# News

URL: https://vielmetter.com/biography/wrklst-news-11/

**Nick Aguayo**

**2019**

Drambot, Shana Nys. “Art Guide: Saturday, September 7th in Downtown,” LA Weekly, September 4 ([Link](https://www.laweekly.com/art-guide-saturday-september-7th-in-downtown/))

**Edgar Arceneaux**

**2019**

Obioha, Vanessa. “Review: ‘Boney Manilli’ Finds an Inquisitive Audience in Lagos,” This Day, May 17 ([Link](https://www.thisdaylive.com/index.php/2019/05/17/review-boney-manilli-finds-an-inquisitive-audience-in-lagos/))

Bleiberg, Laura. “‘Artist in residence’: How one phrase is powering L.A.’s cultural explosion,” Los Angeles Times, April 25 ([Link](https://www.latimes.com/entertainment/arts/la-et-cm-artist-residency-20190425-story.html))

Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 11 ([Link](https://www.latimes.com/entertainment/arts/la-et-cm-mike-kelley-foundation-grants-winners20190411-story.html))

**2018**

Paul, Crystal. “Edgar Arceneaux’s labyrinthine ‘Library of Black Lies’ invites endless interpretation,” Seattle Times, December 19 ([Link](https://www.seattletimes.com/entertainment/visual-arts/edgar-arceneauxs-labyrinthine-library-of-black-lies-invites-endless-interpretation/))

Castro, Alexander. “Performance revisits an infamous TV moment for Ben Vereen,” Providence Journal, November 28 ([Link](http://www.providencejournal.com/entertainmentlife/20181128/performance-revisits-infamous-tv-moment-for-ben-vereen))

Borchert, Gavin. “Henry Art Gallery’s New Senior Curator on the Role of Art in Challenging Times,” Seattle Magazine, November ([Link](https://www.seattlemag.com/arts-and-culture/henry-art-gallerys-new-senior-curator-role-art-challenging-times))

Cascone, Sarah, “Editors’ Picks, Print Week Edition: 21 Things Not to Miss in New York’s Art World This Week,” artnet news, October 22 ([Link](https://news.artnet.com/art-world/editors-picks-october-22-1368736))

“150+ Artists and Billboard Locations Announced As Part of The Largest Public Art Project in U.S. History,” ArtFix Daily, October 19 ([Link](http://www.artfixdaily.com/artwire/release/9752-150+-artists-and-billboard-locations-announced-as-part-of-the-lar))

Clendenen, Dustin. “Update: For Freedoms Arrives in L.A. Ahead of Nov. 6 Midterm Election,” LA Weekly, October 23 ([Link](https://www.laweekly.com/arts/update-for-freedoms-arrives-in-la-ahead-of-nov-6-midterm-election-9988654))

Cooper, Matt. “The week ahead in SoCal theater, Oct. 14-21: ‘Winter Solstice,’ ‘Dear Evan Hansen’ and more,” LA Times, October 12 ([Link](http://www.latimes.com/entertainment/arts/theater/reviews/la-ca-lists-1014-theater-20181014-story.html))

“Los Angeles Performance Practice Presents the LAX Festival,” Broadway World, October 4 ([Link](https://www.broadwayworld.com/bwwmusic/article/Los-Angeles-Performance-Practice-Presents-the-LAX-Festival-20181004))

Fernandez, Jacqueline. “5 theatre performances, from life at a cutthroat New York magazine to a Pulitzer Prize-winning play,” The Eastsider, October 19 ([Link](https://www.theeastsiderla.com/2018/10/5-theatre-performances-from-life-at-a-cutthroat-new-york-magazine-to-a-pulitzer-prize-winning-play/))

“Brown Arts Initiative Announces Fall 2018 Programming Highlights Presented at Brown University,” ArtFix Daily, September 11 ([Link](http://www.artfixdaily.com/artwire/release/561-brown-arts-initiative-announces-fall-2018-programming-highlights-p))

Almino, Elisa Wouk. “Ten Days of Local Performance Art Throughout Downtown LA,” Hyperallergic, October 10 ([Link](https://hyperallergic.com/464835/los-angeles-exchange-lax-festival-2018/))

“Sept. 22: CalArts Alum Presents Financial Workshop at Broad Museum,” SVC News (web), September 20 ([Link](https://scvnews.com/2018/09/20/sept-22-calarts-alum-presents-financial-workshop-at-broad-museum/))

Stromberg, Matt, “A Workshop for Artists to Mindfully Manage Their Finances,” Hyperallergic (web), September 19 ([Link](https://hyperallergic.com/461311/edgar-arceneaux-new-financial-architectures-for-creative-communities-broad/))

**My Barbarian**

**2018**

“Non-Western,” Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, CA ([Link](https://www.redcat.org/event/my-barbarian-non-western))

**Whitney Bedford**

**2019**

Sritharan, Abi. “5 Wonderful Things To Do In London This Weekend (15-17 March 2019),” Luxury London, March 12 ([Link](https://luxurylondon.co.uk/things-to-do-in-london/this-weekend/15-17-march-2019))

**2018**

Jean Black, Ezhra, “Refuge from the Inferno: L.A.’s Best Summer Group Shows,” Artillery (web), August 8 ([Link](https://artillerymag.com/refuge-from-the-inferno-l-a-s-best-summer-group-shows/))

Zarley, B. David, “Sand, Sea, and the Sublime: A Review of Whitney Bedford at Carrie Secrist Gallery,” New City Art (web), June 15 ([Link](https://art.newcity.com/2018/06/15/sand-sea-and-the-sublime-a-review-of-whitney-bedford-at-carrie-secrist-gallery/))

**Sadie Benning**

**2018**

Casadio, Mariuccia. “I quadri di Sadie Benning,” Vogue Italia, April 16 ([Link](https://www.vogue.it/news/vogue-arte/2018/04/17/i-quadri-di-sadie-benning-vogue-italia-aprile-2018))

O’Falt, Chris, “Pixelvision: How a Failed ‘80s Fisher-Price Toy Camera Became One of Auteurs’ Favorite ’90s Tools,” IndieWire (web), August 9 ([Link](https://www.indiewire.com/2018/08/pixelvision-pxl-2000-fisher-price-toy-experimental-film-camera-lincoln-center-series-1201991348/))

Masterson, Piers, “Sadie Benning: Sleep Rock,” this is tomorrow Contemporary Art Magazine (web), May 10 ([Link](http://thisistomorrow.info/articles/sadie-benning-sleep-rock))

Lloyd, Kathryn, “Sadie Benning, Sleep Rock,” The White Review (web), May ([Link](http://www.thewhitereview.org/reviews/sadie-benning-sleep-rock/))

Luke, Ben, “Sadie Benning/Ian White review: Playing tricks on a sense of time,” Evening Standard (web), April 30 ([Link](https://www.standard.co.uk/go/london/arts/sadie-benningian-white-review-playing-tricks-on-a-sense-of-time-a3826706.html))

Waugh, Rosemary, “Sadie Benning: Sleep Rock,” Time Out London, April 24 ([Link](https://www.timeout.com/london/art/sadie-benning-sleep-rock-review))

**Ellen Berkenblit**

**2019**

“Atrium Project: Ellen Berkenblit,” MCA Chicago, Chicago, IL ([Link](https://mcachicago.org/Exhibitions/2019/Atrium-Project-Ellen-Berkenblit))

“Samaritans,” Eva Presenhuber, New York, NY ([Link](https://www.presenhuber.com/home/exhibitions/2018/SAMARITANS-Dan-Nadel-ep-ny/Press-Release.html))

Farr, Kristin. “Ellen Berkenblit, Practical Magic,” Juxtapoz, July 10 ([Link](https://juxtapoz.com/news/magazine/features/ellen-berkenblit-practical-magic/))

Russeth, Andrew. “Seven Superb Shows to See in Los Angeles During—and After—the Art Fairs,” Artnews, February 15 ([Link](http://www.artnews.com/2019/02/15/seven-superb-shows-see-los-angeles-art-fairs/))

Desmarais, Charles. “Berkenblit, Braman’s trippy ‘True Blue Mirror’ at McEvoy Foundation,” SF Chronicle, February 8 ([Link](https://datebook.sfchronicle.com/art-exhibits/berkenblit-bramans-trippy-true-blue-mirror-at-mcevoy-foundation))

Scott, Andrea K. ““Samaritans,” New Yorker, January 26 ([Link](https://www.newyorker.com/goings-on-about-town/art/samaritans))

**2018**

Yau, John, “Ellen Berkenblit’s Outcasts, Animals, and Body Parts,” Hyperallergic, September 22 ([Link](https://hyperallergic.com/461264/ellen-berkenblit-the-clock-unlocked-anton-kern-gallery/))

Nadel, Dan, “Human Nature: Dan Nadel on the Art of Ellen Berkenblit, Carroll Dunham, Sarah Peters, and Kyle Staver,” Artforum, September ([Link](https://www.artforum.com/print/201807/dan-nadel-on-the-art-of-ellen-berkenblit-carroll-dunham-sarah-peters-and-kyle-staver-76337))

“In Conversation: Ellen Berkenblit with Alex A. Jones,” The Brooklyn Rail (web), September 4 ([Link](https://brooklynrail.org/2018/09/art/INCONVERSATION-ELLEN-BERKENBLIT-with-Alex-A-Jones))

Indrisek, Scott, “17 Artists Share the Music that Inspires Them,” Artsy (web), June 27 ([Link](https://www.artsy.net/article/artsy-editorial-17-artists-share-music-inspires-studio))

“Ellen Berkenblit at Rodolphe Janssen, Brussels,” Artnet News, June 16

Yau, John, “An Artist’s Film Not Like the Others,” Hyperallergic (web), June 15 ([Link](https://hyperallergic.com/445116/an-artists-film-not-like-the-others/))

**Andrea Bowers**

**2018-2019**

“Parking on Pavement,” The School, Jack Shainman Gallery, New York, NY

**2019**

O’Neil, Dilara. “Who Profits When Pain Becomes Art?,” Garage, June 19 ([Link](https://garage.vice.com/en_us/article/zmp85j/who-profits))

“Art Basel removes part of Andrea Bowers’ ‘Open Secret’ installation,” Malay Mail, June 14 ([Link](https://www.malaymail.com/news/life/2019/06/14/art-basel-removes-part-of-andrea-bowers-open-secret-installation/1761972))

Larsen, Nina. “Women artists bring #MeToo reckoning to Basel fair,” Jakarta Post, June 14 ([Link](https://www.thejakartapost.com/life/2019/06/14/women-artists-bring-metoo-reckoning-to-basel-fair.html))

Niermann, Ingo. “Basel Roundup,” Art Agenda, June 18 ([Link](https://www.art-agenda.com/features/273407/basel-roundup))

“#MeToo Art Installation in New York Involves Survivors’ Images Without Consent, Social Media Slams Artist Andrea Bowers,” Latestly, June 13 ([Link](https://www.latestly.com/social-viral/metoo-art-installation-in-new-york-involves-survivors-images-without-consent-social-media-slams-artist-andrea-bowers-925090.html))

Cascone, Sarah. “After an Outcry, Andrea Bowers Removes an Abuse Survivor’s Photos From a Monumental Artwork About the #MeToo Movement,” artnet, June 12 ([Link](https://news.artnet.com/market/metoo-victim-demands-andrea-bowers-1571290))

Schneider, Tim and Kate Brown. “The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines,” artnet, June 11 ([Link](https://news.artnet.com/market/art-basel-unlimited-2019-1568539))

Siegel, Nina. “#MeToo Work at Art Basel Offers Cautionary Tale About Political Art,” New York Times, June 16 ([Link](https://www.nytimes.com/2019/06/16/arts/design/metoo-artwork-art-basel-bowers-ethics.html))

Kinsella, Eileen. “The #MeToo Movement Will Headline Art Basel Unlimited This Year With Andrea Bowers’s Epic Account of America’s Harassment Reckoning,” artnet, April 16 ([Link](https://news.artnet.com/market/andrea-bowers-art-basel-1517467))

Weathers, Chelsea. “After Posada: Revolution,” Artforum, February ([Link](https://www.artforum.com/print/reviews/201902/after-posada-revolution-78476))

**2018**

Mania, Astrid. “Critics Picks: Andrea Bowers at Capitain Petzel,” Artforum, September ([Link](https://www.artforum.com/picks/andrea-bowers-43376))

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 ([Link](https://www.theguardian.com/artanddesign/2018/oct/04/frieze-london-review-women-on-top-at-the-metoo-art-fair))

Schuster, Angela M.H. “Contemporary Art Shines Bright in the City of Light,” Robb Report, October 16 ([Link](https://robbreport.com/shelter/art-collectibles/contemporary-art-shines-bright-in-city-of-light-2823050/))

Princenthal, Nancy, “3 Outdoor Art Shows and One Trusty Dog (With Tricks!),” New York Times (web), September 6 ([Link](https://www.nytimes.com/2018/09/06/arts/design/outdoor-art-in-new-york-city.html))

Stromberg, Matt, “The Power of Artists’ Books to Bind Together Radical Ideas,” Hyperallergic (web), August 28 ([Link](https://hyperallergic.com/457522/artists-and-their-books-books-and-their-artists-getty-research-institute/))

Lambie, Mark, “El Paso artists’ sweet creations of pan dulce casts benefit Annunciation House,” El Paso Times (web), July 27 ([Link](https://www.elpasotimes.com/story/news/local/el-paso/2018/07/27/el-paso-artists-sweet-pan-dulce-creations-benefit-annunciation-house-immigrant-children-family/852910002/))

“#MeToo Narratives in Open Secret by Andrea Bowers,” Blouin Art Info (web), July 18 ([Link](http://www.blouinartinfo.com/news/story/3163438/metoo-narratives-in-open-secret-by-andrea-bowers))

Lynch, Scott, “Check Out All This New Art & Insane Crowding On The High Line,” Gothamist (web), April 27 ([Link](http://gothamist.com/2018/04/27/new_art_high_line_2018.php#photo-1))

**Kim Dingle**

**2019**

Grundy, Gordy. “We Love Art Books! (Part 2),” Artillery, April 25 ([Link](https://artillerymag.com/we-love-art-books-part-2/))

Barrie, Lita. “Kim Dingle: I Will Be Your Server (The Lost Supper Paintings),” Riot Material, April 5 ([Link](https://www.riotmaterial.com/kim-dingle-i-will-be-your-server/))

Pagel, David. “Mayhem, table for 1: Artist Kim Dingle, Fatty’s restaurant and her ‘Lost Supper’ paintings,” Los Angeles Times, March 18 ([Link](https://www.latimes.com/entertainment/arts/la-et-cm-kim-dingle-review-20190318-story.html))

Schneider, Tim. “Frieze Los Angeles Opens With Pop-Cultural Cachet in the Aisles, on the Stands, and in the Sales Figures,” artnet, February 15 ([Link](https://news.artnet.com/market/frieze-los-angeles-sales-1466575))

