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Ms Mathilde ter Heijne

1969 Born in Strasbourg, France
Lives and works in Berlin and New York
1992 Stadsacademie, Maastricht, Netherlands
1994 Rijksacademie, Amsterdam, Netherlands

Selected Exhibitions

2010
“Left Over”, Kunsthalle Nürnberg, Germany
2009
“Mathilde ter Heijne: Long Live Matriarchy”, Stedelijk Museum Bureau Amsterdam, Amsterdam, The Netherlands
“Uit het oog maar niet uit het hart, Presentation of a Public Sculpture”, Het Gebouw, Leidsche Rijn, The Netherlands
“Red and Black, White and Silver”, Galerie Arndt & Partner, Berlin, Germany
2008
“Women to Go”, 101 Projects, Reykjavík, Iceland
2007
“No Depression in Heaven”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
“Mosuo Fireplace Goddess”, Currents, Beijing, China
2006
“No Depression in Heaven”, Galerie Arndt & Partner, Berlin, Germany
“Woman To Go”, Berlinische Galerie, Berlin, Germany
2005
“Suicide Bomb”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
“BASE 103”, Sammlung Goetz, München, Germany
“Forgetting”, Hospitalhof, Stuttgart, Germany
2004
“Fuck Patriarchy”, Viafarini, Milano, Italy
Kunstverein, Hannover, Germany
2003
“Qo akti?”, Galerie Martina Detterer, Frankfurt am Main, Germany
2002
“Tragedy”, Migros Museum für Gegenwartskunst, Zürich, Switzerland
“For a better world”, Kunstbank, Berlin, Germany
“Small things end, great things endure”, Art Unlimited at Art Basel
“Number One”, Galerie Arndt & Partner, Berlin, Germany
2000
Galerie Martina Detterer, Frankfurt am Main, Germany
“Mathilde, Mathilde …”, Galerie Arndt & Partner, Berlin, Germany
“98 00”, Galerie de Expeditie, Amsterdam, the Netherlands
“Suicide Bomb”, Förderkoje Art Cologne 2000, Köln, Germany
1999
“Indifference to the truth”, Künstlerhaus Bethanien, Berlin, Germany
1998
“On a night like this”, Galerie de Expeditie, Amsterdam, the Netherlands
“Life inside storage”, Galerie Arndt & Partner, Berlin, Germany
1997
“Dutch courage”, Lasca Gallery, Los Angeles, CA
1996
“Many true stories” (Met Sam Samore), Berchkerk, Deventer
“Storage of imagination”, Het glazen huis, Amstelpark, Amsterdam
“Epos”, Perdu, Amsterdam
1995
“Haagmans, ter Heijne”, Galerie Ardi Poels, Maastricht
“Wherever I lay my head …”, Gemeentemuseum, Helmond
“Shadowshow”, W139, Amsterdam
1994
“W139”, Amsterdam
“BEAM”, Nijmegen

Group Exhibitions

2010
“No more bad girls?”, curated by Kathrin Becker and Claudia Marion Stemberger, Kunsthalle Exnergasse, Vienna, Austria
“100”, Autocenter, Berlin, Germany
“Hide and Seek”, Museum of Contemporary Art, Chicago
2009
“Invisible Adversaries”, Northern Gallery for Contemporary Art, Sunderland
“El Dorado, Menschenrechte zwischen Ideal und Wirklichkeit”, Kunsthalle Nürnberg
“VERONICA” Pitzer Art Galleries, Pitzer College, Claremont
“ZEIGEN! Eine audiotour”, Temporäre Kunsthalle, Berlin, curated by Karin Sander
“rebelle. Art and feminism 1969-2009”, Museum Moderne Kunst Arnhem, Netherlands
“Der schmerz sitzt tief“, Opelvillen, Rüsselsheim, Germany
“Conflicting Tales”, Burger Collection, Berlin, Germany
“Kunst und Öffentlichkeit”, Neuer Berliner Kunstverein, Germany
“On Joy, Sadness and Desire”, SMART project space, Amsterdam, Netherlands
“Sehnsucht nach dem Abbild. Das Portrait im Wandel der Zeit”, Kunsthalle Krems, Austria, Austria (with Gerhard Richter, Elke
Krystufek, Julian Opie, Gelitin and others)
2008
“Portrayal Betrayal”, Long Beach City College Art Gallery, Long Beach, CA
“nach/sichten. Video works from the Goetz Collection”, Edith Russ Site for Media Art in Oldenburg, Oldenburg, Germany, curated by Sabine Himmelsbach and Stephan Urbaschek
“Female Trouble”, Pinakothek der Moderne, Munich, Germany (with Monica Bonvicini, Valie Export, Nan Goldin, Nikki S. Lee, Sarah Lucas, Ana Mendieta, Pipilotti Rist, Cindy Sherman, Andy Warhol, and others) (curated by Inka Graeve Ingelmann)
“Luegen.nirgends – Zwischen Fiktion, Dokumnetation und Wirklichkeit”, Ausstelliungshalle
zeitgenoessiche Kunst Muenster, Munster, Germany, with The Atlas Group / Walid Raad, Sophie Calle, Omer fast, Corinna Schnitt and others
“Small Things End, Great Things Endure”, New Langton Arts, San Francisco, CA, curated by Jill Dawsey and Maria Del Carmen Carrion
“Under Pain of Death”, with Jonathan Horowitz, Douglas Gordon, Kendell Geers, Ken Gonzales-Day, Bigert & Bergstroem, David Hammons, Thomas Locher, Lucinda Devlin, Errol Morris, Harun Farocki, Mary Ellen Carroll, Andreas Serrano, Raymond Pettibon, Tarvn Simon, Dash Snow, Mathilde ter Heijne, Mark Wallinger, Artur Zmijewski, and Adam McEwen, Austrian Cultural Forum, New York (curated by Gerald Matt and Abraham Orden)
“Walls in the street”, collaboration between Siemens Art Programm, Münich, and Museum of Contemporary Art (MSUB), Belgrade, Serbia, curated by Thomas Trummer, Branislava , Andjelkovic-Dimitrijevic, Marko Lulic (with Elmgreen&Gradset, Cao Fei, Rita McBride, Sarah Morris. Lawrence Weiner, and others)
“3500cm2”, Uqbar, Berlin
“Interfacing Practices”, Galerie Magnus Müller, Berlin
“Von denen die überleben”, Theaterstück with Sybille Berg, Raphael Gygax, Schauspielhaus together with Migros Museum Für Gegenwartskunst, Zürich, Switerland
“SEE History 2008, Kreative Visions“, Kunsthalle zu Kiel, Kiel (with Georges Adèagbo, Guy Ben-Ner, Candice Breitz, Jimmie Durham, Anna Jermolaewa, Annika Larsson, Boris Mikhailov, Bojan Šarčević, and others)
2007
“Talking Pictures – Theatralität in zeitgenössischen Fim- und Videoarbeiten/Theatricality in Contemporary Film- and Videoworks”, with Keren Cytter, Catherine Sullivan, Gillian Wearing, T.J. Wilcox, Yang Fudong, curated by Dr. Doris Krystof, K21 Kunstsammlung Nordrhein-Westfalen, Duesseldorf, Germany
“Body Double”, Luckman Gallery, California State University Los Angeles, Los Angeles, CA, curated by Julie Joyce
“An Archeology”, Zabludowicz collection, 176 Project Space, London
“Caution! Blasting operations!”, NGBK, Berlin
“Made in Germany”, Sprengel Museum, Hannover
“Schmerz” (Pain), Hamburger Bahnhof, Berlin
“Erika Hoffman”, RAI, Rijksacademie, Amsterdam
“Look@Me”, Institut fur Kulturmanagement der Freien Universitat, Berlin
“Wir sind Paula”, Kunstlehause Worpswede
“Dealing with Reality”, Museum voor Moderne Kunst, Arnhem
“Sprengstoff”, NGBK, Berlin
“Romantischer Konzeptualismus”, Kunsthalle Nürnberg, curated by Joerg Heiser
“Imagination becomes reality”, Sammlung Goetz, ZKM, Karlsruhe
“Body Check”, Fellbach Triennale, Fellbach
2006
“Shanghai Biennial”, Museum of Modern Art, Shanghai
“Seoul International Media Art Biennial”, Museum of Contemporary Art, Seoul
“Classification: alternative forms of knowledge”, Cisneros Fontanals Art Foundation, Miami
“It’s Time for Action (There’s No Option)”, Migros Museum für Gegenwartskunst, Zürich
“Haunted States”, Grand Arts, Kansas City, MO
“Six Degrees of Separation”, Stefan Stux Gallery, New York
“It’s Time for Action: (There’s No Option) About Feminism”, Migros Museum, Zurich
“Ruby Satellite”, Hyde Park Art Center, Chicago, curated by Ciara Ennis, with Marc Bijl, Paul Chan, Thomas Dworzak, Kota Ezawa, Wei Guanquin, Nicole van Harskamp, Janice Kerbel, Annika Larsson, Adam McEwen, Yoshua Okon, and Christine Tarkowski, traveling to California Museum of Photography, Riverside
“This not a Love Song”, Susanne Vielmetter Los Angeles Projects, with Andrea Bowers, Nicole Eisenman, Chloe Piene, Dasha Shishkin, Laura Aguilar, and Isabell Heimerdinger
“Urban Creatures”, Pori Art Museum, Pori, Finnland
“Le Mépris”, Mediamatic, Amsterdam
“Disclosure”, Reuten gallerie, Amsterdam
2005
"Cut", Susanne Vielmetter Los Angeles Projects, Culver City
“BASE 103”, Sammlung Goetz, Munich, Germany
“Greater New York”, PS1 Contemporary Art Center, New York
“Wonder Women”, Frac Lorraine, Metz
“Temporary Import – DAAD, Bethanien et al”, Art Forum Berlin, Berlin
“Realität”, Seedamm Kulturzentrum, Pfäffikon, Germany
“Morir de amor”, MUCA (Museo Nacional de Ciencias y Artes), México City
“Getting rid of Madonna”, Kunsthaus Dresden
“Bremer Freiheit”, Kunsthalle Bremen
“Figure it out”, Hudson Valley Center for Contemporary Art, Peekskill, NY
“Imagination becomes reality”, Sammlung Goetz, München
2004
“Das Böse”, Guardini Galerie, Berlin
“Selbstporträt/Identität”, Kunstverein Harburger Bahnhof, Hamburg
“Ingrid Calame, Mathilde ter Heijne, Jörg Wagner”, Kunstverein, Hannover
“Narcissus”, CRAC Alsace, France
“Slip Role”, Castlefields Gallery, Manchester
“Panic Room”, Schloss Ringendorf, Hamminkeln
“Innocence and Violence”, Arge Kunst Galerie Museum, Bolzano
“Lacoon devoured”, ARTIUM,Basque Centre of Contemporary Art, Victoria-Gasteiz
“L’air du Temps”, Migros Museum für Gegenwartskunst, Zürich
“Silent screams, Difficult dreams”, Burusan Centre for Culture & Arts, Istanbul
“The Ten Commandments”, Deutsches Hygiene-Museum, Dresden
“Duo Track”, Argos Institute, Brüssel, Belgien
2003
“M_ARS – Kunst und Krieg”, Neuen Galerie, Landesmuseum, Joanneum, Graz
“Turbulence. Contemporary Dutch artists”, Centre for Contemporary Art, Kiev
“Turbulence.” Museum voor moderne Kunst, Arnhem
“Taktiken des Ego”, Wilhelm Lehmbruch Museum, Duisburg
“Der Rest der Welt”, Neuffer am Park, Pirmasens
“Narcissus”, Centre Régional d’Art Contemporain Alsace
“Silent screams, Difficult dreams”, Galerie Arndt&Partner, Berlin
“Tekeningen”, Reuten Galerie, Amsterdam
“Love”, Magazin 4, Bregenzer Kunstverein
“Memory sticks”, Reuten Galerie, Amsterdam
2002
“She knows”, Mama Cash, Rotterdam
“Collective Unconsciousness”, Migros Museum für Gegenwartskunst, Zürich
“The Berlin Files”, Gallery de Chiara, New York
“Prin temps de Septembre”, Les Jacobins, Toulouse
“Ter Heijne et Mathieu Pernot”, Espace Caviole, Cahors
“Junge Kunst”, Wilhelm-Hack-Museum, Ludwigshafen
“Realities und histoire d’amour”, Kunstverein, Ulm
2001
“Hrillershow”, Bonnefantenmuseum, Maastricht
“Neue Modelle”, Trafo, Budapest
“I am someone else”, de Kapel, Amsterdam
“Teil von …?”, Kunsthalle Exnergasse, Wien
“Futureland”, Museum Abteilberg, Mönchengladbach, Museum Bommel van Dam, Venlo
“Prodigal Prodigy”, White Box, New York
“The people’s art”, Witte de With, Rotterdam
“Hemorrhaging of States”, TENT, Rotterdam
“A Arte do Povo”, Central Electrico do Freixo, Porto
“Double Trouble”, Burusan Centre for Culture & Arts, Istanbul
“The Big Nothing”, Staatliche Kunsthalle, Baden-Baden
“Get that Balance”, Kampnagel K3, Hamburg
2000
“Viatico”, Home abroad e.V, Frankfurt am Main
“Vanessa Beecroft, Mathilde ter Heijne”, Gallery Mario Seguiera, Braga
“Buren”, Stedelijk van Abbemuseum, Eindhoven
“On the spot, Work in progress”, Bern
“real/unreal perception”, Change Studio d’Arte Contemporana, Rom
“[RE: songlines]”, Halle für Kunst, Lüneburg
“Heimat Kunst”, Haus der Kulturen der Welt, Berlin
“Glück & Casino”, Kunst Haus, Dresden
“Samenscholing”, Bonnenfantenmuseum, Maastricht
1999
“Alucinations”, B+D Gallery, Milano
“City Pity”, Workhouse, Liverpool Biennale, Liverpool
“Subreal”, Inmo Gallery, Los Angeles
“Buitenlandse ateliers”, Fonds BKVB, Amsterdam
“Hirschhorn, ter Heijne, Leandowsky, Turcot”, Galerie Arndt & Partner, Berlin
“Collectie altena/boswinkwel”, Stedelijk Museum, Schiedam
“Come in and find out, Vol 2”, Podewil, Berlin
“City Pity”, DAAD Galerie, Berlin
1998
“Mobil 2000”, Berlin Biennale, Berlin
“Transparantie”, Oude Kerk, Amsterdam
“Plastische Ideen”, Galerie Martina Detterer, Frankfurt am Main
“One step forward”, Liste ‘98, Art Basel
“Mutatis Mutandis”, Broerskerk, Zwolle
1997
“Hora est, Stedelijk Museum, Sittard
“Eté ’97”, Centre Genevois de Gravure Contemporaine, Genève
“Camping”, Neuer Aachener Kunstverein, Aachen
“Germinations 9”, Chateau de Bourglinster, Tutesall
“PRIX NI”, Galerie Nouvelles Images, Den Haag
“Heb ik iets van je aan?”, Begane Grond, Utrecht
1996
“Chosen”, Startstipendia, RAI, Amsterdam
“Drawings”, Rijksacademie, Amsterdam
“PrixNI”, Galerie Nouvelles Images, Den Haag
“La Valise du Célibataire”, Railway Station, Maastricht
1995
“Caravan Serail”, W139, Amsterdam
“Collectie OCE”, Bonnefantenmuseum, Maastricht
“Germinations 9”, Villa Arson, Nice
“Peiling”, Stedelijk Museum, Amsterdam

