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Born
1963 in Stuttgart, Germany. Lives and works in Berlin, Germany
Education
2002 Artist-in-Residence, Atelier Augarten, Vienna,
Austria.
1995 MFA, California Institute of the Arts, Los Angeles,
CA.
1991 Master Student, Kunstakademie Düsseldorf, Germany.
Solo Exhibitions
2006
“Love
Film”, Atelier Cardenas Bellanger, Paris, France
2005
“Sculpture
Play”, Mehdi Chouakri, Berlin, Germany
“Failed Works”, Florence Loewy, Paris, France
2004 "Trailer", Susanne Vielmetter Los Angeles Projects,
Culver City, CA.
"The Italian Interiors", River Side Wall, Mehdi
Chouakri, Berlin, Germany.
2003 "Waiting, Acting Waiting", chouakri brahms berlin,
Berlin, Germany.
"Wolves, Pigs, People", Meyer Riegger Galerie,
Karlsruhe, Germany.
Happening, le studio, Galerie Yvon Lambert,
Paris, France.
Performance, Galerie Krobath Wimmer, Vienna,
Austria.
"Regards Croisés (Slides Taken to and in Abidjan
in January 2001)", Library,
Swiss Institute, New York, NY.
2002 "The 366th Sunset" (with Jonathan Monk), Am
Parlamentsplatz, Frankfurt/Main,
Germany.
2001 "I was Andy Warhol’s Dracula", Isabell Heimerdinger
& "Over the Sea", Udo Kier,
Mehdi Chouakri, Berlin, Germany.
"The blood of these whores is killing me", Meyer
Riegger Galerie, Karlsruhe,
Germany.
Galerie P, Brüssel.
2000 "Lost World", Mehdi Chouakri, Berlin.
"Wie passen vier Elefanten in einen roten VW?"
Bahnwärterhaus/ Villa Merkel,
Esslingen, Germany.
Singulier, Pluriel, Frac Pays de la Loire,
Nantes, France.
1998 "Failed Work"s, Meyer Riegger Galerie, Karlsruhe,
Germany.
"Open In Total Darkness", Mehdi Chouakri,
Berlin, Germany.
1997 3rd LA International Biennial Invitational,
Newspace, Los Angeles, CA.
"Closed Set", Mehdi Chouakri, Berlin, Germany.
1995 "Homes and Hotels", California Institute of the
Arts, Los Angeles, CA.
Group Exhibitions
2006
“Black/White & chewing gum”,
Galerie Krobath Wimmer, Vienna, Austria
“This is Not a Love Song”, Susanne Vielmetter Los Angeles Projects,
Los
Angeles, CA
“Kino wie noch nie”, Generali Foundation, Vienna, Austria
2005
“Déjà-vu, Der Augen-Blick der Nachträglichkeit in der zeitgenössischen
Kunst”, Atelier
Augarten, Vienna, Austria
“A Certain Tendency in Representation”, Thomas
Dane Gallery, London, UK
“The Picture I Carry in my Head”, Cirrus Gallery, Los Angeles, CA
“Les grands spectacles”, Museum der Moderne Salzburg, Salzburg, Austria
“Saltuna—The Baltic Sea Experience”, Rooseum Center for Contemporary
Art,
Malmö, Sweden
“Das Neue II”, Atelier Augarten, Vienna, Austria
“Polaroid als Geste”, Photomuseum Braunschweig, Braunschweig, Germany
“What is important? Ars Baltica Triennial of Photographic Art”, Malmö
Konsthall,
Malmö, Sweden
“I
Love Cinema and Cinema Loves Me”, Videoscreening, Camden Art Center,
London, UK
2004 "What did you expect?", Galerie Jan Mot, Brussels,
Belgium.
"Ulysses. Ineluctable modality of the visible.
James Joyce in contemporary Visual
Art", Atelier Augarten, Vienna, Austria.
2003 "What is Important?", 3. Ars Baltica, Triennale der
Fotokunst,
Stadtgalerie Kiel, Kiel; Germany.
Schloß Plüschow, Plüschow; Germany.
