG Bank Collection, Frankfurt, Germany
: State Finance Office of Hessen, Germany
: Latin American Art, Scottsdale, Arizona
: Light Work, Syracuse, New York
: Los Angeles County Museum of Art, Los Angeles, California
: Los Angeles Public Library, Los Angeles, California
: The Museum of Contemporary Art, Los Angeles, CA
: The New Museum of Contemporary Art, New York, New York
: Santa Monica Cultural Affairs Department, Santa Monica, California
: Stanford University, Stanford, California

Awards, Grants and Fellowships

: Anonymous Was A Woman Award, New York, 2000
: COLA, Los Angeles Cultural Affairs Department, Los Angeles, 2000
: ArtPace, Residency, San Antonio, Texas, 1999
: California Community Foundation’s J. Paul Getty Grant for the Visual Arts, 1998
: The James D. Phelan Art Award – Photography, sponsored by the San Francisco Foundation, administered by SF Camerawork, 1995
: California Arts Council Fellowship, California Arts Council, Los Angeles, CA, 1994/95
: Artist in Residence Grant, California Arts Council, through the Gay and Lesbian Community Services Center, 1991-94

John Sonsini

1975: BA, California State University, Northridge, CA

Selected Exhibitions

2023: "Watercolors," Vielmetter Los Angeles, Los Angeles, CA
2020: "Cowboy Stories & New Paintings," Vielmetter Los Angeles, CA
2019: "John Sonsini," Miles McEnery Gallery, New York, NY
: “A Day’s Labor: Portraits by John Sonsini,” Art Design & Architecture Museum, University of California, Santa Barbara, CA
2018: “Daywork: Portraits,” Long Beach Museum of Art, Long Beach, CA
2016: Ameringer | McEnery | Yohe, New York, NY
2015: “John Sonsini,” Patrick Painter Gallery, Los Angeles, CA
2013: “John Sonsini: New Paintings,” Bentley Gallery, Phoenix, AZ
2012: “John Sonsini: Paintings,” Kucera Gallery, Seattle, WA
: “John Sonsini: New Paintings,” Inman Gallery, Houston, TX
: “John Sonsini: Men,” Hamilton College, Emerson Gallery, Clinton, NY
2011: “Los Vaqueros,” James Kelly Contemporary, Santa Fe, NM
2010: “Broad Reminders: The Paintings of John Sonsini,” ACME, Los Angeles, CA
: “Portraits from Los Angeles,” Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
2008: “New Paintings,” ACME, Los Angeles, CA
2007: “John Sonsini: Paintings and Drawings,” Atkinson Gallery, Santa Barbara City College, Santa Barbara, CA
: “John Sonsini,” Cheim & Read, New York, NY
2006: “New Paintings,” ACME., Los Angeles, CA
2005: “John Sonsini,” Anthony Grant Gallery, New York, NY
: “Cerca Series: John Sonsini,” Museum of Contemporary Art, San Diego, CA
2003: “Portraits,” ACME, Los Angeles, CA
: “John Sonsini,” Peter Blake Gallery, Laguna Beach, CA
2002: ACME, Los Angeles, CA
2000: “Gabriel,” ACME., Los Angeles, CA
1999: “Gabriel, New Paintings,” Dan Bernier Gallery, Los Angeles, CA
1998: “John Sonsini, New Photographs,” David Aden Gallery, Venice, CA
1997: “Photographs of John Sonsini,” Tom of Finland Gallery, Los Angeles, CA
1995: Dan Bernier Gallery, Santa Monica, CA
1986: Newspace Gallery, Los Angeles, CA
1983: Newspace Gallery, Los Angeles, CA
1982: Newspace Gallery, Los Angeles, CA
: Newspace Gallery, Los Angeles, CA

Group Exhibitions

2023: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022-2023: "Order / Reorder: Experiments with Collections," Hudson River Museum, Yonkers, NY
2022: "Where Words Falter: Art and Empathy," Tang Teaching Museum, Saratoga Springs, NY
: "Some People," Cheim & Read, New York, NY
2021: "Art and Hope at the End of the Tunnel," USC Fisher Museum, Los Angeles, CA
2020: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
2019: The Warmth of Other Suns: Stories of Global Displacement,” The Phillips Collection, Washington, D.C
: “Collecting on the Edge,” Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
2018: “Belief in Giants,” Miles McEnery Gallery, New York, NY
: “Modern and Contemporary,” Cantor Arts Center, Stanford University, Stanford, CA
: “From the Collection of Karen & Robert Duncan,” The Assemblage, Lincoln, NE
2017: “The Sweat of Their Face: Portraying American Workers,” National Portrait Gallery, Washington DC
2016: “Human Interest: Portraits from the Whitney’s Collection,” Whitney Museum of American Art, New York, NY
: “Us is Them,” Pizzuti Collection, Columbus, OH
2015: “The Human Touch: Selections from the RBC Wealth Management Art Collection,” Memorial Art Gallery, Rochester, NY
2014: “The Triumph of Love: Beth Rudin DeWoody Collects,” Norton Museum of Art, West Palm Beach, FL
: “Who we are, Selections from the Collection of Karen & Robert Duncan,” Clarinda Carnegie Art Museum, Clarinda, IA
: “Concrete Infinity, Selections from the Permanent Collection,” Museum of Contemporary Art, Los Angeles, CA
2013: “Mr & Mrs,” James Salomon Contemporary, New York, NY
: “Art of the West,” Autry National Center of the American West, Los Angeles, CA
: “The Human Touch: Selections from the RBC Wealth Management Art Collection,” Scottsdale
: Museum of Contemporary Art, Scottsdale, AZ
2012: “Domestic Relations,” Newspace Gallery, Los Angeles, CA
: “Mr & Mrs,” James Salomon Contemporary, New York, NY
: “All I Want is a Picture,” Angles Gallery, Los Angeles, CA
: “Body Language,” Orange Coast College, Costa Mesa, CA
: “SFMOMA: Contemporary Painting, 1960 to the Present: Selections from The Permanent Collection,” SFMOMA, San Francisco, CA
: “¡Cuidado! – The Help,” Greg Kucera Gallery, Seattle, WA
2011: “Mise-en-Scène,” Elizabeth Leach Gallery, Portland, OR
: “Works of Paper,” ACME, Los Angeles, CA
: Tobey C. Moss Gallery, Los Angeles, CA
2010: “Disquieted,” Portland Art Museum, Portland, OR
: “Personal Identities: Contemporary Portraits,” University Art Gallery, Sonoma State University, Rohnert Park, CA
: “Private Display,” New York Academy of Art, New York, NY
: “Think Pink,” Gavklak Gallery, Palm Beach, FL
: “The Human Touch,” Joslyn Art Museum, Omaha, NE
2009: “Posture,” Peter Blake Gallery, Laguna Beach, CA
: “With You I Want to Live,” Museum of Art Fort Lauderdale, Fort Lauderdale, FL
2008: “Other People,” UCLA Hammer Museum, Los Angeles, CA
: “The Sum of Its Parts,” Cheim & Read, New York, NY
2006: “Art on Paper 2006 ” Weatherspoon Art Museum, Greensboro, NC
: “Selected Paintings – Los Angeles,” Pasadena City College, Pasadena, CA
: “Twice Drawn,” Tang Teaching Museum, Skidmore College, Saratoga Springs, NY
2005: “Plip, Plip, Plipity,” Richard Telles Fine Art, Los Angeles, CA
2004: “Singing My Song,” ACME., Los Angeles, CA
: “Rogelio,” Installation painting, San Jose Museum of Art, San Jose, CA, curated by JoAnne Northrup
: “About Painting,” Tang Museum, Skidmore College, Saratoga Springs, NY
: “SPF, Self-Portraits,” Angles Gallery, Santa Monica, CA
2003: “intimates,” Angles Gallery, Santa Monica, CA
: “ACME. @ Inman,” Inman Gallery, Houston, TX
2002: “nude + narrative,” P. P. O. W. , New York, N Y
: “L.A. Post Cool,” The San Jose Museum of Art, San Jose, CA
: “Representing L. A. ,” Frye Art Museum, Seattle, WA
2001: “Made in California: Art, Image, and Identity 1900-2000,” Los Angeles County Museum of Art, Los Angeles, CA
: “Painting: Fore and Aft,” ACME., Los Angeles, CA
: Mark Moore Gallery, Los Angeles, CA
1999: “Portraits from L. A. ,” Robert and Francis Fullerton Museum of Art, California State University, San Bernardino, C A
1998: “Photographs,” David Aden Gallery, Venice, C A
: “Examining Sexuality,” Marc Arranaga, Los Angeles, CA
1997: “Private Reserve,” Photo Impact Gallery, Hollywood, CA
1996: Rosamund Felson Gallery, Santa Monica, CA, curated by Michael Duncan
1994: “L. A. Nude,” Photo Impact Gallery, Hollywood, CA
: “LAX the L. A. Biennial,” Otis Gallery, Los Angeles, CA
1992: “Contemporary Figure,” Pasadena City College, Pasadena, CA, curated by Peter Frank
1991: “L.A. Nude,” Photo Impact Gallery, Hollywood, CA
1990: “Feminine/Masculine,” Christopher John Gallery, Santa Monica, CA
: “Time,” Marc Richards Gallery, Santa Monica, CA
: “Humans Being,” Newspace Gallery, Los Angeles, CA
1986: “Issues,” Newspace Gallery, Los Angeles, CA
1985: “Perspectives,” California State University Northridge, Northridge, CA
: “Contemporary Monotypes,” Security Pacific Plaza, Los Angeles, CA
: “Paintings/Invitational Candidate Exhibition,” American Academy & Institute of Arts and Letters, New York, NY
1984: “Pastels,” Newspace Gallery, Los Angeles, C A
: “Seventeen Self Portraits,” Occidental College, Los Angeles, CA
: “No Finish Line,” Newspace Gallery, Los Angeles,CA
: “From Los Angeles,” Eason Gallery, Santa Fe, NM
: 1983 “Figure Fascination,” Jan Baum Gallery, Los Angeles, CA
: “Monoprints from Angeles Press,” Newspace Gallery, Los Angeles, CA
: “Four L. A. Painters,” The American Gallery, Los Angeles, C A

