Liz Glynn | VIELMETTER LOS ANGELES

1981: Born in Boston, MA
: Lives and works in Los Angeles

2008: MFA, California Institute of the Arts, Los Angeles, CA
2003: BA, Harvard College, Visual and Environmental Studies, Cambridge, MA

Selected Solo Exhibitions

2023: "The Futility of Conquest," Vielmetter Los Angeles, Los Angeles, CA
2019: "Emotional Capital," Vielmetter Los Angeles, Los Angeles, CA
: "Terra Techne," San Francisco International Airport Terminal 1, San Francisco Arts Commission, San Francisco, CA
: “Technological Toolboxes,” Paula Cooper Gallery, New York, NY
2018: "The Fear Index," LIVE, Frieze, London, UK
: "Open House," Now+There, Boston, MA
2017: "The Archaeology of Another Possible Future," MASS MoCA, North Adams, MA
: "Open House," Doris C. Freedman Plaza, The Public Art Fund, New York, NY
: "The Myth of Singularity," Paula Cooper Gallery, New York, NY
2015: "The Myth of Singularity," Los Angeles County Museum of Art, Los Angeles, CA
: "PATHOS (Exercise Series)," Paula Cooper Gallery, New York, NY
2014: "RANSOM ROOM," SculptureCenter, Long Island City, NY
: "HOLD NOTHING," ArtPACE, San Antonio, TX
: "On the Possibility of Salvage," Paula Cooper Gallery, New York, NY
2013: "VAULT," Frieze Projects, Frieze Art Fair, Randall’s Island, NY
: "[de]-lusions of Grandeur," Los Angeles County Museum of Art, Los Angeles, CA
2012: "HOARD," Redling Fine Art, Los Angeles, CA
: "gold after gold," Redling Fine Art, Los Angeles, CA
: "black box," as part of the J. Paul Getty Museum’s Pacific Standard Time Performance Art and Public Art Festival, produced by Glenn Phillips & Lauri Firstenberg, Los Angeles, CA
: "No Second Troy," Pitzer College Art Galleries, Claremont, CA
: "Spirit Resurrection," Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
2011: "Loving You is Like _ _ _ _ _ _ _ the Dead," MOCA, Los Angeles, CA
: "Alexandria and Other Losses," Works Sited, Los Angeles Public Library, Los Angeles, CA
2010: "III," produced by Redling Fine Art, Los Angeles, CA
: "Out of the Forest & Into the Light," Machine Project & the L.A. Opera Ring Cycle Festival, Los Angeles, CA
: "California Surrogates for the Getty," Anthony Greaney, Boston, MA
2009: "The 24-Hour Roman Reconstruction Project," Arthouse at the Jones Center, Austin, TX
: "65 | 77 | 03 | -," workspace, Los Angeles, CA
: "All that is solid," Anthony Greaney, Boston, MA
2008: "The 24-Hour Roman Reconstruction Project," Machine Project, Los Angeles, CA