Kunsthall Bergen, Bergen, Norway.
Contemporary Art Center, Vilnius, Lithuania.
The DaimlerChrysler Collection, Museum für Neue
Kunst, ZKM, Karlsruhe, Germany
and Detroit Institute for Art, Detroit,
MI.
No. 3: Cinéma, Galerie de Multiples, Paris,
France.
"The Distance between me and you", Lisson
Gallery, London, UK.
"Fotografie, Video, Mixed Media", Sammlung
DaimlerChrysler, Galerie der Stadt
Sindelfingen, Sindelfingen, Germany.
"Still / Moving", Fotografie, Wilmer, Cutler &
Pickering - Quack, Berlin, Germany.
2002 Palais de Tokyo, Paris, France.
"no return", Positionen aus der Sammlung Haubrok,
Museum Abteiberg,
Mönchengladbach, Germany.
"Hollywood revisited", Aarhus Kunstmuseum,
Aarhus, Denmark.
"The Berlin Files", De Chiara Gallery, (cur.
April Elizabeth Lamm), New York, NY.
"There is a light that never goes out", Galeria
Sonia Rosso, Pordenone, Italy.
"Schwarzwaldhochstraße - Aktuelle Kunst in und
aus Baden-Württemberg",
Kunsthalle Baden-Baden, Germany.
"So Jackie", Galerie p, Brussels, Belgium.
"Open Studio", Augarten Residence, Atelier
Augarten, Vienna, Austria.
2001 "Not at home", Akademie Schloss Solitude,
Stuttgart, Germany.
"Camoshow", Museum Wiesbaden /cur. Alexis
Vaillant), Wiesbaden, Germany.
S 2001, DaimlerChrysler Contemporary, Berlin,
Germany.
Film/Fotos. 5. Internationale Foto-Triennale
Esslingen 2001, Villa Merkel, Esslingen,
Germany
"The more you see the more you know", Mehdi
Chouakri, Berlin, Germany.
2000 "The World is not enough", Mehdi Chouakri, Berlin,
Germany.
"Reality bytes. Der medial vermittelte Blick",
Kunsthalle Nürnberg, Nürnberg
Germany.
"Wouldn’t it be nice", The Netherlands Media Art
Institute, MonteVideo/TBA,
Amsterdam, The Netherlands.
"Hallöchen, Hallöchen", Galerie De Lege Ruimte,
Gent, Belgium.
"Viva Maria III", Galerie Karin Günther,
Hamburg, Germany.
Rencontres internationales de la photographie,
Arles, France.
Hybrid, Fotomuseum Winterthur, Winterthur,
Switzerland.
Fido Television, Hunter College Times Square Art
Gallery, New York, NY.
"9 1/2, Ausstellungen und Erwerbungen", Villa
Merkel, Esslingen, Germany.
"Snapshot", Contemporary Museum, Baltimore, ML.
1999 Gilbert & George, 1970 N. Bronson, Los Angeles, CA.
"events", Galerie Yvon Lambert, Paris, France.
"An Apple A Day", Mehdi Chouakri, Berlin,
Germany.
"The Perfect Life", Artifice in LA, Duke
University Museum of Art, Durham
"Video Cultures", Museum für Neue Kunst/ZKM,
Karlsruhe, Germany.
Digitale Photographie. 1. Triennale der
Photographie, Deichtorhallen, Hamburg,
Germany.
"Landscape memories", Rosamund Felsen Gallery,
Los Angeles, CA.
"Giving the Self a Home", Forum Stadtpark, Graz,
Austria.
"Moving Images". Film - Reflexion in der Kunst,
Galerie für Zeitgenössische
Kunst Leipzig, Leipzig / Siemens
Kulturprogramm, Germany.
"Ich und die Anderen", Ursula Blickle Stiftung,
Kraichtal / Fotomuseum, München
(2000) / Nikolaj Udstillingsbygning,
Kopenhagen (2000).
"Minitopias", Untitled of Dallas, TX
"The Captain hates the Sea", BATOFAR, Paris,
France.
1998 "Hot Rrrod – Eine Kunstausstellung", Forum
Stadtpark, Graz, Austria.
