JUTTA KOETHER - SUSANNE VIELMETTER LOS ANGELES PROJECTS

SUSANNE VIELMETTER LOS ANGELES PROJECTS

JUTTA KOETHER


	Born 1958 in Köln, Germany. Lives and works in New York Solo and Two Person Exhibitions 2008 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Galerie Daniel Buchholz, Cologne, Germany 2007 “Jutta Koether / Rodney McMillian”, Susanne Vielmetter Berlin Projects, Berlin, Germany “Änderungen Aller Art”, Kunsthalle Bern, Bern 2006 “Fantasia Colonia”, Kölnischer Kunstverein, Köln, Germany “Volume 13”, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA 2005 "Hysterics (Male)”, Susanne Vielmetter Los Angeles Projects, Culver City, CA “I Is Had Gone”, Thomas Erben Gallery, New York, NY “Very Lost Highway”, Simultanhalle, Köln “extreme harsh”, Ausstellungsraum Ursula Werz, Tübingen Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London 2004 “Allein, Allein!” Galerie Meerrettich, Berlin “Fresh Aufhebung”, Reena Spaulings Fine Arts, New York, NY “Fresh Aufhebung—Künstlerisches Interesse am philosphisch verneinten Wunderglauben”, Kölnischer Kunstverein, Köln 2003 “Desire Is War”, Galerie Meerrettich, Berlin “The Club in the Shadow”, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York “Europe Extreme III: Farbenfieber”, Performance, Pro qm, Berlin 2002 “Extremes Europa”, Galerie Daniel Buchholz, Köln, Germany Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York 2001/2 “Need Change # 1-4”, at Apt 6H, New York, NY 2000 “Ladies of the Rope”, Galerie Daniel Buchholz, Köln, Germany “zur grünen schenke—fünf uhr nachmittags. die geheimen Bilder”, Galerie Freund, Vienna, Austria 1999 “sun/ny”, Pat Hearn Gallery, New York 1998 “Billets-Doux”, Galerie Daniel Buchholz, Köln “Songs of New York & c”, Pat Hearn Gallery, New York 1996 “after shows”, Pat Hearn Gallery, New York “Warmer Stern”, Galerie Daniel Buchholz, Köln, Germany 1995 “frontage”, Pat Hearn Gallery, New York, Germany 1993 “Unter”, Galerie Bruno Brunnet, Berlin, Germany “Affective Import: Antibodies I-V”, Pat Hearn Gallery, New York 1992 “100% Malerei”, Galerie Sophia Ungers, Köln 1991 “Massen. Malerei und Versammlung”, Generali Foundation, Vienna, Austria “Kissing the Canvas”, Pat Hearn Gallery, New York “The Halal File”, Standard Graphik, Köln “Koether”, Galerie Bleich-Rossi, Graz 1989 “20 Minuten”, Galerie Monika Sprüth, Köln 1987 “The Things Art Makes”, Galerie Bleich-Rossi, Graz “Werkschau Jutta Koether”, Kunstraum Stuttgart, Stuttgart 1985 “Road to Cairo”, CC Galerie, Graz “Keeping the Issues Alive”, Galerie Janrig, Krefeld Group Exhibitions 2007 “Zwischen Zwei Toden / Between Two Deaths”, ZKM, Karlsruhe, Germany “Stubborn Materials”, Peter Blum Chelsea, New York “Feminist Legacies and Potentials in Contemporary Art Practice: If I Can’t Dance I Don’t Want to be Part of Your Revolution”, Museum of Contemporary Art, Antwerp, Belgium “If I Can’t Dance I Don’t Want to be Part of Your Revolution”, Utrecht, NL 2006 “Music is a Better Noise”, P.S.1 Contemporary Art Center, Long Island “If I Can’t Dance I Don’t Want to be Part of Your Revolution”, De Appel, Amsterdam “Make Your Own Life”, ICA Philadelphia, traveling to ICA Boston, Boston, MA; Henry Art Gallery, Seattle, WA “The Dimes of March”, Reena Spaulings Fine Art, New York The Whitney Biennial, Whitney Museum of American Art, New York, NY “The Subversive Charm of the Bourgeoisie”, Van Abbemuseum, Eindhoven “Bring the War Home”, Elizabeth Dee Gallery, New York and QED, Los Angeles, organized by Drew Heitzler 2005 Performa 05, Performa, New