Selected Group Exhibitions

2025-2026: "Future Fossils," MassArt Art Museum, Boston, MA. Traveling to: Susquehanna Art Museum, Harrisburg, PA (2025); Torggler Fine Arts Center, Newport News, VA (2026)
2025: "Borderline," Paula Cooper Gallery, New York, NY
: "Sam Moyer: Woman with Holes," Hill Art Foundation, New York, NY
2024: "The Infinite Woman" Fondation Villa Carmignac, France
2023-2024: "Gilded: Contemporary Artists Explore Value and Worth," Weatherspoon Art Museum in Greensboro, NC. Traveling to: Hunter Museum of American Art, Chattanooga TN (2023-2024); Hood Museum of Art, Dartmouth, Hanover, NH (2024).
2023: "Ecstatic: Selections from the Hammer Contemporary Collection," Hammer Museum, Los Angeles, CA
2022: “Contemporary Antiquity,” Paula Cooper Gallery, Palm Beach, FL
: "Working Thought," The Carnegie Museum of Art, Pittsburgh, PA
: “STAND: The Watermill Center Annual Summer Benefit, Water Mill, NY
: “Strange”, Centro Andaluz the Arte Contemporanea, Seville, Spain
: “Stitched,” Paula Cooper Gallery, New York, NY
: “No Forms”, curated by Margot Norton, Hill Art Foundation, New York, NY
: "51 @ 51," Rennie Museum, Vancouver, Canada
2021: “Tides of the Century,” Ocean Flower Island Museum, Danzhou, Hainin, China
: “Carte Blanche: A Changing Exhibition,” Paula Cooper Gallery, Palm Beach, FL
2020: "20 Years," Vielmetter Los Angeles, Los Angeles, CA
2019: "Tabula Rasa: The Watermill’s 26th Annual Summer Benefit & Auction," The Watermill Center, Water Mill, NY
: "Todo en ti fue naufragio," curated by Jared Baxter, Angel’s Gate Cultural Center, San Pedro, CA
: "Non-Vicious Circle," Paula Cooper Gallery, New York, NY
: "Sculpture," Vielmetter Los Angeles, Los Angeles, CA
: "Unearthed Underground" in "Fiction," Bold Tendencies, London, UK (Link)
: "Céleste Boursier-Mougenot, Liz Glynn, Robert Grosvenor, Justin Matherly, Paul Pfeiffer," Paula Cooper, New York, NY
: "The American Scene," National Museum of Ceramics, Sevres, France
: "Pfeiffer," Paula Cooper Gallery, NY
2018: "Objects Like Us," The Aldrich Contemporary Art Museum, Ridgefield, CT (Link)
: "Picture Industry," Mecanique Generale, Parc des Ateliers, LUMA Arles, Arles, France (Link)
: “2018 Sculpture Milwaukee,” Milwaukee, WI (Link)
: "Statues Also Die," Fondazione Sandretto Re Rebaudengo and the Egyptian Museum, Turin, Italy (Link)
: "Manifesto: A Moderate Proposal," Pitzer College Art Galleries, Claremont, CA (Link)
2017: "Like a Moth to a Flame," Fondation Sandretto Re Rebaudengo, Turin, Italy
: "Rodin and the Contemporary Figurative Tradition," Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI
: "Picture Industry," Hessel Museum of Art at the Center for Curatorial Studies, Bard College, Annandale-On-Hudson, NY
: "The Gates of Hell," The Institute for New Feeling with Arturo Bandini, Ballroom Marfa
2016: "Systematically Open: New Forms for Contemporary Image Production," Luma Foundation, Arles, France
: "In Place of," Miguel Abreu, New York, NY
: "Sim City," Arturo Bandini at Ballroom Marfa, Marfa, TX
: "All Right," Redling Fine Art, Los Angeles, CA
2015: "Station to Station," Barbican Centre, London, UK
: "Two/Each," Barbara Krakow Gallery, Boston, MA
: "Bloody Red Sun of Fantastic L.A.," PIASA, Paris, France
: "Alchemy," D.C. Moore Gallery, Washington D.C.
: "Dissolving Margins," Paula Cooper Gallery, New York, NY
2014: "ArtPublic," curated by Nicholas Baume, Art Basel Miami Beach, Miami FL
: "A Machinery for Living," Petzel Gallery, New York, NY
: "Biennial de Paiz, Concepcion 41," curated by José Luis Blondet, La Antigua, Guatemala
: "I Take Part and the Part Takes Me," Galerie Tanja Wagner, Berlin, Germany
2013: "Jonathan Borofsky, Sam Durant, Charles Gaines, Liz Glynn, Wayne Gonzales, Hans Haacke, Walid Raad, Carey Young," Paula Cooper Gallery, New York, NY
