1971

Born in Austria

Lives and works in Brooklyn, NY and Vienna, Austria

2003

Whitney Independent Study Program, NY

1996

Academy of Fine Arts, Vienna, Austria

One and Two Person Exhibitions

2023

"For Now," Galerie Meyer Kainer, Vienna, Austria

2022

"On Edge," Vielmetter Los Angeles, Los Angeles, CA

2021

"Moving Parts," Callicoon Fine Arts, New York, NY

2020

"Coming Soon: Ulrike Müller and Rochelle Feinstein," Callicoon Fine Arts, New York, NY

2020-2022

"Ulrike Müller and Amy Zion: The Conference of Animals," Queens Museum, New York, NY

2019

"Or Both," curated by Mia Locks, The Galleries at Moore, Moore College of Art & Design, Philadelphia, PA

"Container Contained," Galerie Meyer Kainer, Vienna, Austria

"The Walls Do Not Fall," RODEO, London, UK

2018

"Ulrike Müller: Container," curated by Eva Birkenstock, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany

2016

"And Then Some," Callicoon Fine Arts, New York, NY

"Kitty Kraus / Ulrike Müller," curated by Israel Lund and Sam Korman, Parapet Real Humans, St. Louis, MO

"House/Cat," curated by Michelle Grabner, The Suburban, Oak Park, IL (with Emi Winter)

"Ulrike Müller and Emi Winter," curated by Michelle Grabner, The Suburban, Oak Park, IL

2015

"Ulrike Müller: The old expressions are with us always and there are always others," curated by Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

2014

"Ulrike Müller," curated by Christian Kravagna and Hedwig Saxenhuber, Kunstraum Lakeside, Klagenfurt, Austria

"WEATHER," Callicoon Fine Arts, NY, New York

2010

"Fever 103," Artspace, San Antonio, TX

"Feminism Formalism," Steinle Contemporary, Munich, Germany

"Fever 103," Franza, and Quilts, Cairo Biennial, Cairo, Egypt

2008

"Public Spaces, Private Moments," O’Connor Art Gallery, Chicago, IL (with Bill Guy)

2007

"WHIP," Aktualisierungsraum, Hamburg, Germany (with Ginger Brooks Takahashi)

2005

"Looking for (S)he," Temporary Art Space at the Hotel Chelsea, New York, NY (with Anna Blume)

2004

"Ten in One," Galerie 5020, Salzburg, Austria

Selected Group Exhibitions

2023

"Braided Histories,” curated by Lynne Cooke, Los Angeles County Museum of Art (LACMA), Los Angeles, CA; Traveling to The National Gallery of Art, Washington, D.C. (2024); National Gallery of Canada, Ottawa, Canada (2024-2025); The Museum of Modern Art, New York, NY (2025)

2022-2023

"The Animal Within," curated by Manuela Ammer and Ulrike Müller, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

2022

"Changes," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

"20/20 Vision: The Collection Remixed," Kunsthalle Bremen, Bremen, Germany

"*standstill," RODEO, London, UK

"anabasis," RODEO, Piraeus, Greece

"The Printer’s Proof: Artist and Printer Collaborations," The Albuquerque Museum, Albuquerque, NM

"Women in Print: Recent Acquisitions," The Cleveland Museum of Art, Cleveland, OH

2021

"Stories of Abstraction. Greenberg’s Nightmare," Fondation d’enterprise Pernod Ricard, Paris, France

"Gestures of Affection: In Memory of Louis Fishman," Thomas Erben Gallery, New York, NY

"Katarzyna Kobro Shaping Space," Museum of Modern Art, New York, NY (Link)

"Enjoy. The mumok Collection in Change," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

"Avant Garde and The Contemporary - The Belvedere Collection From Lassnig to Knebl," Belvedere 21, Vienna, Austria

"When Art Meets Society/ When Society Meets Art," aqb Project Space, Budapest, Hungary

"Disrupting The Canon," curated by Amelie von Wedel and Pernilla Holmes, The Arts Club London, London, UK

"Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," curated by Amy Zion and Tom Eccles, The Hessel Museum of Art, Annandale-on-Hudson, New York, NY

"In Three," Callicoon Fine Arts, New York, NY

"Threads," Foxy Production, New York, NY

"All Suffering Soon To End!," Callicoon Fine Arts, Callicoon, NY

"Greenberg's Nightmare," Ricard Foundation, Paris, France

2020

"Prize of the Böttcherstrasse," Kunsthalle Bremen, Bremen, Germany

"1. COLOR 2. HOLE and 3. JOKE – Selected works on paper," Galerie Meyer Kainer, Vienna, Austria

