Helina Metaferia

Education

: Lives and works in New York, NY

2016: Participant, Skowhegan School of Painting and Sculpture, Skowhegan, ME
2015: MFA – Interdisciplinary Art, Tufts University – School of the Museum of Fine Arts, Boston, MA 2005
: BA – Fine Art – Painting, Morgan State University, Baltimore, MD
2001-2002: Courses toward BFA, Temple University – Tyler School of Art, Philadelphia, PA

Selected Exhibitions

2022: "All Put Together," Bolinas Art Museum, Bolinas, CA
: "All Put Together," Praise Shadows Art Gallery, Boston, MA
2021-2022: "Helina Metaferia: Generations," Museum of Fine Arts, Boston, MA
2021: "Helina Metaferia: (Middle) Passage for Dreams," New York University’s The Gallatin Galleries, New York, NY
2020: "Against A Sharp White Background," Northeastern University’s Gallery 360, Boston, MA
: "Against A Sharp White Background," Auburn University’s Biggin Gallery, Auburn, AL
2019: "By Way of Revolution," Michigan State University’s SCENE Metrospace Gallery (with performance at MSU Eli and Edythe Broad Art Museum), East Lansing, MI
2018: "Refiguring the Canon," Hamiltonian Gallery, Washington, DC
2017: "Home/Free," Museum of the African Diaspora, San Francisco, CA
2015: "Ancestral Honoring," Museum of Fine Arts, Boston, MA (solo performance)
2014: "Re-Collections," Mission Hill Gallery – School of Museum of Fine Arts, Boston, MA
2013: "Great Migration," International African Studies Association Conference, Baltimore, MD
2012: "Helina Metaferia: Divine Feminine," River Views Artspace, Lynchburg, VA
2010: "Journey," Williams College’s Jenness Building Gallery, Williamstown, MA
2007: "Finding Womban," Theater Project, Baltimore, MD

Two and Three Person Exhibitions

2019: "Counting On You, Counting On Me," NOMAD Gallery, Brussels, Belgium

Selected Group Exhibitions, Performances and Video Screenings

2024: "Multiplicities: Collage in Contemporary Art," Museum of Fine Arts, Houston, TX (forthcoming)
2023: "Imagining Black Diasporas: 21st Century Art and Poetics," Los Angeles Museum of Contemporary Art, Los Angles, LA (forthcoming)
: "Multiplicities: Collage in Contemporary Art," Frist Art Museum, Nashville, TN (forthcoming, traveling)
: "Ethiopia at the Crossroads," Walters Art Museum, Baltimore, MD (forthcoming, traveling show)
: "Perpetual Portrait," Vielmetter Los Angeles, Los Angeles, CA
: Sharjah Biennial, Sharjah, United Arab Emirates
: "Resting Our Eyes," Institute of Contemporary Art San Francisco, San Francisco, CA
2022-2027: "States of Becoming: Contemporary African Diaspora Artists in the U.S.," Independent Curators International Traveling Exhibition, premiers at The Africa Center, New York, NY
2022: Untitled Art Fair, presented by Marc Straus Gallery, Miami, FL
: "Perplexity," Kreeger Museum, Washington, DC
: "Sound, Stories," Locust Projects, Miami, FL
: "Resilience," Eastville Museum, Sag Harbor, NY
: "All Together," Martin Luther King Library Art Gallery, Washington, DC
: "The Upshot of Trans-Affective Solidarity," Torrance Art Museum, Torrance, CA
2021: "Designing Motherhood," Center for Architecture and Design, Philadelphia, PA
: "NI DE AQUÍ, NI DE ALLÁ," Charlie James Gallery, Los Angeles, CA
: "From Modern to Contemporary," CFHILL Art Space, Stockholm, Sweden
: "Artists & Identity: Portraiture, Doppelgängers, Disguise," Art and Culture Center, Hollywood, FL
: "A.I.R Biennial: An A-Historical Daydream," A.I.R. Gallery, Brooklyn, NY
: "Bring it Home," Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, VT
: "Storying," Residency Unlimited Exhibition @ Andrew Freedman Home Gallery, Bronx, NY
: "House of Crowns," pop up show at Phillips first floor galleries, New York, NY
: Untitled Art Fair, presented by Praise Shadows Gallery, Miami, FL
: Art Basel, three person presentation by Addis Fine Art Gallery, Basel, Switzerland
: "Making Marks," Pentimenti Gallery, Philadelphia, PA
: "Home Is: Contemporary Video Art from Ethiopia," The Israeli Center for Digital Art, Holon, Israel
: "1:54 Contemporary African Art Fair," presented by Addis Fine Art Gallery, London, UK
2020: "A Different Kind of Weapon," Alabama Contemporary Art Center, Mobile, AL
: "A Beautiful Struggle," Urban Institute for Contemporary Art, Grand Rapids, MI
: "Still Here," HUB-Robeson Gallery – Penn State University, University Park, PA
: "In/Flux: On Influence, Inspiration, Transformation," Ortega y Gasset Projects, Brooklyn, NY
: "Cold Hands, Warm Heart," Brentwood Arts Exchange, Brentwood, MD
: "Time Change, Change Time," Auburn University – Biggin Gallery, Auburn, AL
: "Craft School," Shelter in Place Gallery, Boston, MA
: "We Got You: 24 Hour Wide Awake Broadcast," Fridman Gallery, New York, NY
: Addis Video Art Festival: Grounded in Movement, WNDX Moving Image Fest, Winnipeg, Canada
: "Meet Me In The Clouds," Virtual performance commissioned by Sindikit Project, Baltimore, MD
: "Racism: An American Pandemic," Eastern Connecticut State University Art Gallery, Hartford, CT
2019: "Idol Worship," Smack Mellon, Brooklyn, NY 2019 Unboxing: Double Speak, Museum of Contemporary Art Detroit, Detroit, MI
: "Addis Video Art Festival: Mutual Periphery," Modern Art Museum, Addis Ababa, Ethiopia
: "Love In the Time of Hysteria," Prizm Art, Miami, FL
: "Behind the Seen," NARS Foundation, Brooklyn, NY
: :Still Here," Museum of African Diaspora, San Francisco, CA
: "Look Us Over," Bernice Steinbaum Gallery, Miami, FL
: "Artscape Performance Series," Baltimore Office of Promotion & Arts, Baltimore, MD
: "Overlooked," Greater Reston Arts Center, Reston, VA
: "Distance," Dorsky Gallery, Long Island City, NY
2018: "Time Is Love, Ex-New Centre for Contemporary Art," Sulbiate, Italy (traveling video exhibition in 11 additional countries including France, Germany, Japan, Morocco, United Kingdom)
: "Brown Paper Zine Fair," Studio Museum of Harlem @ Langston Hughes House, New York, NY
: "Multiplicities Volume 1: Continuous Unknowing," Assembly Room, New York, NY
: "The Dark Horse," Prizm Art, Miami FL
: "Skowhegan Book Meet," Skowhegan Space, New York, NY
: Film Festival on Theatre & Performance, Martin Segal Theatre Center – City University of New York, Graduate Center, New York, NY
: "Art Speaks: An Evening of Performance Art," Feminist Art Project – Art Share LA, Los Angeles, CA
: "HyphenAmerica," Gallery 102 – George Washington University, Washington, DC
: "What We Don’t Realize When We See Things," The Wassaic Project, Wassaic, NY
2017: "Addis Video Art Festival: Love Triangle," Modern Art Museum, Addis Ababa, Ethiopia
: "Universal Belonging," Prizm Art, Miami, FL
: "Performance is Alive," Satellite Art Show, Miami, FL
: "Inalienable Truths," Gallery 102 – George Washington University, Washington, DC
: "Freedom," Space Camp Gallery, Baltimore, MD
: "New. Now.," Hamiltonian Gallery, Washington, DC
: "Home," Logan Fringe Arts Space, Washington, DC
: "Prismacolor," Parteojo VideoArt Festival, Barranquilla, Colombia
: "Say Her Name: An Evening of Arts and Action," Hammer Museum, Los Angeles, CA
: "Black Girl Lit – Between Performance & Memory," Mount Holyoke College, South Hadley, MA
: "Art & Academia: 1957 – 2017," James E. Lewis Museum, Morgan State University, Baltimore, MD
: "Black Girl Lit," Museum of Contemporary African Diaspora Arts, Brooklyn, NY
2016: "Black Women Artists for Black Lives Matter," New Museum, New York, NY
: "New Home," A.P.T. Gallery, London, UK
: "Black Women Artists for Black Lives Matter," The Kitchen, New York, NY
: "International Video Art House Madrid Festival," La Neomudejar Arts Center, Madrid, Spain
: "Black Girl Lit – Between Performance & Memory," Five Myles Gallery, Brooklyn, NY
: "Spilt Milk," Thomas Young Gallery, Boston, MA
2015: "Addis Video Art Festival: Grounded in Movement," Modern Art Museum, Addis Ababa, Ethiopia
: "What It Is & What It Ain’t," co-curator and artist, Panoply Performance Laboratory, Brooklyn, NY
: "Dispositions," Defibrillator Gallery, Chicago, IL
: "Transient Vessels," Massachusetts College of Art and Design – Pozen Center, Boston, MA
: SMFA MFA Thesis Show, The Cyclorama at the Boston Center for the Arts, Boston, MA
: "End Recordings," Museum of Fine Arts – Alfond Auditorium, Boston, MA
: "The Great American Performance Art Festival," Grace Exhibition Space, Brooklyn, NY
: "Mapping the Dorchesterway," Medicine Wheel Gallery, Boston, MA

Residencies & Studio Programs

2023: Women Studio Workshop, Kingston, NY (forthcoming – spring 2023)
: Yaddo, Saratoga Springs, NY (forthcoming – spring 2023)
2021-2023: Silver Art Projects @ World Trade Center, New York, NY
2021: The Drawing Center Viewing Program, New York, NY
: Residency Unlimited, Brooklyn, NY
2020: Triangle Arts Residency, Brooklyn, NY
2019: New York Artist Residency & Studios (NARS) Foundation, Brooklyn, NY
: Fountainhead Residency, Miami, FL
2018-2019: Michigan State University – Creative Practice in Critical Race Theory Residency, Lansing, MI
2018: The MacDowell Colony, Peterborough, NH
: Virginia Center for Creative Arts – Alonzo Davis Fellowship, Amherst, VA
: Lighthouse Works Fellowship, Fisher Island, NY
: Massachusetts Museum of Contemporary Art – Grant Supported Residency, North Adams, MA
2017: Bemis Center for Contemporary Arts, Omaha, NE
: Ox-Bow, Saugatuck, MI
2016: Yaddo, Saratoga Springs, NY
: Vermont Studio Center – Full Fellowship, Johnson, VT

Awards, Fellowships, and Grants

2022: Salomon Research Awards, Brown University, Providence, RI
: Center for Study of Race and Ethnicity Practitioner Fellowship, Brown University, Providence, RI
2021: FST Studio Projects Fund, New York, NY
: Lighthouse Works Legacy Grant, Fishers Island, NY
2020: Money for Women Visual Arts Grant, Barbara Deming Memorial Fund, Bearsville, NY
2019-2021: Andrew W. Mellon Foundation Fellowship, Brown University, Providence, RI
2018: SMFA Alumni Traveling Fellow, School of the Museum of Fine Arts/Tufts University, Boston, MA
2017-2018: Hamiltonian Artists Fellowship, Hamiltonian Gallery, Washington, DC
2016: Emergency Grant, Foundation for Contemporary Art, New York, NY
: Full Fellowship, Skowhegan School of Painting and Sculpture, Skowhegan, ME
2015-2017: AICAD Teaching Fellowship, San Francisco Art Institute, San Francisco, CA
2014: Public Art Grant, Boston Arts Commission, Boston, MA
: Montague Travel Grant, School of the Museum of Fine Arts, Boston, MA
: Graduate Student Research Grant, Tufts University, Boston, MA
: President’s Research Award, School of the Museum of Fine Arts, Boston, MA
: Boit Award, School of the Museum of Fine Arts, Boston, MA

Public Collections

: Los Angelex County Museum of Art, Los Angeles CA
: Museum of Fine Arts, Boston, MA
: RISD Art Museum, Providence, RI
: Schomburg Center for Research in Black Culture, New York, NY
: Tufts University Art Gallery, Medford, MA

Gregory Michael Hernandez

Education

1976: Born in West Covina, CA
: Lives in Pasadena, CA

1999: BS Drawing and Painting, Biola University, La Mirada, CA

Selected Exhibitions

2022: Akedah Altar, Vielmetter Los Angeles, Los Angeles, CA
2019: Intersections, Irenic Projects, Pasadena, CA
2013: Angelus, Roberts & Tilton, Culver City, CA
2011: Flatland: A Collision of Architectures, Emma Gray Headquarters, Culver City, CA
: The Opto-Isolator, Light and Wire Gallery, www.lightandwiregallery.com.
: The Captive Universe Project, LAX Airport Terminal Three, Los Angeles, CA
2010: Rebuilt Homestead, LAXART, Culver City, CA

Selected Group Exhibitions

2020: The Fire, Vielmetter Los Angeles, Los Angeles, CA (online)
2017: Knowledges, Mount Wilson Observatory, Mount Wilson, CA
: Being There: Landscape, Memory, and Monument, Biola University, La Mirada, CA
: Joshua Treenial, Boxo Projects, Joshua Tree, CA
2015: Primo Lane, Outpost Projects, Joshua Tree, CA
: Violence and the Sacred, Fuller Seminary, Pasadena, CA
: Unintended Connections, Disjecta, Portland, OR
: Reliquary, Keystone Art Space, Los Angeles, CA
: At First You Don’t Succeed, College of Creative Studies Gallery, UC Santa Barbara, CA
2013: Meridian, Tryon St Gallery, London, UK
2012: Even Small Change Can Be Profound, MACLA, San Jose, CA
: After Image: The Photographic Process(ed), Cerritos College, Cerritos, CA
: In the Making, Roberts & Tilton, Culver City, CA
2011: Telephone, Torrance Art Museum, Torrance, CA
: L.A. Makes Art 2011, Calfund Fellows Exhibition, CAA, Century City, CA
2009: Here and Now, ARTRA, Los Angeles, CA
: Photocartographies: Tattered Fragments of the Map, g727 Gallery, Los Angeles
2008: Patterns and Rhythms, L.A. Municipal Art Gallery, Los Angeles, CA
2007: Whisper Down the Lane, Swallow, Los Angeles, CA
: Black Mirror, High Energy Constructs, Los Angeles, CA
: Beyond Image: Photography in Contemporary Art, Armory Center for the Arts, Pasadena, CA
: A Warning Shouldn’t Be Pleasant, West L.A. College, Culver City, CA
2006: Chain Letter, High Energy Constructs, Los Angeles, CA
: Group Show, Taylor de Cordoba, Culver City, CA
: Systematics, CSU Werby Gallery, Long Beach, CA
: Enigma, Healing, Revelation, Union Art Space, Santa Ana, CA

Publications

2021: Caputo, John, ”It Spooks: Living in Response to an Unheard Call", Shelter50 Publications (Link)
2020: Cheh, Carol, “In This Church, God and Though-Provoking Art Share Space”, KCET Southland Sessions, December (Link)
2017: Michno, Christopher. "Know Before You Go: New Project Offers Guidelines for Making Art in the Desert", KCET Artbound, April (Link)
: Japenga, Ann. "New Initiative Aims to Educate the Desert’s Visiting Artists", The Desert Sun, March (Link)
2013: Finnerty-Pyne, Sinead. “A Bridge Between Landscapes”. Art Throughout Pasadena, published by the Armory Center for the Arts, Pasadena, CA
2012: LeMoncheck, Terry, "New Perspectives Captured at Armory’s Artist Studio", Pasadena Art’s Council’s "Folio", Fall
2011: Freeman, Betsi L. “The Illusionist," Biola Magazine Fall 2011 (Link)
: Cheh, Carol, “Gregory Michael Hernandez: Math Nerd Meets the Art Gallery at Emma Gray HQ”, L.A. Weekly Blog, July 27
: Firstenberg, Lauri. “LAXART Five Year Anniversary Book”, 2011. Freeman, Betsi L. “The Illusionist”. Biola Magazine Fall
2010: Sharif, Mohamed. “Rebuilt Homestead," X-TRA Quarterly Winter Edition 2010: 40-45 (Link)
2007: MacDevitt, James. “After Image: The Photographic Process(ed)” Cerritos College Art Gallery Catalogue November (Link)
: Ollman, Leah. "Beyond Image". Los Angeles Times, April 14

Public Collections

: Museum of Contemporary Art (MoCA), Los Angeles, CA
: Los Angeles County Museum of Art (LACMA), Los Angeles, CA

Awards, Fellowships, and Grants

2015: VAN Network Annual Meeting, Portland, OR
2013: Rema Hort Mann Foundation, Emerging Artist Grant Recipient
2012: Artist in Residence, One Colorado and the Armory Center for the Arts, Pasadena, CA
: VAN Residency, MACLA (Movimiento de Arte y Cultura Latino Americana) San Jose, CA
2011: Emerging Artist Fellowship, California Community Foundation
: City of Los Angeles Cultural Affairs Department, LAX Airport Exhibition

Martin McMurray

: Lives and works in Berkeley, California
1959: Born in Detroit, Michigan

1983: BFA, Center for Creative Studies, Detroit, Michigan

Selected Exhibitions

2012: "Disputed Episodes", Gallery 16, San Francisco, CA
2010: “Dystopia – 1010 Years Ago”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: “Reenactments”, Jeff Bailey Gallery, New York, NY
2008: “Vestiges” Galerie Nouvelles Images, Den Haag, The Netherlands
: “The Unreliable Narrator”, Jeff Bailey Gallery, New York, NY
2007: “The Procession”, Susanne Vielmetter Los Angeles Projects
2005: “Bloodshot and Glowing", Jeff Bailey Gallery, New York, NY
: “The Unfolding Degenerate”, Wendy Cooper Gallery, Chicago, IL
2004: “The Adversary”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: “New Work”, Gallery 16, San Francisco, CA
2003: “The Workers Suite”, Katharine Mulherin Contemporary Art Projects, Toronto, Canada

Group Exhibitions

2012: “How to Write a Novel”, Field Projects, New York, NY
2010: “In a Violet Distance”, Zurcher Gallery, NY, curated by David Humphrey
: “Reader’s Delight”, McKenzie Fine Art, New York, NY
: “Wall-to Wall”, Daniel Weinberg Gallery, Los Angeles, CA
: “Homespun”, The College of New Jersey, Ewing, NJ
2009: “Portraits”, Galerie Nouvelles Images, Den Haag, The Netherlands
: “Give Them What They Never Knew They Wanted”, Jeff Bailey Gallery, New York, NY
2008: “Perverted by Theater”, Apex Art, New York, NY, curated by Franklin Evans and Paul David Young
: “Vestiges”, Galerie Nouvelles Images, Den Haag, The Netherlands
: “It’s Gouache and Gouache Only”, Jeff Bailey Gallery, New York, NY
: “These Are the People in Your Neighborhood: 15 Year Anniversary”, Gallery 16, San Francisco, CA
: “The Big Gift: Calgary Celebrates Art from Canadians Glenbow Museum”, Glenbow Museum, Calgary, Canada
2007: “Hard Times”, Jeff Bailey Gallery, New York, NY
2006: “Historical Consciousness: 2006 California Biennale”, Orange County Museum of Art, Newport Beach, CA
: “Palette”, Greenberg Van Doren Gallery, New York, NY
: Armory Fair, New York, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2005: “A Group of Mostly Unrelated Things", Gallery 16, San Francisco, CA
: “Art Basel, Miami”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: “Pulse Fair, Miami”, Jeff Bailey Gallery, New York, NY
: “Pulse Fair, Miami”, Freight & Volume, New York, NY
: “Scope Fair, Miami”, Wendy Cooper Gallery, Chicago, IL
: “Art Cologne”, Susanne Vielmetter, Los Angeles Projects, Los Angeles, CA
: “Affair at the Jupiter Hotel, Portland”, Jeff Bailey Gallery, New York, NY
: ”FIAC / Future Quake, Paris”, Freight & Volume, New York, NY
: “Preview Berlin”, Wendy Cooper Gallery, Chicago, IL
: “Kunst 05, Zurich”, Freight & Volume, New York, NY
: “Fresh Direct”, Jeff Bailey Gallery, New York, NY
: “Inter-States”, DNA Gallery, Provincetown, MA
: “Recent Editions”, Gallery 16, San Francisco, CA
: “Over Across”, Katharine Mulherin Projects, Toronto, Ontario
: “Conversation Lag”, Volume Gallery, New York, NY
: “The Armory Show”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: “Scope, New York”, Bucheon Gallery, San Francisco, CA
: “Face Paint”, Bucheon Gallery, San Francisco, CA
2004: “Art LA”, Gallery 16, San Francisco, CA
: “AAF, New York”, Gallery 16, San Francisco, CA
: “AAF, San Francisco”, Gallery 16, San Francisco, CA
: “Confronting Nature”, Jack The Pelican Presents, Brooklyn, NY
: “Home Fires Burning”, Wendy Cooper Gallery, Chicago, IL
: “Beautiful Male Objects”, Sara Nightingale Gallery, Walter Mill, NY
: “The Armory Show”, LFL Gallery, New York, NY
: “Emerging Artist Biennial”, 1708 Gallery, Richmond, VA
: “New”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: “Tender Landscape”, Dalton Gallery/ Agnes Scott College, Decatur, GA
: “The Minivan Show”, The Prairie Art Gallery, Grande Prairie, Alberta
2003: “Fear of Flying”, Group Show, Sara Nightingale Gallery, Water Mill, New York
: “Three Canadians / One American”, TAG, Nashville, TN
: “AAF (New York)”, Galerie Bourbon-Lally, Montreal, Canada
: “Strange Custom”, The Jogas Gallery, Barquisimeto, Estado Lara, Venezuela

