Ulrike Müller
1971
Born in Austria
Lives and works in Brooklyn, NY and Vienna, Austria
2003
Whitney Independent Study Program, NY
1996
Academy of Fine Arts, Vienna, Austria
2023
"For Now," Galerie Meyer Kainer, Vienna, Austria
2022
"On Edge," Vielmetter Los Angeles, Los Angeles, CA
2021
"Moving Parts," Callicoon Fine Arts, New York, NY
2020
"Coming Soon: Ulrike Müller and Rochelle Feinstein," Callicoon Fine Arts, New York, NY
2020 – 2022
"Ulrike Müller and Amy Zion: The Conference of Animals," Queens Museum, New York, NY
2019
"Or Both," curated by Mia Locks, The Galleries at Moore, Moore College of Art & Design, Philadelphia, PA
"Container Contained," Galerie Meyer Kainer, Vienna, Austria
"The Walls Do Not Fall," RODEO, London, UK
2018
"Ulrike Müller: Container," curated by Eva Birkenstock, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
2016
"And Then Some," Callicoon Fine Arts, New York, NY
"Kitty Kraus / Ulrike Müller," curated by Israel Lund and Sam Korman, Parapet Real Humans, St. Louis, MO
"House/Cat," curated by Michelle Grabner, The Suburban, Oak Park, IL (with Emi Winter)
"Ulrike Müller and Emi Winter," curated by Michelle Grabner, The Suburban, Oak Park, IL
2015
"Ulrike Müller: The old expressions are with us always and there are always others," curated by Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2014
"Ulrike Müller," curated by Christian Kravagna and Hedwig Saxenhuber, Kunstraum Lakeside, Klagenfurt, Austria
"WEATHER," Callicoon Fine Arts, NY, New York
2010
"Fever 103," Artspace, San Antonio, TX
"Feminism Formalism," Steinle Contemporary, Munich, Germany
"Fever 103," Franza, and Quilts, Cairo Biennial, Cairo, Egypt
2008
"Public Spaces, Private Moments," O’Connor Art Gallery, Chicago, IL (with Bill Guy)
2007
"WHIP," Aktualisierungsraum, Hamburg, Germany (with Ginger Brooks Takahashi)
2005
"Looking for (S)he," Temporary Art Space at the Hotel Chelsea, New York, NY (with Anna Blume)
2004
"Ten in One," Galerie 5020, Salzburg, Austria
2023
"Braided Histories," curated by Lynne Cooke, LACMA, Los Angeles, CA (forthcoming)
2022 – 2023
"The Animal Within," curated by Manuela Ammer and Ulrike Müller, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2022
"Changes," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
"20/20 Vision: The Collection Remixed," Kunsthalle Bremen, Bremen, Germany
"*standstill," RODEO, London, UK
"anabasis," RODEO, Piraeus, Greece
"The Printer’s Proof: Artist and Printer Collaborations," The Albuquerque Museum, Albuquerque, NM
"Women in Print: Recent Acquisitions," The Cleveland Museum of Art, Cleveland, OH
2021
"Stories of Abstraction. Greenberg’s Nightmare," Fondation d’enterprise Pernod Ricard, Paris, France
"Gestures of Affection: In Memory of Louis Fishman," Thomas Erben Gallery, New York, NY
"Katarzyna Kobro Shaping Space," Museum of Modern Art, New York, NY
"Enjoy. The mumok Collection in Change," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
"Avant Garde and The Contemporary - The Belvedere Collection From Lassnig to Knebl," Belvedere 21, Vienna, Austria
"When Art Meets Society/ When Society Meets Art," aqb Project Space, Budapest, Hungary
"Disrupting The Canon," curated by Amelie von Wedel and Pernilla Holmes, The Arts Club London, London, UK
"Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection," curated by Amy Zion and Tom Eccles, The Hessel Museum of Art, Annandale-on-Hudson, New York, NY
"In Three," Callicoon Fine Arts, New York, NY
"Threads," Foxy Production, New York, NY
"All Suffering Soon To End!," Callicoon Fine Arts, Callicoon, NY
"Greenberg's Nightmare," Ricard Foundation, Paris, France
2020
"Prize of the Böttcherstrasse," Kunsthalle Bremen, Bremen, Germany