Bibliography

2010
“Mathilde Ter Heijne: Fake Female Artist Life”, INPUT, Iteration #2: Me Myself and I (Conversations with Oneself), Spring 2010, p. 298 – 312
2009
Ingeborg Ruthe, “Im rätselhaften Reich der Mosuo”, Berliner Zeitung, 10.03
2008
Beuscher, Maren, “Neuer Feminismus im alten Kleid”, 3 Sat Kulturzeit, December 12
O’Sullivan, Michael, “The Female Eye Turned Inward”, The Washington Post, July 4
Durr, Anke, Ulrike Knofel and Claudia Voigt, “Weder Muse noch Madonna”, Der Spiegel, June 28
Johnson, Ken, “Sanctioned Killings, and the very Many That Aren’t”, New York Times, February 1, 2008
Harmanci, Reyhan, “Small Things End, Great Things Endure’: New look for feminism”, San Francisco Chronicle, January 17
Helweg, Claudine, “Parallelle werelden”, Museumtijdschrift, Dec-Jan
Collina, Judith, “Sculpture Today”, Phaidon Press
2007
Munter, Ulrike, “Jorinde Voigt und die Partitur”, Kunstzeitung, November
Schwyzer, Elizabeth, “Body as Canvas”, Santa Barbara Independent, October 25
Holte, Michael Ned, “Mathilde ter Heijne”, Artforum, October
Myers, Holly, “Through a lens starkly”, Los Angeles Times, September 12
Pagel, David, “Mathilde ter Heijne has a lot to say but doesn’t quite complete the thought at Susanne
Vielmetter”, Los Angeles Times, July 13
“The empire of Women: not a fairytale”, Culture Exchange, vol. 105, July (pp 30-32)
Brooks, Amra, “Must See Art”, LA Weekly, June 27
Qian, Mu, “Moving house”, China Daily, May 15
“Ruby Satellite at California Museum of Photography”, artdaily.org, May 1
Dawsey, Jill, “Mathilde, Mathilde: The Artist and Her Double”, Art Papers, May/June
Frank, Peter, “Ruby Satellite”, art on paper, March/April
Ryan, Jeffrey, “Ruby Satellite”, frieze, March
Lorch, Catrin, Gun-fights, doppelgängers, feminist tales, songs and films, Frieze, March
Haentzschel, Joerg, “Clever und Smart”, Feuilleton, Issue 48, p. 11, February 27
Malewski, Nick, “Haunted States”, Review Magazine, February
Taubman, Lara, “Forms of Classification”, Artforum, January
Meissner, Christiane, Neues aus Berliner Galerien, Berliner Morgenpost, 22 January
Heiser, Joerg, “Romantischer Knonzeptualisms”, Kunsthalle Nurnberg (catalogue)
Krystof, Doris, “Talking pictures”, Kunstsammlung NRW, K21, Dusseldorf
2006
Thorson, Alice, “A Crisis of Self”, Kansas City Star, December 3
Otten Purucker, Justin, “Dual Exhibits Debut at UCR Museum”, Highlander, October 31
O’Brien, Pat, “Thought-Provoking works debut at UCR museum”, The Press-Enterprise, October 28
Dea, Cynthia, “Troubled minds, compelling matters”, Los Angeles Times
Gygax, Raphael, “Mathilde ter Heijne”, contemporary 21, issue 85
Fajardo Hill, Cecilia, “Forms of Classification”, Cisneros Fontanals Art Foundation, Miami
Yiyon, Wang, catalogue essay in Hyperdesign: Shanghai Biennial, Museum of Modern Art, Shanghai
Nentwig, Janina, “Woman to Go” exhibition brochure, Jetzt/now/8, Berlinische galerie, Berlin
Ennis, Ciara, “Ruby Satellite” exhibition brochure, Hydepark Art Center; CA Museum of Photography
“Armory Show Report: Day 5”, artinfo.com, March 13
Janina Nentwig in exhibition leaflet: Woman to go, Jetzt/now/8, Berlinische galerie, Berlin, 2006
Kuhn, Nicola, Die Überlebenskünstlerin, Der tagespiegel, 12 May, 2006
Joerdens, Thoman, Denkmal der vergessenen Frauen, Chemnitzer Morgenpost, 14 May, 2006
Huijsmans, Linda, Was wirklich wichtig ist, Berliner Zeitung, 13/14 May, 2006
2005
Urbaschek, Stephan, “Ich bin die Künstlerin, die sich selbst in die Luft sprengt” in the catalogue Imagination Becomes Reality, Part 1, Expanded Paint Tools, Sammlung Goetz, München
Müller, Helmut, “Befreiung”, Sell the shadow to support the substance, Hospitalhof, Stuttgart (for the exhibition “Mathilde ter Heijne – Forgetting”)
“Horizon”, Serge Onnen for J&L books, Atlanta
“Greater New York”, PS1 Centre for Contemporary Art, New York (Ausstellungskatalog/ exhibition catalogue)
“52 Questions”, Experience, Memory, re-enactment, Piet Zwart Institute, Rotterdam
“Reading Material”, Art Papers, November/December
Klaas, Heiko, “Nasser Tod”, Art Nr. 7, July, pg 81
Karcher, Eva, “Welten unter Vollgas”, Süddeutsche Zeitung, June 25-26
Dattenberger, Simone, “Bavarias Büstenhalter”, Münchner Merkur, June 24
Sonna, Birgit, “Gegenwartskunst ist gesellschaftsfähig geworden”, Neue Zürcher Zeitung, June 14
Müller, Katrin Bettina, “I want to be good”, Tipp, April 25
Finch, Charlie, “More, More, More”, Artnet, March 7
Myers, Holly, “Artists at play in the world”, Los Angeles Times, February 25
2004
Rüther, Tobias, “Denn wir wissen nicht, was sie tun”, Monopol, No. 2, June/July, pgs 74-76
Scardi, Gabi, “About love”, in the catalogue Mathilde ter Heijne, Viafarini, Milano
Ebeling, Knut, Catalogue essay in Silent Screams Difficult Dreams, Borusan Centre for Culture & Arts, Istanbul
Gamper, Sabine, Catalogue essay in Innocence and Violence, Arge Kunst Galerie Museum, Bolzano
“Ingrid Calame, Mathilde ter Heijne, Jörg Wagner”, Kunstverein Hannover (exhibition catalogue)
“Laocoon Devorado”, Artium, Salamanca (exhibition catalogue)
“Die Zehn Gebote”, Deutsches Hygiene Museum Dresden, Hatje Cantz (exhibition catalogue)
Weichardt, Jürgen, “Beschwörung des Abwesenden”, Nordwest Zeitung, July 31
Glanz, Alexandra, “Schattenraume aus Wirlichkeiten und Erinnerungen”, Gottinger Tageblatt, July 17
Radio Flora, “Furorum”, Das Kulturmagazine, July 14
“Junge Künstler zu Gast im Kunstverein”, Hannoversches Wochenblatt, July 14
Zimmer, Klaus, “Spuren auf Bürgersteigen warden zu Kunst”, Cellesche Zeitung, July 16
Zimmer, Klaus, “Anspielungsreicher Parcours ins Unbekannte”, Dewezet, July 13
Glanz, Alexandra, “Konzept: Kunst”, Hannoversche Allgemeine Zeitung, July 9
Ruther, Tobias, Monopol, No. 2, June/July, pg.74-76
Büsing, Nicole; Klaas, Heiko, “Puppe trifft Fleckenteufel”, Nordsee Zeitung, July 21
Rieger, Birgit, “Mathilde sprengt sich in die Luft”, Der Tagesspiegel, December 14
2003
Schütte, Christoph, “Was tun?”, Frankfurter Allgemeine Zeitung, No.138, June
“Love”, Magazin 4, Bregenzer Kunstverein (Ausstellungskatalog/ exhibition catalogue)
“Taktiken des Egos”, Stiftung Wilhelm-Lehmbruck Museum, Kerber-Verlag (Ausstellungskatalog/ exhibition catalogue)
“Stuff it, the video essay in the digital age”, edited by Ursula Biemann, Institute for Art and Design, Zürich
Urbaschek, Stephan, “Fast Forward, Media Art Sammlung Goetz”, München (Ausstellungskatalog/ exhibition catalogue)
Friedl, Peter, “The burning question”, in the catalogue Tragedy, Migros Museum, Zürich
Munder, Heike, “Tragedy is calling for love in Kat”, in the catalogue Tragedy, Migros Museum, Zürich
Verwoerd, Jan, “Fatal repetitions”, in the catalogue Tragedy, Migros Museum, Zürich
2002
Verwoerd, Jan, “The Collective Unconsciousness”, Frieze, Vol. 68, June-August
Ploeger, Albert K. Dare we observe? Peeters Press, Leuven, p. 121
Gilli, Martha, Catalogue essay in Fragilités, Printemps du Septembre, Toulouse
“Mathilde ter Heijne”, Wilhelm Hauck Museum, Ludwigshafen (Ausstellungskatalog/ exhibition catalogue)
Höfchen, Heinz, “Mathilde ter Heijne”, Saar Ferngas Förderpreis
“Futureland”, Städtisches Museum Abteilberg, Möchengladbach (Ausstellungskatalog/ exhibition catalogue)
“The People’s Art”, Witte de With, Rotterdam
Affentranger-Kirchrath, Angelika, “Neue Züricher Zeitung, April 25
Julliard, Nicholas, “Les Tragédies intimes de Mathilde Ter Heijne à Zürich, Le Temps, April 25
Zwez, Annelise, “Dem Selbstmord auf die Spur gekommen”, Aargauer Zeitung, April 19
Zürcher, Barbara, “Weibliche Selbstmordrituale”, Tagesanzeiger, April 15
Ohnemus, Melanie, “Mathilde ter Heijne: Tragedy”, Springerin, Band 8, February, pg 79
Ruthe, Ingeborg, “Das neue Ende einer alten Geschichte", Berliner Zietung, May/June
Legget, Mike, “For a better World”, Leonardo Digital Reviews, June
Schindler, Anna, “Mathilde ter Heijne”, Artforum Picks, Artforum, June
Affentranger-Kichtrath, Angelika, “Vom Selbstmord zum Opfertod”, Neue Züricher Zeitung, April
Spinelli, Claudia, “Die Küenstlerin als exzentrische Selbstmörderin”, Kunst-Bulletin, April, p. 16-21
Müller, Katrin Bettina, “Generation Gewinner”, TAZ, January 15
2001
Mouktar, Esma, “For a better world”, in the catalogue 19th World Wide Videofestival, Amsterdam
Spinelli, Claudia, Catalogue essay in Mathilde ter Heijne, Mama Cash, Amsterdam
“For a better world”, CD-rom, Griffelkunstvereinigung, Hamburg
“Mathilde ter Heijne”, Mama Cash, Amsterdam
“The Big Nothing”, Staatliche Kunsthalle Baden-Baden, Verlag Walther König, Köln (with an essay by Diana Ebster (Ausstellungskatalog/ exhibition catalogue)
“M_ARS, Kunst und Krieg”, Neue Galerie Graz, Hatje Cantz (Ausstellungskatalog/ exhibition catalogue)
“Prodigal Prodigy”, White Box, new York (Ausstellungskatalog/ exhibition catalogue)
“The people’s art” Witte de With, Rotterdam (Ausstellungskatalog/ exhibition catalogue)
Gohlke, Gerrit, “Looking Away”, mediomatic 10, no.3
Groot, Paul, “A Digital Palimpsest”, mediomatic 10, no.3
Altena, Arie, “An inescapable sense of confinement”, mediamatic 10, no.3
Ebster, Diana, “Mathilde ter Heijne”, in the catalogue Big Nothing Staatliche Kunsthalle, Baden Baden
2000
Munder, Heike in “[re:songlines]”, Lüneburg (Ausstellungskatalog/ exhibition catalogue)
“Mathilde ter Heijne 98-00”, Artimo, Amsterdam (Ausstellungskatalog/ exhibition catalogue)
Ebeling, Knut, “Heimat Kunst” Haus der Kulturen der Welt, Berlin (Ausstellungskatalog/ exhibition catalogue)
“Buren”, Stedelijk van Abbemuseum, Eindhoven (Ausstellungskatalog/ exhibition catalogue)
“Glück & Casino”, Kunsthaus Dresden (Ausstellungskatalog/ exhibition catalogue)
Wallner, Klara in: “Come in and find out, vol 2”, Berlin (Ausstellungskatalog/ exhibition catalogue)
Berg, Ronald, “Wer bin ich und wenn ja, wie viele?”, Der Tagespiegel, May 27
Hagoort, Eric, “Mathilde Ter Heijne”, BE Magazine, September, pgs 75-78
Perra, Daniele, “Scatole Nomadi, Mathilde ter Heijne”, Kult, pg 152
den Hartog Jager, Hans. “Mathilde Ter Heijne”, NRC Handelsblad 7
Heiser, Jörg, “Meine Schuld, dein Opfer”, in the catalogue Mathilde ter Heijne 98 00, Artimo, Amsterdam
Rabinowitz, Cay Sophie, “Displaced Delivery”, in the catalogue Mathilde ter Heijne 98 00, Artimo, Amsterdam
Munder, Heike, Catalogue essay in [re:songlines], Lüneburg
1999
Pontzen, Rutger and Schutter, Xandra. “Vijf Kunstenaars aan een tafel”, Vrij Nederland, November 6
Ebeling, Knut, “Spaces where you can enter”, in Indifference to the truth, Künstlerhaus Bethanien, Berlin
1998
Hagoort, Eric, “Lichamen in Levende Kijkadoos”, De Volkskrant, February 11
van der Beek, Wim, Catalogue essay in Mutatis Mutandis, Zwolle
“Transparantie in de oude kerk in Amsterdam”, Waarders uigevers, Zwolle
1997
Stevensz, Bert, “Mathilde ter Heijne” in the catalogue Dutch Courage, Amsterdam
“Het eigen gezicht”, Museum beelden aan Zee, Scheveningen
1996
Pieters, Din, “Mathilde Ter Heijne”, NRC Handelsblad, November 29
van den Berg, Mariska, “Mathilde ter Heijne”, Metropolis M, nr 1, p. 48-49
Stevensz, Bert, “Het Circus van Jaroen Bosch”, Metropolis M, nr 4, p. 34-49
“Peiling 5”, Stedelijk Museum, Amsterdam
van den Berg, Els. “Many true stories” in the catalogue Endless (Many true stories), Berchkerk, Deventer
1995
Hoenjet, Frank, “Feestgedruis op de jongste dag” in the catalogue Wherever I lay my head…, Museum, Helmond

Catalogues

2009
Rebelle, Art and Feminism 1969-2009, Museum for Modern Art, Arnheim, NL
Veronica, Pitzer Art Galleries, Pitzer College
2008
If It’s me, it’s not me, Hantje Cantz
Sculpture Today, Judith Collina, Phaidon Press
Walls in the street, Siemens Art Programm, Münich, Museum of Contemporary Art (MSUB), Belgrade, Serbia
2007
Caution! Blasting operations!, NGBK, Berlin
Romantischer Konzeptualismus, Kunsthalle Nürnberg
It’s time for action, Migros Museum für Gegenwartskunst
Made in Germany, Sprengel Museum, Hannover
Body check, Fellbachtrienale
2006
Urban Creatures, Pori Art Museum, Pori, Finnland
Le Mépris, Mediamatic, Amsterdam
Dual Realities, Media Biennial, Media City Seoul, Seoul Museum of Art
2005
Fast Forward, videocollection sammlung Goetz
The Eternal Body, Catharijnen Convent, Utrecht
Experience, Memory. Re-emactment, Pit Zwart Institute, Rotterdam
Greater New York, PS1 Contemporary Art Center
2004
Mathilde ter Heijne, Viafarini, Milano
Ingrid Calame, Mathilde ter Heijne, Jörg Wagner, Kunstverein Hannover
Laocoon Devorado, Artium, Salamanca
Die Zehn Gebote, Deutsches Hygiene Museum Dresden, Hatje Cantz
2003
Love, Magazin 4, Bregenzer Kunstverein
Taktiken des Egos, Stiftung Wilhelm-Lehmbruck Museum, Kerber-Verlag
2002
Futureland, Städtisches Museum Abteilberg, Möchengladbach
Mathilde ter Heijne, Wilhelm Hack Museum, Ludwigshafen
The People’s Art, Witte de With, Rotterdam
Tragedy, Migros Museum für Gegenwartskunst, Zürich
2001
Prodigal Prodigy, White Box, New York
The Big Nothing, Staatliche Kunsthalle Baden-Baden, Verlag Walther König, Köln
M_ARS, Kunst und krieg, Neue Galerie Graz, Hatje Cantz
Mathilde ter Heijne, Mama Cash, Amsterdam
2000
Buren, Stedelijk van Abbemuseum, Eindhoven
Glück & Casino, Kunsthaus Dresden
Mathilde ter Heijne 98-00, Artimo, Amsterdam
1998
Transparantie in de oude kerk in Amsterdam, Waarders uigevers, Zwolle
1997
Het eigen gezicht, Museum beelden aan Zee, Scheveningen
1996
Peiling 5, Stedelijk Museum, Amsterdam
Endless True Stories, Berchkerk, Deventer
1995
Wherever I lay my head, Gemeentemuseum, Helmond