Bibliography

2013: Morris, Barbara, “Martin McMurray at Gallery 16”, Artillery, January/February, Vol. 7, Issue 3
2012: Zevitas, Steven, "14 Must-See Painting Shows: October 2012", Huffington Post, October 16
2011: Duncan, Michael, “Soul Searching in the U.S.A.”, Art in America, March
2010: Smith, Roberta, “Reader’s Delight”, The New York Times, July 23
2009: Harvey, Michael, “Martin McMurray”, Art In America, March
2008: Bresler, Regina, “Events: Art, Martin McMurray”, Flavorpill, March
: Ewing, John, “New York: Perverted by Theater at Apexart”, Art Lies, Issue 60, Winter
2007: Brooks, Amra, “Must See Art: Martin McMurray’s ‘The Procession’ at Susanne Vielmetter”, LA Weekly, February 28
: Bell, Kim, “California Biennial at OCMA”, Artweek, April
2006: Rodriguez, Frank, “Art School Conventional: OC’s tame California Biennial”, artillery, November
: Janku, Laura Richard, “Affair at the Jupiter”, artinfo.com, October 1
: Coleman, Caryn, “2006 CA Biennial @ OCMA”, art.blogging.la, October 4
: Kileen, Michael, “Color Focus”, Bloomberg News, September 1
: Kerr, Merrily, “Palette”, Time Out New York, August 17
: Smith, Roberta, “Palette”, The New York Times, August 11
: Bors, Chris, “Chroma Trouble”, Artnet, August 4
: Armstrong, Elizabeth, Gonzalez, Rita, and Moss, Karen, “No World Order” (catalogue essay),
: California Biennial 2006, Orange County Museum of Art
: Chambers, Kristin, “Jane Callister” (catalogue essay), California Biennial 2006, Orange County Museum of Art
2005: Smith, Roberta, “Martin McMurray: Bloodshot and Glowing”, The New York Times, September 30
2004: Gheith, Jenny. “There’s No Place Like Home”, F-News, October
: Whiteside, Amber, “Martin McMurray at Gallery 16”, Artweek, July/August
2003: Harrison, Helen, “Journeys That Bring Joy and Fear”, The New York Times, November 2

Awards, Grants and Fellowships

2009: Fleishhacker Foundation EUREKA Fellowship

Public Collections

: Glenbow Museum, Calgary, Alberta, Canada
: Deutsche Bank Collection, Germany

Caitlin Lonegan

1982: Born in Long Island, NY
: Lives and works in Los Angeles, CA

2010: M.F.A. University of California, Los Angeles
2005: B.A. Yale University
2004: Yale/Norfolk Summer School of Art, Norfolk, CT
2002: Paul Mellon Center for British Art, London, England

Selected Exhibitions

2019: "Points of View," Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
2018: "Points of View," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2012: “The Mark on the Wall,” ACME, Los Angeles CA
2010: "Mari Eastman, Caitlin Lonegan, Anna Sew-Hoy," Idyllwild Arts Center, Idyllwild, CA
2009: "Recent Paintings," ACME, Los Angeles, CA

Group Exhibitions

2019: "An International Boutique for Ladies," curated by Mari Eastman, Goldfinch Projects, Chicago, Il. (upcoming, November 2019)
: "The light touch," Vielmetter Los Angeles, Los Angeles, CA.
: "Flat Files: Works on paper by 88 artists," The Pit, Los Angeles, CA.
: "Household Effects," La Loma Projects, Pasadena, CA.
: "Pippa Garner, Corey Fogel, Martin Kersels, Jason Kraus, Caitlin Lonegan, Brian O’Connell, Erlea Maneros Zabala, Kori Newkirk, Tony Oursler, Eric Wesley," Redling Fine Art, Los Angeles, CA.
2018: "Six Artists: Theresa Chromati, Adam Henry, Spencer Lewis, Caitlin Lonegan, Emily Mae Smith, Tim Wilson," Harper’s Books, East Hampton, NY
: “Vision Valley: The Glendale Biennial,” organized by The Pit, Brand Library and Art Center, Glendale, CA
2017: "Abstraction Now! Gerhard Richter, Katarina Grosse, Sean Scully… ," curated by Florian Steininger, Kunsthalle Krems, Krems, Austria
: "The Brightsiders," curated by Adam D. Miller / The Pit, Verge Center for the Arts, Sacramento, CA
2015: "Heike-Karin Foll, Caitlin Lonegan, Frances Scholz, R.H. Quaytman, Tif Sigfrids," Los Angeles
2014: "Wake up Early Fear Death: Caitlin Lonegan, Rebecca Morris, Laura Owens," curated by Philipp Kaiser, Los Angeles, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Austria, Vienna
: "Made in LA 2014," the Hammer Museum, curated by Connie Butler and Michael Ned Holte, Los Angeles, CA
2013: "Forms of Abstraction," Irvine Fine Arts Center, Irvine, CA
2012: "Sundays at 4," Todd Madigan Gallery, CSU Bakersfield, Bakersfield, CA
: "Abstract Paintings and DVDs," curated by Monique van Genderen, Venice Beach Biennial, Los Angeles, CA
: "Fun With Friends / Kristin Calabrese with Brenna Youngblood and Caitlin Lonegan," Green Gallery East, Milwaukee, WI
: "Someone Puts A Pineapple Together," ACME, Los Angeles, CA
2011: "Joan Mitchell MFA Award Recipient Show," Cue Foundation, New York, NY
: "Unfinished: Paintings by 38 Contemporary Artists," L.A.C.E., Los Angeles, CA
: "Works of Paper, ACME," Los Angeles, CA
: " Justin Beal, Tony Feher & Caitlin Lonegan," ACME, Los Angeles, CA
2010: "MFA Thesis Show #4: Caitlin Lonegan, Peter Lynde, David Snyder, Greta Svalberg, and Wu-Ingrid Tsang," New Wight Gallery, University of California Los Angeles, Los Angeles, CA
2009: Small Paintings, Hole in the Wall Gallery, Otis College of Art and Design
: "Wet Paint: 10 Young LA Painters," Steve Turner Contemporary, Los Angeles, CA
: " Lovable Like Orphaned Kitties and Bastard Children," Green Gallery East, Milwaukee, WI
: "MFA 2010," New Wight Gallery, University of California, Los Angeles, CA
2008: "10th Anniversary Show," Black Dragon Society, Los Angeles, CA

Press (selection)

2018: Scarborough, James, "’Points of View,’ Caitlin Lonegan at Susanne Vielmetter Gallery," What The Butler Saw (web), July 9 (Link)
: "Caitlin Lonegan’s “Points of View” at Galerie nächst St. Stephan," Blouin Art Info (web), July 2 (Link)
: Bryan O’Connell and Dierdre O’Dwyre, "Rakish Light — Make-Readies," Rakish Light Press, XTRA (Link)
2017: Ebersberger, Eva, “in: soart – artists in residence / Millstätter See,” Wien/Vienna, 172-175
: “Reactive Restart for Kunsthalle Krems", Almuth Spiegler, Die Presse, July 1
: Matzer, Alexandra, “Abstract Painting Now! Gerhard Richter, Katarina Grosse, Sean Scully… in the Kunsthalle Krems,” Art In Words, June 30
: “Abstract Painting Now! Impressive Debut of Florian Steininger,” Culture and Wine, July 3
2016: Wagley, Catherine, “The Female Cool School”, Carla (web), November 16 (Link)
2014: Bloomingdale, Natalie, Marisa Gluck, Shontel Horne, Abigail Stone and Marieke Trielhard, “Arts and Power; Collector’s edition, #5 Paul Schimmel,” Angeleno Modern luxury, December 12
: Thompson, Andrew K., “MFA in L.A.,” Artvoices Magazine, September
: Plagens, Peter, “Exhibit a Creation of Show, Not Tell: A Temporary Triumph of Display over Theory,” The Wall Street Journal, August 19
: Lin, Jessica T. , “Step Into the ‘Thought Space’ of Artist Caitlin Lonegan,” Proktr, July 23
: Tang, Kellyanne, “’Made in LA’ Mondays: Caitlin Lonegan,” Daily Bruin (web), July 21 (Link)
: Zimskind, Lyle, “Channing Hansen’s Quantum Paintings are Really Knit- Framed: The Hammer’s Made in L.A. 2014 biennial spotlights 35 contemporary artists,” Los Angeles Magazine (web), July 17 (Link)
: Chang, Richard,“’Made in L.A.’ focuses on emerging artists from City of Angels,” OC Register, June 20
: Frank, Priscilla, “’Made In L.A. 2014′: To Walk Amongst Giants Or To Jam Out Alone?,” Huffington Post (web), June 21 (Link)
: Knight, Christopher, “’Made in L.A.’ biennial art survey taps a social undercurrent,” Los Angeles Times (web), June 19 (Link)
: Chan, Dawn, “Caitlin Lonegan: 500 Words”, Artforum (web), June13 (Link)
2013: “A Room of Owens’s Own: Laura Owens in conversation with Jan Tumlir and Stephen Berens,” X-tra, Fall
: Mary Weatherford, “Another Abstraction by Caitlin Lonegan,” Little Star Weekly (web), December 27
: “West Coast Edition, Juror: Janet Bishop, Editor’s Pick”, New American Paintings, December 2013 / January 2014
: Stacy Dacheux, “Abstract Painters or Starks of Brightness with a Calm Sense of Vibrancy”, Beautiful Decay (web), May 10 (Link)
2012: Geoff Tuck, “Gregory Edwards, William J Obrien, Mariah Robertson,” NotesonLooking.com (web), February 3
2010: Wood, Eve, “Caitlin Lonegan,” Artillery, September/October

Special Projects

2018: Site Specific Installation, Dryad Gallery, curated by Evan Holloway, Glendale, CA.
2016: Real Print Project, with Rakish Light Press, Los Angeles, CA

Group Exhibition Catalogues and Books

2018: Artist Book, Caitlin Lonegan, One Star Press (forthcoming)
: For Dorothea: Paintings, Drawings and Notes, 2012-2014, Caitlin Lonegan with essays by Michael Ned Holte and Kavior Moon, published by Verlag Fuer Modern Kunst, monograph
2017: Abstraction Now! Gerhard Richter, Katarina Grosse, Sean Scully… , Cornerhouse Publications
2015: Lonegan, Caitlin, “On Simon Bill,” The Benefit of Friends Collected: Volume 2, edited by Jesse Benson and Shana Lutker, Project X Projects
2010: Charles Shultz, “The Work of Caitlin Lonegan, Micah Daw, Kristin Haas, Brian Porray, and Janet Bruhn,” Joan Mitchell Foundation 2010 Grant Recipients Catalogue, New York, NY

Screenings and Lectures

2018: Otis, Artists Lecture Series
: Susanne Vielmetter, Conversation: Caitlin Lonegan with Michael Ned Holte and Tanya Rubbak
2016: Visiting Lecturer, University of California Riverside
2015: UCLA, Advanced Painting, Silke Otto Knapp
2014: Visiting Lecturer, Artcenter College of Art and Design
: Orange County Contemporary Collectors Council, Artist Public Lecture
2013: Pomona College, Intro Painting, Mimi Lauter
: UCLA, Advanced Drawing, Mari Eastman
2012: Claremont Graduate School, Visiting Artist Public Lecture
: Visiting Lecturer and Artist in Residence, Graduate and Undergraduate Seminars, University of Nevada, Las Vegas

Residencies

2010: Joan Mitchell MFA Award Recipient, Joan Mitchell Foundation, New York, NY
: Hoyt Scholarship, University of California Los Angeles, Los Angeles, CA
2009:  Dedalus Award Nominee, University of California Los Angeles, Los Angeles, CA
2008: Drawing Prize, 2nd place, Kay Nielson Memorial Award for Best Drawing, Gruenwald Center, Hammer Museum (Judged by Allegra Pesenti and Russell Ferguson), Los Angeles, CA
2005: Mellon Award for Research entitled, “Color Juxtapositions: the Role of Hue in Depth Illusions,” Yale University

Public Collections

: Berezdivin Collection, Puerto Rico
: Goetz Collection, Munich, Germany
: Hammer Museum, Los Angeles, CA
: Strauss Collection, Rancho Santa Fe, CA

Shana Lutker

1978: Born in Northport, NY
: Lives and works in Los Angeles, CA

2005: MFA, Interdisciplinary Studio, UCLA, School of Art
2000: BA, Visual Art and Modern Culture and Media, Brown University, Providence, RI
1999: Central St Martin’s College of Art and Design, Visiting Artist

Selected Exhibitions

2019: "An Analphabet," Vielmetter Los Angeles, Los Angeles, CA
2018: "Phosphorescents, Pheasants and Unpleasants," performance at Art Catalogues LACMA, Los Angeles, CA
2017: "a.k.a. Public Opinion," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Mutual Admiration," Corbett vs. Dempsey, Chicago, IL
: “SNAFU,” Barbara Seiler, Zurich, Switzerland
2016: “Scenes from Chapter Four,” 18th Street Arts Center, Santa Monica, CA
2015: "Paul, Paul, Paul, and Paul," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Shana Lutker: Le New Monocle, Chapters 1-3," Hirshhorn Museum and Sculpture Garden, Washington D.C.
: "Shana Lutker: Project Gallery," Perez Art Museum Miami, FL
: "Shana Lutker: The Raven, The Dove, Paul, and the Peacocks," Barbara Seiler, Zurich, Switzerland
2014: "Realism," LAXART, Hollywood, CA
2013: Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "The Blowing Nose," Barbara Seiler Galerie, Zurich, Switzerland
2012: New Research Concerning Fistfights of the Surrealists, The Center For Ongoing Research & Projects, Columbus, OH
2011: A. G. L. & X., Barbara Seiler Galerie, Zurich, Switzerland
: Make Knot Meddle, New Positions, Wetterling Gallery, Art Cologne, Germany
2010: H.Y.S.T. et al. Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Here It Here, SOMA, Mexico City, Mexico
: Reading Seating, Works Sited, Los Angeles Public Library, Los Angeles, CA
2009: "Forever Will a Blockhead Be", Wetterling Gallery, Stockholm, Sweden
2008: Books, 2005-2008, The Suburban, Oak Park, IL
: The Commiffioners, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Combined Faulty Acts, Artists Space, New York, NY
2007: CCA Wattis Institute, San Francisco, CA; curated by Jens Hoffman
: The Future of an Illusion, Room Gallery, UC Irvine, California; curated by Juli Carson
2006: Excerpts, Wetterling Gallery, Stockholm, Sweden