Selected Projects

2012: “The Extraordinary Life & Times of Bruce of L.A., 1948-1974,” from the Collection of John Sonsini, Pacific Standard Time Gallery Exhibition, Stephen Cohen Gallery, Los Angeles, CA, curated by John Sonsini
2007: The Puerto Vallarta Project, Jalisco, Mexico
: The Brooklyn Project, Brooklyn, NY
: The Santa Barbara Project, Santa Barbara, CA
2005: DAYL ABOR/Hollywood Work Center, Los Angeles, CA

Group Exhibition Catalogues and Books

2021: Pagel, David. "John Sonsini," Miles McEnery Gallery, New York, NY
2008: Dini, Jane, The Male Portraits of John Sonsini, Santa Barbara City College, Santa Barbara, CA.
2007: Grove, Jeffrey, John Sonsini, Cheim & Read, New York, NY.
2005: Berry, Ian, John Sonsini: New Paintings, Anthony Grant Inc., New York, NY.
2001: Leddick, David, Male Nude Now, Taschen.
: Made in California: Art, Image, Identity 1900-2000, Los Angeles County Museum of Art, Los Angeles, CA.
2000: Fuglie, Gordon L., Representing LA, Pictorial Currents in Southern California Art, Frye Art Museum, Seattle, WA.
1999: Ianco-Starrels, Josine, Portraits From L. A. , Robert V. Fullerton Museum, San Bernardino, CA.
1998: Lucie-Smith, Edward, Adam: The Male Figure In Art, Rizzoli. Leddick, David, The Male Nude – 100 Year History, Taschen.
2016: Berry, Ian, Jeffrey Grove, Allan M. Jalon, John Sonsini, exhibition catalogue, Ameringer | McEnery | Yohe, New York, NY.
2010: Wood, Eve, John Sonsini, exhibition brochure, ACME., Los Angeles, CA.
: Duncan, Michael, Portraits from Los Angeles, Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT.
2009: Lippman, Irvin M., The Collection of Gordon Locksley & George Shea, Museum of Art, Fort Lauderdale, FL.

Bibliography

2022: Stone, Marrie. "Francis De Erdely’s Striking Figures strikes a resonant chord at the Laguna Art Museum," Stu News Laguna, June 30 (Link)
2021: Teicholz, Tom. "Edward Goldman’s Own ‘Made In LA’— Pandemic Version," Forbes, October 19 (Link)
: Moldan, Tessa. "Expo Chgo Online: Six Artwork Highlights," Oculus, April 1 (Link)
2020: "Hot right now: 10 American post-war and contemporary artists to have in your collection," Christies, February 14 (Link)
: Stamberg, Susan. "Artist Says His Portraits Of Day Laborers Are Paintings — Not Statements," NPR, February 13 (Link)
: Pagel, David. "Review: The secret behind John Sonsini’s profound portraits of L.A. day laborers," Los Angeles Times, January 30 (Link)
2019: Cameron, Jon. "John Sonsini," Brooklyn Rail, May (Link)
2013: Gonzalez, Daniel. “Painter John Sonsini’s Works Portray Quiet Dignity of Day Laborers,” The Republic, March 26
2012: Zastudil, Nancy. “John Sonsini: Men at Work,” Arts+Culture Magazine Houston, February
2010: Pagel, David. “Partly Visible Stories.” Los Angeles Times 2 July: D19.
2002: Goldman, Edward. “Art Talk.” KCRW, September.
: Wood, Eve. “It’s All About the Gaze.” Artnet
: Bradley, Myrium. “The Collaborators John Sonsini and his Model, Gabriel, Make a Fine Art Pair.” art connoisseur volume #4.
2000: Goldman, Edward. “Art Talk.” KCRW 89.9 FM July.
1999: Pagel, David. “Every Face Tells a Story.” Los Angeles Times, December.
: Duncan, Michael. “L. A. Portraiture: Post Cool.” Art in America October.
1996: Duncan, Michael. “John Sonsini at Dan Bernier.” Art in America, March
: Pagel, David. “Solitary Pleasures?” Los Angeles Times, December.
: Ayers, Anne, LAX, catalogue. 1993 Rawlins, Dorrit, Nasty, catalogue.
1995: Muchnic, Suzanne. “John Sonsini.” ArtNews, April
1994: Duncan, Michael. “L. A. Rising.” Art in America December.
1991: Frank, Peter, Go Figure, New Portraits, catalogue.
1990: Clarke, Orville O. “John Sonsini.” Southern California Home & Garden 3.
1986: Muchnic, Suzanne. “John Sonsini.” Los Angeles Times October.
1985: Clarke, Orville. “John Sonsini: The Look of Los Angeles.” L.A. Reader May.
: Fehlau, F. “Figures and Figures.” In Style March.
: 1984 Baitz, Jon Robin. “Latin Connection.” L. A. Reader May.
: Wolf, Leslie. “Seventeen Self-Portraits.” LA Weekly March.
: Wolf, Leslie. “No Finish Line.” LA Weekly July.
1983: Wilson, William. “John Sonsini.” Los Angeles Times September.
: Delgado, Michael. “John Sonsini.” LA Weekly September.
: Knight, Christopher. “Monoprints from Angeles Press.” L. A. Herald Examiner May.
1982: Tuchman, Mitch. “John Sonsini: New Paintings.” LA Weekly September.
: Muchnic, Suzanne. “John Sonsini.” Los Angeles Times September.
: Muchnic, Suzanne. “Domestic Relation.” Los Angeles Times June.
: Drohojowska, Hunter. “Four L.A. Painters.” LA Weekly April.
2013: “John Sonsini’s Expressionist Portraits of Latino Laborers.” Huffington Post January.
2011: Zevitas, Steven. “10 Must-See Painting Shows In The US: Summer Heat Edition.” Huffington Post July.
: McGraw, Kate. “Intense Portraits.” Albuquerque Journal, June 25
: White, Roger. “Get Real.” Modern Painters February: 55.
2010: Rodriguez, Frank. “The Remarkable Men of John Sonsini.” Artillery Nov/Dec: 26-30.
2009: Rubin, Edward. “With You I Want to Live.” D’art International Fall.
: Trelles, Emma. “Locksley-Shea Collection at Museum of Art Fort Lauderdale.”
: Bradner, Liesl. “Quite a Crowd.” Los Angeles Times 4 January: F2.
2008: Pagel, David. “Day Laborers in a New Line of Work.” Los Angeles Times 9 May: E17.
: Wood, Eve. “John Sonsini at ACME.” Artillery July/August.
2007: Biel, Kim. “John Sonsini.” Art Ltd., West Coast Art & Design September
: Woodard, Josef. “John Sonsini at Atkinson Gallery.” Santa Barbara Seasons Fall: 74-9.
2006: Wood, Eve. “John Sonsini.” artUS March- April.
2005: Duncan, Michael. “The Faces of Work.” Art in America December: 124-127.
: Pincus, Robert L. “Face Time.” San Diego Union-Tribune 31 March.
: Johnson, Ken. “John Sonsini at Anthony Grant.” New York Times 25 March: B29.
2003: Pagel, David. “Family, friends, other ‘Intimates.” Los Angeles Times, August 29
: Cooper, Bernard. “In the Raw.” Los Angeles Magazine December: 124-128.