York “Blankness is not a Void”, Standard (Oslo), Oslo “Afterall”, Apexart, New York Reena Spaulings, Haswellediger Gallery, New York “Trade”, White Columns, New York 2004 “Born To Be a Star”, Künstlerhaus Vienna, Austria “Curious Crystals of Unusual Purity”, PS1, New York “Auf dem Berlich”, curated by Silke Bauer, Köln “Müllberg”, Galerie Daniel Buchholz, Köln “The Big Nothing”, ICA Philadelphia Rheinschau, Köln “Jetzt und zehn Jahre davor”, KW Institute of Contemporary Art, Berlin “Teil 1 Müllberg“, Galerie Daniel Buchholz, Köln “Publish and be damned”, Cubitt, London "The personal is political und peinlich", Kunsthalle Exnergasse, Wien 2003 “deutschemalereizweitausenddrei”, Frankfurter Kunstverein, Frankfurt/Main “Lordship and Bondage”, Columbia University, New York “Vom Horror der Kunst”, Steirischer Herbst, Grazer Kunstverein, Graz, Austria “Fresh Aufhebung”, performance im Pahmed d. Ausst. “Dass die Körper sprechen, auch das wissen wir seit langem”, Generali Foundation, Vienna “Catholic”, at Guild & Greyshkul, New York “Wild Nights: Remembering Colin de Land”, CB’s Gallery, New York “Girls Gone Wild”, Bronwyn Keenan Gallery, New York “The Club in the Shadow”, (collaborative installation and musical performances with Kim Gordon) at Kenny Schachter Contemporary, New York “Black Bonds” (with Steven Parrino,) Swiss Institute New York “Unknown Pleasures”, Daniel Reich, New York “20th Anniversary Show”, Monika Sprüth, Philomene Magers, Köln “The Melvins”, Anton Kern Gallery, New York 2003 “Holler Color Holler”, special event in the backroom of Greene Naftali, New York 2002 “Unknown Pleasures“, Daniel Reich, New York 2000 “Kims Bedroom”, MU Art Foundation/De Witte Dame, Eindhoven “Prophecies”, Swiss Institute, NY “Hex Induction Hour by the Fall”, Team Gallery, NY, curated by Bob Nickas 1999 “Malerei”, INIT Kunsthalle, Berlin 1998 “Brushholder Value”, Westfälischer Kunstverein, Münster “Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto”, Pat Hearn Gallery, New York 1997 “Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California”, Newspace, Los Angeles, curated by Susanne Vielmetter 1996 “A / Drift”, Bard College, Annandale-on-Hudson, New York, curated by Joshua Decter “Painting the Extended Field”, Magasin 3, Center for Contemporary Art, Malmö “Screen”, Friedrich Petzel Gallery, New York, curated by Joshua Decter “Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists”, Soho 20, New York 1995 “When Techno Turns to Poetry”, Kunstwerke, Berlin “Joy of Painting”, Here, New York, curated by Ami Arnault and Alix Lambert 1994 “Spielverderber”, Forum Stadtpark, Graz “Rehearsal for ‘frontage’”, innerhalb von “Taste Venue”, Pat Hearn Gallery, New York “Dysfunction USA”, Arthur Rogers Gallery, New Orleans, curated by Bob Nickas and Peter Halley “Reflex: Die Neunziger”, Wiener Secession, Vienna, Austria, curated by Martin Prinzhorn “The Use of Pleasure”, Terrain Gallery, San Francisco, curated by Bob Nickas 1993 “The Good, the Bad and the Ugly”, Galerie Jousse Sequin, Paris, curated by Peter Hopkins “Malerei 2000”, Wien, curated by ARTFAN “June”, Galerie Thaddaeus Ropac, Paris “Abstract for Affective Import”, Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, New York “Parralax View: Cologne—New York”, PS 1 Institute for Contemporary Art, New York, curated by Daniela Salvioni “X-Art Foundation”, Blast Art Benefit, New York Galerie Christian Nagel, Köln, curated by Cosima von Bonin and Michael Krebber 1992 “7 Rooms, 7 Curators”, Institute for Contemporary Art, New