“Frieze Los Angeles Kicks Off Inaugural Edition at Paramount Pictures Studios This Week,” Artfix Daily, February 13 ([Link](http://www.artfixdaily.com/artwire/release/8996-frieze-los-angeles-kicks-off-inaugural-edition-at-paramount-pictu))

**2018**

Brewer, Gary, “Studio Visit: Kim Dingle, Innocence and Pathos – the Chiaroscuro of the Soul,” Art and Cake, October 5 ([Link](https://artandcakela.com/2018/10/05/studio-visit-kim-dingle-innocence-and-pathos-the-chiaroscuro-of-the-soul/))

Wolff, Natasha, “Change Agents Erin Christovale, Kim Dingle, and Maggie Kayne,” Muse, April 2 ([Link](http://robbreport.com/muse/thought-leaders/women-la-art-cene-erin-christovale-kim-dingle-maggie-kayne-eg18-2785283/))

Becker, Noah, “Whitehot Suggests: Kim Dingle at Sperone Westwater,” Whitehot Magazine, March ([Link](http://www.artcritical.com/2018/03/01/lucia-love-mooney-martin-with-kim-dingle/%20))

Moony-Martin, Lucia Love, “Muscle Memory: Kim Dingle talks about her Blindfold paintings with Lucia Love Mooney-Martin,” artcritical (web), March 3 ([Link](http://www.artcritical.com/2018/03/01/lucia-love-mooney-martin-with-kim-dingle/%20))

Yau, John ,”Painting by Touch, Not by Sight,” Hyperallergic (web), January 27 ([Link](https://hyperallergic.com/423555/kim-dingle-painting-blindfolded-sperone-westwater-2018/))

**2017**

Pashaie, Natalie, “Kim Dinlge ‘YIPES’: From Playful to Notorious,” Art Now LA, November 16 ([Link](http://artnowla.com/2017/11/06/kim-dingles-yipes/))

Miranda, Carolina, “Q&A: How Ed Sullivan, girls gone wild, an alligator and blindfold painting shaped the art of Kim Dingle,” Los Angeles Times, November 8 ([Link](http://www.latimes.com/entertainment/arts/miranda/la-et-cam-kim-dingle-vielmetter-20171108-htmlstory.html))

**Mx Nicole Eisenman**

**2019**

Kinsella, Eileen. “With Warren Kanders Gone, the Eight Whitney Biennial Artists Will Keep Their Work in the Show After All,” artnet, July 25 ([Link](https://news.artnet.com/art-world/whitney-biennial-defectors-reverse-course-1610032))

Saltz, Jerry. “A True Protest Biennial,” Vulture, July 22 ([Link](https://www.vulture.com/2019/07/artists-withdrawing-from-whitney-biennial-over-kanders.html))

Kushwaha, Brooke. “Queer Artist Nicole Eisenman Installs a Public Artwork in Boston’s 401 Park,” L’Officiel, July 22 ([Link](https://www.lofficielusa.com/art/nicole-eisenman-public-artwork-boston-2019))

Sutton, Benjamin. “Four artists demanded their works be removed from the Whitney Biennial.” Artsy, July 19 ([Link](https://www.artsy.net/news/artsy-editorial-four-artists-demanded-works-removed-whitney-biennial))

Small, Zachary. “Seven Artists Withdraw Their Work From 2019 Whitney Biennial,” Hyperallergic, July 19 ([Link](https://hyperallergic.com/510167/artists-withdraw-work-from-2019-whitney-biennial/))

Greenberger, Alex. “Artists Remove Work from Whitney Biennial, Protesting Board Member’s Ties to ‘Teargas and Other Weapons of Repression,’” ArtNews, July 19 ([Link](http://www.artnews.com/2019/07/19/whitney-biennial-artists-kanders-removal/))

Stapley-Brown, Victoria. “Four artists withdraw their work from the Whitney Biennial,” The Art Newspaper, July 19 ([Link](https://www.theartnewspaper.com/news/four-artists-withdraw-their-work-from-the-whitney-biennial))

Moynihan, Colin. “Seven Artists Withdraw From Whitney Biennial Over Board Member’s Ties to Tear Gas,” New York Times, July 19 ([Link](https://www.nytimes.com/2019/07/19/arts/whitney-biennial-tear-gas-protest.html))

“A Letter From Artists in the Whitney Biennial,” Artforum, July 19 ([Link](https://www.artforum.com/slant/a-letter-from-artists-in-the-whitney-biennial-80361))

Kinsella, Eileen. “Nicole Eisenman and Three Other Artists Withdraw Their Work From the Whitney Biennial in Protest of Board Member Warren Kanders,” artnet, July 19 ([Link](https://news.artnet.com/art-world/artists-withdraw-whitney-biennial-1605475))

Higgie, Jennifer. “58th Venice Biennale Review: Brilliance and Bluster,” Frieze, May 9 ([Link](https://frieze.com/article/58th-venice-biennale-review-2019-may-you-live-interesting-times))

Davis, Ben. “Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition,” artnet, May 9 ([Link](https://news.artnet.com/exhibitions/see-works-giardini-venice-biennale-2019-1542052))

Russeth, Andrew. “Touring the Venice Biennale, Part 2: The Giardini,” ArtNews, May 8 ([Link](http://www.artnews.com/2019/05/08/venice-biennale-slideshow-giardini/))

Freeman, Ciaran and Brandon Sanchez. “What does America look like in 2019? The Whitney Biennial asks and answers.” America: The Jesuit Review, June 14 ([Link](https://www.americamagazine.org/arts-culture/2019/06/14/what-does-america-look-2019-whitney-biennial-asks-and-answers))

Dondero, Lillian. “What to Expect at this Year’s Politically-Charged Whitney Biennial,” Elle Decor, June 14 ([Link](https://www.elledecor.com/life-culture/a28009128/whitney-biennial-review-2019/))

Forsythe, Dana. “7 Public Art Installations To Check Out In Boston This Summer,” wbur, June 7 ([Link](https://www.wbur.org/artery/2019/06/07/summer-public-art-installations-greater-boston))

Dawson, Aimee. “‘Do your worst, Boston’: Nicole Eisenman’s fountain—vandalised in Germany—gets permanent US home,” Art Newspaper, June 7 ([Link](https://www.theartnewspaper.com/news/do-your-worst-boston-nicole-eisenman-s-fountain-vandalised-in-germany-gets-permanent-us-home))

Scott, Chad. “Nicole Eisenman Installation Puts Exclamation Point On Fenway Development,” Forbes, June 6 ([Link](https://www.forbes.com/sites/chaddscott/2019/06/06/nicole-eisenman-installation-puts-exclamation-point-on-fenway-development/#52cd66511aa4))

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 ([Link](https://www.ft.com/content/e85939d8-86ad-11e9-b861-54ee436f9768))

Huang, Banyi, “Whitney Biennial 2019: Between Resistance and Complicity,” Ocula, May 31 ([Link](https://ocula.com/magazine/reports/whitney-biennial-2019-between-resistance-and-/))

Kelly, Brian. “Forensic Architecture’s Documentary on Kanders Doesn’t Absolve the Whitney Museum,” Hyperallergic, May 22 ([Link](https://hyperallergic.com/501239/warren-kanders-documentary-triple-chasers-whitney-museum/))

Singer, Dan. “These laid-back Nasher sculptures will keep on lounging poolside for good,” Dallas News, May 23 ([Link](https://www.dallasnews.com/arts/visual-arts/2019/05/22/laid-back-nasher-sculptures-will-keep-lounging-poolside-good))

Flores, Micah. “See the Nasher’s Whimsical New Fountain Installation,” D Magazine, May 22 ([Link](https://www.dmagazine.com/arts-entertainment/2019/05/see-the-nashers-whimsical-new-fountain-installation/))

“Biennial delivers, despite birth pains,” The Villager, May 22 ([Link](https://www.thevillager.com/2019/05/biennial-delivers-despite-birth-pains/))

Schjeldahl, Peter. “The Whitney Biennial in an Age of Anxiety,” New Yorker, May 20 ([Link](https://www.newyorker.com/magazine/2019/05/27/the-whitney-biennial-in-an-age-of-anxiety))

“Nasher Sculpture Center Acquires Nicole Eisenman’s Sketch for a Fountain,” Artforum, May 20 ([Link](https://www.artforum.com/news/nasher-sculpture-center-acquires-nicole-eisenman-s-sketch-for-a-fountain-79858))

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 ([Link](https://frieze.com/article/2019-whitney-biennial-unafraid-be-beautiful))

Hoffman, Barbara. “Whitney Biennial 2019 is a don’t-miss spectacle of wit and weight,” New York Post, May 17 ([Link](https://nypost.com/2019/05/17/whitney-biennial-2019-is-a-dont-miss-spectacle-of-wit-and-weight/))

Smee, Sebastian. “The Whitney Biennial presents the best new artists in the country — and lots of fluff,” Washington Post, May 18 ([Link](https://www.washingtonpost.com/entertainment/museums/the-whitney-biennial-presents-the-best-new-artists-in-the-country--and-lots-of-fluff/2019/05/17/0af0d7f6-78d7-11e9-bd25-c989555e7766_story.html?utm_term=.98fc7f6eefce))

Ferrarini, Paolo. “Venice Art Biennale 2019: Bold + Bright,” Cool Hunting, May 17 ([Link](https://coolhunting.com/design/venice-art-biennale-2019-bold-bright-highlights/))

Bradley, Paige K., “As the World Turns,” Artforum, May 16 ([Link](https://www.artforum.com/diary/paige-k-bradley-at-the-opening-of-the-79th-whitney-biennial-79833))

Solomon, Deborah. “Review: The Whitney Biennial Cops Out,” WNYC, May 17 ([Link](https://www.wnyc.org/story/review-whitney-biennial-cops-out/))

Plagens, Peter. “Whitney Biennial Review: Still Protesting, but to What End?,” Wall Street Journal, May 16 ([Link](https://www.wsj.com/articles/whitney-biennial-review-still-protesting-but-to-what-end-11557957271))

Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics,” New York Times, May 16 ([Link](https://www.nytimes.com/2019/05/16/arts/design/whitney-biennial-review.html))

Small, Zachary. “The Apprehensive Politics of a Generation Surface at the 2019 Whitney Biennial,” Hyperallergic, May 15 ([Link](https://hyperallergic.com/500281/2019-whitney-biennial/))

Solway, Diane. “The Whitney Biennial 2019’s Standout Artists Look Backwards, Forwards, All Around Us,” W, May 15 ([Link](https://www.wmagazine.com/story/whitney-biennial-2019-artists-highlights))

Russeth, Andrew. “Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now,” ArtNews, May 13 ([Link](http://www.artnews.com/2019/05/13/whitney-biennial-review/))

Small, Zachary. “Initial Thoughts and Highlights from the 2019 Whitney Biennial,” Hyperallergic, May 13 ([Link](https://hyperallergic.com/500133/initial-thoughts-and-highlights-from-the-2019-whitney-biennial/))

Sutton, Benjamin. “A Nicole Eisenman fountain will splash down in Boston.” Artsy, April 9 ([Link](https://www.artsy.net/news/artsy-editorial-nicole-eisenman-fountain-will-splash-boston))

Russeth, Andrew. “Nicole Eisenman Fountain Will Grace Boston,” ArtNews, April 9 ([Link](http://www.artnews.com/2019/04/09/nicole-eisenman-fountain-boston/))

Buck, Louisa. “Lismore Castle serves up a rich palimpsest of themes for new show,” Art Newspaper, April 5 ([Link](https://www.theartnewspaper.com/review/lismore-castle))

**2018**

Alma, Rahel. “By All Means, Judge a Book By Its Cover,” Garage (blog), December 24 ([Link](https://garage.vice.com/en_us/article/8xpk73/stacks-of-books-in-art))

Brown, Kate. “Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany,” artnet, November 8 ([Link](https://news.artnet.com/art-world/nicole-eisenman-sculpture-kunsthalle-baden-baden-1389568))

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 ([Link](https://www.artsy.net/article/artsy-editorial-sold-fiac-10-22-18?utm_medium=email&utm_source=14849716-newsletter-editorial-weekly-10-23-18&utm_campaign=editorial&utm_content=st-A))

Small, Zachary, “Looking at Queer Constellations of Intimacy,” Hyperallergic (web), August 20 ([Link](https://hyperallergic.com/455516/looking-at-queer-constellations-of-intimacy/))

Hickley, Catherine, “Münster on track to raise funds for Eisenman fountain as artist and gallery reduce price,” The Art Newspaper (web), August 15 ([Link](https://www.theartnewspaper.com/news/muenster-on-track-to-raise-funds-for-eisenman-fountain-as-artist-and-gallery-reduce-price))

Faires, Robert, “Nicole Eisenman Receives Booth/FLAG Art Prize,” The Austin Chronicle (web), August 6 ([Link](https://www.austinchronicle.com/daily/arts/2018-08-06/nicole-eisenman-receives-booth-flag-art-prize/))

Friel, Katie, “Austin art museum bestows one of the world’s most ambitious prizes on New York artist,” Culture Map Austin (web), August 3 ([Link](http://austin.culturemap.com/news/arts/08-03-18-contemporary-austin-awards-suzanne-deal-booth-flag-foundation-prize-nicole-eisenman/))

“Nicole Eisenman Wins $200,000 Suzanne Deal Booth/FLAG Art Foundation Prize,” ArtForum (web), August 3 ([Link](https://www.artforum.com/news/nicole-eisenman-wins-200-000-suzanne-deal-booth-flag-art-foundation-prize-76137))

Barnes, Michael, “Austin museum picks winner of $800,000 art prize,” My Statesman (web), August 2 ([Link](https://www.mystatesman.com/news/austin-museum-picks-winner-800-000-art-prize/h05hRSweDgJZbhNdjLvLFJ/))

van Ryzin, Jeanne Claire “Nicole Eisenman wins $200,000 Suzanne Deal Booth / FLAG Art Foundation Prize,” Sight Lines Magazine (web), August 2 ([Link](https://sightlinesmag.org/nicole-eisenman-wins-200000-suzanne-deal-booth-flag-art-foundation-prize))

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 ([Link](https://www.nytimes.com/2018/08/02/arts/design/painting-now-and-forever-review-chelsea.html))

Varadi, Keith J., “Nicole Eisenman at Susanne Vielmetter Los Angeles Projects,” carla (web), April 18 ([Link](http://contemporaryartreview.la/nicole-eisenman-at-susanne-vielmetter-los-angeles-projects/))

Gerwin, Daniel, “Nicole Eisenman’s Portraits of Angry White Men,” Hyperallergic (web), April 12 ([Link](https://hyperallergic.com/437578/nicole-eisenman-susan-vielmetter-los-angeles-projects/))