Public Collections

: Autry Museum of the American West, Los Angeles, CA
: AD&A Museum, University of California, Santa Barbara, CA
: Addison Gallery of American Art, Philips Academy, Andover, MA
: Birmingham Museum of Art, Birmingham, AL
: The Broad Art Foundation, Santa Monica, CA
: Bronx Museum of the Arts, New York, NY
: Cornell University, Ithaca, NY
: The Frances Young Tang Museum, Skidmore College, Saratoga Springs, NY
: Hammer Museum, University of California, Los Angeles, CA
: Henry Art Gallery, University of Washington, Seattle, WA
: High Museum of Art, Atlanta, GA
: Long Beach Museum of Art, Long Beach, CA
: Los Angeles County Museum of Art, Los Angeles, CA
: Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
: McNay Art Museum, San Antonio, TX
: Minneapolis Institute of Art, Minneapolis, MN
: The Mulvane Art Museum, Washburn University, Topeka, KS
: Museum of Contemporary Art, Los Angeles, CA
: Museum of Contemporary Art, San Diego, CA
: Nerman Museum of Contemporary Art, Johnson County College, Overland Park, KS
: Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
: Palm Springs Art Museum, Palm Springs, CA
: Portland Art Museum, Portland, OR
: San Francisco Museum of Modern Art, San Francisco, CA
: Santa Barbara Museum of Art, Santa Barbara, CA
: The Smithsonian American Art Museum, Washington, D.C.
: The Solomon R. Guggenheim Museum, New York, NY
: The Weatherspoon Museum, Greensboro, NC
: The Whitney Museum of American Art, New York, NY

Amy Sillman

: Born in Michigan
: Lives and works in New York, NY

1995: MFA, Bard College, Elaine de Kooning Memorial Fellowship, Annandale-on-Hudson, NY
1979: BFA, School of Visual Arts, New York, NY
1975: New York University, New York, NY
1973: Beloit College, Beloit, WI

Selected Exhibitions

2023: "Amy Sillman: Temporary Objects," Thomas Dane Gallery, London, UK
2021: "ROCK PAPER SCISSORS," Capitain Petzel, Berlin, Germany
2020: "Twice Removed," Gladstone Gallery, New York City, NY
2019: "Amy Sillman: The Nervous System," The Arts Club of Chicago, Chicago, IL
2018-2019: "Landline," Camden Arts Centre, London, UK
2018: "Mostly Drawing," Gladstone Gallery, New York, NY (Link)
2017: “ein Paar,” Capitain Petzel, Berlin, Germany (Link)
: “After Metamorphoses,” The Drawing Center, New York, NY (Link)
2016: “Stuff Change,” Sikkema Jenkins & Co., New York, NY
: “the ALL-OVER,” Portikus, Frankfurt, Germany (Link)
2015: Yes or No, KUB Arena, Kunsthaus Bregenz, Bregenz, Austria
2013-2014: "one lump or two", curated by Helen Molesworth, Institute of Contemporary Art/Boston, Boston, MA; Aspen Art Museum, Aspen, CO; traveling to the Hessel Museum, Bard College, Annandale-on-Hudson, NY
2013: "either or and," Thomas Dane Gallery, London, United Kingdom
: A shape that listens: new drawings, Campoli Presti, Paris, France
2012: "Draft of a Voice-over for Split Screen Video Loop", castillo/corrales, Paris, France
2011: Thumb Cinema, Capitain Petzel, Berlin, Germany
2009: zum Gegenstand, Carlier / Gebauer, Berlin, Germany
: Amy Sillman, Sikkema Jenkins and Co., New York, NY
2008: Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Directions: Amy Sillman, Third Person Singular, Hirshhorn Museum and Sculpture Garden, Washington DC, Taveling to the Tang Museum, at Skidmore College, Saratoga Springs, New York
2007: Person, place or thing, Carlier / Gebauer, Berlin
: "Suitors and Strangers, Blaffer Gallery, University of Houston Art Museum, Houston, TX, curated by Claudia Schmuckli
2006: "Amy Sillman, Sikkema Jenkins & Co., New York, NY
2005: "The Other One, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2004: ICA Ramp Project, Institute of Contemporary Art, University of Pennsylvania, Philadelphia,
: "Horizon Line, University of North Texas, Denton, TX
2003: "I am curious (yellow)", Brent Sikkema, New York, NY
2002: "Letters from Texas", Jaffe-Friede Strauss Galleries, Hopkins Center, Dartmouth College, Hanover, New Hampshire
: "Paintings", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: "A Long Drawing", Brent Sikkema Gallery, New York, NY
2001: Galleria Marabini, Bologna, Italy
2000: Brent Sikkema Gallery, NYC
1998: Casey Kaplan, NYC
1996: Casey Kaplan, NYC
1994: Lipton Owens Company, NYC
1991: Ledis Flam Gallery, NYC
1988: Kanoria Centre for Art, Ahmedabad, India