York, curated by Lois Nesbitt “Projezioni”, Buchholz & Buchholz, Köln, curated by Gregorio Magnani “1968”, Le Consortium, Dijon, curated by Bob Nickas Bruno Brunnet Fine Arts, Berlin, with Merlin Carpenter, Michael Krebber, Cosima von Bonin Galerie Laage Salomon, Paris, with L. Joubert “Massenverhältnisse—Standards”, Galerie Sophia Ungers, Köln “The Inside Job”, innerhalb von “The Real Thing”, Water Bar, New York, organized by Eric Oppenheim 1991 “Regard sur la Jeune Creation Allemande”, 36. Salon de Montrouge, Montrouge “Koether—Malerei 2,” 90 a.s.o., Auvers-sur Oise. Kuratiert von Francoise Claire Prodhon and Alain Reinaudo “Auf Tod folgt Tod”, innerhalb von “The Köln Show”, 9 Kölner Galerien, Köln 1989 “Hypostatics”, Kunstverein München, curated by minimal club, München 1987 “... of Everyday Life”, innerhalb der Ausstellung Broken Neon, Forum Stadtpark, Graz, curated by Martin Kippenberger “Information in Jutta Koether”, Wiener Secession, Wien, f. Plakat (Buch) “Spectacle of the West”, La Maquina Espanola, Sevilla (with Bettina Semmer and Rosemarie Trockel) “Practical Relations of Everyday Life”, Raum Lothringer Straße, München 1986 “Terminal Islands”, Forum Stadtpark, Graz, curated by Diedrich Diederichsen 1985 “Smell of Female”, La Grande Serre, Rouen, (with Bettina Semmer and Rosemarie Trockel) Catalogs 2006 Kölnischer Kunstverein, exhibition catalogue, Cologne 2003 Desire Is War, copy-book-catalogue, Cologne, NY, open edition 1997 Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California. Newspace, Los Angeles. Curated by Susanne Vielmetter 1996 Kairos: Texte ze Kunst und Musik, Berlin: Edition ID-Archiv 1994 The Use of Pleasure. Die Neunziger. Wiener Secession. Herausgegeben von Martin Prinzhorn 1993 The Inside Job. Galerie Bleich-Rossi, Graz. 1992 100% Malerei. Niemand ist eine Frau. Galerie Sophia Ungers, Köln. 1991 Massen. EA Gnerali Foundation, Wien. 1990 The Köln Show. Herausgegeben von Isabelle Graw 1989 20 Minuten - 20 Minutes. Galerie Monika Sprüth, Köln 1987 Kandl, Koether, Stanzel. Wiener Secession, Kunstverein Wien „f.“, Galerie Bleich-Rossi, Graz Koether, Trockel, Semmer, La Maquina Espanola, Sevilla Balkon, Raum Lothringer Straße, München 1986 Diedrich Diederichsen, “steirischer herbst ‘89”, Forum Stadtpark, Graz Road to Cairo, CC Galerie, Graz 1985 “Trockel Semmer Koether”, La Grande Serre, Rouen “Road to Cairo”, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld Bibliography 2008 Koether, Jutta, “Anschaulich Werden”, Texte zur Kunst, June Trezzi, Nicola, “Jutta Koether”, FlashArtOnline.com, February 15 Yablonsky, Linda, “Poll Positions”, Artforum.com, February 6 2007 Licht, Alan, “Sound Art: Beyond Music, Between Categories”, Rizzoli International Publications, pp. 154-155, 192-193 Beasley, Mark, “Sympathy for the Devil: Art and Rock and Roll Since 1967”, Artforum.com, December Smith, Roberta, “In these Shows, the Material is the Message”, New York Times, August 10 Parrino, Steven, “Bastard Creature”, Palais De Tokyo, Summer Sayej, Nadja, “Make Your Own Life”, artUS, January/February 2006 Kushner, Rachel, “On the Ground: Los Angeles”, Artforum, December Kerr, Merrily, “Bring the War Home”, Art on Paper, November/December Verwoert, Jan, “The Days of Our Lives”, frieze, November/December Blumenstein, Ellen, “L.A. Confidential”, Monopol, November/December “Jutta Koether: Volume 13 / Susanne Vielmetter Los Angeles Projects”, www.vernissagetv.com, August 23 Myers, Holly, “A message in the starkness”, Los Angeles Times, August 18 