Waters, Sydney, “Dark Light is a Masterpiece of Political Relevance,” Art and Cake, April 9 (web) ([Link](https://artandcakela.com/2018/04/09/dark-light-is-a-masterpiece-of-political-relevance/))

Mizota, Sharon, “In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment,” Los Angeles Times (web), April 2 ([Link](http://www.latimes.com/entertainment/arts/la-et-cm-nicole-eisenman-review-20180402-htmlstory.html))

**Genevieve Gaignard**

**2019**

“Lost and Found in America,” Florida Museum of Photographic Arts, Tampa, FL ([Link](https://fmopa.org/lost-and-found-in-america/))

Zeiba, Drew. “Vernacular Interior at Hales New York,” Artforum, July ([Link](https://www.artforum.com/picks/vernacular-interior-80208))

Vickery, Morgan. “Q&A | Genevieve Gaignard,” Flaunt, May 2 ([Link](https://www.flaunt.com/content/qampa-genevieve-gaignard))

Malley, Clara. “Genevieve Gaignard removes our rose-colored glasses for white Americana,” Document, April 5 ([Link](https://www.documentjournal.com/2019/04/genevieve-gaignard-removes-our-rose-colored-glasses-for-white-americana/))

Dafoe, Taylor. “Best Buys: Eight Artists at Independent to Collect for Under $15,000 (If You’re Lucky and Move Fast),” Artnet, March 7 ([Link](https://news.artnet.com/market/best-buys-independent-1482190))

Finkel, Jori. “Inside the Dramatic Makeover of LA’s Thriving Art World,” W, February 11 ([Link](https://www.wmagazine.com/story/frieze-los-angeles-museums-art-world))

Miranda, Cynthia. “Artist Genevieve Gaignard wants her art to speak to different identities,” The Daily Texan, January 30 ([Link](http://www.dailytexanonline.com/2019/01/30/artist-genevieve-gaignard-wants-her-art-to-speak-to-different-identities))

Durón, Maximilíano and Alex Greenberger. “15 Los Angeles Artists to Watch,” ARTnews, January 9 ([Link](http://www.artnews.com/2019/01/09/15-los-angeles-artists-watch/))

Harmon, Erica. “Stepping Into Personal Space,” C Magazine, January

**2018**

Woolridge, Jane, “Art Basel Week Action Goes Beyond Fairs. You’ll Want These Happenings On Your List,” Miami Herald, December 1 ([Link](https://www.miamiherald.com/entertainment/visual-arts/art-basel/article222359815.html))

Banks, Emma, “This Art Basel Show is Challenging Mainstream and Marginalized Dynamics,” Milk.xyz, December 6 ([Link](https://milk.xyz/articles/this-art-basel-show-is-challenging-mainstream-marginalized-dynamics/))

Cohen, Alina, “The 15 Best Booths at Art Basel in Miami Beach,” Artsy, December 6 ([Link](https://www.artsy.net/article/artsy-editorial-15-best-booths-art-basel-miami-beach-12-06-18))

Valentine, Victoria, “Beyond Basel: Where to See, Buy, and Experience African and African American Art During Miami Art Week 2018,” Culture Type, December 8 ([Link](https://www.culturetype.com/2018/12/08/beyond-basel-where-to-see-buy-and-experience-african-and-african-american-art-during-miami-art-week-2018/))

Lavelle, Ciara, “Art Basel and Miami Art Week 2018 Winners and Losers,” Miami New Times, December 10 ([Link](https://www.miaminewtimes.com/arts/art-basel-miami-beach-and-miami-art-week-2018-winners-and-losers-10945687))

Morais, Pedro, “Feminism and Art, The New Voice,” Le Quotidien de l’art, December 14

Idarraga, Jessica. “FREE! Art Fair Starring Genevieve Gaignard,” Cultured, December 4 ([Link](https://www.culturedmag.com/free-art-fair-genevieve-gaignard/))

Greenberger, Alex. “The Browser: Jack Smith, Genevieve Gaignard, and Eckhaus Latta’s Notes on Performance,” Artnews, September 12 ([Link](http://www.artnews.com/2018/09/12/browser-jack-smith-genevieve-gaignard-eckhaus-lattas-notes-performance/))

“9 Art Events to Attend in New York City This Week,” ArtNews, September 17 ([Link](http://www.artnews.com/2018/09/17/9-art-events-attend-new-york-city-week-34/))

Drew, Kimberly. “Tina Knowles Lawson on Her Black Art Collection, Beyoncé, Solange, and Creativity,” Vanity Fair, August 6 ([Link](https://www.vanityfair.com/style/2018/08/tina-knowles-lawson-black-art-collection-beyonce-solange-creativity))

Cascone, Sarah. “There are Enough Damsels in Distress: Artist Genevieve Gaignard Wants to Undermine Your Assumptions About Beauty and Blackness,” Artnet, August 3 ([Link](https://news.artnet.com/exhibitions/genevieve-gaignard-counterfeit-currency-1327343))

Morgan, Maybelle. “Genevieve Gaignard: Meet the Artist Exploring Race, Gender, and Identity Through Her Collages,” Wonderland Magazine, July 25 ([Link](https://www.wonderlandmagazine.com/2018/07/25/genevieve-gaignard-artist/))

Ryder, Katie. “An Artist’s Costumed Alter Egos Cross Racial Lines,” The New Yorker, July 17 ([Link](https://www.newyorker.com/culture/photo-booth/an-artists-costumed-alter-egos-cross-racial-lines))

Shepherd, Harriet. “The Bi-Racial Artist Using White-Passing Characters to Talk About Blackness,” Sleek Magazine, June 7 ([Link](https://www.sleek-mag.com/article/genevieve-gaignard/))

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week,” Artnet, June 4 ([Link](http://www.shulamitnazarian.com/artist/genevieve-gaignard/#press))

Eckardt, Stephanie. “The 7 Photographers Proving That the Self-Portrait Is 2018’s Most Exciting Genre,” W Magazine, April 6 ([Link](https://www.wmagazine.com/gallery/7-self-portrait-photographers-to-follow))

“‘Hidden Fences’ by Genevieve Gaignard at Praz-Delavallade Paris,” BlouinArt Info, March 22 ([Link](http://www.blouinartinfo.com/news/story/2935509/hidden-fences-by-genevieve-gaignard-at-praz-delavallade-paris))

Dayal, Mira. “Fictions” at The Studio Museum in Harlem, Artforum, March 1

Shaw, Cameron. “Take a Closer Look: An Interview with Genevieve Gaignard,” Pelican Bomb, March 1 ([Link](http://pelicanbomb.com/art-review/2018/take-a-closer-look-an-interview-with-genevieve-gaignard))

Benoit, Guillaume. “Genevieve Gaignard at Praz-Delavallade,” Slash Magazine, March ([Link](http://pelicanbomb.com/art-review/2018/take-a-closer-look-an-interview-with-genevieve-gaignard))

Reynolds, Pamela. “In Forms & Alterations, Artists Use Fashion to Unravel Gender Politics and Identity,” The Artery, February 1 ([Link](http://www.wbur.org/artery/2018/02/01/forms-alterations-fashion))

Female Artist Who Has Made 2017 “Her” Year, The Art Gorgeous, January 30 ([Link](https://theartgorgeous.com/winners-supergorgeous-2017/))

**Liz Glynn**

**2019**

“Rosetta Getty on the Female Artists who Inspire her,” Vanity Fair, May 24 ([Link](https://www.vanityfair.com/london/2019/05/rosetta-getty-on-the-female-artists-who-inspire-her))

Culp, Samantha. “Artistic Capital: In Liz Glynn’s massive installations, big questions about the meaning of value,” Harvard Magazine, January/February ([Link](https://harvardmagazine.com/2019/01/liz-glynn))

**2018**

“Frieze London Opens This Friday,” ArtForum (web), October 3 ([Link](https://www.artforum.com/news/frieze-london-opens-friday-76941))

Baradel, Lacey, “Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas,” CAA Reviews, September 21 ([Link](http://www.caareviews.org/reviews/3439#.W6aGJy2ZNMM))

“Diana Campbell Betancourt Introduces Live 2018,” Frieze, September 21 ([Link](https://frieze.com/media/diana-campbell-betancourt-introduces-live-2018))

Brown, Mark, “Frieze London art fair returns with gossiping opera singer,” The Guardian (web), September 20 ([Link](https://www.theguardian.com/artanddesign/2018/sep/20/frieze-london-art-fair-2018-opera-singer-laure-prouvost-))

Iredale, Jessica, “Rosetta Getty RTW Spring 2019,” WWD, September 10 ([Link](https://wwd.com/runway/spring-2019/new-york/rosetta-getty/review/))

“New York Fashion Week Women’s S/S 2019 Editor’s Picks,” Wallpaper, September 11 ([Link](https://www.wallpaper.com/fashion/new-york-fashion-week-womens-ss-2019-editors-picks))

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic, August 28 ([Link](https://hyperallergic.com/451117/liz-glynn-the-archeology-of-another-possible-future-mass-moca/))

Marcisz, Christopher, “Liz Glynn’s Comforting Vision of a Dystopian Future,” Hyperallergic (web), August 27 ([Link](https://hyperallergic.com/451117/liz-glynn-the-archeology-of-another-possible-future-mass-moca/))

Anderson, Lindsey, “Catch a Free Sculpture Milwaukee Talk at the Pfister Tonight,” Milwaukee Magazine (web), August 22 ([Link](https://www.milwaukeemag.com/catch-free-sculpture-milwaukee-talk-pfister-tonight/))

Harrington, Leah Triplett, “Redefining Common Space,” Now + There blog, August 6 ([Link](http://www.nowandthere.org/blog/2018/8/6/redefining-common-space))

“Sculpture Milwaukee attracts visitors with tours, lectures and summer fun,” Urban Milwaukee, July 18 ([Link](https://urbanmilwaukee.com/pressrelease/sculpture-milwaukee-attracts-visitors-with-tours-lectures-and-summer-fun/))

Hagman, Sarah, “Sitting Pretty,” The Improper Bostonian (web), August 3 ([Link](http://www.improper.com/arts-culture/sitting-pretty/))

McGowan, Amanda, “Get A Taste Of Gilded Age Living With A New Public Art Exhibit In Boston,” WGBH, August 3 ([Link](https://www.wgbh.org/news/local-news/2018/08/03/get-a-taste-of-gilded-age-living-with-a-new-public-art-exhibit-in-boston))

Katz, Marni Elyse, “Beautiful Ruins,” The Boston Globe (web), August 2 ([Link](https://www.bostonglobe.com/lifestyle/2018/08/02/beautiful-ruins/75xaQmJryV46JGVXjo8zyI/story.html))

Cook, Greg, “Recreating A Gilded Age Ballroom Outdoors In Boston To Mull Our Economic Future,” Wonderland (web), July 30 ([Link](http://gregcookland.com/wonderland/))

Ambrose, Graham, “A new public art installation puts the ruins of a Gilded Age ballroom by Kenmore Square,” The Boston Globe (web), July 27 ([Link](https://www.bostonglobe.com/arts/2018/07/27/new-public-art-installation-puts-ruins-gilded-age-ballroom-kenmore-square/A9T63L2Hd2wHzmqjtKHP7L/story.html))

Gerst, Ellen, “New Public Art Brings an Opulent Ballroom to the Comm. Ave. Mall,” Boston Magazine (web), July 26 ([Link](https://www.bostonmagazine.com/arts-entertainment/2018/07/26/liz-glynn-open-house-furniture-comm-ave-mall/))

Garcia, Maria, “Art Installation In Kenmore Square Transforms An Opulent Ballroom Into A Ruin,” wbur, July 26 ([Link](http://www.wbur.org/artery/2018/07/26/open-house-kenmore-square-concrete-ballroom))

Tang, Angela. “MASS MoCA’s ‘Archaeology’ Excavates Temporal Questions”, The Williams Record, February 7 ([Link](https://issuu.com/williamsrecord/docs/020718))

Kane, Tim, “Artist at MASS MoCA explores implication of production,” Times Union (web), March 28 ([Link](https://www.timesunion.com/entertainment/article/Artist-at-MASS-MoCA-explores-implications-of-12788673.php))

McQuaid, Cate. “At MASS MoCA, a dark look at a possible future”, The Boston Globe, 14 January ([Link](https://www.bostonglobe.com/arts/art/2018/01/11/mass-moca-dark-look-possible-future/OlW9lV9fInVzcXTYeeBWtI/story.html))

**2017**

Carrigan, Margaret. “Liz Glynn Questions the Direction of American Progress at Mass MoCA”, Observer, 11 December, 2017. (online) ([Link](https://observer.com/2017/12/mass-moca-opens-liz-glynn-an-archaeology-of-another-possible-future/))

**2016**

Munro, Cait. “Meet Creative Capital’s 63 Award-Winning Artists, Writers, and Performers,” artnet, January 12 ([Link](https://news.artnet.com/art-world/creative-capital-2016-award-winners-405497))

**Karl Haendel**

**2019**

Schwaiger, Seth Orion. “Making It in America: Karl Haendel on the absurdities of the Art World,” artcritical, February 20 ([Link](http://www.artcritical.com/2019/02/20/by-seth-orion-schwaiger-on-karl-haendel/))

Heinrich, Will. “What to See in New York Art Galleries This Week,” January 16 ([Link](https://www.nytimes.com/2019/01/16/arts/design/what-to-see-in-new-york-art-galleries-this-week.html))

**2018**

“How do I sell more art?” Diaphanes, Fall/Winter

“Inside Frieze London 2018, via Five iPhone Camera Rolls,” Another (web), October 5 ([Link](http://www.anothermag.com/art-photography/11232/inside-frieze-london-2018-via-five-iphone-camera-rolls))

Da Silva, José, “All the president’s men (and one first lady) at Art Basel,” The Art Newspaper (web), June 15 ([Link](https://www.theartnewspaper.com/gallery/presidential-portraits-all-the-president-s-men-and-one-first-lady-at-art-basel))

**Samuel Levi Jones**

**2019**

Boyd, Oseye. “New exhibit at Newfields makes lasting impression,” Indianapolis Recorder, March 21 ([Link](http://www.indianapolisrecorder.com/aroundtown/article_67ac22c2-4bda-11e9-9de2-43cbde445ba4.html))

**2018**

Sayej, Nadja. “Edge of visibility: celebrating artwork with hidden messages,” The Guardian, November 19 ([Link](https://www.theguardian.com/artanddesign/2018/nov/19/edge-of-visibility-exhibition-susan-tallman-kerry-james-marshall?fbclid=IwAR2Em3AyCZEIkuC5U2v1vgiiC_Vpjot5ijlj_4pSkuvxgdANJtnTGzLB_b4))