Performances, Video Presentations, CD-ROMs, and Artist Books

2010
“Double Action”, Georg Kolbe Museum, Berlin, Germany
2009
“7th European Feminist Research Conference”, Faculty of Humanities, Universiteit Utrecht
“Love me Gender – Gender”, Gunda-Werner-Institut für Feminismus und Geschlechterdemokratie
in der Heinrich-Böll-Stiftung
“SHE DEVIL”, The National Museum of Contemporary Art, Bucharest
“China Mode”, Haus der Kulturen der Welt, Berlin
2008
“Von denen die überleben”, Schauspielhaus Zürich, Switzerland
“The Driller Killer”, Forgotten Bar Project, Berlin, Germany
“Art is a man’s name”, Temporäre Kunsthalle Berlin, Germany
2007
“The Empire of Women: Not a Fairytale” (artist book), Currents, Beijing
Krasnoyarsk Museum Center, Krasnoyarsk
“Internationaler Tag der Frauenvideos”, videobar in Kino Babylon
2006
“Art video lounge”, ArtBasel Miami
“Melancholie”, Neue National Galerie, Berlin
2005
“Politics of Belief”, Badischen Kunstverein, Karlsruhe
Kurzfilmfestival, Oberhausen
La Casa Encendida, Madrid
“Sell the shadow to support the substance” (artist book), Hospitalhof, Stuttgart
2004
“Experience, Memory, re-enactment”, Piet Zwart instituut ,Rotterdam
“Het eeuwige Lichaam”, Instituto Olandese, Rome
2003
“La nuit art video”, Maillon-Wacken / Théâtre de Strasbourg
“49˚N6˚E”, Frac Lorraine, Metz
2002
“Video-Zone”, Center for Contemporary Art, Herzeliya, Israel
2001
“Berlin-London-2001”, ICA, London
World Wide Video Festival, Amsterdam
Mediamatic Salon, ITFA, Amsterdam
“For a better world” (CD-ROM), Griffelkunstvereinigung, Hamburg
2000
“Combinazione!”, Video festival, Musée Art Contemporaine, Lyon
“No-site-specific”, Lux gallery, London
World Wide Video Festival, Amsterdam
1999
“Film und Arc”, Medien & Architecture Biennale, Steierische Herbst, Graz
“Indifference to the Truth” (CD-ROM), Künstlerhaus Bethaniёn, Berlin
1997
“On a night like this” (artist book), Rijksacademie, Amsterdam
1993
“Kijkgaten” (artist book), Rijksacademie, Amsterdam

Public Projects

“Ritual Disposition”, in: Sculpture Park Leidsche Rijn, Bureau Beyond, Utrecht, the Netherlands

Public Collections

Migros Museum für Gegenwartskunst, Zürich
Bonnefanten Museum, Maastricht
Neuer Berliner Kunstverein, Berlin
Gemeentemuseum, Arnhem
Sammlung Goetz, München
Cisneros Fontanals Art Foundation, Miami
Zabludowicz Collection, London
Julia Stoshek Collection, Dusseldorf

Awards, Grants and Fellowships

2010
Helsinki International Artist-in-residence Programme, Helsinki, Finland
2010 Headlands Center for the Arts Residency, San Francisco, CA
Stipendium Platform Garanti, Istanbul
2007
Currents Residency, Peking
2004
PS1 Stipend, New York
2002
Saar-Ferngas-Förderpreis Junge Kunst, Ludwigshafen
2001
Mama Cash Kunstprijs, Amsterdam
2000
Arbeitsstipendium, Senatsverwaltung für W, F und K, Berlin
1999
Stipendium Podewill, Berlin
1998
Stipendium Künstlerhaus Bethanien, Fonds voor BKVB, Amsterdam
1992
Hustinxsprijs, Maastricht

Mark Todd

1970
Born in Las Vegas, NV
Lives and works in Los Angeles, CA
1993
BFA, Art Center College of Design, Pasadena, CA

Select Exhibitions

2023
"Inheritance," Whitney Museum of American Art, New York, NY (forthcoming)
"Rituals of Devotion," McEvoy Family Collection, San Francisco, CA (forthcoming)
2018
Susanne Vielmetter Los Angeles Projects, Culver City, CA (solo)
2017
"Now More Than Ever," LACE Benefit Art Auction, Los Angeles, CA
Don’t Go To Hell Without Saying Goodbye, Webb Gallery, Waxahachie, TX (solo)
2016
"Covered," LaLuz de Jesus, Los Angeles, CA (solo)
"Don’t Wake Daddy," Feinkunst Kruger, Hamburg, Germany
2014
"With Open Eyes," Grafikens Hus, Mariefried, Sweden (2 person)
"Explorers," CSC Gallery, McLennan Community College, Waco, TX (2 person)
2013
"Pack A Wallop," Webb Gallery, Waxahachie, TX (2 person)
"Facial Recognition," Giant Robot, Los Angeles, CA (2 person)
2011
"Powerfury," LaLuz de Jesus, Los Angeles, CA (solo)
"Incognito," Santa Monica Museum of Art
2010
"Juggernaut," Billy Shire Fine Art, Los Angeles, CA (2 person)
"Incognito," Santa Monica Museum of Art
2009
DOMY, Houston, TX, (solo)
"When In Texas Act Like A Texan," Webb Gallery, Waxahachie, TX
LaLuz de Jesus, Los Angeles, CA
"Incognito," Santa Monica Museum of Art
2008
"Blab! Show," Beach Museum of Art, Kansas State University, Manhattan, KS
"Incognito," Santa Monica Museum of Art
2007
LaLuz de Jesus, Los Angeles, CA
2006
"Now and Then," Mendenhall Sobieski, Pasadena, CA (2 person)
2005
"Keep On Laughing," Katherine Mulherin Contemporary, Toronto, Canada (2 person)

Residencies

2014
Grafikens Hus, Mariefried, Sweden

Bibliography

2019
Freeman, Nate. "The Future of Art Fairs Is in a Hotel on Hollywood Boulevard," February 15 (Link)
Remenchik, Jennifer. "Placing Art in Hotel Rooms Can Yield Genuinely Surprising Results," Hyperallergic, February 16 (Link)
2017
Jones, Darren, "Critics’ Picks: Mark Todd at Webb Gallery," Artforum, April (Link)
Fulleylove, Rebecca, "Illustrator Mark Todd puts his own spin on his series of naively-drawn fake records," It’s Nice That, April 19 (Link)
Garry, "Drawing Fake Album Covers from the 60’s and 70’s," Smith Journal, May 3 (Link)
2010
Harvey, Doug, "The Bish, The Fish and the Fantastic Four," LA Weekly, January 21 (Link)

Joel Tauber

Lives and works in Winston-Salem, NC
1972
Born in Boston, MA
2002
MFA, Art Center College of Design, Pasadena, CA
1997
MA, Lesley University, Cambridge, MA
1995
BA, Art History and Sculpture, Yale University, New Haven, CT

Selected Exhibitions

2011
Pumping, Adamski Gallery, Berlin, Germany
2010
Pumping, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2008
Joel Tauber: Digging, Diving, Flying, and Loving, Adamski Gallery, Berlin, Germany
Sick-Amour, Ruth B. Shannon Center for the Performing Arts, Whittier College, Whittier, CA
2007
Sick-Amour, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Sick-Amour, Adamski Gallery, Aachen, Germany
2006
"Searching for the Impossible: Digging, Flying and Diving", Gallery Saintonge, Missoula, MT
2005
"Seven Attempts to Make a Ritual", Susanne Vielmetter Los Angeles Projects, project space
The Underwater Project: Turning Myself Into Music, Helen Lindhurst Fine Arts Gallery, University of Southern California, Los Angeles, CA
"The Underwater Project: Turning Myself Into Music", Adamski Gallery, Aachen, Germany
2004
"The Underwater Project: Turning Myself Into Music", Susanne Vielmetter Los Angeles Projects, Culver City, CA
Searching For The Impossible: The Flying Project, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2003
Searching For The Impossible, Adamski Gallery, Aachen, Germany
1999
Spiritual Anxiety: 31 Rats & 15 Doves, Kingston Gallery, Boston, MA

Group Exhibitions

2013
Faculty [III] 13, Hanes Art Gallery, Wake Forest University, Winston-Salem, NC
2012
Strictly Academic, Part 2: Works by Faculty at Wake Forest University, Rhodes Art Center, Salem, NC
"my.LA," haubrok foundation, Berlin, Germany
Prime Time: New Media Juried Exhibition, Ashville Museum of Art, Ashville, NC
The Planter Show, ForYourArt, Los Angeles, CA
2011
Nurturing Nature, Concordia College, Bronxville, NY
Trees, UCross Foundation Art Gallery, Clearmont, Wyoming
Plains of Id, California State University Art Museum, Long Beach, CA
Water, CA, Crocker Art Museum, Sacramento, CA, curated by Enid Baxter Blader and Nicole Antebi
2010
Cluster Balloons:From Lawn Chairs to Cosmic Rays, Anderson-Abruzzo Albequerque International Balloon Museum, Albuquerque, NM
"No Matter. Failure And Art, The Kunstverein Hildesheim, Germany, curated by Florina Limberg and Jens Papenkort
Ucross: Twenty-Seven Years of Visual Arts Residencies, Nicolaysen Art Museum, Casper, WY, curated by Lisa Hatchadoorian
2009
"ecoLOGIC" at the Cypress College Art Gallery, Cypress, CA, curated by Patrica Watts
"LA 2019: Cults, Collectives, & Cocooning", 18th Street Projects, Santa Monica, CA, curated by Ciara Ennis
2008
Flight dreams, The Art Gallery of Nova Scotia, Nova Scotia, Canada and traveling to: AGNS Western Branch, Yarmouth, Nova Scotia, Canada
California Biennial 2008, Orange County Museum of Art, Newport Beach, CA, curated by Lauri Firstenberg
The Whole World Is Still Watching, Glendale Community College Art Gallery, Glendale, CA. Curated by Irene Tsatsos
Gravity Art, Telic Arts Exchange, Los Angeles, CA, curated by Rene Daalder
Systems Theory, Torrance Art Museum, Torrance, CA
Tree Service, Jeanne Pattersons Domestic Setting, LA, CA. Curated by Michael Gold and Jeanne Patterson
2007
Guggenheim Gallery, Chapman University, Orange, CA, Curated by Maggi Owens.
Love is Like Oxygen, W139, Amsterdam, Holland, curated by Theo Tegelaers
"The New Authentics: Contemporary Artists of the post-Jewish Generation", catalogue, Spertus Museum, Chicago, IL, curated by Staci Boris, traveling to Rose Art Museum, Brandeis University, Waltham, MA
2006
700% Plus, CPH Kunsthal Festival, Copenhagen
Sick-Amour; a preview, Artini Shorts 2006, Missoula Art Museum, MT, curated by Toni Matlock
Happy Believers, 7th Werkleitz Biennial, Volkspark, Halle, Germany, curated by Anke Hoffmann, Solvej Ovesen, Angelika Richter and Jan Schuijren
Eco Lux: Art in the Light of Ecology, Lightbox, Los Angeles
Werkleitz Biennale, Werkleitz Gesellschaft, Halle, Germany
2005
"The Gravity in Art", De Appel Centre For Contemporary Art, Amsterdam, Netherlands. Curated by Rene Daalder and Theo Tegelaers
Still, Things Fall From The Sky, University of California Riverside / California Museum of Photography Curated by Ciara Ennis, catalog
2004
"The California Biennial", Orange County Museum of Art, Newport Beach, CA , curated by Liz Armstrong and Irene Hoffman, catalog
"Video Lounge", ArtBasel Miami Beach, Miami, FL, curated by Sandra Antelo-Suarez and Guillermo Santamarina
2003
Light and Spaced Out: 11 Artists From Los Angeles, Herve Loevenbruck Gallery, Paris, France and the Centre dArt Passerelle, Brest, France, Curated by Carlos Cardenas.
Works on Paper by Gallery Artists, Adamski Gallery, Aachen, Germany.
Enter Intercessor, RAID Projects, Los Angeles, California. Curated by Carrie Patterson
2002
Stuff From L.A. and Other Places, Christine Konig Gallery, Vienna, Austria. Curated by Skip Arnold.
To Believe Much More Than That, Wight Gallery, UCLA, Los Angeles, CA.
1999
Convergence: A National Juried Contemporary Art Exhibition, Memorial Hall Center for the Arts, Wilmington, VT. Juried by Rachel Rosenfield Lafo, Senior Curator at the DeCordova Museum And Sculpture Park.
1998
1998 National Juried Exhibition, Bristol Art Museum, Bristol, RI. Juried by John Udvardy, Sculptor and Professor of Art at Rhode Island School of Design.
New Art 98: National Juried Exhibition, Kingston Gallery, Boston, MA. Juried by Helaine Posner, Curator at M.I.T.s List Visual Arts Center.
Art in the Yard: Outdoor Sculpture Show 98, Hole in the Wall Studio Works, Raymond, ME.
1996
Cybermama, The Artscape Gallery, Boston, MA
1995
Outdoor Sculpture Installation, Yale Summer School of Music and Art, Norfolk, CT