"Interior", Post, Los Angeles, CA.
"Mid Sized Median", Übermain, Los Angeles, CA.
"1970 N. Bronson Ave.", Meyer Riegger, Karlsruhe,
Germany.
"Fotografie als Handlung - Photography as
Concept", 4. Internationale Foto
Triennale, Esslingen, Germany.
"Five Projected Works", Varsity Theatre, Ashland
"Kunst der Gegenwart – Blickwechsel", Museum für
Neue Kunst/ZKM, Karlsruhe,
Germany.
"Other related areas", University of California,
Irvine, CA.
"Still and Otherwise", Margo Leavin Gallery, Los
Angeles, CA.
"The End is the Beginning", Bricks and Kicks,
Vienna, Austria.
1997 "In Synch", Spot, New York, NY.
"ViewFinders", Übermain, Los Angeles, CA.
"GS1", Mehdi Chouakri, Berlin, Germany.
"Next Door", 1970 N. Bronson, Los Angeles, CA.
LACE Annuale, Los Angeles Contemporary
Exhibitions, Los Angeles, CA.
"Bright Idea", 1970 N. Bronson, Los Angeles, CA.
Lemon Sky Project Space, Los Angeles, CA.
1996 "Wrestling with the Sublime", Contemporary German
Art in Southern California,
California State University Fullerton, CA.
"Useful Things", Newspace, Los Angeles, CA.
1995 "The Multicultural Garden", FAR Full Moon Gallery,
Los Angeles, CA.
"Nervous", California Institute of the Art, Los
Angeles, CA
"Landscape", California Institute of the Art,
Los Angeles, CA.
1993 "Op is op", Goethe Institut, Rotterdam, The
Netherlands and Kunstpalast, Düsseldorf,
Germany
Bibliography
Monographs
2005
Pose
(from Markus to Markus & Nikki to Anne),
Alice Travel Cie, Paris
2003 Isabell Heimerdinger Acting, Waiting, Acting,
Text von Jens Hoffmann, limitierte
Posteredition, Revolver Archiv für
aktuelle Kunst, Frankfurt am Main,
2002 Martin as, Revolver - Archiv für aktuelle
Kunst, Frankfurt am Main
2000 Isabell Heimerdinger. Act One, published by
Renate Wiehager (on the occassion of
the exhibition Wie passen vier
Elefanten in einen roten VW?, Bahnwärterhaus
der Villa Merkel, Esslingen), Berlin 2000
Catalogues on group exhibitions
2006
Kino
wie noch nie, Cinema like never before,
Antje Ehmann, Harun Farocki,
Generali Foundation, Wien
2005
Déjà-vu, Der Augen-Blick der Nachträglichkeit in der Bildenden Kunst,
Thomas
Trummer,
Atelier Augarten, Wien
Les grands spectacles, 120 Jahre Kunst und Massenkultur / 120 Years of
Art and
Mass
Culture,
Museum der Moderne Salzburg, Hatje Cantz
Polaroid als Geste,
Meike Kröncke, Barbara Lauterbach und Rolf F. Nohr,
Hatje
Cantz
22 interviews,
Thomas Trummer, Österreichische Galerie Belvedere und Revolver
2004 The Next Documenta should be curated by an
Artist, Jens Hoffman, Revolver Archiv
für aktuelle Kunst
40 View of an Icon. 40 Works of Art inspired by
the Perfume Bottle,
Comme des
Garçons, Barcelona
Ulysses - Die unausweichliche Modalität des
Sichtbaren, Thomas Trummer, Atelier
Augarten, Wien
2003 What is important? 3rd Ars Baltica Triennial of
Photographic Art, Ars Baltica Berlin
Office in cooperation with the
Landeshauptstadt Kiel/Stadtgalerie Kiel
2002 Hollywood Revisited, Aarhus Kunstmuseum,
Denmark
No Return,
Sammlung Haubrok, Axel Haubrok und Verlag der Buchhandlung Walter
König, Köln
Kunst Kino, Oktagon, Ursula Frohne,
Kunsthalle Bern
Ctrl [Space], Rhetorics of Surveillance from
Benthan to Big Brother (text: “Screen
Tests³: Media Narcissism, Theatricality,
and the Internalized Observer
by Ursula
Frohne), ZKM Karlsruhe und MIT Press,
Cambridge, Massachusetts & London,
England
Schwarzwaldhochstraße - Aktuelle Kunst in und
aus Baden-Württemberg, Matthias
Winzen, Staatliche Kunsthalle Baden-Baden
Juni 2001 - Fotografie, Video, Mixed Media,
DaimlerChrysler AG
SUR.FACES, Interviews 2001/02, Raimer
Stange und Revolver Archiv für aktuelle
Kunst, Frankfurt am Main
2001 Juni 2001 Fotografie, Video, Mixed Media,
Sammlung DaimlerChrysler, Berlin
Moving Pictures - Fotografie und Film in der
zeitgenössischen Kunst, 5.