Group Exhibitions

2023: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
2022-2023: "Put It This Way: (Re)Visions Of The Hirshhorn Collection," Hishhorn Museum, Washington D.C.
2021: "Spatial Awareness, Drawings from The Permanente Collection," Menil Drawing Institute, Houston, TX
2020: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "100 Drawings from Now," The Drawing Center, New York City, NY
2019-2020: "Art after Stonewall, 1969-1989," Grey Art Gallery, New York University and the Leslie-Lohman Museum of Gay and Lesbian Art, New York; travelled to: Columbus Museum of Art, Columbus, OH
2019: "Artists I Steal From," Galerie Thaddaeus Ropac, London, UK
: "Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Meditations on the Mediterranean Sea," Chiesa delle Penitenti Fondamenta Cannaregio, Venice, Italy
: "Notebook," 56 Henry, New York, NY
: "Amy Sillman," The Arts Club of Chicago, Chicago, IL
2018-2019: "Terres de Femmes," Praz-Delavallade, Paris, France
2018: "Parallels and Peripheries," ArtCenter South Florida, Miami, FL
2018-2019: "Personal Space," Crystal Bridges Museum of American Art, Bentonville, AR
2018: "The Mechanics of Fluids," Marianne Boesky Gallery, New York, NY
: "Inherent Structures," Wexner Center for the Arts, Columbus, OH
2017: “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA
: “Gray Matters,” Wexner Center for the Arts, Ohio State University, Columbus, OH
2016: “A Shape That Stands Up,” curated by Jamillah James and organized by Hammer Museum, Art + Practice, Los Angeles, CA
: “Image Tech: Making Pictures in a Post Digital Age,” TCNJ Art Gallery at The College of New Jersey, Ewing, NJ
: “Nice Weather,” curated by David Salle, Skarstedt, New York, NY
: “The Collapse of the Mindís Ordering System Leads to Some Rather Wanton Developments,” curated by Alexi Kukuljevic, Tanya Leighton Gallery, Berlin, Germany
: “Life of Forms,” Mary Boone Gallery, New York, NY
: “Tales of Ratiocination,” Campoli Presti, London, UK
: “Autobiography,” The Swedish Contemporary Art Foundation, Stockholm, Sweden
2015: “The Guston Effect,” Steven Zevitas Gallery, Boston, MA
: “Painting 2.0: Expression in the Information Age,” Museum Brandhorst, Munich, Germany
: “48 Drawings,” Spike Berlin, Berlin, Germany
: “BACK TO THE FUTURE PART II – Brooklyn As The Painting Capital of the World,” Life on Mars Gallery, New York, NY
: “The Radiants,” Bortolami X Green Tea Gallery, New York, NY
: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
: "America is Hard to See," Whitney Museum of American Art, New York, NY
: "Making Traces," Tate Modern, London, UK
: "The Guston Effect," Steven Zevitas Gallery, Boston, MA
: "Painting 2.0: Expression in the Information Age," Museum Brandhorst, Munich, Germany
2014: "The Forever Now: Contemporary Painting in an Atemporal World," curated by Laura Hoptman, Museum of Modern Art, New York, NY
: "Live and let die," Stuart Shave/Modern Art, London, UK
: Whitney Biennial, curated by Stuart Comer, Anthony Elms, and Michelle Grabner, Whitney Museum of American Art, New York, NY (forthcoming)
: "More Material," Salon 94 Bowery, New York, NY
2013: "Blues For Smoke", Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, Columbus, OH
2012: "Painting in Space," Luhring Augustine, New York, NY
2011: "A Painting Show," Harris Lieberman, New York, NY
: "Absence Presence: Contemporary Abstraction," Sonoma State University, Rohnert Park, CA
2010: Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "New Art for a New Century: Recent Acquisitions 2000-2009 ", Orange County Museum of Art, Newport Beach, CA
2009: "Paint Made Flesh, Frist Center for Visual Arts, Nashville, TN, curated by Mark Scala
2008-2009: "Prospect.1 New Orleans, International Biennial, curated by Dan Cameron, New Orleans, LA
2008: "Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, (November 9, 2008)
2007: "The Good, the Bad, and the Ugly, New Langton Arts, San Francisco, CA
2006: "The Triumph of Painting", Saatchi Gallery, London, UK (in progress)
2005: "CUT, Susanne Vielmetter Los Angeles Projects, Culver City, CA.
: "Post Modern", Greene Naftali, New York, NY
2004: "Dana Schultz, Amy Sillman, Kara Walker", Brent Sikkema, New York, NY
: The Whitney Biennial, Whitney Museum of American Art, New York, NY
: "Open House: Working in Brooklyn", Brooklyn Museum, Brooklyn, NY
: "Wonderland", Judy Ann Goldman Fine Art, Boston MA,
: "Affect", Philip and Muriel Berman Museum of Art, Collegeville, PA
: "True Stories", Johnson County Community College Gallery of Art, Overland Park, KS,
: "Beginning Here: 101 Ways", SVA Visual Arts Gallery, New York, NY
2003-2004: "Comic Release: Negotiating Identity for a New Generation," Carnegie Mellon University, Pittsburgh PA; travelled to: New Orleans Contempory Arts Center, New Orleans, LA; University of North Texas, Denton, TX; Western Washington University, Bellingham, WA
2003: "Rendered", Sara Meltzer Gallery, New York, NY June 17- August 1
2002: "Officina America ReteEmiliaRomagna", Gallaria dArte Moderna, Bologna, Italy
: "A Long Drawing", Brent Sikkema, New York January 5- February 2
2001: "I’m Not Here: Constructing Identity at the Turn of the Century", Susquehana Art Museum, Harrisburg, PA
: "7181 Brooklyn", Palm Beach Institute for Contemporary Art, Lake Worth, FL
: "Works on Paper", Tibor de Nagy, New York, NY
: "The Approximative", Galerie Ghislaine Hussenot, Paris, France
: "Expanding Tradition, Contemporary works influenced by Indian miniatures", Deutsche Bank Gallery, New York, NY
: "American Academy Invitational Exhibition of Painting & Sculpture", New York, NY
: "Pixerina Witcherina", University Gallery, Illinois State University, Normal, IL
2000: Staatsgalerie Stuttgart, "The Brooklyn Zoo, (curated by Gregory Volk & Sabine Russ as part of "Solitude im Museum)
: "Amy Sillman, Charline von Heyl, Joanne Greenbaum three New York based painters, James Van Damme Gallery, Brussels, Belgium,
: "Greater New York", PS1, Long Island City, NY
1999: "Cosmogram", Galleria Marabini, Bologna, Italy
: "Im Not Here: Constructing Identity at the Turn of the Century, Susquehanna Art Museum, Harrisburg, PA
: "The Stroke (selection by Kerry James Marshall), Exit Art, New York, NY
1998: "The New Surrealism, Pamela Auchincloss Project Space, NYC, (with Team SHaG, collaborative painting with David Humphrey and Elliott Green), Pamela Auchincloss Project Space, New York, NY
: "Cluster Bomb", Morrison-Judd, London
: "Personal Touch", Art in General, New York, NY
: "From Here to Eternity: Painting in the 1990s, Max Protech Gallery, New York, NY
: "Pop Surrealism (with Team SHaG), The Aldrich Museum, Ridgefield, CT
: "Codex USA", Entwistle Gallery, London
: "Drawings", Graham Modern Gallery, New York, NY
: "The Secret Charts, Jonctions Festival, Brussels, (collaboration with filmmaker Peggy Ahwesh)
1997: "Art and Provocation: Images from Rebels, Boulder Museum of Contemporary Art, Boulder, CO
: "Art on Paper", The Weatherspoon Gallery, University of North Carolina
: "Current Undercurrent: Working in Brooklyn, The Brooklyn Museum of Art, Brooklyn, NY
: "Distraction", TBA Exhibition Space, Chicago
: "Team SHaG (collaborative with Humphrey and Green), Postmasters Gallery, New York
1996: "Nu-Glu", Joseph Helman Gallery, New York, NY
: "Imaginary Beings", Exit Art, New York, NY
1995: Aninna Nosei Gallery, NYC, Invitational Exhibition
1994: "Arabesque, PPOW Gallery, New York, NY
: "Out West and Back East, Work from LA and New York, Santa Monica Museum, Santa Monica, CA
1993: "Figure as Fiction", Cincinnati Center for Contemporary Art, Cincinnati, OH
: "Paintings", Trial Balloon Gallery, New York, NY
: "Paintings", Salvatore Ala Gallery, New York, NY
: "1920", Exit Art, New York, NY
1992: "Seven Rooms, Seven Curators (with Four Walls)", P.S.1, Long Island City, NY
1991: "New Generations: New York, Carnegie Mellon Art Center, Pittsburgh, PA
: "Lyric: Uses of beauty at the end of the century, White Columns Gallery, New York, NY
1987: "Artists Books, Museum of Contemporary Art, Chicago, IL
: "Selections 34", The Drawing Center, New York, NY
1984: "On View: Michael Byron, Lisa Hoke, Amy Sillman, The New Museum, New York, NY

Teaching Experience

: 1996-present Bard College, Assistant Professor in Painting, undergraduate level
2001: Bard College, Co-Chair in Painting, MFA Program
: Resident Artist, Skowhegan School of Painting and Sculpture, Maine
2000: Visiting Artist, The Royal Danish Academy of Fine Art, Copenhagen, Denmark
1998: The School of the Art Institute of Chicago, Visiting Artist, Painting
1996-2000: Visiting Critic, Parsons School of Design, MFA / Fine Art program
1996: The School of the Art Institute of Chicago, Visiting Artist, Painting
1993: The School of the Art Institute of Chicago, Visiting Artist, Painting
1990-1995: Bennington College, Instructor in Painting and Drawing