Spaid, Sue, “Whitney Biennial 2006’’, artUS, July/September, issue 14 Brooks, Amra, “Art Pick: Must See Art: Jutta Koether at Susanne Vielmetter Los Angeles Projects”, LA Weekly, August 2 Tepel, Oliver, “Hallo Wände - Sven Johne / Fergus Greer / Jutta Koether W/ Steven Parrino”, Spex, #296, No. 03/2006, p. 76 Koether, Jutta, “Martin Kippenberger”, interview, in: Flash Art, No. 247, March-April 2006, p. 92-96, first published in Flash Art, No. 156, January-February 1991 Graw, Isabelle, “Peripheral Vision”, in: Artforum, March, p. 258-263 Jutta Koether on Martin Kippenberger, in: Tate etc., iss. 6, spring, p. 36 2005 Smith, Roberta, “Jutta Koether”, NY Times, April 15 Avgikos, Jan, “Jutta Koether”, Artforum, Summer Issue Blasi, Johanna Di, “Alles verfließt mit allem”, in: Kölner Stadt-Anzeiger, No. 210, September 9, p. 29 Leffingwell, Edward, “Jutta Koether at Thomas Erben”, Art in America, June/July Issue Gilligan. Melanie, “Ich Ist War Weg”, Texte Zur Kunst, June, Vol.15, Issue 58, p. 192-195 2005 Koether, Jutta, “Heart of Noise”, in: Texte zur Kunst, iss. 60, December, p. 144-145 “Die 80er Jahre sind unter uns/The 80ies are in our midst. Roundtable Gespräch/Discussion\ with John M. Armleder, Benjamin H.D. Buchloh, Werner Büttner, Isabelle Graw, Kasper König, Jutta Koether and Thomas Ruff, moderated by Philipp Kaiser”, in: exh. cat. ‘Flashback’, Kunstmuseum Basel, p. 21-93 “Jutta Koether: Very Lost Highway”, in: Stadt Revue, 09/2005, p. 87 Koether, Jutta und Nickas, Bob, “Dark Star”, in: Artforum, No. 7, March, p.59 Koether, Jutta and Gordon, Kim, “Trading Post!“, in: Trade - The W.C. # 1, exhibition catalogue, February 4 - March 12 Gilligan, Melanie, “Kollektive Erhebung. Über das Projekt Orchard in New York”, in: Texte zur Kunst, iss. 59, September, p. 76-85 “Arbeiten von Jutta Koether bei Werz”, in: Schwäbisches Tagblatt, Tuesday, August 9, p. 19 Christian Egger: “When bands turn into the art of noise”, in: spike Art Quarterly, No. 4, summer, p. 110-114 Rita Vitorelli in conversation with Jutta Koether, in: Spike, no. 05, autumn, p. 72-78 2004 Koether, Jutta, “Alles in Allem”, Interview mit Karl Lagerfeld, Texte zur Kunst, Dec., p. 32-43 Koether, Jutta, “Sondersphärig! Zwanzig Minuten vor der Marc-Jacobs-Show”, Texte zur Kunst, December, p. 96-101 Egger, Christian, “Inteview mit Jutta Koether”, in: Löhfelm, Nr. 7, November, S. 30-40 Koether, Jutta, “Shirly”, in: ‘Born to be a star’, Ausst. Broschüre, Künstlerhaus Wien, S. 4-5 2003 Nickas, Bob, “How to Write About …Jutta Koether and Thomas Groetz: Unfinished Sympathies”, afterall, London and Los Angeles, issue 07, p. 40-55 Koether, Jutta, “& c”, Helvetica, Wien, 4. Ausg, Septmber, p. 19-25 “Roundtable: Barney im Abspann. Eine Gesprächsrunde mit Tom Holert, Gertrud Koch, Jutta Koether, Sebastian Schipper uns Tom Tykwer”, Texte zur Kunst, Heft 51, September, p. 104-117 Smith, Roberta, “‘Girls Gone Wild’”, The New York Times, July 4 “Galleries: SoHo. ‘Girls Gone Wild’”, The New Yorker, June 30. Koether, Jutta, “All alone (1957). Fautrier in den Vereinigten Staaten”, Texte zur Kunst, Heft 50, June, p. 54-61 Groetz, Thomas, “Unfinished Sympathies: On Jutta Koether’s art”, Afterall, issue 07, p. 52-55 Graw, Isabelle, “Peripher im Zentrum - Jutta Koether”, Die bessere Hälfte. Künstlerinnen des 20. und 21. Jahrhunderts, Köln: DuMont, p. 143-154 Schafhausen, Nicolaus (Hrsg.), “deutschemalereizweitausenddrei”, Ausst. Kat. Frankfurter Kunstverein, Frankfurt/Main, p. 60-61 2002 Koether, Jutta, “gogogo“, ecstatic peace, poetry