# Ulrike Müller URL: https://vielmetter.com/artists/ulrike-muller/ Has exhibited with Vielmetter Los Angeles ## Exhibitions - [Ulrike Müller: On Edge](https://vielmetter.com/exhibitions/ulrike-muller-on-edge.md): November 19, 2022 — January 7, 2023 · Gallery II · Artists: Ulrike Müller ## Biography 1971 Born in Austria Lives and works in Brooklyn, NY and Vienna, Austria 2003 Whitney Independent Study Program, NY 1996 Academy of Fine Arts, Vienna, Austria **One and Two Person Exhibitions** 2023 "For Now," Galerie Meyer Kainer, Vienna, Austria 2022 "On Edge," Vielmetter Los Angeles, Los Angeles, CA 2021 "Moving Parts," Callicoon Fine Arts, New York, NY 2020 "Coming Soon: Ulrike Müller and Rochelle Feinstein," Callicoon Fine Arts, New York, NY 2020-2022 "Ulrike Müller and Amy Zion: The Conference of Animals," Queens Museum, New York, NY 2019 "Or Both," curated by Mia Locks, The Galleries at Moore, Moore College of Art & Design, Philadelphia, PA "Container Contained," Galerie Meyer Kainer, Vienna, Austria "The Walls Do Not Fall," RODEO, London, UK 2018 "Ulrike Müller: Container," curated by Eva Birkenstock, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany 2016 "And Then Some," Callicoon Fine Arts, New York, NY "Kitty Kraus / Ulrike Müller," curated by Israel Lund and Sam Korman, Parapet Real Humans, St. Louis, MO "House/Cat," curated by Michelle Grabner, The Suburban, Oak Park, IL (with Emi Winter) "Ulrike Müller and Emi Winter," curated by Michelle Grabner, The Suburban, Oak Park, IL 2015 "Ulrike Müller: The old expressions are with us always and there are always others," curated by Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria 2014 "Ulrike Müller," curated by Christian Kravagna and Hedwig Saxenhuber, Kunstraum Lakeside, Klagenfurt, Austria "WEATHER," Callicoon Fine Arts, NY, New York 2010 "Fever 103," Artspace, San Antonio, TX "Feminism Formalism," Steinle Contemporary, Munich, Germany "Fever 103," Franza, and Quilts, Cairo Biennial, Cairo, Egypt 2008 "Public Spaces, Private Moments," O’Connor Art Gallery, Chicago, IL (with Bill Guy) 2007 "WHIP," Aktualisierungsraum, Hamburg, Germany (with Ginger Brooks Takahashi) 2005 "Looking for (S)he," Temporary Art Space at the Hotel Chelsea, New York, NY (with Anna Blume) 2004 "Ten in One," Galerie 5020, Salzburg, Austria **Selected Group Exhibitions** 2023 "Woven Histories,” curated by Lynne Cooke, Los Angeles County Museum of Art (LACMA), Los Angeles, CA; Traveling to The National Gallery of Art, Washington, D.C. (2024); National Gallery of Canada, Ottawa, Canada (2024-2025); The Museum of Modern Art, New York, NY (2025) 2022-2023 "The Animal Within," curated by Manuela Ammer and Ulrike Müller, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria 2022 "Changes," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria "20/20 Vision: The Collection Remixed," Kunsthalle Bremen, Bremen, Germany "*standstill," RODEO, London, UK "anabasis," RODEO, Piraeus, Greece "The Printer’s Proof: Artist and Printer Collaborations," The Albuquerque Museum, Albuquerque, NM "Women in Print: Recent Acquisitions," The Cleveland Museum of Art, Cleveland, OH 2021 "Stories of Abstraction. Greenberg’s Nightmare," Fondation d’enterprise Pernod Ricard, Paris, France "Gestures of Affection: In Memory of Louis Fishman," Thomas Erben Gallery, New York, NY "Katarzyna Kobro Shaping Space," Museum of Modern Art, New York, NY ([Link](https://www.moma.org/calendar/galleries/5361)) "Enjoy. The mumok Collection in Change," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria "Avant Garde and The Contemporary - The Belvedere Collection From Lassnig to Knebl," Belvedere 21, Vienna, Austria "When Art Meets Society/ When Society Meets Art," aqb Project Space, Budapest, Hungary "Disrupting The Canon," curated by Amelie von Wedel and Pernilla Holmes, The Arts Club London, London, UK "Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," curated by Amy Zion and Tom Eccles, The Hessel