Ollman, Leah. “Keep Looking: Samuel Levi Jones Speaks with Leah Ollman,” Art In Print, September 6 ([Link](https://artinprint.org/article/keep-looking-samuel-levi-jones-speaks-with-leah-ollman/))

Weisbrode, Kenneth and Heather H. Yeung, “How We Lost the Sky,” The New York Times, July 23 ([Link](https://www.nytimes.com/2018/07/23/opinion/how-we-lost-the-sky.html))

Sussman, Anna Louie, “What Sold at Art Basel,” Artsy (web), June 17 ([Link](https://www.artsy.net/article/artsy-editorial-sold-art-basel-basel-06-17-18?utm_medium=email&utm_source=13619142-newsletter-editorial-daily-06-19-18&utm_campaign=editorial&utm_content=st-V))

Chi, Paul, “Blu Ivy Bid $10,000 at an Art Auction, and Won,” Vanity Fair (web), March 18 ([Link](https://www.vanityfair.com/style/2018/03/blue-ivy-art-auction-wearable-art-gala))

**Hayv Kahraman**

**2018**

“Project Series 52: Hayv Kahraman,” Pomona College Museum of Art, Claremont, CA ([Link](https://www.pomona.edu/museum/exhibitions/2018/project-series-52))

**2019**

“The Third Line summer show at Alserkal Avenue,” Arab News, May 25 ([Link](http://www.arabnews.com/node/1501876/third-line-summer-show-alserkal-avenue))

Okamura, Sara Farrell. “A Wake-Up Call at MASS MoCA: Suffering from Realness,” Greylock Glass, May 5 ([Link](https://www.greylockglass.com/2019/05/06/a-wake-up-call-at-mass-moca-suffering-from-realness/))

Hodgson, Emma. “How Art Dubai’s Inclusive New Direction Is A Win For Us All,” Grazia Middle East, March 13 ([Link](https://www.graziame.com/culture/art-books/how-art-dubais-inclusive-new-direction-is-a-win-for-us-all))

**2018**

Beeston, Georgia. “‘You have to go deeper’: Islamic art comes alive at Jameel prize in London,” Middle East Eye, October 11 ([Link](https://www.middleeasteye.net/in-depth/features/islamic-art-comes-alive-london-exhibition-you-have-go-deeper-600247415))

Judah, Hettie. “Frieze London review – women on top at the #MeToo art fair,” The Guardian, October 4 ([Link](https://www.theguardian.com/artanddesign/2018/oct/04/frieze-london-review-women-on-top-at-the-metoo-art-fair))

Shaikh, Ayesha, “5 Art Books That Will Immediately Upgrade Your Coffee Table,” Harper’s Bazaar Arabia (web), September 27 ([Link](https://www.harpersbazaararabia.com/art/collections-curators/talking-art))

Mizota, Sharon, “Review: Hayv Kahraman’s paintings of decorous Kurdish women short-circuit stereotypical images of Iraq,” LA Times (web), September 17 ([Link](http://www.latimes.com/la-ca-hayv-kahraman-susanne-vielmetter-20180917-story.html))

Feliciano, Kristina, “Sex Work and Survival in Hayv Kahraman’s ‘Silence Is Gold,'” Gallery Gurls (web), Spetmeber 22 ([Link](http://gallerygurls.net/reviews/2018/9/23/hayv-kahraman-sex-worker-survival))

Finkel, Jori, “Hayv Kahraman on the Kurdish exodus—and the trouble with humanitarian campaigns,” The Art Newspaper (web), September 21 ([Link](https://www.theartnewspaper.com/feature/hayv-kahraman-on-the-kurdish-exodus-and-the-trouble-with-humanitarian-campaigns))

“Top London Art Shows this Week: Justin John Greene to Tomma Abts,” Blouin ArtInfo, September 3 ([Link](https://www.blouinartinfo.com/news/story/3236893/top-london-art-shows-this-week-justin-john-greene-to-tomma))

Forshaw, Siobhan, “Hayv Kahraman’s Politics of Painting,” Elephant (web), July 25 ([Link](https://elephant.art/hayv-kahramans-politics-of-painting/))

Da Silva, Jose, Gareth Harris, and Emily Sharpe,”Three to See: London,” The Art Newspaper (web), June 29 ([Link](https://www.theartnewspaper.com/news/three-to-see-london-28-june-2018))

Lescase, Zoe, “13 Artists On: Immigration,” The New York Times Style Magazine (web), June 19 ([Link](https://www.nytimes.com/2018/06/19/t-magazine/immigration-art.html))

“These Artists and Designers Have Made the Shortlist for Jameel Prize 5,” Harper’s Bazaar (web), June 19 ([Link](https://www.harpersbazaararabia.com/art/news/jameel-prize-5))

Stoughton, India, “Middle Eastern Artists Give Traditional Art A Modern Twist,” Al-Monitor (web), June 4 ([Link](https://www.al-monitor.com/pulse/originals/2018/06/middle-eastern-artists-compete-for-jameel-prize.html))

Greenberger, Alex, “Shortlist Revealed for 2018 Jameel Prize,” ARTnews (web), February 6 ([Link](http://www.artnews.com/2018/02/06/jameel-prize-names-shortlist-2018-award/))

**Raffi Kalenderian**

**2019**

De Witt, Olivia. “Raffi Kalenderian,” Artillery, June 26 ([Link](https://artillerymag.com/vielmetter-los-angeles-raffi-kalenderian/))

Irvin, Rebecca. “Raffi Kalenderian celebrates life in his exuberant, colourful, painted portraits,” It’s Nice That, June 7 ([Link](https://www.itsnicethat.com/articles/raffi-kalenderian-memento-vivo-art-070619))

McNay, Anna. “Raffi Kalenderian – interview: ‘It’s like banging your head against a brick wall, but if you get through to the other side it feels so good’,” Studio International, June 4 ([Link](https://www.studiointernational.com/index.php/raffi-kalenderian-interview-its-like-banging-your-head-against-brick-wall-memento-vivo-vielmetter))

**2018**

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 ([Link](https://www.architecturaldigest.com/gallery/kendall-wilkinson-181-fremont-penthouse-15-million/all))

**Mary Kelly**

**2019**

“The Best Guide to Desert X 2019,” KCET, March 6 ([Link](https://www.kcet.org/shows/artbound/the-best-guide-to-desert-x-2019))

Cascone, Sarah. “The Desert X Biennial Opens in the Coachella Valley With Art Scattered Across 55 Miles,” Artnet, February 8 ([Link](https://news.artnet.com/exhibitions/desert-x-2019-1459780))

Sussman, Anna Louie. “The Challenges Female Artists Face Mid-Career,” Artsy, January 11 ([Link](https://www.artsy.net/article/artsy-editorial-women-artists-survive-challenges-mid-career-stagnation))

**2018**

Rea, Naomi and Kate Brown. “Who Shops at Frieze London? We Buttonholed Rose McGowan, Bob Rennie, and Other Power Players at the Fair,” Artnet News (web), October 5 ([Link](https://news.artnet.com/market/who-shops-at-frieze-london-1364209))

“Revisiting the Fiercely Productive Practices of Marginalized Women Artists,” Frieze (web), October 1 ([Link](https://frieze.com/article/revisiting-fiercely-productive-practices-marginalized-women-artists))

Sussman, Anna Louie. “The Art Market Is Finally Catching up with Strong Female Artists It Ignored,” Artsy, October 5 ([Link](https://www.artsy.net/article/artsy-editorial-art-market-finally-catching-strong-female-artists-ignored))

“Must See: Pippy Houldsworth Gallery Face-to-Face,” ArtForum, Fall ([Link](https://www.artforum.com/artguide/pippy-houldsworth-gallery-1599/mary-kelly-161712))

Fowler, Susanne, ” ‘Social Work’ Provides Visibility for Women Artists at Frieze London,” New York Times (web), October 1 ([Link](https://www.nytimes.com/2018/10/01/arts/social-work-visibility-for-women-artists-at-frieze.html))

Buck, Louisa. “Social work: eight dissenting female artists feature in Frieze London’s new section,” The Art Newspaper (web), October 4 ([Link](https://www.theartnewspaper.com/feature/social-work-eight-dissenting-female-artists-feature-in-frieze-london-s-new-section))

Bromwich, Kathryn, “Mary Kelly: ‘All borders are anathema to art’” Guardian (web), September 15 ([Link](https://www.theguardian.com/artanddesign/2018/sep/15/mary-kelly-artist-interview-face-to-face))

Kelly, Mary. “Women in the Arts: Mary Kelly,” Frieze (web), October 2 ([Link](https://frieze.com/article/women-arts-mary-kelly))

Black, Holly. “Five Pioneering Female Artists Who Changed the Landscape of the Art World,” Another Magazine, October 8 ([Link](http://www.anothermag.com/art-photography/11237/five-pioneering-female-artists-who-changed-the-landscape-of-the-art-world))

**Shana Lutker**

**2019**

Danielson, Jenny, “Den nya konststaden,” Axess.se. July ([Link](https://axess.se/magasin/default.aspx?article=4184#.XRuIYlNKhE5))

Frank, Peter, “DOLLHOUSE FUNHOUSE: “Dreamhouse vs. Punk House (+ Cat House),” Whitehot magazine, April ([Link](https://whitehotmagazine.com/articles/punk-house-cat-house-/4242))

**2018**

Horst, Aaron, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Flash Art, March/April

Stromberg, Matt, “A New Outdoor Art Sapce Sprins from the High Desert East of Los Angeles,” Hyperallergic (web), March 13 ([Link](https://hyperallergic.com/432211/the-magic-hour-desert-los-angeles/))

Hudson, Suzanne, “Shana Lutker at Susanne Vielmetter Los Angeles Projects,” Artforum, February

**Hugo McCloud**

**2019**

Boucher, Brian. “Cracking the Millennial Market: How Art Businesses Are Tweaking Their Strategies to Target the Next Generation of Collectors,” artnet, July 8 ([Link](https://news.artnet.com/market/how-to-sell-to-millennials-1581577))

**2014**

Anderson, Stacey. “Hugo McCloud: Artist by Design,” The New York Times, May 28 ([Link](https://www.nytimes.com/2014/05/29/fashion/hugo-mccloud-artist-first-solo-show-Put-in-Place-Vladimir-Restoin-Roitfeld-gallery.html))

Small, Rachel. “A Room Full of Roof: Hugo McCloud,” Interview, May 16 ([Link](https://www.interviewmagazine.com/art/hugo-mccloud-put-in-place))

**Dave McKenzie**

**2019**

Copeland, Huey and Meg Onli. “ABOUT TIME: Huey Copeland in conversation with Meg Onli,” Artforum, May ([Link](https://www.artforum.com/print/201905/huey-copeland-in-conversation-with-meg-onli-79522))

“ICA Philadelphia Explores Black History in “Colored People Time” Exhibition,” Hypebeast, February 15 ([Link](https://hypebeast.com/2019/2/colored-people-time-mundane-futures-ica-philadelphia))

**2018**

Schneider, Tim, “‘It’s About a Sort of Twisted Magic’: How One Artist Is Revealing the Tricks of Racial Profiling at Frieze New York,” Artnet news (web), May 2 ([Link](https://news.artnet.com/exhibitions/dave-mckenzie-frieze-1277072))

**Rodney McMillian**

**2019**

Desmarais, Charles. “Rodney McMillian’s cyclorama of displacement at SFMOMA,” SF Chronicle, April 29 ([Link](https://datebook.sfchronicle.com/art-exhibits/rodney-mcmillians-cyclorama-of-displacement-at-sfmoma))

Gardner, Drake. “Professor’s new exhibition explores homelessness, inequality in America,” Daily Bruin, April 30 ([Link](https://dailybruin.com/2019/04/28/professors-new-exhibition-explores-homelessness-inequality-in-america/))

Shindel, Dan. “A New, Highly Eclectic Space for Arthouse Films in Los Angeles,” Hyperallergic, April 19 ([Link](https://hyperallergic.com/495355/now-instant-image-hall-los-angeles/))

“The Twenty Five,” Cultured, February/March

Lorin, Guillaume. “BEAUX ARTS – In this Land de Rodney McMillian au SFMOMA,” CHOQ, March 28 ([Link](https://choqfm.ca/chronique/beaux-arts-new-work-de-rodney-mcmillian-sfmoma/))

Ambramovich, Alex. “Termite Art and the Modern Museum,” New Yorker, February 28 ([Link](https://www.newyorker.com/culture/cultural-comment/termite-art-and-the-modern-museum))

Volpicelli, Anna. “Winter Arts Preview: 16 Bay Area Exhibitions, Performances + Festivals,” 7×7, January 8 ([Link](https://www.7x7.com/winter-arts-preview-bay-area-2624995533.html?rebelltitem=1#rebelltitem1))

**2018**

Knight, Christopher. “Review: Helen Molesworth’s final show at MOCA is the anti-celebrity show we need right now,” Los Angelest Times, October 19 ([Link](http://www.latimes.com/entertainment/arts/la-et-cm-manny-farber-termite-moca-20181019-story.html))

Wouk Almino, Elisa. “Helen Molesworth’s Last MOCA Exhibition Is an Act of Love,” Hyperallergic, November 13 ([Link](https://hyperallergic.com/471079/one-day-at-a-time-manny-farber-and-termite-art-helen-molesworth-moca-la/))

Rus, Mayer. “Designer Nell Alano Reimagines Philanthropist Eileen Harris Norton’s Santa Monica Home,” Architectural Digest, November 11 ([Link](https://www.architecturaldigest.com/story/designer-nell-alano-reimagines-philanthropist-eileen-harris-nortons-santa-monica-home))

Smith, Roberta, “Painting: An (Incomplete) Survey of the State of the Art,” New York Times (web), August 2 ([Link](https://www.nytimes.com/2018/08/02/arts/design/painting-now-and-forever-review-chelsea.html))

Raji, Michelle, “Artist Rodney McMillian Wants Viewers to Grapple with Race — and Register to Vote,” Texas Observer (web), July 6 ([Link](https://www.texasobserver.org/artist-rodney-mcmillian-wants-viewers-to-grapple-with-race-and-register-to-vote/))

Jean, Melany, “’Rodney McMillian: Against a Civic Death’ at the Contemporary Austin,” The Austin Chronicle (web), March 16 ([Link](https://www.austinchronicle.com/arts/2018-03-16/rodney-mcmillian-against-a-civic-death-at-the-contemporary-austin/))

Olsen, Ivy, “Antidotes for apathy: Rodney McMillian’s Austin show is a ‘call to action’,” The Art Newspaper (web), February 20 ([Link](https://www.theartnewspaper.com/news/antidote-for-apathy-rodney-mcmillian-s-austin-show-is-a-call-to-action))

Miranda, Carolina A., “L.A. artist Rodney McMillian peels back the façade on the ultimate symbol of power: the White House,” Los Angeles Times, January 10 ([Link](http://www.latimes.com/entertainment/arts/miranda/la-et-cam-rodney-mcmillian-austin-20180110-story.html))