Bibliography

2011
Knight, Christopher, Joel Tauber at Susanne Vielmetter Los Angeles Projects, The Los Angeles Times, January 20
Doktorczyk-Donohue, Marlena, Joel Tauber: Pumping at Susanne Vielmetter, Art ltd., March/April
2010
Myers, Holly, Art that makes a public spectacle of itself, The Los Angeles Times, June 6
Doan, Abigail, ECO ART: New York Times Dot Earth and Ecoartspace Ask What Matters Most?, inhabitat.com, May 1
Garchik, Leah, Look For The Kids With The Big Eyes, San Francisco Chronicle, October 25
Chiu, Ringo H.W., What was your favorite movie of 2009, Los Angles Times, March 4
Williams, Janette and Charles, Brian, Citybeats: A Rose Bowl love story stars in film, Pasadena Star-News, September 5
2009
Ennis, Ciara, Kunstwerken voor de publieke ruimte / Artworks for Public Space, Podium for Architecture Haarlemmermeer, Catalogue, March
Immediato, Linda, Gallery of Earthly Delights, Angeleno Magazine, January
2008
Joel Tauber, A Life Redeemed, NYARTS, November / December
Joel Tauber in Conversation With Susan Bell Yank, 2008 California Biennial, exhibition catalogue, Orange Country Museum of Art, pp. 198-199
The Orange County Museum of Art Presents the 2008 California Biennial, artdaily.org, October 27
Kecskes, Alex, A Rich Palette of Talent, 944 Magazine, October
Kelley Jr., Bill, Observations on Sick-Amour, Log: Observations on architecture and the contemporary city, Spring / Summer, pg 80.
Geagea, Nadia, Sick-Amour: One Californians Love Affair with Trees, International Society of Arboriculture: Arborist News magazine, February
Biemiller, Lawrence, At USC, a Sycamore With a Story to Tell, The Chronicle of Higher Education, January 18.
Walden Schools Tree Baby Project, Pasadena Outlook, September 25
Tree Planting Ceremony Held, La Canada / La Crescenta Valley Sun, September 18
Tree Project Branches Off Across SoCal, USC Chronicle, February 4
Sheppard, Dale, Flight Dreams, Art Gallery of Nova Scotia Journal, Fall / Winter
Vider, Stephen, Cultural Evolution: What exactly is post-Jewish art?, Netbook, July 2
Joel Tauber, Growing, University of Southern California BA/BFA Catalogue, May
Mania, Astrid, Graben und Fliegen, Artnet, March 25
Geagea, Nadia, Sick-Amour: One Californians Love Affair with Trees, International Society of Arboriculture: Arborist, February
Villamagna, Holly, Sculptures honor urban plant life Sculptures surrounding a newly-planted tree aim to inspire respect for nature, Daily Trojan, January 25
Biemiller, Lawrence, At USC, a Sycamore With a Story to Tell, The Chronicle of Higher Education, January 18
2007
Nelson, Sarah Geller, What Kind of Transformations Would We Enjoy If We Tried To Achieve The Impossible? and Boris, Stacy, The New Authentics, Artists of the Post-Jewish Generation, (exhibition catalogue) Spertus Institute of Jewish Studies, Chicago
Miles, Christopher, Our Favorite Shows and Artifacts: Joel Tauber at Susanne Vielmetter Los Angeles Projects, LA Weekly, December 27
Gunn, Dan. Eye Exam: Authentically Yours, NewCity Chicago, December 04
Brooks, Kimberly, First Person Artist: Joel Tauber, The Huffington Post, November 16
Patterson, Carrie, Joel Tauber: Sick Amouor, Art Circles, Issue #5, Fall
Gray, Emma, L.A. Confidential, artnet, October 12
Villamagna, Holly, Planting amour seeds in L.A., The Daily Trojan, October 2
Khuri, Elizabeth, Public Art Angel: Lauri Firstenberg gets art out of museums and into the street, West: LA Times Magazine, September 16
Zellen, Jody, Joel Tauber, artUS, Summer
Degen, Pener, A Pasadena Parking Lots cherished Tree, seedhead.com, July 13
Martin, Victoria, Joel Tauber at Susanne Vielmetter Los Angeles Projects, Artweek, June
McCave, Lesley, "Regional Roundup: Los Angeles", Artinfo.com, April 11
Brooks, Amra, Must See Art, LA Weekly, April 11
Soules, Carol, "Sick-Amour", April 9
"Sick-Amour: A Guerrilla in Sunny CA", Guerillagardening.org, April 9
Myers, Holly, "Joel Tauber’s Rose Bowl Sycamore Project Rooted in Obsession", Los Angeles Times, March 30
Clothier, Peter, The Buddha Diaries Blog, March 23
Es, Carol, Good shows around town, esart.com, March 21
Mizota, Sharon, Crawling into the woodwork, Los Angeles Times, March 10
Calder, Diane, Joel Tauber, Artscene, March
Gray, Emma, Future Greats, Art Review, March
Gray, Emma, The It Factor, artnet, February 19
Blodgett, Erica, A Sycamour Affair The love story of Joel Tauber and his lonely sycamore, The Design Magazine, February
2006
Harvey, Doug, The new, weird counterculture, LA Weekly, November 16
Tsui, Loire, Protector of a lone sycamore tree: Teacher is creating an art exhibit about the future of a tree in Rose Bowl parking lot, Daily Trojan, November 3
Williams, Janet, His Tree of Life: Artist Tends to Lone Sycamore in Rose Bowl Parking Lot, Pasadena Star News, October 4
Gray, Emma, L.A. Confidential, artnet, August 21
VVork Online, August
Werkleitz Biennale (exhibition catalogue), Werkleitz Gesellschaft, Halle, Germany
Bokern, Anneke, Bedingungsloser Krpereinsatz, Artnet.com, January 19
2005
de Vries, Marina, Indrukwekkende poging tot vliegen, De Volkskrant, www.volkskrant.nl/kunst, December 21
On Stage, USC Chronicle, August 29
Sachs, Mark, The caveman digs nature and the Sox, Los Angeles Times, August 25
Villasenor, Michael, Water world of music, Daily Trojan, August 24
Newhouse, Kristina, Experiencing the California Biennial, X-Tra, Spring Issue, Vol.7, No.3
Tumlir, Jan, "California Biennial", Artforum, pg. 168
2004
Hart, Hugh, "Into it for the shock of his life – Joel Tauber tries to jolt himself into seeing his place on
Earth. In his art he flies, dives, dares", Los Angeles Times, December 25
"Susanne Vielmetter Los Angeles Projects presents JOEL TAUBER: The Underwater Project; Turning Myself Into Music", re-title.com, December 24
Knight, Christopher, "Staking a claim for an idiom of Los Angeles", Los Angeles Times, November 26
Pincus, Robert, "Tuning in to the O.C.:’Biennial’ belly laughs", San Diego Union Tribune, November 7
Gary, Jessica, Adventures in the OC, Insurgent Muse: Notes from the Underground
Knight, Christopher, "Biennial arrives, and so does a museum", Los Angeles Times, October 13
Chang, Richard, "The art of the new", Orange County Register, October 10
Walsh, Daniella, Orange Blossoms, Riviera, September Issue
Simon, Jane, "Joel Tauber", 2004 California Biennial catalogue, pg 112 115
Kraus, Chris, Cast Away, Video Green: Los Angeles Art and the Triumph of Nothingness, pg 149-150. Los Angeles: Semiotext(e)
2003
Ouest, Cote, Des Anges De 30 Ans, Nova Magazine June
Light and Spaced Out, Vogue: Paris May
From L.A. (Light and Spaced Out preview), Mouvement May June
Redonner a Saint Germain son aura dantan (Light and Spaced Out preview), LOEIL May
2002
Piccard, Don (aviation pioneer, inventor, father of modern ballooning), Coyote Dry Lake Flight, June 22
2001
Kraus, Chris Cast Away, Art/Text May July
2000
Ball, Molly, From York Street to Broome, Yale Artists Grow Up, The Yale Herald 21 January
1999
Faxon, Alicia , Joel Tauber: Spiritual Anxiety, 31 Rats and 15 Doves, Art New England June / July
McQuaid, Cate The Stuff of Dreams, The Boston Globe 18 February
1998-1999
Cover image of arts MEDIA Magazine Winter Issue
1998
Faxon, Alicia Bristol Art Museum / Bristol: 1998 National Juried Exhibition, Art New England October / November
Nieter, Dawn, National Art Show Opens at Memorial Hall, The Deerfield Valley News 24-31 December
1995
Soloski, Alexis, The Undergraduate Art Show: Our Lives on Display, The Yale Herald 6 October 1995.
Lana, Cheryl, Sculpture Show Harmonizes Forces, The Yale Herald 31 March 1995.

Public Collections

Neuer Aachener Kunstverein, Aachen, Germany
W139, Amsterdam Netherlands
USC Roski School of Fine Arts, Los Angeles
Newcombs Ranch, Altadena, CA
Torrance Art Museum, Torrance, CA
Shoes or No Shoes Museum, Kruishoutem, Belgium
Walteria Elementary, Torrance, CA
LA><ART, LA, CA
Walden School, Pasadena, CA
Pitzer College, Claremont, CA

Selected Projects

2007
Sick-Amour, a series of tree baby shrines in public sites throughout California celebrating the offspring from a lonely neglected sycamore tree stuck in the middle of Rose Bowl Parking Lot K. In progress. Tree babies are being placed in prominent locations with a series of plaques and at schools- with sculptural necklaces. Sites include the USC Roski School of Art, LA, CA; LA><ART, LA, CA; the Theodore Payne Foundation, Sun Valley, CA; a sycamore grove in the restored Arroyo Seco Valley near the parent tree, Pasadena, CA; multiple elementary schools in southern California; Neuer Aachener Kunstverein, Aachen, Germany; W139, Amsterdam, Netherlands; and the Torrance Art Museum, Torrance, CA.

Film/TV/Radio

2009
Shades of Green, Ovation Network. Joel Tauber and Sick-Amour will be featured for a five minute segment in the hour long television documentary Shades of Green, which will be aired nation wide via the Ovation Network on television as well as the internet, February
2008
Diving, Digging, Flying and Loving Interview with Joel Tauber, Berliner Kunstkontakter: the active Art TV, Adamski Berlin, March
2007
Six-minute story about Sick-Amour, Deutsche Welle radio, Deutschlandfunk, March 18
Mayer, Daniela, Akustisches Tagebuch: Highlights, Art Cologne, Art Radio Podcast, Germany, ZDF tv station, Dsseldorf, Germany, April
2006
Ross Becker, Local Story: Man Adopts Tree At Rose Bowl In Pasadena, Channel 4 Los Angeles, NBC, October 11
Bill Drummond, Cities of the Plain, NPR, June 2
2005
Storm, Louise, FORMAT Los Angeles”, Swedish Television (aired in Sweden, Norway, Denmark, Iceland), October 18
2002
Live coverage of helium balloon and bagpipe powered flight, Z107.7 radio, Joshua Tree, CA, June 22
1999
Work discussed on the Gary Jones Show, Brookline Cable Access Television
1994-1995
Shelter (sculpture), the artist’s ensuing conversation about loneliness is a primary focus of the film Boaz Halaban, Generation X, New Haven public television

Screenings and Lectures

2014
"Pumping" and "Sick-Armour" screened at the UK Man and Biosphere Committee Urban Forum event, Spirituality, Culture, Myth, Art, and Nature, Balaji Temple Conference Centre, Sandwell, England (October 25)
2012
Screening of Sick-Amour, Prime Time: New Media Juried Exhibition, Ashville Museum of Art, July 15
2011
Screening of Searching For The Impossible: The Flying Project at the Blanton Museum of Art, The University of Texas at Austin, Austin, Texas, Curated by Aimee Chang, August 19
Visiting Artist Lecture Series at Cal State University, Long Beach, CA, March 9
2010
Screening of Sick-Amour, Downtown Film Festival – Los Angeles, September 11
Screening of Flying Project, Artist Video Series, Blanton Museum of Art, Austin, Texas
Screening of Sick-Amour, Blue Planet Film Fest. Los Angeles, October 8, 9, & 10
Panel discussion with Liat Yossifor, Allison Miller, Bart Exposito, Claude Collins
Screening of Sick-Amour, San Francisco Documentary Festival, October 17 & 20
Panel with Stracensky and Krysten Cunningham. Moderated by David Pagel. Claremont Graduate University, Claremont, CA
Screening of Sick-Amour, Hartford International Film Festival, ovember 7
Guest Lecturer, Gwen Robertsons seminar at Pitzer College, Claremont, CA
2009
Guest Lecturer, Gloria Orensteins eco-feminism class at USC, Los Angeles, CA
Subject of one of Maya Escobars workshops in her series, Negotiating Diaspora Identities Through New Media, at Washington University, St. Louis, MO
2008
Guest Lecturer, The Fall Environmental Science Colloquium speaker series at Whittier College, Whittier, CA
Guest Lecturer, Shirley Tses BFA and MFA class Rigor or Vigor at CalArts, Valencia, CA
Guest Lecturer, Janet Owen Driggs Public Art Class at USC, Los Angeles, CA
Guest Lecturer, The Walden Elementary School, Pasadena, CA
Guest Lecturer, Mason Coolys Studio Visits class at Art Center College of Design, Pasadena, CA
Guest Lecturer, Jennifer Vanderpools class at Mount St Marys College, Los Angeles, CA
Guest Lecturer, Audubon Middle School, Los Angeles, CA
Guest Lecturer, Walteria Elementary, Torrance, CA
2007
Searching For The Impossible: The Flying Project screened in the film event, Finding A Home In The World While Moving Across It, Fresno Metropolitan Museum, Fresno, CA. An outdoor film screening event curated by Susanneh Bieber
Searching For The Impossible: The Flying Project screened in the Mannheim Film Festival, Mannheim, Germany
Short films from the video installation Sick-Amour, Echo Park Film Center, Los Angeles, CA
Finding a Home in the World While Moving Across It, film screening, Curated by Susanneh Bieber, Fresno Metropolitan Museum, Fresno, CA
"Xerxes, Watering, & Tree Guards", "The Invisible Worker", & "Tree Babies, film screening, Ruth B.
Shannon Center for the Performing Arts Whittier College, Whittier, CA
Guest Lecturer, Environmental Science Colloquium at Whittier College, CA
Screening of Searching for the Impossible: the Flying Project, Mannheim Film Festival, Germany
Guest Lecturer, UCLA Extension, Michelle Eisenbergs class, Los Angeles, CA
Guest Lecturer, UCLA Extension, Jeff Cains class, Los Angeles, CA
Guest Lecturer, Cal State Long Beach, Dana Doyles class, Long Beach, CA
Guest Lecturer, UCLA, Dee Williams class, Los Angeles, CA
Artist talk, USC, Los Angeles, CA
Guest Lecturer, Windward School, Postmodern Questions in Contemporary Art class, Los Angeles, CA
Screening of Flying Project, program Finding a Home in the World While Moving Across It, First Fridays summer series, Fresno Metropolitan Museum, Fresno, CA
Screening, Sick-Amour, Echo Park Film Center, May 31, Los Angeles, CA
Cultivating Wilderness, ART-TALK-ART lecture series, Foundation for Art Resources, CalTrans building, Los Angeles, CA
Artist talk, Farmlab Public Salon, Los Angeles, CA
2006
Searching For The Impossible: The Flying Project screened in Happy Believers, 7th Werkleitz Biennial, Volkspark, Halle, Germany. Curated by Anke Hoffmann, Solvej Ovesen, Angelika Richter and Jan Schuijren
Searching For The Impossible: The Flying Project screened in Good Bye Festival, CPH Kunsthal, Copenhagen, Denmark. Catalog.
Searching For The Impossible: The Flying Project screened in Artini Shorts 2006: roughly a 42 minute feast of moving pictures, Missoula Art Museum, Curated by Toni Matlock, May 18
Happy Believers: 7th Werkleitz Biennial, Volkspark, Halle, Germany
Artist talk, USC, Los Angeles, CA
Joel Tauber, lecture by Lauri Firstenberg, Southern California Institute of Architecture, Los Angeles, CA
Joel Tauber, lecture by MA Greenstein, Naropa University, Boulder, CO
Good Bye Festival, CPH Kunsthal, Copenhagen, Denmark
Artini Shorts 2006, Missoula Art Museum, curated by Toni Matlock
2004
Still Things Fall From the Sky: The unexpected, uncontrollable, and unexplained, panel discussion at
the California Museum of Photography with Ciara Ennis, two artists, an English professor, and a psychology professor
Guest Lecturer, USC graduate students, undergraduate senior seminar class
2003
Guest Lecturer, Orange County Museum of Art; UC Irvine; and the Art Institute of California, Orange County, CA
2002
Subject of Wonky Angel in the Desert, guest lecture by MA Greenstein at the University of New South Wales, Sydney, Australia, August
Participated in Remediating Social Contracts: A Round Table Discussion on Site Specific Performance Art,Los Angeles Public Library, February 23
Lecture about his work in MA Greensteins class Comparative Aesthetics: The Body at Art Center College of Design (February) and Otis College of Design (October)
2001
Imagining Los Angeles Landscape: Video Art in the Millies, Victoria College of Art, Melbourne, Australia, July
Seven Attempts To Make A Ritual screened and discussed by MA Greenstein with films by Joseph Herring and Michelle Alperin, Lecture about his work in Brian McCormicks class, Science, Mysticism, and Art, Art Center College of Design

Awards, Grants and Fellowships

2010
Sick-Amour, won Best Green Film in the 2010 Downtown Film Festival Los Angeles
2009
Alpert Ucross Artist Residency Program, Clearmont, Wyoming
2008
Kaus Australis, Rotterdam, Netherlands
2007-2008
Alpert Ucross Residency Prize for Visual Arts
2007
Contemporary Collectors Orange County Fellowship

April Street

1975
Born in Virginia
Lives and works in Los Angeles, CA
1998
Study Abroad Program, Cortona, Italy, Bronze Casting and Art History
1997
BFA, Painting, E. Tennessee University, TN
1996
The School at the Art Institute of Chicago, Painting, Chicago IL

Selected Solo Exhibitions

2020
"Circling the Drain Works on Paper," Vielmetter Los Angeles, Los Angeles, CA (online) (Link)
2019
"The Lady of Shalott," Vielmetter Los Angeles, Los Angeles, CA
2018-2019
"April Street: The Mariner’s Grand Staircase (Armoured Stars and Flying Clouds," Santa Barbara Museum of Art, Santa Barbara, CA
2018
"The Shoulder and the Bow," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2016
"Cassiopeia Loves Grimaldi," Kinman Gallery, London, UK
2015
"Lay Down Your Arms," Various Small Fires, Los Angeles, CA
"Nothing Lasts Forever," 5 Car Garage, Santa Monica, CA
2014
"Runner," Andrew Rafacz Gallery, Chicago IL
"A Vulgar Proof," Carter & Citizen, Los Angeles, CA
2013
"Catherine Czaki and April Street," Emerson Dorsch, Miami, FL
2012
"Portraits and Ropes," Carter & Citizen, Los Angeles, CA
2011
"Who threw the sunset at Me," Rosamund Felsen Gallery, Santa Monica, CA