Internationale Foto Triennale Esslingen
2001,
Renate Wiehager, Villa Merkel,
Esslingen
Black Box - Der Schwarzraum in der Kunst
(Ursula Frohne: Ausbruch aus der
weißen Zelle),
Kunstmuseum Bern
2000 Yours Truly, Recent Works/Jacob Fabricius,
Pork Salad Press
La Photographie Traversée, Rencontres
internationales de la photographie, Arles
and Actes Sud
Hybrid, Fotomuseum Winterthur and
Christoph Merian Verlag
Fido Television, Hunter College Time
Square Art Gallery, New York
Camobook, Alexis Vaillant, Paris and
Revolver, Archiv für aktuelle Kunst, Stuttgart
1999 The Perfect Life, Artifice in LA 1999,
Duke University Museum of Art, Durham
Video cult/ures. Multimediale Installationen
der 90er Jahre, Ursula Frohne, ZKM,
Karlsruhe
Moving Images. Film Reflexion in der Kunst
(text: Isabell Heimerdinger¹s Hollywood
Interiors
by Stephan Pascher), Galerie für Zeitgenössische Kunst Leipzig and
Siemens Kultur Programm, Leipzig
Ich und die Anderen. Fotografien und
Videoarbeiten, Ulrich Pohlmann, Ursula Blickle
Stiftung und Fotomuseum im Münchner
Stadtmuseum, Kraichtal
1998 Fotografie als Handlung - Photography as Concept.
4. Internationale Foto-Triennale,
Renate Wiehager, Villa Merkel, Esslingen
1997 ViewFinders, Übermain, Los Angeles
Thomas Emde, Isabell Heimerdinger, Jutta
Koether (text: Moving In And Moving Out
by Stephan Pascher),
Newspace, Los Angeles
1996 Wrestling with the Sublime, California State
University, Fullerton
1995 Exhibition Space, School of Art, California
Institute of the Arts, Los Angeles
1993 Op is Op, Goethe Institut, Rotterdam
Press articles (selection)
2005
Wendland, Johann, “Und
jetzt Ätsch. Fremde Farben: Das Brauschschweiger
Museum
für Photographie zeigt ‘Polaroid als Geste’”, Frankfurter
Rundschau, June 24
Herbstreuth, Peter, “Rollen, Modelle”, Der Tagesspiegel, December
10
“Die Bühne der Kunst”, Tip Berlin, 26/05, December 15-28
2004
Manacorda, Franceso, “Nouvelle Avantgarde”, Flask Art, XXXVII Nr.
248, Oct-Nov
Niiyama, Keiko, “Composite Gallery @ Berlin—Isabell Heimerdinger”,
Composite, Vol.