Curatorial Projects

2019: "The Shape of Shape: Artist’s Choice—Amy Sillman," Museum of Modern Art, New York, NY
1990-1995: Co-organizer/curator, Four Walls, Brooklyn, NY

Bibliography

2023: Durbin, Andrew and Amy Sillman. "Your iPhone Doesn’t Understand Amy Sillman," Frieze, April 27 (Link)
: Luke, Ben. "A Brush with….Amy Sillman," The Art Newspaper, February 22 (Link)
2022: Sutton, Kate. "Sweet Dreaming," Artforum, April 22 (Link)
2021: Sillman, Amy. "Cezanne Drawing," Artfourm, December
: Loos, Ted. "Museum Shows With Stories to Tell," New York Times, May 21 (Link)
: Noor, Tausif. "Amy Sillman’s Philosophy of Doubt," Frieze Magazine, February 23
2020: Tuchman, Phyllis. "ArtSeen: Amy Sillman, Twice Removed," The Brooklyn Rail, November
: Soboleva, Ksenia M. "The Visceral Intimacy of Amy Sillman’s Drawings," Hyperallergic, October 22
: Als, Hilton. "Spotlight: Amy Sillman," The New Yorker, October 2020
: Cruz, Cynthia. "Artist’s Choice: Amy Sillman—The Shape of Shape," Brooklyn Rail, February 6 (Link)
2019: Saltz, Jerry. "The 10 Best Art Shows of 2019," Vulture, (Link)
: Smith, Roberta. "Best Art of 2019," New York Times, December 6 (Link)
: Eisenman, Nicole. "Best of 2019," Artforum, December (Link)
: Reilly, Maura. "MoMA’s Revisionism Is Piecemeal and Problem-Filled: Feminist Art Historian Maura Reilly on the Museum’s Rehang," ArtNews, October 31 (Link)
: "Confessions on the Dance Floor: Reveries From The Gay Bar," Artforum, Summer (Link)
: Henry, Clare. "Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry," ArtLyst, March 28 (Link)
2018: Gordon, Melissa. “Abstraction of The Body: Melissa Gordon on Amy Sillman at Camden Arts Centre, London,” Texte zur Kunst, December
: Sillman, Amy. "Delacroix," 4columns, December 14 (Link)
: Stakemeier, Kerstin. "An Impossible Language," Flash Art, November (Link)
: Kamps, Toby. "In Conversation: Amy Sillman with Toby Kamps," The Brooklyn Rail, December 11 (Link)
: Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)
: Armstrong, Annie. "Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock," Art News, November 15 (Link)
: Angeleti, Gabriella. "Phillips and Bonhams see strong sales on smaller lots," The Art Newspaper, November 16 (Link)
: Hatfull, Nicholas. "The Vicarious Warmth of Amy Sillman’s Paintings," Frieze, October 26 (Link)
: Westall, Mark. "Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter," Fad Magazine, July 4 (Link)
: Judah, Hettie, " The Best Shows in London During Frieze Week," Frieze (web), September 28 (Link)
: Barnard, Imelda, "‘I’m working with and against painting’ – an interview with Amy Sillman," Apollo (web), September 26 (Link)
: Colas, A.E. "Art Break: Abstraction at Simon Lee and Marianne Boesky Galleries; Firelei Báez at the Schomburg Center; and Photography at Aperture," Zeal NYC (web), July 23 (Link)
: Sillman, Amy, “Laura Owens,” Artforum, April (Link)
: Almino, Elisa Wouk, "The Return of an ‘Indecent’ Fritz Lang Film About a Painter and a Gold-Digger," Hyperallergic (web), February 27 (Link)
: "Amy Sillman," The New Yorker, February (Link)
: "Hidden Noise: Episode No. 9," Even (web), Spring (Link)
: Tuchman, Phyllis, "Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman," ArtNews (web), February 16 (Link)
: Petrovich, Dushko, "The New Face of Portrait Painting," The New York Times Style Magazine, February 12 (Link)
: Mullen, Matt, "The Playfully Troubled Art of Amy Sillman," Interview (web), January 25 (Link)
2017: Sillman, Amy, “How important is art as a form of protest?” frieze, April (Link)
: Kopel, Dana, “Pace of Change: Amy Sillman at the Drawing Center,” Art in America (web), January 31 (Link)
2016: Smith, Robert, “Review: Amy Sillman Returns to Figurative Motifs,” New York Times, February 26 (Link)
: Mac Adam, Alfred, “Amy Sillman at Sikkema Jenkins & Co.,” ArtNews (web), March 3 (Link)
: McLean-Ferris, Laura, “Amy Sillman ‘Stuff Change’,” Art Review, May (Link)
: Liebman, Kate, “Amy Sillman ‘Stuff Change’,” The Brooklyn Rail (web), March 4 (Link)
2015: Budick, Ariella, The Forever Now, museum of Moder Art, New York Review, Financial Times, January 5
: Tuchman, Phyllis, The Forever Now: Contemporary Painting in an Atemporal World, The Brooklyn Rail, March 5
: Maine, Stephen, The Forever Now, Artillery, March
: Bodin, Claudia, Allgemeine Verunsicherung, Art, March
: Deyris-Henry, Dorothe, The New Abstraction in the U.S. (and Why It Is New), Art Press, March
: Merjian, Ara H., The Forever Now: Contemporary Painting in an Atemporal World, frieze, April
: Malbert, Roger, Drawing People: The Human Figure in Contemporary Art, Thames & Hudson
: Droitcour, Brian, Stages of Laughter: Amy Sillman, Art in America, June / July
: Johnson, Grant, Critics Picks: Variations: Conversations in and around Abstract Painting, Artforum, February
: Indrisek, Scott, Reviews: The Forever Now, Modern Painters, March
2014: Molesworth, Helen, et al. "Amy Sillman: One Lump or Two," exhibition catalogue, Institute of Contemporary Art/ Boston; Prestel Publishing, Munich
: Rosenberg, Karen, "Shifting Contexts, Psychodrama and Meta-Works: At Bard, Amy Sillman’s Work Comments on the Art World," New York Times, July 3 (Link)
: Koestenbaum, Wayne, Best of 2014: Wayne Koestenbaum, ArtForum, December
: Indrisek, Scott, At MoMA, 17 Painters of Our Forever Now, ArtInfo, December 9
: Saltz, Jerry, Forever Now is MoMAs Market Moment, Vulture, December 12
: Nelson, Karin, Amy Sillman: Brushes with Greatness, W Magazine, December 11
: Farago, Jason, The Forever Now Review: Calling time on the Avant Garde, The Guardian, December 12
: Roben, Scott, "Review: Amy Sillman at Institute of Contemporary Art, Boston," Frieze, January – February
: Gonzalez, Desi, "Review: Amy Sillman at the Institute of Contemporary Art/ Boston," Art in America, January
: Leduc, Joe, "’Amy Sillman: one lump or two,’ A Change to Do It All Again but Do It Right," Art New England online, January/February (Link)
2013: Smee, Sebastian, "Sebastian Smee’s 2013 visual art picks," The Boston Globe, December 28
: Hoberman, J., "Best of 2013," Artforum, December
: Diehl, Carol, "Like it or Lump it: Amy Sillman," Art in America online, December 18 (Link)
: Simmons, William J. Notes on Queer Formalism: Amy Sillman, Nicole Eisenman, Leidy Churchman, and Elise Adibi," Big, Red, and Shiny, December 16 (Link)
: Galvez, Paul, "A Lump, A Disco Ball, An Ugly Mountain: On Amy SIllman at the ICA, Boston," Texte zur Kunst, No. 92, December
: Neal, Patrick, Painting Beyond Belief: Amy Sillman, Peter Doig, and Jordan Kantor Discuss Chagall, Hyperallergic, November 28
: Bowen, Jared, Art World Favorite Amy Sillmans First-Ever Retrospective at the ICA Boston, WGBH, November 7
: Garza, Evan, "Critics’ Picks: Amy Sillman ‘one lump or two’ at the ICA/ Boston", Artforum.com, November 1 (Link)
: Green, Tyler, The Modern Art Notes Podcast: Amy Sillman, Artinfo, October 24
: Smee, Sebastian, Critics museum picks from around New England, The Boston Globe, October 19
: Smee, Sebastian, Witty and bright, Amy Sillmans work is freshly urgent, The Boston Globe, October 5
: Triplett, Leah, "Amy Sillman: one lump or two", Big, Red & Shiny, October 3
: Zhong, Fan, "Don’t Miss: Amy Sillman, the painter’s survey at Boston’s Institute of Contemporary Art," W Magazine, October 2
: Cook, Greg, "Amy Sillman: ‘I Do Have A Cheerful Vibe, But … I Don’t Like It’ ", The Artery: 90.9 WBUR, October 2
: Quaytman, R.H., "Amy Sillman," BOMB Magazine, Fall
: _____, "Amy Sillman Explains Her Painting ‘Shade’ ", Modern Painters, October
: Lescaze, Zoe, "Morning Links: Wrecking Ball Edition", Gallerist NY, September 30
: Loos, Ted, "Blobs and Slashes, Interrupted by Forms," The New York Times, September 26 (Link)
: Frankel, Eddy, "Exhibition of the Week: Amy Sillman at Thomas Dane", Time Out London, September 12
: Martin, Cameron, "Fall Preview: Amy Sillman at ICA Boston," Artforum, September