Museum of Art, Annandale-on-Hudson, New York, NY "In Three," Callicoon Fine Arts, New York, NY "Threads," Foxy Production, New York, NY "All Suffering Soon To End!," Callicoon Fine Arts, Callicoon, NY "Greenberg's Nightmare," Ricard Foundation, Paris, France 2020 "Prize of the Böttcherstrasse," Kunsthalle Bremen, Bremen, Germany "1. COLOR 2. HOLE and 3. JOKE – Selected works on paper," Galerie Meyer Kainer, Vienna, Austria 2019 "sotto voce," curated by Robert Bordo, Bortolami Gallery, New York, NY "Der Hausfreund (The Family Friend)," Austrian Cultural Forum Berlin, Berlin, Germany "May You Live in Interesting Times," curated by Ralph Rugoff, 58th International Art Exhibition, Venice Biennale, Venice, Italy "L’arbre du Soleil," Mountains Gallery, Berlin, Germany "The Second Body," curated by Sam Contis, Klaus von Nichtssagend Gallery, New York, NY "Der Hausfreund (The Family Friend)," University of Applied Arts Vienna, Collection & Archive, Vienna, Austria "Straying from the Line," Schinkel Pavilion, Berlin, Germany "Overture," Callicoon Fine Arts, New York, NY "Count of Three," Alexander Gray Associates, New York, NY "Forms of Enclosure," International Print Center New York (IPCNY), New York, NY 2018 "We," RODEO, London, UK "The Carnegie International," curated by Ingrid Schaffner, Carnegie Museum of Art, Pittsburg, PA "Kathy Acker: GET RID OF MEANING," Badischer Kunstverein, Karlsruhe, Germany "Pond and Waterfall," The Gallery at Michael’s Santa Monica, Los Angeles, CA "Yesterday, Today Today," Art Space Schloss Buchberg, Gars am Kamp, Austria 2017 "Trigger: Gender as a Tool and a Weapon," New Museum, New York, NY "The Whitney Biennial," curated by Christopher Y. Lew and Mia Locks, The Whitney Museum of American Art, New York, NY 2016 "Figurative Geometry," curated by Bob Nickas, Collezione Maramotti, Reggio Emilia, Italy "We Are the Center...," curated by Paul O'Neill, Hessel Museum of Art, Annandale-on-Hudson, NY "Invisible Adversaries," curated by Tom Eccles and Lauren Cornell, Hessel Museum of Art, Annandale-on-Hudson, NY "Blackness in Abstraction," curated by Adrienne Edwards, Pace Gallery, New York, NY "The Cypress Broke," Rodeo, London, UK "Dropout," organized by Callicoon Fine Arts, Site 131, Dallas, TX "Standard Forms," curated by Christian Camacho-Light, Hessel Museum of Art, Annandale-on-Hudson, NY "Condo," Callicoon Fine Arts at Rodeo, London, UK 2015 "Painting 2.0: Expression in the Information Age," curated by Manuela Ammer, Achim Hochdörfer, David Joselit and Tonio, Kröger, Museum Brandhorst, Munich, Germany "Sorry, I’ve been trying to teach a peacock how to act," Rachel Uffner Gallery, New York, NY "I want to be. Inside Out," MOT International, Brussels, Belgium "Pretty Raw: After and Around Helen Frankenthaler," The Rose Art Museum, Waltham, MA "Quiet Tremors," Kate Werble Gallery, New York, NY 2014 "The Little Things Could be Dearer," curated by Mia Locks, MoMA PS1, New York, NY "New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin, Germany "Rites of Spring," Contemporary Arts Museum Houston, Houston, TX "Looking Back: The Eighth White Columns Annual Selected by Pati Hertling," White Columns, New York, NY 2013 "Descartes’ Daughters," Swiss Institute, New York, NY 2012 "Rosa Arbeit auf goldener Strasse," xhibit, Vienna, Austria 2011 "Dance/Draw," ICA Boston, Boston, MA "Living on the Edge of a Silver Future," Galerie 5020, Salzburg, Austria "A form is simply something..," Murray Guy, New York, NY "Reflecting Abstraction," Vogt Gallery, New York, NY "Agitated Histories," Contemporary Museum, Baltimore, MD 2010 "Held Up By Columns," Renwick Gallery, New York, NY 2009 "Ecstatic Resistance," X Initiative, New York, NY "Ridykeoulouse Hits Bottom," Leo König Projekte, New York, NY "Undigested Kernel (the super-saturated folk-art environment)," General Public, Berlin, Germany "Empfindung. Oder in der Nähe der Fehler liegen die Wirkungen," Augarten Contemporary, Vienna, Austria 2008 "MATRIX.," Geschlechter, Verhältnisse, Revisionen, Museum auf Abruf, Vienna, Austria "2 or 3 Things I Know About Her," Fogg Museum, Boston, MA "The Sound of Things: Unmonumental Audio," New Museum, New York, NY 2007 "Sex in The City," Dumbo Arts Center, New York, NY "Put the light out, erase a line," Studio44, Stockholm, Sweden "Shared Women," LACE, Los Angeles, CA "What F-Word?," Cynthia Broan Gallery, New York, NY 2006 "Flex Your Textiles," John Connelly presents, New York, NY "Reality / Play," Orchard, New York, NY "If a cat gives birth to kittens in an oven, are they kittens or biscuits?," Roebling Hall, New York, NY "Hot Topic," Center for Curatorial Studies (CCS), Bard College, Annandale-on-Hudson, New York, NY "Flex Your Textiles," Herbert Street, Brooklyn, NY "Heard Not Seen," Orchard, New York, NY "Ridykeulous," Participant Inc., New York, NY 2005 "I Beg Your Pardon," Vera List Center for Art and Politics at the New School, New York, NY 2004 "Republican Like Me," Parlour Projects, Brooklyn, NY "9 Mütter XX04," Mütter Museum, Philadelphia, PA "Visa for Thirteen," PS1 Contemporary Art Center, New York, NY 2003 "Mothers of Invention—Where is Performance coming from," Museum of Modern Art, Vienna, Austria "I can’t be you," Andrew Kreps Gallery, New York, NY 2002 "Geschichte(n)," Salzburger Kunstverein, Salzburg, Austria "Let’s twist again—If You Can't Think It, Dance It," Kunsthalle Exnergasse, Vienna, Austria "Violence is the Margin of All Things," Generali Foundation, Vienna, Austria 1999 Schnittstelle/Öffentlichkeit, Kunsthalle Exnergasse, Vienna, Austria **Other Exhibitions and Projects** 2022 "The Animal Within," curated by Ulrike Müller and Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria 2018 "Banners for Resentment," Triple Canopy, Issue 25, edition 2015 "Always, Always, Others, curated by Ulrike Müller and Manuela Ammer," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria 2013 "Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Oakville Galleries, Toronto, Ontario 2012 "Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Brooklyn Museum, NY and Kunsthaus Bregenz, Austria **Exhibitions and Events with LTTR** 2015 "Here We LTTR: 2002–2008," Tensta konsthall, Spånga, Sweden 2008 "WACK! Art and the Feminist Revolution," MoMA PS1, New York, NY 2007 Documenta Magazines, Kassel, Germany "Locally Localized Gravity," ICA Philadelphia, Philadelphia, PA "Exile of the Imaginary: Politics Aesthetics Love," curated by Juli Carson, Generali Foundation, Vienna, Austria 2006 "Eat The Market," curated by Sam Durant, LACMA, Los Angeles, CA Outfest, New York, NY Lesbian and Gay Film Festival, London, United Kingdom "Hot Topic, Center for Curatorial Studies (CCS)," Bard College, Annandale-on-Hudson, NY "When Artists Say We," curated by Andrea Geyer and Christian Rattemeyer, Artists Space, New York, NY 2005 "A WAVE OF NEW RAGE THINKING: Read In," Printed Matter, New York, NY "Let’s Take The Role," The Kitchen, New York, NY Outfest, New York, NY Mix Festival, New York, NY **Performance Works and Selected Performances** 2018 journeys with the initiated, e-flux, New York, NY 2011 Dem Bild was erklären, General Public, Berlin, Germany 2009 Herstory Inventory, Sonic Episodes program, Dia Art Foundation, New York, NY Herstory Inventory, Issue Project Room, New York, NY 2007 LOVE/TORTURE, part of Put the light out, erase a line, Studio44, Stockholm, Sweden LOVE/TORTURE, Art Institute, Chicago, IL A Confession, 30 Jahre Frauenzimmer, ega-Galerie, Vienna (with Marie-Therese Escribano) 2006 LOVE/TORTURE, part of MIX, Lesbian and Gay Experimental Film Festival, New York, NY LOVE/TORTURE, part of This Strangest of Theatres, Roebling Hall, New York, NY 2005 A Confession, part of Feminism and Activism, Galerie 5020, Salzburg, Austria (with Marie-Therese Escribano) One of Us (Freakish Moments), part of LTTR: Let’s Take The Role, The Kitchen, New York, NY Situationistinnen und andere... 