2019

"sotto voce," curated by Robert Bordo, Bortolami Gallery, New York, NY

"Der Hausfreund (The Family Friend)," Austrian Cultural Forum Berlin, Berlin, Germany

"May You Live in Interesting Times," curated by Ralph Rugoff, 58th International Art Exhibition, Venice Biennale, Venice, Italy

"L’arbre du Soleil," Mountains Gallery, Berlin, Germany

"The Second Body," curated by Sam Contis, Klaus von Nichtssagend Gallery, New York, NY

"Der Hausfreund (The Family Friend)," University of Applied Arts Vienna, Collection & Archive, Vienna, Austria

"Straying from the Line," Schinkel Pavilion, Berlin, Germany

"Overture," Callicoon Fine Arts, New York, NY

"Count of Three," Alexander Gray Associates, New York, NY

"Forms of Enclosure," International Print Center New York (IPCNY), New York, NY

2018

"We," RODEO, London, UK

"The Carnegie International," curated by Ingrid Schaffner, Carnegie Museum of Art, Pittsburg, PA

"Kathy Acker: GET RID OF MEANING," Badischer Kunstverein, Karlsruhe, Germany

"Pond and Waterfall," The Gallery at Michael’s Santa Monica, Los Angeles, CA

"Yesterday, Today Today," Art Space Schloss Buchberg, Gars am Kamp, Austria

2017

"Trigger: Gender as a Tool and a Weapon," New Museum, New York, NY

"The Whitney Biennial," curated by Christopher Y. Lew and Mia Locks, The Whitney Museum of American Art, New York, NY

2016

"Figurative Geometry," curated by Bob Nickas, Collezione Maramotti, Reggio Emilia, Italy

"We Are the Center...," curated by Paul O'Neill, Hessel Museum of Art, Annandale-on-Hudson, NY

"Invisible Adversaries," curated by Tom Eccles and Lauren Cornell, Hessel Museum of Art, Annandale-on-Hudson, NY

"Blackness in Abstraction," curated by Adrienne Edwards, Pace Gallery, New York, NY

"The Cypress Broke," Rodeo, London, UK

"Dropout," organized by Callicoon Fine Arts, Site 131, Dallas, TX

"Standard Forms," curated by Christian Camacho-Light, Hessel Museum of Art, Annandale-on-Hudson, NY

"Condo," Callicoon Fine Arts at Rodeo, London, UK

2015

"Painting 2.0: Expression in the Information Age," curated by Manuela Ammer, Achim Hochdörfer, David Joselit and Tonio, Kröger, Museum Brandhorst, Munich, Germany

"Sorry, I’ve been trying to teach a peacock how to act," Rachel Uffner Gallery, New York, NY

"I want to be. Inside Out," MOT International, Brussels, Belgium

"Pretty Raw: After and Around Helen Frankenthaler," The Rose Art Museum, Waltham, MA

"Quiet Tremors," Kate Werble Gallery, New York, NY

2014

"The Little Things Could be Dearer," curated by Mia Locks, MoMA PS1, New York, NY

"New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin, Germany

"Rites of Spring," Contemporary Arts Museum Houston, Houston, TX

"Looking Back: The Eighth White Columns Annual Selected by Pati Hertling," White Columns, New York, NY

2013

"Descartes’ Daughters," Swiss Institute, New York, NY

2012

"Rosa Arbeit auf goldener Strasse," xhibit, Vienna, Austria

2011

"Dance/Draw," ICA Boston, Boston, MA

"Living on the Edge of a Silver Future," Galerie 5020, Salzburg, Austria

"A form is simply something..," Murray Guy, New York, NY

"Reflecting Abstraction," Vogt Gallery, New York, NY

"Agitated Histories," Contemporary Museum, Baltimore, MD

2010

"Held Up By Columns," Renwick Gallery, New York, NY

2009

"Ecstatic Resistance," X Initiative, New York, NY

"Ridykeoulouse Hits Bottom," Leo König Projekte, New York, NY

"Undigested Kernel (the super-saturated folk-art environment)," General Public, Berlin, Germany

"Empfindung. Oder in der Nähe der Fehler liegen die Wirkungen," Augarten Contemporary, Vienna, Austria

2008

"MATRIX.," Geschlechter, Verhältnisse, Revisionen, Museum auf Abruf, Vienna, Austria

