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Born
1963 Isle of Man, United Kingdom, lives and works in
Los Angeles
Education
1994 MFA, University of Las Vegas, NV
Solo Exhibitions
2006
“Space
Rocks”, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2004 "New Work", Susanne Vielmetter Los Angeles
Projects, Culver City, CA
2003 "The Expanded Sticker Project", Southfirst Art,
Brooklyn, NY
"Jane Callister", Mixture Contemporary Art,
Houston, TX
"Liquid Landscapes: Jane Callister",
Peter Miller Gallery, Chicago, IL
"The Office Project", Susanne
Vielmetter Los Angeles Projects, Los Angeles, CA
2002 Vitamin P: Jane Callister, University Art
Museum, University of California
Santa Barbara
Cosmic Lingerie – Brooklyn a Paris, Galerie
Anton Weller, Paris
2001 Jane Callister, Southfirst Art, Brooklyn, New
York
Jane Callister, Frumkin/Duval, Santa Monica,
California
Sensate, W. Keith and Janet Kellog University
Art Gallery, CAL Poly
Pomona, California. Curated by Patrick
Merrill (5 x solo artist exhibits)
2000
Architecture (aka The Virtual Drip Project) Contemporary Arts
Forum,
Santa Barbara, California. Curated by
Anne Philbin
"Jane Callister", Tiffany Szilage Gallery, St.
Petersburg, Florida
1999
"Artificial Elegance", UTSA, Satellite Space, San
Antonio, Texas
"Pornamental", Sherry Frumkin Gallery, Bergamot
Station, Santa Monica, California
Group Exhibitions
2006
California Biennale, Orange County Museum of Art, Newport Beach, CA,
catalog
“southwestNET:
painting”, Scottsdale Museum
of Contemporary Art,
Scottsdale, AZ,
curated
by Cassandra
Coblentz
“Impression/Ism: Contemporary Urban Impressions”, City of Brea Art
Gallery, CA
“Sacriluscious”, Greenleaf Gallery, Whittier College, Whittier, CA,
collaborative
installation
by Vandalister (Jennifer Vanderpool and Jane Callister)
2005
“Step
Into Liquid”, Ben Maltz Gallery, Otis College of Design, Los Angeles,
CA,
curated
by Dave Hickey (catalog)
“Wall Painting”,
UTSA
Art Gallery at the University of Texas at San Antonio, curated
by
Frances Colpitt
“Just Visiting”, Huntington Beach Art Center, Huntington Beach, CA
"WivesHusbands", collaborations @ domestic setting, Los Angeles, CA,
curated by
Michael Gold
"wunderkammer II: paisajes”, Nina Menocal Gallery, Mexico City, Mexico,
in
collaboration
with Jennifer Vanderpool
“It’s Not About Sex!”, LUXE Gallery, New York, NY, with Cecily Brown,
Lee Gordon,
Robert
Mapplethorpe
"Adaptation Syndrome: Painting in Contemporary Image Culture", The
Hand Workshop Art Center and Reynolds
Gallery, curated by Dinah and Paul
Ryan
“Re-imagining landscape”, Santa Barbara
Museum of Art
"Extreme Abstraction", Albright Knox Art Gallery, Buffalo, NY, curated
by
Claire Schneider
2004
"American Gothic: Talent for the Dark Ages", curated by Tyler Stallings,
Gallery C,
Hermosa Beach"Possible worlds", School of
Fine Arts Gallery, University of
Indiana,
Bloomington, Indiana, curated by Dana Sperry
"Sadie Hawkins Dance", Southfirst, New York,
NY
2003 "Wheeling: Krad - Kult - Tour", Cell, London,
curated by Markus Sendlinger, Berlin
"Vanitas", Raid Projects, Los Angeles,
curated by Max Presneill
"Midas: Gold is the new Silver", Post,
curated by Sherin Girguis
The Prague Biennale, curated by Giancarlo
Politi, Prague
"Raid in Chicago", The Pond, Chicago, curated
by Max Presneill
ArtBasel Miami Beach, with Susanne Vielmetter
Los Angeles Projects
Serene Beauty: the Intersections between the
Sublime and Zen, Jamaica
Center for Arts & Learning, Jamaica
Queens, NY
The Armory Show NY, with Susanne Vielmetter
Los Angeles Projects
2002 Painting as Paradox, Artists Space, New York.
Curated by Lauri Firstenberg
21: Paintings from LA, The Robert V.
Fullerton Art Museum, California
State University, San Bernardino,
California. Curated by James Gobel
Krad-Kult-Tour, Jette Rudolf Gallerie,
Berlin, Germany. Curated by Marcus
Sendlinger
Live like there’s Yes tomorrow, Sala Diaz,
San Antonio, Texas
Las Vegans, James Kelley Contemporary, Santa
Fe, New Mexico
Curated by Dave Hickey
2001 Cal’s Art, Sampling California Painting,
University of North Texas, Art Gallery,
The Dreams, Stuff is made of, Frankfurt
ArtFair, Germany. Curated byDavid Pagel
Pornoglossdope, Southfirst art., Brooklyn,
New York
Fresh, The Altoids Curiously Strong &
Original Art Collection, The New Museum,
1999
The Next Wave, California Center for Contemporary
Art, Escondido,
California. Curated by Noriko
Gamblin
Emerging US artists, Frankfurt Art Fair,
Frankfurt, Germany
California Girls, Paradise Art
Complex, Purple Orchid Gallery, Dallas, Texas
Velvet, Andrea Schwartz Gallery, San
Francisco, California
1999
Eye Candy, The Robert V. Fullerton Art Museum,
California State
University, San Bernardino,
California. Curated by Susan Joyce
with a catalog essay by Roberta
Carasso, Ph.D.