2004 LOVE/TORTURE (pilot), Experimental Media for Feminist Trespass, Chicago, IL A Confession, part of LTTR Explosion, Art in General, New York, NY (with Marie-Therese Escribano) 2002 Situationistinnen und audere…, part of Violence is the Margin of All Things, Generali Foundation, Vienna 1996 Situationistinnen und audere…, Arsenal Cinema, Berlin, Germany **Selected Video Screenings** 2022 Mock Rock, Kunsthalle und Kunstmuseum Bremerhaven, Bremerhaven, Germany 2008 Studio Voltaire, London, UK 2007 Positively Neurotic, White Space, Zürich, Switzerland 2006 Every Day, Salzburger Kunstverein, Salzburg, Austria Outfest, Los Angeles, CA Missbrauch, Bilder davon. Galerie IG Bildende Kunst, Vienna, Austria 20th London Gay and Lesbian Film Festival, United Kingdon Österreichische Filmgalerie Krems, Vienna, Austria VZW Havenfilmfestival, Antwerpen, Belgium MM Centre SC, Zagreb, Croatia From Mini-FM to Hacktivists, Govett-Brewster Art Gallery, New Plymouth, New Zealand 2005 Pilot Television: New Ground, and UP!, Care Of Gallery, Milano, Italy (traveled to Artmosphere, Vienna; and Galerie 5020, Salzburg, Austria) San Francisco Cinemateque, CA Outfest, Los Angeles, CA MIX Festival, New York, NY Internationales Videofestival Bochum, Germany Diagonale, Festival of Austrian Film, Graz, Austria 2004 Revolt She Said, Forde – Espace d’art contemporain, Geneva, Switzerland Viper Basel Festival, Basel, Switzerland Cinematexas Filmefestival, Austin, TX Viennale, International Film Festival, Vienna, Austria Bildinventur, Saumarkttheater Feldkirch, Austria backup_festival, Weimar, Germany 33. Internationales Filmfestival Rotterdam, Netherlands 2003 Breaking News, Judson Church, New York, NY Perform, Theater am Saumarkt, Feldkirch, Austria 2001 Der transparente Raum by Valie Export, Vienna, Austria Femme:os, Frauenkulturfestival, Siegharding, Austria 2000 Instant Island, Praterstern, Vienna, Austria **Artist Monographs** 2017 Ulrike Müller: Always, Always, Others. mumok - Museum Moderner Kunst, Vienna, Austria; and Dancing Foxes Press, Brooklyn, NY 2014 Herstory Inventory: 100 Feminist Drawings by 100 Artists, Dancing Foxes Press, Brooklyn, NY 2012 Ulrike Müller: Franza, Fever 103 and Quilts, Dancing Foxes Press, Brooklyn, NY 2006 Work The Room. A Handbook on Performance Strategies. OE & b_books, Berlin, Germany 2005 Every little bit helps,—Ulrike Müller: Two Audio Works. Revolver Books, Frankfurt/Main, Germany 2001 Gruppe JUP (Jane Heiss, Ulrike Müller, Patricia Reschenbach): SituationistInnen und andere ... (Women Situationists and others; with an afterword by Renee Green). b_books, Berlin **Bibliography** 2022 The Animal Within - Creatures in (and outside) the mumok Collection, exhibition publication, edited with Manuela Ammer, Manuel Millautz. mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria 2021 Smith, Roberta. 4 Art Gallery Shows to See Right Now, The New York Times, February 24. Online and print. Gregg Bordowitz. "It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals"," ArtForum, March, online and print. pg. 51-52. 2020 Amy Zion & Ulrike Müller. "The Conference of the Animals: Conversation between the Curator Amy Zion and the Artist Ulrike Müller," Springerin, Winter Spring-2020/2021, online and print. Cooke, Lynne. Lynne Cooke’s Top Ten Highlights of 2020, ArtForum, December. Online and print Handy, Bruce. Can Kid Art Be Real Art?, The New Yorker, December 14. Online Gregg Bordowitz. It’s a Small World (After All) Greg Bordowitz on “The Conference of the Animals”, ArtForum, March issue. Online and print, pg. 51-52 Artist Ulrike Müller, Springerin, Winter/Spring-2020/2021. Online and print 2019 Stillman, Steel. "Ulrike Müller: In the Studio," Art in America, November, print. pg. 82–91. Bingaman, Brian. "Moore College galleries to welcome a series of visiting curators," The Reporter, September 15, online Salisbury, Stephan. "Moore brings in a Whitney Biennial curator and two other high-powered women to create edgy exhibitions