"1. COLOR 2. HOLE and 3. JOKE – Selected works on paper," Galerie Meyer Kainer, Vienna, Austria
2019
"sotto voce," curated by Robert Bordo, Bortolami Gallery, New York, NY
"Der Hausfreund (The Family Friend)," Austrian Cultural Forum Berlin, Berlin, Germany
"May You Live in Interesting Times," curated by Ralph Rugoff, 58th International Art Exhibition, Venice Biennale, Venice, Italy
"L’arbre du Soleil," Mountains Gallery, Berlin, Germany
"The Second Body," curated by Sam Contis, Klaus von Nichtssagend Gallery, New York, NY
"Der Hausfreund (The Family Friend)," University of Applied Arts Vienna, Collection & Archive, Vienna, Austria
"Straying from the Line," Schinkel Pavilion, Berlin, Germany
"Overture," Callicoon Fine Arts, New York, NY
"Count of Three," Alexander Gray Associates, New York, NY
"Forms of Enclosure," International Print Center New York (IPCNY), New York, NY
2018
"We," RODEO, London, UK
"The Carnegie International," curated by Ingrid Schaffner, Carnegie Museum of Art, Pittsburg, PA
"Kathy Acker: GET RID OF MEANING," Badischer Kunstverein, Karlsruhe, Germany
"Pond and Waterfall," The Gallery at Michael’s Santa Monica, Los Angeles, CA
"Yesterday, Today Today," Art Space Schloss Buchberg, Gars am Kamp, Austria
2017
"Trigger: Gender as a Tool and a Weapon," New Museum, New York, NY
"The Whitney Biennial," curated by Christopher Y. Lew and Mia Locks, The Whitney Museum of American Art, New York, NY
2016
"Figurative Geometry," curated by Bob Nickas, Collezione Maramotti, Reggio Emilia, Italy
"We Are the Center...," curated by Paul O'Neill, Hessel Museum of Art, Annandale-on-Hudson, NY
"Invisible Adversaries," curated by Tom Eccles and Lauren Cornell, Hessel Museum of Art, Annandale-on-Hudson, NY
"Blackness in Abstraction," curated by Adrienne Edwards, Pace Gallery, New York, NY
"The Cypress Broke," Rodeo, London, UK
"Dropout," organized by Callicoon Fine Arts, Site 131, Dallas, TX
"Standard Forms," curated by Christian Camacho-Light, Hessel Museum of Art, Annandale-on-Hudson, NY
"Condo," Callicoon Fine Arts at Rodeo, London, UK
2015
"Painting 2.0: Expression in the Information Age," curated by Manuela Ammer, Achim Hochdörfer, David Joselit and Tonio, Kröger, Museum Brandhorst, Munich, Germany
"Sorry, I’ve been trying to teach a peacock how to act," Rachel Uffner Gallery, New York, NY
"I want to be. Inside Out," MOT International, Brussels, Belgium
"Pretty Raw: After and Around Helen Frankenthaler," The Rose Art Museum, Waltham, MA
"Quiet Tremors," Kate Werble Gallery, New York, NY
2014
"The Little Things Could be Dearer," curated by Mia Locks, MoMA PS1, New York, NY
"New Dawn," curated by Leidy Churchman, Silberkuppe, Berlin, Germany
"Rites of Spring," Contemporary Arts Museum Houston, Houston, TX
"Looking Back: The Eighth White Columns Annual Selected by Pati Hertling," White Columns, New York, NY
2013
"Descartes’ Daughters," Swiss Institute, New York, NY
2012
"Rosa Arbeit auf goldener Strasse," xhibit, Vienna, Austria
2011
"Dance/Draw," ICA Boston, Boston, MA
"Living on the Edge of a Silver Future," Galerie 5020, Salzburg, Austria
"A form is simply something..," Murray Guy, New York, NY
"Reflecting Abstraction," Vogt Gallery, New York, NY
"Agitated Histories," Contemporary Museum, Baltimore, MD
2010
"Held Up By Columns," Renwick Gallery, New York, NY
2009
"Ecstatic Resistance," X Initiative, New York, NY
"Ridykeoulouse Hits Bottom," Leo König Projekte, New York, NY
"Undigested Kernel (the super-saturated folk-art environment)," General Public, Berlin, Germany
"Empfindung. Oder in der Nähe der Fehler liegen die Wirkungen," Augarten Contemporary, Vienna, Austria
2008
"MATRIX.," Geschlechter, Verhältnisse, Revisionen, Museum auf Abruf, Vienna, Austria
"2 or 3 Things I Know About Her," Fogg Museum, Boston, MA