"2 or 3 Things I Know About Her," Fogg Museum, Boston, MA

"The Sound of Things: Unmonumental Audio," New Museum, New York, NY

2007

"Sex in The City," Dumbo Arts Center, New York, NY

"Put the light out, erase a line," Studio44, Stockholm, Sweden

"Shared Women," LACE, Los Angeles, CA

"What F-Word?," Cynthia Broan Gallery, New York, NY

2006

"Flex Your Textiles," John Connelly presents, New York, NY

"Reality / Play," Orchard, New York, NY

"If a cat gives birth to kittens in an oven, are they kittens or biscuits?," Roebling Hall, New York, NY

"Hot Topic," Center for Curatorial Studies (CCS), Bard College, Annandale-on-Hudson, New York, NY

"Flex Your Textiles," Herbert Street, Brooklyn, NY

"Heard Not Seen," Orchard, New York, NY

"Ridykeulous," Participant Inc., New York, NY

2005

"I Beg Your Pardon," Vera List Center for Art and Politics at the New School, New York, NY

2004

"Republican Like Me," Parlour Projects, Brooklyn, NY

"9 Mütter XX04," Mütter Museum, Philadelphia, PA

"Visa for Thirteen," PS1 Contemporary Art Center, New York, NY

2003

"Mothers of Invention—Where is Performance coming from," Museum of Modern Art, Vienna, Austria

"I can’t be you," Andrew Kreps Gallery, New York, NY

2002

"Geschichte(n)," Salzburger Kunstverein, Salzburg, Austria

"Let’s twist again—If You Can't Think It, Dance It," Kunsthalle Exnergasse, Vienna, Austria

"Violence is the Margin of All Things," Generali Foundation, Vienna, Austria

1999

Schnittstelle/Öffentlichkeit, Kunsthalle Exnergasse, Vienna, Austria

Other Exhibitions and Projects

2022

"The Animal Within," curated by Ulrike Müller and Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

2018

"Banners for Resentment," Triple Canopy, Issue 25, edition

2015

"Always, Always, Others, curated by Ulrike Müller and Manuela Ammer," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

2013

"Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Oakville Galleries, Toronto, Ontario

2012

"Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Brooklyn Museum, NY and Kunsthaus Bregenz, Austria

Exhibitions and Events with LTTR

2015

"Here We LTTR: 2002–2008," Tensta konsthall, Spånga, Sweden

2008

"WACK! Art and the Feminist Revolution," MoMA PS1, New York, NY

2007

Documenta Magazines, Kassel, Germany

"Locally Localized Gravity," ICA Philadelphia, Philadelphia, PA

"Exile of the Imaginary: Politics Aesthetics Love," curated by Juli Carson, Generali Foundation, Vienna, Austria

2006

"Eat The Market," curated by Sam Durant, LACMA, Los Angeles, CA

Outfest, New York, NY

Lesbian and Gay Film Festival, London, United Kingdom

"Hot Topic, Center for Curatorial Studies (CCS)," Bard College, Annandale-on-Hudson, NY

"When Artists Say We," curated by Andrea Geyer and Christian Rattemeyer, Artists Space, New York, NY

2005

"A WAVE OF NEW RAGE THINKING: Read In," Printed Matter, New York, NY

"Let’s Take The Role," The Kitchen, New York, NY

Outfest, New York, NY

Mix Festival, New York, NY

Performance Works and Selected Performances

2018

journeys with the initiated, e-flux, New York, NY

2011

Dem Bild was erklären, General Public, Berlin, Germany

2009

Herstory Inventory, Sonic Episodes program, Dia Art Foundation, New York, NY

Herstory Inventory, Issue Project Room, New York, NY

2007

LOVE/TORTURE, part of Put the light out, erase a line, Studio44, Stockholm, Sweden

LOVE/TORTURE, Art Institute, Chicago, IL

A Confession, 30 Jahre Frauenzimmer, ega-Galerie, Vienna (with Marie-Therese Escribano)

2006

LOVE/TORTURE, part of MIX, Lesbian and Gay Experimental Film Festival, New York, NY

LOVE/TORTURE, part of This Strangest of Theatres, Roebling Hall, New York, NY

2005

A Confession, part of Feminism and Activism, Galerie 5020, Salzburg, Austria (with Marie-Therese Escribano)

One of Us (Freakish Moments), part of LTTR: Let’s Take The Role, The Kitchen, New York, NY

Situationistinnen und andere...