: "Station to Station," a traveling performance festival organized by Doug Aiken
: "The only performances that make it all the way," Kunstlerhaus Halle fur Kunst & Medien, Graz, Austria
: "Renaissance Resistance. Resistance Renaissance," Villa Romana, Florence, Italy Neo Povera, L&M Arts, Los Angeles, CA
: "Works Sited," reprised, Cleopatra’s, New York, NY
: "Set Pieces," Cardi Black Box, Milan, Italy
: "Between This, That and the Other Thing," Harris Lieberman, New York, NY
2012: "Lost Line: Contemporary Art from the Collection," Los Angeles County Museum of Art, Los Angeles, CA
: "Cleopatra’s Family Jewels," Cleopatra’s at Family Business, New York, NY
: "Eight Sculptors," Paula Cooper Gallery, New York, NY
: "Nothing is forgotten, some things considered," UKS, Oslo, Norway
: "A set of performative dinners with Liz Glynn," The Academy / The Chthonic at Eleusis by Scott Benzel, Public Fiction, Los Angeles, CA
: "Made in L.A. 2012," The Hammer Museum, in collaboration with LAXART, Los Angeles, CA
: "Invisible Cities," MASS MoCA, North Adams, MA
2011: "Second Story | new editions, Pepin Moore, Los Angeles, CA
: "Temporary Structures: Performing Architecture in Contemporary Art," deCordova Sculpture Park and Museum, Lincoln, MA
: "Utopia or Oblivion," Performa 11, curated by RoseLee Goldberg, New York, NY
: "Benefit For The Student Mobilization Committee To End The War in Vietnam," Redling Fine Art, Los Angeles, CA
: "On Forgery: Is One Thing Better Than Another?," curated by Andrew Berardini and Lesley Moon, LA><ART, Los Angeles, CA
: "No Swan So Fine," curated by Joanna Fiduccia, Michael Benevento, Los Angeles, CA
: "Greater LA," organized by Eleanor Cayre, Benjamin Godsill, and Joel Mesler, New York, NY
: "7 Sculptors," Brennan & Griffin, New York, NY
: "Sculpture," Paula Cooper Gallery, New York, NY
: "Object Lessons," Carpenter Center for the Visual Arts, Cambridge, MA
: "The shortest distance between 2 points is often intolerable," Brand New Gallery, Milan, Italy
: "Collective Show," with the Public School, Human Resources, Los Angeles, CA
: "Verse | Chorus | Verse," Art Los Angeles Contemporary Special Projects, Los Angeles, CA
: "Embarrassment / Theory," Gallery KM, Santa Monica, CA
2010: "Let Them Eat LACMA," Los Angeles County Museum of Art, Los Angeles, CA
: "The Big Four," Steve Turner Contemporary, Los Angeles, CA
: "The Elysian Park Museum of Art," LACE, Los Angeles, CA
: "Projects and Assignments," curated by Andrew Berardini, Saprophyt, Vienna, Austria
: "Phenomenal: Selections from the Manuel de Santaren Collection," Young Projects, LA
: "Perform Now!," collaboration with Corey Fogel, Human Resources, Los Angeles, CA
: "Bizarre Animals," curated by Carlin Wing, Harvard Museum of Natural History, Cambridge, MA
2009: "The Generational: Younger than Jesus," curated by Lauren Cornell, Massimo Gioni, and Laura Hauptman, The New Museum, New York, NY
: "Bellwether, "Southern Exposure, San Francisco, CA
: "Perform Now!," Chung King Project, Los Angeles, CA
: "Untitled," (with Nate Page) Bolsky Gallery, Otis College of Art & Design, Los Angeles, CA
: "Performing Economies," Fellows of Contemporary Art, Los Angeles, CA
: "Paradise," (with Mariechen Danz), 7th and Fig Art Space, Los Angeles, CA
: "Material Histories," O’Artoteca, Milan, Italy
2008: "A Machine Project Guide to LACMA," Los Angeles County Museum of Art, Los Angeles, CA
: "Late Night Snack," REDCAT Lounge, Los Angeles, CA "Exchange Rate 2008," Sea and Space, Los Angeles, CA
: "Old Los Angeles Zoo," SLAB / Art 2102, Los Angeles, CA
: "GLAMFA," CSU Long Beach, Long Beach, CA
: "We Want a New Object," curated by Malik Gaines and Christine Y. Kim, Acuna- Hansen Gallery, Los Angeles, CA