"The Sound of Things: Unmonumental Audio," New Museum, New York, NY
2007
"Sex in The City," Dumbo Arts Center, New York, NY
"Put the light out, erase a line," Studio44, Stockholm, Sweden
"Shared Women," LACE, Los Angeles, CA
"What F-Word?," Cynthia Broan Gallery, New York, NY
2006
"Flex Your Textiles," John Connelly presents, New York, NY
"Reality / Play," Orchard, New York, NY
"If a cat gives birth to kittens in an oven, are they kittens or biscuits?," Roebling Hall, New York, NY
"Hot Topic," Center for Curatorial Studies (CCS), Bard College, Annandale-on-Hudson, New York, NY
"Flex Your Textiles," Herbert Street, Brooklyn, NY
"Heard Not Seen," Orchard, New York, NY
"Ridykeulous," Participant Inc., New York, NY
2005
"I Beg Your Pardon," Vera List Center for Art and Politics at the New School, New York, NY
2004
"Republican Like Me," Parlour Projects, Brooklyn, NY
"9 Mütter XX04," Mütter Museum, Philadelphia, PA
"Visa for Thirteen," PS1 Contemporary Art Center, New York, NY
2003
"Mothers of Invention—Where is Performance coming from," Museum of Modern Art, Vienna, Austria
"I can’t be you," Andrew Kreps Gallery, New York, NY
2002
"Geschichte(n)," Salzburger Kunstverein, Salzburg, Austria
"Let’s twist again—If You Can't Think It, Dance It," Kunsthalle Exnergasse, Vienna, Austria
"Violence is the Margin of All Things," Generali Foundation, Vienna, Austria
1999
Schnittstelle/Öffentlichkeit, Kunsthalle Exnergasse, Vienna, Austria
2022
"The Animal Within," curated by Ulrike Müller and Manuela Ammer, mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2018
"Banners for Resentment," Triple Canopy, Issue 25, edition
2015
"Always, Always, Others, curated by Ulrike Müller and Manuela Ammer," mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
2013
"Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Oakville Galleries, Toronto, Ontario
2012
"Herstory Inventory: 100 Feminist Drawings by 100 Artists," curated by Ulrike Müller, Brooklyn Museum, NY and Kunsthaus Bregenz, Austria
2015
"Here We LTTR: 2002–2008," Tensta konsthall, Spånga, Sweden
2008
"WACK! Art and the Feminist Revolution," MoMA PS1, New York, NY
2007
Documenta Magazines, Kassel, Germany
"Locally Localized Gravity," ICA Philadelphia, Philadelphia, PA
"Exile of the Imaginary: Politics Aesthetics Love," curated by Juli Carson, Generali Foundation, Vienna, Austria
2006
"Eat The Market," curated by Sam Durant, LACMA, Los Angeles, CA
Outfest, New York, NY
Lesbian and Gay Film Festival, London, United Kingdom
"Hot Topic, Center for Curatorial Studies (CCS)," Bard College, Annandale-on-Hudson, NY
"When Artists Say We," curated by Andrea Geyer and Christian Rattemeyer, Artists Space, New York, NY
2005
"A WAVE OF NEW RAGE THINKING: Read In," Printed Matter, New York, NY
"Let’s Take The Role," The Kitchen, New York, NY
Outfest, New York, NY
Mix Festival, New York, NY
2018
journeys with the initiated, e-flux, New York, NY
2011
Dem Bild was erklären, General Public, Berlin, Germany
2009
Herstory Inventory, Sonic Episodes program, Dia Art Foundation, New York, NY
Herstory Inventory, Issue Project Room, New York, NY
2007
LOVE/TORTURE, part of Put the light out, erase a line, Studio44, Stockholm, Sweden
LOVE/TORTURE, Art Institute, Chicago, IL
A Confession, 30 Jahre Frauenzimmer, ega-Galerie, Vienna (with Marie-Therese Escribano)
2006
LOVE/TORTURE, part of MIX, Lesbian and Gay Experimental Film Festival, New York, NY
LOVE/TORTURE, part of This Strangest of Theatres, Roebling Hall, New York, NY
2005
A Confession, part of Feminism and Activism, Galerie 5020, Salzburg, Austria (with Marie-Therese Escribano)
One of Us (Freakish Moments), part of LTTR: Let’s Take The Role, The Kitchen, New York, NY
Situationistinnen und andere...