Group Exhibitions

2019
"Undertones: Biomorphic Art in Los Angeles," curated by Lindsay Preston Zappas, Cal Poly San Luis Obispo, University Art Gallery, San Luis Obispo, CA
2018
"Pussy, King of the Pirates," Maccarone, Los Angeles, CA
2016
"The good the bad and the ugly part 3," Gesso-artspace,, Vienna Austria
2014
"Remove Clothes," curated by René-Julien Praz, Art is Hope, Paris, France
"Le Coast: Recent Acquisitions of Contemporary Art," Santa Barbara Museum of Fine Art, Santa Barbara, CA
"My Self is an Other," curated by Claressinka Anderson and Sonny Ruscha Granade, Underground Museum, Los Angeles, CA
"Veils," Underground Museum, Los Angeles, CA
2013
"heros," Carter and Citizen, Los Angeles, CA
"Managing Modality," POST, Los Angeles, CA
"Anniversary," Actual Size, Los Angeles, CA
"A Point of view from a Cat," curated by Bridget Marrin and Weronika Zaluska, Los Angeles CA
2012
"Baker’s Dozen, 13 curators /13 LA artists,"Torrance Museum, Torrance, CA
2008
"Artrageous Annual Benefit/Exhibition,for Nashville Cares AIDS Org," Nashville, TN
2007
The Dominant Planets of, High Energy Constructs, Los Angeles, CA

Bibliography

2020
Horst, Aaron. "Review: April Street at Vielmetter Los Angeles," Carla, Issue 19, February/March
2019
Zappas Preston, Lindsay. "Art Insider Dec. 17: immersive soundscapes, and obstacles facing black students," KCRW Insider, December 17 (Link)
Akers, Torey. "8 Not-to-Miss Artworks Under $20,000 at the Armory 2019," Artspace, March 6 (Link)
2018
Zappas Preston, Lindsay. "April Street: The Shoulder and the Bow at Susanne Vielmetter Los Angeles Projects," ArtReview, April (Link)
2015
Brown, A. Will. "A Deconstructed Hunting Cabin Filled with Fabricated Memories," Hyperallergic, December 7
Wagley, Catherine. "Jesper Just and April Street at Various Small Fires," CARLA, November 5
2014
Pagel, David. "Review: April Street conjures gritty romanticism in ‘A Vulgar Proof’," Sun Sentinal, January 23 (Link)
Hernando, Gladys-Katherina. "SFAQ Review: ‘A Vulgar Proof’ solo exhibition by April Street at Carter & Citizen," San Francisco Arts Quarterly, January 23 (Link)
Cheh, Carol. "April Street at Carter & Citizen," Artillery, March 4
Jaffe, Tali, "Critics Pick," Cultured Magazine
2013
Mason, Shana Beth, My Art Guides
McKenna, Klea and Nikki Grattan, Inthemake.com Interview
Moore, Caitlin and Matthew Gardocki, Fabrik Magazine
Buckley, Annie, "Critics’ Pick: April Street," Artforum
2012
Sommer, Danielle, "April Street," Art in America, December 5
Wagley, Catherine, "5 Artsy Things to this Week," LA Weekly, September 26
Bush, Bill, "Art and the Feminine Mystique," The Huffington Post, October 1
2008
Russell, Christopher, Artillery Magazine

News

Nick Aguayo

2019

Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 (Link)

 

Edgar Arceneaux

2019

Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 (Link)

Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 (Link)

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 (Link)

2018

Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 (Link)

Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 (Link)

Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November (Link)

Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 (Link)

“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 (Link)

Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 (Link)

Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 (Link)

“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 (Link)

Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 (Link)

“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 (Link)

Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 (Link)

“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 (Link)

Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 (Link)

 

My Barbarian

2018

“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA (Link)

 

Whitney Bedford

2019

Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 (Link)

2018

Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 (Link)

Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 (Link)

 

Sadie Benning

2018

Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 (Link)

O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 (Link)

Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 (Link)

Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May (Link)

Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 (Link)

Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 (Link)

 

Ellen Berkenblit

2019

“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL (Link)

“Samaritans,” Eva Presenhuber, New York, NY (Link)

Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 (Link)

Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 (Link)

Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 (Link)

Scott, Andrea K. ““Samaritans,” New Yorker, January 26 (Link)

2018

Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 (Link)

Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September (Link)

“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 (Link)

Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 (Link)

“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (Link)

 

Andrea Bowers

2018-2019

“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY

2019

O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 (Link)

“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 (Link)

Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 (Link)

Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 (Link)

“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 (Link)

Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 (Link)

Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 (Link)

Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 (Link)

Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 (Link)

Weathers, Chelsea. “After Posada: Revolution,” Artforum, February (Link)

2018

Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 (Link)

Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 (Link)

Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 (Link)

Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 (Link)

“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 (Link)

Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 (Link)

 

Kim Dingle

2019

Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 (Link)

Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 (Link)

Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 (Link)

Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 (Link)

“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 (Link)

2018

Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 (Link)

Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)

Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March (Link)

Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 (Link)

Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 (Link)

2017

Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 (Link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)

 

Mx Nicole Eisenman

2019

Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 (Link)

Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 (Link)

Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 (Link)

Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 (Link)

Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 (Link)

Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 (Link)

Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 (Link)

Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 (Link)

“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 (Link)

Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 (Link)

Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 (Link)

Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 (Link)

Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 (Link)

Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 (Link)

Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 (Link)

Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 (Link)

Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 (Link)

Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 (Link)

Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 (Link)

Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 (Link)

Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 (Link)

“Biennial delivers, despite birth pains,” The Villager, May 22 (Link)

Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 (Link)

“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 (Link)

Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 (Link)

Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 (Link)

Bradley, Paige K., “As the World Turns,” Artforum, May 16 (Link)

Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 (Link)

Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 (Link)

Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 (Link)

Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 (Link)

Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 (Link)

Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 (Link)

Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 (Link)

Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 (Link)

Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 (Link)

Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 (Link)

2018

Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 (Link)

Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 (Link)

Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 (Link)

Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 (Link)

Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 (Link)

“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 (Link)

Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 (Link)

van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 (Link)

Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 (Link)

Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) (Link)

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)

 

Genevieve Gaignard

2019

“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL (Link)

Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July (Link)

Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 (Link)

Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 (Link)

Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 (Link)

Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 (Link)

Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 (Link)

Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 (Link)

Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January

2018

Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 (Link)

Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 (Link)

Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 (Link)

Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 (Link)

Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 (Link)

Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14

Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 (Link)

Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 (Link)

“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 (Link)

Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 (Link)

Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 (Link)

Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 (Link)

Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 (Link)

Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 (Link)

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 (Link)

Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 (Link)

“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 (Link)

Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1

Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 (Link)

Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March (Link)

Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 (Link)

Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 (Link)

 

Liz Glynn

2019

“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 (Link)

Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February (Link)

2018

“Frieze London Opens This Friday,” ArtForum (web), October 3 (Link)

Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 (Link)

“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 (Link)

Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 (Link)

Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 (Link)

“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 (Link)

Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 (Link)

Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 (Link)

“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 (Link)

Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 (Link)

McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 (Link)

Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 (Link)

Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 (Link)

Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 (Link)

Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 (Link)

Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 (Link)

Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)

Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)

McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)

2017

Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)

2016

Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 (Link)

 

Karl Haendel

2019

Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 (Link)

Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 (Link)

2018

“How do I sell more art?” Diaphanes, Fall/Winter

“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 (Link)

Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)

 

Samuel Levi Jones

2019

Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 (Link)

2018

Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 (Link)

Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 (Link)

Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 (Link)

Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)

Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 (Link)

 

Hayv Kahraman

2018

“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA (Link)

2019

“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 (Link)

Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 (Link)

Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 (Link)

2018

Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 (Link)

Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 (Link)

Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 (Link)

Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 (Link)

“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 (Link)

Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 (Link)

Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 (Link)

Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 (Link)

“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 (Link)

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (Link)

Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 (Link)

 

Raffi Kalenderian

2019

De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 (Link)

Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 (Link)

McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 (Link)

2018

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

 

Mary Kelly

2019

“The Best Guide to Desert X 2019,” KCET, March 6 (Link)

Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 (Link)

Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 (Link)

2018

Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 (Link)

“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 (Link)

Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 (Link)

“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall (Link)

Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 (Link)

Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 (Link)

Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 (Link)

Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 (Link)

Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 (Link)

 

Shana Lutker

2019

Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)

Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)

2018

Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April

Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)

Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February

 

Hugo McCloud

2019

Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 (Link)

2014

Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 (Link)

Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 (Link)

 

Dave McKenzie

2019

Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May (Link)

“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 (Link)

2018

Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 (Link)

 

Rodney McMillian

2019

Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 (Link)

Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 (Link)

Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 (Link)

“The Twenty Five,” Cultured, February/March

Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 (Link)

Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 (Link)

Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 (Link)

2018

Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 (Link)

Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 (Link)

Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 (Link)

Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)

Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 (Link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)

 

Yunhee Min

2019

Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 (Link)

Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 (Link)

2018

Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 (Link)

Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 (Link)

“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 (Link)

 

Wangechi Mutu

2019

“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 (Link)

MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 (Link)

Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 (Link)

Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 (Link)

Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 (Link)

Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 (Link)

Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 (Link)

2018

Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 (Link)

“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 (Link)

Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 (Link)

Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 (Link)

Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 (Link)

 

Elizabeth Neel

2018

Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 (Link)

 

Ruben Ochoa

2019

Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 (Link)

2018

Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 (Link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)

 

Angel Otero

2019

Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 (Link)

Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 (Link)

Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 (Link)

“Urban Glamour #46,” Livingetc (web), January 24 (Link)

2018

Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 (Link)

 

Pope.L

2017

“If Not Apollo, the Breeze,” Kadist, San Francisco, CA (Link)

2019

Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 (Link)

“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 (Link)

Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 (Link)

Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 (Link)

Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 (Link)

Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 (Link)

Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 (Link)

2018

Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 (Link)

Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 (Link)

Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 (Link)

“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 (Link)

O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 (Link)

“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL (Link)

 

Mary Reid Kelley

2019

Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 (Link)

Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 (Link)

Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February (Link)

Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 (Link)

2018

Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 (Link)

Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) (Link)

Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 (Link)

Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 (Link)

Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 (Link)

Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January (Link)

 

Deborah Roberts

2019

Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 (Link)

Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 (Link)

Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 (Link)

Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 (Link)

Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 (Link)

Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring (Link)

2018

Roberts, Deborah. “The Lives They Lived: Linda Brown,” New York Times Magazine, December 30 (Link)

Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” New York Times, December 26 (Link)

Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 (Link)

Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 (Link)

Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 (Link)

Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. (Link)

Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 (Link)

Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. (Link)

Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 (Link)

Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)

Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. (Link)

Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.

Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)

Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.

Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)

Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)

Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)

Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)

 

Steve Roden

2019

Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 (Link)

 

Paul Mpagi Sepuya

2019

“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK

Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 (Link)

Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 (Link)

Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 (Link)

Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 (Link)

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Howe, David Everitt. “The Conditions,” Art in America, May (Link)

Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 (Link)

Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 (Link)

Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 (Link)

Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May (Link)

Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 (Link)

Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 (Link)

Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 (Link)

Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 (Link)

Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 (Link)

“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 (Link)

Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March (Link)

“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 (Link)

Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 (Link)

Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51

“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 (Link)

Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 (Link)

Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January (Link)

2018

Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October (Link)

Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 (Link)

Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 (Link)

Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 (Link)

Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 (Link)

Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 (Link)

Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 (Link)

Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 (Link)

Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 (Link)

Goldberg, Ariel. “In the Room,” Art in America, April 1 (Link)

“Image of the Day,” Elephant, September 12 (Link)

Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 (Link)

Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall

“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall

Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 (Link)

Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 (Link)

Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 (Link)

Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 (Link)

Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 (Link)

“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 (Link)

 

Arlene Shechet

2019

Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 (Link)

Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 (Link)

Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 (Link)

Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 (Link)

Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 (Link)

Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 (Link)

2018

Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 (Link)

Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 (Link)

Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 (Link)

“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 (Link)

Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 (Link)

“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 (Link)

Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (Link)

Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 (Link)

“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 (Link)

“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 (Link)

Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 (Link)

Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 (Link)

“Morning Links: Sword Wound Edition,” Art News, September 24 (Link)

“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 (Link)

“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 (Link)

Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 (Link)

Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 (Link)

Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 (Link)

 

Dasha Shishkin

2018

Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 (Link)

 

Amy Sillman

2019

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 (Link)

2018

Sillman, Amy. “Delacroix,” 4columns, December 14 (Link)

Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 (Link)

Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)

Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 (Link)

Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 (Link)

Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 (Link)

Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 (Link)

Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 (Link)

Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 (Link)

Sillman, Amy, “Laura Owens,” Artforum, April (Link)

“Amy Sillman,” The New Yorker, February (Link)

Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 (Link)

Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 (Link)

Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 (Link)

 

Mickalene Thomas

2016

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)

2019

Lim, Kay. “Black models in modern art,” CBS News, July 14 (Link)

Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 (Link)

Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 (Link)

Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 (Link)

Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 (Link)

Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 (Link)

Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 (Link)

Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 (Link)

Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 (Link)

Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 (Link)

“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 (Link)

Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 (Link)

2018

Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 (Link)

Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 (Link)

Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 (Link)

Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 (Link)

Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 (Link)

Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 (Link)

“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 (Link)

Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 (Link)

Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 (Link)

“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 (Link)

Nguyen, Long. “Posing Modernity,” Flaunt, November 12 (Link)

Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 (Link)

Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 (Link)

Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 (Link)

Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 (Link)

Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 (Link)

Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 (Link)

Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 (Link)

Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 (Link)

“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 (Link)

Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 (Link)

O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 (Link)

Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 (Link)

Binlot, Ann. “The Art of Being A Muse,” Document, October 10 (Link)

Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 (Link)

Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 (Link)

Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 (Link)

Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October (Link)

Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 (Link)

Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 (Link)

Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 (Link)

Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 (Link)

Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 (Link)

Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 (Link)

Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 (Link)

Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 (Link)

“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 (Link)

Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 (Link)

Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 (Link)

Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 (Link)

Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 (Link)

Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 (Link)

Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 (Link)

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

 

Nicola Tyson

2018

Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 (Link)

Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 (Link)

Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 (Link)

Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 (Link)

Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 (Link)

Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 (Link)

Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 (Link)

Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 (Link)

 

Monique Van Genderen

2018

“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 (Link)

 

Esther Pearl Watson

2019

“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA

 

Patrick Wilson

2018

Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 (Link)

 

John Sparagana

1958
Born in Rochester, NY
Lives and works in Houston, TX and Chicago, IL
1987
MFA, Stanford University, Stanford, CA

Selected Solo Exhibitions

2017
"Mutual Admiration Society," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2016
"John Sparagana: Themesong Variations," Corbett vs. Dempsey, Chicago, IL
2014
"El Cuerpo Sutil: Miguel Angel Rojas and John Sparagana," Sicardi Gallery, Houston, TX
2013
"Crowds & Powder," Corbett vs. Dempsey, Chicago, IL
"Albert Oehlen & John Sparagana," STUDIOLO, Zurich, Switzerland
2011
"Going Down For The Third Time," Bryan Miller Gallery, Houston, TX
"Geronimo," Sox, Berlin, Germany
"Between the Eyes," Corbett vs. Dempsey, Chicago, IL
2009
"The Crisis Professionals," CTRL, Houston, TX
2008
"Jane South John Sparagana," CTRL Gallery, Houston, TX
2007
"Afternoon Hallucinogenic," Priska C. Juschka Fine Art, New York, NY
2006
"What the Child Saw, What the Lover Saw, What the Killer Saw," moniquemeloche, Chicago, IL
2005
"People Everywhere are Stoned," Mixture Contemporary Art, Houston, TX
2004
"People Everywhere are Tired," Modern Culture, New York, NY
"Sleeping Beauty," Mixture Contemporary Art, Houston, TX
2002
"I Wait For You Every Night," Rice University Media Center, Houston, TX
"Swoon," Wall Installation, James Gallery, Houston, TX
2001
"Sublime," James Gallery, Houston, TX