journal, Nr. 4, Summer Issue Koether, Jutta, “found artist N.Y.”, Starship, Nr. 5, Frühling, p. 17-21, Abb. p. 18-21 “Jutta Koether”, Lyrik-Ecke, Texte zur Kunst, Heft 48, Dezember, p. 104f Cotter, Holland, “The Heavenly Tree Grows Downward”, The New York Times, September 20 Koether, Jutta, “Illustration – avocation – illustration”, ecstatic peace, poetry journal, Nr. 5, July 2001 Koether, Jutta, “teaser’s trail”, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002 Koether, Jutta: “mali thep”, ecstatic peace, poetry journal, Nr. 3, Winter 2001/2002 Koether, Jutta, “Nur dass nicht. Bruchstücke einer Performance von Jutta Koether”, Erniedrigung geniessen. Kapitalismus and Depression III. hrsg. von Carl Hegemann, Alexander Verlag Berlin, Berlin, p. 142-156 2001 Koether, Jutta, “the life they make me lead”, ecstatic peace, poetry journal, Nr. 1, Spring Lintzel, Aram, “Wenn der Hammer ins Meer sinkt”, in: Frankfurter Allgemeine Zeitung, Berliner Seiten, January 3 Lintzel, Aram, “No Trouble No Energy No Energy No Life. Jutta Koether spielt, spricht und hämmert zu ihren Bildern”, Erniedrigung geniessen. Kapitalismus und Depression III. hrsgn. von Carl Hegemann, Alexander, “Nachdruck mit freundlicher”, Verlag Berlin, Berlin, p.157-159 Genehmigung der Frankfurter Allgemeinen Zeitung, February 3 1998 Miller, John, “Prozeß-Expressionismus”, Texte zur Kunst, 8. Jahrgang Nr.29, März, p. 121-123 1997 Salz, Jerry, Time-Out Nr. 108, p. 46 Cotter, Holland, “Art in Review: Jutta Koether”, The New York Times, October 4 Pedersen, Victoria, “Gallery Go Round: Jutta Koether”, Paper Magazine, October Levin, Kim, “Voice Choices: Galleries: Jutta Koether”, The Village Voice, September 30 1996 Schmerler, Sarah, “Art in Review: Jutta Koether”, Time Out, March 6 Cotter, Holland, “Jutta Koether: aftershows”, The New York Times, February Kelley, Mike, “Jutta Koether: ‘100 % Malerei’ oder Wie aus Musik Makerei wird und umgekehrt”, Kunstforum, Nr. 134, May-September, p. 242-248 1995 Siegel, Jeanne, “Jutta Koether at Pat Hearn”, ARTIS, März/April, p. 227-228 Levin, Kim, “Choices: Jutta Koether”, The Village Voice, February 28 Smith, Roberta, “Jutta Koether”, The New York Times, February 24 Koether, Jutta, “Deliratio III So frei”, Spex, October, p. 60-63 1993 Levin, Kim, “Choices: Jutta Koether”, The Village Voice, June 29 “Goings On About Town”, The New Yorker, June 21 Smith, Roberta, “Jutta Koether”, The New York Times, June 4 Smith, Roberta, “German Art Still Breathes the Air of Ideas”, The New York Times, April 23 Corris, Michael, “Punishment and Decoration: Art in an Age of Militant Superficiality”, Artforum, April Koether, Jutta and Diederichsen, Diedrich, “Achtung Baby: Pressing the Flesh. Jutta Koether and Diedrich Diederichsen on News from Germany”, Artforum, April Zahm, Olivier, “Jutta Koether – Laurent Joubert”, Artforum, February Koether, Jutta and Diederichsen, Diedrich, “Achtung Baby. Diedrich Diederichsen and Jutta Koether on Springtime for Hitler“, Artforum, January 1990 Koether, Jutta, “Halal”, Nieswandt, Hans, The Halal File, Texte zur gleichnamigen CD, Köln: Standard Graphik Köln 1988 Titz, Walter: „Michael Krebber/ Jutta Koether“ in: Artscribe, January-February 1986 Diederichsen, Diederich, “Jutta Koether”, Steirischer Herbst 86/ Forum Stadtpark Graz 1985 Koether, Jutta, “Smell of Female”, Ausst. Kat. Trockel, Semmer, Koether, La Grande Serre, Rouen Koether, Jutta, “Road to Cairo”, CC Galerie Graz/Barbara Jandrig Galerie, Krefeld COLLECTIONS Museum of Contemporary Art, Los Angeles