at the art school," The Philadelphia Inquirer, August 20. Print and online. Davis, Ben. "Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition," ArtNet News, May 9, online Davis, Ben. "Can’t Make It To the Venice Biennale? See Every Artist in the Arsenal Section of the Sprawling Exhibition," ArtNet News, May 9, online Higgie, Jennifer. "58th Venice Biennale Review: Brilliance and Bluster," Frieze, May 9, online Lubitz, Joseph. "Overture: A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz," The Brooklyn Rail, March 11, web and print. Nadja Abt, "Charged Freight," Texte Zur Kunst, March 2019, Issue No. 113, online and print Taylor, Stanton. "Ulrike Müller’s Dedramatized Formalism," Frieze, January 16, online Schwendener, Martha. "Critic’s Notebook, Pittsburgh Report: Five Places for Healing Through Art," The New York Times, January 2, online and print 2018 Trebing, Saskia. "Zu Den Waffen," Monopol, November 2018, print, pg 112. Woeller, Marcus. "Die schöne Schwester," Die Welt, November 17, online Taylor, Stanton. "Critics’ Guide: The Best Shows to See in Dusseldorf," frieze, November 15, online 2017 Schwabsky, Barry. "Without Warning: Margins and the Mainstream at the New Museum’s “Trigger.”" The Nation, January 26, online Johnson, Rindon. "Art Seen, Trigger: Gender as a Tool and a Weapon," The Brooklyn Rail, December 13, online Cotter, Holland. "Let (Gender) Confusion Reign," The New York Times, September 29, print, pg. c13, c16 2016 Swanson, Carl. "In a New Museum Exhibit, Artists Challenge Their Assumptions About Gender — and Ours," New York Magazine, September 18, print Pobric, Pac. "Snapshot from a brighter moment: the 2017 Whitney Biennial reflects a pre-Trump America," The Art Newspaper, March 16, online Farago, Jason. "The Biennial: A User’s Guide, The New York Times," March 9, pgs C1 & C4, print Kabat, Jennifer. "2016 Highlights: Jennifer Kabat," frieze.com, December 9, online Hanson, Sarah P. "Biennial-bound artists take a bow in Miami," The Art Newspaper, December 2, print, pg. 1, 4. Birkenstock, Eva. "Best of 2016: Eva Birkenstock," ArtForum, December 1, print, pg. 208. Loos, Ted. "Important Arts Fair Looks for Balance in Miami Beach," The New York Times, December 1, print, pg. S1. Haidu, Rachel. "Ulrike Müller, 4 Columns," October 21, online Farago, Jason. "Ulrike Müller," The New Yorker, October 31, print, pg.18. Phaidon Editors. "Ulrike Müller - Why I Paint," Phaidon, Vitamin P-3 Feature, October 17, online Lochner, Oona. "Ulrike Müller — mumok, Wien," Frieze, February 17, online and print, pgs. 136-138. Allen, Jennifer and Schiesser, Giaco. "The Impermanent Collection, Mousse Magazine," no 52, February 16, print, pg. 90-97. Thorne, Harry. "Current Shows: Condo," Frieze, February 2, online and print, pgs. 136-137. Stakemeier, Kerstin. "Ulrike Müller, Museum of Moderner Kunst Stiftung Ludwig Wien, Vienna," Artforum, February, print, pg. 228-229. 2015 Hausbichler, Beate. "Es geht mir um eine Suche nach Ausdrucksweisen," diestandard.at, November 28, online Hausbichler, Beate. "Wenn Form und Gebrauch streiten," derStandard.at, November 28, online 2021 Joseph, Branden W. "Ulrike Müller: The Old Expressions Are With Us Always and There Are Always Others," Artforum, September, online and print Smith, Roberta. "Collecting for Pleasure, Not Status," The New York Times, May 15, 2015. p C29, print 2015 Smith, Roberta. "15 Group Shows Not to Miss," The New York Times, pg. C27, 29-30, January 30, print 2014 Goldstein, Andrew. "10 of the Best Artworks at Frieze London 2014 (Plus One Bonus)," Artspace, October 17, online Donovan, Thom, "Herstory Inventory: 100 Feminist Drawings by 100 Artists," BOMB Magazine, Spring, Number 127, pg. 22-23, print Smith, Roberta. "‘Looking Back’: ‘The Eighth White Columns Annual’," The New York Times, February 14, pg. C30, print W.V. "Reviews in Brief: 6 New York Gallery Shows to See This Month," Modern Painters, February 10, online Smith, Roberta. "Ulrike Müller: ‘WEATHER’," The New York Times, February 7, p. C20, print Saltz, Jerry. "Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer," Vulture, January 30, online Smith, Roberta. "Art in Review: Moira Dryer Project," New York Times, January 16, pg. C36, print 2013 Heinrich, Will. "‘Descartes’ Daughter’ at the Swiss Institute," The New York Observer, October 1, online 2012 O’Neil-Butler, Lauren. "Reviews: Ulrike Müller," Brooklyn Museum. Artforum, September Schwendener, Martha. "Collaborative and Solo, With a Certain Feminist Bent," The New York Times, September 7 Cotter, Holland. "The Week Ahead: Ulrike Müller," The New York Times, September 2 Stakemeier, Kerstin. "Ulrike Müller," Springerin. Hefte für Gegenwartskunst, Issue 3 2011 Fitzpatrick, Corrine. "500 Words: Ulrike Müller on Herstory Inventory at the Kunsthaus Bregenz," Artforum.com, May 21 Ulrike Müller (picture spread), Texte zur Kunst: Heft 82, June, print. pgs. 182-187 Steinman, Megan. "Friends of the Fine Arts," In: Dance/Draw. The Institute of Contemporary Art: Boston, pp 126-127 Cvetkovich, Ann. "The Queer Art of the Counterarchive," In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. ONE National Gay & Lesbian Archives: Los Angeles, CA, pp 32-35 Grant, Catherine. "Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art," Oxford Art Journal 34.2 Ammer, Manuela. "K8 Hardy & Ulrike Müller," Frieze, January 1, online. 2010 Stöppel, Daniela. "Kein Entweder Oder," In: Texte zur Kunst, December, print. Schurian, Andrea. "Kairos Biennale will erobert werden," In: Der Standard, December 17 Arons, Philip E. und Roth, Andrew (Hg.), "LTTR," In: Numbers. Serial Publications by Artists Since 1955. PPP Editions/JRP Ringier Kunstverlag: Zürich Vogel, Wendy. "Where Does the Caged Bird Sing? On Louise Lawler’s Bird Calls and its Critical Afterlives," In: Core Yearbook 2009-2010, Museum of Fine Arts, Houston Judson, Ben. "IAIR 10.1," In: Art Lies. A Contemporary Art Quarterly, Nr 66, Sommer Baldon, Diana. "Cultivated Schmäh, Performances of Culture," In: FlashArt, July-September 2009 Hallensleben, Markus. "Importing Valie Export: Corporeal Topographies in Contemporary Austrian Body Art," In: Modern Austrian Literature Vol.43, No.3 2008 Schröder, Barbara. "LTTR," In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, Heft 45, June, print, pgs. 41-44 Hochdörfer, Achim. "Curiosity Drawings," In: springerin, Band XIV Heft 3, Sommer 2008, Vienna Slanar, Claudia. "Lillian & Alice. In: Matrix," exhibition catalog, MUSA, Vienna Tattersall, Lanka. "One or Two Things I Know About Her," exhibition brochure, CCVA, Harvard University 2007 Cotter, Holland. "Sex in the City," New York Times, Art in Review, November 24 Molesworth, Helen. "World’s Apart," Artforum International, May, pp 101-102 Cotter, Holland. "Collective Creation In Philadelphia and Beyond," New York Times, March 21, p E5 2006 Samson, JD and Roysdon, Emily. ANP Quarterly, Issue 5, Fall Bryan Wilson, Julia. "Repetition and Difference," Artforum International, Summer 2004 Cotter, Holland. "Explosion LTTR," New York Times, August 06, p E35 **Awards, Fellowships, and Grants** 2020 Prize of the Böttcherstrasse, Kunsthalle Bremen, Germany 2011 Astraea Lesbian Foundation for Justice, Visual Arts Fund Award 2010 Printed Matter Award for Artists 2006 Visiting Scholar, New York University (with LTTR) 2005 Printed Matter Residency, New York (with LTTR) 2004 PS 1 International Studio Program, New York 1997 MAK Schindler Residency, Los Angeles **Teaching Experience** 2014-2021 Co-chair of Painting, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY 2019 Alex Katz Chair in Painting, Cooper Union, New York, NY Visiting Critic, Yale School of Art, New Haven, CT 2016 Adjunct Faculty, Cooper Union, New York, NY 2014-2015 Visiting Critic, Yale School of Art, New Haven, CT 2014 Adjunct Faculty, Painting Department, Yale School of Art, New Haven, CT 2012-2013 Faculty, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY 2008-2013 Faculty, VCFA, Vermont College of Fine Arts, Montpelier, VT 2007-2008 Guest Lecturer, Academy of Fine Arts, Vienna, Austria **Catalogues and Publications** 2023 Godfrey, Mark, Katy Siegel, Aria Dean, Laura Owens, Glenn Adamson. “Making Their Mark: Art by Women in the Shah Garg Collection,” Gregory R. Miller & Co, ARTBOOK D.A.P., New York, NY pg 322-323, 2023 Gilman, Claire and Roger Malbert. "Drawing in the Present Tense," Thames & Hudson, New York, NY, pg 180-181, 2023. 