Residencies, Scholarships, & Prizes

2021: MAP Fund, New York, NY
2018: Delfina Foundation, Performance as Process Residency, London, UK
2017: Rauschenberg Foundation Residence, Captiva, FL
2016: Creative Capital Emerging Fields Grant
: Pollock-Krasner Foundation Grant
: Orange County Collector’s Committee Grant
2015: Harpo Foundation, Individual Artist Grant
: Kakehashi Project, Japan Foundation, Tokyo, Japan
2014: International Artist-in-Residence, Artpace, San Antonio, TX
2012: Center for Cultural Innovation, Investing in Artist Grant for Artistic Innovation
2010: California Community Foundation, Emerging Artist Fellowship Artist Researcher, Los Angeles Goes Live, L.A.C.E., Los Angeles, CA
2009: O’artoteca, Milan, Italy
2007: Atlantic Center for the Arts, New Smyrna Beach, FL
: Joan Mitchell Foundation Associate Artist fellowship
2006: Vermont Studio Center, Johnson, VT
2004: Alfred Alcalay Prize

Bibliography

2025: Hill Art Foundation. "Sam Moyer: Woman with Holes," Hill Art Foundation, May 1
2020: Martinez, Christina Catherine. "Liz Glynn," Artforum, March (Link)
: Aguirre, Abby. "Inside the Los Feliz Home of Frieze’s Bettina Korek," W, January 29 (Link)
: Singh, Gary. "Feeling the Force," SF Arts Monthly, January (Link)
2019: Hotchkiss, Sarah. “SFO’s Harvey Milk Terminal 1 to Open With New Public Art”, KQED Arts, 26 June
: Kane, Ashleigh. “Art shows to leave the house for this month”, Dazed, 20 June
: Mcgivern, Hannah, José da Silva, and Kabir Jhala. “Three exhibitions to see in London this weekend”, The Art Newspaper, 31 May
: Buck, Louisa. “Peckham’s Pride: Bold Tendencies opens new season with a snaking sewage system and growling cars”, The Art Newspaper, 31 May
: Cascone, Sarah. “Editor’s Picks: 19 Things Not to Miss in New York’s Art World This Week”, Artnet News, 22 July
: Howard, Jack. “Park up at Bold Tendencies”, Vanity Fair / VF London (online), 25 July,
: Mairs, Jessica. "Unearthed Underground: is there still space for subculture?," Domus, August 8 (Link)
: "Rosetta Getty on the Female Artists who Inspire her," Vanity Fair, May 24 (Link)
: "Group exhibition at Paula Cooper Gallery, New York," Blouin Art Info, April 9 (Link)
: Culp, Samantha. "Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value," Harvard Magazine, January/February (Link)
2018: "Frieze London Opens This Friday," ArtForum (web), October 3 (Link)
: Baradel, Lacey, "Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas," CAA Reviews, September 21 (Link)
: "Diana Campbell Betancourt Introduces Live 2018," Frieze, September 21 (Link)
: Brown, Mark, "Frieze London art fair returns with gossiping opera singer," The Guardian (web), September 20 (Link)
: Iredale, Jessica, "Rosetta Getty RTW Spring 2019," WWD, September 10 (Link)
: "New York Fashion Week Women’s S/S 2019 Editor’s Picks," Wallpaper, September 11 (Link)
: Marcisz, Christopher, "Liz Glynn’s Comforting Vision of a Dystopian Future," Hyperallergic, August 28 (Link)
: Marcisz, Christopher, "Liz Glynn’s Comforting Vision of a Dystopian Future," Hyperallergic (web), August 27 (Link)
: Anderson, Lindsey, "Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight," Milwaukee Magazine (web), August 22 (Link)
: Harrington, Leah Triplett, "Redefining Common Space," Now + There blog, August 6 (Link)
: "Sculpture Milwaukee attracts visitors with tours, lectures and summer fun," Urban Milwaukee, July 18 (Link)
: Hagman, Sarah, "Sitting Pretty," The Improper Bostonian (web), August 3 (Link)
: McGowan, Amanda, "Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston," WGBH, August 3 (Link)
: Katz, Marni Elyse, "Beautiful Ruins," The Boston Globe (web), August 2 (Link)
: Cook, Greg, "Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future," Wonderland (web), July 30 (Link)
: Ambrose, Graham, "A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square," The Boston Globe (web), July 27 (Link)
