EDGAR ARCENEAUX - SUSANNE VIELMETTER LOS ANGELES PROJECTS

SUSANNE VIELMETTER LOS ANGELES PROJECTS

EDGAR ARCENEAUX


	Born 1972, Los Angeles, lives and works in Los Angeles Education 2001 MFA, California Institute of the Arts, Valencia, CA 1996 BFA, Art Center College of Design, Pasadena, CA. 2000-01 Fachhochschule Aachen, Aachen, Germany 1999 Skowhegan School of Painting Skowhegan, Maine 1998 The Banff Center for the Arts, Banff, Alberta, Canada 1998 Project Row Houses, Houston, Texas Solo Exhibitions 2008 Susanne Vielmetter Los Angeles Projects, Culver City, CA “The Agitation of Expansion”, Contemporary Art Center of Virginia, Virginia Beach, VA 2007 Praz–Delavallade, Paris, France “The Agitation of Expansion”, Galerie Kamm, Berlin, Germany 2006 " The Alchemy of Comedy...Stupid", Susanne Vielmetter Los Angeles Projects “Snake River”, REDCAT Gallery, Los Angeles and Lentos Kunstmuseum Linz, Austria, curated by Clara Kim and Stella Rollig, Collaboration with Charles Gaines and the LA Philharmonic "Alchemy of Comedy…Stupid", Gallery 400, University of Illinois Chicago, Illinois, collaboration with David Allan Grier “Edgar Arceneaux- New Work, - Alchemy of Comedy…Stupid”, ArtPace, San Antonio, TX "An Arrangement without Tormentors", Lentos Kunstmuseum, Museum of Contemporary Art, Linz, Austria, curated by Stella Rollig (in progress) 2005 "Borrowed Sun", The Kitchen, New York, NY, curated by Debra Singer "Borrowed Sun", San Francisco Museum of Contemporary Art, San Francisco, CA "Alchemy of Comedy", Gallery 400, University of Illinois Chicago, Illinois, collaboration with David Allan Grier Adamski Gallery of Contemporary Art, Aachen, Germany Kunstwerke Museum, Berlin, Germany 2004 "Borrowed Sun", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA "Negative Capability. The Michael Jackson Project", Galerie Kamm, Berlin, Germany "An Arrangement Without Tormentors", Witte de With Museum, Rotterdam 2003 "Drawings of Removal", Project Space, UCLA Hammer Museum, Santa Monica, CA "Library as Cosmos", Kunstverein Ulm, Germany "Library as Chaos", Frehrking Wiesehoefer, Cologne, Germany "107th Street, Watts", Revolver Verlag, Frankfurt, Germany 2002 "Rootlessness", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA "Drawings of Removal", Studio Museum Harlem, NY ”The Trivium”, Gallery Kamm, Berlin, Germany 2001 “The Trivium”, Montgomery Gallery, Pomona College, Claremont, CA, curated by Rebecca McGrew 1999 The Project, New York, NY 1998 “The Remnants Project”, Armory Center for the Arts, Pasadena, CA Group Exhibitions 2008 “California Biennial 2008”, Orange County Museum of Art, Newport Beach, CA, curated by Lauri Firstenberg “Whitney Biennial”, Whitney Museum of American Art, New York, NY “Black Is, Black Ain’t”, The Renaissance Society, University of Chicago, IL (catalogue) Center of Contemporary Art in Tel Aviv, Israel, curated by Alma Ruiz “The Lining of Forgetting”, Weatherspoon Art Museum, Greensboro, NC, curated by Xandra Eden, traveling to: The Austin Museum of Art, Austin Texas, from May 30 – August 23, 2009 (catalogue) 2006 “Materialization of Sensibility: Art and Alchemy”, Leslie Tonkonow Artworks + Projects, New York, NY, Curated by Klaus Ottman. “Tomorrowland: CalArts in Moving Pictures”, Museum of Modern Art, New York “Symmetry”, MAK Center for Art and Architecture at the Schindler House, Los Angeles, CA, Curated by Kimberly Meyer, and Nizan Shaked “Philosophy of Time Travel”, Studio Museum in Harlem, New York, collaboration with Rodney McMillian, Olga Koumandouros, Vincent Johnson, Matthew Sloly 2005 "Cut", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA "Uncertain States of America", Astrup Fearnley Museum of Art, Oslo, Norway, curated by Daniel Birnbaum, Hans Ulrich Obrist, and Gunnar Kvaran traveling to: Bard Museum Center for Curatorial Studies, Bard College, New York, NY Reykjavik Art Museum, Reykjavik, Iceland Herning Art Museum, Copenhagen, Denmark “the imaginary number”, KW institute for contemporary art, Berlin, Germany “Mixed Doubles”, Forum Gallery, Carnegie Museum of Art “Displaced”, KünstlerInnen, Berlin, Germany, curated by Kathrin Becker “The Need to Document”, Halle für Kunst e.V., Lüneburg, Germany "Monuments for the USA", CCA Wattis Institute for Contemporary Arts, San Francisco, CA, curated by Ralph Rugoff. "Double Consciousness: Black Conceptual Art Since 1970", Contemporary Arts Museum Houston, Houston, TX, curated by Valerie Cassel 2004 "Art and the Afterall Effect", PlaySpace, California College of the Arts Graduate Gallery, San Francisco, CA "Quicksand", de Appel, Amsterdam, Netherlands "Upside Down: Neueingerichtete Raeume zur Gegenwart", Ludwigforum Aachen, Aachen, Germany, with Cindy Sherman, Sam Durant and others "Remembering", Sweeny Art Gallery, UC Riverside, Riverside, CA, curated by Charles Gaines "The Michael Jackson Project", Collaboration with Rodney McMillian, Inaugural Exhibition Susanne Vielmetter Los Angeles Projects, Culver City Space "Fade - African American Artists in Los Angeles - A Survey Exhibition", Luckman Gallery University Fine Arts Gallery, Cal State Los Angeles, curated by Malik Gaines 2003 "Korrekturen". Galerie Kamm, Berlin, Germany "The Summer of 2003", Galerie Paul Andriesse, Amsterdam, Netherlands "True Stories", Witte de With Museum, Rotterdam, curated by Catherine David and Jean Perre Rehm, in the context of the International Film Festval Rotterdam, "Social Strategies: Redfining Social Realism", University Art Museum Santa Barbara, Santa Barbara, CA, curated by Pamela Achincloss, with Tracy Emin, Gilbert & George, Nan Goldin, Felix Gonzales-Torres, Barbara Kruger, Wolfgang Laib, Neo Rauch, Paul Pfeiffer and others, traveling to: DePauw University Art Museum, Greencastle, IN Illinois State University, Normal, IL Skidmore College, Schick Gallery, Saratoga Springs, NY The Newcomb Art Gallery, Tulane University, New Orleans, LA "The Fifth Annual Altoids Curiously Strong Collection", traveling exhibition to: Consolidated Works, Seattle, WA Soo Visula Arts, Minneapolis, MN Art Center, South Florida, Miami, FL Atlanta College of Art, Atlanta, GA The New Museum, New York, NY "Urban Aesthetics: California Artists 2003", The African American Museum of Art, Los Angeles 2002 "Lateral Thinking", San Diego Museum of Contemporary Art, La Jolla, CA “Persoenliche Plaene”, Kunsthalle Basel, Basel, Germany, curated by Christina Vegh (catalog) "Mass Appeal: The Art Object and Hip Hop Culture", Gallery 101, Ottawa; Montreal Arts Intercultires, Montreal; The Kyber Center for the Arts, Halifax; Owens Art Gallery, Sackville, curated by Franklin Sirmans ”Prophets of Boom”, Kunsthalle Baden Baden, Baden Baden, Germany (catalog) ”Unjustified”, Apex Art, New York, NY, curated by Kerry James Marshall 2001-02 “One Planet Under a Groove”, Bronx Museum, New York, NY, curated by Franklin Sirmans and Lydia Yee, traveled to: Walker Art Center, Minneapolis, MN, Villa Stuck, Munich, Germany 2001 “Profiler”, Kunstlerhaus Bethanien, Berlin, Germany, curated by Astrid Mania and Peter Robinson. “Prosthetics, Camouflage & War”, Adamski Frehrking Wiesehoefer Gallery, Koln,Germany. “Superman in Bed”, Museum Am Ostwall, Dortmunt, Germany, curated by Wilhelm Schurmann. “Rappers Delight”, Yerba Buena Center for the Arts, San Francisco, curated by Arnold Kemp 2000 “<hers>” Video as Female Terrain, Landesmuseum Joanneum, Graz, Austria, curated by Stella Rollig “Sitegeist”, Porter Troupe Gallery, San Diego, CA, curated by Edgar Arceneaux and Dwayne Moser “Pierogi Flat Files”, Post Gallery, L.A., CA, Curated by Susan Joyce. “Veni, Vidi, Video”, Kunstfaktor, Berlin, Germany. 