2004

LOVE/TORTURE (pilot), Experimental Media for Feminist Trespass, Chicago, IL

A Confession, part of LTTR Explosion, Art in General, New York, NY (with Marie-Therese Escribano)

2002

Situationistinnen und audere…, part of Violence is the Margin of All Things, Generali Foundation, Vienna

1996

Situationistinnen und audere…, Arsenal Cinema, Berlin, Germany

Selected Video Screenings

2022

Mock Rock, Kunsthalle und Kunstmuseum Bremerhaven, Bremerhaven, Germany

2008

Studio Voltaire, London, UK

2007

Positively Neurotic, White Space, Zürich, Switzerland

2006

Every Day, Salzburger Kunstverein, Salzburg, Austria

Outfest, Los Angeles, CA

Missbrauch, Bilder davon. Galerie IG Bildende Kunst, Vienna, Austria

20th London Gay and Lesbian Film Festival, United Kingdon

Österreichische Filmgalerie Krems, Vienna, Austria

VZW Havenfilmfestival, Antwerpen, Belgium

MM Centre SC, Zagreb, Croatia

From Mini-FM to Hacktivists, Govett-Brewster Art Gallery, New Plymouth, New Zealand

2005

Pilot Television: New Ground, and UP!, Care Of Gallery, Milano, Italy (traveled to Artmosphere, Vienna; and Galerie 5020, Salzburg, Austria)

San Francisco Cinemateque, CA

Outfest, Los Angeles, CA

MIX Festival, New York, NY

Internationales Videofestival Bochum, Germany

Diagonale, Festival of Austrian Film, Graz, Austria

2004

Revolt She Said, Forde – Espace d’art contemporain, Geneva, Switzerland

Viper Basel Festival, Basel, Switzerland

Cinematexas Filmefestival, Austin, TX

Viennale, International Film Festival, Vienna, Austria

Bildinventur, Saumarkttheater Feldkirch, Austria

backup_festival, Weimar, Germany

33. Internationales Filmfestival Rotterdam, Netherlands

2003

Breaking News, Judson Church, New York, NY

Perform, Theater am Saumarkt, Feldkirch, Austria

2001

Der transparente Raum by Valie Export, Vienna, Austria

Femme:os, Frauenkulturfestival, Siegharding, Austria

2000

Instant Island, Praterstern, Vienna, Austria

Artist Monographs

2017

Ulrike Müller: Always, Always, Others. mumok - Museum Moderner Kunst, Vienna, Austria; and Dancing Foxes Press, Brooklyn, NY

2014

Herstory Inventory: 100 Feminist Drawings by 100 Artists, Dancing Foxes Press, Brooklyn, NY

2012

Ulrike Müller: Franza, Fever 103 and Quilts, Dancing Foxes Press, Brooklyn, NY

2006

Work The Room. A Handbook on Performance Strategies. OE & b_books, Berlin, Germany

2005

Every little bit helps,—Ulrike Müller: Two Audio Works. Revolver Books, Frankfurt/Main, Germany

2001

Gruppe JUP (Jane Heiss, Ulrike Müller, Patricia Reschenbach): SituationistInnen und andere ... (Women Situationists and others; with an afterword by Renee Green). b_books, Berlin

Bibliography

2022

The Animal Within - Creatures in (and outside) the mumok Collection, exhibition publication, edited with Manuela Ammer, Manuel Millautz. mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria

2021

Smith, Roberta. 4 Art Gallery Shows to See Right Now, The New York Times, February 24. Online and print.

Gregg Bordowitz. "It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals"," ArtForum, March, online and print. pg. 51-52.

2020

Amy Zion & Ulrike Müller. "The Conference of the Animals: Conversation between the Curator Amy Zion and the Artist Ulrike Müller," Springerin, Winter Spring-2020/2021, online and print.

Cooke, Lynne. Lynne Cooke’s Top Ten Highlights of 2020, ArtForum, December. Online and print

Handy, Bruce. Can Kid Art Be Real Art?, The New Yorker, December 14. Online

Gregg Bordowitz. It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals”, ArtForum, March issue. Online and print, pg. 51-52

Artist Ulrike Müller, Springerin, Winter/Spring-2020/2021. Online and print

2019

Stillman, Steel. "Ulrike Müller: In the Studio," Art in America, November, print. pg. 82–91.

Bingaman, Brian. "Moore College galleries to welcome a series of visiting curators," The Reporter, September 15, online

Salisbury, Stephan. "Moore brings in a Whitney Biennial curator and two other high-powered women to create edgy exhibitions at the art school," The Philadelphia Inquirer, August 20. Print and online.