: Gerst, Ellen, "New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall," Boston Magazine (web), July 26 (Link)
: Garcia, Maria, "Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin," wbur, July 26 (Link)
: Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 (Link)
: “Pallets as Social Commentary”, DC Velocity, February 16 (Link)
: Prashad, Vijay. “Radical Journeys: Memories of the War on Jobs and the War on Terror”, NewsClick, February 23 (Link)
: Schlebusch, Preston. “Where Culture Meets Nature, Will Bidding Wars Follow?”, The New York Times, 13 April, (Link)
: Settle, Kristin, “Sculpture Milwaukee returns June 1 to Wisconsin Avenue, Globe News Wire (web), June 1 (Link)
: Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 (Link)
: Wood, Ann, "Liz Glynn makes art a game of thrones," Wicked Local (web), February 23 (Link)
: McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January (Link)
: Cheng, Scarlet. “Liz Glynn at MASS MoCA”, Artillery, 2 January
2017: Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) (Link)
: Jones, Gillian. “Liz Glynn at Mass MoCA: A space filled with questions, but no answers”, The Berkshire Eagle, 3 November, 2017.
: Kitnick, Alex. “Liz Glynn”, Artforum, October (Link)
: Seven, John. “Tools of Progress, Past and Future”, Hill Country Observer, October 2017.
: Farago, Jason. “An Interview with Liz Glynn”, Even Magazine (Issue 8), September, 2017.
: Knopf, Brinley. “Public Art Fund: Liz Glynn”, Spindle Magazine, 15 August, 2017. (online)
: Farago, Jason. “Across New York, a Summertime Tour of Public Art”, New York Times, 29 June 2017. (Link)
: Green, Tyler. Episode No. 283, The Modern Art Notes Podcast. April 2017. (online)
: Homes, A.M., “In Portrait: Liz Glynn, the Artist Who Turned Central Park into an Open-Air Ballroom”, Vanity Fair, March (Link)
: Luckel, Madeleine. “Gilded Age Furniture Is Now Decorating New York’s Central Park”, Vogue, March 1
: Slenske, Michael. “Central Park Is Now Home to a Must-See Public Art Installation”, Architectural Digest, February 15
: Handley, Lucy. “From Ai Weiwei’s Dog to Indian wall painting: great public art – in pictures”, The Guardian, March 31 (Link)
: Wachs, Audrey. “Liz Glynn turns a corner of Central Park South into a Gilded Age living room for all”, The Architects Newspaper, 28 February 2017.
: Helmke, Juliet. “Liz Glynn on her Public Art Fund Commission Opening in Doris C. Freedman Plaza this Spring”, Blouin ArtInfo, 9 February 2017. (online)
: “Liz Glynn at Paula Cooper Gallery, New York”, ArtNews, 30 January 2017. (online)
: Smith, William S. “Liz Glynn”, Art in America, 12 January
2016: Munro, Cait. "Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers," artnet, January 12 (Link)
: Small, Rachel. “10 Picks From Independent New York 2016,” Interview Magazine, March 4 (Link)
: Harris, Gareth. “Liz Glynn brings turn-of-the-century grandeur to Central Park with her open-air ballroom.” The Art Newspaper. 26 December
: Cascone, Sarah. “Public Art Fund’s Spring Show Will Turn Central Park Into a Gilded Age Ballroom.” Artnet News. 22 December
: Chow, Andrew R., “Gilded Age Ballroom Installation Coming to Central Park”, New York Times, 21 December
: Soleil, David. “Liz Glynn Receives Creative Capital Grant”, 24700 (blog.calarts.edu), 19 January (online)
: “Creative Capital Announces 2016 Arts Awards Winners”, ArtForum, 12 January 2016. (online)
: Miranda, Carolina A. “KCHUNG, Ann Carlson and Percival Everett among 6 in L.A. to win Creative Capital grants”, Los Angeles Times, 12 January 2016. (online)
: Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers”, ArtNet, 12 January, 2016 (online)
2015: Mason, Brooke. “Sculpture Series: Liz Glynn pays Tribute to Rodin at LACMA,” Wallpaper, November 9, 2015. (online) (Link)