1999 “Paradise 8”, Exit Art, New York, N.Y. “Spaceship Earth”, Art in General, New York, N.Y., curated by Katherine Ruello. “Permanent Collection of 1999”, San Diego Museum of Contemporary Art, La Jolla, CA. “I, Me, Mine”, Luckmans Fine Arts Gallery, L.A., CA, curated by Julie Joyce and Mike Mehring 1998 “Warming”, The Project, New York, NY “Triangle of Nice”, Book of Lies, Vol.II, Los Angeles and Fullerton, CA. “Round 9”, Project Row Houses, Houston, TX. 1997 “1997 Annuale”, LACE, Los Angeles, CA, curated by Elizabeth Armstrong “Uncommon Sense”, MOCA’s Geffen Contemporary, Los Angeles, CA. “Kwangju Biannale”, Kwanju, Korea “Fantasy, Desire and Memory”, Porter Troupe Gallery, San Diego, CA. 1996 “9 Hours at Bliss”, Bliss Gallery, Pasadena, CA, curated by Laura Cooper “Open House”, Williamson Gallery, Art Center College of Design, Pasadena, CA. Bibliography 2006 Spaid, Sue, “Whitney Biennial 2006’’, artUS, July/September, issue 14 Wood, Eve, “Symmetry: Los Angeles”, Art Papers, July/August Smith, Roberta, “Endgame Art? It’s Borrow, Sample and Multiply in an Exhibition at Bard College”, The New York Times, July 7 Snake River: Charles Gaines and Edgar Arceneaux, Lentos Kunstmuseum Linz and the Roy and Edna Disney/CalArts Theater (RedCat show catalogue), Ed. Karen Jacobson AMM, “Edgar Arceneaux: The Alchemy of Comedy… Stupid”, Artkrush, April 19 Klemcke, Elizabeth, “Artists in the House”, Brilliant, April Bush, Haydn, “The silence of standup”, Chicago Journal, March 29 Roussel, Noёllie, “Los Angeles: Elsewhere is Everywhere”, Art Press, April Issue, pp. 34-44 Martin, Courtney J, “Edgar Arceneaux: New York”, Art Papers, March/April Issue, p. 64 Kastner, Jeffrey, “Elective Affinities: The Art of Egdar Arceneaux”, Artforum, February Issue, pp. 192-195 Golden, Thelma, “Edgar Arceneaux: The Alchemy of Comedy, Stupid”, The Studio Museum in Harlem Magazine Collector’s Issue, Fall/Winter 2005-06 Campagnola, Sofia, “Focus Los Angeles”, Flash Art, January/February Issue, Vol. XXXIX, No.246, pg.68 Helfand, Glen, “Edgar Arceneaux – San Francisco Museum of Modern Art”, Artforum, January Issue, XLIV, No.5, pg.228 Campbell, Clayton, “The City of Angeles – A short survey on the Los Angeles art scene”, Flash Art, January/February Issue, Vol. XXXVIII, No.246, pg.77 2005 O’Driscoll, Bill, “Sun Set”, Pittsburgh City Paper, December 29 Cotter, Holland, “Edgar Arceneaux: Borrowed Sun”, New York Times, November 17 Birnbaum, Daniel, Kvaran, Gunnar, Obrist, Ulrich, “Uncertain States of America: American Art in the Third Millenium”, Astrup Fearnley Museum of Modern Art (exhibition catalog) Von Ulrich, Gutmair, “Macht nur soviel Ihr könnt”, Netzeitung, August 21 Dawsey,Jill, “New Work: Edgar Arceneaux”, San Francisco Museum of Modern Art (exhibition catalog essay) Gupta, Anjali, “Double Consciousness: Black Conceptual Art Since 1970”, Art Papers, July/August Roeske, Sharon, “Art in Black History Month”, Arts Houston, February Issue Brooks Ranallo, Anne, "Gallery 400 gets foundation prize for comedy performance film", University of Illinois at Chicago, February Cassel