Group Exhibitions

2020: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
: "Cloud 9," Madonna Inn, San Luis Obispo, CA
2019: "Museum of Modern Art and Western Antiquities, Section II Department of Carving and Modeling: Form and Volume," Cristina Guerra Contemporary Art, Lisbon, Portugal (forthcoming)
: "CURRENT:LA FOOD," City of Los Angeles Public Art Triennial, Los Angeles, CA
: "Enchanted Interior," Laing Art Gallery, Newcastle, England, UK
: "Smoke and Mirrors," AF Projects, West Hollywood, CA
: "Dreamhouse vs. Punk House (+Cat House)," Serious Tropics, Inglewood, CA
2018: "Virginia Woolf: An Exhibition Inspired by her Writings," Tate St. Ives, UK (Link)
: "Twentyfourseven: 40 Years," Wetterling Gallery, Stockholm, Sweden
: "EX-CORPSE," AWHRHWAR at OPAF, Battery Leary-Merriam Angels Gates Park, San Pedro, CA
: "26 on 3rd," LBMAx, Long Beach Museum of Art, Long Beach, CA
: “No. 1,” The Magic Hour, High Desert, CA (Link)
: "My Kid Could Do That," Project Art Benefit exhibition at The Underground Museum, Los Angeles, CA
: “Vision Valley: The Glendale Biennial,” organized by The Pit, Brand Library and Art Center, Glendale, CA
2017: "99 Cents or Less," Museum of Contemporary Art, Detroit, MI
: "Summer of Love," Wilding Cran, Los Angeles, CA
2016: "IN SITU," EXPO Chicago, curated by Diana Nawi, Chicago, IL
: “The Artists’ Library,” LAXART, Los Angeles, CA
: "PDF-OBJECTS," Mana Contemporary, Chicago, IL
2015: "PASSING LEAP," Hauser & Wirth, New York, NY
: "F.B.I.," Arturo Bandini, Los Angeles, CA
: "The Museum of the Unwanted," Kunstmuseum Olten, Switzerland. Curated by Clare Goodwin
2014: Whitney Biennial, curated by Stuart Comer, Anthony Elms, and Michelle Grabner, Whitney Museum of American Art, New York, NY
: "The Outlanders," The Pit, Los Angeles, CA
: "Pier 54," curated by Cecilia Alemani, High Line Art, New York, NY
: "Unsparing Quality," Diane Rosenstein Fine Arts, Los Angeles, CA, curated by Farrah Karapetian
: "Bachelor Machines," ROOM EAST, New York, NY
2013: "Manifest Destiny," Public art project with Los Angeles Nomadic Division, Jacksonville, FL
: "The House that Jack Built," Barbara Seiler Galerie, Zurich, Switzerland
: "The Nose, The Cane, The Broken Left Arm," Performa 13, New York, NY
: "The Unicorn," Transformer Station, The Cleveland Museum of Art, Cleveland, OH (Link)
: "subject, answer, countersubject," Disjecta, Portland, OR, curated by Summer Guthery
: "The Stand In (or a glass of milk)," Public Fiction, Los Angeles, CA
: "The Manifest Destiny Billboard Project," Los Angeles Nomadic Division (LAND), USA (Link)
: "A Round World Distorts a Flat Map," 5323 Abbott Place, Los Angeles, CA
: "Emmy Moore’s Journal," SALTS, Basel, Switzerland
: "Works Sited," Cleopatra’s, Brooklyn, NY
: "Double Life," SculptureCenter, Long Island City, NY
: "Cats & Dogs," Sam Francis Gallery, Santa Monica, CA
2012: "Reflections on Form," Barbara Seiler Galerie, Zurich, Switzerland
: "Things, Words and Consequences," Moscow Museum of Modern Art, Moscow, Russia
: "Perros Negros presents Perros Negros," New Jerseyy, Basel, Switzerland
: "A Brand New Baby Carriage Standing There on the Porch," Barbara Seiler Galerie, Zurich, Switzerland
: "Barter Show," LAND, West Hollywood, CA
: "Eagle Rock Rock and Eagle Shop," Los Angeles, CA
: "economy of means: toward humility in contemporary sculpture," Scottsdale Museum of Contemporary Art, Scottsdale, AZ
: "Ball of Artists," Greystone Mansion, part of Pacific Standard Time Festival, Beverly Hills, CA
2011: "The Trap Door," Human Resources, Los Angeles, CA
: "Two Schools of Cool," curated by Sarah Bancroft, FOCA, Los Angeles, CA
: "Greater LA," curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, NY
: "Suelto," curated by Pilar Tompkins Rivas and Adrian Rivas, La Central, Bogota, Colombia
2010: "Lovingly, Rose Peebles," Brand Library Art Galleries, Glendale, CA
: "Session_12_Words," Am Nuden Da at Four Boxes Gallery, Skive, Denmark
: "Ruins (Los Angeles)," LA><ART Billboard, Los Angeles, CA
: "A Torrent of Words," John Michael Kohler Arts Center, Sheboygan, WI
: "Territories, Left of Center," The Luckman Gallery, California State University, Los Angeles, CA
: "Point to one end, which is always present," Small A Projects, New York, NY
2009: Performa 09, X Initiative, New York, NY
: "Words," Am Nuden Da, London, England
: "An Object tossed from One Country to Another," Block Party, Highland Park, CA
: "In Bed Together," Royal T, Los Angeles, CA
: "Veronica", Pitzer Art Galleries, Pitzer College, Claremont, CA, curated by Ciara Ennis
: "In Love With Night," Guggenheim Gallery, Chapman University, curated by Max King Cap & Ciara Ennis
: "On the Pleasure of Hating", Lisa Cooley Gallery, New York, NY
: "Bitch is The New Black," Honor Fraser, Los Angeles, CA, curated by Emma Gray
: "Broken English," Seiler + Mosseri-Marlio Galerie, Zurich, Switzerland
: "Extra, Extra," China Art Objects, Los Angeles, CA
: "This Is Killing Me," Massachusetts Museum of Contemporary Art, North Adams, MA
: "The May Show," Olympic Boulevard, Los Angeles, CA
: "Put On," Circus Gallery, Los Angeles, CA
2008: California Biennial 2008, Orange County Museum of Art, Newport Beach, CA; offsite performances at Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; and the LAB, Costa Mesa, CA; curated by Lauri Firstenberg
: "Shana Lutker, Anna Sew Hoy, Brenna Youngblood," University Art Museum, UCSB, Santa Barbara, CA
: "Delusionarium 4," David Salow Gallery and Bonelli Contemporary, Los Angeles, CA
: "This Shadow is a Bit of Ideology," Gallery 400, University of Illinois at Chicago, Chicago, IL; curated by Kelly Chen and Anthony Elms
: The 30TH Anniversary: PART II, Wetterling Gallery, Stockholm, Sweden
: "The Whole World is Watching," The Glendale College Art Gallery, Glendale, CA; curated by Irene Tsatsos
: "November Again," Harris Lieberman, New York, NY; curated by Jeffrey Uslip
: "The Silence of Infinite Space," Glendale College Gallery, Glendale, CA; curated by Aram Moshayedi
: "3 Rooms: Shana Lutker, Sara Greenberger Rafferty," David Kennedy Cutler, DAmelio Terras, New York, NY
2007: Art Perform, Art Basel Miami Beach, Miami Beach, FL; curated by Jens Hoffman
: "You Are Here," Glassell School of Art Gallery, Museum of Fine Art, Houston, TX
: "Passengers," CCA Wattis Institute, San Francisco, CA; curated by Jens Hoffman
: "Abstraction," Michael Kohn Gallery, Los Angeles, CA
: "For Sale," Cristina Guerra Contemporary Art, Lisbon, Portugal; curated by Jens Hoffman
: "The Pyramid Show," Monte Vista, Los Angeles, CA
: "Reality Disorder," Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "88:88," The Project, New York, NY
: "Big Secret Cache," Angstrom Gallery, Los Angeles, CA
2006: 2006 California Biennial, Orange County Museum of Art, Newport Beach, CA
: "November," Harris Lieberman, New York, NY; curated by Jeffrey Uslip
: "People for a Better Tomorrow," Sweeney Art Gallery, UC Riverside, CA; curated by Meg Cranston
: "Re-make/Re-Model," DAmelio Terras, New York, NY
: "And Therefore I Am," Tang Museum, Skidmore, Saratoga, NY; curated by John Weber
2005: "Happenstance," Harris Lieberman Gallery, New York, NY; curated by Lauri Firstenberg
: "Champion Fine Art 2003-2005," Art 2102, Los Angeles, CA
: Public Sculpture for Benevento Citta Spettacolo, Italy, Theater Festival; curated by Demetrio Paparoni
: Erzhl mal was, Kunstverein Langenhagen, Langenhagen, Germany
: "Supersonic 2," LA Design Center, Los Angeles, CA
: "The Paths of Moons and Planets," Crazy Space, Santa Monica, CA; curated by Dawn Kasper
2004: "Faith," Champion Fine Art, Los Angeles, CA; curated by Matt Johnson
: "Delusionarium I," Legacy Art Gallery, Santa Ana, CA
: "Art and Propaganda," University of Arizona, Tucson AZ
2003: "Record," Art 2102, Los Angeles, CA. Screening; curated by Sharon Hayes
: "The Stage," Stray Show 2003, Chicago, IL; special installation project with Matthew Rich
: "Instant Installations," Sundown Salon, Los Angeles, CA
2002: "Slumberparty Noire," Municipal, Chicago, IL. Curated by Allison Frey and Casey Gunchel
: "Friends and Family," Lombard-Fried Gallery, New York, NY
2001: "Addition|Subtraction," The Carlin Group, New York, NY. Organized by Isca Greenfield-Sanders
: "Day Job," Open End Art, Chicago, IL. Organized by Susannah Strang and Joshua Gleason
: "Trauma tic," Open End Art, Chicago, IL. Curated by Duncan Anderson

Bibliography

2020: Farago, Jason. "My Weekend Binge Online at Frieze," The New York Times, May 12
2019: Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)
: Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)
2018: Horst, Aaron, "Shana Lutker at Susanne Vielmetter Los Angeles Projects," Flash Art, March/April
: Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)
: Hudson, Suzanne, "Shana Lutker at Susanne Vielmetter Los Angeles Projects," Artforum, February
2017: Wagley, Catherine, “5 Art Shows to See in LA This Week,” LA Weekly (web), December 6 (Link)
2016: Goukassian, Elena, “From Michelangelo to Marden, Seven Fierece Fistfights from Art History,” Hyperallergic (web), January 15 (Link)
: Spivack, Emily, “One Artist’s Fascination with a Giant Old Clamp,” The New York Times Style Magazine (web), February 3 (Link)
: Campbell, Andrianna, “Shana Lutker at Hirshhorn Museum and Sculpture Garden,” Art in America, April (Link)
: Yoshitake, Mika, “Humans Have Been Human for So Long: Shana Lutker and Mika Yoshitake in Conversation,” Art Journal Open (web), August 2 (Link)
: Wagley, Catherine, “Who Threw the First Punch?: Shana Lutker Stages a Surrealist Fight in Los Angeles,” ArtNews (web), September 23 (Link)
2015: Wagley, Catherine, A 2,400-Mile Art Exhibit is About to Hit L.A., LA Weekly, March 5
: Cheng, Scarlet, Cross-continent highway billboard project is Manifest Destiny, Los Angeles Times, April 4
: Wu, Su, A Two-Year, 100-Billboard Celebration of Going West, The New York Times Style Magazine (web), June 23
: Sawyer, Drew, Yuta Nakajima and Madeline Warren on Passing Leap at Hauser & Wirth, Document Journal (web), July 24
: Heddaya, Mostafa, Shows That Matter: Shana Lutker at the Prez Art Museum Miami, Blouin ArtInfo (web), September 8
: Osborne-Bartucca, Kristen, Shana Lutker: Susanne Vielmetter, Artillery, September – October
: Civin, Marcus, 500 Words: Shana Lutker, Artforum (web), October 27
2014: Farago, Jason, "Frieze art fair New York review copious consumption and ‘crack pie’", The Guardian, May 9 (Link)
: Steinhauer, Jillian, "Westward Exhibition: Billboard Art Unfolds Across America," Hyperallergic, June 20 (Link)
: Vogel, Carol, "State of Our Art, According to Whitney," The New York Times, February 28 (Link)
: Schnadt, Sara, "Artists on the Whitney Biennial", KCET Art Bound, May 8 (Link)
: Kinsella, Ellen, LAXART Moves to Hollywood, artnet, September 12
: Vankin, Deborah, LAXArt plans Hollywood gallery, citywide project called the Occasional, Los Angeles Times, September 10
: Steinhauer, Jillian, Westward Exhibition: Billboard Art Unfolds Across America, Hyperallergic, June 20
: Cascone, Sarah, High Line Restaging 1971 Willoughby Sharp Show on Pier 54, artnet, June 19
: Russeth, Andrew, Pier Pressure: High Line Art Resurrects Classic Willoughby Sharp Waterfront Show, GalleristNY, June 18
: Farago, Jason, Frieze art fair New York review copious consumption and crack pie, The Guardian, May 9
: Schnadt, Sara, Artists on the Whitney Biennial, KCET, May 8
: Wu, Su, Art Matters | At Frieze New York, Mixing Pleasure with Business, T: The New York Times Style Magazine, May 7
: Molesworth, Helen, Review: Whitney Biennial 2014, Artforum, May
: Zimmer, Lori, Expansion West: The Manifest Destiny Billboard Project, Mutual Art, April 2
: Hutt, John, A Gay Ol Tour of the 2014 Whitney Biennial, Out Magazine, March 14
2013: Heddaya, Mostafa, "Surrealisms Fistfights and Adversarial Culture," Hyperallergic, November 25 (Link)
: Gopnik, Blake, A Performance Like a Punch in the Face, The Daily Beast, November 20
: Sutton, Benjamin, Performa 13: Shana Lutker Restages Dadas Last Stand, Artinfo, November 20
: Zhong, Fan, 7 Strange Spectacles at Performa 2013, W Magazine online, November 14
: Matorin, David, Performa 13 Aims to Turn All of New York Into a Stage, November 4
: Indrisek, Scott, Performa 13: What Not To Miss, BlackBook, November 1
: Momin, Shamim, (Artist) Lunchtime Poll: Shana Lutker, Artsy, October 18
: Jovanovic, Rozalia, "Ten Must-Sees at This Year’s Performa," ArtInfo, October 9
: Bellman, Erica, "On View: Art Comes to the Interstate," T: The New York Times Style Magazine, September 24 (Link)
: Litt, Steven, Saturdays opening for The Unicorn exhibition at The Transformer Station promises to be a surreal happening, like the show itself, Cleveland.com, September 3
: _____. Shana Lutker, exhibition essay, The Unicorn at The Transformer Station, September
: Jovanovic, Rozalia, "Performa Hints at Biennial Theme With Salon on Surrealism, Dating Apps," Artinfo, July 30 (Link)
: Frank, Peter, Haiku Reviews: From Alfred Hitchcock To Asian Fairy Tales, Huffington Post, July 9
: Ong, Amanda, "The Blowing Nose by Shana Lutker," Frame Web, June 21
: Wagley, Catherine, Five Artsy Things to Do in L.A. This Week, Including Fighting Surrealists, LA Weekly, May 1
: Chappa, Kristen, Double Life, In Practice, Exhibition Catalogue, Sculpture Center, February
2012: Woods, Melissa Vogley, The Center For Ongoing Research and Projects: An Interview with Ryland Wharton, Temporary Art Review, December 27
: Friedman, Julia, economy of means: toward humility in contemporary sculpture, Critics Picks, Artforum.com, March
: Griffin, Jonathan, Transcript (Verbatim Ad Nauseam), Exhibition Catalogue from Things, Words, and Consequences, Moscow Museum of Modern Art, Moscow, Russia, pp 5-8
2011: Nys Dambrot, Shana, Hoarders: Art Gallery Edition, LA Weekly, December 1
: Latimer, Quinn, Shana Lutker, Barbara Seiler Galerie, Zurich, Frieze, September
: Gritti, Flice, Et bliev nix wie et wor, Artnet Magazin, artnet.de, April 11
: Bancroft, Sarah, Two Schools of Cool, Exhibition Catalogue, Fellows Of Contemporary Art, DelMonico Books
: Lewallen, Constance, Shana Lutker and John Baldessari", essay in Exhibition Catalogue from Two Schools of Cool, Orange County Museum of Art, Prestel, pp 44-47
2010: Holte, Micahel Ned, Top Ten, Artforum, December
: West, Kevin, SoCal Cool, W Magazine, August
: Tuck, Geoff, Notes on Looking, July 1, 2010, Notes On Looking, July 1
: Wu, Cassie, Shana Lutker, Artforum.com Critics Pick, June
: Williams-Ng, Stacey, Review: A Torrent of Words, Milwaukee Journal Sentinel, March 1
2009: Uchill, Rebecca, This is Killing Me, Art Papers, November/December
: Firstenberg, Lauri, The Talented Ms. Lutker, LA Confidential, September
: Myers, Holly, Around the Galleries: Attitude and talent to spare, Los Angeles Times, August 21
: Smee, Sebastian, Unflattering Reflection, The Boston Globe, August 1
: AJ, The Feminine Artistique, Angeleno Magazine, August
: Kley, Elisabeth, On the Pleasure of Hatred, artnet.com, June
: Ramani, Donato, Creating amid Passion and Fears, LUomo Vogue, May/June
: Ross, David, The Partys Over, Flyp, Flypmedia.com, March 13
: Born, Katheryn, This Shadow is a Bit of Ideology, Time Out Chicago, Issue 201, January 1
: Ennis, Ciara, Veronica, exhibition catalogue, Pitzer Art Galleries, Pitzer College, Claremont, CA
: Haeg, Fritz, The Sundown Salon Unfolding Archive, Evil Twin Books, New York
: Grabner, Michelle and Brad Killam, Forrest Nash, Jason Pickleman, Shana Lutker, exhibition catalogue from Can I Come Over To Your House?, The Suburban, Oak Park, IL, pp. 1050-1057
: Moshayedi, Aram with Shana Lutker, Forever Will A Blockhead Be, exhibition catalogue, Wetterling Gallery, Stockholm
: Nawi, Diana, This is Killing Me, exhibition brochure, Mass MOCA, North Adams, MA
: Tsatsos, Irene, Shana Lutker in Common Threads, Shared Spaces: Five Years of Fellowships for Visual Artists from the California Community Foundation, 2004-2008, pp. 78-79
: Younger than Jesus/Artist Directory, The New Museum, New York, NY, Phaidon Press
2008: Leong, Stephanie, California Girls, Daily Nexus, University of California, Santa Barbara, November 6
: Wahlquist, Grant, O.C. Art Attack!, Riviera, November
: Designed by Shana Lutker, Casa Magazine Santa Barbara, October 31
: Woodard, Joe, Hear, Hear: Shana Lutker arrives in two capacities this month, Santa Barbara News Press, October 31
: Olive, Ashley, Shana Lutker at CAFs Forum Lounge, Santa Barbara Independent, October 30
: Mizota, Sharon, Eureka Moments, Los Angeles Times, October 19
: OCMA Hits the Road, Jack!, Riviera, October
: Schwyzer, Elizabeth, The Art of Now, Santa Barbara Independent, September 25
: Martin, Victoria, Shana Lutker at Susanne Vielmetter Los Angeles Projects, Artweek, September
: Foss, Paul, Shana Lutker, ArtUS, September
: Frank, Peter, The Radiant Mind, The Body Politic: Lee Mullican, Shana Lutker and Olga Koumoundouros, LA Weekly, June 4
: Taft, Catherine, Catherine Tafts Round-Up of the Best Shows in LA, Saatchi Online, May 27
: Velasco, David, West Side Story, Artforum.com, January 31
: Firstenberg, Lauri, Shana Lutker in conversation with Lauri Firstenberg, exhibition catalogue from the 2008 California Biennial, Orange County Museum of Art, pp 146-147
: Uslip, Jeffery, Shana Lutker: Combined Faculty Acts, exhibition catalogue, Artists Space, New York, NY
: Hoffman, Jens, Fragments of an Analysis of a Case of Art, exhibition catalogue from Passengers 1.4, published by CCA Wattis Institute for Contemporary Arts, San Francisco, CA
2007: Diaz, Karla, A Tour of San Francisco and Oakland, FlashArt Online, October
: Beil, Kim, "California Biennial at OCMA," in ArtWeek, Vol 38, February
: Carson, Juli, "Shana Lutker’s The Future of an Illusion," Room Gallery, January
: Ritter, Ben, Shana Lutkers Bizarre Illusion, New University, Vol 40, January 16
: Wulffson, Jennifer, California Biennial, 2006, Latinart.com, January
2006: Cotter, Holland, "November" in Art Review, The New York Times, December 22
: Armstrong, Elizabeth, "California Above All," Art Review, May
: Berwick, Carly, Happenstance, in ArtNews, April
: Pollack, Barbara, Happenstance, Time Out New York, Issue 536, January 5
: Holte, Michael Ned, "Shana Lutker," Exhibition Catalogue from the 2006 California Biennial, Orange County Museum of Art, pp. 104-107
: Myers, Julian, I want to tell you Everything, from Excerpts, produced by Wetterling Gallery, Stockholm
2005: Cotter, Holland, Happenstance in Art in Review, The New York Times, December 30

Awards, Grants and Fellowships

2016: Artist Lab Residency, 18th Street Arts Center, Santa Monica, CA
2014: Smithsonian Artist Research Fellow, Smithsonian Institute, Washington DC,
2013-2014: Artist in Residence, Pioneer Works, Brooklyn, NY
2012: Artist in Residence, Cité des Art Internationales, Paris, France
: Artist in Residence, Atlantic Center for the Arts, Florida
2011: Artist in Residence, Sitterwerk, St. Gallen, Switzerland
2010: Artist in Residence, SOMA, Mexico City, Mexico
2008: California Community Foundation Emerging Artist Fellowship
2006: Durfee Foundation Completion Grant
2004-2005: Art Council Award
2004: Elaine Krown Klein Award
: Art Council Award
: Hoyt Fellowship
2003: Orselli Fellowship, UCLA Department of Art
: Clifton Webb Art Award, UCLA Department of Art

Group Exhibition Catalogues and Books

2019: Buhmann, Stephanie. Los Angeles Studio Conversations. The Green Box, Berlin, Germany
2016: Sur, LAXART, Los Angeles, CA, 2016
2014: Whitney Biennial 2014, The Whitney Museum of American Art, New York, NY, 2014

Artist’s Writing and Published Projects

2018: Artist’s Portfolio, Apricota, Issue no. 1. Secretary Press, New York. pp 34–61.
2016: Madames Electrics, with drawings contributed by Maria Candanoza, Kate Costello, Zoe Crosher, Julian Hoeber, Adriana Lara, and Interior Theatre. Book produced as part of exhibition I curated and organized at The Pit, Glendale, CA. “Notes on the Project X Forums,” X-TRA, Volume 18, number 2, pp 85-87.
2014: “A to B to E to F to G to M to N: A conversation wtih Augustine, André Breton, Albert Einstein, Sigmund Freud, Gradiva, Me, and Nadja,” Whitney Biennial 2014, pp 369-372.
: “Have you ever slapped a dead person?” Cadavere Quotidiano, published by Project X Projects, pp 96-103.
2012: New Research concerning the Fistfights of the Surrealists, 16-page newspaper published by the Center for Ongoing Research & Projects, Columbus, Ohio.
: “Some Fistfights of the Surrealists,” MATERIAL, no 3, pp. 51-59.
: “Kate Costello: Set Ups,” X-TRA, Volume 15, no. 1, p. 37.
2010: “Transitional Objects,” Lovingly, Rose Peebles, broadsheet published by Brand Gallery, Glendale, CA.
: “Index: Studio, 2003-2006,” The Studio Reader, edited by Michelle Grabner and Mary Jane Jacob, University of Chicago Press, Chicago, IL.
2009: “Eileen Cowin: Simply Because You’re Near Me,” Published brochure essay on the occasion
: of Cowin’
: s exhibition at Pasadena Community College Gallery, March 2009.
: “Artists Are Not,” thehighlights.com, February issue.
: 2007 “Confusion, Collateral, and Pain,” X-TRA, Winter 2007-8, Vol. 10.2. With Kris Paulsen.
2006: “Notes on Display, Exhibition, and Awe,” X-TRA, Winter 2006, Vol 9.1
: “Every Garden a Munition Plant,” X-TRA, Summer 2006, Vol. 8.4.
2005: “Ghosts of the Public,” X-TRA, Fall 2005, Vol 8.1, pp 48-52.
2004: Sourcebook of American Chatter: Issue One (Fragments), contributor.
2003: “Out with the Artist: The poet, the American, and the monster,” The 2003 Wight Biennial Catalogue, published on the occasion of the 2003 Wight Biennial, UCLA, p54-61.
2002: “Kristin Lucas and Joe McKay,” New Art Examiner, Jan/Feb 2002, Vol. 29 no. 3, p. 67.