2004
LOVE/TORTURE (pilot), Experimental Media for Feminist Trespass, Chicago, IL
A Confession, part of LTTR Explosion, Art in General, New York, NY (with Marie-Therese Escribano)
2002
Situationistinnen und audere…, part of Violence is the Margin of All Things, Generali Foundation, Vienna
1996
Situationistinnen und audere…, Arsenal Cinema, Berlin, Germany
2022
Mock Rock, Kunsthalle und Kunstmuseum Bremerhaven, Bremerhaven, Germany
2008
Studio Voltaire, London, UK
2007
Positively Neurotic, White Space, Zürich, Switzerland
2006
Every Day, Salzburger Kunstverein, Salzburg, Austria
Outfest, Los Angeles, CA
Missbrauch, Bilder davon. Galerie IG Bildende Kunst, Vienna, Austria
20th London Gay and Lesbian Film Festival, United Kingdon
Österreichische Filmgalerie Krems, Vienna, Austria
VZW Havenfilmfestival, Antwerpen, Belgium
MM Centre SC, Zagreb, Croatia
From Mini-FM to Hacktivists, Govett-Brewster Art Gallery, New Plymouth, New Zealand
2005
Pilot Television: New Ground, and UP!, Care Of Gallery, Milano, Italy (traveled to Artmosphere, Vienna; and Galerie 5020, Salzburg, Austria)
San Francisco Cinemateque, CA
Outfest, Los Angeles, CA
MIX Festival, New York, NY
Internationales Videofestival Bochum, Germany
Diagonale, Festival of Austrian Film, Graz, Austria
2004
Revolt She Said, Forde – Espace d’art contemporain, Geneva, Switzerland
Viper Basel Festival, Basel, Switzerland
Cinematexas Filmefestival, Austin, TX
Viennale, International Film Festival, Vienna, Austria
Bildinventur, Saumarkttheater Feldkirch, Austria
backup_festival, Weimar, Germany
33. Internationales Filmfestival Rotterdam, Netherlands
2003
Breaking News, Judson Church, New York, NY
Perform, Theater am Saumarkt, Feldkirch, Austria
2001
Der transparente Raum by Valie Export, Vienna, Austria
Femme:os, Frauenkulturfestival, Siegharding, Austria
2000
Instant Island, Praterstern, Vienna, Austria
2017
Ulrike Müller: Always, Always, Others. mumok - Museum Moderner Kunst, Vienna, Austria; and Dancing Foxes Press, Brooklyn, NY
2014
Herstory Inventory: 100 Feminist Drawings by 100 Artists, Dancing Foxes Press, Brooklyn, NY
2012
Ulrike Müller: Franza, Fever 103 and Quilts, Dancing Foxes Press, Brooklyn, NY
2006
Work The Room. A Handbook on Performance Strategies. OE & b_books, Berlin, Germany
2005
Every little bit helps,—Ulrike Müller: Two Audio Works. Revolver Books, Frankfurt/Main, Germany
2001
Gruppe JUP (Jane Heiss, Ulrike Müller, Patricia Reschenbach): SituationistInnen und andere ... (Women Situationists and others; with an afterword by Renee Green). b_books, Berlin
2022
The Animal Within - Creatures in (and outside) the mumok Collection, exhibition publication, edited with Manuela Ammer, Manuel Millautz. mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria
2021
Smith, Roberta. 4 Art Gallery Shows to See Right Now, The New York Times, February 24. Online and print.
Gregg Bordowitz. "It’s a Small World (After All) Greg Bordowitz on "The Conference of the Animals"," ArtForum, March, online and print. pg. 51-52.
2020
Amy Zion & Ulrike Müller. "The Conference of the Animals: Conversation between the Curator Amy Zion and the Artist Ulrike Müller," Springerin, Winter Spring-2020/2021, online and print.
Cooke, Lynne. Lynne Cooke’s Top Ten Highlights of 2020, ArtForum, December. Online and print
Handy, Bruce. Can Kid Art Be Real Art?, The New Yorker, December 14. Online
Gregg Bordowitz. It’s a Small World (After All) Greg Bordowitz on "The Conference of the Animals", ArtForum, March issue. Online and print, pg. 51-52
Artist Ulrike Müller, Springerin, Winter/Spring-2020/2021. Online and print
2019
Stillman, Steel. "Ulrike Müller: In the Studio," Art in America, November, print. pg. 82–91.
Bingaman, Brian. "Moore College galleries to welcome a series of visiting curators," The Reporter, September 15, online
Salisbury, Stephan. "Moore brings in a Whitney Biennial curator and two other high-powered women to create edgy exhibitions at the art school," The Philadelphia Inquirer, August 20. Print and online.