: Wagley, Catherine. “Real Phonies: 5 Art Show You Should See in LA This Week.” LA Weekly, November 13, 2015.
: Nathan, Emily. “artnet Asks: American Artist Liz Glynn,” Artnet, November 4, 2015. (online) (Link)
: Roffino, Sara. “Make It Official,” Blouin Art+Auction, October 2015, p. 34; illus.
: Saltz, Jerry. “See: Liz Glynn”, New York Magazine, September 23, 2015, p 139- 140
: Steadman, Ryan. “Weekend Edition: 10 Things to Do in New Yorkʼs Art World
: Halle, Howard. “Criticʼs Picks,” Time Out New York, September 30 – October 6, 2015, p. 52.
: “Before September 13,” The New York Observer, September 10, 2015 (online)
: Searle, Adrian. “Station to Station at the Barbican”, The Guardian, 29 June 2015. (online)
: “Doug Aitken and Liz Glynn”, BBC Radio London, June 24, 2015
2014: Miller, M.H. "Liz Glynn and Dawn Kasper Debate the Theory of Everything," Art News, December 3 (Link)
: "Liz Glynn: RANSOM ROOM," SculptureCenter, Long Island City, NY
: Small, Rachel. “Liz Glynn’s Golden Touch.” Interview Magazine. 3 June 2014. (online) (Link)
: Diehl, Travis. “Reviews: Liz Glynn”. ArtForum. April 2014. (online)
: Fisch, Sarah. “ArtPace’s International Artists-in-Residence Geek Out.” San Antonio Current. 26 March, 2014
: “Art”. The New Yorker. 3 February 2014. P 8
: Kollak, Ginny. “Liz Glynn’s ‘On the Possibility of Salvage’”. Art Agenda. 29 January 2014. (online)
: Miller, Michael. “The Siren Song of Liz Glynn: The Artist on Shipwrecks, Pirates, and Sending a Performer to Staten Island.” Gallerist NY. 21 January 2014. (online)
: Yablonsky, Linda. “Winter Wonderland”. ArtForum. 15 January 2014. (online)
: Linnert, Nicholas. “Critics’ Picks: Liz Glynn”. ArtForum. January 2014. (online)
2013: Cooper, Ashton. “Paula Cooper Now Reps L.A. Artist Liz Glynn”. Blouin Artinfo. 27 September 2013. (online)
: Kuipers, Dean. “The Expanding Universe of Doug Aitken’s “Station to Station”. Huff Post. 20 September 2013. (Online)
: Kooser, Amanda. “Station to Station: A nomadic ‘art happening’ for the tech Age. Crave—CNET. 20 September 2013. (Online)
: Lewis, Jim. “Doug Aitken: The Station to Station Agent”. W Magazine. September 2013.
: Riefe, Jordan. “Artist Liz Glynn Tells the Story of LA Calder Sculpture Through Ballet Mecanique.” Blouin Artinfo, 22 April 2013. (online)
: Laughlin, Shepherd. “Cocktail Art.” LS:N Global, The lifestyle news network. 27 May 2013. (online)
: Brown, Griselda Murray. “Art fairs get a piece of the action.” Financial Times. 13 May 2013.
: Solway, Diane. “Cultural Calendar: 10th Frieze Frame.” W Magazine. May 2013. p 126
: Trebay, Guy. “At Frieze, the Elite Browse and Forage.” The New York Times. 11 May 2013. p ST 8.
: Farago, Jason. “Frieze New York turns two with a giant balloon dog and a VIP- free speakeasy.” The Guardian. 10 May 2013.
: Sharpe, Emily. “Free Drink! If you’re lucky…”The Art Newspaper. 9 May 2013.
: Allen, Emma. “The Artistic Life: Fair Play.” The New Yorker. May 2013. p 24-25
: Ellis Fox, Emily. “What She Finds: Histories through objects.” Modern Painters. May 2013. P 66-68
: Blondet, José Luis. “Liz Glynn: The Myth of Getting It Right the First Time.” Unframed: the LACMA blog. 16 April 2013. Web.
: Lescaze, Zoë. “Buck the Trend: Artists Channel Buckminster Fuller.” Galleristny.com. 10 April 2013. Web.
: Blondet, José Luis. “Casting Call: [de]-lusions of Grandeur, a Performance Project by Liz Glynn.” Unframed: the LACMA blog. 18 January 2013. Web.
2012: Mizota, Sharon. “Unfaithful Copies: Liz Glynn’s Ancient Artifacts.” KCET.org. 3 October 2012. Web.
: Berardini, Andrew. "Hoards I Have Known." ArtSlant. ArtSlant, Inc., 18 Sept. 2012. Web.
: Lawson, Thomas. “Artists at Work: Liz Glynn.” East of Borneo, 6 September Web.
: Pincus-Roth, Zachary. “American Idol Meets the Museum : The Hammer’s Mohn Award is a grand experiment in art-world democracy.” LA Weekly, August 23
: Baumgardner, Julie. “Q+A: Liz Glynn Discusses Her Sculptures for ‘Made in L.A.’” Surface Magazine Blog, August 8