Public Collections

: Hirshhorn Museum and Sculpture Garden, Washington D.C.
: Long Beach Museum of Art, Long Beach, CA

Dan Levenson

: Lives and works in Los Angeles
1997: MFA, Royal College of Art, London, UK
1994: B.A., Oberlin College, Oberlin, OH

Selected Exhibitions

2018: “SKZ Form and Color Studies,” Praz Delavallade, Paris, France (Link)
2017: "SKZ Monochrome Diptychs," House of the Book, Brandeis-Bardin Institute, Simi Valley, CA (Link)
2016: Praz-Delavallade, Independent, Brussels, Belgium
2015: "SKZ Painting Storage," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011: “SKZ Student Monochrome Workshop,” Vox Populi, Philadelphia, PA
2008: “Anonymous Paintings from the Archives of Little Switzerland,” USF, Bergen, Norway
2003: White Room, White Columns, NY, curated by Lauren Ross

Group Exhibitions

2017: “Summer of Love,” Wilding Cran Gallery, Los Angeles, CA
: “All the Small Things,” Steve Turner, Los Angeles, CA
: “I Love LA,” Praz-Delavallade, Los Angeles, CA
: Gallery Em, Seoul, Korea
2016: “The Artists’ Library,” LAXART, Los Angeles, CA
2012: “The Double,” Cabinet, Brooklyn and LAXART, Los Angeles, CA
2011: “I Like The Art World And The Art World Likes Me,” EFA Project Space, New York, NY
2010: “I Know What You Did Last Summer,” St. Cecilia’s Convent, Brooklyn, NY
2009: “Nothing Up My Sleeve,” PARTICIPANT, INC., New York, NY, curated by Jonathan Berger
2008: “Geometric, Abstract, and Geometric Abstraction,” Jason Rulnick, New York, NY
2007: “Horizon,” EFA Gallery, New York, NY, curated by David Humphrey
: “The Promise of Freshness,” with Daniel Argyle, Peloton, Sydney, traveled to Dudespace, Melbourne, Australia
2006: “Recent Acquisitions,” Jason Rulnick Fine Art, New York, NY
2005: “Image Acts,” OfficeOps, Brooklyn, NY, curated by Aspara DiQuinzio and Tina Kukielski

Bibliography

2018: Stromberg, Matt, "Performances About Learning, Set in a Fictional Classroom," Hyperallergic (web), January 22 (Link)
2017: Kinsella, Eileen, “Art LA Contemporary Opens With Big Crowds and Edgy Vibe,” artnet news (web), January 27
: “I Love LA,” Praz-Delavallade, Los Angeles, CA
: Allen, Mark, “Review: Art Los Angeles Contemporary 2017!” LA Art Party (web), February 1
2016: Martin, Lucy, “The Armory Show Gallery Picks: Day One,” Elephant, March 3
2015: Cohen, Barnett, Dan Levenson Interview, Contemporary Art Review LA (web), September 2
: Goldman, Edward, Septemer LA, a Bursting Art Scene, KCRW (web & radio), September 8
: Capria, Alexandra, Dan Levenson, ArtNews, December
: Leon, Sarah, Fan Zhong, and Pati Hertling, “The Best of Armory Week 2015,” W Magazine, March
2013: Sigal, Lisa, “Silhouette,” The Bottom Line, February
2011: Orrson, Emily, “Vox Populi: Dan Levenson, SKZ Student Monochrome Workshop,” Title Magazine, December
: Newhall, Edith, “Artists’ subversive sense of humor at Vox Populi,” The Philadelphia Enquirer, December
: Chip Schwartz, “Conceptual Mashup at Vox” KnightArts, December 2011
: Wetzler, Rachel, “A Populist Attack on the Art World Pulls Punches,” Hyperallergic, March
2009: Levy, Michelle, “Virtues of Smoke and Mirrors,” ArtSlant, November
: Ramani, Donato, “Imaginary Road to Little Switzerland,” L’Uomo Vogue, July
2008: Flannery, Paul, “Expandable and modular – Little Switzerland on a scale of 1 to 1,” January 21
: Johnson, Paddy, “Form and Enterprise: The Art of Dan Levenson,” ArtCal Zine, January 16
: Johnson, Paddy, “Fia Backström No Copy No Paste,“ Art Fag City, January 24
2007: Wagner, James, “Dan Levenson’s ‘Little Switzerland’ at EFA,” James Wagner blog, November 13
2006: “Shifter: Rules & Representation,“ Shifter Magazine, June 1
: Faure, Guillemette, “La culture hors de prix à New York,“ Le Figaro, August 29
2005: Smith, Daniel, “Andrew Jackson, The New Face of Modern Art,” n+1, March 5
: Lubell, Sam, “The $20 Problem: Opposition still rages against MoMA ticket Prices,“ Architectural Record, January
: Vogel, Carol, “What is the Value of Priceless Art?” The New York Times, November 18
: Kuntzman, Gersh, “Art Worship,“ Newsweek, November 22
2004: Sherman, Gabriel “Mo’ Money MoMA,” The New York Observer, November 19
: Muchnic, Suzanne “Parking costs rise at Getty, “ Los Angeles Times, November 21
: Burmeister, Thomas “Picasso kann durchatmen,” Koelnische Rundschau, December 10
: Bernau, Nikolaus, “Das MoMA tanzt,” Berliner Zeitung, November 20
: Villasmil, Alejandra, “El MOMA de Nueva York abre al público su nueva sede,” Diario de Cadiz, November 20
: Hickland, Aaron, “Open for business: the multi-million dollar cathedral for art that heralds a renaissance for the Big Apple,” The Sunday Herald, UK. November 21
: Rousselot, Fabrice, “20 dollars l’entrée, de la folie furieuse,” Libération, November 20

Awards, Grants and Fellowships

2014: Yaddo Fellowship
2011: MacDowell Fellowship
2009: Skowhegan School of Painting and Sculpture
2008: Triangle Artists’ Workshop, Brooklyn, NY
: Artist-in Residence, USF, Bergen Norway
2007: Pollock-Krasner Foundation Grant
: NYFA Fiscal Sponsorship
2006: Yaddo Fellowship
2004: Elizabeth Foundation Studio
: Yaddo Fellowship
2003: P.S. 122 project studio
2000: Yaddo Fellowship

Performances

2017: “Foundational Principles of the State Art Academy, Zurich (SKZ),” Art Los Angeles Contemporary, Los Angeles, CA
2016: “Drawing Lessons from the SKZ,” The Hammer Museum, Los Angeles, CA
: “Event #1, The Artists’ Library, by Warren Neidich,” LAXART, Los Angeles, CA
2015: “On Discipline (L.A.)” Ooga Booga #2, 356 S Mission Rd. Los Angeles, CA
2012: “Social History of the State Art Academy, Zürich,” International Studio and Curatorial Program (ISCP), Brooklyn, NY
: “The Bätterkinden Art Awards,” Triangle Project Space, Brooklyn, NY
2008: “Disarmory,” organized by dBfoundation
2007: “The All-Smoking Art Opening – Sponsored by Altria,” New General Catalog, Brooklyn, NY, curated by Trong G. Nguyen
2006: “New Swiss Art,” Elizabeth Foundation for the Arts, New York, NY
2004: “FrEE MoMA action,” Museum of Modern Art, New York, NY

Group Exhibition Catalogues and Books

2014: “Should Art Be Involved With Politics?” Visuals for Verbs, http://www.v-for-v.com/
2013: “Notes From Jessica,” The Highlights, http://thehighlights.org/
2012: Shifter Magazine, Vol. 19, Proposals, Design, Layout, September
: 2010 “
: Nothing Up My Sleeve,” Regency Arts Press and PARTICIPANT INC

Olga Koumoundouros

: Born in New York, New York
: Lives and works in Los Angeles, California

2001: MFA, California Institute for the Arts, School of Art, Valencia CA
1997-1999: California State University Long Beach, Long Beach, CA
1995-1997: School of the Museum of Fine Arts, Studio Art, Boston, MA
1990: BA, University of Vermont, Environmental Studies, Burlington, VT

Selected Exhibitions

2014: Roundhouse Shines, The Bowtie Project, Los Angeles, CA
2013: "We made life here for a little while," Susanne Vielmetter Los Angeles Projects Off-site, Altadena, CA
: "Dream Home Resource Center," Hammer Museum, Los Angeles, CA
: Transformer Display for Community Fundraising: Phase 4, Tang Museum, Skidmore College, Saratoga Springs, NY (two-person show with Andrea Bowers)
: "Posessed by Glint and Dreams," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2011: Wall Works: CART-What Do We Need to Get By and How Do We Get There?, Santa Monica Museum of Art, Santa Monica, CA
: Susanne VIelmetter Los Angeles Projects, Culver City, CA
2009: Demand Management, <a href="http://redcat.org/gallery/0809/koumoundouros.php" target="_blank">REDCAT</a>, Los Angeles, CA (June 26 August 23, 2009)
2008: "Great Expectations and The Wreck of the Hope, Susanne Vielmetter Los Angeles Projects (Project Space)
2007: "A Roof Upended, Open Satellite, Bellevue, WA.
2006: "Thieves Vinegar, Adamski Gallery, Aachen Germany.
2005: "More Yellow Wallpaper, Mullin Gallery, Occidental College, Los Angeles.
2004: "Designated Hitters at the Spider Hole, Adamski Gallery, Aachen, Germany.
2002: "#9", 5301 Sunset Blvd, Los Angeles, CA (two-person show with Rodney McMillian)
1999: "Just in Case, INMO Gallery, Chung King Road, Chinatown, Los Angeles.

Group Exhibitions

2015: Glomar: Strange Engineering (A Giant 8 Fingered Crane), Redling Fine Art, Los Angeles, CA
: "MetaModern," Krannert Art museum, University of Illinois; traveling to Scottsdale Museum of Contemporary Art, Arizona; The De Vos Art Museum, North Michigan University, Marquette; and the Cincinnati Art Museum
2014: "Greece," Long Beach City College Art Gallery, Long Beach, CA
: "The Sunken Living Room," Franklin Street Works, Stamford, CT
: "Your Shell is Made of Air," Guggenheim Gallery at Chapman University, Orange, CA
: "If I can’t dance to it, it’s not my revolution," Cantor Fitzgerald Gallery, Haverford College, PA (with Andrea Bowers)
2013: The Armory Show and Tell, The Armory Center for the Arts, Pasadena, CA
: Painting in Place, Los Angeles Nomadic Division (LAND), Farmers and Merchants Bank, Los Angeles, CA
: Bakers Dozen V – Marginal Revolutions: Concerning activism, the 99%, Occupy, Anonymous, Wikileaks and other manifestations of the political Torrance Art Museum, Torrance, CA
2011: Greater LA," curated by Benjamin Godsill, Eleaonor Cayre and Joel Mesler, New York, NY
: Site as Symbol, curated by Survey West Collaborative, FOCA, Los Angeles, CA
2010: Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Go West, Salt Lake Art Center, Salt Lake City, Utah, curated by Jill Dawsey
: Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus, Project Row Houses, Houston, TX
2009: Thats All Folks. The Clash Between the Speech and the Fate., Cultuurcentrum Brugge, Belgium
2007: "Ohio, w/ Andrea Bowers, David Hullfish Baily, Sam Durant, Rodney McMillian, Adrian Piper, and Robert Pruitt Gahlberg Gallery, College of DuPage, Glen Ellyn, IL.
: "Informal Architecture, The Banff Centre – Walter Phillips Gallery, Banff, AB, Canada.
: "Touched: Artists and Social Engagement, Armory Center for the Arts, Pasadena.
: "The Secretariat, w/ Walead Beshty and Yoshua Okon, Aftermodern, San Francisco, CA.
: "Philosophy of Time Travel, collaboration w/ Edgar Arceneaux, Vincent Johnson, Rodney McMillian & Matthew Sloly, curated by Christine Kim, Studio Museum of Harlem, New York, NY.
: "On a Porch, performance w/Rodney McMillian, LAX-Art, Los Angeles, CA.
2006: "Capitol Punishment, collaborative project w/ Pia Ronicke, Glassell School of Art, Houston, TX.
: "Sculpture, Rental Gallery, Los Angeles, CA.
: "Affair, Tart, San Francisco, CA.
: "A Front Porch: Concurrent and Not Opposing, performance collaboration w/Rodney McMillian, The Suburban, Chicago Illinois.
2005: "Thing, curated by Aimee Chang, James Elaine, Chris Myles, Armand Hammer Museum, Los Angeles, CA.
2004: "New Balance Frontier, Soap Factory, curated by Aimee Chang, Minneapolis, MN.
: "Poster Project, organized by Pia Ronicke, Coppenhagen, DN.
: "Journal of Aesthetics and Protest 3 Day Extravaganza, Machine Gallery, Los Angeles, CA.
2003: "Rent-a-Bench, Kunstmuseet Trapholt, Kolding, Denmark.
: "Works on Paper, Stephan Adamski Gallerie, Aachen, Germany.
: "Sculpture Invitational, Armory Center for the Arts, Pasadena, CA.
: "Journal of Aesthetics and Protest, poster collaboration, Los Angeles, CA.
2002: "Schindler House Reenactment, collaboration w/MAK residents at Schindler House, Los Angeles, CA,
: "Rent-a-Bench, site specific installation, Los Angeles, CA.
: "All You Can Eat Karaoke, C-level, Chinatown, Los Angeles, CA.
2001: "Ars Moralis, Gallerie Fr Gegenwartskunst, Barbara Claassen-Schmal, Bremen , Germany.

Bibliography

2014: Newhall, Edith, "Galleries: A long-forgotten artist, 1960s anarchy, and clay," The Philadelphia Inquirer, April 28 (Link)
2013: Tewksbury, Drew, "Living Spaces: When a House Becomes a Piece of Art," Los Angeles Magazine, November 27 (Link)
: Testado, Justine, Housing Values: The Dream House Resource Center exhibit, Archinect, August 15
: OLeary, Lizzie, Making art out of the housing crisis, NPR: Marketplace, August 14 (Link)
: Fricano, Mike, Got housing woes? The Hammer offers consumers help, UCLA Today, July 18
: Sommer, Danielle, "Review: ‘Olga Koumoundouros: Possessed by Glint and Dreams,’ " Art in America, June 2013
: Shaw, Michael and Jody Zellen, ArtScene: Olga Koumoundourous and Monique Van Genderen at Susanne Vielmetter Los Angeles Projects, April
: Griffin, Jonathan, "Olga Koumoundouros: Possessed by Glint and Dreams," Art Review, May
: Cheh, Carol, A Bizarre Exhibit in a Foreclosed Home that was Turned Into a GalleryIs Now in a Gallery, LA Weekly, March 22
: Tuck, Geoff, Confusing, wrong, and sometimes okay art without purity, but with ethics, Notes on Looking, January 25
: Ollman, Leah, Olga Koumoundourous takes on American Dream of Home Ownership, Los Angeles Times, March 21
2012: Editors Picks: Miami Art Fairs, Interior Design Magazine, December 13
: Bell Yank, Sue, "Do we need artists in Museums?", Artbound for KCET, November 14
: Katzban, Nicholas, "Olga Koumoundouros: A Notorious Possession", 24700: News from California Institute of the Arts, October 19
: McCullough, Danielle, "After the Gold Rush", In These Times, October 10
: Cheh, Carol, When Olga Koumoundouros Neighbors Abandoned Their House, She Took It Over and Turned It Into Art, LA Weekly, October 2
: Herbst, Robby, Notorious Possession: Occupying Foreclosed Homes with Art, KCET Artbound, September 25
: A House Painted Gold, Hear In The City, September 20
2011: Rosenberg, Karen, "Art Fair: Business Over Activism," New York Times, December 2
: Alvarado, Francisco, "Max Rameau and Umoja Village Invade Art Basel," New Times Miami, December 1
: Loos, Ted, "Ten Things to Look Forward to at Art Basel in Miami," Vogue Daily, November 28
: Smith, Roberta, A Bit of Hollywood, Minus the Tinsel, The New York Times, May 31
: Feil, David A., "Round 33: The Seventh House – Project Row Houses", Art Lies Quarterly, Issue 68, Spring – Summer
2009: Miles, Christopher, Olga Koumoundouros at REDCAT, ArtForum, November
: Myers, Holly, Intelligent, but hardly passionate, Los Angeles Times, September 1
: Pagel, David, It adds up: Color steals the show, Los Angeles Times, July 24
: Myers, Holly, Her financial statement, Los Angeles Times, July 6
2008: Knight, Christopher, "Critics Preview, Los Angeles Times, June 12
: Myers, Holly, "Startling, Strange and Elegant Works, Los Angeles Times, May 23
: Machida, Nico, "Koumoundouros: New Sculpture, ArtSlant, May 19
: Pence, Elizabeth, "A Roof Upended, ArtUS, January/February, Issue 21
2007: Birk, Lacey, "Spotlight: Art Rising in the East, Seattle Magazine, December
: Compton, Ann, "Philosophy of Time Travel at the Studio Museum, Art in America, p. 202, October
: Grant, Adriana, "Upended Roof Speaks to, and About, its Condo-Filled Neighborhood., Seattle Weekly, 19 September
: Graves, Jen, "The Other Half: A Crack House and a Luxury Tower Walk Into a Room. The Stranger, 5 September
: Bach, Ashley, "Bellevue getting arts influx. The Seattle Times, 30 August
: Myers, Holly, "Social issues leave imprint in ‘Touched’, Los Angeles Times, August 22
: Graves, Jen, "Suburban Shacks and High-Rises: A Brave New Contemporary Art Project in Bellevue, The Stranger, August 1
: "Better Living, In/Visible, Stranger Podcast, August 29
: Goodbody, Bridget, "Riffing on Modernism: Through the Roof, Brancusi! New York Times, April 20
: "Goings on About Town, New Yorker Magazine, April 25, 2007- June 26, 2007.
: Schmerler, Sarah, "Tour de Force, Time Out: New York, February 22-28 2007
: Anne Rochette, Wade Saunders, "Place Matters: Los Angeles Sculptures Today, Art in America, pp.182, no. 10, November
2005: Knight, Christopher, "The Next Big ‘Thing’ in L.A.", Los Angeles Times, February 9
: Schmelzer, Paul, "Making Another World Possible, Adbusters Magazine, # 57, January-February
2004: Hunt, Jon, "Where the Hell Are We, Citypages, Minneapolis/St.Paul, volume 25, issue 1233, July 21
2003: Myers, Holly, "Empty Lot, Blank Canvas, Los Angeles Times, Aug 14

Catalogues

2007: "Informal Architecture, curated by Anthony Kiendel, Banff, to be distributed.
: "Ohio, curated by Brad Killam, Gahlberg Gallery, to be distributed.
: "A Roof Upended, Open Satellite, to be distributed.
: "Philosophy of Time Travel, curated by Christine Kim, Studio Museum of Harlem, distributed.
2005: "Thing, curated by James Elaine, Chris Myles, Aimee Chang, Armand Hammer Museum.
2003: "Rent-a-Bench, curated by Jacob Fabricius with artists: Olafur Elliason and Sam Durant.