Davis, Ben. "Venice Biennale in Pictures: See Work by Every Artist in the Giardini Section of the Sprawling 2019 Exhibition," ArtNet News, May 9, online
Davis, Ben. "Can’t Make It To the Venice Biennale? See Every Artist in the Arsenal Section of the Sprawling Exhibition," ArtNet News, May 9, online
Higgie, Jennifer. "58th Venice Biennale Review: Brilliance and Bluster," Frieze, May 9, online
Lubitz, Joseph. "Overture: A.K. Burns, Jason Hirata, Zoe Leonard, K.R.M. Mooney, Ulrike Müller, Carissa Rodriguez, Alan Ruiz," The Brooklyn Rail, March 11, web and print.
Nadja Abt, "Charged Freight," Texte Zur Kunst, March 2019, Issue No. 113, online and print
Taylor, Stanton. "Ulrike Müller’s Dedramatized Formalism," Frieze, January 16, online
Schwendener, Martha. "Critic’s Notebook, Pittsburgh Report: Five Places for Healing Through Art," The New York Times, January 2, online and print
2018
Trebing, Saskia. "Zu Den Waffen," Monopol, November 2018, print, pg 112.
Woeller, Marcus. "Die schöne Schwester," Die Welt, November 17, online
Taylor, Stanton. "Critics’ Guide: The Best Shows to See in Dusseldorf," frieze, November 15, online
2017
Schwabsky, Barry. "Without Warning: Margins and the Mainstream at the New Museum’s "Trigger."" The Nation, January 26, online
Johnson, Rindon. "Art Seen, Trigger: Gender as a Tool and a Weapon," The Brooklyn Rail, December 13, online
Cotter, Holland. "Let (Gender) Confusion Reign," The New York Times, September 29, print, pg. c13, c16
2016
Swanson, Carl. "In a New Museum Exhibit, Artists Challenge Their Assumptions About Gender — and Ours," New York Magazine, September 18, print
Pobric, Pac. "Snapshot from a brighter moment: the 2017 Whitney Biennial reflects a pre-Trump America," The Art Newspaper, March 16, online
Farago, Jason. "The Biennial: A User’s Guide, The New York Times," March 9, pgs C1 & C4, print
Kabat, Jennifer. "2016 Highlights: Jennifer Kabat," frieze.com, December 9, online
Hanson, Sarah P. "Biennial-bound artists take a bow in Miami," The Art Newspaper, December 2, print, pg. 1, 4.
Birkenstock, Eva. "Best of 2016: Eva Birkenstock," ArtForum, December 1, print, pg. 208.
Loos, Ted. "Important Arts Fair Looks for Balance in Miami Beach," The New York Times, December 1, print, pg. S1.
Haidu, Rachel. "Ulrike Müller, 4 Columns," October 21, online
Farago, Jason. "Ulrike Müller," The New Yorker, October 31, print, pg.18.
Phaidon Editors. "Ulrike Müller - Why I Paint," Phaidon, Vitamin P-3 Feature, October 17, online
Lochner, Oona. "Ulrike Müller — mumok, Wien," Frieze, February 17, online and print, pgs. 136-138.
Allen, Jennifer and Schiesser, Giaco. "The Impermanent Collection, Mousse Magazine," no 52, February 16, print, pg. 90-97.
Thorne, Harry. "Current Shows: Condo," Frieze, February 2, online and print, pgs. 136-137.
Stakemeier, Kerstin. "Ulrike Müller, Museum of Moderner Kunst Stiftung Ludwig Wien, Vienna," Artforum, February, print, pg. 228-229.