Group Exhibitions

2016
"MoCP at 40," Museum of Contemporary Photography, Columbia College, Chicago, IL
"Terms of Use: Reproducing the Photographic Image," Glass Curtain Gallery, Columbia College, Chicago, IL "Tunnel of Silence," James Harris Gallery, Seattle, WA
2015
"Other Planes of There," Corbett vs. Dempsey, Chicago, IL
2014
"Without you I am nothing," Heldart, Berlin, Germany
"Cargo Space," Inova, Milwaukee, WI, and A&D Gallery, Chicago, IL
2013
"Analogital," Utah Museum of Contemporary Art, Salt Lake City, UT
"Albert Oehlen, Markus Oehlen, Joyce Pensato, Matthias Schaufler, John Sparagana, Rebecca Warren," Galerie Max Hetzler, Berlin-Charlottenburg, Germany
"To Open Eyes: Art and Textile from Bauhaus to the Present," Kunsthalle Bielefeld, Germany
2012
"Domino Effect," Galerie Catherine Bastide, Brussels, Belgium
"Utopia/Dystopia: Construction and Destruction in Photography and Collage," Museum of Fine Arts, Houston, TX
"Rarely Seen Contemporary Works on Paper," Art Institute of Chicago, Chicago, IL
2011
"Synecdoche," Bourouina Gallery, Berlin, Germany
"I All Alone Beweep My Outcast State," Kruger Gallery, Chicago, IL
"Remix: Selections from the International Collage Center," Samek Art Gallery, Bucknell University, Lewisburg, PA
2010
"Eraserhead," Fruehsorge Contemporary Drawings, Berlin, Germany
"Hide and Seek," Aratia Beer, Berlin, Germany
“Entre chien et loup,” Galerie Vidal Saint Phalle, Paris, France
"Ah Wilderness," Ebersmoore, Chicago, IL
"Art Chicago," Corbett vs. Dempsey, Chicago, IL
2009
"Olio," Tony Wight Gallery, Chicago, IL
NEXT Art Fair, Chicago, CTRL, Houston
"Signs of the Apocalypse/ Rapture," Hyde Park Art Center, Chicago, IL
2008
NEXT Art Fair, Chicago, CTRL, Houston, TX
2007
"Antennae," Houston Center For Photography, Houston, TX
"The Exquisite Snake," Block Museum of Art, Evanston, IL
"Bold Saboteurs," Corbett vs. Dempsey, Chicago, IL
Aqua Art Miami, CTRL, Houston, IL
2006
"Making/Breaking," curated by Matt Wilson and Paul Erschen, two-person exhibition with Anni Holm at the Moser Performing Arts Center at University of St. Francis, Joliet, IL
"Full Frontal," Corbett vs. Dempsey, Chicago, IL
"GEEP," curated by Atopia Projects, Oresman Gallery, Smith College, Northampton, MA
"In This House That I Call Home," Western Project, Los Angeles, CA
"In Sight: Recent Additions To The Permanent Collection," Museum of Contemporary Photography, Chicago, IL
2005
"Kiss Me Long and Hard," Priska C. Juschka Fine Art, New York, NY
"Post-Photography," Changing Role-Move Over Gallery, Naples, Italy
"Girls of Summer," moniquemeloche, Chicago, IL
"Pages," I Space, Chicago, curated by Buzz Spector
"No Monument," The Guest Room Project, Chicago, IL
"Dating Data," Josee Bienvenu Gallery, New York, NY
2004
"GEEP," Cell 77, Edinburgh, Scotland
"John Sparagana & Laura Mosquera," curated by Monique Meloche, Bright Group showroom, Chicago, IL
NADA Art Fair, Miami, Mixture Contemporary, Houston, TX
"Editor’s Choice: John Sparagana and Laura Mosquera," moniquemeloche, Chicago, IL
"State of Affairs," Savage Art Resources, Portland, OR
"Sketchbook: Collaboraction," Chopin Theatre, Chicago, IL
"You’re No Photographer," curated by Geoffrey Smith, Bad Dog Gallery, DeKalb, IL
2003
"re: LAX," DCKT Gallery, New York, NY
NADA Art Fair, Miami, Mixture Contemporary, Houston, TX
"Collectible," Northern Illinois University Gallery, Chicago, IL
2002
"Pasted On," Carl Hammer Gallery, Chicago, IL
"Re-Action," Jan Weiner Gallery, Kansas City, MO
"John Sparagana, Ann Strautberg, Dornith Doherty: FotoFest 2002," James Gallery, Houston, TX
2001
"Beefcake/Cheesecake: Sex, Flesh, Money, and Dreams," Orange County Center for Contemporary Art, Santa Ana, CA
"Operating Systems," Susan Cummins Gallery, Mill Valley, CA
"Collage 2001," Etherington Gallery, Vineyard Haven, MA
2000
"Eros," Municipal Exhibition Hall, LaRoque Thimbault, France
"Shake the Coat," Northpark University Gallery, Chicago, IL
"Teenie Weenie," Lawndale Art Center, Houston, TX
1999
"It Looks Easy: A Cross Section of Recent Painting in Chicago," Gallery 400, University of Illinois at Chicago, Chicago, IL
"Is This a Joke or What? Feminism, Humour and Contemporary Art in Texas," O’Kane Gallery, University of Houston-Downtown, Houston, TX

Awards, Grants and Fellowships

2003
Ucross Foundation, Clearmont, WY, Residency Fellowship
2001
Cultural Arts Council of Houston, Houston, Texas, Individual Artist’s Grant
1996
Cultural Arts Council of Houston, Houston, Texas, Individual Artist’s Grant
1995
Roswell Museum & Art Center, Roswell NM, Artist-in-Residence Program
1992
Cultural Arts Council of Houston, Houston, Texas, Individual Artist’s Grant
1988
Mid-America Arts Alliance/National Endowment for the Arts
1987
Bemis Project/Alternative Worksite, Omaha, Nebraska, Residency Fellowship
Cité Internationale des Arts, Paris, France, Residency Fellowship
1985
Stanford University Department of Art, Stanford, California, Full Fellowship

Bibliography

2017
Zappas, Lindsay Preston, ”Mutual Admiration Society at Susanne Vielmetter,” Contemporary Art Review LA (web), August 11
2014
John Sparagana and Reto Geiser, "Reading Revolutionaries," Benteli Press, 192 pages
Jacyln Jacunski, Art in Print, John Sparagana Reads The News
Crowds & Powder Catalog, Corbett vs Dempsey
Art Agenda, "John Sparagana’s Crowds & Powder"
Daily Serving: An International Publication For International Art: John Sparagana’s Crowds & Powder at Corbett vs Dempsey
Nils Plath, Permalink, January 20
Casey Gregory, Glasstire, El Cuerpo Sutil: Miguel Rojas and John Sparagana
Betsy Huete, The Great God Pan Is Dead, El Cuerpo Sutil: Homage and Brutality
2013
John Sparagana. “Artist’s Project,” Esopus 19 (Spring).
John Corbett. “John Sparagana: Transformer,” MAKE Magazine, pp. 10-13.
Das Magazin, “The Cabinet Room” Hans Ulrich Obrist,  June 2
2011
Jennifer King. “John Sparagana at Corbett vs. Dempsey,” Artforum 10 (Summer 2011).
Garrett Stewart. Bookwork: Medium To Object To Concept To Art, University of Chicago Press, p. 101,103-104, 119, 121-127, 158.
Nancy Zastudil. “Pivot Point: John Sparagana In Motion,” Arts+Culture Magazine (Houston).
Douglas Britt. “John Sparagana Hits His Stride At Bryan Miller Gallery,” Houston Chronicle Online.
Benjamin Lima. “John Sparagana at Bryan Miller Gallery,” Fluent-Collaborative…might be good, Issue #176.
Rachel Hooper. “John Sparagana: ‘Going Down For The Third Time’ at Bryan Miller Gallery,” art ltd.
Dan Oko. “News Wired: Artist of the Year, John Sparagana,” Houston Magazine.
2009
John Sparagana et al, "Signs of the Apocalypse/Rapture," Front Forty Press.
Kelly Klaasmeyer and Troy Schulze. “John Sparagana: ‘The Crisis Professionals,’” Houston Press Online.
2008
Mieke Bal and John Sparagana, "Sleeping Beauty: A One Artist Dictionary," University of Chicago Press. Twenty-six essays by Bal, in response to twenty-six images from Sparagana’s Sleeping Beauty series.
Signs of the Apocalypse and Rapture, Front Forty Press.
2007
Leah DeVun. “Reviews”, Glasstire: Texas Visual Art Online.
Leah DeVun. “Reviews”, Artlies.
2006
Bettina Mathes. “Das Kreuz mit dem Kopftuch,” Geschichte und Wirkungen eines Symbols, Aufbau Verlag, discussion of two pieces from the Sleeping Beauty series.
Alan Artner. “Small Parts, Big Picture,” Chicago Tribune, Nov. 3, Art section, pp. 29.
“John Sparagana: ‘What the Child Saw, What the Lover Saw, What the Killer Saw,’” flavorpill, November 7.
Susan Bielstein, "Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property," University of Chicago Press.
Bettina Mathes. “Under Cover,” Das Geschlecht in den Medien, Verlag.
2005
Anthony Elms. “Reviews: Pages,” TimeOut Chicago, November 17-24, pp. 56.
Margaret Hawkins. “Girls of Summer About More Than Having Fun,” Chicago Sun-Times, July 29, p. 24.
“Koichi Enomoto, Ruby Osorio, and John Sparagana: Girls of Summer,” flavorpill, July 19.
Steven Devadanam. “Abusing Models: This season’s look is distressed in John Sparagana’s ‘People Everywhere Are Stoned,’” Houston Press, April 7-13, p. 37.
Joanne Hinkel. “Connecting with Culture: Art Brushes with Human Kind,” Centerstage Chicago, July 22.
Hearne Pardee. “People Everywhere are Tired,” AC Institute, #3, Winter.
2004
Annette Ferrera. “An Artful Deception: John Sparagana’s States of Distress,” Ten by Ten, (Cover Project), vol. 3 #2.
Chas Bowie, “State of Affairs,” Portland Mercury, April 22.
Christopher French. “Sharing Two Distinct Perspectives,” Houston Chronicle,April, p.3D and 10D.
Jeff Jahn. “State of Affairs,” NW Drizzle Monthly Arts, Music, and Culture E-Zine (May).
2003
Atopia Projects, “What Have You Done For Me Lately?” Project #1.99 February.
“Collecting Remains in Eye of the Beholder,” Chicago Tribune, March 7.
Margaret Hawkins. “Collectible,” Chicago Sun-Times, February 7.
2002
New Art Examiner, “Reviews” (May).
“For Every Action,” Kansas City Star (January 18).
Review Magazine, Kansas City, MO (February).
Glasstire: Texas Visual Arts Online, “Reviews” (April), Houston, TX.
FotoFest 2002, Catalogue.

Public Collections

The Art Institute of Chicago
Kunsthalle Bielefeld, Germany
The Nelson Atkins Museum of Art, Kansas City
Sheldon Memorial Museum of Art, Lincoln

Jessica Stoller

Education

Born 1981, Michigan
Lives and works in Brooklyn, NY
2006
M.F.A. Cranbrook Academy of Art, Bloomfield Hills, MI
2004
B.F.A. (Honors) College for Creative Studies, Detroit, MI

Selected Exhibitions

2020
"Spread," P·P·O·W, New York, NY
2014
"Spoil," P·P·O·W, New York, NY
2012
"Lend Me Your Eyes," Hionas Gallery, New York, NY
2011
"New Work: Jessica Stoller," The Clay Studio, Philadelphia, PA

Selected Group Exhibitions, Performances and Video Screenings

2022
"Now I am a lake," curated by Rose Nestler, Public Gallery, London, United Kingdom
2021
"With Eyes Opened: Cranbrook Academy of Art Since 1932," Cranbrook Art Museum, Bloomfield Hills, MI
"Beyond the Looking Glass," curated by Zuzanna Ciolek, UTA Artist Space, Los Angeles, CA
"Clay Pop," curated by Alia Williams, Jeffrey Deitch, New York, NY
"Surface is Only a Material Vehicle For Spirit," curated by Kennedy Yanko, Kavi Gupta, Chicago, IL
"The Shoo Sho," curated by Julie Curtiss, Anton Kern Gallery, New York, NY
2019
"Ceramiques Gourmandes," curated by Olivier Castaing, Foundation Bernardaud, Limoges, France
2018
"Pageant of Inconceivables," curated by Portia Munson and Katharine Umsted, The Kleinart/James Center for the Arts, Woodstock, NY
"C’es le Bouquet," Foundation Bernardaud, Limoges, France
2017
"Gut Feelings," Zuckerman Museum of Art, Kennesaw, GA
2016
"Strange Genitals," The New York Studio Residency Program, Brooklyn, NY
"LIFEFORCE," The Untitled Space Gallery, New York, NY
"The Woman Destroyed," curated by Anneliis Beadnell, P·P·O·W, New York, NY
"NY, NY: CLAY," Clay Art Center, Port Chester, NY
2015
"AIM: 35 Years," Laurie M. Tisch Illumination Fund Gallery, New York, NY
Configured, NYFA Fellowship Finalist Exhibition, Onishi Gallery, New York, NY
2014
"Sargent’s Daughters," New York, NY
2013
"Perceptive Pleasure: Jessica Stoller & Robert Raphael," Jane Hartsook Gallery, NY
2012
"Year One," Hionas Gallery, New York, NY
2011
"Reconstruct/ Deconstruct History," Like the Spice Gallery, Brooklyn, NY
"Fresh Figurines: A New Look at a Historic Art Form," curated by Gail M. Brown, Fuller Museum, Brockton, MA
"Chain Letter," curated by Christian Cummings & Doug Harvey, Shoshana Wayne Gallery, Santa Monica, CA
"Bronx Calling: First AIM Biennial," curated by Jose Ruiz & Wayne Northcross, The Bronx Museum of the Arts & Wave Hill, Bronx, NY
2010
"The Duck and the Decorated Shed," NUTUREart Gallery, Brooklyn, NY
"Drifting Away," Like the Spice Gallery, Brooklyn, NY
"The Worlds We Live in, The Worlds We Create," Like the Spice Gallery, Brooklyn, NY
"Main-Lining-Ceramics," Main Line Art Center, Philadelphia, PA
"To Die For," Projects Gallery, Philadelphia, PA
2008
"Site: Crashing Chelsea," 520 W 23rd Street, New York, NY
2007
"Fantasy World," Brooklyn Artist Gym, Brooklyn, NY
2006
"Nest," Paul Kotula Projects, Ferndale, MI
Daimler Chrysler Emerging Artist Exhibition, Berlin, Germany
2005
"Actual Size Biennale," Contemporary Art Institute of Detroit, Detroit, MI
Graduate Student Exhibition, The Clay Studio, Philadelphia, PA
2004
"Here Comes the Sun," Commonwealth Contemporary Art Gallery, Detroit, MI
"New Work: Mike Smith and Jessica Stoller," New Museum of Modern Art Annex Space, Pontiac, MI
2003
"Actual Size Show," Detroit Contemporary, Detroit, MI
"Centrifuge: Tony Hepburn Collaboration," College for Creative Studies, Detroit, MI

Bibliography

2021
“Beyond the Looking Glass,” UTA Artist Space, Los Angeles, CA, pg. 70-81.
2014
“Ceramics Now,” Greenwich House Pottery, New York, NY, pg. 20-29
2012
“Jessica Stoller: Lend Me Your Eyes”, Hionas Gallery, New York, NY.

Residencies & Studio Programs

2017
The Shigaraki Ceramic Culture Park, Koka City, Shiga, Japan
2012
The Museum of Arts and Design, Open Studio Program, Resident Artist, New York, NY
2011
Kohler Arts/Industry Program, Resident Artist, Kohler, WI
Artist in the Marketplace Program, The Bronx Museum of the Arts, Bronx, NY
2010
The Museum of Arts and Design, Open Studio Program, Resident Artist, New York, NY

Awards & Grants

2018
Chenven Foundation Grant
2016
Pollock-Krasner Foundation Grant
2014
New York Foundation for the Arts Fellowship, Craft/Sculpture Finalist
2013
Louis Comfort Tiffany Foundation, Biennial Award Nominee
Peter S. Reed Foundation, Grantee/Sculpture
2006
Daimler Chrysler Emerging Artist Nominee
2005
Pauline Hepburn Memorial Scholarship, Cranbrook Academy of Art, Bloomfield Hills, MI

Public Collections

21C International Contemporary Art Museum, Louisville, KY
The John Michael Kohler Arts Center, Sheboygan, WI
Vehbi Koç Foundation Contemporary Art Collection, Istanbul, Turkey

Jane South

1984 Fine Art Foundation Course, Kingston Polytechnic, Kingston, UK.
1987 BA Theater Set and Costume Design, Central/St. Martins School of Art, London, UK.
1997 MFA Painting and Sculpture, University of North Carolina, Greensboro, NC.