Oliver, Valerie, "Through the Conceptual Lens: The Rise, Fall, and the Resurrection of Blackness", Double Consciousness, Black Conceptual Art Since 1970, Contemporary Art Museum Houston, January (catalog) JB, "Double Consciousness: Black Conceptual Art Since 1970", Artforum, January issue, 2004 Gaines, Charles, "Edgar Arceneaux's Search for Meaning Among Infinite Variations", Lorch, Catrin, "Drawings of Removal", pg 76 - 80, AfterAll Magazine, October 2004 "Continuing and Recommended", Artscene, Vol.24, No.2, October Holte, Michael Ned, "Itineraries", Artforum, August 3 Jones, Leslie, "Edgar Arceneaux / UCLA Hammer Museum", Art on paper, pg. 18, May - June issue Myers, Julian, "Edgar Arceneaux / Rodney McMillian at Susanne Vielmetter Los Angeles Projects / UCLA Hammer Museum", Frieze, May 2004 issue, pg. 92 - 93 Pence, Elizabeth. "Edgar Arceneaux at the UCLA Hammer Museum", Artweek, Apri 2004, Volume 35, Issue 3, pg 21 - 22 Miles, Christopher, "Edgar Arceneaux: UCLA Hammer Museum", ArtForum, pg 190, March Knight, Christopher, "A chronicle of race, rage, ritual", Los Angeles Times, February 2003 Chang, Aimee, "Opening the work", Joo, Eungie, "Library as Cosmos", exhibition catalog essays, in Edgar Arceneaux, "Lost Library", Kunstverein Ulm, Ulm, Germany, co- edited by Brigitte Hausmann Pagel, David, "Questions, few answers", Los Angeles Times, April 23 Auchincloss, Pamela & Ottman, Klaus, "Art and Society: from the Social to the Trancendental", exhibition catalog for "Social Strategies - Redefining Social Realism",pg. 7 - 19, New York, February 2003 Woodard, Joseph, "New social art order", ArtScene, Mach 25 - April 3 2002 "Lateral Thinking - Art of the 1990's", Museum of Contemporary Art San Diego, Exhibition Catalog, New York, 2002, pg. 31-31 Klaasmeyer, Kelly, "Memory Lane", Houston Press, November 7 Cotter, Holland, The New York Times, August 2 Marzahn, Alexander, Basler Zeitung, Feuilleton, March 30/31, pg. 42 Grundy, Timothy, Basellandschaftliche Zeitung, March 28, Pg. 6 Bartmettler, Yvonne, Basler Zeitung, March 21, pg. 12 Imhoff, Dora, March 2002, pg. 424-425 Naef, Maja, Kunstbulletin, Mai 2002, pg.45 Schweizer, Klaus, Basler Zeitung, April 8, pg. 30 Neue Zuericher Zeitung, April 13, pg. 64 Basler Zeitung, March 30, pg 42 Caramanica, John, "Hip Hop Don't Stop", Village Voice, January 9 - 15 Joo, Eungie, "Bring that Beat Back", FYI, Spring 2002 "Hip Hop Planet", URB 91, March issue, pg 48 The New York Times, March 1 Dies&Das, 2002 Oswald, Anja, "Wenn der Bleistift Rappt", Zitty, October, pg. 80 juxtapoz, pg 56, 2002 2001 Jonhson, Vincent, Pomona College Museum of Art catalog interview Lang, Peter, Blitz Review, December 19 Kareem, Nadra, Los Angeles Times, September 4 Fricke, Harald, Die Tageszeitung, November 14 Reeves, Mosi, "Bring the Noise", San Francisco Bay Guardian, June 6 2000 Pincus, Robert L., "Life as we know it", The San Diego Union Tribune, October 5, pg 38 Pincus, Robert L., "Objects D'Curio", The San Diego Union Tribune, 2000 1999 Sirmans, Franklin, "Edgar Arceneaux", Time Out New York Awards / Grants 2006 ArtPace Residency, San Antonio, TX 2005 Joyce Award, Chicago Creative Capital, New York William H. Johnson Foundation Grant, Los Angeles Public Collections The Carnegie Museum of Art, Pittsburgh, PA The Museum of Contemporary Art, La Jolla, CA The Walker Art Center, Minneapolis, MN Los Angeles County Museum of Art, Los Angeles, CA UCLA Armand Hammer Museum, Westwood, CA The San Francisco Museum of Modern Art, San Francisco, CA New York Public Library, New York, NY Museum am Ostwall, Dortmund, Germany