Davis, Ben. "Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition," ArtNet News, May 9, online

Davis, Ben. "Can’t Make It To the Venice Biennale? See Every Artist in the Arsenal Section of the Sprawling Exhibition," ArtNet News, May 9, online

Higgie, Jennifer. "58th Venice Biennale Review: Brilliance and Bluster," Frieze, May 9, online

Lubitz, Joseph. "Overture: A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz," The Brooklyn Rail, March 11, web and print.

Nadja Abt, "Charged Freight," Texte Zur Kunst, March 2019, Issue No. 113, online and print

Taylor, Stanton. "Ulrike Müller’s Dedramatized Formalism," Frieze, January 16, online

Schwendener, Martha. "Critic’s Notebook, Pittsburgh Report: Five Places for Healing Through Art," The New York Times, January 2, online and print

2018

Trebing, Saskia. "Zu Den Waffen," Monopol, November 2018, print, pg 112.

Woeller, Marcus. "Die schöne Schwester," Die Welt, November 17, online

Taylor, Stanton. "Critics’ Guide: The Best Shows to See in Dusseldorf," frieze, November 15, online

2017

Schwabsky, Barry. "Without Warning: Margins and the Mainstream at the New Museum’s “Trigger.”" The Nation, January 26, online

Johnson, Rindon. "Art Seen, Trigger: Gender as a Tool and a Weapon," The Brooklyn Rail, December 13, online

Cotter, Holland. "Let (Gender) Confusion Reign," The New York Times, September 29, print, pg. c13, c16

2016

Swanson, Carl. "In a New Museum Exhibit, Artists Challenge Their Assumptions About Gender — and Ours," New York Magazine, September 18, print

Pobric, Pac. "Snapshot from a brighter moment: the 2017 Whitney Biennial reflects a pre-Trump America," The Art Newspaper, March 16, online

Farago, Jason. "The Biennial: A User’s Guide, The New York Times," March 9, pgs C1 & C4, print

Kabat, Jennifer. "2016 Highlights: Jennifer Kabat," frieze.com, December 9, online

Hanson, Sarah P. "Biennial-bound artists take a bow in Miami," The Art Newspaper, December 2, print, pg. 1, 4.

Birkenstock, Eva. "Best of 2016: Eva Birkenstock," ArtForum, December 1, print, pg. 208.

Loos, Ted. "Important Arts Fair Looks for Balance in Miami Beach," The New York Times, December 1, print, pg. S1.

Haidu, Rachel. "Ulrike Müller, 4 Columns," October 21, online

Farago, Jason. "Ulrike Müller," The New Yorker, October 31, print, pg.18.

Phaidon Editors. "Ulrike Müller - Why I Paint," Phaidon, Vitamin P-3 Feature, October 17, online

Lochner, Oona. "Ulrike Müller — mumok, Wien," Frieze, February 17, online and print, pgs. 136-138.

Allen, Jennifer and Schiesser, Giaco. "The Impermanent Collection, Mousse Magazine," no 52, February 16, print, pg. 90-97.

Thorne, Harry. "Current Shows: Condo," Frieze, February 2, online and print, pgs. 136-137.

Stakemeier, Kerstin. "Ulrike Müller, Museum of Moderner Kunst Stiftung Ludwig Wien, Vienna," Artforum, February, print, pg. 228-229.

2015

Hausbichler, Beate. "Es geht mir um eine Suche nach Ausdrucksweisen," diestandard.at, November 28, online

Hausbichler, Beate. "Wenn Form und Gebrauch streiten," derStandard.at, November 28, online

2021

Joseph, Branden W. "Ulrike Müller: The Old Expressions Are With Us Always and There Are Always Others," Artforum, September, online and print

Smith, Roberta. "Collecting for Pleasure, Not Status," The New York Times, May 15, 2015. p C29, print

2015

Smith, Roberta. "15 Group Shows Not to Miss," The New York Times, pg. C27, 29-30, January 30, print

2014

Goldstein, Andrew. "10 of the Best Artworks at Frieze London 2014 (Plus One Bonus)," Artspace, October 17, online

Donovan, Thom, "Herstory Inventory: 100 Feminist Drawings by 100 Artists," BOMB Magazine, Spring, Number 127, pg. 22-23, print

Smith, Roberta. "‘Looking Back’: ‘The Eighth White Columns Annual’," The New York Times, February 14, pg. C30, print