Awards, Grants and Fellowships

2012: Center for Cultural Innovation "Investing in Artists" Grant
: California Community Foundation Fellowship for the Visual Arts
2011: California Community Foundation Creative Artist Agency Grant
: Foundation for Contemporary Art, for exhibition Poor Pension Math, at Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009: Durfee Foundation, for exhibition Demand Management, at REDCAT, Los Angeles, CA
2008: Creative Time, for exhibition Democracy in America, Park Avenue Armory, New York, NY
2007: "Open Satellite, curated by Lead Pencil Studio, Bellevue, WA.
2005: Creative Capital Grantee, Art Collaboration 2005, for exhibition to be held at Studio Museum of Harlem, 2007
2000: Atlantic Center for the Arts, w/ Charles Ray, Jennifer Pastor, New Smyrna Beach, FL.
: Center for Land Use Interpretation, Culver City, CA. Sagamore Institute, conducted research on American Great Camps, Adirondack State Park, NY.
1999: California State University Long Beach, workshop w/ Sue Coe, Long Beach, CA.
1996: "Frogmans Press, affiliated w/ University of South Dakota, Beresford, SD

Guest Lectures

2007: Sidestreet Projects, Los Angeles, CA
: Visiting Artist Lecture, Henry Art Gallery, University of Washington, Seattle, WA.
: Artists Voice Series, "Future Shock: Philosophy of Time Travel, Columbia University.
2005: "Carved Verandah Posts of Nigeria and Site Specificity, Architecture and Monuments, California African American Museum, Los Angeles, CA.
2003: "Art and Activism, 6 Months Space, presentation exploring social activism and art, Los Angeles, CA.
2001: "Have a Cool Summer, Keep in Touch," discussion regarding transition from student to artist, Track 16, Santa Monica, CA.

Elke Krystufek

: 1970 Born in Vienna, Austria
: Lives and works in Vienna, Austria and Berlin, Germany
: 1988-92 Academy of Fine Arts, Vienna, Austria

Selected Exhibitions

2013: “Harmonie 20,” Haus am Waldsee – International Contemporary Art in Berlin, Berlin, Germany
2011: “Harmonie 3”, The Box, Los Angeles, CA
2010: Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009: Galerie Nicola von Senger, Zürich, Switzerland
: Galerie Meyer Kainer, Vienna, Austria
: Kestner Gesellschaft, Hannover, Germany
: "Für das Glück zuständig (Responsible for a certain amount of Luck)", Steirischer Herbst 2008, Camera Austria, <a href="http://www.steirischerherbst.at/2008/english/calendar/calendar.php?eid=15" target="_blank">Kunsthaus Graz</a>, Austria (March 10 – November 1, 2009)
2009-2010: “Elke Krystufek: LESS MALE ART”, Kestnergesellschaft, Hannover, Germany
2008: "A FILM CALLED WOOD…", Transit Art Space, Stavanger, Norway
: "Dark Continents", Museum of Contemporary Art, North Miami, Florida, USA
: “Mother Observing – La Mamma Osservante – La Maman Regardant", Galleria Il Capricornio, Venice, Italy "A FILM CALLED WOOD…", Transit Art Space, Stavanger, Norway
: "Bedeutungszuwachs”, Galerie Barbara Thumm, Berlin, Germany
: "Power Change Initiated by a Woman", Ulmer Museum, Ulm, Germany
: "Für das Glück zuständig (Responsible for a certain amount of Luck)", Camera Austria, Kunsthaus Graz, Austria
2006-2007: "Liquid Logic – The Height of Knowledge and the Speed of Thought", MAK – Ausstellungshalle, Vienna
: “The Visible Woman“, Nicola von Senger Galerie, Zurich, Switzerland
2005: "Futurology: L’État C’est Moi – Das Geld bin ich", Galerie Barbara Thumm, Berlin, Germany
: "Elke Krystufek: Proper use", MDD (Museum Dhondt-Dhaenens), Deurle, Belgium
2004: "Der soziographische Blick 6. Elke Krystufek (A) – The constant lover – Faster Than The Speed of Light", Kunstraum, Innsbruck, Austria
2003: "Nackt und mobil, GEM – Museum für Aktuelle Kunst, Den Haag; Sammlung Essl, Klosterneuburg
: “Communifrontationsilence”, Galerie Akinci, Amsterdam, Netherlands
2002: "Silent scream", Kenny Schachter conTEMPorary, New York
: "He can’t make babies, so he eats them", Emily Tsingou Gallery, London
2001: "I Am Your Man", Ars Futura, Zürich, Switzerland
: "In the Arms of Luck", Galerie Drantmann, Brussels, Belgium
2000: Gallery Side 2, Tokyo, Japan
: "Nobody has to know" Portikus Frankfurt/Main, Germany
1999: "In The Arms Of Luck", Centre genèvois de gravure contemporaine, Genève, Switzerland
1998: 303 Gallery, New York, NY, USA
: Emily Tsingou and Company, London, UK
1997: “I am your mirror”, Secession, Vienna, Austria
: Galleri Nicolai Wallner, Copenhagen, Denmark
1996: Galerie Drantmann, Brussels
1995: Galleria Il Capricorno, Venice, Italy
: Contemporary Fine Arts, Berlin, Germany
: 303 Gallery, New York, NY, USA
1994: "Chambres d’Amis", Vereniging vor het Museum vor Hedendagse Kunst, Gent, Belgium
: "Migrateurs", ARC Musée d`Art Moderne de la Ville de Paris, Paris, France
1993: "Elke Krystufek", HELL, Centre d’Art Contemporain, Martigny Galerie Metropol, Vienna, Austria
: "Le Principe de Réalité", Galerie Bruno Brunett, Berlin, Germany
1992: Galerie Metropol, (with Franz Graf), Vienna, Austria
1991: "Der Mörder steht vor meiner Tür", Institut für Planungsgrundlagen und Gebäudeforschung, Akademie
: der bildenden Künste, Vienna, Austria
1990: "Aktion", Institut für Gegenwartskunst, Akademie der bildenden Künste, Vienna, Austria

Group Exhibitions

2012: "Self-Portrait", Louisiana Museum of Modern Art, Humlebaek, Denmark
2009: “elles@centrepompidou”, Centre Pompidou, Paris, France
: “rebelle. Art and Feminism 1969-2009”, <a href="http://www.mmkarnhem.nl/index/1/?lang=en" target="_blank">Museum Moderne Kunst Arnhem</a>, Netherlands
: 53rd Venice Biennale, Austrian Pavillion, Biennale Venedig (together with Dorit Margreiter and Franziska and Lois Weinberger), Venice, Italy
: Kunst im Park, Schloßpark Grafenegg, Grafenegg, Austria
2008: “Dark Side“, Fotomuseum Winterthur, Germany
: "Dark Continents", Museum of Contemporary Art, North Miami, Florida, USA
: “EGO Documents“, Kunstmuseum Bern, Bern, Switzerland
: “System Mensch. Werke aus der Sammlung des MdM Salzburg”, Museum der Moderne, Salzburg, Austria
: “Summer Show”, Royal Academy, London, UK
: Nouvelle Collections III (Sammlung Jocelyne & Fabrice Petignat), Centre PasquArt, Biel
: “SchauM”, Kunstverein Mannheim (curated by Jessica Beebone and Andrea Domesle)
: Prague Triennale, Prague, Czech Republic, (curated by Pilvi Kalhama)
: “Sexism?”, Galerie Václava Špály, Prague, Czech Replublic, (curated by Pavel Humhal)
: MATRIX, MUSA, Museum auf Abruf, Vienna, Austria
2007: “Hard Rock Walzer – Contemporary Austrian Sculpture“, Villa Manin, Codroipo, Udine, Italy
: “Kiss Kiss Bang Bang“, Museo de Bellas Artes de Bilbao, Bilbao, Spain
: “Lange nicht gesehen“, MUSA – Museum auf Abruf und Startgalerie im Museum auf Abruf, Vienna
: “Von Klimt bis Krystufek – Highlights aus der Sammlung“, Museum der Moderne Salzburg, Austria
: “Global Feminism“, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, New York,
: Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, USA
: “E-flux Video Rental“, Centre culturel Suisse, Paris, France
: “Passion for Art – 35 Jahre Essl Museum“, Sammlung Essl – Kunsthaus, Klosterneuburg, Austria
: “art_clips.ch.at.de – 90 Kurzvideos aus der Schweiz, Österreich und Deutschland“, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Medienmuseum), Karlsruhe, Germany
: “Into me / out of me“, MACRO – Museo d´Arte Contemporanea Roma, Rome, Italy
2006: “Körper, Gesicht, Seele. Frauenbilder vom 16. bis ins 21. Jahrhundert“, Leopold Museum, Vienna, Austria
: “Into me / out of me“, KW – KUNST-WERKE BERLIN e.V – Institute for Contemporary Art, Berlin, Germany
: “Into me / out of me“, P.S.1 MoMA Contemporary Art Center, New York, curated by Klaus Biesenbach
: "Woman of Europe", Espacedes Lices, Saint Tropez, France
: “50 JPG – 50 JOURS POUR LA PHOTOGRAPHIE À GENÈVE“, Centre de la Photographie Genève,
: Switzerland
: “Österreichische Kunst am oberen Tassenrand“, ikob Museum für zeitgenössische Kunst, Eupen,
: Belgium
: “simultan”. Zwei Sammlungen österreichischer Fotografie aus den Beständen des Bundes und des Museum
: der Modernen Salzburg; Fotomuseum Winterthur, Austria
: "Para todos los publicos", Sala Reklalde, Bilbao, Spain
: “Österreichische Kunst von 1900 – 2000, Konfrontationen – Kontinuitäten“, Sammlung Essl,
: Klosterneuburg, Austria
: "Face to Face", Ausstellungshalle zeitgenössiche Kunst, Münster, Germany
: “SURreal. Aspekte des Figuralen aus der Sammlung”, Museum der Moderne Salzburg, Salzburg, Austria
2005: "Nach Rokytník, die Sammlung der EVN", MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna Austria
: “Artists’ Books, revisited”, Art Metropole, Toronto, Canada (curated by Matthias Herrmann, Secession, Vienna)
: "SIMULTAN. zwei sammlungen österreichischer fotographie", museum der moderne, Salzburg, Austria
: "Slices of Life", Austrian Cultural Forum New York, New York, USA
2004: "I am not a feminist. I am normal.", Austrian Cultural Forum, London, UK
: "Vienna Coffee Table", Galerie Bernhard Knaus, Mannheim, Germany
: "Clothing as Body", Museum of Contemporary Art, Zagreb, Croatia
: “Porträts – Picasso, Bacon, Warhol…”, MUMOK Museum Moderner Kunst Stiftung Ludwig, Vienna
: "Gegen-Position(en)", Museum Moderner Kunst Stiftung Wörlen Passau, Passau ,Germany
2003: "Utopia Station", 50. Biennale, Venice, Italy
: "Girls don’t cry", Parco Museum, Tokyo, Japan
: "Love/Hate", Kunsthalle Wien, Vienna, Austria
2002: "Mirroring evil", Jewish Museum, New York, NY, USA
: "Shock and Show", (curated by Maria Campitelli) organized by Gruppo 78, Triest, Italy
: "My Marilyn", Liljevalchs Konsthall, Stockholm, Sweden
: "De la représentation a l’action", art center Le Plateau, Paris, France
2001: “Table Top”, Galerie van Gelder, Amsterdam, Netherlands
: “My Generation”, The Atlantis Gallery, London, UK
: “Reisen ins Ich – Künstler/selbst/Bild”, Sammlung Essl, Klosterneuburg, Austria
: "Gefesselt – entfesselt (Österreichische Kunst des 20. Jahrhunderts)", Galerie Zacheta, Warsaw, Poland
2000: "Living and working in Vienna" (curated by Paulo Herkenhoff, Maaretta Jaukuri and Rosa Martinez),
: Kunsthalle Wien, Vienna, Austria "Never alone again" (curated by Frank Rike), La Panaderia, Mexico City, Mexico
: "Protest & Survive", Whitechapel Art Gallery, London, UK
: "Don’t let it in, don’t let it out", Knoll Galéria Budapest, Hungary
: "Presumed Innocent, childhood and contemporary art", curated by Marie-Laure Bernadac and
: Stéphanie Moisdon-Trembley, capcMusée, Musée d’art contemporain de Bordeaux, France
1999: "A Girl Like You", Galerie Praz-Delavallade, Paris, France
: "FunktionsSystemMensch", Museum Bochum, Bochum, Germany
: "Generation Z", P.S.I., Contemporary Art Center, New York, NY, USA
1998: Biennale von São Paulo, São Paulo, Brazil
: "Ein Jahrhundert künstlerischer Freiheit", Secession, Vienna, Austria
: "Life is a bitch", De Appel Foundation, Amsterdam, Netherlands
1997: ":Engel :Engel", Kunsthalle Wien, Vienna, Austria
: "Post-Production", EA-Generali Foundation, Vienna, Austria
1996: "Jahresmuseum", Kunsthaus Mürz, Mürzzuschlag, Austria
: “(Antarctica) Brahma”, Galerie nächst St. Stephan, Vienna
1995: "Oh boy, it’s a girl!", Kunstverein München, Munich, Germany; Kunstraum Wien, Vienna, Austria
: "Murs du Son", Villa Arson, Nice, France
: "Feminin/ Masculin","X/Y" (curated by Stéphanie Moisdon-Trembley and Nicolas Trembley), Centre
: Pompidou Paris, France
1994: "Elke Krystufek, Trudie Reiss, Julie Roberts", Galerie Meile, Luzern, Switzerland
: "Zwischenbilder/ Zwischenräume", Landesgalerie Linz, Austria
1993: "Urban Analysis", Barbara Braathen Gallery, New York, NY, USA
: 45th Venice Biennale, Venice, Italy
: "The Ebb Tide Shell Gathering", Centre d’Art Contemporain, Martigny, Switzerland
: "Elke Krystufek, Hanne Darboven, Sue Williams", Galerie Metropol, Vienna, Austria
1992: "Writings on the Wall", 303 Gallery, New York, NY, USA
: "Under Thirty" (curated by Erik Oppenheim), Galerie Metropol, Vienna, Austria
1991: "Refleksy", Museum Galerie Zacheta, Warsaw, Poland
1990: "Nach der Natur", Kunsthaus Horn, Austria
1989: "Sie betreten die Akademie", Akademie der bildenden Künste, Vienna, Austria