3 No. 2, October
Vogel, Sabine, Isabell Heimerdinger,
Artforum, March
Hollywood is a Verb, Isabell Heimerdinger
talks to Terri Phillips, Pacemaker, June
2003 Ungeschützt gesehen werden, Tip Berlin,
September
Isabell Heimerdinger “Waiting, Acting
Waiting³, chouakri brahms berlin. Jonathan
Monk interviews Isabell Heimerdinger,
Neue Review,
Art in Berlin Ausgabe 1,
May
Garulli, Valentina, Valentina Sansone: Focus
Photography, Flash Art, Vol. XXXVI /
October
2001 Ebeling, Knut, Glamour des Wirklichen. Im
Wunderland der Filme: Eine Ausstellung
bei Mehdi Chouakri, Der Tagesspiegel,
February 17th, 2001
Hart, Jane, Hollywood 101,
zingmagazine Issue 15 Spring/Summer 2001
Thomsen, Henrike, Ich war Andy Warhols
Dracula, Berliner Zeitung, 22. February
Stange, Raimar, Isabell Heimerdinger bei
Mehdi Chouakri, Kunst-Bulletin, Nr. 3
Stange, Raimar, Isabell Heimerdinger, Udo
Kier, Flash Art, Vol.XXXIV / March-April
Allen, Jennifer, Isabell Heimerdinger,
Artforum, April 2001
Zeit Chancen, Medienberufe, Die Zeit, Nr.
26, 21. June 2001
Raimar Stange über Isabell Heimerdinger,
artist Kunstmagazin Heft 48, 3/2001
2001 Selbsprojektion, Videokunst in Esslingen,
Stuttgarter Zeitung, 10. April 2000
Murata, Manabi, Berlin Mitte Art Utopia,
Asahi Graph 2.11.2000
Wesenberg, Caroline, Zeitsprünge mit Wim
Wenders, Die Tageszeitung, 20. March
Walsh, Daniella, A visit to ŒOther Related
Areas¹, The Orange County Register,
1999 October 1999
Claudia Voigt, Kirsten, Vier Freunde in der
Oper, sich mopsend. Das Zentrum für
Kunst und Medientechnologie in Karlsruhe
zeigt die Ausstellung “Video
cult/ures³,
Stuttgarter Zeitung, 26.5.99
Titz, Walter, Masken eines Phantoms,
Kleine Zeitung, 15. July 1999
Seyfarth , Ludwig, Virtueller Müllschlucker,
Szene Hamburg, July 1999
Pagel, David, Los Angeles Times, July 16,
1999
1998 Kaiser, Alexandra, Mit der Kamera auf dem Weg
zum Gipfel, Esslinger Zeitung, June
Nbf: Die Jagd der Kunst nach der Fotografie,
Stuttgarter Nachrichten, 26. June 1998
Langen, Andreas, Berechnete Schönheit,
Stuttgarter Zeitung, 27. June 1998
Friedl, Armin, Auf dem Weg zum Ziel: Du
stiehlst mir meine Seele nicht, Esslinger
Zeitung, July 11-12
Stellwaag, Karin, Reise ins Unbewußte,
Prinz, August 1998
Hübl, Michael, Umkehrung der filmischen Sicht,
Badische Neueste Nachrichten,
August 7
Martinez, Rosa, Reinventing A “Paradise³,
Flash Art, Vol.XXXI / October 1998
Ebeling, Knut, Filmriss der Erinnerung,
Der Tagespiegel, October 1998
1997 Pagel, David, LACE Annuale Plays It a Bit Too
Safe, Los Angeles Times (Calendar),
Sept. 15
Pagel, David, From Germany, Los
Angeles Times, July 11
Miles, Christopher, Art and Vodka,
Detour Magazine, June/July
Treadwell, Carol, Thomas Emde, Isabell
Heimerdinger, Jutta Koether, Carol
Treadwell,
Zingmagazine, Nr. 5
Thomas, Bernhard, Nicht von dieser Welt,
Süddeutsche Zeitung Magazin, May 30
Frank, Peter, L.A. International Biennial,
La Weekly, 8-14th August
Pascher, Stephan, Isabell Heimerdinger in
Hollywood, The Thing, September
Werneburg, Christine, Wand & Boden,
Die Tageszeitung, September 27/28
Sappington, Rodney (interview), Artist in
Focus, Los Angeles Center for Photographic
Studies, December
Cassagnau, Pascale, Numero Deux-suite,
Omnibus, October
1996 Curtis, Cathy, Living Large, Los Angeles
Times, November 26 |