W.V. "Reviews in Brief: 6 New York Gallery Shows to See This Month," Modern Painters, February 10, online

Smith, Roberta. "Ulrike Müller: ‘WEATHER’," The New York Times, February 7, p. C20, print

Saltz, Jerry. "Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer," Vulture, January 30, online

Smith, Roberta. "Art in Review: Moira Dryer Project," New York Times, January 16, pg. C36, print

2013

Heinrich, Will. "‘Descartes’ Daughter’ at the Swiss Institute," The New York Observer, October 1, online

2012

O’Neil-Butler, Lauren. "Reviews: Ulrike Müller," Brooklyn Museum. Artforum, September

Schwendener, Martha. "Collaborative and Solo, With a Certain Feminist Bent," The New York Times, September 7

Cotter, Holland. "The Week Ahead: Ulrike Müller," The New York Times, September 2

Stakemeier, Kerstin. "Ulrike Müller," Springerin. Hefte für Gegenwartskunst, Issue 3

2011

Fitzpatrick, Corrine. "500 Words: Ulrike Müller on Herstory Inventory at the Kunsthaus Bregenz," Artforum.com, May 21

Ulrike Müller (picture spread), Texte zur Kunst: Heft 82, June, print. pgs. 182-187

Steinman, Megan. "Friends of the Fine Arts," In: Dance/Draw. The Institute of Contemporary Art: Boston, pp 126-127

Cvetkovich, Ann. "The Queer Art of the Counterarchive," In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. ONE National Gay & Lesbian Archives: Los Angeles, CA, pp 32-35

Grant, Catherine. "Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art," Oxford Art Journal 34.2

Ammer, Manuela. "K8 Hardy & Ulrike Müller," Frieze, January 1, online.

2010

Stöppel, Daniela. "Kein Entweder Oder," In: Texte zur Kunst, December, print.

Schurian, Andrea. "Kairos Biennale will erobert werden," In: Der Standard, December 17

Arons, Philip E. und Roth, Andrew (Hg.), "LTTR," In: Numbers. Serial Publications by Artists Since 1955. PPP Editions/JRP Ringier Kunstverlag: Zürich

Vogel, Wendy. "Where Does the Caged Bird Sing? On Louise Lawler’s Bird Calls and its Critical Afterlives," In: Core Yearbook 2009-2010, Museum of Fine Arts, Houston

Judson, Ben. "IAIR 10.1," In: Art Lies. A Contemporary Art Quarterly, Nr 66, Sommer

Baldon, Diana. "Cultivated Schmäh, Performances of Culture," In: FlashArt, July-September

2009

Hallensleben, Markus. "Importing Valie Export: Corporeal Topographies in Contemporary Austrian Body Art," In: Modern Austrian Literature Vol.43, No.3

2008

Schröder, Barbara. "LTTR," In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, Heft 45, June, print, pgs. 41-44

Hochdörfer, Achim. "Curiosity Drawings," In: springerin, Band XIV Heft 3, Sommer 2008, Vienna

Slanar, Claudia. "Lillian & Alice. In: Matrix," exhibition catalog, MUSA, Vienna

Tattersall, Lanka. "One or Two Things I Know About Her," exhibition brochure, CCVA, Harvard University

2007

Cotter, Holland. "Sex in the City," New York Times, Art in Review, November 24

Molesworth, Helen. "World’s Apart," Artforum International, May, pp 101-102

Cotter, Holland. "Collective Creation In Philadelphia and Beyond," New York Times, March 21, p E5

2006

Samson, JD and Roysdon, Emily. ANP Quarterly, Issue 5, Fall

Bryan Wilson, Julia. "Repetition and Difference," Artforum International, Summer

2004

Cotter, Holland. "Explosion LTTR," New York Times, August 06, p E35

Awards, Fellowships, and Grants

2020

Prize of the Böttcherstrasse, Kunsthalle Bremen, Germany

2011

Astraea Lesbian Foundation for Justice, Visual Arts Fund Award

2010

Printed Matter Award for Artists

2006

Visiting Scholar, New York University (with LTTR)

2005

Printed Matter Residency, New York (with LTTR)

2004

PS 1 International Studio Program, New York

1997

MAK Schindler Residency, Los Angeles

Teaching Experience

2014-2021

Co-chair of Painting, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY

2019

Alex Katz Chair in Painting, Cooper Union, New York, NY

Visiting Critic, Yale School of Art, New Haven, CT

2016

Adjunct Faculty, Cooper Union, New York, NY

2014-2015

Visiting Critic, Yale School of Art, New Haven, CT

2014

Adjunct Faculty, Painting Department, Yale School of Art, New Haven, CT

2012-2013

Faculty, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY

2008-2013

Faculty, VCFA, Vermont College of Fine Arts, Montpelier, VT

2007-2008

Guest Lecturer, Academy of Fine Arts, Vienna, Austria

Catalogues and Publications

2023

Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 322-323, 2023

Gilman, Claire and Roger Malbert. "Drawing in the Present Tense," Thames & Hudson, New York, NY, pg 180-181, 2023.

