1977
Born in Kingston, Jamaica
Lives and works in New York, NY
EDUCATION
2000 Skowhegan School of Painting and Sculpture
The University of the Arts, B.F.A in
Printmaking
SOLO EXHIBITIONS
2008 “Screen Doors on Submarines”, REDCAT
Gallery, Los Angeles, CA
2007 “Momentum 8: Dave McKenzie”, The Institute
of Contemporary Art Boston, Boston, MA
“Tomorrow will be Better”, Small A
Projects, Portland, OR
2006 “Haven’t Seen You in a Minute”, Gallery
40000, Chicago, IL
2005 “Portrait as a Ghost”, Savage Art
Resources, Portland, OR
2004 "Together is Forever", Susanne Vielmetter
Los Angeles Projects, Culver City (solo exhibition)
"Videodrome: 27 International Artists",
Santa Barbara Contemporary Arts Forum,
Santa Barbara, CA
"The Sneeze 80 x 80", Gazon Rouge
Gallery, Athens, Greece
“Open House: Working in Brooklyn”,
Brooklyn Museum of Art, Brooklyn, NY (catalog)
2003 “Only Skin Deep Online”, International
Center of Photography, New York, NY
“Videos in Progress: Dave McKenzie”,
RISD Museum, RI
“Result Issue 2”, H. Lewis Gallery,
Baltimore, ML
2002 “Stray Show”, Kingsbury Place, Chicago, IL
“Room for a Revolution”, Deluxe Gallery,
Chicago, IL
“The Dave McKenzie Show”, Queens Museum
of Art, Queens, NY
2001 “Video Call”, ICA, University of
Pennsylvania, Philadelphia, PA
2000 “The Artist As:”, Fourth Floor Gallery,
Philadelphia, PA
“Absence of Light”, Gallery 1401,
Philadelphia, PA
“Live Nude Girls”, Dorrance Hamilton
Hall, Philadelphia, PA
1999 “The Avec Privilege du Roi Project”, Laurie
Wagman, Philadelphia, PA
GROUP EXHIBITIONS
2008 “On Procession”, Indianapolis Museum of
Art, Indianapolis, IN
“Black is, Black Ain’t”, The Renaissance
Society at the University of Chicago, Chicago, IL
“Disinhibition: Black Art and Blue Humor”,
Hyde Park Art Center, Chicago, IL
“You & Me, Sometimes…”, Lehmann Maupin,
New York, NY
“Good Doll Bad Doll”, Armory Center for
the Arts, Pasadena, CA
“A New High in Getting Low (NYC)”, John
Connelly Presents, New York, NY
“A Thousand Years of Sculpture”,
Fleisher/Ollman Gallery, Philidelphia, PA
“Working History: African American Art
and Objects”, Douglas F. Cooley Memorial Art
Gallery, Reed College, Portland,
OR (Catalogue)
“Slightly Unbalanced”, Chicago Cultural
Center, Chicago, IL, and traveling to: Huntington
Museum of Art, Huntington WV, Paul
and Lulu Hilliard University Art Museum, Lafayette, LA
(Catalogue)
2007
“PERFORMA 07 Biennial: All Together Now”, The Studio Museum
in Harlem, Harlem, NY
(Catalogue)
“Looking Back: The White Columns
Annual”, selected by Clarissa Dalrymple, White Columns New
York, NY
“A New High in Getting Low”, Artnews
Projects, Berlin, Germany
“Just Kick it Till it Breaks”, The
Kitchen, New York, NY (Catalogue)
“Mr. President”, University Art Museum,
University of Albany, Albany, NY (Catalogue)
2004
“Me, Myself, and I” Schnidt Center, Florida Atlantic
University, Boca Raton, FL
"Figuratively: Dave McKenzie, Wangechi
Mutu, William Villalongo", The Studio Museum,
Harlem, N
“Open House: Working in Brooklyn”,
Brooklyn Museum of Art, Brooklyn, NY (catalog)
2003
“American Idyll”, Metrotech Center Commons, Brooklyn, NY.
(Catalog)
“24/7”, Contemporary Art Centre,
Vilnius, Lithuania
“In Practice”, Sculpture Center, Long
Island City, NY
2002 “Videodrome II”, New Museum of Contemporary
Art, New York, NY
“Americas Remixed”, The Factory of the
Vapor, Milan, Italy (catalog)
“Queens International”, Queens Museum of
Art, NY (catalog)
“Listening to New Voices”, P.S.1
Contemporary Art Center, Long Island City, NY
“Supervideonight”, Gale Gates, New York,
NY
“Slow Dive”, Yerba Buena Center for the
Arts, San Francisco, CA
“Video Marathon: Bringing up the
(Mediated) Body”, Art in General, New York, NY
“Multiplicity”, Midway Gallery, St.