2022 Dragging Away: Queer Abstraction in Contemporary Art, by Lex Morgan Lancaster, Duke University Press 2020 Closer to Life. Annandale-on-Hudson, NY: Hessel Museum of Art, CCS Bard. Collection catalogue 2017 Ammer, Manuela, Karen Kelly, and Barber Schröder. “Always, Always, Others,” mumok, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, and Dancing Fox Press, Brooklyn, 2017 Burton, J., and Bell, N. (2017). Trigger: Gender as a Tool and a Weapon. Pg 124-127. New Museum. 2016 Blackness in Abstraction. New York, NY: Pace Gallery. Exhibition Catalogue Painting 2.0: Expression in the Information Age. Munich, Germany: Museum Brandhorst. Exhibition Catalogue Müller, Ulrike, Bulletin, 2006, Queer, edited by David J. Getsy, Documents of Contemporary Art, White Chapel Gallery London, The MIT Press, Cambridge, Massachusetts, p. 173-174. 2015 Editors and fugitives / Ulrike Müller in conversation with Harmony Hammond. In: Pink Labor on Golden Streets — Queer Art Practices. Academy of Fine Arts Vienna, Vol. 17/Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.). Berlin, Germany: Sternberg Press 2014 A conversation with Ulrike Müller in: Art and the Critique of Ideology After ’89. Kunsthaus Bregenz/Eva Birkenstock, Max Jorge Hinderer Cruz, Jens Kastner, and Ruth Sonderegger (Eds.). Bregenz, Austria: Verlag der Buchhandlung Walther König 2013 Ulrike Müller, in Conversation with Ann Cvetkovich, Celeste Dupy-Spencer, Leidy Churchman, MPA, Nancy Brooks Brody, and many others. In: Opulente Figuren. Katrin Mayer (Ed.), Hamburg, Germany: Materialverlag-HFBK Putting the Invent in Inventory: Ulrike Müller with Corrine Fitzpatrick. ArtJournal, Vol. 72, no. 2, Summer, New York, NY: CAA 2012 Very Abstract and Really Figurative. In: Painting— The Implicit Horizon. Eds. Avigail Moss, Kerstin Stakemeier. Maastricht, the Netherlands: The Jan van Eyck Academie. pgs. 150-180 Artist Project: Herstory Inventory. In: Coming After: queer time, arriving too late and the spectre of the recent past. Artist book by Jon Davies, Sharon Hayes, Zoe Leonard, Ulrike Müller (Authors), and Jimmy Robert (Artist). Toronto, Ontario: The Power Plant Hochdörfer, Achim and Barbara Schröder. “Ulrike Müller, Franza, Fever 103, and Quilts,” Austrian Federal Ministry for Education, the Arts and Culture. Dancing Foxes Press, NY, 2012 2011 Notes on Herstory Inventory: A Collaborative Work in Process. In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. Los Angeles, CA: ONE National Gay & Lesbian Archives Just Like That, But Different: A Conversation among Friends of the Fine Arts - Leidy Churchman, Celeste DuPut-Spencer, Ulrike Müller and Barbara Schröder, In: The first 3 years of Ludlow 38. Tobi Maier, Antonia Lotz (Eds.). New York, NY: Spector Books/ Goethe-Institut. pgs. 133-135 2010 Das Ist Programm/Artists of The Gallery. Munich, Germany: Steinle Contemporary. Exhibition Catalog 2009 An Idea-Driven Social Space (with Andrea Geyer). Grey Room 35, Spring, Cambridge, MA: MIT Press Catherine Opie: American Photographer. In: Springerin, Band XV, Heft 1, Winter, Wien Empfindung – Oder in der Nähe der Fehler liegen die Wirkungen, Vienna, Austria: Augarten Contemporary. Exhibition Catalog 2008 Feminist Time. Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto (conversation). Greyroom 31, Spring, Cambridge, MA: MIT Press From the Shadows. (written with Gregg Bordowitz). In: The Light Club: On Paul Scheerbart's "The Light Club of Batavia” by Josiah McElheny. Chicago, IL: University Of Chicago Press. 