: Owen, Jack, Painter Sillman to demystify functions of color, perception, The Miscellany News, April 10
2012: Cateforis, David, Ed., Oppenheimer Collection, Nerman Museum of Contemporary Art, Johnson County Community College, Kansas
: Simpson, Bennett, Blues for Smoke, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, Prestel
: Halpern, Clara, "Painting By Other Means: Amy Sillman’s Recent Video Works", Might Be Good, No. 199, October 26
: Roben, Scott, Dance/Draw: The Institute of Contemporary Art, Frieze, April
: Bell, Kirsty Amy Sillman, Capitain Petzel, Berlin, Frieze d/e, Spring (Link)
: Caranicas, Devon, Thumb Cinema: Amy Sillman at Capitan Petzel, Berlin Art Journal, January 12
2010: New Art for a New Century: Contemporary Acquisitions, 2000-2010, Orange County Museum of Art, Newport Beach, CA
: Rosenberg, Karen, Boldness Comes With Manifesto, The New York Times, May 10 (Link)
: Burton, Johanna, Amy Sillman, Sikkema Jenkins & Co., Artforum, September
: Nickas, Bob, "Painting Abstraction," Phaidon
2008: Schmuckli, Claudia, "Painter Amy Sillman works in the gap between representation and abstraction Der Tagesspiegel, September 14
: Butler, Sharon, "Jilaine Jones: Sculpture, The Brooklyn Rail, June 5 – September 12
: Capps, Kriston, "Amy Sillman: Washington DC + Saratoga Springs, NY, ArtPapers, September/October
: Rich, Sarah K., "Review: Amy Sillman, Hirshhorn Museum and Sculpture Garden, Art Forum, September
: "The Curse of Critical Laziness, The Chicago Art Blog, April 18
: Venart, Lynne, "Amy Sillmans Third Person Singular at the Hirshhorn, DCist, April 4
: Butler, Sharon, "Lame Review of the Week: OSullivan reviews Sillman at the Hirshhorn, Two Coats of Paint, March 28
: OSullivan, Michael, "The Story Behind The Work, The Washington Post, March 28
: OSullivan, Michael, "Third Person: The Thrill Is Gone, The Washington Post, March 28
: Judkis, Maura, "Third Person Singular, Washington City Paper, March 19
: "17 Couples for Amy Sillman, Flash Art Online, March 12
: Yablonsky, Linda, "Poll Positions, Artforum.com, February 6
: Saltz, Jerry, "Emerging, After All These Years, artnet, February 4
2007: Fitzpatrick, Tony, "The It Factor, artnet, February 19
: Norden, Linda, "Amy Sillman: The Elephant in the Painting, Artforum, February
: Ellis, Patricia, "Catching up with Charles (Saatchi), FlashArt, January/February
2006: Sillman, Amy, "The Artists Artists: Edvard Munch, Artforum, December
: Douglas, Sarah, "Paint-Hearted, Art + Auction, June Issue, Vol. XXIX No.10, pg.158
: Koestenbaum, Wayne, "The Sexual Awkwardness of God: Sentences for Amy Sillman, Amy SillmanWorks on Paper, Gregory R. Miller & Co., New York
: Knight, Christopher, "Adventurers enticed by the landscape, Los Angeles Times, pp E1, E5, February 28
: Berwick, Carly, "A Homegrown Contemporary Art Fair on Piers, New York Sun, pgs 1,18, March 9
2005: Myers, Terry, "Amy Sillman: The Other One, Modern Painters, June Issue
: Pagel, David, "Depicting the Delights of Spring, The Los Angeles Times, E26, April 8
2004: "Horizon Line, Amy Sillman, University of North Texas, Denton, TX, (Exhibition Catalog)
: "Whitney Biennial", The Whitney Museum of American Art, New York, NY, (Exhibition Catalog)
: "Open House: Working in Brooklyn", Brooklyn Museum, Brooklyn, NY
: Halle, Howard, "Local Color", BKLYN,, Spring, 2004, pg.29-30
: Lovelace, Carey, "How to visit a Studio", ArtNews, October, p.179
: Roberston, Johny, "Amy Sillman: Horizon Line, Glass Tire, Texas Visual Art, September
: Knecht, Lyndsay, "Scattered Imagination, NT Daily, August 31
: Horsley, Carter, "Whitney Biennial 2004, The City Review, March
2003: Rubenstein, Raphael. "8 Painters: New Work, Art in America, November, pp. 130-141
: Wei, Lilly. "Amy Sillman at Brent Sikkema Art in America, September, p. 128
: Caniglia, Julie. "Amy Sillman at Brent Sikkema Artforum, September, pp. 226-7
: Mendelsohn, Meredith. "Amy Sillman at Brent Sikkema ARTnews, September, p. 133
: Kerr, Merrily. "Amy Sillman at Brent Sikkema Flash Art, July- September, p. 118
: Bloemink, Barbara and Clark, Vicky A. Comic Release: Negotiating Identity for a New Generation, DAP, New York, ISBN: 1-891024-60-4 p. 172
: Halle, Howard. "I am curious (yellow) Time Out New York, May 15-22 p. 67
: Schjeldahl, Peter. "Mellow Yellow The New Yorker, May 12, p.14
: Viveros-Faune, Christian, "Amy Sillman", New York Press, May 15
: Glueck, Grace. The New York Times, May 9, 2003, p. E39
: Levin, Kim. Voice Choices, The Village Voice, May 9
: Cohen, David, Gallery-going, The New York Sun, Thursday May 22, p. 14
: Saltz, Jerry, "A Stumblebum’s Progress", Grace and Gawkiness in Chelsea, Village Voice, May
2002: Wolfe, Kristin L., "When the "No! Becomes "Aha! The School of Visual Arts Alumni Magazine, Summer 2002, pp. 8-9
: Crowd vol. 2, issue 1, Summer 2002, ISBN: 0-97133-48-1-1, pp. 18-19
: Tatar, Maria, Conger, Bill, and Susina, Jan, "Pixerina/Witcherina, University Galleries of Illinois State University, Normal, IL. c. 2002, ISBN 0-945558-31-7, pp.54-55
: Parkett, 4 page insert, October issue
: McDevitt, Siobhan, "Amy Sillman at Susanne Vielmetter Los Angeles Projects", Frieze, issue 67, June, July, August, pg. 110
: Knight, Christopher, ‘"Sillman Celebrates Struggle and Wonder" / Susanne Vielmetter Los Angeles Projects’, Los Angeles Times, April 19
: Eve Wood, "Luminous Vision", artnet, April 26
: "Officina America", catalog, Museum of Modern Art, Bologna, Italy
: Art Reviews, The New Yorker, January
2001: Gregg, Gail: "Streams of Consciousness", ArtNews, April
: Dailey, Megan, and Gingeras, Alison, "The Approximative", catalog, Ghislaine Hussenot, Paris
2000: Harris, Susan: Art in America, October
: Adelman, Shonagh: Frieze, September – October
: Humphrey, David: "Amy Sillman, BOMB magazine, Summer
: Dailey, Meghan: "Amy Sillman, Artforum, Summer
: Smith, Roberta: The New York Times, April 21
: Anton, Saul: Time Out New York, April 27 May 4
: "Amy Sillman, The New Yorker, April 17
: "Working Proof: Amy Sillman & Jef Scharf, Funny-Guy, Jr., Art on Paper
1999: Mellyn, Sean and Jonathan VanDyke, "Im Not Here exhibition catalog, Susquehanna Art Museum
: Young, Geoffrey: "Drawing into Paint exhibition Publication, Alfred University
: Balken, Deborah Bricker: "Drawing in the Present Tense, exhibition catalog, Parsons
: Decker, Andrew: "Arts Next Wave, Cigar Afficianado
: Goodman, Jonathan: "Medrie Macphee & Amy Sillman, Contemporary Visual Art
1998: Koestenbaum, Wayne: "The Best of 1998, Artforum
: Ziolkowsky, Thad: Artforum
: Harris, Elise: "Sentimental Journey, Out magazine
: Klein, Richard: "Pop surrealism catalog, The Aldrich Museum, CT
: Humphrey, David: "New York Fax, Art Issues
: Yablonsky, Linda: Time Out New York
: Cotter, Holland: The New York Times
: Schjeldahl, Peter: "Thanks for Painting, The Village Voice
: Volk, Gregory: "Regarding Amy Sillmans new paintings, exhibition catalog
1997: Cotter, Holland: The New York Times
: Maldonado, Wasserman and Wasserman, "Distraction catalog, TBA Exhibition Space, Chicago
1996: Ripple Effects: Painting and Language, New Observations 113
: Westfall, Stephen: Art in America
: Hirsch, Faye: "Crude Oil, World Art
: Frankl, David: Artforum
: Kimmelman, Michael: The New York Times
: Servetar, Stewart: The New York Press
1995: Brock, Hovey: "On the Edge: Amy Sillman, Subconscious Riot, Art News
: Schaffner, Ingrid: "Cursive, Parkett
: M/E/A/N/I/N/G 16, forum for young artists, edited by Lawrence Lipkin and Julia Jacquette Wye, Pamela: "Karmic Kabob with Amy Sillman, "Six Gouaches, Sulfur 35
: Saltz, Jerry: "A Year in the Life: Tropic of Painting, Art in America
: Myles, Eileen: Art in America
: Smith, Roberta: The New York Times
: Hess, Elizabeth: "Growing Paints, The Village Voice
: King, Elaine A.: "The Figure as Fiction catalog, Cincinnati Center for Contemporary Art
1993: Smith, Roberta: "Shades of a Rebirth for Painting, The New York Times
1991: King, Elaine A.: "New Generations: New York catalog, Carnegie Mellon Art Gallery