2015
Hausbichler, Beate. "Es geht mir um eine Suche nach Ausdrucksweisen," diestandard.at, November 28, online
Hausbichler, Beate. "Wenn Form und Gebrauch streiten," derStandard.at, November 28, online
2021
Joseph, Branden W. "Ulrike Müller: The Old Expressions Are With Us Always and There Are Always Others," Artforum, September, online and print
Smith, Roberta. "Collecting for Pleasure, Not Status," The New York Times, May 15, 2015. p C29, print
2015
Smith, Roberta. "15 Group Shows Not to Miss," The New York Times, pg. C27, 29-30, January 30, print
2014
Goldstein, Andrew. "10 of the Best Artworks at Frieze London 2014 (Plus One Bonus)," Artspace, October 17, online
Donovan, Thom, "Herstory Inventory: 100 Feminist Drawings by 100 Artists," BOMB Magazine, Spring, Number 127, pg. 22-23, print
Smith, Roberta. "‘Looking Back’: ‘The Eighth White Columns Annual’," The New York Times, February 14, pg. C30, print
W.V. "Reviews in Brief: 6 New York Gallery Shows to See This Month," Modern Painters, February 10, online
Smith, Roberta. "Ulrike Müller: ‘WEATHER’," The New York Times, February 7, p. C20, print
Saltz, Jerry. "Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer," Vulture, January 30, online
Smith, Roberta. "Art in Review: Moira Dryer Project," New York Times, January 16, pg. C36, print
2013
Heinrich, Will. "‘Descartes’ Daughter’ at the Swiss Institute," The New York Observer, October 1, online
2012
O’Neil-Butler, Lauren. "Reviews: Ulrike Müller," Brooklyn Museum. Artforum, September
Schwendener, Martha. "Collaborative and Solo, With a Certain Feminist Bent," The New York Times, September 7
Cotter, Holland. "The Week Ahead: Ulrike Müller," The New York Times, September 2
Stakemeier, Kerstin. "Ulrike Müller," Springerin. Hefte für Gegenwartskunst, Issue 3
2011
Fitzpatrick, Corrine. "500 Words: Ulrike Müller on Herstory Inventory at the Kunsthaus Bregenz," Artforum.com, May 21
Ulrike Müller (picture spread), Texte zur Kunst: Heft 82, June, print. pgs. 182-187
Steinman, Megan. "Friends of the Fine Arts," In: Dance/Draw. The Institute of Contemporary Art: Boston, pp 126-127
Cvetkovich, Ann. "The Queer Art of the Counterarchive," In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. ONE National Gay & Lesbian Archives: Los Angeles, CA, pp 32-35
Grant, Catherine. "Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art," Oxford Art Journal 34.2
Ammer, Manuela. "K8 Hardy & Ulrike Müller," Frieze, January 1, online.
2010
Stöppel, Daniela. "Kein Entweder Oder," In: Texte zur Kunst, December, print.
Schurian, Andrea. "Kairos Biennale will erobert werden," In: Der Standard, December 17
Arons, Philip E. und Roth, Andrew (Hg.), "LTTR," In: Numbers. Serial Publications by Artists Since 1955. PPP Editions/JRP Ringier Kunstverlag: Zürich
Vogel, Wendy. "Where Does the Caged Bird Sing? On Louise Lawler’s Bird Calls and its Critical Afterlives," In: Core Yearbook 2009-2010, Museum of Fine Arts, Houston
Judson, Ben. "IAIR 10.1," In: Art Lies. A Contemporary Art Quarterly, Nr 66, Sommer
Baldon, Diana. "Cultivated Schmäh, Performances of Culture," In: FlashArt, July-September
2009
Hallensleben, Markus. "Importing Valie Export: Corporeal Topographies in Contemporary Austrian Body Art," In: Modern Austrian Literature Vol.43, No.3
2008
Schröder, Barbara. "LTTR," In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, Heft 45, June, print, pgs. 41-44
Hochdörfer, Achim. "Curiosity Drawings," In: springerin, Band XIV Heft 3, Sommer 2008, Vienna
Slanar, Claudia. "Lillian & Alice. In: Matrix," exhibition catalog, MUSA, Vienna
Tattersall, Lanka. "One or Two Things I Know About Her," exhibition brochure, CCVA, Harvard University
2007
Cotter, Holland. "Sex in the City," New York Times, Art in Review, November 24
Molesworth, Helen. "World’s Apart," Artforum International, May, pp 101-102
Cotter, Holland. "Collective Creation In Philadelphia and Beyond," New York Times, March 21, p E5
2006
Samson, JD and Roysdon, Emily. ANP Quarterly, Issue 5, Fall
Bryan Wilson, Julia. "Repetition and Difference," Artforum International, Summer
2004
Cotter, Holland. "Explosion LTTR," New York Times, August 06, p E35
2020
Prize of the Böttcherstrasse, Kunsthalle Bremen, Germany
2011
Astraea Lesbian Foundation for Justice, Visual Arts Fund Award
2010
Printed Matter Award for Artists
2006
Visiting Scholar, New York University (with LTTR)
2005
Printed Matter Residency, New York (with LTTR)
2004
PS 1 International Studio Program, New York
1997
MAK Schindler Residency, Los Angeles
2014 – 2021
Co-chair of Painting, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
2019
Alex Katz Chair in Painting, Cooper Union, New York, NY
Visiting Critic, Yale School of Art, New Haven, CT
2016
Adjunct Faculty, Cooper Union, New York, NY
2014 – 2015
Visiting Critic, Yale School of Art, New Haven, CT
2014
Adjunct Faculty, Painting Department, Yale School of Art, New Haven, CT
2012 – 2013
Faculty, Bard MFA Milton Avery Graduate School of the Arts, Annandale-on-Hudson, NY
2008 – 2013
Faculty, VCFA, Vermont College of Fine Arts, Montpelier, VT
2007 – 2008
Guest Lecturer, Academy of Fine Arts, Vienna, Austria
2022
Dragging Away: Queer Abstraction in Contemporary Art, by Lex Morgan Lancaster, Duke University Press
2020
Closer to Life. Annandale-on-Hudson, NY: Hessel Museum of Art, CCS Bard. Collection catalogue
2017
Ammer, Manuela, Karen Kelly, and Barber Schröder. "Always, Always, Others," mumok, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, and Dancing Fox Press, Brooklyn, 2017
Burton, J., and Bell, N. (2017). Trigger: Gender as a Tool and a Weapon. Pg 124-127. New Museum.