Bibliography

2009: Scheyer, Nicole, “Von Herzen umschwebt”, Frankfurter Allgemeine Zeitung, April 11
2008: "Elke Krystufek. Nein", in: Camera Austria International, Issue 103-104, pp. 11-22
: Gampert, Christian, "Power Change", dradio.de, July 12
: Stephenson, Sarah, "Elke Krystufek: Meaning Increasement/ A FILM CALLED WOOD", Artkrush Issue #89, July 23
: Gampert, Christian, "Jenseits des Penisneids", Freitag 32, August 8
: Bosetti, Petra, "Performativ, analytisch, medial", art, September 17
: Ulrich Raphael Firsching, "Krystufek, Margreiter und Weinberger 2009 im österreichischen Pavillon", kunstmarkt.com, September 17
: Spiegler, Almuth "Goldene Löwin für Österreichs Biennale-Beitrag?", DiePresse.com, September 15
: Spiegler, Almuth, "Steirischer Herbst: Aber ich will Unglück vermeiden", DiePresse.com, October 3
: Seidl, Walter, "Dem Glück entgegen", artmagazine, November 2
: Lagger, Helen, "Ausstellung ‘Ego Documents’ im Kunstmuseum", BZ Berner Zeitung, November 13
: Aktuell, Monopol, "Österreich schickt ein Trio auf die Biennale Venedig", Monopol Nr., December
: "Performativ, analytisch, medial – Österreichischer Pavillon, Venedig-Biennale", Art-magazin.de, September 17
: Pepper, Jens, "Irrlicht", in: Der Tagesspiegel, Nr. 19 968, 19.07, p. 26
: de Ruyter, Thibaut, "Sex’n’Drugs’n’Kunstmarktkunst", zitty, p. 93, April 4
2007: Müller, Dominikus, "Es geschah am hellichten Tag", Artnet Magazin, January
: Vogel, Sabine B., “Verflüssigung unserer Logik: Elke Krystufeks kontextreiche Körperwelten in Wien“, Monopol p. 125, February
2006: Tandon, Nita, translation, “Portrait –Elke Krystufek – A Film Called Wood“, Spike Art Quarterly, Nr. 11, Spring
: "Tabus, Sex und die Kunst 3 – Körper als Erfahrung", arte.tv, June 15
: Klaas, Heiko “Die Unkultur“, art, July
: Rönnau, Jens Kunst im Sangria-Rausch“, Schleswig Holsteinische Landeszeitung, April 29
2004: Kruse, Maren, “Überall ist Ballermann“, Segeberger Zeitung, April 29
: Hilpold, Stephan, "Bitte einmal abblitzen", Der Standard/Rondo, p. 4, November 26
: Ziaja, Luisa, "Krystufek revised", kunst.investor, p.28, August/Autumn
: Vogel, Sabine B., "Seven Sins", artnet, October 11
: L’Echo des Savanes, Nr.243, Elke Krystufek Photographe: "Mon corps es devenu
: important parce oue j’étais boulimique. Je l’ai percu comme un ennemi…", p. 80, Novembre
: SANS & SAMLING, Statens Museum for Kunst, Copenhagen, Sept-Dec 2004 Nr.12, "I am your mirror",pp.12/13
: Schedlmayer, Nina, "Vorbildhafte Strategien", Der Standard, April 15
: Benzer, Christa, "Friscblut", Profil, p.118, March 29
: Gregori, Daniela, "Aus dem Leben der Elke K.", FAZ, p.32, April 25
: Bader, Joerg, "Elke Krystufek le miroir qui met à nu", artpress – X-ELLES Le sexe par les femmes Entretien, p.106, May
: Gregori, Daniela, “Elke Krystufek Das Buch und die Ausstellung”, Parnass, p.120, February
: “Solo Mortale”, Das Fridericianum Magazin, pp. 74 – 81, Spring/Summer
: Schedlmayer, Nina, “Nacktschattengewächse”, Profil, Nr.27, pp.124 -125, June 28
: Horny, Henriette, “Schrill und dabei auch sehr still”, Kurier, p.29, June 29
: Spiegler, Almuth, “Elke Krystufek wird überleben”, Die Presse, p.:31, June 29
: Melchart, Erwin, “Kritischer Blick auf die Kunstwelt”, Die Krone, p. 24, June 29
: Mittringer, Markus, “Lindenstraße in die Kunstwelt”, Der Standard, p. 21, July 5
2003: van de Velde, Paola, "Eetstoornis verklaart blootobsessie", De Telegraaf, July 22
: Angerer, Marie-Luise, "Handtaschenformat. Ein Besuch bei Elke Krystufek in Wien", Texte zur Kunst, 13.Jg., Heft 49, pp.101-104, March
: Mittringer, Markus, "Ich habe Lautrec kopiert!", MQ Site Nr 09, May
: Bem, Merel, "Krystufek verveelt met therapeutische kunst", De Volkskrant, July 16
: Bldz. jul/aug 03, "masturbeersesseie met komcommer", p.:104
: "Egokunst", Facts, p.:124, September 11
: St.Galler Tagblatt, 26.8.03, "Suchet, so werdet Ihr erfunden"
: Janus, Elisabeth, "Elke Krystufek", Artforum, XLI, No 5, p. 68, January
: Grissemann, Stefan, "Wozu überhaupt noch", Profil, Nr.6, p.114, February 3
: Melchart, Erwin, "Elkes Rollen-Spiele", Kronenzeitung, p.:57, February 11
: Wiesauer, Caro, "Eine Kunstfigur als Spiegelbild der Spektakel-Gesellschaft", Kurier, pp. 28-29, February 12
: Siegler, Almuth, "Revolution jedenfalls jeden Tag", Die Presse, p.12, February 12
: Mittringer, Markus, "Ein unterhaltsames Kunstprodukt", Der Standard, p.:24, February 12
: Scheyerer, Nicole, "All about Elke", Falter, pp. 65, July
: Möchel, Andrea, "Elke Krystufek", Die Wienerin, pp. 38-40, March
: Aigner-Steiner, Silvie, "Nackt und Mobil", Parnass, pp.146-147, March/April
: Reininghaus, Alexandra, "Nackt & selbstbewußt", Art, p.:90, March
: van der Linden, Riet, Opzij, nr.9,.September 2003, "En verder: Elke Krystufek", p.:72
: Keijer, Kees, Parool, 8.8.03, "Krystufek laat zich zien",
: GEM (Museumszeitschrift), 3/03, p.:7
: Smallenburg, Sandra, "Alles van Elke Krystufek is openbaar", NRC Handelsblad, August 1
2002: Nochlin, Linda, "Mirroring Evil: Nazi imagery recent art”, Art Forum, XL no.10, p.167, Summer
: Huber, Christina and Ringhofer, Anneliese, "Krystufek im Spiegel", Diva, Nr. 113, pp:. 26-30, Summer
: Gebetsroither, Ines Eikon, 39/40, " Rollenspiel und Körperbilder", p.:18
: Summers, Francis, "Making a mockery of yourself and everyone else", Sleazenation, March
: Kinsman, Chloe, "Elke Krystufek", Tema celeste, No 90, March/April
: Grotz, Lisa, "Vom Zusammenhang von Bulimie und Öffentlichkeit", Die Welt, January 5
: Cullerton, Erin, Time out ,13.2-20.2.2002, "Elke Krystufek"
2001: Airport, Dec./Jan. 2001/02, Mark Dyrved, "What a man", p.:24
: Müller, Silke, "Wien ist weiblich", Art, pp.60-63, November
: Commune di Albisola Marina and Museo della Ceramica Manlio Trucco, Commune di Albisola
: Superiore, jul. – sept. 2001, p. 178 – 179
: "Ikonen Werkstatt", Vogue Deutsch, p.116, August
: Hofbauer, Renate, "Die Top 100 der Kunstszene", Gewinn, 20.Jhg., p. 89, p. 92, September
: Grzonka, Patricia, "Wir sind die Welt", profil, pp.125-128, May 28
: Pizzinelli, Lorenza Gioa, Nr. 25, 26 June 2001, "Lo stile? È un’arte", p.85 and "Triennale: largo alle donne", p.88
: Romano, Gianni, "Elke Krystufek – Body Landscape", Flash Art Italia, nr. 228, pp. 116 – 118 June
: Besio, Armando, "Centro artisti europei per la Bovisa", La Repubblica, p.17, May 5
: Visa Magazin, 2/2001, Elke Buchinger, "Menschen mit Menschen", p.4-5
: Flash Art, Vol XXXIV, no. 217, march – april 2001 " Art Faces The Gavel of Recent Child Protection Laws", p.45
: züritipp, 6-12. April 2001, hre, "Selbstentblössung"
: Hess, Ewa, Sonntagszeitung, 8. April 2001, "Das einzig Wirkliche ist der seltsam fremde Blick"
: Exinger, Peter, Sonntagsblick, 8. April 2001, "Ich bin auch ein Kerl"
: Neue Zürcher Zeitung, 11. April 2001,M.D., "Das Pin-up als Paparazza", p.46
: "Zero Gravity", exhibition catalog, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, april –june
: Probst, Ursula Maria, Kunstforum international, Bd 153/2001, , "Lebt und Arbeitet in Wien", p.393
2000: TYDEN 26, 2000, Elke Krystufeková: Hitlerovy deti transfer, zeitschrift für kunstvermittlung, September 2000, Nr.5, cover, p.2
: NÖN, Niederösterreich Kultur, live 2/00, cover, p.4
: morgen, 08/00, cover
: Il Gazzettino, 16. dec. 2000, Enzo Di Martino "Espressionismo provocatorio"
: Kunes, Ales, LN, 7/27/2000, , "Hitlerovy deti" – spatné svedomi sveta" Presumed innocent. The Album",
: capcMusée d‘art contemporain de Bordeaux
: Danicke, Sandra, "Zumutung von vorne und hinten", Portikus, July 3
: Nicol, Gabriele, "Multimedia – Projekt im Portikus", FNP, July
: Baer, Dorothea, Journal Frankfurt, Jul/00,– Bogenschütz "Norma Jean Krystufek" p. 48
: Hierholzer, Michael, FAZ, july/00, "Das Selbst, sein Leib und seine Geschichten"
: Knöfel, Ulrike, Der Spiegel, Jul/2000, "Überall nur Idioten", p.196
: Frame, 4/00, e-mail Interview "Gender, Lanschaften und Farben", p.46f
: Reininghaus, Alexandra, "Wien Aspekte/Positionen", ART, p.86-87, January
: Huck, Brigitte, "Elke Krystufek, sleepingbetterland", FRAME, p.123, Jan/Feb
: Stoeckl, Peter, "Kunst aus dem Computer und neue nackte Weiblichkeit", KMSFB/ Dabei, p. 12, January
: Janus, Elizabeth, "Elke Krystufek", Artforum, p.137, March
: Meyer, Juliet, "Elke Krystufek", p.62, March
1999: Hofleitner, Johanna, "Elke Krystufek, Georg Kargl", Flash Art, Nov./Dec.99, p.123
: Moisdon-Trembley, Stéphanie, "Ego as media", Beaux Arts, numéro spécial, pp.166-169, December 15
: Grandjean, Emmanuel, "Elke Krystufek se met a nu au Centre de gravure", Tribune de Genève, September 24
: Gewinn, Renate, "Die Top 100 der Kunstszene", Hofbauer, pp.226-228 October
: Fritsch, Sibylle, "Ich für mich", Die Presse, Spectrum, p. 3, January 23
: Praschl, Bernhard, "Ihr Arbeitsmaterial ist ihr Körper", Kurier, February 2
: Sonkin, Rebecca, "Move Over Generation X, Generation Z, Has Arrived At P.S.1", Queens Chronicle, April 18
: Schmerler, Sarah, "Generation Zzzzzzz", Time Out New York, May 20-27
: Huck, Brigitte, "Celebrity Skin: Elke Krystufek", Noema, Nr.51, pp.68-75, May/June
: "This is hardcore", Les Inrockuptibles, Nr. 204, p.6, pp. 23-29, June
: Lebovici, Elizabeth, "Elke Krystufek se met á nu", Liberation, p.37, June 23
1998: Camera Austria, Cover and pp. 31-45, January 6
1997: "Østrigs skam og længsel", Politiken, September 12
: "Maleriet lever" "walking through society", Jahrbuch ’97, Institut für Moderne Kunst, Nürnberg, p.132-139
: "Überall neue Frauenpower", Kunstzeitung, Nr. 15, November
: "A l’Est du nouveau", Les Inrockuptibles, Nr. 120, October 1-7
: Pazzini, Karl-Josef, "Shooting Star", Parnass, pp.84-89, January
: Huck, Brigitte, Eikon, Heft 21/22, 1997 Insert, pp.38-39
: Messner, Bettina, "Elke Krystufek: I M Your Mirror", p.62, "I’m Your Problem", p.77
: Gorsen, Peter, "Malen macht Spaß", AZ, Nr. 32, p.37, February
: Schmutz, Hemma, "Elke Krystufek, Secession", Springer, Bd. III, Heft 1, March/May
: Krawagna, Christian, "Elke Krystufek, Wiener Secession", Artforum, April
: Wailand, Markus, "Das Prinzip Birkenstock", Falter, May
: Huck, Brigitte, "Plötzlich diese Übersicht", Der Standard, January 31
: Melchart, Erwin, "Künstliche Intimitäten", Neue Kronenzeitung, February 1
: Horny, Henriette, "Wenn man eindringt, wird man mit ‚Sex‘ belohnt", Kurier, February 1
: Hofleitner, Johanna, "Der Körper – nackt bekleidet, verkleidet", Die Presse, February 3
: Metzger, Rainer, "Kunst kommt von Kaufen", Der Standard, August
: Heise-Sapper, Margarete, "Selbstentblößungen", Handelsblatt February 25
1996: Blocnotes Nr. 11, 1/2 1996, Armelle Leturcq "Elke Krystufek: Une esthétique de la crudité"
: Texte zur Kunst, Nr. 22, 6/1996, Christian Krawagna "Ich möchte funktionieren, nicht perfekt aber doch."
: Dany, Hans-Christian, Vogue, 11/96, "Poor Little Rich Girl"
: Profil, Nr. 51, Horst Christoph, "Schreiende Vagina"
: Kaindl, Dagmar, News, Nr. 50, "Auf den Leib geschrieben"
1995: Bubias, Marius, Zitty, Nr. 24/1995, "Wenn Frauen masturbieren, sind Männer dann überflüssig?"
: Hofleitner, Johanna, du, Heft Nr.1, jan. 1995, "Mädchen, Puppen, Buben und Pferde"
: Blocnotes Nr. 8, 1995, Labo 4, "The cabinet of recent passions and ecstasies"
: Art Nr.6, june 1995, "Narziß und Fegefeuer" p.76-77
: Archis Nr.6, 1995, "Foto von der Installation Aperto 1993", p.72
1994: Volkart, Yvonne, "Medusa and Co.", Flash Art Nr. 176, May/June
: Christoph, Horst, “Marilyn ist mein Vorbild (interview)", Profil Nr. 37, September 12
: Johst, Marcus, "Mir ist nicht Fad (interview)", Diva Nr. 43, October/November
: Nesweda, Peter, Kunstforum Bd. 128 oct.- nov., Interview with, "Der weibliche Körper und der männliche Blick"
: Janus, Elizabeth, "private functions", Frieze, December/January
: Tauvel-Dorsaz, Hélène, "Des images fortes qui parlent de nature, de sexe et de chatiment", Voir Magazine
: des Arts, Nr.97, April
: Flash Art Daily, Biennale Venedig, June 9
: Christoph, Horst, "Notorische Spielerin", Profil Nr. 28, July
: Gwarrt, Nr. 3, July
: "Le principe de Realité", Artis, July/August
: Fricke, Harald, "Selten Schön, meistens schmerzvoll", Taz: Berlin Kultur, August 7
: Borchhardt, Brigitte, "Verweigerung, Heiterkeit, Collage", Wiener Zeitung, August 7
: Renton, Andrew, "Venice Biennale", Flash Art, Nr. 172, October
: Salviani, Daniela, "Aperto", Flash Art, Nr. 172, October
: Spazio, Opos, "Documentario" ("Privacy", "Body & Co"), Mailand
1992: Hofleitner, Johanna, "Elke Krystufek and Franz Graf", Artforum, Summer
: "Writings on the wall", Village Voice, Levin, July
: Bonami, Francesco, "Elke Krystufek", Flash Art, November / December

Catalogues

2009: “rebelle, Art and Feminism 1960-2009”, Museum of Modern Art, Arnheim, NL
2008: “NEIN”, ed. Christine Frisinghelli, Camera Austria, Graz
: “A FILM CALLED WOOD woof Woolve Vulvahoodmoodsuperwoovertrooper”, exhibition catalogue,Transit Art Space, Stavanger , Norway
2007: “global feminisms – New Directions In Contemporary Art”, ed. Linda Nochlin, Maura Reilly, Brooklyn
: Museum, New York 2007, p.:213 (image)
: “KISS KISS BANG BANG”, exhibition catalogue, Museo de Bellas Artes de Bilbao , p.:136-139, 292-293 (engl.)
: “Interviews”, ed. Gerald Matt, Kunsthalle Wien, Vienna, p.:172-181
2006: “Elke Krystufek. Liquid Logic. The Height of Knowledge and the Speed of Thought”. ed. Peter Noever, MAK Vienna
: “painting codes – I codici della pittura”, ed. Andrea Bruciati and Alessandra Galasso, GC.AC. – Galleria
: Comunale d’Arte Contemporanea di Monfalcone, p.: 46-49
: “art_clips.ch.at.de – 90 Kurzvideos aus der Schweiz”, Österreich und Deutschland, DVD-Publikation (in der
: Reihe zkm digital arts edition), ed. Gerhard Johann Lischka, ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Hatje Cantz Verlag (3 DVDs with Booklet)
: “Para Todos Los Públicos – For All Audiences”, exhibition catalogue, Sala Rekalde Erakustaretoa, Bilbao 2006, p.: 198-207
: “Bilder vom Vierwaldstättersee”, ed. Peter Fischer, Christoph Lichtin, Kunstmuseum Luzern, p.: 25, fig. nr. 75
: “Der soziographische Blick”, ed. Stefan Bidner, Kunstraum Innsbruck, Buchhandlung Walther König, Cologne, p.: 197-221
2005: “Art Works zeitgenössische Kunst: AKTION”, ed. Jens Hoffmann, Joan Jonas, Gerstenberg Verlag 2005, p.: 79
: Österreich – Konfrontationen und Kontinuitäten 1900-2000, Sammlung Essl Privatstiftung Klosterneuburg, p.: 337, 338
2004: “Elke Krystufek. The Rich Visit the Poor/The Poor Visit the Rich”, ed. Christine Kintisch, Bawag Foundation Edition, Vienna
: “Lovers’ mind wide open”, exhibition catalogue, Statens Museum for Kunst, Copenhagen
2003: “Nackt & mobil – Elke Krystufek”, Sammlung Essl, Klosterneuburg
2000: “Elke Krystufek – Nobody has to know”, Portikus, Frankfurt/Main
1999: “Sleepingbetterland”, Galerie der Stadt Esslingen, Esslingen
: “I am dreaming my dreams with you”, Contemporary Art Center, Vilnius
: “In the arms of luck”, Centre Genèvois de Gravure Contemporaine, Geneva, Maison Levanneur, Centre
: National de L’Estampe et de l’Art Imprimée, Chatou
1998: “Economical Love. Elke Krystufek”, ed. Brigitte Huck, São Paulo
1997: “Elke Krystufek. I am your mirror”, Secession Wien, Vienna
1994: “Migrateurs”, ARC Museé d’Art Moderne de la Ville de Paris, Paris
1993: “Under Thirty”, Galerie Metropol, Vienna

Public Collections

: Museum Moderner Kunst (MUMOK), Vienna, Austria
: The Essl Museum in Klosterneuburg, Vienna, Austria
: Albertina, Vienna, Austria
: Belvedere, Vienna, Austria
: Museum fuer Angewandte Kunst (MAK), Vienna, Austria
: Museum der Moderne, Salzburg, Austria
: Neue Galerie Graz, Austria
: Kunsthaus Bregenz, Bregenz, Austria
: Lentos, Linz, Austria
: UBS Collection, Zurich, Switzerland
: Collezione Gaddi, Lucca, Italy
: Staatens Museum, Copenhagen, Denmark
: Migros Museum, Zurich, Switzerland
: Centre Pompidou, Paris, France

Jutta Koether

1958: Born in Cologne, Germany
: Lives and works in New York

Selected Exhibitions

2018-2019: “Tour de Madame,” Museum Brandhorst, Munich, Germany; traveling to Serralves Foundation, Porto, Portugal; Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
2016: “Zodiac Nudes,” Galerie Buchholz, Berlin, Germany
: “Best of Studios,” Campoli Presti, London, UK
2015: “Fortune,” Bortolami, New York, NY
2014: "Maquis," Galerie Francesca Pia, Zrich, Switzerland
: "Champrovent", Reena Spaulings Fine Art, New York, NY
2013: Un tabliessement aux Folies-Koethre, tablissement d’en face projects, Brussels, Belgium
: Cycle I. Jutta Koether. Viktoria, Luise, Isabelle, Praxes Center for Contemporary Art, Berlin, Germany
: Seasons and Sacraments, Dundee Contemporary Arts, Dundee, Scotland, UK
: "Seasons and Sacraments", Arnolfini, Bristol, England
: "The Double Session", Campoli Presti, London
2012: The Fifth Season, Bortolami, New York, NY
2011: Mad Garland, Campoli Presti, Paris
: The Thirst, Moderna Museet, Stockholm, Sweden
: Berliner Schlussel, Galerie Daniel Buchholtz, Berlin, Germany
2009: Van Abbemuseum, Eindhoven
: Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Culver City, CA
: Lux Interior, Reena Spaulings Fine Art, New York
2008: "New Yorker Fenster", Galerie Daniel Buchholz, Cologne, Germany
: No.5, Kunsthall Landmark, Bergen, Norway
: The fact that you place your bet on red does not mean that the black is not still there, Galerie Francesca Pia, Zrich, Switzerland
: "JXXXA Leibhaftige Malerei", Sutton Lane, Paris, France
: "Leibhaftige Malerei JXXXA", Bergen Kunsthall, Bergen, Norway
2007: nderungen Aller Art, Kunsthalle Bern, Bern, Switzerland
: Jutta Koether / Rodney McMillian, Susanne Vielmetter Berlin Projects, Berlin, Germany nderungen Aller Art, Kunsthalle Bern, Bern, Switzerland
: "Dead Already", Reena Spaulings Fine Art, New York, NY (two person show with Kim Gordon)
2006: "love in a void", Akademie der Bildenden Kunste, Vienna, Austria
: Fantasia Colonia, Klnischer Kunstverein, Kln (Cologne), Germany
: Volume 13, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2005: Hysterics (Male), Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: I Is Had Gone, Thomas Erben Gallery, New York, NY
: Very Lost Highway, Simultanhalle, Kln (Cologne), Germany
: extreme harsh, Ausstellungsraum Ursula Werz, Tbingen, Germany
: Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London, UK
2004: Allein, Allein! Galerie Meerrettich, Berlin, Germany
: Fresh Aufhebung, Reena Spaulings Fine Arts, New York, NY
: Fresh AufhebungKnstlerisches Interesse am philosphisch verneinten Wunderglauben, Klnischer Kunstverein, Cologne, Germany
2003: Desire Is War, Galerie Meerrettich, Berlin, Germany
: The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York, NY
: Europe Extreme III: Farbenfieber, Performance, Pro qm, Berlin, Germany
2002: Extremes Europa, Galerie Daniel Buchholz, Kln (Cologne), Germany
: Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York, NY
2001: Need Change # 1-4, at Apt 6H, New York, NY
2000: Ladies of the Rope, Galerie Daniel Buchholz, Kln (Cologne), Germay
: Zur Grnen Schenkefnf uhr nachmittags. die geheimen Bilder, Galerie Freund, Vienna
1999: sun/ny, Pat Hearn Gallery, New York, NY
1998: Billets-Doux, Galerie Daniel Buchholz, Kln (Cologne), Germany
: Songs of New York & c, Pat Hearn Gallery, New York, NY
1996: after shows, Pat Hearn Gallery, New York, NY
: Warmer Stern, Galerie Daniel Buchholz, Kln (Cologne), Germany
1995: frontage, Pat Hearn Gallery, New York, NY
1993: Unter, Galerie Bruno Brunnet, Berlin, Germany
: Affective Import: Antibodies I-V, Pat Hearn Gallery, New York, NY
1992: 100% Malerei, Galerie Sophia Ungers, Kln (Cologne), Germany
1991: Massen. Malerei und Versammlung, Generali Foundation, Vienna, Austria
: Kissing the Canvas, Pat Hearn Gallery, New York, NY
: The Halal File, Standard Graphik, Kln (Cologne), Germany
: Koether, Galerie Bleich-Rossi, Graz, Austria
1989: 20 Minuten, Galerie Monika Sprth, Kln (Cologne), Germany
1987: The Things Art Makes, Galerie Bleich-Rossi, Graz, Austria
: Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart, Germany
1985: Road to Cairo, CC Galerie, Graz, Austria
: Keeping the Issues Alive, Galerie Jandrig, Krefeld, Germany