**Yunhee Min**

**2019**

Walter, Alexander. “10 engaging architectural installations for your Friday inspiration,” Archinet, May 3 ([Link](https://archinect.com/news/article/150134649/10-engaging-architectural-installations-for-your-friday-inspiration))

Leung, Phillip. “Hammer Museum installation delivers vibrant, sensory experience,” Daily Bruin, April 25 ([Link](https://dailybruin.com/2019/04/25/hammer-museum-installation-delivers-vibrant-sensory-experience/))

**2018**

Brien, Patrick. “Four years in the making, massive Riverside exhibit blends art, architecture,” The Press-Entreprise, November 22 ([Link](https://www.pe.com/2018/11/22/four-years-in-the-making-massive-riverside-exhibit-blends-art-architecture/))

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 ([Link](https://www.architecturaldigest.com/gallery/kendall-wilkinson-181-fremont-penthouse-15-million/all))

Weber, Jessica, “Rolling Out the ‘Red Carpet’,” UCR News, October 1 ([Link](https://news.ucr.edu/articles/2018/10/01/rolling-out-red-carpet))

Stallings, Tyler, “Red Carpet in C at UCR ARTS Blurs Boundaries of Art and Architecture,” KCET, September 4 ([Link](https://www.kcet.org/shows/artbound/red-carpet-in-c-at-ucr-arts-blurs-boundaries-of-art-and-architecture))

“UCR Arts Exhibition Blurs Boundaries of Art and Architecture,” UCR Today (web), August 16 ([Link](https://ucrtoday.ucr.edu/54941))

**Wangechi Mutu**

**2019**

“Wangechi Mutu’s Female Figures Grace the Met’s Façade,” New Yorker, September 9 ([Link](https://www.newyorker.com/magazine/2019/09/09/wangechi-mutus-female-figures-grace-the-mets-facade))

MacSweeney, Eve. “How Kenyan-Born Artist Wangechi Mutu Is Taking Over the Met,” W, August 27 ([Link](https://www.wmagazine.com/story/wangechi-mutu-metropolitan-museum-of-art-sculptures))

Catlin, Roger. “Women’s Voices Ring With a Resounding Roar in this New Show,” Smithsonian Magazine, July 17 ([Link](https://www.smithsonianmag.com/smithsonian-institution/womens-voices-ring-resounding-roar-new-show-180972652/))

Budick, Ariella. “Whitney Biennial: an anthology of young America,” Financial Times, June 4 ([Link](https://www.ft.com/content/e85939d8-86ad-11e9-b861-54ee436f9768))

Loos, Ted. “Why These 4 Whitney Biennial Artists Are Making Waves,” Galerie Magazine, May 10 ([Link](https://www.galeriemagazine.com/whitney-biennial-artist-studios/))

Goodman, Jonathan. “Highlights from the 2019 Whitney Biennial,” Art Fuse, May 30 ([Link](https://artefuse.com/2019/05/30/highlights-from-the-2019-whitney-biennial/))

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 ([Link](https://frieze.com/article/2019-whitney-biennial-unafraid-be-beautiful))

Valentine, Victoria L. “Artists Wangechi Mutu and Kara Walker Land Major Museum Commissions,” Culture Type, April 14 ([Link](https://www.culturetype.com/2019/04/14/artists-wangechi-mutu-and-kara-walker-land-major-museum-commissions/))

Freeman, Nate. “Wangechi Mutu will make works for the Metropolitan Museum’s façade for one in a trio of contemporary commissions,”Artsy, March 22 ([Link](https://www.artsy.net/news))

Libbey, Peter. “The Met Will Use its Facade and Great Hall to Showcase Contemporary Art,” New York Times, March 21 ([Link](https://www.nytimes.com/2019/03/21/arts/design/the-met-will-use-its-facade-and-great-hall-to-showcase-contemporary-art.html))

Pellerin, Amanda. “Wangechi Mutu-Keep Moving, Keep Making Art,” TL Magazine, January 12 ([Link](https://tlmagazine.com/wangechi-mutu-keep-moving-keep-making-art/))

**2018**

Halperin, Julia and Charlotte Burns”Yes, Basquiat Is an Art-Market Superstar. But the Work of Other African American Artists Remains Vastly Undervalued,” Artnet News, September 20 ([Link](https://news.artnet.com/market/african-american-art-market-data-1350998))

“‘Road to Justice’ at MAXXI,” Blouin Art Info (web), July 31 ([Link](http://www.blouinartinfo.com/news/story/3186951/road-to-justice-at-maxxi))

Valentine, Victoria L., “Baltimore Museum of Art Swaps Works by Warhol, Kline, Noland, and Rauschenberg for Acquisitions by Whitten, Sherald, Mutu, and Yiadom-Boakye,” Culture Type (web), June 28 ([Link](http://www.culturetype.com/2018/06/28/baltimore-museum-of-art-swaps-works-by-warhol-kline-noland-and-rauschenberg-for-acquisitions-by-whitten-sherald-mutu-and-yiadom-boakye/))

Spivack, Emily, “Why this artist is inspired by a chest of drawers,” The New York Times Style Magazine (web), June 20 ([Link](https://www.nytimes.com/2018/06/20/t-magazine/wangechi-mutu.html?login=email&auth=login-email))

Brownell Mitic, Ginanne, “In Nairobi, An Art Scene in Transition,” The New York Times, June 12 ([Link](https://www.nytimes.com/2018/06/12/arts/art-scene-nairobi.html))

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 ([Link](https://www.artforum.com/picks/international-center-of-photography-museum-icp-75651))

“‘Inside my Studio’ with Wangechi Mutu,” Cultured Mag (web), June 1 ([Link](https://www.culturedmag.com/wangechi-mutu-video/))

**Elizabeth Neel**

**2018**

Smith, Roberta. “At 7 Art Galleries, the Ecstatic Flow of Paint and the Stories It Can Tell,” New York Times (web), September 27 ([Link](https://www.nytimes.com/2018/09/27/arts/design/seven-painting-shows-to-see-in-new-york-art-galleries.html))

**Ruben Ochoa**

**2019**

Delson, Susan. “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 ([Link](https://www.wsj.com/articles/playful-riffs-on-fact-and-fiction-11564156391?mod=searchresults&page=1&pos=1))

**2018**

Shimi Roth, Minhae. “Locust Projects Turns 20: Remembering Its Most Memorable Exhibits,” Miami New Times, December 4 ([Link](https://www.miaminewtimes.com/arts/locust-projects-most-memorable-exhibits-in-20-year-history-10922060))

Safari, Ida, “Ruben Ochoa at Art + Practice,” Artillery, January 2 ([Link](http://artillerymag.com/ruben-ochoa/))

**Angel Otero**

**2019**

Dafoe, Taylor. “‘Act First and Then Think’: Artist Angel Otero on How to Turn Failure Into Fuel for Creativity,” artnet, April 10 ([Link](https://news.artnet.com/art-world/angel-otero-turning-failure-into-creativity-1511446))

Brito, Maria. “Angel Otero and the Miracle of Memories,” Cultured, March 11 ([Link](https://www.culturedmag.com/angel-otero-milagros/))

Yerebakan, Osman Can. “A Brooklyn Artist Finds Inspiration, and Refuge, in Puerto Rico,” New York Times, March 5 ([Link](https://www.nytimes.com/2019/03/05/t-magazine/angel-otero-artist.html))

“Urban Glamour #46,” Livingetc (web), January 24 ([Link](https://www.livingetc.com/spaces/urban-glamour-46-209389))

**2018**

Shirine, Saad. “With the MECA Art Fair, San Juan’s Art Community Rises Again,” Vulture, November 21 ([Link](https://www.vulture.com/2018/11/meca-art-fair-in-puerto-rico-a-year-after-hurricane-maria.html))

Nash, David. “Kendall Wilkinson Outfits the $15.5 Million Penthouse at San Francisco’s 181 Fremont,” Architectural Digest, October 30 ([Link](https://www.architecturaldigest.com/gallery/kendall-wilkinson-181-fremont-penthouse-15-million/all))

Angeleti, Gabriela, “Angel Otero shares his top picks from Frieze New York,” The Art Newspaper (web), May 3 ([Link](https://www.theartnewspaper.com/news/angel-otero-shares-his-top-picks-from-frieze-new-york))

**Pope.L**

**2017**

“If Not Apollo, the Breeze,” Kadist, San Francisco, CA ([Link](http://kadist.org/program/if-not-apollo-the-breeze/))

**2019**

Kissick, Dean. “THE SEPTEMBER OPENINGS: NEW YORK’S MUST-SEE SHOWS,” Cultured, September 4 ([Link](https://www.culturedmag.com/the-september-openings/))

“AN rounds up must-see exhibitions to catch this summer,” The Architect’s Newspaper, July 31 ([Link](https://archpaper.com/2019/07/must-see-exhibitions-this-summer/))

Schuster, Clayton. “Why the Whitney, MoMA and Public Art Fund are Uniting for an Exhibition About Artist Pope.L,” Observer, July 25 ([Link](https://observer.com/2019/07/pope-l-whitney-moma-public-art-fund-collaboration-exhibition-instigation-aspiration-perspiration/))

Small, Zachary. “Pope.L Wants You to Crawl Across New York With Him,” Hyperallergic, July 24 ([Link](https://hyperallergic.com/510667/pope-l-crawl/))

“The Most Influential Living African-American Artists,” Artsy, February 25 ([Link](https://www.artsy.net/article/artsy-editorial-influential-living-african-american-artists))

“Arts Power 50: The Changemakers Shaping the Art World in 2019,” The Observer, April 1 ([Link](https://observer.com/2019/04/arts-power-50-list/))

Arn, Jackson. “When Performance Art Takes to the Street, the Results Are Moving,” Artsy, April 9 ([Link](https://www.artsy.net/article/artsy-editorial-performance-art-takes-street-moving))

Cotter, Holland. “MoMA, the New Edition: From Monumental to Experimental,” New York Times, February 5 ([Link](https://www.nytimes.com/2019/02/05/arts/design/moma-expansion.html))

Ongley, Hannah. “moma is closing to diversify the art canon,” i-D, February 7 ([Link](https://i-d.vice.com/en_us/article/bjqjmz/moma-closing-summer-2019-multiculturalism-art))

**2018**

Reichert,Elliot J. “Pope.L: The Escape,” Brooklyn Rail, December 20 ([Link](https://brooklynrail.org/2018/12/artseen/PopeL-The-Escape))

Johnson, Steve. “‘Pope.L: The Escape’ reworks a slavery play as performance art and dares you to wonder what to think about it,” Chicago Tribune, November 16 ([Link](https://www.chicagotribune.com/entertainment/museums/ct-ent-pope-l-escape-art-institute-1119-story.html))

Freeman, Nate. “What Sold at FIAC,” Artsy, October 22 ([Link](https://www.artsy.net/article/artsy-editorial-sold-fiac-10-22-18?utm_medium=email&utm_source=14849716-newsletter-editorial-weekly-10-23-18&utm_campaign=editorial&utm_content=st-A))

Valentine, Victoria L., “Loaded with Symbolism, a Fountain Sculpture by Pope.L is Among New Acquisitions at Carnegie Museum of Art,” The Culture Type (web), July 29 ([Link](https://www.culturetype.com/2018/07/29/loaded-with-symbolism-a-fountain-sculpture-by-pope-l-is-among-new-acquisitions-at-carnegie-museum-of-art/))

Wargo, Abby, “Differing, Drawn: Scholar Examines Pope.L’s “Skin Set” Drawings,” The Elm (web), April 28 ([Link](http://elm.washcoll.edu/index.php/2018/04/differing-drawn-scholar-examines-pope-ls-skin-set-drawings/))

“Pope.L, Jennifer Russell, and Rachel G. Wilf Join NYU Institute of Fine Arts’ Board of Trustees,” NYU (web), April 4 ([Link](https://www.nyu.edu/about/news-publications/news/2018/april/pope-l--jennifer-russell--and-rachel-g--wilf-join-nyu-institute-.html))

O’Grady, Megan, “Answering Society’s Thorniest Questions, with Performance Art,” T Magazine, New York Times, March 2 ([Link](https://www.nytimes.com/2018/03/02/t-magazine/pope-l-artist.html))

“Pope.L: The Escape,” The Art Intitute of Chicago, Chicago, IL ([Link](http://www.artic.edu/event/clone-popel-escape))

**Mary Reid Kelley**

**2019**

Fullerton, Elizabeth. “‘They’re our female supervillains!’ Artists mash up Ayn Rand and Gwyneth Paltrow,” The Guardian, July 2 ([Link](https://www.theguardian.com/artanddesign/2019/jul/02/rand-goop-multimedia-artists-mash-up-ayn-rand-and-gwyneth-paltrow))

Watson, Denise. “MOCA’s new exhibition fills in the “The Rest of History,” the stories often discarded in the telling of America’s story,” The Virginian-Pilot, March 22 ([Link](https://pilotonline.com/entertainment/arts/exhibits/article_47727788-4ac0-11e9-af4d-637a1c2d0461.html))

Campbell, Andy. “Mary Reid Kelley and Patrick Kelley,” Artforum, February ([Link](https://www.artforum.com/print/reviews/201902/mary-reid-kelley-and-patrick-kelley-78463))

Wood, Eve. “Mary Reid Kelley & Patrick Kelley,” Artillery, January 2 ([Link](https://artillerymag.com/mary-reid-kelley-patrick-kelley/))

**2018**

Knight, Christopher. “Review: Harry S. Truman at the center of this wonderfully weird, strangely poignant art show,” Los Angeles Times, November 30 ([Link](https://www.latimes.com/entertainment/arts/la-et-cm-mary-reid-kelley-patrick-kelley-20181130-htmlstory.html))

Horst, Aaron. “Mary Reid Kelley & Patrick Kelley at Susanne Vielmetter,” Carla, November 29 (web) ([Link](http://contemporaryartreview.la/mary-reid-kelley-patrick-kelley-at-susanne-vielmetter/))

Dunne, Aidan, “Kelleys’ bizarre creations crackle with energy of early cinema,” The Irish Times (web), August 4 ([Link](https://www.irishtimes.com/culture/art-and-design/visual-art/kelleys-bizarre-creations-crackle-with-energy-of-early-cinema-1.3579869))

Thorne, Harry, “The Burlesque Worlds of Mary Reid Kelley and Patrick Kelley,” frieze, April 5 ([Link](https://frieze.com/article/burlesque-worlds-mary-reid-kelley-and-patrick-kelley))

Cromwell, Tim, “From Hirst’s Medusa to Quinn’s marble bust: new London show explores how classical art inspires contemporary artists,” The Art Newspaper, March 6 ([Link](https://www.theartnewspaper.com/review/from-damien-hirst-s-medusa-to-marc-quinn-s-marble-bust-new-london-show-explores-how-classical-art-inspires-contemporary-artists))