2016
Blackness in Abstraction. New York, NY: Pace Gallery. Exhibition Catalogue
Painting 2.0: Expression in the Information Age. Munich, Germany: Museum Brandhorst. Exhibition Catalogue
Müller, Ulrike, Bulletin, 2006, Queer, edited by David J. Getsy, Documents of Contemporary Art, White Chapel Gallery London, The MIT Press, Cambridge, Massachusetts, p. 173-174.
2015
Editors and fugitives / Ulrike Müller in conversation with Harmony Hammond. In: Pink Labor on Golden Streets — Queer Art Practices. Academy of Fine Arts Vienna, Vol. 17/Christiane Erharter, Hans Scheirl, Dietmar Schwärzler, Ruby Sircar (Eds.). Berlin, Germany: Sternberg Press
2014
A conversation with Ulrike Müller in: Art and the Critique of Ideology After ’89. Kunsthaus Bregenz/Eva Birkenstock, Max Jorge Hinderer Cruz, Jens Kastner, and Ruth Sonderegger (Eds.). Bregenz, Austria: Verlag der Buchhandlung Walther König
2013
Ulrike Müller, in Conversation with Ann Cvetkovich, Celeste Dupy-Spencer, Leidy Churchman, MPA, Nancy Brooks Brody, and many others. In: Opulente Figuren. Katrin Mayer (Ed.), Hamburg, Germany: Materialverlag-HFBK
Putting the Invent in Inventory: Ulrike Müller with Corrine Fitzpatrick. ArtJournal, Vol. 72, no. 2, Summer, New York, NY: CAA
2012
Very Abstract and Really Figurative. In: Painting— The Implicit Horizon. Eds. Avigail Moss, Kerstin Stakemeier. Maastricht, the Netherlands: The Jan van Eyck Academie. pgs. 150-180
Artist Project: Herstory Inventory. In: Coming After: queer time, arriving too late and the spectre of the recent past. Artist book by Jon Davies, Sharon Hayes, Zoe Leonard, Ulrike Müller (Authors), and Jimmy Robert (Artist). Toronto, Ontario: The Power Plant
Hochdörfer, Achim and Barbara Schröder. "Ulrike Müller, Franza, Fever 103, and Quilts," Austrian Federal Ministry for Education, the Arts and Culture. Dancing Foxes Press, NY, 2012
2011
Notes on Herstory Inventory: A Collaborative Work in Process. In: Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980. Los Angeles, CA: ONE National Gay & Lesbian Archives
Just Like That, But Different: A Conversation among Friends of the Fine Arts - Leidy Churchman, Celeste DuPut-Spencer, Ulrike Müller and Barbara Schröder, In: The first 3 years of Ludlow 38. Tobi Maier, Antonia Lotz (Eds.). New York, NY: Spector Books/ Goethe-Institut. pgs. 133-135
2010
Das Ist Programm/Artists of The Gallery. Munich, Germany: Steinle Contemporary. Exhibition Catalog
2009
An Idea-Driven Social Space (with Andrea Geyer). Grey Room 35, Spring, Cambridge, MA: MIT Press
Catherine Opie: American Photographer. In: Springerin, Band XV, Heft 1, Winter, Wien
Empfindung – Oder in der Nähe der Fehler liegen die Wirkungen, Vienna, Austria: Augarten Contemporary. Exhibition Catalog
2008
Feminist Time. Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto (conversation). Greyroom 31, Spring, Cambridge, MA: MIT Press
From the Shadows. (written with Gregg Bordowitz). In: The Light Club: On Paul Scheerbart's "The Light Club of Batavia" by Josiah McElheny. Chicago, IL: University Of Chicago Press.
