Images

where there is a wand, there is a way
Installation View
Installation View
Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View
Installation View
Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View
Installation View
Photo credit: Robert Wedemeyer

where there is a wand, there is a way
Installation View
Installation View
Photo credit: Robert Wedemeyer

Dasha Shishkin
PETE IS A PRINCE OF A MAN, 2013
PETE IS A PRINCE OF A MAN, 2013
Pastel and acrylic on mylar
23 parts, 30" H x 42" W (76.2 cm H x 106.68 cm W) each, 120" H x 252" W (304.8 cm H x 640.08 cm W) overall
Photo credit: Robert Wedemeyer

Dasha Shishkin
God did not create man beardless, only cats and dogs, 2014
God did not create man beardless, only cats and dogs, 2014
Acrylic, pastel on BoPET
90" H x 126" W (228.6 cm H x 320.04 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
Sami Kratzt Sich, 2014
Sami Kratzt Sich, 2014
Pastel and acrylic on mylar
90" H x 126" W (228.6 cm H x 320.04 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
saucy tricks for sticky sorts, 2014
saucy tricks for sticky sorts, 2014
77" H x 72" W (195.58 cm H x 182.88 cm W) unframed, 81.50" H x 76" W (207.01 cm H x 193.04 cm W) framed
Photo credit: Robert Wedemeyer

Dasha Shishkin
analyte detection via protein nano spores , 2014
analyte detection via protein nano spores , 2014
72" H x 137.50" W (182.88 cm H x 349.25 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
sin in the mouth, 2014
sin in the mouth, 2014
Acrylic, pastel on BoPET
42" H x 30" W (106.68 cm H x 76.2 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
he's smart but his birds are sloppy, 2014
he's smart but his birds are sloppy, 2014
Ink, gouache on board
8" H x 10" W (20.32 cm H x 25.4 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
as tired as a meatball, 2014
as tired as a meatball, 2014
Ink, gouache on board
10" H x 8" W (25.4 cm H x 20.32 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
capitalism is hell, people are hell. nature is ugly, not to speak of chicago., 2014
capitalism is hell, people are hell. nature is ugly, not to speak of chicago., 2014
Graphite, gouache on board
10" H x 8" W (25.4 cm H x 20.32 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
bar the door, marian, 2014
bar the door, marian, 2014
Ink, gouache on board
10" H x 8" W (25.4 cm H x 20.32 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
for the busy and for vexed, 2014
for the busy and for vexed, 2014
Ink, gouache on board
12" H x 18" W (30.48 cm H x 45.72 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin

Dasha Shishkin
if you are a boy who has come in from skating or a turkey who is not feeling well, you get a shot of brandy, 2007
if you are a boy who has come in from skating or a turkey who is not feeling well, you get a shot of brandy, 2007
24" H x 58.50" W (60.96 cm H x 148.59 cm W) unframed, 29.25" H x 63.75" W (74.3 cm H x 161.93 cm W) framed
Photo credit: Robert Wedemeyer

Dasha Shishkin
constant vigilance, 2014
constant vigilance, 2014
Ink, gouache on board
10" H x 8" W (25.4 cm H x 20.32 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
cats are hilarious and i am dying, i am dying, i am dying, 2014
cats are hilarious and i am dying, i am dying, i am dying, 2014
Ink, gouache on board
8" H x 10" W (20.32 cm H x 25.4 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
oppressed at last, 2014
oppressed at last, 2014
Graphite, gouache on board
11" H x 14" W (27.94 cm H x 35.56 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
sassy and divine, 2014
sassy and divine, 2014
Graphite, gouache on board
8" H x 10" W (20.32 cm H x 25.4 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
WOW, BOB, WOW, 2013
WOW, BOB, WOW, 2013
Pastel and acrylic on mylar
60" H x 84" W (152.4 cm H x 213.36 cm W)
Photo credit: Robert Wedemeyer

Dasha Shishkin
not where or whom with, 2014
not where or whom with, 2014
Acrylic, pastel on BoPET
78" H x 72" W (198.12 cm H x 182.88 cm W)
Photo credit: Robert Wedemeyer
Press Release
Susanne Vielmetter Los Angeles Projects is pleased to announce our second solo exhibition of drawings by Dasha Shishkin. In Shishkin’s works on Mylar, canvas, paper, and wooden panels she creates a fantastical world populated by a strange set of characters. They are engaged in intertwined narratives, imaginings, and deliberate activities that offer the viewer a glimpse into a strange yet purposeful reality.
The figures in Shishkin’s drawings, all ostensibly female, are costumed, extra-limbed and extra-faced, expressive, urban and bucolic all at once. Shishkin’s bold palette and use of polka dots and other patterns blurs the boundaries between individual bodies, the air, and surrounding objects in her drawings. In other works, Shishkin’s approach is spare. In “fire beats roses, again”, two women, rendered in green oil pastel on paper, are locked in an anxious stare. The drawing suggests that both bodies are nude, but the figure on the left is marked with a series of growths suggestive of eyes or nipples. Meanwhile, drawings like “saucy tricks for sticky sorts”, which depicts a belching volcano under a blood-red sun whilst animal-woman hybrid figures negotiate the foreground of this strange landscape, are resplendent with color and pattern. In other drawings pattern is used to represent the air filling in the space around the figures. Ultimately, however, the lines that make up the drawings are their driving force. The fluidity and mastery with which Shishkin imbues her drawings breathes an acidic humor into her figures and their surreal world a world that is delightful and cruel all at once.
Born in Moscow, Russia, Dasha Shishkin currently lives and works in New York, NY. She received her MFA from Columbia University, New York, NY (2006) and her BFA from the New School for Social Research, New York, NY (2001). In 2013 Shishkin had a major solo exhibition, erry icket, at the Museum of Contemporary Art, Santa Barbara. Other recent solo exhibitions include I Surrender, Dear at the Contemporary Arts Center, Cincinnati, OH; SAMMY at Galleria Gio Marconi, Milan, Italy; BB5, Grieffelkunst, Hamburg, Germany; and Desparecido, Zach Feuer Gallery, New York, NY. Shishkins group exhibitions include Imaginary Portraits of Prince Igor, at Gallery Met, New York, NY; Gaiety is the Most Outstanding Feature of the Soviet Union: Art from Russia, Saatchi Gallery, London, UK; Idealizing the Imaginary: Invention and Illusion in Contemporary Painting, Oakland University Art Gallery, Rochester, MI; and Embrace, Denver Art Museum, Denver, CO. Dasha Shishkin is represented by Susanne Vielmetter Los Angeles Projects, Culver City, CA and Gio Marconi Gallery, Milan, Italy.