Culpan, Daniel, “Mary Reid Kelley and Patrick Kelley at Tate Liverpool,” Artforum, January ([Link](https://www.artforum.com/picks/section=uk#picks73430))

**Deborah Roberts**

**2019**

Valentine, Victoria L. “Black Female Artists Are Headlining Exhibitions Throughout London,” The Culture Type, July 21 ([Link](https://www.culturetype.com/2019/07/21/black-female-artists-are-headlining-exhibitions-throughout-london/))

Epps, Philomena. “Deborah Roberts at Stephen Friedman,” Artforum, July 1 ([Link](https://www.artforum.com/picks/deborah-roberts-80137))

Jansen, Charlotte. “The Artist Disrupting Perceptions of Black Youths,” Elephant, June 25 ([Link](https://elephant.art/artist-disrupting-perceptions-black-youths/))

Barrie, Lita. “Deborah Roberts Explores The Fragility of Black Masculinity in Native Sons,” Riot Material, June 5 ([Link](https://www.riotmaterial.com/native-sons-many-thousands-gone/))

Valentine, Victoria L. “Artist Deborah Roberts Joined Susanne Vielmetter Projects Los Angeles and Has an Exhibition at Gallery’s New Downtown Space,” CultureType, April 23 ([Link](https://www.culturetype.com/2019/04/23/artist-deborah-roberts-joined-susanne-vielmetter-projects-los-angeles-and-has-an-exhibition-at-gallerys-new-downtown-space/))

Marcoci, Roxana. “Young Heroines: Deborah Roberts,” Mousse Magazine, Spring ([Link](http://moussemagazine.it/deborah-roberts-roxana-marcoci-2019/))

**2018**

Roberts, Deborah. “The Lives They Lived: Linda Brown,” New York Times Magazine, December 30 ([Link](https://www.nytimes.com/interactive/2018/12/27/magazine/lives-they-lived-aretha-franklin.html))

Sheets, Hilarie M. “A Collector Who Grew Up With Art Now Fosters Its Makers,” New York Times, December 26 ([Link](https://www.nytimes.com/2018/12/26/arts/design/show-us-your-wall-sarah-arison.html))

Greenberger, Alex. “Long-Running ‘Anonymous Was a Woman’ Grants Awarded for 2018, With Betty Tompkins and Deborah Roberts Among 10 Winners,” ArtNews, December 11 ([Link](http://www.artnews.com/2018/12/11/anonymous-woman-names-winners-2018-grants/))

Valentine, Victoria L. “Art Basel Miami Beach 2018: Select Galleries Throughout the Mega Fair are Showing Works By African and African American Artists, Here’s Where to Find Them,” The Culture Type, December 6 ([Link](https://www.culturetype.com/2018/12/06/art-basel-miami-beach-2018-select-galleries-throughout-the-mega-fair-are-showing-works-by-african-and-african-american-artists-heres-where-to-find-them/))

Williams, Margaret. “People of the Year: Deborah Roberts,” Tribeza Artists Curated, November 29 ([Link](https://tribeza.com/people-of-the-year-deborah-roberts/))

Onyewuwnyi, Ikechukwu Casmir. “Deborah Roberts at Luis de Jesus,” Carla, Issue 13, August. ([Link](https://carlastore.bigcartel.com/product/carla-issue-13))

Dambrot, Shana Nys. “Deborah Roberts at Luis de Jesus,” Art and Cake, June 10 ([Link](https://artandcakela.com/2018/06/10/deborah-roberts-at-luis-de-jesus/))

Luke, Ben. “Artist Deborah Roberts on Yinka Shonibare exhibition and why ‘black is not a colour any more,” Evening Standard, June 6. ([Link](https://www.standard.co.uk/go/london/arts/artist-deborah-roberts-on-yinka-shonibare-exhibition-and-why-black-is-not-a-colour-any-more-a3856441.html))

Mizota, Sharon. “Roberts’ powerful statement of black female identity,” LA Times, May 29 ([Link](http://www.latimes.com/entertainment/arts/la-et-cm-deborah-roberts-review-20180530-htmlstory.html))

Miller, Ashia. “Deborah Roberts’ #EvolutionOfMimi art tackles heavy topic of colorism,” RollingOut, May 25. ([Link](https://rollingout.com/2018/05/25/deborah-roberts-evolutionofmimi-art-tackles-heavy-topic-of-colorism/))

Amirkhani, Jordan. “Art Review: ‘The Evolution of Mimi’ at Spelman Museum,” BURNAWAY, April 25. ([Link](https://burnaway.org/review/deborah-roberts-spelman/))

Cochran, Rebecca. “Deborah Roberts: The Evolution of Mimi,” Art Papers, March 17.

Sargent, Antwaun. “The Artist Changing the Face of Black Girlhood,” VICE, March 6 ([Link](https://www.vice.com/en_us/article/59kapb/the-artist-changing-the-face-of-black-girlhood))

Feaster, Felicia. “The power and pathos of girlhood defines Deborah Roberts’ collages,” The Atlantic Journal Contribution, March 6.

Van Proyen, Mark. “Deborah Roberts @ Jenkins Johnson,” Square Cylinder, February 19. ([Link](http://www.jenkinsjohnsongallery.com/news/deborah-roberts-uninterrupted-reviewed-by-mark-van-proyen))

Larocca, Amy. “Portfolio: Her Breakthrough Women,” The New York Magazine, February 5 ([Link](https://www.thecut.com/2018/02/fashion-portfolio-deborah-roberts.html))

Green, Tyler. “Deborah Roberts, Anita Witek,” Modern Art Notes Podcast, February ([Link](https://manpodcast.com/portfolio/no-327-deborah-roberts-anita-witek/))

Johns, Myke. “Artist Deborah Roberts ‘Emancipates’ Black Girlhood In Spelman Exhibit,” National Public Radio, January 25 ([Link](https://www.wabe.org/artist-deborah-roberts-emancipates-black-girlhood-spelman-exhibit/))

**Steve Roden**

**2019**

Knight, Christopher. “Review: Sonic frequency as art? Enter Steve Roden’s captivating prisms of color,” Los Angeles Times, August 17 ([Link](https://www.latimes.com/entertainment-arts/story/2019-08-16/review-steve-roden-vielmetter-los-angeles))

**Paul Mpagi Sepuya**

**2019**

“Grace Wales Bonner,” Serpentine Sackler Gallery, London, UK

Eckhardt, Stephanie. “The Problem With Robert Mapplethorpe,” W, July 27 ([Link](https://www.wmagazine.com/gallery/robert-mapplethorpe-guggenheim-photos))

Weitzman, Jordan. “Episode 32: Paul Mpagi Sepuya,” Magic Hour, July 8 ([Link](http://www.magichourpodcast.org/episodes/2019/7/1/episode-32-paul-mpagi-sepuya))

Jackson, Danielle. “What the Whitney Biennial Tells Us About the Future of Photography—and the Artists Who Will Shape It,” arnet, July 3 ([Link](https://news.artnet.com/exhibitions/whitney-biennial-review-2019-1589902))

Irvin, Rebecca. “Deconstructed bodies: The photography of Paul Mpagi Sepuya,” It’s Nice That, June 21 ([Link](https://www.itsnicethat.com/articles/paul-mpagi-sepuya-photography-210619))

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer ([Link](https://www.artforum.com/print/201906/confessions-on-the-dance-floor-79934))

Howe, David Everitt. “The Conditions,” Art in America, May ([Link](https://www.artinamericamagazine.com/reviews/paul-mpagi-sepuya/))

Loos, Ted. “Inspired by Virginia Woolf, Curated by Tilda Swinton,” New York Times, May 22 ([Link](https://www.nytimes.com/2019/05/22/arts/design/tilda-swinton-orlando-exhibition.html))

Henderson, Jane. “Q&A: Intimate portraits by Paul Mpagi Sepuya revise notion of ‘dark rooms’,” St. Louis Today, May 22 ([Link](https://www.stltoday.com/entertainment/arts-and-theatre/q-a-intimate-portraits-by-paul-mpagi-sepuya-revise-notion/article_e4242606-e01f-5909-833a-a7f35946331d.html))

Goldstein, Caroline and Eileen Kinsella. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars,” artnet, May 22 ([Link](https://news.artnet.com/market/whitney-biennial-2019-artists-to-watch-1550506))

Moffitt, Evan. “The 2019 Whitney Biennial Is Unafraid to Be Beautiful,” Frieze, May 20 ([Link](https://frieze.com/article/2019-whitney-biennial-unafraid-be-beautiful))

King, Chris. “New CAM shows fulfill every challenge of contemporary art,” St. Louis American, May 20 ([Link](http://www.stlamerican.com/entertainment/living_it/new-cam-shows-fulfill-every-challenge-of-contemporary-art/article_14a4820a-7b09-11e9-99d1-1789af52b92d.html))

Aletti, Vince. “Previews: Paul Mpagi Sepuya at the Contemporary Art Museum St. Louis,” Artforum, May ([Link](https://www.artforum.com/print/previews/201905/paul-mpagi-sepuya-79594))

Gilbert, Alan. “Paul Mpagi Sepuya’s “The Conditions,” Art-Agenda, April 5 ([Link](https://www.art-agenda.com/features/262407/paul-mpagi-sepuya-s-the-conditions))

Scott, Andrea K. “Paul Mpagi Sepuya Mines the Queer History of the Portrait Studio,” New Yorker, March 29 ([Link](https://www.newyorker.com/culture/photo-booth/paul-mpagi-sepuya-mines-the-queer-history-of-the-portrait-studio))

Schwendener, Martha. “New York Art Galleries: What to See Right Now,” New York Times, March 28 ([Link](https://www.nytimes.com/2019/03/28/arts/design/new-york-art-galleries-what-to-see-right-now.html))

Mellin, Haley. “Sheree Hovsepian and Paul Mpagi Sepuya Take Over Venice Beach,” Garage, March 25 ([Link](https://garage.vice.com/en_us/article/bjq4wm/sheree-hovsepian-paul-mpagi-sepuya))

Manatakis, Lexi and Ashleigh Kane. “Art shows to leave the house for this month,” Dazed, March 15 ([Link](https://www.dazeddigital.com/art-photography/article/43677/1/art-shows-to-leave-the-house-for-this-month-march-2019))

“9 Art Events in New York: Isaac Julien, Jean-Michel Basquiat, Gretchen Bender, Arakawa, and More,” ArtNews, March 4 ([Link](http://www.artnews.com/2019/03/04/art-events-new-york-isaac-julien-gretchen-bender-arakawa-basquiat/))

Velasco, David. “Project: Paul Mpagi Sepuya,” Artforum, March ([Link](https://www.artforum.com/print/201903/project-paul-mpagi-sepuya-78670))

“Photographer Paul Mpagi Sepuya’s Blurred Lines,” Garage, February 20 ([Link](https://garage.vice.com/en_us/article/wjmz7n/paul-mpagi-sepuyas))

Cavaluzzo, Alexander and Daniel Avery. “THE 12 BEST ART EXHIBITS TO SEE IN 2019,” Newsweek, February 13 ([Link](https://www.newsweek.com/26-museum-exhibitions-you-cannot-miss-2019-1317338))

Malone, Callan. “The LALA List,” LALA Magazine, Winter 2019, p. 51

“In the Studio with Paul Mpagi Sepuya,” SIXTY Hotels (blog), January 9 ([Link](https://blog.sixtyhotels.com/in-the-studio-with-paul-mpagi-sepuya/))

Selvin, Claire. “Susanne Vielmetter Los Angeles Projects Now Represents Paul Mpagi Sepuya,’ ARTnews, January 8 ([Link](http://www.artnews.com/2019/01/08/susanne-vielmetter-los-angeles-projects-now-represents-paul-mpagi-sepuya/))

Pahules, Anastasia. “Artists on Art: Paul Mpagi Sepuya on Lorna Simpson,” LACMA Unframed (blog), January ([Link](https://unframed.lacma.org/2019/01/03/artists-art-paul-mpagi-sepuya-lorna-simpson))

**2018**

Cooper, Ashton. “Critics’ Picks: Positioner at Matthew Marks,” Artforum, October ([Link](https://www.artforum.com/picks/matthew-marks-gallery-1062-n-orange-grove-77467))

Christon, Jimmy. “‘Tipping Points’ exhibit reflects changing political world,” The Miscellany News, October 24 ([Link](http://miscellanynews.org/2018/10/24/arts/tipping-points-exhibit-reflects-changing-political-world/))

Haris, Gareth. “Can an increase in two-artist booths spur sales at Paris’s Fiac?” Art Newspaper, October 17 ([Link](https://www.theartnewspaper.com/preview/dealers-double-up-their-artists-at-fiac))

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” New York Times, March 9 ([Link](https://www.nytimes.com/2018/03/09/arts/design/museum-of-modern-art-being-new-photography.html))

Allegretto, Dan. “We All Wear the Mask: New Photography at the Museum of Modern Art,” Art in America, April 2 ([Link](https://www.artinamericamagazine.com/news-features/news/wear-mask-new-photography-museum-modern-art/))

Jones, Gregory Eddi. “Picture, Paper, Friend, and Flesh: An Interview with Paul Mpagi Sepuya,” In the In-Between, March 12 ([Link](https://www.inthein-between.com/paul-mpagi-sepuya/))

Onyewuenyi, Ikechukwu Casmir. “Paul Sepuay at team (bungalow,” Carla, February 14 ([Link](http://contemporaryartreview.la/paul-mpagi-sepuya-at-team-bungalow/))

Oldweiler, Cory. “MoMA’s new photography exhibit focuses on identity in 2018,” AM New York, March 18 ([Link](https://www.amny.com/things-to-do/moma-new-photography-exhibit-1.17486224))

Woodward, Richard B. “MoMA’s Human Focus,” Wall Street Journal, March 14 ([Link](https://www.wsj.com/articles/momas-human-focus-1521064112))

Wheeler, André-Naquian. “moma’s ‘new photography’ series asks what it means to be human,” i-d, March 27 ([Link](https://i-d.vice.com/en_us/article/7xd87x/momas-new-photography-series-asks-what-it-means-to-be-human))

Aubry, Lisa. “MoMA to Display UCLA Alum’s Work Exploring Identity, Portraiture,” Daily Bruin, March 14 ([Link](https://www.arts.ucla.edu/single/moma-to-display-ucla-alums-work-exploring-identity-portraiture/))

Norman, Lee Ann. “Intimate Moves In A Dark Room: Paul Mpagi Sepuya at Document,” New City Art, April 19 ([Link](https://art.newcity.com/2018/04/19/intimate-moves-in-the-dark-room-paul-mpagi-sepuya-at-document/))