2022

Dragging Away: Queer Abstraction in Contemporary Art, by Lex Morgan Lancaster, Duke University Press

2020

Closer to Life. Annandale-on-Hudson, NY: Hessel Museum of Art, CCS Bard. Collection catalogue

2017

Ammer, Manuela, Karen Kelly, and Barber Schröder. “Always, Always, Others,” mumok, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, and Dancing Fox Press, Brooklyn, 2017

Burton, J., and Bell, N. (2017). Trigger: Gender as a Tool and a Weapon. Pg 124-127. New Museum.

2016

Blackness in Abstraction. New York, NY: Pace Gallery. Exhibition Catalogue

Painting 2.0: Expression in the Information Age. Munich, Germany: Museum Brandhorst. Exhibition Catalogue

Müller, Ulrike, Bulletin, 2006, Queer, edited by David J. Getsy, Documents of Contemporary Art, White Chapel Gallery London, The MIT Press, Cambridge, Massachusetts, p. 173-174.

2015

Editors and fugitives / Ulrike Müller in conversation with Harmony Hammond. In: Pink Labor on Golden Streets — Queer Art Practices. Academy of Fine Arts Vienna, Vol. 17/Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.). Berlin, Germany: Sternberg Press

2014

A conversation with Ulrike Müller in: Art and the Critique of Ideology After ’89. Kunsthaus Bregenz/Eva Birkenstock, Max Jorge Hinderer Cruz, Jens Kastner, and Ruth Sonderegger (Eds.). Bregenz, Austria: Verlag der Buchhandlung Walther König

2013

Ulrike Müller, in Conversation with Ann Cvetkovich, Celeste Dupy-Spencer, Leidy Churchman, MPA, Nancy Brooks Brody, and many others. In: Opulente Figuren. Katrin Mayer (Ed.), Hamburg, Germany: Materialverlag-HFBK

Putting the Invent in Inventory: Ulrike Müller with Corrine Fitzpatrick. ArtJournal, Vol. 72, no. 2, Summer, New York, NY: CAA

2012

Very Abstract and Really Figurative. In: Painting— The Implicit Horizon. Eds. Avigail Moss, Kerstin Stakemeier. Maastricht, the Netherlands: The Jan van Eyck Academie. pgs. 150-180

Artist Project: Herstory Inventory. In: Coming After: queer time, arriving too late and the spectre of the recent past. Artist book by Jon Davies, Sharon Hayes, Zoe Leonard, Ulrike Müller (Authors), and Jimmy Robert (Artist). Toronto, Ontario: The Power Plant

Hochdörfer, Achim and Barbara Schröder. “Ulrike Müller, Franza, Fever 103, and Quilts,” Austrian Federal Ministry for Education, the Arts and Culture. Dancing Foxes Press, NY, 2012

2011

Notes on Herstory Inventory: A Collaborative Work in Process. In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. Los Angeles, CA: ONE National Gay & Lesbian Archives

Just Like That, But Different: A Conversation among Friends of the Fine Arts - Leidy Churchman, Celeste DuPut-Spencer, Ulrike Müller and Barbara Schröder, In: The first 3 years of Ludlow 38. Tobi Maier, Antonia Lotz (Eds.). New York, NY: Spector Books/ Goethe-Institut. pgs. 133-135

2010

Das Ist Programm/Artists of The Gallery. Munich, Germany: Steinle Contemporary. Exhibition Catalog

2009

An Idea-Driven Social Space (with Andrea Geyer). Grey Room 35, Spring, Cambridge, MA: MIT Press

Catherine Opie: American Photographer. In: Springerin, Band XV, Heft 1, Winter, Wien

Empfindung – Oder in der Nähe der Fehler liegen die Wirkungen, Vienna, Austria: Augarten Contemporary. Exhibition Catalog

2008

Feminist Time. Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto (conversation). Greyroom 31, Spring, Cambridge, MA: MIT Press

From the Shadows. (written with Gregg Bordowitz). In: The Light Club: On Paul Scheerbart's "The Light Club of Batavia” by Josiah McElheny. Chicago, IL: University Of Chicago Press.