: Firstenberg, Lauri. “Made in L.A. 2012.” exhibition catalogue, 2012, The Hammer Museum, LAXART, and Barnsdall Municipal Gallery, Los Angeles, pages 48, 71-74.
: Diehl, Travis. “Long Read: On the Intoxication of Ruin (The Party Ends).” …might be good. Summer
: Lawson, Thomas, Ciara Ennis, and Mark Allen. “Liz Glynn: No Second Troy.” Pitzer Art Galleries catalogue
: Glynn, Liz. “Sculptors Discuss Sculpture.” Frieze. May, 2012 pages 204 – 213 (Link)
: Taft, Catherine. “Liz Glynn: Pitzer Art Galleries.” Artforum, April, 2012 pages 220 – 221
: Shaw, Michael. “Liz Glynn.” ArtScene. February, 2012 Vol. 31, No. 6 pages 11 – 12
: Berardini, Andrew. “The Rise and Fall of Liz Glynn.” Mousse Magazine, December 2011 – January 2012, pages 148 – 154
2011: Baum, Gary, et al. “Arts & Power : On the Make.” Angeleno, December, 2011 page 73
: Wagley, Catherine. “Occupy L.A. and the Art World : A wave of art projects go hand in hand with the protest” LA Weekly, November 24
: Cashdan, Marina. “Domebound.” New York Times Design Blog, October 24
: Sallabedra, Maria. “Liz Glynn’s Like A Patient Etherized Upon A Table (MOCA Goes Dark) Asked Visitors to Wander the Museum Blindfolded” LA Weekly Blog, November 4
: Glynn, Liz. "Art in L.A." Artforum, October 2011, page 267
: Myers, Holly. "Artist Liz Glynn Digs Through Rubble of History, Modern Times" Los Angeles Times, August 14
: Fogel, Corey and Liz Glynn. "III" Public Fiction Quarterly. Summer 2011
: Glynn, Liz. "Inverted Obelisk" from the Artist Project Series "A Monument to Forgetting" Cabinet, Summer 2011
: Neel, Tucker. “The Big Four.” X-tra Magazine, Summer 2011, pages 65 – 71
: Wolf, Kate. “Art Los Angeles Contemporary: The Fair In Three Parts” artnet Magazine
: Allen, Stacey. “Ode to an Ambitious Weekend.” East of Borneo, January 27
: Ireland, Corydon. “The Master’s Chair.” Harvard Gazette, February 2
2010: Mizota, Sharon. “ ‘Big Four’ with a singular purpose” Los Angeles Times, December 3
: Rutzmoser, Jon. “Basement Wagner: A Brief History of the Bayreuther Festspiele” X-tra Magazine, Winter 2010/Volume 13 Number 2
2009: Mayer, Anna. “Letter from Los Angeles.” Proximity Magazine, Winter 2009
: Faires, Robert. “Arthouse: It Takes a Village to Raise a City.” The Austin Chronicle, October 2
: Faires, Robert. “The 24 Hour Roman Reconstruction Project was too built in a Day.” The Austin Chronicle, September 25
: Berardini, Andrew. “The Rise and Fall of Liz Glynn” Anthony Greaney Gallery
: Wehr, Anne. “The Generational: Younger than Jesus.” Frieze, June / August 2009
: Cotter, Holland. “Young Artists, Caught in the Act.” The New York Times, April 9 (Link)
: Saltz, Jerry. “’Jesus’ Saves: God Bless the New Museum’s New Triennial” New York Magazine, April 9
: Higgins, Chester. “Building Rome in (Just Over) a Day” New York Times ArtsBeat Blog
: Hung, Jochen, Junger Als Jesus, Die Zeit, April 29
: Vogel, Carol. “Inside Art – A Plan to Reconstruct Rome.” New York Times, March 27
: The Younger than Jesus Artist Directory, The New Museum, NYC
: Mann, Elana, “Exchange Rate 2008”, in Day to Day by Carolina Caycedo “Container of Experiences.” Domus, March 2009
: A Machine Project Field Guide to LACMA, LACMA, Los Angeles
2008: Finkel, Jori. “Arty Subversives Storm the Museum.” The New York Times, November 28
: Hill, Jason. “The Image of the City: Notes on Mark Bradford’s Help Us and Liz Glynn’s 24 Hour Roman Reconstruction Project.” Art Lies, Summer 2008, pages 28-31.
: Ting Lipton, Shana. “Student Art Show Takes a Field Trip to Chinatown.” Los Angeles Times, May 29
: Friedrich, Kristin. “The Don’t Miss List.” Los Angeles Downtown News, May 26
: Weissman, Benjamin, editor, ULTRA, CalArts MFA Catalog Project
: Farnbee, Mindy. “The 24 Hour Roman Reconstruction Project: You, the Empire Builder,” Los Angeles Times, January 17