Goldberg, Ariel. “In the Room,” Art in America, April 1 ([Link](https://www.artinamericamagazine.com/news-features/magazines/in-the-room/))

“Image of the Day,” Elephant, September 12 ([Link](https://elephant.art/iotd/paul-mpagi-sepuya-mirror-study-_q5a2059-2016/))

Wheeler, André. “In the Studio, in the Nude: An Artist Capturing Queer Masculinity,” AnOther, October 12 ([Link](http://www.anothermag.com/art-photography/11247/in-the-studio-in-the-nude-an-artist-capturing-queer-masculinity))

Campbell, Andy. “Paul Mpagi Sepuya,” Aperture, Fall

“Paul Mpagi Sepuya,” Unseen, Issue 5, Fall

Quinton, Jared. “Paul Mpagi Sepuya at DOCUMENT,” Artforum, March ([Link](https://www.artforum.com/picks/paul-mpagi-sepuya-75124))

Norman, Lee Ann. “Intimate Moves In A Dark Room, Paul Mpagi Sepuya at Document,” Newcity Art, April 19 ([Link](https://art.newcity.com/2018/04/19/intimate-moves-in-the-dark-room-paul-mpagi-sepuya-at-document/))

Goldberg, Ariel. “The Room,” Art In America Magazine, April 1 ([Link](https://www.artinamericamagazine.com/news-features/magazines/in-the-room/))

Allegretto, Dan. “We All Wear The Mask : New Photography at the Museum of Modern Art,” Art In America Magazine, April 2 ([Link](https://www.artinamericamagazine.com/news-features/news/wear-mask-new-photography-museum-modern-art/))

Wheeler, André-Naquian. “MoMA’s ‘New Photography’ Series Asks What It Means to be Human,” i-D Magazine, March 27 ([Link](https://i-d.vice.com/en_us/article/7xd87x/momas-new-photography-series-asks-what-it-means-to-be-human))

Indrisek, Scott. “At MoMA, Photography Doesn’t Have to Reinvent Itself to be Radical,” Artsy, March 20 ([Link](https://www.artsy.net/article/artsy-editorial-moma-photography-reinvent-radical))

“Five Questions with Paul Mpagi Sepuya,” Cultured Magazine, March 20 ([Link](https://www.culturedmag.com/paul-mpagi-sepuya-2/))

Woodward, Richard B. “MoMA’s Human Focus,” The Wall Street Journal, March 14 ([Link](https://www.wsj.com/articles/momas-human-focus-1521064112))

Lubow, Arthur. “What’s New in Photography? Humanism, MoMA Says,” The New York Times, March 9 ([Link](https://www.nytimes.com/2018/03/09/arts/design/museum-of-modern-art-being-new-photography.html))

**Arlene Shechet**

**2019**

Heitzman, Lorraine. “The Quirky Harmony of Arlene Shechet’s Sculpture,” Art and Cake, May 20 ([Link](https://artandcakela.com/2019/05/20/arlene-shechet-at-susanne-vielmetter-los-angeles-projects/))

Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh,” Los Angeles Times, April 29 ([Link](https://www.latimes.com/entertainment/arts/la-et-cm-arlene-shechet-review-20190429-story.html?fbclid=IwAR0VpO-EbWwhZu-56QvRMP_8N575Bt1HNLAGWVTu5kidWke1pom8Xa6EnvQ))

Belcove, Julie. “These Trailblazing Female Artists Are Finally Getting the Recognition they Deserve,” Robb Report, April 11 ([Link](https://robbreport.com/muse/discoveries/recharting-art-history-2844320/))

Kalb, Jonathan. “Fiona Shaw Performs “The Waste Land” in Madison Square Park,” TheaterMatters, April 11 ([Link](https://www.jonathankalb.com/single-post/2019/04/11/Fiona-Shaw-Performs-The-Waste-Land-in-Madison-Square-Park))

Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park,” Hyperallergic, April 11 ([Link](https://hyperallergic.com/494542/fiona-shaw-will-perform-t-s-eliots-the-waste-land-in-madison-square-park/))

Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting),” New York Times, February 3 ([Link](https://www.nytimes.com/2019/02/03/nyregion/statue-of-liberty-madison-square-park-ice-sculpture.html))

**2018**

Solomon, Deborah. “Review: Arlene Shechet Goes Public,” WNYC, December 21 ([Link](https://www.wnyc.org/story/review-arlene-shechet-goes-public/))

Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park,” artnet, December 20 ([Link](https://news.artnet.com/art-world/arlene-shechet-madison-square-park-1425418))

Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park,” Hyperallergic, November 20 ([Link](https://hyperallergic.com/470857/arlene-shechet-smuggles-politics-into-madison-square-park/))

“NYC restaurant serves guests wooden boxes for stowing away their phonesNYC restaurant serves guests wooden boxes for stowing away their phones,” CTV News, October 30 ([Link](https://www.ctvnews.ca/lifestyle/nyc-restaurant-serves-guests-wooden-boxes-for-stowing-away-their-phones-1.4156252))

Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park,” Gothamist, October 24 ([Link](http://gothamist.com/2018/10/24/dianne_wiest_beckett_play_madison_square_park_video.php))

“VIDEO: Dianne Wiest Totally Rocks Beckett in Madison Square Park!” Broadway World, October 24 ([Link](https://www.broadwayworld.com/article/VIDEO-Dianne-Wiest-Brings-Beckett-to-Madison-Square-Park-20181024))

Feldman, Adam. “Dianne Wiest is doing Beckett in a park this week, for free, dressed as a rock, Time Out, October 24 ([Link](https://www.timeout.com/newyork/news/dianne-wiest-is-doing-beckett-in-a-park-this-week-for-free-dressed-as-a-rock-102318))

Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween,” New York Times, October 24 ([Link](https://www.nytimes.com/2018/10/24/theater/dianne-wiest-park-beckett.html))

“Dianne Wiest To Perform Beckett Next Week At Madison Square Park,” Broadway World, October 17 ([Link](https://www.broadwayworld.com/article/Dianne-Wiest-To-Perform-Beckett-Next-Week-At-Madison-Square-Park-20181017))

“‘Every Single Second it Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster,” Artnet News, October 5 ([Link](https://news.artnet.com/art-world/watch-arlene-shechet-sculpting-the-passage-of-time-1362520))

Cascone, Sarah, “Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week,” Artnet News (web), September 25 ([Link](https://news.artnet.com/art-world/editors-picks-september-24-1345826))

Loos, Ted, “Porcelain Finds Its Outside Voice,” New York Times (web), September 23 ([Link](https://www.nytimes.com/2018/09/23/arts/design/arlene-shechet-madison-square-park.html))

“Morning Links: Sword Wound Edition,” Art News, September 24 ([Link](http://www.artnews.com/2018/09/24/morning-links-sword-wound-edition/))

“Photographer outs herself as anonymous donor of millions to female artists,” CBS This Morning (web), August 23 ([Link](https://www.cbsnews.com/news/more-perfect-union-photographer-susan-unterberg-outs-herself-as-benefactor-of-grant-for-women/))

“’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, June 28 ([Link](https://edition.cnn.com/style/article/design-lovers-guide-to-new-york/index.html))

Wong, Alex, “Reflecting pond in Madison Square Park will be transformed by public installation,” The Architect’s Newspaper (web), June 1 ([Link](https://archpaper.com/2018/06/madison-square-park-feature-public-art-exhibition-arlene-shechet/))

Farber, Janet L., “‘More Than I Know’ Shechet’s abstract sculpture at Joslyn eludes easy classification for all,” The Omaha Reader (web), May 27 ([Link](https://thereader.com/visual-art/more-than-i-know/))

Bui, Phong, “Arlene Shechet: Some Truths,” The Brooklyn Rail (web), May 1 ([Link](https://brooklynrail.org/2018/05/artseen/ARLENE-SHECHET-Some-Truths))

**Dasha Shishkin**

**2018**

Jones, Samuel. ” At new Neiman Gallery exhibit, psychedelic prints bleed into negative space,” Columbia Spectator, October 22 ([Link](https://www.columbiaspectator.com/arts-and-entertainment/2018/10/23/at-new-neiman-gallery-exhibit-psychedelic-prints-bleed-into-negative-space/))

**Amy Sillman**

**2019**

“Confessions on the Dance Floor: Reveries From The Gay Bar,” Artforum, Summer ([Link](https://www.artforum.com/print/201906/confessions-on-the-dance-floor-79934))

Henry, Clare. “Passionate About Drawing: Roger Malbert Unveils Hand Drawn Action Packed – Clare Henry,” ArtLyst, March 28 ([Link](https://www.artlyst.com/reviews/passionate-drawing-roger-malbert-unveils-hand-drawn-action-packed-clare-henry/))

**2018**

Sillman, Amy. “Delacroix,” 4columns, December 14 ([Link](http://4columns.org/sillman-amy/delacroix))

Kamps, Toby. “In Conversation: Amy Sillman with Toby Kamps,” The Brooklyn Rail, December 11 ([Link](https://brooklynrail.org/2018/12/art/AMY-SILLMAN-with-Toby-Kamps))

Haidu, Rachel. “Amy Sillman: Camden Art Centre,” Artforum, December ([Link](https://www.artforum.com/print/reviews/201810/amy-sillman-77784))

Armstrong, Annie. “Phillips $88.5 M. Contemporary Sale Comes Up Short, with Passes on Burri and Pollock,” Art News, November 15 ([Link](http://www.artnews.com/2018/11/15/phillips-20th-century-contemporary-evening-sale-comes-short-88-5-million-total-passes-burri-pollock/))

Angeleti, Gabriella. “Phillips and Bonhams see strong sales on smaller lots,” The Art Newspaper, November 16 ([Link](https://www.theartnewspaper.com/news/phillips-and-bonhams-see-strong-sales-on-smaller-lots))

Hatfull, Nicholas. “The Vicarious Warmth of Amy Sillman’s Paintings,” Frieze, October 26 ([Link](https://frieze.com/article/vicarious-warmth-amy-sillmans-paintings))

Westall, Mark. “Amy Sillman: Landline : The first institutional exhibition of the acclaimed American painter,” Fad Magazine, July 4 ([Link](https://fadmagazine.com/2018/07/04/238695/))

Judah, Hettie, ” The Best Shows in London During Frieze Week,” Frieze (web), September 28 ([Link](https://frieze.com/article/best-shows-london-during-frieze-week))

Barnard, Imelda, “‘I’m working with and against painting’ – an interview with Amy Sillman,” Apollo (web), September 26 ([Link](https://www.apollo-magazine.com/amy-sillman-interview-camden-arts-centre/))

Sillman, Amy, “Laura Owens,” Artforum, April ([Link](https://www.artforum.com/print/reviews/201804/laura-owens-74671))

“Amy Sillman,” The New Yorker, February ([Link](https://www.newyorker.com/goings-on-about-town/art/amy-sillman-7))

Tuchman, Phyllis, “Artisanal Abstraction: The Elusive, Effusive Art of Amy Sillman,” ArtNews (web), February 16 ([Link](http://www.artnews.com/2018/02/16/artisanal-abstraction-elusive-effusive-art-amy-sillman/))

Petrovich, Dushko, “The New Face of Portrait Painting,” The New York Times Style Magazine, February 12 ([Link](https://www.nytimes.com/2018/02/12/t-magazine/portrait-art-painting.html))

Mullen, Matt, “The Playfully Troubled Art of Amy Sillman,” Interview (web), January 25 ([Link](https://www.interviewmagazine.com/art/the-art-of-amy-sillman))

**Mickalene Thomas**

**2016**

“Muse: Mickalene Thomas Photographs and tête-à-tête,” Aperture, New York, NY; travelled to Maryland Institute College of Art, Baltimore, MD; Virginia Museum of Contemporary Art, Virginia Beach, VA (2017); Georgia Museum of Art, Athens, GA (2017); Pomona College Museum of Art, Claremont, CA (2018) ([Link](https://www.pomona.edu/museum/exhibitions/2018/muse-mickalene-thomas-photographs-and-t%C3%AAte-%C3%A1-t%C3%AAte))

**2019**

Lim, Kay. “Black models in modern art,” CBS News, July 14 ([Link](https://www.cbsnews.com/news/black-models-in-modern-art/))

Barmann, Jay. “SFMOMA Sells Rothko Painting To Fund Purchase Of 11 Works By Women And Minorities,” SFist, June 28 ([Link](https://sfist.com/2019/06/28/sfmoma-sells-rothko-painting-to-fund-purchase-of-works-by-women-and-minorities/))

Desmarais, Charles. “SFMOMA’s new acquisitions an important drop in the bucket,” SF Chronicle, June 28 ([Link](https://datebook.sfchronicle.com/art-exhibits/sfmomas-new-acquisitions-an-important-drop-in-the-bucket))

“The Most Influential Living African-American Artists,” Artsy, February 25 ([Link](https://www.artsy.net/article/artsy-editorial-influential-living-african-american-artists))

Stapley-Brown, Victoria. “Surround yourself in the 70s: Mickalene Thomas installation comes to Miami’s Bass Museum,” Art Newspaper, June 7 ([Link](https://www.theartnewspaper.com/news/mickalene-thomas-to-bring-better-nights-to-the-bass))

Palumbo, Jaqui. “These Photographers Explore the Limitlessness of Gender Identity,” Artsy, May 30 ([Link](https://www.artsy.net/article/artsy-editorial-photographers-explore-limitlessness-gender-identity))

Little, Colony. “The Studio Museum Conceives Its Future in a Traveling Exhibition,” Hyperallergic, March 6 ([Link](https://hyperallergic.com/487928/the-studio-museum-conceives-its-future-in-a-traveling-exhibition/))

Parris, Amanda. “In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change?,” CBS, February 8 ([Link](https://www.cbc.ca/arts/in-the-heart-of-the-ago-100-black-women-artists-gathered-to-celebrate-is-it-a-sign-of-true-change-1.5011551))

Valetine, Victoria L. “Black Art History: 17 Exhibition ‘Firsts’ Happening This February,” The Culture Type, February 8 ([Link](https://www.culturetype.com/2019/02/08/black-art-history-17-exhibition-firsts-happening-this-february/))

Scott, Chadd. “‘Posing Modernity’ Prepares To Say ‘Goodbye’ To New York, ‘Hello’ To Paris,” Forbes, January 25 ([Link](https://www.forbes.com/sites/chaddscott/2019/01/25/posing-modernity-prepares-to-say-goodbye-to-new-york-hello-to-paris/#6a30f7a7548f))

Burns, Charlotte and Julia Halperin. “Museums, Acquisitions and Artists of Color, Why Now is the Time for Change,” Sotheby’s, January 11 ([Link](https://www.sothebys.com/en/articles/museums-acquisitions-and-artists-of-color-why-now-is-the-time-for-change))

Valetine, Victoria L. “Culture Type Picks: 18 Best Black Art Books of 2018,” Culture Type, Janurary 4 ([Link](https://www.culturetype.com/2019/01/04/culture-type-picks-18-best-black-art-books-of-2018/))