2007
Positively Nasty in Hamburg. Ulrike Müller und Ginger Brooks Takahashi im Aktualisierungsraum Hamburg. In: Hugs and Kisses #1, Hamburg
Sue Williams, Dessert, 1990. In: Kiss Kiss Bang Bang. 45 Years of Art and Feminism. Museo De Bellas Artes De Bilbao, Bilbao, Spain.
Be A Bossy Bottom! Interview with the queer-feminist collective LTTR. In: Malmoe #37, Vienna
Nicht im Einklang. A Conversation with Belinda Kazeem und Ulrike Müller. In: Bildpunkt, Spring, Vienna
2006
Franz Erhard Walther. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP
Timeline 1967-1975. In: High Times, Hard Times. New York Painting 1967-1975. New York, NY: ICI/DAP
K8 Hardy and Ulrike Müller. In: North Drive Press #3, New York, 2006
Mock Rock and On Mock Rock (Videos). On: As She Likes It. Female Performance Art from Austria. Index DVD 023
To Act Critically. In: Let's twist again—If You Can't Think It, Dance It. Performance in Vienna from 1960 until today. Stefanie Seibold und Carola Dertnig (Eds.), DeA Verlag
2005
Curiosity Drawings. In: Bildpunkt, Fall, Vienna
2003
No Land Ho. Kathy Acker’s Literature of the Body. In: Springerin, January
Angst/Anxiety and G-Train to Queens. On: LTTR #2 (Audio-CD)
2002
Untitled drawings (with Patricia Reschenbach). In: Violence is the Margin of All Things. Subject Relations, Political Militancy and Artistic Procedures. Generali Foundation, Exhibition Catalog
Because I’m a fag and I’m also a feminist. In: Malmoe #10
2001
Freie Klasse Wien. In: Education Information Entertainment. Current Approaches on Higher Artistic Education. Institut für Gegenwartskunst, Ute Meta Bauer (Ed.). mit Freie Klasse Wien
2000
Working Poor (Comic). In: infection manifesto # 3, 2000
1998
Martha Rosler: Domination and the Everyday. In: Starship #1
2022
Containers, olive oil packaging, mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria
Cat Music, silk scarf, Griffelkunst, Hamburg, Germany
2020
Filo, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
Assorted, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
Petit Beurre, collagraph, Printed by 10 Grand Press: co-published by 10 Grand Press and Queens Museum, NY
2019
Spekulatius, collagraph, edition of 50 Printed by 10 Grand Press: Published by Phileas for Phileas Holiday Edition, Vienna, Austria
May You Live in Interesting Times, espresso cup and cappuccino cup set, with artists Cameron Jamie, AD Moniliti, Slavs and Tatars, illy Art Collection
Venice Art Biennale, illycaffé, Trieste, Italy
2018
Banners for Resentment, Triple Canopy, Issue 25, New York, NY
2015
Rug (gato verde), mumok - Museum Moderner Kunst Stiftung Ludwig Wein, Vienna, Austria
2022
Hochschule für Bildende Kunst – Städelschule, Frankfurt, Germany
Hunter MFA, New York, NY
2020
Akademie der Bildenden Künste München, München, Germany
2019
Carnegie Mellon University, Pittsburgh, PA
2018
Columbia University, New York, NY
Temple University, Philadelphia, PA
Paint School, New York, NY
Boston University, Boston, MA
2017
Virginia Commonwealth University, Richmond, VA
2016
Rutgers University, New Brunswick, NJ
2015
Art Institute of Chicago, Chicago, IL
The New School, New York, NY
2007
International Center for Photography (ICP-Bard), New York NY
2006
California Institute of the Arts, Valencia, CA
Carnegie Museum of Art, Pittsburgh, PA
The Cleveland Museum of Art, Cleveland, OH
Hessel Museum of Art, Annandale-on-Hudson, NY
JoAnna Gonzalez Hickey Collection, New York, NY
J.P. Morgan Chase, New York, NY
Lumber Room, Portland, Oregon
Museum of Applied Arts (MAK), Vienna, Austria
The Museum of Modern Art, New York, NY
mumok - Museum Moderner Kunst, Stiftung Ludwig Wien, Austria
Oesterreichische Nationalbank, Vienna, Austria
Phileas – Fund for Contemporary Art, Vienna, Austria
Tiroler Landesmuseen, Innsbruck, Austria