Group Exhibition Catalogues and Books

2023: Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 268-287, 2023
2021: DiQuinzio, A., Hejinian, L., and Butler, J. (2021). New time: Art and feminisms in the 21st Century. Pg 198-199. University of California, Berkeley Art Museum and Pacific Film Archive.
: Sillman, Amy and Vincent Fecteau. " A Summer," Amy Sillman and Gladstone Gallery, New York, NY, USA.
: Simmons, William J. "Queer Formalism: The Return," Floating Opera Press, Berlin, Germany
2020: Houette, C., Lancien-Guilberteau, F., Thorel, B. "Amy Sillman. Faux Pas. Selected Writings and Drawings," After 8 Books, Paris, France.
2019: Smith, Valerie and Barry Schwabsky. "Contemporary Painters: Amy Sillman," Lund Humphries: London, UK
2017: Sillman, Amy, Ammer, M., Bois, Y-A., & Schöneich, F., "Amy Sillman: the ALL-OVER," Dancing Foxes Press, Mousse Publishing, and Portikus. Germany
2013: Molesworth, Helen. "Amy Sillman: One Lump or Two," Prestel Publishing, Munich, Germany

Awards, Grants and Fellowships

2019: Rauschenberg Foundation, New York, NY
2002: Artist-in-Residence, Dartmouth College, Hanover, NH
2001: John Simon Guggenheim Memorial Foundation Fellowship in Painting, New York, NY
1999: Louis Comfort Tiffany Foundation Award
: Joan Mitchell Foundation Fellowship
: Pollock-Krasner Foundation Fellowship
: Civitella Ranieri Foundation Fellowship/Residency, Umbria, Italy
1995: NEA Fellowship in Painting
1993: NYSCA Project Residencies, Painting Grant, Hillwood Art Museum, L.I.U.
1990: Art Matters, Inc., Painting Grant

Public Collections

: Art Institute of Chicago, Chicago, IL
: Baltimore Museum of Art, Baltimore, MD
: Brooklyn Museum, New York, NY
: Institute of Contemporary Art, Boston, MA
: The Metropolitan Museum of Art, New York, NY
: Museum of Modern Art, New York, NY
: Tate Modern, London, UK
: Whitney Museum, New York, NY

News

Nick Aguayo

2019

Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 (Link)

Edgar Arceneaux

2019

Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 (Link)

Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 (Link)

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 (Link)

2018

Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 (Link)

Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 (Link)

Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November (Link)

Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 (Link)

“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 (Link)

Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 (Link)

Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 (Link)

“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 (Link)

Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 (Link)

“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 (Link)

Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 (Link)

“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 (Link)

Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 (Link)

My Barbarian

2018

“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA (Link)

Whitney Bedford

2019

Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 (Link)

2018

Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 (Link)

Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 (Link)

Sadie Benning

2018

Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 (Link)

O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 (Link)

Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 (Link)

Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May (Link)

Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 (Link)

Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 (Link)

Ellen Berkenblit

2019

“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL (Link)

“Samaritans,” Eva Presenhuber, New York, NY (Link)

Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 (Link)

Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 (Link)

Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 (Link)

Scott, Andrea K. ““Samaritans,” New Yorker, January 26 (Link)

2018

Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 (Link)

Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September (Link)

“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 (Link)

Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 (Link)

“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (Link)

Andrea Bowers

2018-2019

“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY

2019

O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 (Link)

“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 (Link)

Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 (Link)

Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 (Link)

“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 (Link)

Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 (Link)

Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 (Link)

Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 (Link)

Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 (Link)

Weathers, Chelsea. “After Posada: Revolution,” Artforum, February (Link)

2018

Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 (Link)

Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 (Link)

Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 (Link)

Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 (Link)

“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 (Link)

Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 (Link)

Kim Dingle

2019

Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 (Link)

Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 (Link)

Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 (Link)

Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 (Link)

“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 (Link)

2018

Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 (Link)

Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)

Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March (Link)

Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 (Link)

Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 (Link)

2017

Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 (Link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)

Mx Nicole Eisenman

2019

Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 (Link)

Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 (Link)

Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 (Link)

Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 (Link)

Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 (Link)

Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 (Link)

Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 (Link)

Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 (Link)

“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 (Link)

Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 (Link)

Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 (Link)

Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 (Link)

Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 (Link)

Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 (Link)

Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 (Link)

Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 (Link)

Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 (Link)

Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 (Link)

Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 (Link)

Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 (Link)

Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 (Link)

“Biennial delivers, despite birth pains,” The Villager, May 22 (Link)

Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 (Link)

“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 (Link)

Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 (Link)

Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 (Link)

Bradley, Paige K., “As the World Turns,” Artforum, May 16 (Link)

Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 (Link)

Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 (Link)

Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 (Link)

Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 (Link)

Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 (Link)

Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 (Link)

Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 (Link)

Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 (Link)

Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 (Link)

Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 (Link)

2018

Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 (Link)

Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 (Link)

Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 (Link)

Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 (Link)

Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 (Link)

“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 (Link)

Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 (Link)

van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 (Link)

Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 (Link)

Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) (Link)

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)

Genevieve Gaignard

2019

“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL (Link)

Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July (Link)

Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 (Link)

Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 (Link)

Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 (Link)

Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 (Link)

Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 (Link)

Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 (Link)

Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January

2018

Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 (Link)

Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 (Link)

Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 (Link)

Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 (Link)

Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 (Link)

Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14

Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 (Link)

Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 (Link)

“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 (Link)

Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 (Link)

Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 (Link)

Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 (Link)

Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 (Link)

Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 (Link)

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 (Link)

Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 (Link)

“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 (Link)

Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1

Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 (Link)

Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March (Link)

Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 (Link)

Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 (Link)

Liz Glynn

2019

“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 (Link)

Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February (Link)

2018

“Frieze London Opens This Friday,” ArtForum (web), October 3 (Link)

Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 (Link)

“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 (Link)

Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 (Link)

Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 (Link)

“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 (Link)

Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 (Link)

Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 (Link)

“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 (Link)

Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 (Link)

McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 (Link)

Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 (Link)

Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 (Link)

Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 (Link)

Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 (Link)

Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 (Link)

Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)

Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)

McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)

2017

Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)

2016

Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 (Link)

Karl Haendel

2019

Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 (Link)

Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 (Link)

2018

“How do I sell more art?” Diaphanes, Fall/Winter

“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 (Link)

Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)

Samuel Levi Jones

2019

Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 (Link)

2018

Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 (Link)

Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 (Link)

Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 (Link)

Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)

Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 (Link)

Hayv Kahraman

2018

“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA (Link)

2019

“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 (Link)

Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 (Link)

Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 (Link)

2018

Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 (Link)

Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 (Link)

Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 (Link)

Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 (Link)

“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 (Link)

Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 (Link)

Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 (Link)

Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 (Link)

“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 (Link)

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (Link)

Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 (Link)

Raffi Kalenderian

2019

De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 (Link)

Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 (Link)

McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 (Link)

2018

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Mary Kelly

2019

“The Best Guide to Desert X 2019,” KCET, March 6 (Link)

Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 (Link)

Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 (Link)

2018

Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 (Link)

“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 (Link)

Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 (Link)

“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall (Link)

Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 (Link)

Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 (Link)

Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 (Link)

Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 (Link)

Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 (Link)

Shana Lutker

2019

Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)

Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)

2018

Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April

Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)

Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February

Hugo McCloud

2019

Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 (Link)

2014

Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 (Link)

Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 (Link)

Dave McKenzie

2019

Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May (Link)

“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 (Link)

2018

Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 (Link)

Rodney McMillian

2019

Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 (Link)

Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 (Link)

Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 (Link)

“The Twenty Five,” Cultured, February/March

Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 (Link)

Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 (Link)

Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 (Link)

2018

Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 (Link)

Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 (Link)

Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 (Link)

Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)

Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 (Link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)

Yunhee Min

2019

Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 (Link)

Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 (Link)

2018

Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 (Link)

Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 (Link)

“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 (Link)

Wangechi Mutu

2019

“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 (Link)

MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 (Link)

Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 (Link)

Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 (Link)

Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 (Link)

Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 (Link)

Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 (Link)

2018

Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 (Link)

“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 (Link)

Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 (Link)

Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 (Link)

Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 (Link)

Elizabeth Neel

2018

Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 (Link)

Ruben Ochoa

2019

Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 (Link)

2018

Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 (Link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)

Angel Otero

2019

Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 (Link)

Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 (Link)

Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 (Link)

“Urban Glamour #46,” Livingetc (web), January 24 (Link)

2018

Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 (Link)

Pope.L

2017

“If Not Apollo, the Breeze,” Kadist, San Francisco, CA (Link)

2019

Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 (Link)

“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 (Link)

Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 (Link)

Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 (Link)

Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 (Link)

Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 (Link)

Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 (Link)

2018

Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 (Link)

Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 (Link)

Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 (Link)

“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 (Link)

O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 (Link)

“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL (Link)

Mary Reid Kelley

2019

Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 (Link)

Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 (Link)

Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February (Link)

Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 (Link)

2018

Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 (Link)

Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) (Link)

Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 (Link)

Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 (Link)

Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 (Link)

Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January (Link)

Deborah Roberts

2019

Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 (Link)

Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 (Link)

Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 (Link)

Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 (Link)

Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 (Link)

Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring (Link)

2018

Roberts, Deborah. “The Lives They Lived: Linda Brown,” New York Times Magazine, December 30 (Link)

Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” New York Times, December 26 (Link)

Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 (Link)

Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 (Link)

Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 (Link)

Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. (Link)

Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 (Link)

Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. (Link)

Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 (Link)

Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)

Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. (Link)

Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.

Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)

Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.

Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)

Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)

Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)

Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)

Steve Roden

2019

Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 (Link)

Paul Mpagi Sepuya

2019

“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK

Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 (Link)

Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 (Link)

Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 (Link)

Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 (Link)

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Howe, David Everitt. “The Conditions,” Art in America, May (Link)

Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 (Link)

Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 (Link)

Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 (Link)

Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May (Link)

Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 (Link)

Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 (Link)

Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 (Link)

Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 (Link)

Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 (Link)

“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 (Link)

Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March (Link)

“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 (Link)

Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 (Link)

Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51

“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 (Link)

Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 (Link)

Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January (Link)

2018

Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October (Link)

Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 (Link)

Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 (Link)

Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 (Link)

Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 (Link)

Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 (Link)

Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 (Link)

Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 (Link)

Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 (Link)

Goldberg, Ariel. “In the Room,” Art in America, April 1 (Link)

“Image of the Day,” Elephant, September 12 (Link)

Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 (Link)

Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall

“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall

Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 (Link)

Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 (Link)

Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 (Link)

Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 (Link)

Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 (Link)

“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 (Link)

Arlene Shechet

2019

Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 (Link)

Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 (Link)

Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 (Link)

Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 (Link)

Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 (Link)

Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 (Link)

2018

Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 (Link)

Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 (Link)

Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 (Link)

“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 (Link)

Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 (Link)

“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 (Link)

Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (Link)

Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 (Link)

“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 (Link)

“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 (Link)

Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 (Link)

Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 (Link)

“Morning Links: Sword Wound Edition,” Art News, September 24 (Link)

“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 (Link)

“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 (Link)

Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 (Link)

Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 (Link)

Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 (Link)

Dasha Shishkin

2018

Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 (Link)

Amy Sillman

2019

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 (Link)

2018

Sillman, Amy. “Delacroix,” 4columns, December 14 (Link)

Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 (Link)

Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)

Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 (Link)

Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 (Link)

Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 (Link)

Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 (Link)

Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 (Link)

Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 (Link)

Sillman, Amy, “Laura Owens,” Artforum, April (Link)

“Amy Sillman,” The New Yorker, February (Link)

Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 (Link)

Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 (Link)

Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 (Link)

Mickalene Thomas

2016

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)

2019

Lim, Kay. “Black models in modern art,” CBS News, July 14 (Link)

Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 (Link)

Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 (Link)

Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 (Link)

Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 (Link)

Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 (Link)

Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 (Link)

Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 (Link)

Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 (Link)

Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 (Link)

“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 (Link)

Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 (Link)

2018

Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 (Link)

Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 (Link)

Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 (Link)

Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 (Link)

Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 (Link)

Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 (Link)

“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 (Link)

Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 (Link)

Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 (Link)

“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 (Link)

Nguyen, Long. “Posing Modernity,” Flaunt, November 12 (Link)

Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 (Link)

Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 (Link)

Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 (Link)

Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 (Link)

Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 (Link)

Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 (Link)

Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 (Link)

Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 (Link)

“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 (Link)

Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 (Link)

O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 (Link)

Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 (Link)

Binlot, Ann. “The Art of Being A Muse,” Document, October 10 (Link)

Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 (Link)

Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 (Link)

Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 (Link)

Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October (Link)

Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 (Link)

Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 (Link)

Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 (Link)

Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 (Link)

Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 (Link)

Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 (Link)

Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 (Link)

Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 (Link)

“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 (Link)

Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 (Link)

Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 (Link)

Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 (Link)

Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 (Link)

Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 (Link)

Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 (Link)

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

Nicola Tyson

2018

Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 (Link)

Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 (Link)

Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 (Link)

Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 (Link)

Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 (Link)

Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 (Link)

Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 (Link)

Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 (Link)

Monique Van Genderen

2018

“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 (Link)

Esther Pearl Watson

2019

“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA

Patrick Wilson

2018

Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 (Link)