“‘Mickalene Thomas: Femme Noires’ at the Art Gallery of Ontario,” Blouin Art Info (web), January 8 ([Link](https://www.blouinartinfo.com/news/story/3474632/mickalene-thomas-femmes-noires-at-the-art-gallery-of-ontario))

Smith, Melissa. “How a Businesswoman Became a Voice for Art’s Black Models,” New York Times, December 26 ([Link](https://www.nytimes.com/2018/12/26/arts/design/posing-modernity-curator-manet-olympia.html))

**2018**

Egan, Maura. “Enterprising Artists Are Redefining Country Living in Picturesque Northwestern Connecticut,” Departures, September 24 ([Link](https://www.departures.com/lifestyle/home-design/connecticut-tastemakers))

Smee, Sebastian. “Two revelatory exhibitions upend our understanding of black models in art,” Washington Post, December 10 ([Link](https://www.washingtonpost.com/entertainment/museums/two-revelatory-exhibitions-upend-our-understanding-of-black-models-in-modern-art/2018/12/10/90806580-f7d1-11e8-863c-9e2f864d47e7_story.html?utm_term=.b456789fe258))

Parris, Amanda. “The art world often excludes Black women. Mickalene Thomas’s superpower is making them visible,” CBC, December 7 ([Link](https://www.cbc.ca/arts/the-art-world-often-excludes-black-women-mickalene-thomas-s-superpower-is-making-them-visible-1.4936697))

Rosen, Miss. “7 Black Artists You Should Know,” Broadly, December 6 ([Link](https://broadly.vice.com/en_us/article/3k97d8/black-women-artists-art-basel-miami))

Carrier, David. “Deconstructing Race in Western Painting,” Hyperallergic, December 1 ([Link](https://hyperallergic.com/473124/posing-modernity-the-black-model-from-manet-and-matisse-to-today-miriam-and-ira-d-wallach-art-gallery-columbia-university/))

Adams, Kelsey. “Mickalene Thomas celebrates Black women at the AGO,” Now Toronto, December 3 ([Link](https://nowtoronto.com/culture/art-and-design/mickalene-thomas-ago-femmes-noires/))

“Baltimore Museum of Art Launches Commission Series and Curatorial Fellowship with Focus on Diversity,” Artforum, November 30 ([Link](https://www.artforum.com/news/baltimore-museum-of-art-launches-commission-series-and-curatorial-fellowship-with-focus-on-diversity-77849))

Greenberger, Alex. “Baltimore Museum of Art Launches Diversity-Minded Commission Series and Curatorial Fellowship,” Art News, November 30 ([Link](http://www.artnews.com/2018/11/30/baltimore-museum-art-launches-diversity-minded-commission-series-curatorial-fellowship/))

Hernandez, Jasmin. “Mickalene Thomas and Racquel Chevremont Run on Adoration and Activism,” Elle, November 30 ([Link](https://www.elle.com/culture/a25350529/mickalene-thomas-and-racquel-chevremont-deux-femmes-noires/))

“Mickalene Thomas: The artist on reclaiming the black female body,” WBEZ Chicago, November 28 ([Link](https://www.wbez.org/shows/q/mickalene-thomas-the-artist-on-reclaiming-the-black-female-body-i/3ba76ec4-2ba8-4b78-b5e7-a55f81b4292b))

Nguyen, Long. “Posing Modernity,” Flaunt, November 12 ([Link](http://www.flaunt.com/content/posing-modernity))

Reid, Tiana. “What it Means When Columbia Does a Show About the Black Model on Its West Harlem Expansion Campus,” Vulture, November 9 ([Link](https://www.vulture.com/2018/11/from-matisse-to-mickalene-thomas-the-black-model-in-art.html))

Edelson, Sharon. “As If, Audemars Piguet Bring Stimulating Talk to Beautiful Setting,” WWD, November 9 ([Link](https://wwd.com/eye/parties/as-if-audemars-piguet-art-brooklyn-museum-chauvinism-1202902685/))

Sargent, Antwaun. “Seven Artists on the Warhol Influence,” New York Times, November 1 ([Link](https://www.nytimes.com/2018/11/01/arts/design/seven-artists-on-the-warhol-influence.html))

Goldsmith, Suzanne. “2018 Fall Arts Guide: November,” Columbus Monthly, October 29 ([Link](http://www.columbusmonthly.com/entertainment/20181029/2018-fall-arts-guide-november))

Diderich, Joelle. “Dior Lady Art Project Celebrates Great Women Artists,” WWD, October 29 ([Link](https://wwd.com/accessories-news/handbags/dior-lady-art-project-celebrates-great-women-artists-mickalene-thomas-cardi-b-1202893588/))

Cascone, Sarah. “‘I Use It as a Way of Drawing and Seeing’: Artist Mickalene Thomas on How Photography Became the Center of Her Practice,” artnet news, October 26 ([Link](https://news.artnet.com/art-world/mickalene-thomas-icp-spotlights-1381297))

Sheet, Hillarie M. “New Attention for Figures in the Background,” The New York Times, October 25 ([Link](https://www.nytimes.com/2018/10/25/arts/new-attention-for-figures-in-the-background.html))

Stapley-Brown, Victoria. “Show turns a spotlight on the black female figure in Modern art,” The Art Newspaper, October 23 ([Link](https://www.theartnewspaper.com/preview/show-turns-a-spotlight-on-the-black-female-figure-in-modern-art))

“Posing Modernity: The Black Model from Manet and Matisse to Today,” Apollo, October 1 ([Link](https://www.apollo-magazine.com/art-diary/posing-modernity-the-black-model-from-manet-and-matisse-to-today/))

Pitts, Zac. “Mickalene Thomas Photography Exhibition,” WDTN News, October 19 ([Link](https://www.wdtn.com/dl365/healthy-living/living-dayton/mickalene-thomas-photography-exhibition/1536052301))

O’Grady, Megan. “How Carrie Mae Weems Rewrote the Rules of Image-Making,” New York Times Style Magazine, October 15 ([Link](https://www.nytimes.com/2018/10/15/t-magazine/carrie-mae-weems-interview.html))

Gilson, Nancy. “Arts review: In depicting women in her life, painter Mickalene Thomas prefers flash, depth,” Columbus Dispatch, October 14 ([Link](https://www.dispatch.com/entertainmentlife/20181014/arts-review-in-depicting-women-in-her-life-painter-mickalene-thomas-prefers-flash-depth))

Binlot, Ann. “The Art of Being A Muse,” Document, October 10 ([Link](http://www.documentjournal.com/2018/10/the-art-of-being-a-muse/))

Weber, Jasmine. “Mickalene Thomas Makes a Muse of Cardi B,” Hyperallergic, October 9 ([Link](https://hyperallergic.com/465053/mickalene-thomas-makes-a-muse-of-cardi-b/))

Kai, Maiysha. “High Art: Cardi B and Artist Mickalene Thomas Collab for W Magazine,” The Glow Up, October 9 ([Link](https://theglowup.theroot.com/high-art-cardi-b-and-artist-mickalene-thomas-collab-fo-1829638339))

Solway, Diane. “Cardi B Channels Hollywood’s Legendary Latina Glamour Queens in W’s Art Issue,” W Magazine, October 9 ([Link](https://www.wmagazine.com/gallery/cardi-b-mickalene-thomas-w-magazine-cover))

Azzarello, Nina, “opera ‘music video’ by maurizio cattelan & pierpaolo ferrari is as wild as you’d imagine,” designboom (web), 4 October ([Link](https://www.designboom.com/art/maurizio-cattelan-pierpaolo-ferrari-opera-costanzo-glass-handel-10-04-2018/))

Adrian-Diaz, Jenna, “5 Lessons in Feminist Art,” The Cut (web), October 3 ([Link](https://www.thecut.com/2018/10/half-the-picture-brooklyn-museum.html))

Drew, Kimberly and Nicole Chapoteau, “Artist Mickalene Thomas Opens Up About the Importance of Diverse Bodies In Her Work,” Harper’s Bazaar (web), October 3 ([Link](https://www.harpersbazaar.com/culture/art-books-music/a23570434/mickalene-thomas-artwork/))

Keimig, Jasmyne, “Black Girl Magic, Mickalene Thomas, and Being My Own Muse,” The Stranger (web), September 21 ([Link](https://www.thestranger.com/slog/2018/09/21/32681881/black-girl-magic-mickalene-thomas-and-being-my-own-muse))

Michael, Michael Love, “In Conversation: John Edmonds and Mickalene Thomas,” Paper, September 19 ([Link](http://www.papermag.com/john-edmonds-higher-2606257853.html))

Pothast, Emily, “An Artist Pays Homage to Her Glamorous, Dying Mother,” The Stanger (web), September 12 ([Link](https://www.thestranger.com/visual-art/2018/09/12/32130824/an-artist-pays-homage-to-her-glamorous-dying-mother))

Lee, Michael, “Wexner Center art exhibition to empower women, challenge art history norms,” The Lantern, September 10 ([Link](https://www.thelantern.com/2018/09/wexner-center-art-exhibition-to-empower-women-challenge-art-history-norms/))

Cascone, Sarah and Caroline Goldstein, “From Mark Bradford in Baltimore to Victor Hugo in LA: 33 Museum Shows Around the US Worth Traveling For,” Artnet News (web), September 5 ([Link](https://news.artnet.com/art-world/fall-2018-museum-shows-1318328))

Belcove, Julie L, “Artist Mickalene Thomas: “It was always a political statement,” The Financial Times (web), August 31 ([Link](https://www.ft.com/content/40f8bd16-ab1c-11e8-89a1-e5de165fa619))

“Datebook: Our Top Columbus Events for September,” Columbus Monthly (web), August 31 ([Link](http://www.columbusmonthly.com/entertainment/20180831/datebook-our-top-columbus-events-for-september))

Clemans, Gayle, “A look at painter Mickalene Thomas’ lesser-known photography at Henry Art Gallery,” The Seattle Times (web), August 29 ([Link](https://www.seattletimes.com/entertainment/visual-arts/muse-offers-a-look-at-painter-mickalene-thomas-photography-and-at-the-artist-herself/))

Armstrong, Annie, “Carrie Mae Weems, Mickalene Thomas, Zoe Buckman, More Will Make Art for Planned Parenthood’s ‘Unstoppable’ Campaign,” Art News, August 2 ([Link](http://www.artnews.com/2018/08/02/carrie-mae-weems-mickalene-thomas-zoe-buckman-will-make-video-art-planned-parenthoods-unstoppable-campaign/))

Najjar, Christina, “Three New York City Artists to Follow on Instagram This Month,” Hamptons (web), June 5 ([Link](https://hamptons-magazine.com/artists-to-follow-instagram))

Small, Zachary, “In Rihanna Photoshoot for Vogue Paris, Juergen Teller Cribs Imagery from Mickalene Thomas,” Hyperallergic (web), July 24 ([Link](https://hyperallergic.com/452631/rihanna-vogue-paris-juergen-teller-mickalene-thomas/))

Stapley-Brown, Victoria, “Did Juergen Teller borrow from Mickalene Thomas’s work in Vogue Paris Rihanna shoot?” The Art Newspaper (web), July 24 ([Link](https://www.theartnewspaper.com/news/did-juergen-teller-take-from-mickalene-thomas-s-work-in-vogue-paris-rihanna-spread))

Upchurch, Michael, “Mother as muse in a powerful show of Black beauty,” Crosscut (web), July 23 ([Link](https://crosscut.com/2018/07/mother-muse-powerful-show-black-beauty))

“10 LGBTQ+ Artists who Redefined Contemporary Art,” Mutual Art (web), June 7 ([Link](https://www.mutualart.com/Article/10-LGBTQ--Artists-Who-Redefined-Contempo/CDCA6DDF81136953))

Wilson-Goldie, Kaelen, “’Multiply, Identify, Her’ International Center of Photography Museum (ICP),” ArtForum (web), June 2 ([Link](https://www.artforum.com/picks/international-center-of-photography-museum-icp-75651))

**Nicola Tyson**

**2018**

Allam, Roula, “4 Noteworthy London Fashion Week Happenings,” About Her (web), September 19 ([Link](https://www.abouther.com/node/13386/fashion/fashion-news/4-noteworthy-london-fashion-week-happenings))

Dacre, Karen, “Victoria Beckham’s SS19 10th anniversary show at London Fashion Week,” The Evening Standard (web), September 17 ([Link](https://www.msn.com/en-gb/news/other/victoria-beckhams-ss19-10th-anniversary-show-at-london-fashion-week/ar-BBNoGJZ))

Rogers, Sam, “Victoria Beckham comes home to London Fashion Week,” Vogue Paris (web), September 16 ([Link](https://en.vogue.fr/fashion/fashion-news/story/interview-victoria-beckham-10th-anniversary-show-london-fashion-week/3813#3-3))

Conti, Samantha, “LFW Preview: Victoria Beckham Set to Light Up Piccadilly Circus With London Show,” WWD (web), September 14 ([Link](https://wwd.com/fashion-news/fashion-features/victoria-beckham-set-light-piccadilly-circus-with-london-show-1202811052/))

Magenheim, Jillian, “Runway Report: Victoria Beckham SS19,” Olivia Palermo (web), September 18 ([Link](http://oliviapalermo.com/runway-report-victoria-beckham-ss19/))

Elison, Jo, “Victoria Beckham’s 10th anniversary homecoming was all business,” Financial Times (web), September 16 ([Link](https://www.ft.com/content/ce098364-b9bf-11e8-8274-55b72926558f))

Paton, Elizabeth, “Victoria Beckham Sells Her Clothes Herself,” New York Times (web), September 17 ([Link](https://www.nytimes.com/2018/09/16/style/victoria-beckham-london-fashion-show.html))

Jones, Jo, “Victoria Beckham: backstage at her spring/summer 2019 show – in pictures,” The Guardian (web), September 17 ([Link](https://www.theguardian.com/fashion/gallery/2018/sep/17/victoria-beckham-backstage-at-her-springsummer-2019-show-in-pictures))

**Monique Van Genderen**

**2018**

“If I go there, I won’t stay there” at ltd los angeles,” Blouin Art Info, October 1 ([Link](http://www.blouinartinfo.com/news/story/3282862/if-i-go-there-i-wont-stay-there-at-ltd-los-angeles))

**Esther Pearl Watson**

**2019**

“The Moon: Eternal Pearl,” Concord Center for the Visual Arts, Concord, MA

**Patrick Wilson**

**2018**

Pagel, David,” When a rectangle is more than a rectangle: Making sense of Patrick Wilson’s colorful chaos,” Los Angeles Times, February 5 ([Link](http://www.latimes.com/entertainment/arts/la-et-cm-patrick-wilson-review-20180204-htmlstory.html))