Selected Exhibitions

2009
Spencer Brownstone Gallery, New York, NY
Susanne Vielmetter Los Angeles Projects, CA
2008
Queens Museum of Art, Bulova Center, Queens, NY
"Jane South”, CTRL Gallery, Houston, TX
2007
"Infrastructures”, Second Street Gallery, Charlottesville, VA, traveling to the Weatherspoon Art Museum, Greensboro, NC
2006
Gallerie Pfriem, Savannah College of Art and Design Lacoste, France
Spencer Brownstone Gallery, New York, NY
2005
Susanne Vielmetter Los Angeles Projects, Culver City, CA
2004
"New Work", Susanne Vielmetter Los Angeles Projects, CA (project space)
Spencer Brownstone Gallery, New York, NY
2002
MASS MoCA, Installation and Animation exhibit, North Adams, MA.
2001
Spencer Brownstone Gallery, New York, NY
2000
Kentler International Drawing Center, Brooklyn, NY.
"Art in Everyday Places", Alfred University, Alfred, NY.
1998
Anderson Museum of Contemporary Art, Roswell, NM.

Group Exhibitions

2009
“The Weekend Inventor”, Artspace, New Haven, CT
“SLASH: Paper Under the Knife”, Museum of Arts and Design, (MAD), New York, NY
“Cut: The Makings of Removal”, Wignall Museum, Rancho Cucamonga, CA
2008
"Contemporary: Paper and Space”, Galerie Thomas, Munich, Germany
"Cut”, Vincent Price Art Museum, East Los Angeles College, Los Angeles, CA, curated by Karen Rapp
"GEN-X: Post- Boomers and the New South”, Mobile Museum of Art, Alabama
"Spot Check: Academy Contemporary”, Pennsylvania Academy of the Fine Arts, Philadelphia, PA,
2007
"Material Pursuits”, Fleming Museum, University of Vermont
"New Directions in American Drawing”, Columbus Museum, Columbus, GA, traveling to Telfair Museum of Art, Savannah, GA
2006
"Technocraft”, Wignall Museum/Gallery, Chaffey Collage, Rancho Cucamonga, CA
"Burgeoning Geometries”, Whitney Museum at Altria, New York, NY, curated by Apsara
DiQinzio, with Tara Donovan, Phoebe Washburn, Charles Long
2005
"Odd Lots”, White Columns, NY
"Drawing Narrative” College of Wooster, OH
"Constructed Worlds”, f a projects, London, UK
"Solitude and Focus – Recent Work by MacDowell Colony Fellows in the Visual Arts", Aldrich Contemporary Art Museum, Ridgefield, CT
2004
ArtBasel Miami Beach, with Susanne Vielmetter Los Angeles Projects
"Drawn and Quartered", SECCA, NC.
"Paper Chase", Mueller De Chiara Gallery, Berlin, Germany
2003
"All Nine", Nassauischer Kunstverein, Wiesbaden, Germany
"Bits and Pieces", Dumbo Art Center, New York, NY
"Take Out", Dieu Donne, New York, NY.
"Knockabout", Spencer Brownstone Gallery, New York, NY
Faculty Group Exhibition, Williams College of Art, Williamstown, MA
LISTE 03, Spencer Brownstone Gallery, Basel, Switzerland
"Perforations", McKenzie Fine Art, New York, NY
2002
"Art on Paper", Weatherspoon Art Museum, Greensboro, NC.
Outdoor Sculpture Exhibit, De Cordova Museum and Sculpture Park, MA.
Drawing Center, 25th Anniversary exhibit, New York, NY.
DeCordova Museum and Sculpture Park, MA.
The Armory Show, with Spencer Brownstone Gallery, New York, NY.
2001
"12 Views", The Drawing Center, NY
2000
Downtown Ithaca Sculpture Exhibit, Ithaca, NY
Tiverton Four Corners Art & Education Center, RI.
1999
Convergence X111 City Arts Festival, Providence, RI.
Sculpture Space, Utica, NY
1998
"Escape Velocity", Socrates Sculpture Park, Long Island City, NY.
Sculpture Project, College of Santa Fe, NM.
1997
Triad Artists Exhibition, Southeastern Center for Contemporary Art (SECCA), NC.

Bibliography

2007
Halperen, Max, "Jane South”, Art Papers, September/October
Conner, Jill, Sculpture Magazine, July/August
Mendelsohn, Meredith, "Paper Pushers’, ARTnews, May
HGM, "Sculpture Now”, Artkrush, August 22
Ganis, William V., "Burgeoning Geometries: Constructed Abstractions", Iconophilia, March
"Goings On About Town: Whitney Museum at Altria”, New Yorker, February 5
"Highlights: Constructed Abstractions”, The Architects Newspaper, January 11
Scott, Andrea K., "Burgeoning Geometries”, The New York Times, January 5
May, Whitney, "Paper Industry”, NY Arts, January/February
2006
Grosz, David, "Unfinished Business: Gallery Going”, The New York Sun, December 7
The New Yorker, October 16
Cohen, David, The New York Sun, October 12
Kino, Carol, "Teaming with the artists to buoy the bottom line”, The New York Times, Section G, pg. 10, March 29
Turvey, Lisa, "Jane South”, Artforum, December
Whitney, Kathleen, "Obsessed”, Sculpture, April, vol. 25 no. 3, pgs 44-49
Auerbach, Erin, "Going High-Tech: Exhibit shows technology still needs human touch”, The Press-Enterprise, February 6, pg D2
"Hip New Buyers Boost Sales at Armory Show”, ARTnews, March 28
2005
"Susanne Vielmetter presents Jane South”, Art Cologne Fair interview by Vernissage TV, www.vernissage.tv, November 5, 2005
Ollman, Leah, "Wall sculptures for construction”, LA Times, September 16, 2005
2004
Roug, Louise, "The Arty Circuit", Los Angeles Times, June 24, 2004
Leffingwell, Ed, Exhibition Review, Art in America, September issue, 2004
Mendelsohn, Meredith, Exhibition Review, ARTnews, June 2004
Wilson, Michael, Exhibition Review, Frieze, issue 83, 2004
Johnson, Ken, Exhibition Review ,The New York Times, March 5, 2004
Exhibition Review, The New Yorker, March 1, 2004
Rosenberg, Karen, "Paper Tiger", Exhibition Review ,New York Magazine, February 23
Levin, Kim, Exhibition Review ,The Village Voice, February 25 – March 2, 2004
2003
Exhibition Review, New York Magazine, August 4, 2003
2002
Mendelsohn, Meredith, Exhibition Review, Tema Celeste, March/April issue, 2002

Public Collections

Albright Knox Art Gallery, Buffalo, New York
Pennsylvania Academy of the Fine Arts, Pennsylvania, PA
The Peter Norton Family Foundation, NY
The Broad Foundation, CA
The Weatherspoon Museum of Art, Greensboro, NC

Awards, Grants and Fellowships

2009
The Joan Mitchell Foundation Grant
2008
The Rockefeller Foundation – Bellagio Center Residency
2007
NYFA Fellowship in Sculpture
2006
SFAI (Santa Fe Art Institute) Joan Mitchell Foundation Residency
2004
MacDowell Colony Residency
2003
Massachusetts Cultural Council Award.
2002
Grant, Williams College Center for Technology in the Arts & Humanities.
Grant, Dieu Donne Papermill.
2001
Grant, Pollock Krasner Foundation.

News

Nick Aguayo

2019

Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 (Link)

 

Edgar Arceneaux

2019

Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 (Link)

Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 (Link)

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 (Link)

2018

Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 (Link)

Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 (Link)

Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November (Link)

Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 (Link)

“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 (Link)

Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 (Link)

Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 (Link)

“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 (Link)

Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 (Link)

“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 (Link)

Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 (Link)

“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 (Link)

Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 (Link)

 

My Barbarian

2018

“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA (Link)

 

Whitney Bedford

2019

Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 (Link)

2018

Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 (Link)

Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 (Link)

 

Sadie Benning

2018

Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 (Link)

O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 (Link)

Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 (Link)

Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May (Link)

Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 (Link)

Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 (Link)

 

Ellen Berkenblit

2019

“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL (Link)

“Samaritans,” Eva Presenhuber, New York, NY (Link)

Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 (Link)

Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 (Link)

Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 (Link)

Scott, Andrea K. ““Samaritans,” New Yorker, January 26 (Link)

2018

Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 (Link)

Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September (Link)

“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 (Link)

Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 (Link)

“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 (Link)

 

Andrea Bowers

2018-2019

“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY

2019

O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 (Link)

“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 (Link)

Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 (Link)

Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 (Link)

“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 (Link)

Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 (Link)

Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 (Link)

Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 (Link)

Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 (Link)

Weathers, Chelsea. “After Posada: Revolution,” Artforum, February (Link)

2018

Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 (Link)

Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 (Link)

Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 (Link)

Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 (Link)

“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 (Link)

Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 (Link)

 

Kim Dingle

2019

Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 (Link)

Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 (Link)

Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 (Link)

Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 (Link)

“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 (Link)

2018

Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 (Link)

Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 (Link)

Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March (Link)

Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 (Link)

Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 (Link)

2017

Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 (Link)

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 (Link)

 

Mx Nicole Eisenman

2019

Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 (Link)

Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 (Link)

Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 (Link)

Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 (Link)

Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 (Link)

Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 (Link)

Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 (Link)

Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 (Link)

“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 (Link)

Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 (Link)

Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 (Link)

Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 (Link)

Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 (Link)

Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 (Link)

Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 (Link)

Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 (Link)

Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 (Link)

Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 (Link)

Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 (Link)

Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 (Link)

Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 (Link)

“Biennial delivers, despite birth pains,” The Villager, May 22 (Link)

Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 (Link)

“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 (Link)

Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 (Link)

Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 (Link)

Bradley, Paige K., “As the World Turns,” Artforum, May 16 (Link)

Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 (Link)

Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 (Link)

Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 (Link)

Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 (Link)

Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 (Link)

Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 (Link)

Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 (Link)

Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 (Link)

Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 (Link)

Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 (Link)

2018

Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 (Link)

Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 (Link)

Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 (Link)

Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 (Link)

Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 (Link)

“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 (Link)

Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 (Link)

van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 (Link)

Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 (Link)

Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) (Link)

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 (Link)

 

Genevieve Gaignard

2019

“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL (Link)

Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July (Link)

Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 (Link)

Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 (Link)

Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 (Link)

Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 (Link)

Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 (Link)

Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 (Link)

Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January

2018

Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 (Link)

Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 (Link)

Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 (Link)

Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 (Link)

Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 (Link)

Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14

Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 (Link)

Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 (Link)

“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 (Link)

Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 (Link)

Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 (Link)

Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 (Link)

Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 (Link)

Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 (Link)

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 (Link)

Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 (Link)

“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 (Link)

Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1

Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 (Link)

Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March (Link)

Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 (Link)

Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 (Link)

 

Liz Glynn

2019

“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 (Link)

Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February (Link)

2018

“Frieze London Opens This Friday,” ArtForum (web), October 3 (Link)

Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 (Link)

“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 (Link)

Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 (Link)

Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 (Link)

“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 (Link)

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 (Link)

Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 (Link)

Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 (Link)

“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 (Link)

Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 (Link)

McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 (Link)

Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 (Link)

Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 (Link)

Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 (Link)

Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 (Link)

Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 (Link)

Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)

Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)

McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)

2017

Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)

2016

Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 (Link)

 

Karl Haendel

2019

Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 (Link)

Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 (Link)

2018

“How do I sell more art?” Diaphanes, Fall/Winter

“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 (Link)

Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 (Link)

 

Samuel Levi Jones

2019

Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 (Link)

2018

Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 (Link)

Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 (Link)

Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 (Link)

Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 (Link)

Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 (Link)

 

Hayv Kahraman

2018

“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA (Link)

2019

“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 (Link)

Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 (Link)

Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 (Link)

2018

Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 (Link)

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 (Link)

Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 (Link)

Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 (Link)

Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 (Link)

Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 (Link)

“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 (Link)

Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 (Link)

Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 (Link)

Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 (Link)

“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 (Link)

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 (Link)

Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 (Link)

 

Raffi Kalenderian

2019

De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 (Link)

Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 (Link)

McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 (Link)

2018

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

 

Mary Kelly

2019

“The Best Guide to Desert X 2019,” KCET, March 6 (Link)

Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 (Link)

Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 (Link)

2018

Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 (Link)

“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 (Link)

Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 (Link)

“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall (Link)

Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 (Link)

Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 (Link)

Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 (Link)

Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 (Link)

Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 (Link)

 

Shana Lutker

2019

Danielson, Jenny, “Den nya konststaden,” Axess.se. July (Link)

Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April (Link)

2018

Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April

Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 (Link)

Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February

 

Hugo McCloud

2019

Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 (Link)

2014

Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 (Link)

Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 (Link)

 

Dave McKenzie

2019

Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May (Link)

“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 (Link)

2018

Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 (Link)

 

Rodney McMillian

2019

Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 (Link)

Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 (Link)

Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 (Link)

“The Twenty Five,” Cultured, February/March

Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 (Link)

Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 (Link)

Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 (Link)

2018

Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 (Link)

Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 (Link)

Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 (Link)

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 (Link)

Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 (Link)

Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 (Link)

Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 (Link)

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 (Link)

 

Yunhee Min

2019

Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 (Link)

Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 (Link)

2018

Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 (Link)

Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 (Link)

“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 (Link)

 

Wangechi Mutu

2019

“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 (Link)

MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 (Link)

Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 (Link)

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 (Link)

Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 (Link)

Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 (Link)

Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 (Link)

Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 (Link)

Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 (Link)

2018

Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 (Link)

“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 (Link)

Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 (Link)

Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 (Link)

Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 (Link)

 

Elizabeth Neel

2018

Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 (Link)

 

Ruben Ochoa

2019

Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 (Link)

2018

Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 (Link)

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 (Link)

 

Angel Otero

2019

Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 (Link)

Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 (Link)

Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 (Link)

“Urban Glamour #46,” Livingetc (web), January 24 (Link)

2018

Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 (Link)

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 (Link)

Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 (Link)

 

Pope.L

2017

“If Not Apollo, the Breeze,” Kadist, San Francisco, CA (Link)

2019

Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 (Link)

“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 (Link)

Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 (Link)

Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 (Link)

Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 (Link)

Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 (Link)

Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 (Link)

2018

Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 (Link)

Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 (Link)

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 (Link)

Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 (Link)

Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 (Link)

“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 (Link)

O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 (Link)

“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL (Link)

 

Mary Reid Kelley

2019

Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 (Link)

Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 (Link)

Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February (Link)

Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 (Link)

2018

Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 (Link)

Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) (Link)

Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 (Link)

Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 (Link)

Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 (Link)

Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January (Link)

 

Deborah Roberts

2019

Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 (Link)

Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 (Link)

Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 (Link)

Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 (Link)

Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 (Link)

Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring (Link)

2018

Roberts, Deborah. “The Lives They Lived: Linda Brown,” New York Times Magazine, December 30 (Link)

Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” New York Times, December 26 (Link)

Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 (Link)

Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 (Link)

Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 (Link)

Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. (Link)

Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 (Link)

Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. (Link)

Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 (Link)

Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. (Link)

Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. (Link)

Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.

Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 (Link)

Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.

Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. (Link)

Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 (Link)

Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February (Link)

Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 (Link)

 

Steve Roden

2019

Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 (Link)

 

Paul Mpagi Sepuya

2019

“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK

Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 (Link)

Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 (Link)

Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 (Link)

Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 (Link)

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Howe, David Everitt. “The Conditions,” Art in America, May (Link)

Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 (Link)

Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 (Link)

Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 (Link)

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 (Link)

King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 (Link)

Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May (Link)

Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 (Link)

Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 (Link)

Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 (Link)

Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 (Link)

Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 (Link)

“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 (Link)

Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March (Link)

“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 (Link)

Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 (Link)

Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51

“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 (Link)

Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 (Link)

Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January (Link)

2018

Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October (Link)

Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 (Link)

Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 (Link)

Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 (Link)

Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 (Link)

Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 (Link)

Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 (Link)

Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 (Link)

Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 (Link)

Goldberg, Ariel. “In the Room,” Art in America, April 1 (Link)

“Image of the Day,” Elephant, September 12 (Link)

Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 (Link)

Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall

“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall

Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March (Link)

Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 (Link)

Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 (Link)

Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 (Link)

Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 (Link)

Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 (Link)

“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 (Link)

Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 (Link)

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 (Link)

 

Arlene Shechet

2019

Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 (Link)

Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 (Link)

Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 (Link)

Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 (Link)

Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 (Link)

Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 (Link)

2018

Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 (Link)

Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 (Link)

Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 (Link)

“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 (Link)

Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 (Link)

“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 (Link)

Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 (Link)

Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 (Link)

“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 (Link)

“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 (Link)

Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 (Link)

Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 (Link)

“Morning Links: Sword Wound Edition,” Art News, September 24 (Link)

“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 (Link)

“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 (Link)

Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 (Link)

Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 (Link)

Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 (Link)

 

Dasha Shishkin

2018

Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 (Link)

 

Amy Sillman

2019

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer (Link)

Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 (Link)

2018

Sillman, Amy. “Delacroix,” 4columns, December 14 (Link)

Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 (Link)

Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December (Link)

Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 (Link)

Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 (Link)

Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 (Link)

Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 (Link)

Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 (Link)

Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 (Link)

Sillman, Amy, “Laura Owens,” Artforum, April (Link)

“Amy Sillman,” The New Yorker, February (Link)

Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 (Link)

Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 (Link)

Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 (Link)

 

Mickalene Thomas

2016

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) (Link)

2019

Lim, Kay. “Black models in modern art,” CBS News, July 14 (Link)

Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 (Link)

Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 (Link)

“The Most Influential Living African-American Artists,” Artsy, February 25 (Link)

Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 (Link)

Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 (Link)

Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 (Link)

Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 (Link)

Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 (Link)

Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 (Link)

Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 (Link)

Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 (Link)

“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 (Link)

Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 (Link)

2018

Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 (Link)

Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 (Link)

Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 (Link)

Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 (Link)

Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 (Link)

Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 (Link)

“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 (Link)

Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 (Link)

Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 (Link)

“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 (Link)

Nguyen, Long. “Posing Modernity,” Flaunt, November 12 (Link)

Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 (Link)

Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 (Link)

Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 (Link)

Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 (Link)

Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 (Link)

Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 (Link)

Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 (Link)

Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 (Link)

“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 (Link)

Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 (Link)

O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 (Link)

Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 (Link)

Binlot, Ann. “The Art of Being A Muse,” Document, October 10 (Link)

Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 (Link)

Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 (Link)

Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 (Link)

Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October (Link)

Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 (Link)

Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 (Link)

Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 (Link)

Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 (Link)

Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 (Link)

Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 (Link)

Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 (Link)

Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 (Link)

“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 (Link)

Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 (Link)

Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 (Link)

Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 (Link)

Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 (Link)

Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 (Link)

Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 (Link)

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 (Link)

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 (Link)

 

Nicola Tyson

2018

Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 (Link)

Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 (Link)

Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 (Link)

Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 (Link)

Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 (Link)

Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 (Link)

Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 (Link)

Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 (Link)

 

Monique Van Genderen

2018

“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 (Link)

 

Esther Pearl Watson

2019

“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA

 

Patrick Wilson

2018

Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 (Link)

 

Dasha Shishkin

Lives and works in New York, NY
1977
Born in Moscow, Russia
2006
MFA, Columbia University, New York
2001
New School for Social Research, New York, NY

Selected Exhibitions

2018
"but . . . you’re a horse," Produzentengalerie Hamburg, Hamburg, Germany (Link)
2017
"Tram Pam Pam,” Boulder Museum of Contemporary Art, Boulder, CO (Link)
2014
"Where there’s a wand, there’s a way," Susanne Vielmetter Los Angeles Projects, Culver City, CA
2013
erry icket, Museum of Contemporary Art Santa Barbara, Santa Barbara, CA
Dasha Shishkin: Sammy, Gio Marconi, Milan, Italy
2012
I Surrender, Dear, Contemporary Arts Center, Cincinnati, OH
2011
S Int A Ho, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Desaparecido, Zach Feuer Gallery, New York, NY
2010
Dap, Gio Marconi, Milan, Italy
2009
Men Like That, Zach Feuer Gallery, New York, NY
2007
Love Sick, Andreas Grimm, Munich, Germany
First Sorrow, Kantor/Feuer Gallery, Los Angeles, CA
2006
W.A.M. Who Gives A Damn If You Procreate, Grimm/Rosenfeld, New York, NY
2004
Dasha Shishkin: Drawings and Prints, Grimm|Rosenfeld, Munich, Germany
2002
On Mistrust and Suspicion of Children, in General, The New York Society of Etchers, New York, NY

Group Exhibitions

2018
"We Never Sleep," Little John Contemporary, New York, NY
“Absence Makes the Heart Grow Fonder,” LeRoy Neiman Gallery, Columbia University, New York, NY
2017
“Jillian Mayer, Dasha Shishkin, and Summer Wheat,” Andrew Edlin Gallery, New York, NY
2016
“DRAW/Boston,” Massachusetts College of Art and Design, Boston, MA
2015
Surface of Revolution, Southampton Arts Center, Southampton, NY
2014
"Word Bites Picture," Design Matters Gallery, Los Angeles, CA
"Vintage Violence," Monya Rowe Gallery, New York, NY
"One Torino," organized by Organized by Maurizio Cattelan, Myriam Ben Salah, Marta Papini, Italy
One Torino: Shit and Die, Palazzo Cavour, Torino, Italy, curated by Maurizio Cattelan, Myriam Ben Salah, and Marta Papini
Imaginary Portraits of Prince Igor, Gallery Met, The Metropolitan Opera, New York
2012
Gaiety is the Most Outstanding Feature of the Soviet Union: Art from Russia, Saatchi Gallery, London, UK
Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University Art Gallery, Rochester, MI
Dasha Shishkin, Dorota Jurczak, Paula Modersohn-Becker, ph-projects, Berlin
Whos Been Here, Bukowskis, Stockholm
2011
Monanism, Museum of Old and New Art, Tasmania, Australia
A Room of Her Own, Lu Magnus, New York, NY
Publisher Spotlight: LeRoy Neiman Center for Print Studies, Pace Prints, New York, NY
Taking the Space: Gender and the Figure in Contemporary Art, Schmidt Center Gallery University Galleries, School of the Arts, Florida Atlantic University, Boca Raton, FL
2010
Living with Art: Collecting Contemporary in Metro New York, Neuberger Museum of Art, Purchase, NY
Wildly Different Things: New York and Dublin, The Observatory, Dublin, Ireland
The More I Draw, Museum fr Gegenwartskunst, Siegen, Germany
2009
Embrace, Denver Art Museum, Denver, CO
A Decade of Contemporary American Printmaking: 1999-2009, Visual Art Center of Academy of Art and Design, Tsinghua University, Beijing, China
1999, China Art Objects, Los Angeles, CA
2008
Once Upon A Time, ISE Cultural Foundation, New York, NY
Drawing Now Drawing Then Young Masters Old Masters, Arndt & Partner, Zurich, Switzerland
Nightmares & Dreamscapes, Galleria, Alberto Peola Gallery, Turin, Italy
2007
The Four Horsemen, Galerie Im Regierungsviertel, Turin, Italy
World Receiver, Hamburger Kunsthalle, Hamburg, Germany
Panic Room: Works from the Dakis Joannou Collection, Athens, Greece
Dream & Trauma: Works from the Dakis Joannou Collection, Kunsthalle Wien, Vienna, Austria Automatic, Franklin Parrasch Gallery, New York, NY
Responds To My Country, Hungarian Cultural Center, New York, NY A Muzzle of Bees, 33 Bond Gallery, New York, NY
Re: Generation – Emerging Women Artists, Smack Mellon Brooklyn, NY and The Kentler International Drawing Space, Brooklyn, NY
Summer 2007, Grimm|Rosenfeld, Munich, Germany
2006
Hybrid: Anthea Hamilton, Alisa Margolis, Dasha Shishkin, Barbara Wolff, Galerie Wilma Tolksdorf, Frankfurt, Germany. Curated by Eva Karcher.
HangART-7 Edition 4 – New York Contemporary: Art Times Squared, Hangar-7, Salzburg,Austria
Goods to Declare, Bezalel Academy, Tel Aviv, Israel
Summer 2006, Grimm|Rosenfeld, Munich, Germany Liquid Paper-Pure Land, Ratio 3, San Francisco,
This is not a Love Song, Susanne Vielmetter Los Angeles Projects, Culver City, CA
The Compulsive Line: Etching 1900 to Now, Museum of Modern Art, New York, NY
Re: Generation, Rutgers University, New Brunswick, NJ
2005
Founders Day, Grimm|Rosenfeld, New York, NY
Gegenwrtige Geschichtenerzhler, Hamburger Kunsthalle, Hamburg, Germany
Greater New York 2005, PS1, New York, NY
The ArtReview 25: Emerging US artists, Phillips, de Pury & Co., New York, NY
Much Madness is Divinest Sense, Cohan+Leslie, New York, NY
The Parable Show, Grimm|Rosenfeld, Munich
2004
“After Goya,” curated by Tomas Daniel, Neiman Gallery, Columbia University, New York, NY
"The Day After…” curated by Lital Mehr, Oliver Kamm/5BE, New York, NY
“Hung, Drawn and Quartered,” curated by Miriam Katzeff, Team Gallery, New York, NY
Black ChurchPrint Studio, Dublin, Ireland (in association with The New York Society of Etchers)
GF Gallery New School University, New York, NY
2003
Brooklyn Fire Proof Gallery, Williamsburg, New York, NY
Pearl Gallery, New York, NY
RSVP, The Society of Illustrators, New York, NY
2002
Naked Duck Gallery, Williamsburg, New York, NY
North East Prints, William Paterson University, NJ
2001
Dam, Stuhltrager Gallery, Williamsburg, NY

Bibliography

2018
Jones, Samuel. " At new Neiman Gallery exhibit, psychedelic prints bleed into negative space," Columbia Spectator, October 22 (Link)
2017
Moutinho, Amanda, “The Benevolent Creator,” Boulder Weekly (web), August 31 (Link)
2015
Cattelan, Maurizio and Myriam Ben Salah, Shit and Die, produced by Artissima, Damiani
2014
Ollman, Leah, Review: Dasha Shishkins dive into decadence, Los Angeles Times, November 19 (Link)
Wagley, Catherine, 5 Artsy Things to Do in LA This Week: Can Witchcraft Be About Self-Realization?, LA Weekly, November 5
Berardini, Andrew, Close Calls: Turin, ArtForum, November 12
Sala, Francesco, Torino Updates: dietro Shit and Die, immagini esclusive dal backstage della mostra curate da Maurizio Cattelan per Artissima, Artibune, November 4
Top 100 Fall Shows: October, Modern Painters, November
Miranda, Carolina, "Wild women and sci-fi scenarios: painter Dasha Shishkin’s crazy world," Los Angeles Times, October 29 (Link)
2013
McCrickard, Kate, Welcome to the Jungle: Violence Behind the Lines in Three Suites of Prints by Dasha Shishkin, Art in Print, Volume 3, No. 4, December – November
Sorkin, Jenni, Soft and Entitled: On Dasha Shishkin at the Museum of Contemporary Art, Santa Barbara, Texte zur Kunst, No. 91, September
Donelan, Charles, Review: Dasha Shishkin, erry icket, Santa Barbara Independent, July 24
Nunez-Fernandez, Lupe, Dasha Shishkin, Saatchi Gallery online, June 13
2012
Berkenblit, Ellen, Artists on Artists: Dasha Shishkin, Bomb Magazine, Number 122, Winter
"Saatchi Gallerys New Exhibition of Contemporary Russian Art", Blouin Artinfo UK, November 12
Meyers, Todd. Dasha Shishkin, Art papers, May/June
Berardini, Andrew. Painted with Candy, Washed in Acid: An Elliptical Review, Artslant, May 2
Ollman, Leah. Figures That the Eye is Drawn To, Los Angeles Times, April 27
Wagley, Catherine. Rain, Fantasy and Freedom, Daily Serving, April 27
Exhibition Catalogue, Griffelkunst-Vereinigung, Hamburg, Editionen III. / IV. Quartal
Nathan, Emily. Dasha Shishkin: S INT N HO, Artnet, April 13
2011
Bronson, Ellie. Puttin the Gore into Phantasmagoria: Dasha Shishkin at Zach Feuer Artcritical.com
Doran, Anne. Dasha Shishkin: Desaparecido. Time Out New York 26 May
Halle, Howard. Best of New York Gallery Week. Time Out New York 2 May
Dasha Shishkin. The New Yorker 30 May
2010
Cashdan, Marina, Modern Painters, April, p. 15-17
Cheat Sheet: The Hunt. Conde Nast Traveler: The Collectors Edition 2010
2009
Zelem, Lisa. embrace!, Denver Art Museum, Exhibition Catalogue
Biesenbach, Klaus. Henry Darger Prestel Verlag
Allsop, Laura. Henry Darger. Art Review December , p.137
Rosenberg, Karen. Dasha Shishkin. New York Times Friday, October 2
Saltz, Jerry. A New Kind of Boom. New York Magazine 12 October
Upcoming Shows: New York. BT: Comme des Garcons, December
2008
Bronfen, Elisabeth and Hilary Hatch, Gerald Matt, Angela Stief, Edelbert Kob. Dream and Trauma,
Hatje Cantz, Exhibitions Catalogue
2007
Grayson, Kathy. Panic Room: Selections from the Dakis Joannou Works on Paper Collection. Deitch Projects
Dasha Shishkin. Monopol November, 126
Dasha Shishkin. Elle March
Fakray, Sarah. Art: Dasha Shishkin. Dazed and Confused January, p. 36
2006
Saltz, Jerry. The Undead of Art History, The Village Voice, October 11
Barnyard Desires. The Walrus February
Subal, Simone. Hangar 7- Project July
2005
UOVO, Turin 2005, pgs 50-71
Dasha Shishkin, Im Bett ber den Styx, Gegenwrtig. Geschichtenerzhler, Ausst.-Kat.Hamburger Kunsthalle, pg 29
Biesenbach, Klaus, Greater New York 2005. P.S.1 Contemporary Art Center, Exhibition Catalogue
Klaas, Heiko. Mottenkiste, Art. Das Kunstmagazin, Nr. 6, Juni 2005, pg 96
Smith, Roberta. Art in Review, New York Times, August 19
Vogel, Carol. Talent Call. Hot New Artists Wanted, New York Times, February 3
Cornell, Lauren. Un-Earthly Delights, Nylon, April 2005, pgs 106-107
Kunitz, Daniel and Ribas, Joao. Emerging US Artists: Dasha Shishkin, ArtReview, March 2005, pg 114
2004
Harpers Magazine, October

Public Collections

The Art Institute of Chicago, Chicago, IL
Columbus Museum of Art, Columbus, OH
Dallas Museum of Art, Dallas, TX
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
Hamburger Kunsthalle, Hamburg, Germany
Los Angeles County Museum of Art, Los Angeles, CA
The Museum of Contemporary Art, Los Angeles
The Museum of Modern Art, New York, NY
Pinakothek der Moderne, Munich, Germany
The Whitney Museum of American Art, New York, NY

Group Exhibition Catalogues and Books

2015
Malbert, Roger, Drawing People: The Human Figure in Contemporary Art, Thames & Hudson
Cattelan, Maurizio and Myriam Ben Salah, Shit and Die, produced by Artissima, Damiani
2012
Ozerkov, Dimtri, Gosha Ostretsov, and Lupe Nunez-Fernandez, Gaiety is the Most Outstanding Feature of the Soviet Union: New Art From Russia: Saatchi Gallery, The Saatchi Gallery
Griffelkunst-Vereinigung, Hamburg, Editionen III. / IV. Quartal 2012, Exhibition Catalogue
Goody, Dick, Idealizing the Imaginary: Illusion and the Invention in Contemporary Painting, Oakland University Art Gallery, Rochester, MI, pp. 44-47, Exhibition Catalogue
2011
Leader, Karen J, Figured Spaces, University Galleries, Florida Atlantic University, Exhibition Catalogue
Michael, Linda ed., Love is Nothing but a Sore, Monanism, MONA – Museum of Old and New Art, Hobart Tasmania, Australia, Exhibition Catalogue
2010
Schmidt, Eva, The More I Draw, DuMont Buchverlag, pp. 186 – 189
2009
Zelem, Lisa, embrace! Denver Art Museum, Vol. 1 pp. 114-119, Vol. 2 pp. 124 135, Exhibition Catalogue
Biesenbach, Klaus, Henry Darger, Prestel Verlag
2008
Bronfen, Elisabeth and Hilary Hatch, Gerald Matt, Angela Stief, Edelbert Kob, Dream and Trauma, Hatje Cantz, Exhibitions Catalogue
2007
Grayson, Kathy, Panic Room: Selections from the Dakis Joannou Works on Paper Collection, Deitch Projects
2005
Biesenbach, Klaus, Greater New York 2005, P.S.1 Contemporary Art Center, Exhibition Catalogue
Dasha Shishkin, Im Bett ber den Styx, Gegenwrtig. Geschichtenerzhler, Ausst.-Kat.Hamburger Kunsthalle, p. 29, Exhibition Catalogue