Blaze, Paradise Arts Complex, Purple Gallery,
Dallas, Texas
She bugs me…she/he bugs me not,
POST/downtown, Los Angeles, California
Pushing Paint, Guggenheim Gallery, Chapman
University, Orange
County, California. Curated by
Maggie Owens with an essay by Cathy Curtis
1998
Sweet, FM, Gallery, New York
I 15, POST, Los Angeles, California. Curated
by Jeffrey Vallance
Ultralounge, Diverse Works, Houston, Texas.
Curated by Dave Hickey
1997
Rubber, Icing, Velvet, Meat, Contemporary Arts Forum, Santa
Barbara, California
The Vegas Show, Rosamund Felsen Gallery,
Bergamot Station, Santa Monica,
Desire, Contemporary Art Collective, Las
Vegas, Nevada
Melancholy Cure, Vaesterbottens Museum, Umea,
Sweden. Curated
by Jeffrey Vallance
Bibliography
2006
Pagel,
David, “A sharp look, drip by dribble”, Los Angeles Times, July 7
Knight, Christopher, “Just Going with the Flow,” Los Angeles Times,
January 14
2005
Walsh, Daniella, “Exhibit: Just Visiting”, The Orange County Register,
November 27
Hickey, Dave, “Step Into Liquid”, Exhibition Catalog (images reproduced)
Kraus, Chris, Tumlir, Jan, & McFadden, Jane, “LA Artland: Contemporary
Art from
Los Angeles”, Black
Dog Publishing, London, pgs.157, 216
Moos, David, “Extreme Abstraction”, ArtUS, Issue 10, October/November
2005
Vicky Perry, Abstract Painting: Concepts & Techniques, Watson &
Gutlipp, NY,
September, pp.
115, 121
Frances Colpitt, Wall painting, Exhibition Catalogue,University of Texas
gallery, San
Antonio,
September
Huntington, Richard, “A sampling of all things abstract-old and new”,
Buffolo News,
August
13
Claire Schneider, Extreme Abstraction, Exhibition Catalogue, Albright
Knox Gallery
Buffalo,
NY July
2003 Vanderpool, Jennifer, "Visiting Imaginary
Places", Feature in Art Papers, March /
April issue
Firstenberg, Lauri, “Flash Art, Feature: "Interview with Lauri
Firstenberg" vol. 227,
89-92,
Dec/Jan
Maine, Stephen, "Dateline Brooklyn", artnet,
December 20
2002 David Perez, FLASH ART, Feature: Focus Painting
Part 1, vol. 226,
October 2002, pp 78-85,
David Pagel, Phaidon Press, Vitamin P, essay:
Re: Jane Callister/ Contemporary
Painting, ed. Valerie Bruevart,
Phaidon, 2002
Sarah King, Art in America, Report from Santa
Fe, feature article/review of
Las Vegans at James Kelly
Contemporary, Santa Fe, July 2002, p 51
2001 The Chronicle, Review: Cal’s Art, Sampling
California Painting, University of
North Texas, Art Gallery, Denton Texas, 2001
2000 Christopher Knight, Los Angeles Times, Art
Calendar, Catching the Next Wave
of Painters, Review of the Next Wave: New
Painting in Southern
California, at California, Center for the Arts,
Escondido, California, June
20, 2000, pp F1 & F8
Joseph Woodward, Artweek, Review of
Architecture at CAF, Santa Barbara,
California, April 2000
1999 Dave Hickey, Artforum, Review of Best of the
90s, December 1999, p 113
Colin Gardner, Jane Callister’s Artificial
Elegance; Beyond the Pleasure
Principal, Catalogue, Forward by
Frances Colpitt, UTSA Satellite
Space, San Antonio, Texas, September 1999
David Pagel, Los Angeles Times, Art Calender:
Human Appetites, Review of
Pornamental at Sherry Frumkin
Gallery, Santa Monica, California,
February 1999
1998 David Hickey Ultralounge: The Return of Social
Space (with Cocktails), Exhibit
category, Diverse Works, Houston,
Texas, 1998
Michael Odom, Art Forum, Ultralounge, Review,
Houston, Texas, November 1998
Janaki Lennie, Artlies, Review of Ultralounge,
Houston, Texas, Summer 1998, p 43
1997 David Pagel, Los Angeles Times, Art Calendar,
Review: The Vegas Show,
Curated by Jeffrey Vallance at
Rosamund Felsen Gallery, Santa Monica
California, February 14, 1997 |