Group Exhibition Catalogues and Books

2021: Stamey, Emily. "Gilded: Contemporary Artists Explore Value and Worth," Exhibition Catalogue. Weatherspoon Art Museum, UNC Greensboro, NC, 2022. (Link)
2019: Cross, Susan, José Luis Blondet, Connie Butler, Travis Diehl, Carlin Wing, and Liz Glynn. “Liz Glynn: Objects and Actions”. New York: DelMonico Books—Prestel with MASS MoCA.
2018: “The Domestic Plane: New Perspectives on Tabletop Art Objects”. Gregory R. Miller & Co. with The Aldrich Contemporary Art Museum, 2018.
: Droschl, Sandro. “The Only Performances that Make it All the Way…Yes, But is it Performable?” Berlin: Sternberg Press, 2018.
: Knode, Marilu. “Sculpture Milwaukee 2018” Exhibition Catalogue. Milwaukee: Sculpture Milwaukee, 2018.
: Beshy, Walead. “Picture Industry: A Provisional History of the Technical Image 1844-2018. Arles: Luma and Center for Curatorial Studies, Bard College, 2018.
: “The Domestic Plane: New Perspectives on Tabletop Art Objects”. Gregory R. Miller & Co. with The Aldrich Contemporary Art Museum.
2017: Stepken, Angelika, Eva-Maria Troelenberg, and Mariechen Danz, eds. “Unmapping the Renaissance”, p. 196-207. Vienna: Verlag für moderne Kunst, 2017.
2016: Katrib, Ruba, and Mary Ceruti. “How Does It Feel?” Vol. 3 of “Inquiries into Contemporary Sculpture”, p. 45-48. New York: SculptureCenter and London: Black Dog Publishing, 2016.
2015: “Pathos (The Blind Exercises).” New York: Paula Cooper Gallery, 2015.
: Aitken, Doug, and Dean Kuipers. “Station to Station”. Ed. Elizabeth Karp-Evans, 208-9. New York: DelMonico Books—Prestel.
: “The Benefit of Friends Collected, Vol. 2”, p. 42-45. Los Angeles: Project X Foundation for Art & Criticism.
2012: Lawson, Thomas, Ciara Ennis, and Mark Allen. “Liz Glynn: No Second Troy.” Claremont, CA: Pitzer Art Galleries, 2012.
: Siegel, Lily, and Museum of Contemporary Art. “Engagement Party: Social Practice at Moca, 2008-2012”, p. 187-202. Los Angeles: Museum of Contemporary Art.
: Firstenberg, Lauri. “Made in L.A. 2012”, p. 48, 71-74. Los Angeles: Prestel with The Hammer Museum, LAXART, and Barnsdall Municipal Gallery.
2011: Deitsch, Dina, Giuliana Bruno, and Neal Leach. “Temporary Structures: Performing Architecture in Contemporary Art”, p. 72-76. Lincoln, MA: deCordova Sculpture Park and Museum.
: Berardini, Andrew. “The Shortest Distance Between Two Points is Often Intolerable”, p. 30-33. Milan: Brand New Gallery.
2009: “Bellwether”, p. 20-23. San Francisco: Southern Exposure.
: Cornell, Lauren, Laura Hoptman and Massimiliano Giono, eds. “Younger than Jesus Artist Directory: The Essential Handbook to a New Generation of Artists”, 189. London: Phaidon; and New York: The New Museum.
: Allen, Mark, Jason Brown and Liz Glynn, eds. “Machine Project: A Field Guide to the Los Angeles Museum of Art”. 18-21, 43-46, 64-66, 150-54. Los Angeles: Machine Project.
2008: Mann, Elana. “Exchange Rate 2008”. Los Angeles: Elana Mann.
: Weissman, Benjamin, ed. “ULTRA: 19”. Valencia, CA: Calarts.

Guest Lectures

2019: Liz Glynn on the Work of Frank Stella, Los Angeles County Museum of Art, Los Angeles, CA
: SUNY Purchase, Purchase, NY
: Keynote speaker, Toward (in)Visibility: Space, Temporality, and Voice. UCSD 12th Annual graduate Symposium, UCSD, San Diego, CA
: Pacific Northwest College of Art, Portland, OR
2018: In Conversation: Liz Glynn at the Milwaukee Art Museum, Milwaukee Art Museum, Milwaukee, WI
: "A Public Conversation: Public Art, Civic Space, and Activism." Boston Public Library, Boston, MA
: "Museum of Capitalism – Community Conversation: Housing in Boston." School of the Museum of Fine Arts at Tufts University, Boston, MA
: "Liz Glynn: Monuments, Mythologies, and Other Things that Fall Apart." Boston University, Boston, MA
: "Liz Glynn—In Conversation: Sculpture Milwaukee Artists." Milwaukee Art Museum, Milwaukee, WI
: "The Afterlife of Sculptures: Posthumous Casts in Scholarship, the Market, and the Law." Conference hosted by The Catalogue Raisonné Scholars Association, The Dedalus Foundation, New York, NY
: Williams College, Williamstown, MA
: Fine Art Work Center, Provincetown, MA
2017: California State University at Long Beach, CA
: "Liz Glynn in Conversation with Jason Farago," NeueHouse Hollywood, CA
: University of California, Riverside, CA
: Public Art Fund Talks at The New School, New York, NY
2016: "The Idea of Time." Museum of Contemporary Art, Los Angeles, CA
: "Gut-Rehab: Artists Addressing the Built Frontier," A Creative Capital Creative Conversation. San Francisco Art Institute, San Francisco, CA
2014: Panel: Fieldwork, with Nicholas Baume. Art Basel Miami Beach, Miami, FL
: 360 Speaker Series, Nasher Sculpture Center, Dallas, TX
: Texas State University, San Marcos, TX
2013: Symposium: The Artist in Public Life: A Symposium on Public Practices. San Francisco Art Institute, San Francisco, CA
2012: Design Dialogues: Social Club: Participation, Occupation, and Communication. Art Center College, Pasadena, CA
: OTIS College of Art and Design, Los Angeles, CA
: California Institute of the Arts, Valencia, CA
: Chapman University, Orange, CA
2011: Carpenter Center for Visual Arts, Cambridge, MA

Public Collections

: Hammer Museum, Los Angeles, CA
: Foundation Sandretto Re Rebaudengo, Turin, Italy
: Getty Research Institute, Los Angeles, CA
: Los Angeles County Museum of Art, Los Angeles, CA