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Born
in New York, New York
Lives and works in Los Angeles, CA.
EDUCATION
2001 MFA. California Institute for the Arts, School of Art, Valencia
CA.
1997-9 California State University Long Beach, Long Beach, CA.
1995-97School of the Museum of Fine Arts, Studio Art, Boston, MA.
1990 BA, University of Vermont, Environmental Studies, Burlington,
VT.
SOLO EXHIBITIONS
2007
“A Roof Upended,” Open Satellite, Bellevue, WA.
2006 “Thieves Vinegar,” Adamski Gallery, Aachen Germany.
2005 “More Yellow Wallpaper,” Mullin Gallery, Occidental College,
Los Angeles.
2004 “Designated Hitters at the Spider Hole,” Adamski Gallery,
Aachen, Germany.
2002 “#9,” Olga Koumoundouros & Rodney McMillian, Unit #9, 5301
Sunset Blvd.
Los Angeles, CA.
1999 “Just in Case,” INMO Gallery, Chung King Road, Chinatown, Los
Angeles.
GROUP EXHIBITIONS
2007
“Ohio,” w/ Andrea Bowers, David Hullfish Baily, Sam Durant,
Rodney McMillian,
Adrian Piper, and
Robert
Pruitt Gahlberg Gallery, College of DuPage, Glen Ellyn, IL.
“Informal
Architecture,” The Banff Centre - Walter Phillips Gallery, Banff, AB,
Canada.
“Touched: Artist’s and Social Engagement,” Armory Center for the Arts,
Pasadena.
“The Secretariat,” w/ Walead Beshty and Yoshua Okon,
Aftermodern, San Francisco, CA.
“Philosophy of Time
Travel,” collaboration w/ Edgar Arceneaux, Vincent Johnson,
Rodney McMillian & Matthew
Sloly, curated by Christine Kim,
Studio Museum of Harlem, New York, NY.
“On a Porch,” performance w/Rodney McMillian, LAX-Art, Los
Angeles, CA.
2006 “Capitol Punishment,” collaborative project w/ Pia Ronicke,
Glassell School of Art, Houston, TX.
“Sculpture,” Rental Gallery, Los Angeles, CA.
“Affair,” Tart, San Francisco, CA.
“A Front Porch: Concurrent and Not Opposing,”
performance collaboration
w/Rodney McMillian, The
Suburban, Chicago Illinois.
2005 “Thing,” curated by Aimee Chang, James Elaine, Chris Myles,
Armand Hammer Museum,
Los Angeles, CA.
2004 “New Balance Frontier,” Soap Factory, curated by Aimee Chang,
Minneapolis, MN.
“Poster Project,” organized by Pia Ronicke, Coppenhagen, DN.
“Journal of Aesthetics and Protest 3 Day Extravaganza,”
Machine Gallery,
Los Angeles, CA.
2003 “Rent-a-Bench,” Kunstmuseet Trapholt, Kolding, Denmark.
“Works on Paper,” Stephan Adamski Gallerie, Aachen, Germany.
“Sculpture Invitational,” Armory Center for the Arts,
Pasadena, CA.
“Journal of Aesthetics and Protest,” poster collaboration,
Los Angeles, CA.
2002 “Schindler House Reenactment,” collaboration w/MAK residents at
Schindler House,
Los Angeles, CA,
“Rent-a-Bench,” site specific installation, Los Angeles, CA.
“All You Can Eat Karaoke,” C-level, Chinatown, Los Angeles,
CA.
2001 “Ars Moralis,” Gallerie Für Gegenwartskunst, Barbara
Claassen-Schmal,
Bremen , Germany.
CATALOGS
2007
“Informal Architecture,” curated by Anthony Kiendel, Banff, to be
distributed.
“Ohio,” curated by Brad Killam, Gahlberg Gallery, to be
distributed.
“A Roof Upended,” Open Satellite, to be distributed.
“Philosophy of Time Travel,” curated by Christine Kim,
Studio Museum of Harlem,
distributed.
2005 “Thing,” curated by James Elaine, Chris Myles, Aimee
Chang, Armand Hammer Museum.
2003 “Rent-a-Bench,” curated by Jacob Fabricius with artists:
Olafur Elliason and Sam Durant.
GRANTS
2005
Creative Capital Grantee, Art Collaboration 2005, for
exhibition to be held at
Studio Museum of
Harlem, 2007.
RESIDENCIES/WORKSHOPS
2007 “Open Satellite,” curated by Lead Pencil Studio, Bellevue, WA.
2000 Atlantic Center for the Arts, w/ Charles Ray, Jennifer Pastor,
New Smyrna Beach, FL.
1999 California State University Long Beach, workshop w/ Sue Coe,
Long Beach, CA.
1996 “Frogman’s Press,” affiliated w/ University of South Dakota,
Beresford, SD.
INTERNSHIPS
2000 Center for Land Use Interpretation, Culver City, CA.
Sagamore Institute, conducted research on American Great
Camps, Adirondack
State Park, NY.
LECTURES/DISCUSSIONS
2007 Sidestreet Projects, Los Angeles, CA.
Visiting Artist Lecture, Henry Art Gallery, University of
Washington, Seattle, WA.
Artist’s Voice Series, “Future Shock: Philosophy of Time
Travel,” Columbia University.
2005 “Carved Verandah Posts of Nigeria and Site Specificity,
Architecture and Monuments,”
California African American Museum, Los Angeles, CA.
2003 “Art and Activism,” 6 Months Space, presentation exploring
social activism and art,
Los Angeles, CA.
2001 "Have a Cool Summer, Keep in Touch," discussion regarding
transition from
student to artist, Track 16, Santa Monica, CA.
PUBLICATIONS
2008
Pence, Elizabeth, “A Roof Upended,” ArtUS, January/February,
Issue 21
2007 Birk, Lacey, “Spotlight: Art Rising in the East,” Seattle
Magazine, December
Compton, Ann, “Philosophy of Time Travel at the Studio
Museum,” Art in America,
p. 202, October
Grant, Adriana, “Upended Roof Speaks to, and About, its
Condo-Filled
Neighborhood.”, Seattle Weekly,
19 September
Graves, Jen, “The Other Half: A Crack House and a Luxury
Tower Walk Into a Room.”
The Stranger,
5
September
Bach, Ashley, “Bellevue getting arts influx.” The Seattle
Times, 30 August
Myers, Holly, “Social issues leave imprint in 'Touched'”,
Los Angeles Times, August 22
Graves, Jen, “Suburban Shacks and High-Rises: A Brave New
Contemporary Art
Project in Bellevue,” The Stranger, August 1
“Better Living,” In/Visible, Stranger Podcast, August
29
Goodbody, Bridget, “Riffing on Modernism: Through the Roof,
Brancusi!”
New York Times, April 20
“Goings on About Town”, New Yorker Magazine, April
25, 2007- June 26, 2007.
Schmerler, Sarah, “Tour de Force”, Time Out:
New York, February 22-28 2007
Anne Rochette, Wade Saunders, “Place Matters: Los Angeles
Sculptures Today”,
Art in America, pp.182, no. 10, November
2005 Knight, Christopher, “The Next Big 'Thing' in L.A.“, Los
Angeles Times, February 9
Schmelzer, Paul, “Making Another World Possible”,
Adbusters Magazine, # 57,
January-February
2004 Hunt, Jon, “Where the Hell Are We,” Citypages,
Minneapolis/St.Paul, volume 25,
issue 1233, July 21
2003 Myers, Holly, “Empty Lot, Blank Canvas,” Los Angeles Times,
Aug 14
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