Paul, MN
2001
“Something/Nothing-Passport to the State of Flux”, Art in
General, NY
“Material World”, Susquehanna Art
Museum/VanGo, Harrisburg, PA
“Freestyle”, The Studio Museum in
Harlem, New York, NY (Catalog) and traveled to Santa
Monica Museum of Art, Santa
Monica, CA
“In/SITE/Out: Inquiries into Social
Space”, Apexart, New York, NY
ARTICLES AND REVIEWS
2008
“Goings on About Town”, The New Yorker, May 5
Farrugia, Mallory, “Art:Installation,
Dave McKenzie”, Flavorpill, April
Riggot, Julie, “The Season of the Idea”,
Los Angeles Downtown News, April 28
Mizota, Sharon, “Dave McKenzie at REDCAT”,
Los Angeles Times, April 18
Boucher, Brian, “Dave McKenzie, ‘All
Together Now’, at or near the Studio Museum in
Harlem”, Art In America,
March
Bowie, Chas, “Working History: African
American Objects”, Portland Mercury, February 7
2007 Cotter, Holland, “Celebrating the
Intangibles Money Can’t Buy”, The New York Times,
December 23
Cotter, Holland, “Art is Brief, You Just
Have To Be There”, The New York Times, November 9
Johnson, Ken, “Goldfish, Warhol, and
basketball in a video riff on identity politics”, Boston
Globe, August 10
Malone, Micah, “Dave McKenzie Portland,
OR” Art Papers, May/June
Cotter, Holland, “Art In Review”, The
New York Times, April 13
2006 Moulton, Aaron, “40000”, Flash Art,
p.72, May/June
2005 Ligon, Glenn, "Black Light", Artforum,
pg. 248, September issue
Dirks, Ryan, “Dave McKenzie, Portrait
as a Ghost”, The Portland Mercury, Feb 3
2004 Weinberg, Michelle, “It’s All About Me”,
Miami New Times, November 25
Mills, Michael, “Through a Fractured
Lens”, New Times, November 18
Ligon, Glenn, “Black Light: David
Hammons and the Poetics of Emptiness”, Art Forum, 43,
no1, pp. 242-249, September
Cotter, Holland, " 'Black' Comes in Many
Shadings", New York Times, August 13
Furstenberg, Laurie, "Hit Me, Take Me,
Wear Me, Fake me", "Figuratively" at the Studio
Museum Harlem, exhibition brochure
essay
Laster, Paul, "Back-to-back At SMH -
Interviews with Mickalene Thomas and Dave
McKenzie", WBURG.com, Vol.4,
No.2, Summer
Brockington, Horace, "Extra Open: A
conversation with Charlotta Kotik, Dread Scott,
Bill Scan", NY Arts
Magazine, July-August
2003 Ranger, Abby. “ What’s Paul Bunyan Doing at
Metrotech?” Brooklyn Eagle, September 26.
2002 Heuer, Megan. "Queens International."
The Brooklyn Rail, Autumn.
Van Dyke, Aaron. “Multiplicity.” New
Art Examiner, May-June.
Knighton, Andrew. “An Expanding
Pluriverse.” Object Magazine.
2001 Princenthal, Nancy. “Freestyle.” Artext,
August-October.
Knight, Christopher, " Cultural
Evolution in 'Freestyle' ", Los Angeles Times, October 2.
Valdez, Sarah. “Freestyling.” Art in
America, September.
Cotter, Holland. “A Full Studio Museum
Show Starts With 28
Young Artists and a Shoehorn.”,
The New York Times, May 11
Saltz, Jerry. “POST-BLACK Radical
Intelligence at the Studio Museum in Harlem.”
The Village
Voice, May 22
Schjeldahl, Peter. “Breaking Away: A
flowering of young African-American artists.” The New
Yorker. June 11.
Brockington, Horace. “Freestyle: Studio
Museum in Harlem.” NY Arts Magazine,
Vol. 6 No. 6
June
2000 Jones, Karen E., "Movements Against the
Grain", Freestyle Catalog.
GRANTS AND AWARDS
2003-2004 The Studio Museum in Harlem, Artist in
Residence.
2001-2002 P.S.1 National Studio Program.