2007 Positively Nasty in Hamburg. Ulrike Müller und Ginger Brooks Takahashi im Aktualisierungsraum Hamburg. In: Hugs and Kisses #1, Hamburg Sue Williams, Dessert, 1990. In: Kiss Kiss Bang Bang. 45 Years of Art and Feminism. Museo De Bellas Artes De Bilbao, Bilbao, Spain. Be A Bossy Bottom! Interview with the queer-feminist collective LTTR. In: Malmoe #37, Vienna Nicht im Einklang. A Conversation with Belinda Kazeem und Ulrike Müller. In: Bildpunkt, Spring, Vienna 2006 Franz Erhard Walther. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP Timeline 1967-1975. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP K8 Hardy and Ulrike Müller. In: North Drive Press #3, New York, 2006 Mock Rock and On Mock Rock (Videos). On: As She Likes It. Female Performance Art from Austria. Index DVD 023 To Act Critically. In: Let's twist again—If You Can't Think It, Dance It. Performance in Vienna from 1960 until today. Stefanie Seibold und Carola Dertnig (Eds.), DeA Verlag 2005 Curiosity Drawings. In: Bildpunkt, Fall, Vienna 2003 No Land Ho. Kathy Acker’s Literature of the Body. In: Springerin, January Angst/Anxiety and G-Train to Queens. On: LTTR #2 (Audio-CD) 2002 Untitled drawings (with Patricia Reschenbach). In: Violence is the Margin of All Things. Subject Relations, Political Militancy and Artistic Procedures. Generali Foundation, Exhibition Catalog Because I’m a fag and I’m also a feminist. In: Malmoe #10 2001 Freie Klasse Wien. In: Education Information Entertainment. Current Approaches on Higher Artistic Education. Institut für Gegenwartskunst, Ute Meta Bauer (Ed.). mit Freie Klasse Wien 2000 Working Poor (Comic). In: infection manifesto # 3, 2000 . In: Dialoge und Debatten. An International Symposium on Feminist Positions in Contemporary Visual Arts. Künstlerinnenhof Die Höge / Dorothee Richter (Ed.) 1998 Martha Rosler: Domination and the Everyday. In: Starship #1 **Artist Editions** 2022 Containers, olive oil packaging, mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria Cat Music, silk scarf, Griffelkunst, Hamburg, Germany 2020 Filo, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY Assorted, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY Petit Beurre, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY 2019 Spekulatius, collagraph, edition of 50 Printed by 10 Grand Press: Published by Phileas for Phileas Holiday Edition, Vienna, Austria May You Live in Interesting Times, espresso cup and cappuccino cup set, with artists Cameron Jamie, AD Moniliti, Slavs and Tatars, illy Art Collection Venice Art Biennale, illycaffé, Trieste, Italy 2018 Banners for Resentment, Triple Canopy, Issue 25, New York, NY 2015 Rug (gato verde), mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria **Visiting Artists Talks** 2022 Hochschule für Bildende Kunst – Städelschule, Frankfurt, Germany Hunter MFA, New York, NY 2020 Akademie der Bildenden Künste München, München, Germany 2019 Carnegie Mellon University, Pittsburgh, PA 2018 Columbia University, New York, NY Temple University, Philadelphia, PA Paint School, New York, NY Boston University, Boston, MA 2017 Virginia Commonwealth University, Richmond, VA 2016 Rutgers University, New Brunswick, NJ 2015 Art Institute of Chicago, Chicago, IL The New School, New York, NY 2007 International Center for Photography (ICP-Bard), New York NY 2006 California Institute of the Arts, Valencia, CA **Public Collections** Carnegie Museum of Art, Pittsburgh, PA The Cleveland Museum of Art, Cleveland, OH Hessel Museum of Art, Annandale-on-Hudson, NY JoAnna Gonzalez Hickey Collection, New York, NY J.P. Morgan Chase, New York, NY Lumber Room, Portland, Oregon Museum of Applied Arts (MAK), Vienna, Austria The Museum of Modern Art, New York, NY mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria Oesterreichische Nationalbank, Vienna, Austria Phileas – Fund for Contemporary Art, Vienna, Austria Tiroler Landesmuseen, Innsbruck, Austria