Group Exhibitions

2015: Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany
2014: New Dawn, curated by Leidy Churchman, Silberkuppe, Berlin
: "NO DRINK, NO TALK, JUST BEAUTIFUL", On Stellar Rays, New York, NY
2013: "Future Perfect. The Future As It Will Have Been", Frankfurter Kunstverein, Frankfurt
: "Lies About Painting", Moderna Museet Malm, Malm, Sweden
: Death by Water. Death by Fire. Curated by David Lewis, Campoli Presti, Paris
: "Chat Jet", Kunstlerhaus, Graz, Austria
: NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY
: Catch as Catch Can, Locks Gallery, Philadelphia, PA
2012: 2012 Whitney Biennial, Whitney Museum of American Art, New York, NY
: Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY, Wexner Center for the Arts, Columbus, OH
: Sao Paulo Biennial 2012, Sao Paulo, Brazil
: A Bigger Splash: Painting after Performance, Tate Modern, London
2011: Quodlibet III Alphabets and Instruments, Galerie Buchholz, Berlin, Germany
: Invitation to the Voyage, Algus Greenspon Gallery, New York, NY
: The Rose-Colored Room, Overduin and Kite, Los Angeles, CA
: Antidepressiva, Galerie Peithner Lichtenfels, Wien, Austria
: Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Linienstrasse 160, Berlin
: Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, daad Galerie, Berlin
: Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London
: Louise Despont, Jutta Koether, Alicja Kwade, Anj Smith, Marianne Vitale, Unica Zuern, Ibid Projects, London, UK
2010: Utopie un Monument II, Steirischer Herbst 2010, Graz, Austria
: Sammlung Reininghaus, Sammlung Falckenberg Phoenix Kulturstiftung, Hamburg
2009: Trio Exhibition 2009, Van Abbemuseum, Netherlands
: Bijoux de Famille, Galerie Chantal Crousel, Paris
: Palindrom (kuratiert von Tom Holert und Michael Dreyer), Hermes und der Pfau Project Space for Contemporary Art, Stuttgart
: Reena Spaulings. The Belgian Marbles, Sutton Lane, Brssel
: Grand Openings, SculptureCenter, Long Island, New York
: See This Sound, Lentos Kunstmuseum, Linz
: Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York, NY
: Schere, Stein, Papier, Kunsthaus Graz, Graz
: Quodlibet II, Galerie Daniel Buchholz, Kln
: Sonic Youth etc.: Sensational Fix, Kunsthalle Dsseldorf, Germany
: Celebration," Galerie Isabella Bortolozzi, Berlin
: Cave Painting, PSM Gallery, Berlin, Germany, organized by Bob Nickas
: modern modern, Chelsea Art Museum, New York, NY, curated by Pati Hertling
: Born to Be Wild, Kunstmuseum St. Gallen, St. Gallen
: Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia
2008: Reena Spaulings: Courbet your enthusiasm, Galerie Chantal Crousel, Paris, France
: Her Noise Archives, Badischer Kunstverein, Karlsruhe, Germany
: Grand Openings, performance at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna, Austria
: Grand Openings, performance at Bumpershoot Festival, Seattle, WA
: Black Noise, A tribute to Steven Parrino, Ile des impressionnistes, Chatou, France
: Light is a kind of rhythem (part 2), Glaspavillion, Berlin, Germany
: Jutta Koether / John Miller, Neuer Berliner Kunstverein, Berlin, Germany
: CA.BU. + BA.D.AL.MO, Galerie Thomas Flor, Dsseldorf, Germany
: Altered States of Paint, Dundee Contemporary Arts, Dundee, Scotland
: Artists Space, New York (Performance)
2007: Feminist Legacies and Potentials in Contemporary Art Practice: If I Cant Dance I Dont Want to be Part of Your Revolution, Museum of Contemporary Art, Antwerp, Belgium
: "Deaf 2 – From the Audible to the Visible", Galerie Frank Elbaz, Paris, France
: Stubborn Materials, Peter Blum Gallery, New York, NY
: "Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermachtigung", Shedhalle Zurich
: Bastard Creature (1 of 3 parts of La Marque Noir: Steven Parrino), Palais de Tokyo, Paris
: "Painting as Fact – Fact as Fiction", dePury & Luxembourg, Zurich, Switzerland
: "Symbolismus und die Kunst der Gegenwart", von der Heydt-Museum Wuppertal, Wuppertal, Germany
: "Shandyismus – Autorschaft als Genre – Ausstellungsgesprach", Secession, Vienna Austria, Kunsthaus Dresden, Dresden, Germany
: Zwischen Zwei Toden / Between Two Deaths, ZKM, Karlsruhe, Germany
: "For the People of Paris", Sutton Lane, Paris, France
: Quotidian, BUIA Gallery, New York
: "What we do is secret", Blancpain Art Contemporain, Geneva, Switzerland
: "24 November – 22 December", Sutton Lane Paris, France
: Fit to print, Gagosian Gallery, New York
: "Epileptic Seizure Comparison", Green Naftali, New York, NY
: If I Cant Dance I Dont Want to be Part of Your Revolution, Utrecht, Netherlands
2006: Make Your Own Life: Artists In and Out of Cologne, ICA Philadelphia, Philadelphia, PA; traveled to the Institute of Contemporary Art/ Boston, Boston, MA; Henry Art Gallery, University of Washington, Seattle, WA; Museum of Contemporary Art North Miami, Miami, FL
: Music is a Better Noise, P.S.1 Contemporary Art Center, Long Island, NY
: If I Cant Dance I Dont Want to be Part of Your Revolution, De Appel, Amsterdam, Netherlands
: "Hot Spring..In Autumn", Galerie Krinzinger, Vienna, Austria
: Grand Openings, performance at Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan
: "Gifts go in one direction", Apexart, New York, NY
: "Metalist Moment", Herald St, London, UK (Performance)
: "An Ongoing Low-Grade Mystery", Paul Cooper Gallery, New York, NY
: "Love Letter", Herald St, London, UK
: "Galerie Daniel Buchholz at Metro Pictures", Metro Pictures Gallery, New York, NY
: The Dimes of March, Reena Spaulings Fine Art, New York
: 2006 Whitney Biennial, Whitney Museum of American Art, New York, NY
: The Subversive Charm of the Bourgeoisie, Van Abbemuseum, Eindhoven
: Bring the War Home, Elizabeth Dee Gallery, New York and QED, Los Angeles, organized by Drew Heitzler
: TBILISI 3./ Lets stay alive till Monday, Tbilisi, Georgia
: "Reena Spaulings – Bialystoker", Sutton Lane, London, UK
: "Replay – The Aesthetics of Art and Music/Punk", MAGASIN – Centre National d’Art Contemporaine de Grenoble, Grenoble, France
2005: Performa 05, Performa, New York, NY
: Painters Without Paintings & Paintings Without Painters, Orchard Gallery, New York
: Blankness is not a Void, Standard (Oslo), Oslo, Norway
: Afterall, Apexart, New York, NY
: "Reena Spaulings," Haswellediger Gallery, New York, NY
: Trade, White Columns, New York, NY
: Thomas Erben Gallery, New York (Performance)
: Kim Gordon and Jutta Koether, Tate Modern, London, UK (Talk and Performance)
2004: Fresh Aufhebung, Performance im Rahmen d. Ausst. Dass die Krper sprechen, auch das wissen wir seit langem, Generali Foundation, Wien, Austria
: wir seit langem, Generali Foundation, Wien, Austria
: Europe Extreme III: Farbenfieber, Pro qm, Berlin (Performance)
: Born To Be a Star, Knstlerhaus Vienna, Austria
: Curious Crystals of Unusual Purity, PS1, New York, NY
: Auf dem Berlich, curated by Silke Bauer, Kln (Cologne), Germany
: Mllberg, Galerie Daniel Buchholz, Kln (Cologne), Germany
: The Big Nothing, ICA Philadelphia, Philadelphia, PA
: Jetzt und zehn Jahre davor, KW Institute of Contemporary Art, Berlin, Germany
: Teil 1 Mllberg, Galerie Daniel Buchholz, Kln (Cologne), Germany
: Publish and be damned, Cubitt, London, UK
: The personal is political, und peinlich, Kunsthalle Exnergasse, Wien (Vienna), Austria
: Black Bonds (with Steven Parrino,) Swiss Institute New York, NY
2003: deutschemalereizweitausenddrei, Frankfurter Kunstverein, Frankfurt/Main, Germany
: Lordship and Bondage, Columbia University, New York, NY
: Vom Horror der Kunst, Steirischer Herbst, Grazer Kunstverein, Graz, Austria
: Fresh Aufhebung, performance im Rahmen der Ausstellung: Dass die Krper sprechen, auch das wissen wir seit langem, Generali Foundation, Vienna, Austria
: Catholic, Guild & Greyshkul, New York, NY
: Wild Nights: Remembering Colin de Land, CBs Gallery, New York, NY
: Girls Gone Wild, Bronwyn Keenan Gallery, New York, NY
: The Club in the Shadow, (collaborative installation and musical performances with Kim Gordon) at Kenny Schachter Contemporary, New York, NY
: Unknown Pleasures, Daniel Reich, New York, NY
: 20th Anniversary Show, Monika Sprth, Philomene Magers, Kln (Cologne), Germany
: The Melvins, Anton Kern Gallery, New York, NY
: Holler Color Holler, special event in the backroom of Greene Naftali, New York, NY
2002: Unknown Pleasures, Daniel Reich, New York, NY
2000: Kims Bedroom, MU Art Foundation/De Witte Dame, Eindhoven, Netherlands
: Prophecies, Swiss Institute, NY
: Hex Induction Hour by the Fall, Team Gallery, NY, curated by Bob Nickas
1999: Malerei, INIT Kunsthalle, Berlin, Germany
1998: Brushholder Value, Westflischer Kunstverein, Mnster, Germany
: Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York, NY
1997: Thomas Emde, Isabell Heimerdinger, Jutta Koether, Newspace, Los Angeles, CA, curated by Susanne Vielmetter
1996: A / Drift, Bard College, Annandale-on-Hudson, New York, curated by Joshua Decter
: Painting the Extended Field, Magasin 3, Center for Contemporary Art, Malm, Sweden
: Screen, Friedrich Petzel Gallery, New York, curated by Joshua Decter
: Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, Soho 20, New York, NY
1995: When Techno Turns to Poetry, Kunstwerke, Berlin, Germany
: Joy of Painting, Here, New York, curated by Ami Arnault and Alix Lambert
1994: Spielverderber, Forum Stadtpark, Graz, Austria
: The Use of Pleasure, Terrain Gallery, San Francisco, CA, curated by Bob Nickas
: Reflex: Die Neunziger, Wiener Secession, Vienna, Austria, curated by Martin Prinzhorn
: Dysfunction USA, Arthur Rogers Gallery, New Orleans, LA, curated by Bob Nickas and Peter Halley
: Rehearsal for frontage, innerhalb von Taste Venue, Pat Hearn Gallery, New York, NY
1993: Galerie Christian Nagel, Kln (Cologne), Germany, curated by Cosima von Bonin and Michael Krebber
: X-Art Foundation, Blast Art Benefit, New York, NY
: Parralax View: CologneNew York, PS 1 Institute for Contemporary Art, New York, NY, curated by Daniela Salvioni
: June, Galerie Thaddaeus Ropac, Paris, France
: Abstract for Affective Import, Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, New York, NY
: Malerei 2000, Wien (Vienna), Austria, curated by ARTFAN
: “The Good, the Bad and the Ugly, Galerie Jousse Sequin, Paris, France, curated by Peter Hopkins
1992: The Inside Job, innerhalb von The Real Thing, Water Bar, New York, organized by Eric Oppenheim
: MassenverhltnisseStandards, Galerie Sophia Ungers, Kln (Cologne), Germany
: Galerie Laage Salomon, Paris, France, with L. Joubert
: Bruno Brunnet Fine Arts, Berlin, Germany with Merlin Carpenter, Michael Krebber, Cosima von Bonin
: 1968, Le Consortium, Dijon, France, curated by Bob Nickas
: Projezioni, Buchholz & Buchholz, Kln (Cologne), Germany, curated by Gregorio Magnani
: 7 Rooms, 7 Curators, Institute for Contemporary Art, New York, NY, curated by Lois Nesbitt
1991: Auf Tod folgt Tod, innerhalb von The Kln Show, 9 Klner Galerien, Kln (Cologne), Germany
: KoetherMalerei 2, 90 a.s.o., Auvers-sur Oise. Kuratiert von Francoise Claire Prodhon and Alain Reinaudo
: Regard sur la Jeune Creation Allemande, 36. Salon de Montrouge, Montrouge, France
1989: Hypostatics, Kunstverein Mnchen, curated by minimal club, Mnchen, Germany
1987: Practical Relations of Everyday Life, Raum Lothringer Strae, Mnchen, Germany
: Spectacle of the West, La Maquina Espanola, Sevilla, Spain (with Bettina Semmer and Rosemarie Trockel)
: Information in Jutta Koether, Wiener Secession, Wien (Vienna), Austria, f. Plakat (Buch)
: … of Everyday Life, innerhalb der Ausstellung Broken Neon, Forum Stadtpark, Graz, Austria, curated by Martin Kippenberger
1986: Terminal Islands, Forum Stadtpark, Graz, Austria, curated by Diedrich Diederichsen
1985: Smell of Female, La Grande Serre, Rouen, France (with Bettina Semmer and Rosemarie Trockel)

Bibliography

2015: Baier, Simon, Jutta Koether: Galerie Francesca Pia, Artforum, January
: McLean-Ferris, Laura, Jutta Koether: Bortolami / New York, Flash Art, July – August
: Farago, Jason, Is Painting Dead? BBC.com, February 18
2014: Schwendener, Martha, "Art in Review: Jutta Koether, ‘Champrovent,’ at Reena Spaulings Fine Art," New York Times, May 23 (Link)
2013: Teixeira Pinto, Ana, "Highlights 2013," Frieze online, December 16 (Link)
: Sam, Sherman, "Jutta Koether at Arnolfini/Campoli Presti," Artforum, September
: Pentreath, Rosie, Jutta Koether: Seasons and Sacraments- Arnolfini, rosiepentreath.blogpost.com, May 13 (Link)
: William Kherbek, Jutta Koether: The Double Session, Port Magazine, June 21 (Link)
: Rice, Katie, Jutta Koether @ DCA, The Skinny, March 1
: Jeffrey, Moira, Jutta Koether creates a modern incarnation of a classic at DCA, Scotsman.com, February 17
2012: Vogel, Carol, Biennial Tweaks Its Boundaries, The New York Times, February 6
: Marcus, Daniel, Jutta Koether at Bortolami, Art in America, September 17
: Heinrich, Will, Facing the Truth: Alice Neel: Late Portraits & Still Lifes, at David Zwirner and Jutta Koether: The Fith Season, at Bortolami, Gallerist NY, June 12
2011: Jutta Koether-,Interview with Kim Gordon, Flash Art, January-February Issue
: Cairns, Steven, Jutta Koether Critics Pick, Artforum, January
: Tang, Jo-ey, Jutta Koether, This is Tomorrow, November 22
2010: Fox, Dan, XXX Macarena (From the Nursery/Primary Information, 2010),, Frieze, Issue 130, April
: Nickas, Bob, Painting Abstraction, Phaidon
: Nickas, Bob, Painting Abstraction, Phaidon, pp. 224-225
2009: Dahn, Max, and Martin Hossbach, Entspannt in den Konjunkturen der Sympathie, Spex, # 318, Jan/Feb
: Joselit, David, Painting Beside Itself, October Journal, No. 130, October
: Lewitt, Sam, Pyrrhic Victories, Texte zur Kunst No. 75, September
: Latimer, Quinn, In Other Words, Frieze, September
2008: Koether, Jutta, and Alan licht, On Sonic Youth, in exhibition cat. Sonic Youth etc. Sensational Fix, pp. 52 – 64
: Lowndes, Sara, Altered States of Paint, Frieze, p. 203, September
: Didi-Hubermann, Georges, Anschaulich Werden, Texte zur Kunst, pp. 196 201, June
: Koether, Jutta, Now, Then! Now, Then! Now, Then!, Artforum, p. 408 411, September
: Hafner, Hans Jrgen, Das Einmaleins der Stunde Null, Artnet Magazine, 21. November
: Koether, Jutta, Anschaulich Werden, Texte zur Kunst, June
: Trezzi, Nicola, Jutta Koether, FlashArtOnline.com, February 15
: Yablonsky, Linda, Poll Positions, Artforum.com, February 6
2007: Licht, Alan, Sound Art: Beyond Music, Between Categories, Rizzoli International Publications, pp. 154-155, 192-193
: Zucker, Seth, Reena Spaulings, Radical Art, pp. 329 – 331 and 347 – 348
: Between two deaths at ZKM, artnews.info, May 25
: Lorch, Catrin, Niemand is een vrouw, De antiautortaire kunst van Jutta Koether, page, in: Metropolis M, #2 pp. 68 73, April/May
: AH, Jutta Koether in der Kunsthalle, Kunst Bulletin pp.60-61, March
: Jutta Koether, Shirly, Born to be a Star, Ausstellungskatalog K/Haus, pp.33 37, Vienna
: Wagner, Stefan, Jutta Koether, Flash Art, p.132, March April
: Henkes, Alice, Bern: Jutta Koether in der Kunsthalle, Kunstbulletin, February 23, 2007-03-26
: Szczesniak, Paulina, Kampf gegen die geschmackliche Langeweile, Tages Anzeiger Zrich, p. 43, February 8
: Schrder, Nicola, Ohrenbetubende Entgrenzung, Ensuite, #3, p. 39, February 3
: Miesch, Barbara, Statements zur Malerei, Aargauer Zeitung, January 25
: Christ, Stefanie, Wirre Klangwelten im Dunkeln, Berner Zeitung, January 22
: Henkes, Alice, Grellrote Sternennchte, Der Bund, January 9
: Miesch, Barbara. Jutta Koether in der Kunsthalle Bern Gestische Malerei im Prfstand Kritik, Schweizer Depeschenagentur, p.54, January 19
: Jutta Koether Aenderungen Aller Art, Indepth Arts News, January
: Jutta Koether in Bern, www.kunstmarkt.com, January
: Christ, Stefanie, Crossover-Kunst, Berner Oberlnder, p.33, January 18
: Mehr als nur Knstlerin, Kulturagenda, January 11, 2007, p.16
: Jutta Koether Kunsthalle Bern, www.art-in.de, January 10, 2007
: Verwoert, Jan, Use Me Up, Metropolis M, No.1, p.50 56
: Beasley, Mark, Sympathy for the Devil: Art and Rock and Roll Since 1967, Artforum.com, December
: Smith, Roberta, In these Shows, the Material is the Message, New York Times, August 10
: Parrino, Steven, Bastard Creature, Palais De Tokyo, Summer
: Sayej, Nadja, Make Your Own Life, ArtUS, January/February
: Peter Blum, Stubborn Materials, Artforum, pp. 370-371, November
: Dorothee Baer-Bogenschtz, Blo keine Diskurs Kacke, Kunstzeotung, p. 13, January 5
2006: Kushner, Rachel, On the Ground: Los Angeles, Artforum, December
: Kerr, Merrily, Bring the War Home, Art on Paper, November/December
: Verwoert, Jan, The Days of Our Lives, frieze, November/December
: Blumenstein, Ellen, L.A. Confidential, Monopol, November/December
: Thomann,Mirjam, Du bist nicht allein / Ein Roundtablegesprch mit Stephan Geene, Jutta Koether, Markus Mller, Bernadette Van-Huy und Antek Walczak, moderiert von Mirjam Thomann, Texte Zur Kunst, pp.106 120, September
: Verwoert, Jan, The Davs of Our Lives, Artforum, Issue 103, p.131, November/December
: Verwoert, Jan, Masters and Servants or Lovers
: Make Your Own Life: Artists in & Out of Cologne, ICA Gallery Notes
: Jutta Koether: Volume 13 / Susanne Vielmetter Los Angeles Projects, www.vernissagetv.com, August 23
: Myers, Holly, A message in the starkness Jutta Koether at Vielmetter, Los Angeles Times, August 18
: Cotter, Holland, Where the Focus Is Sharp but the Categories Blurry, The New York Times, August 16
: Spaid, Sue, Whitney Biennial 2006, ArtUS, July/September, issue 14
: Brooks, Amra, Art Pick: Must See Art: Jutta Koether at Susanne Vielmetter Los Angeles Projects, LA Weekly, August 2
: Tepel, Oliver, Hallo Wnde – Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino, Spex, #296, No. 03/2006, p. 76
: Koether, Jutta, Martin Kippenberger, interview, in: Flash Art, No. 247, March-April 2006, p. 92-96, first published in Flash Art, No. 156, January-February 1991
: Graw, Isabelle, Peripheral Vision, in: Artforum, March, p. 258-263
: Jutta Koether on Martin Kippenberger, in: Tate etc., iss. 6, spring, p. 36
2005: Smith, Roberta, Jutta Koether, NY Times, April 15
: Avgikos, Jan, Jutta Koether, Artforum, Summer Issue
: Blasi, Johanna Di, Alles verfliet mit allem, in: Klner Stadt-Anzeiger, No. 210, September 9, p. 29
: Leffingwell, Edward, Jutta Koether at Thomas Erben, Art in America, June/July Issue
: Gilligan. Melanie, Ich Ist War Weg, Texte Zur Kunst, June, Vol.15, Issue 58, p. 192-195
: Koether, Jutta, Heart of Noise, in: Texte zur Kunst, iss. 60, December, p. 144-145
: Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gesprch/Discussion with John M. Armleder, Benjamin H.D. Buchloh, Werner Bttner, Isabelle Graw, Kasper Knig, Jutta
: Koether and Thomas Ruff, moderated by Philipp Kaiser, in: exh. cat. Flashback, Kunstmuseum Basel, p. 21-93
: Jutta Koether: Very Lost Highway, in: Stadt Revue, 09/2005, p. 87
: Koether, Jutta und Nickas, Bob, Dark Star, in: Artforum, No. 7, March, p.59
: Koether, Jutta and Gordon, Kim, Trading Post!, in: Trade – The W.C. # 1, exhibition catalogue, February 4 – March 12
: Gilligan, Melanie, Kollektive Erhebung. ber das Projekt Orchard in New York, in: Texte zur Kunst, iss. 59, September, p. 76-85
: Arbeiten von Jutta Koether bei Werz, in: Schwbisches Tagblatt, Tuesday, August 9, p. 19
: Christian Egger: When bands turn into the art of noise, in: spike Art Quarterly, No. 4, summer, p. 110-114
: Rita Vitorelli in conversation with Jutta Koether, in: Spike, no. 05, autumn, p. 72-78
2004: Koether, Jutta, Alles in Allem, Interview mit Karl Lagerfeld, in: Texte zur Kunst, Dezember, S. 32-43
: Koether, Jutta, Sondersphrig! Zwanzig Minuten vor der Marc-Jacobs-Show, in: Texte zur Kunst, Dezember, S. 96-101
: Egger, Christian, Inteview mit Jutta Koether, in: Lhfelm, Nr. 7, November, S. 30-40
: Koether, Jutta, Shirly, in: Born to be a star, exhibition brochure, Knstlerhaus Wien, S. 4-5
2003: Nickas, Bob, How to Write About Jutta Koether and Thomas Groetz: Unfinished Sympathies, afterall, London and Los Angeles, issue 07, p. 40-55
: Koether, Jutta, & c, Helvetica, Wien, 4. Ausg, Septmber, p. 19-25
: Roundtable: Barney im Abspann. Eine Gesprchsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper und Tom Tykwer, Texte zur Kunst, Heft 51, September, p. 104-117
: Smith, Roberta, Girls Gone Wild, The New York Times, July 4
: Galleries: SoHo. Girls Gone Wild, The New Yorker, June 30.
: Koether, Jutta, All alone (1957). Fautrier in den Vereinigten Staaten, Texte zur Kunst, Heft 50, June, p. 54-61
: Groetz, Thomas, Unfinished Sympathies: On Jutta Koethers art, Afterall, issue 07, p. 52-55
: Graw, Isabelle, Peripher im Zentrum – Jutta Koether, Die bessere Hlfte. Knstlerinnen des 20. und 21. Jahrhunderts, Kln: DuMont, p. 143-154
: Schafhausen, Nicolaus (Hrsg.), deutschemalereizweitausenddrei, Ausst. Kat. Frankfurter Kunstverein, Frankfurt/Main, p. 60-61
2002: Koether, Jutta, gogogo, ecstatic peace, poetry journal, Nr. 4, Summer Issue
: Koether, Jutta, found artist N.Y., Starship, Nr. 5, Frhling, p. 17-21, Abb. p. 18-21
: Jutta Koether, Lyrik-Ecke, Texte zur Kunst, Heft 48, Dezember, p. 104f
: Cotter, Holland, The Heavenly Tree Grows Downward, The New York Times, September 20
: Koether, Jutta, Illustration avocation illustration, ecstatic peace, poetry journal, Nr. 5, July
2001: Koether, Jutta, teasers trail, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
: Koether, Jutta: mali thep, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002
: Koether, Jutta, Nur dass nicht. Bruchstcke einer Performance von Jutta Koether, Erniedrigung geniessen. Kapitalismus and Depression III. hrsg. von Carl Hegemann, Alexander Verlag Berlin, Berlin, p. 142-156
: Koether, Jutta, the life they make me lead, ecstatic peace, poetry journal, Nr. 1, Spring
: Lintzel, Aram, No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hmmert zu ihren Bildern, Erniedrigung geniessen. Kapitalismus und Depression III. hrsg. von Carl
: Hegemann, Alexander, Nachdruck mit freundlicher, Verlag Berlin, Berlin, p. 157-159
: Genehmigung der Frankfurter Allgemeinen Zeitung, in der der Artikel am 3./4. Februar erschien.
: Lintzel, Aram, Wenn der Hammer ins Meer sinkt, in: Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3
1998: Miller, John, Proze-Expressionismus, Texte zur Kunst, 8. Jahrgang Nr.29, Mrz, p. 121-123
1997: Salz, Jerry, Time-Out Nr. 108, p. 46
: Cotter, Holland, Art in Review: Jutta Koether, The New York Times, October 4
: Pedersen, Victoria, Gallery Go Round: Jutta Koether, Paper Magazine, October
: Levin, Kim, Voice Choices: Galleries: Jutta Koether, The Village Voice, September 30
1996: Kunstforum, Nr. 134, May-September, p. 242-248
: Schmerler, Sarah, Art in Review: Jutta Koether, Time Out, March 6
: Cotter, Holland, Jutta Koether: aftershows, The New York Times, February
: Kelley, Mike, Jutta Koether: 100 % Malerei oder Wie aus Musik Malerei wird und umgekehrt,
1995: Siegel, Jeanne, Jutta Koether at Pat Hearn, ARTIS, Mrz/April, p. 227-228
: Levin, Kim, Choices: Jutta Koether, The Village Voice, February 28
: Smith, Roberta, Jutta Koether, The New York Times, February 24
: Koether, Jutta, Deliratio III So frei, Spex, October, p. 60-63
1993: Goings On About Town, The New Yorker, June 21
: Smith, Roberta, Jutta Koether, The New York Times, June 4
: Smith, Roberta, German Art Still Breathes the Air of Ideas, The New York Times, April 23
: Corris, Michael, Punishment and Decoration: Art in an Age of Militant Superficiality, Artforum, April
: Koether, Jutta and Diederichsen, Diedrich, Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany, Artforum, April
: Zahm, Olivier, Jutta Koether Laurent Joubert, Artforum, February
: Koether, Jutta and Diederichsen, Diedrich, Achtung Baby. Diedrich Diederichsen and Jutta Koether on
: Levin, Kim, Choices: Jutta Koether, The Village Voice, June 29
: Springtime for Hitler, Artforum, January
1990: Koether, Jutta, Halal, Nieswandt, Hans, The Halal File, Texte zur gleichnamigen CD, Kln: Standard Graphik Kln
1988: Titz, Walter: Michael Krebber/ Jutta Koether in: Artscribe, January-February
1986: Diederichsen, Diederich, Jutta Koether, Steirischer Herbst 86/ Forum Stadtpark Graz
1985: Koether, Jutta, Smell of Female, Ausst. Kat. Trockel, Semmer, Koether, La Grande Serre, Rouen
: Koether, Jutta, Road to Cairo, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld

Catalogues

2023: Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 272-273, 2023
2013: Season and Sacraments, Dundee Contemporary Arts/ Arnolfini
: Meade, Fionn, Catch as Catch Can, Locks Gallery, Philadelphia, PA
2012: Sussman, Elisabeth and Sanders, Jay (ed.), 2012 Whitney Biennial (catalog)
: Simpson, Bennett, Blues for Smoke, The Museum of Contemporary Art, Los Angeles, Prestel
2011: Krauss, Rosalind; Foster, Hal; Buchloh, Benjamin H.D.; Joselit, David; and Bois, Yve-Alain; Art Since 1900: Modernism, Antimodernism, Postmodernism, Second edition
2010: On Sonic Youth, with Alan Licht, in Sonic Youth etc. Sensational Fix, Cologne: Walther Knig
2009: Blend special Times 3: Jo Baer Lynda Benglis Jutta Koether, Exhibition Catalogue for Trio Exhibition, Van Abbemuseum, Netherlands
: Hertling, Pati, Ed. modern modern, exhibition catalogue, STARSHIP and Chelsea Art Museum
2007: Koether, Jutta, Black Noise, artist book Nr. 19 of Black Noise, Ecart- Publications, Geneva
: Witness to Her Art, with essay Oh ah The fire! By Mrs. Benway 1985 by Johanna Burton, Bard College, pp. 205, March
: Symbolismus und die Kunst der Gegenwart, Wuppertal, p. 135
2006: Klnischer Kunstverein, exhibition catalogue, Cologne, Germany
2003: Desire Is War, copy-book-catalogue, Cologne, NY, open edition
1997: Thomas Emde, Isabell Heimerdinger, Jutta Koether, Newspace, Los Angeles, CA
1996: Kairos: Texte zur Kunst und Musik, Berlin: Edition ID-Archiv
1994: The Use of Pleasure. Die Neunziger. Wiener Secession. Herausgegeben von Martin Prinzhorn
1993: The Inside Job. Galerie Bleich-Rossi, Graz.
1992: 100% Malerei. Niemand ist eine Frau. Galerie Sophia Ungers, Kln.
1991: Massen. EA Gnerali Foundation, Wien.
1990: The Kln Show. Herausgegeben von Isabelle Graw
1989: 20 Minuten – 20 Minutes. Galerie Monika Sprth, Kln
1987: Kandl, Koether, Stanzel. Wiener Secession, Kunstverein Wien
: f., Galerie Bleich-Rossi, Graz
: Koether, Trockel, Semmer, La Maquina Espanola, Sevilla
: Balkon, Raum Lothringer Strae, Mnchen
1986: Diedrich Diederichsen, steirischer herbst 89, Forum Stadtpark, Graz
: Road to Cairo, CC Galerie, Graz
1985: Trockel Semmer Koether, La Grande Serre, Rouen
: Road to Cairo, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld

Public Collections

: MoMA – The Museum of Modern Art, New York
: Kunsthalle Bern, Switzerland
: MOCA – Museum of Contemporary Art, Los Angeles, CA
: Nationalgalerie, Berlin, Germany
: Musee d’Art moderne de la Ville de Paris, Paris, France

Alice Könitz

: 1999 MFA, California Institute of the Arts, Valencia, California
: 1996 Akademiebrief at the Kunstakademie in Düsseldorf
: 1994 Master Student, Kunstakademie in Düsseldorf (MFA)

Selected Exhibitions

2009: “Arthur Ou & Alice Könitz: Resort, A Station for Display”, LAXART, Los Angeles, CA (two-person show)
2008: "Stay Calm, Walk Home, and Induce Low Stress", Susanne Vielmetter Berlin Projects, Berlin
2006: "Two Proud Society Spouses Are Reclining on Contemporary Furniture As A Golden-Eyed Ghost Lady Looks Over The Coffee Tables”, Hudson Franklin, New York
: "Public Sculpture”, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2004: "Centric 66", University Art Museum, California State University Long Beach, curated by Mary-Kay Lombino
: "Owl Society Part II", Susanne Vielmetter Los Angeles Projects, Culver City, CA
: "Pan American Nightclub Sculptures", boom editions, Chicago, IL
2003: "Owl Society", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
: "Owl Society Part II", Hudson and Franklin, New York, NY
2002: "Beautiful Ornaments as Shadows, Crashed Down and a Video of Flickering Light in a 70’s Office Tower”, Los Angeles Contemporary Exhibitions
2001: Chicago Project Room, Los Angeles
1998: Center for Land Use Interpretation, Wendover, Utah
1996: Luis Campaña Gallery, Cologne

Group Exhibitions

2010: “Sun Zoom Spark”, WPA, curated by Pamela Jordan, Los Angeles, CA
: “Mostly Sculpture Show”, Sea and Space Explorations, Los Angeles, CA
: “The Secret (Still) Knows”, Los Angeles Nomadic Division (LAND), Los Angeles, CA
2008: California Biennial 2008, High Desert Test Sites, Joshua Tree, CA, off-site project location in association with the Orange County Museum of Art, Newport Beach, CA
: "The Whitney Biennial”, Whitney Musuem of American Art, New York, NY
: "We construct the chorus”, I-Space, Chicago, IL
2007: Hug Fu: Kathryn Andrews, Alice Könitz, Stephanie Taylor”, Daniel Hug Gallery
: "Young artists from St Petersburg and Los Angeles”, Gallery G18, Helsinki, Finland, curated by Emily Newman
: "Time Writers from the Mirror Horizon”, David Patton Los Angeles
: "Cock: Kathryn Andrews, Alice Könitz, Stephanie Taylor”, Courtyard Gallery, Beijing, China, curated by Zhao Gang
: "Laying Bricks”, Wallspace Gallery, NY, curated by Michael Ned Holte
: "Blockbuster Summer”, Taxter and Spengemann, New York
: "Aspects, Forms, and Figures”, Bellwether, New York
: "Being There”, Fine Arts Gallery, Cal State LA
: "Half Square Half Crazy”, Villa Arson, Nice, France, with Pae White, Raymond Pettibon, Jeppe Hein, Sherrie Levine, Tom Friedman, Martin Creed, Jonathan Monk and others (catalogue)
2006: "Reality is an August Imagination", Rental Gallery, Los Angeles, curated by Andrew Hahn
: "Bring the War Home”, Elizabeth Dee Gallery, New York and QED, Los Angeles, curated by Drew Heitzler
: New Ghost Entertainment Entitled, Or Gallery Vancuver, Kunsthaus Dresden, by Katrin Pesch
2005: "Celine and Julie Go Boating”, Anna Helwing Gallery, Los Angeles, CA, organized by Michael Ned Holte
: "Kicking Rocks", Champion Fine Art, Los Angeles, CA
: "Bull’s Eye", Hudson Franklin, New York, NY
2004: "Brown Constructions", LemonSky Miami, Miami, FL, curated by Amir Zaki.
: Backstage Tourismus, Forum Stadtpark, Graz (catalog)
: "Upstream: Idea drawings", Hayworth Gallery, Los Angeles
2003: Sundown Salon at the Schindler House presented by the MAK Center for Art &
: Architecture at the Schindler House
: "International Paper", UCLA Hammer Museum, Los Angeles, CA
: "Win, Loose, or Draw", Black Dragon Society, Los Angeles, CA
: "If the Hippies Cut Their Hair, I Don’t Care, I Don’t Care", Galerie Michael Hall, Vienna, Austria
2002: "Play it as it Lays”, 17 Artists from Los Angeles, The London Institute, London
: "Out of the Ground Into the Sky Out of the Sky Into the Ground”, A Detour show organized by Kopp Kordansky at Pond in San Francisco, Black Dragon Society in Los Angeles
2001: "Sharing Sunsets”, MOCA Tucson
: "Drawn from LA (Home is where the Heart is)”, Midway Initiative, Saint Paul, Minnesota
: "Tirana Bienniale”, Albania
2000: Guggenheim Gallery of the Chapman University in Orange County
: "The Closet Show”, Los Angeles, 3424 Council ST. Los Angeles
: "Legal Paper” Beyond Baroque, Los Angeles
: "DRS Project Wall 2000”, Los Angeles
1999: "Colab” at 240 South Broadway, Los Angeles
: "Expanding Limited Space”, Rosamund Felsen Gallery, Los Angeles
: "Touring the Frame”, Rosamund Felsen Gallery, Los Angeles
: "Remaining Speculations”, 926 Chung King Road, Los Angeles
: "The Temptations”, Mark Foxx Gallery, Los Angeles
: "The CAA Show”, Barnsdall Building, Los Angeles
1998: "Anwander” Bazaar de Cologne, Cologne
1997: "Das Leben in der Wüste”, kj, Cologne
1995: "Papier”, Bärbel Grässlin Gallery, Frankfurt
1994: "Zwischenbilanz”, Kunstverein Lingen

Bibliography

2008: Chuan Tan, Pey, "Alice Könitz in Berlin”, Art Info, September 18
: Jocob Weil, Harry, "Whitney Biennial 2008”, artUS, Summer
: Dambrot, Shana, "Report: New York City, The Ghost of Jason Rhoades”, Art Ltd, July
: Holte, Ned Michael, "Openings: Alice Könitz”, Art Forum, Summer
: Keehn Dorka, "Frame of Reference: Alice Konitz”, California Home and Design Magazine, June Vikram, Anuradha, "The LA Annual”, Artillery, May/June
: Vikram, Anuradha, "The LA Annual”, Artillery, May/June
: Volk, Gregory, "Spring In Dystopia”, Art In America, May
: Sneed, Gillian, "The Whitney Biennial 2008: Expanded Walls, Expanded Practices”, Art Fairs International, March 10
: Cotter, Holland, "Art’s Economic Indicator” The New York Times, March 7
: Dalton, Trinie, "2008 Biennial Exhibition Catalogue”, The Whitney Museum of American Art, March 10
2007: Vogel, Carol, "Whitney Biennial Stretches to Armory,” New York Times, November 16
: "Artists Announced for 2008 Whitney Biennial,” Artforum.com, November 16
: Smith, Roberta, "In these Shows, the Material is the Message”, New York Times, August 10
: Coburn, Tyler, "Build it High: Laying Bricks”, Art Review, July/August
: Cotter, Holland, "Aspects, Forms and Figures”, New York Times, March 2
2006: Brooks, Amra, "Must See Art”, LA Weekly, July 26
: Miles, Christopher, "Disconcerting world views”, Los Angeles Times, July 21
: Site, Publication of text and images
: Melrod, George, Sculpture, July/August
: Bluhm, Erik, "Perfect City Telepathy", Art US, March/April, issue 12
: Balaschak, Chris, "Alice Könitz”, Frieze, April
: Martin, Victoria, "Alice Könitz at Susanne Vielmetter Los Angeles Projects, Artweek, April
: Holte, Michael Ned, "Alice Könitz”, Artforum, April, pgs 255-256
2005: Myers, Holly, "Six journeys of imagination”, LA Times, August 12
: Rath, Jessica, "Alice Konitz”, Art US, March 10
2004: Weinberg, Michelle, "Brown Constructions", Miami New Times, November 11
: Holte, Michael Ned, "Alice Konitz – Susanne Vielmetter Los Angeles Projects", Artforum critic’s pick, March 4
: "Backstage Tourismus", Forum Stadtpark, Graz, catalog
2003: Ruhrpreis für Kunst und Wissenschaft, 1987-2001, catalog
: Frank, Peter, "The Paper Chase", art on paper, April issue, pg 36-39
: Mathis, Sommer, "Paper Trail", UCLA Daily Bruin, January 31
: Worman, Alex, "L.A. Confidential", artnet, February
: Knight, Christopher, "Drawing, not toeing, the Line," Los Angeles Times, February 7
: Hammer Calendar, Winter Spring issue,
: Elaine, James, "International Paper – Drawings by Emerging Artists", UCLA Hammer Museum, exhibition catalog, Los Angeles, CA, 2003
: Leah Ollman, "Three mediums, three messages", Los Angeles Times, January 10
2002: "Play it as it Lays” at London Institute Gallery, by JJ Charlesworth, artext, Summer issue
: Deamer, Julie, "London Street Projects", Quick Stretch, August 2
: "The London Institute", Contemporary, March issue
: Charlesworth, JJ, "Play it as it Lays" at London Institute Gallery, artext, Summer issue
2001: Tirana Biennale 1, interview with Paul Quiñones
: Bruce Hainley, Artforum, April
: Julie Deamer, Flashart, March/April
: I-D Magazine, The Gallery Issue
: Malik Gaines, Art and Text, May
: Malik Gaines, essay about the show at the Guggenheim Gallery of the Chapman University
: Doug Harvey, LA Weekly, November 26 – December 2
: David Pagel, Los Angeles Times, July 30
: Great God Pan, number thirteen, publication of drawings
: Christopher Smith, The Salt Lake Tribune, July
1998: Matthew Coolidge, CLUI Newsletter
1996: Martin Pesch, Frieze, November

Awards, Grants and Fellowships

2007: Tong Xian Artist Residency, Beijing, China

Conferences and Panel Discussions

2003: University of California San Diego, San Diego, CA
2001: Art Center College of Design, Pasadena, CA
: Chapman University, Orange County, CA