2007

Positively Nasty in Hamburg. Ulrike Müller und Ginger Brooks Takahashi im Aktualisierungsraum Hamburg. In: Hugs and Kisses #1, Hamburg

Sue Williams, Dessert, 1990. In: Kiss Kiss Bang Bang. 45 Years of Art and Feminism. Museo De Bellas Artes De Bilbao, Bilbao, Spain.

Be A Bossy Bottom! Interview with the queer-feminist collective LTTR. In: Malmoe #37, Vienna

Nicht im Einklang. A Conversation with Belinda Kazeem und Ulrike Müller. In: Bildpunkt, Spring, Vienna

2006

Franz Erhard Walther. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP

Timeline 1967-1975. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP

K8 Hardy and Ulrike Müller. In: North Drive Press #3, New York, 2006

Mock Rock and On Mock Rock (Videos). On: As She Likes It. Female Performance Art from Austria. Index DVD 023

To Act Critically. In: Let's twist again—If You Can't Think It, Dance It. Performance in Vienna from 1960 until today. Stefanie Seibold und Carola Dertnig (Eds.), DeA Verlag

2005

Curiosity Drawings. In: Bildpunkt, Fall, Vienna

2003

No Land Ho. Kathy Acker’s Literature of the Body. In: Springerin, January

Angst/Anxiety and G-Train to Queens. On: LTTR #2 (Audio-CD)

2002

Untitled drawings (with Patricia Reschenbach). In: Violence is the Margin of All Things. Subject Relations, Political Militancy and Artistic Procedures. Generali Foundation, Exhibition Catalog

Because I’m a fag and I’m also a feminist. In: Malmoe #10

2001

Freie Klasse Wien. In: Education Information Entertainment. Current Approaches on Higher Artistic Education. Institut für Gegenwartskunst, Ute Meta Bauer (Ed.). mit Freie Klasse Wien

2000

Working Poor (Comic). In: infection manifesto # 3, 2000

<re:tracing the feminist art program>. In: Dialoge und Debatten. An International Symposium on Feminist Positions in Contemporary Visual Arts. Künstlerinnenhof Die Höge / Dorothee Richter (Ed.)

1998

Martha Rosler: Domination and the Everyday. In: Starship #1

Artist Editions

2022

Containers, olive oil packaging, mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria

Cat Music, silk scarf, Griffelkunst, Hamburg, Germany

2020

Filo, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY

Assorted, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY

Petit Beurre, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY

2019

Spekulatius, collagraph, edition of 50 Printed by 10 Grand Press: Published by Phileas for Phileas Holiday Edition, Vienna, Austria

May You Live in Interesting Times, espresso cup and cappuccino cup set, with artists Cameron Jamie, AD Moniliti, Slavs and Tatars, illy Art Collection

Venice Art Biennale, illycaffé, Trieste, Italy

2018

Banners for Resentment, Triple Canopy, Issue 25, New York, NY

2015

Rug (gato verde), mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria

Visiting Artists Talks

2022

Hochschule für Bildende Kunst – Städelschule, Frankfurt, Germany

Hunter MFA, New York, NY

2020

Akademie der Bildenden Künste München, München, Germany

2019

Carnegie Mellon University, Pittsburgh, PA

2018

Columbia University, New York, NY

Temple University, Philadelphia, PA

Paint School, New York, NY

Boston University, Boston, MA

2017

Virginia Commonwealth University, Richmond, VA

2016

Rutgers University, New Brunswick, NJ

2015

Art Institute of Chicago, Chicago, IL

The New School, New York, NY

2007

International Center for Photography (ICP-Bard), New York NY

2006

California Institute of the Arts, Valencia, CA

Public Collections

Carnegie Museum of Art, Pittsburgh, PA

The Cleveland Museum of Art, Cleveland, OH

Hessel Museum of Art, Annandale-on-Hudson, NY

JoAnna Gonzalez Hickey Collection, New York, NY

J.P. Morgan Chase, New York, NY

Lumber Room, Portland, Oregon

Museum of Applied Arts (MAK), Vienna, Austria

The Museum of Modern Art, New York, NY

mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria

Oesterreichische Nationalbank, Vienna, Austria

Phileas – Fund for Contemporary Art, Vienna, Austria

Tiroler Landesmuseen, Innsbruck, Austria